Malone Quotes

We've searched our database for all the quotes and captions related to Malone. Here they are! All 100 of them:

I stopped believing there was a power of good and a power of evil that were outside us. And I came to believe that good and evil are names for what people do, not for what they are.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
The boldness of his mind was sheathed in a scabbard of politeness.
Dumas Malone (Jefferson the Virginian)
Nothing is more real than nothing.
Samuel Beckett (Malone Dies)
I am a collection of oddities, a circus of neurons and electrons: my heart is the ringmaster, my soul is the trapeze artist, and the world is my audience. It sounds strange because it is, and it is, because I am strange.
David Arnold (Mosquitoland)
I pause to record that I feel in extraordinary form. Delirium perhaps.
Samuel Beckett (Malone Dies)
Then I went back into the house and wrote, It is midnight. The rain is beating on the windows. It was not midnight. It was not raining.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
Poetry, plays, novels, music, they are the cry of the human spirit trying to understand itself and make sense of our world.
L.M. Elliott (Annie, Between the States)
I am Melody Malone, with ice in my heart and a kiss on my lips. In the city that never sleeps and should never blink, mysteries are my business.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
I have a self-made quote: Celebrate diversity, practice acceptance and may we all choose peaceful options to conflict.
Donzella Michele Malone
As simple as it sounds, I think understanding who you are—and who you are not—is not the most important thing of all Important Things.
David Arnold (Mosquitoland)
Every great character, Iz, be it on page or screen, is multidimensional. The good guys aren't all good, the bad guys aren't all bad, and any character wholly one or the other shouldn't exist at all. Remember this when I describe the antics that follow, for though I am not a villain, I am not immune to villainy.
David Arnold (Mosquitoland)
You spend you life roaming the hillsides, scouring the four corners of the earth, searching desperately for just one persons to fucking get you. And I’m thinking, if you can find that, you’ve found home.
David Arnold (Mosquitoland)
You do what you were made to do. Some of us were made to read and write. Thanks be to God.
Nancy M. Malone (Walking a Literary Labyrinth)
You know–I think my best course of action is to just let the ridiculousness of that sentence marinate.
David Arnold (Mosquitoland)
Unfathomable mind, now beacon, now sea.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
I sat with my feet up on my desk and started to make a mental list of the people who’d want me dead. Once I got to fifty, I decided this wasn’t helping.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
Complicated” is my middle name.’ Actually, it’s not my middle name – any more than Malone is my last name. Whether Melody is really my first name is, well, complicated.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
let us say before i go any further, that i forgive nobody. i wish them all an atrocious life in the fires of icy hell and in the execrable generations to come.
Samuel Beckett (Malone Dies)
Life can be a real son of a bitch sometimes, bringing things back around long after you've said good-bye.
David Arnold (Mosquitoland)
When a man in a forest thinks he is going forward in a straight line, in reality he is going in a circle, I did my best to go in a circle, hoping to go in a straight line.
Samuel Beckett (Molloy)
Melody Malone is the owner and sole employee of the Angel Detective Agency in Manhattan. She is possibly married but lives alone usually, and is older than both her parents. Sometimes. Why not visit her website? Ah – probably because the internet hasn’t been invented yet. Sorry, Sweetie.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
But I know what darkness is, it accumulates, thickens, then suddenly bursts and drowns everything.
Samuel Beckett (Malone Dies)
It's been my experience, Langford, that the past always has a way of returning. Those who don't learn, or can't remember it, are doomed to repeat it.
Steve Berry (The Charlemagne Pursuit (Cotton Malone, #4))
Study the past if you would define the future. --CONFUCIUS
Steve Berry (The Emperor's Tomb (Cotton Malone, #6))
إني لا أغفر لأحد . وأتمنى للجميع حياة آثمة ، ثم نار جهنم وصقيعها . حتى يخرج اسم شريف من الأجيال اللعينة.
Samuel Beckett (Malone Dies)
بجدية كافحت لأكون جاداً أكثر ، أن أعيش وأبدع . ولكن عند كل محاوله جديدة أفقد عقلي ، أهرب إلى ظلالي كما يهرب الفرد إلى المعبد .
Samuel Beckett (Malone Dies)
Sometimes, things are more embarrassing when you're alone. I guess when no one's around to hear your stupidity, you're forced to bear the brunt of it.
David Arnold (Mosquitoland)
If all my friends jumped off a bridge, I wouldn't jump with them. I'd be at the bottom, hoping to catch them.
Steve Berry (The Paris Vendetta (Cotton Malone, #5))
أرى الحياة دون أن أعرف ما هي ، حاولت أن أعيش دون أن أعرف ما أفعله أو أحاول أن أفعله ..
Samuel Beckett (Malone Dies)
Malone: Me father died of starvation in Ireland in the black 47. Maybe you've heard of it. Violet: The Famine? Malone: No, the starvation. When a country is full o food, and exporting it, there can be no famine.
George Bernard Shaw (Man and Superman)
Coldplay songs deliver an amorphous, irrefutable interpretation of how being in love is supposed to feel, and people find themselves wanting that feeling for real. They want men to adore them like Lloyd Dobler would, and they want women to think like Aimee Mann, and they expect all their arguments to sound like Sam Malone and Diane Chambers. They think everything will work out perfectly in the end (just like it did for Helen Fielding's Bridget Jones and Nick Hornby's Rob Fleming), and they don't stop believing because Journey's Steve Perry insists we should never do that.
Chuck Klosterman (Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto)
Words and images run riot in my head, pursuing, flying, clashing, merging, endlessly. But beyond this tumult there is a great calm, and a great indifference, never really to be troubled by anything again.
Samuel Beckett (Malone Dies)
لو استطعت استخدام جسدي لألقيت به من النافذه ، معرفتي بعجزي هي التي تشجعني على مثل هذا التفكير .
Samuel Beckett (Malone Dies)
I envied women with signature hair-dos, signature perfumes, signature sign-offs. Novelists who tell Vogue Magazine: “I can’t live without my Smythson notebook, Pomegranate Noir cologne by Jo Malone and Frette sheets”. In the grip of madness, materialism begins to look like an admirable belief system.
Emma Forrest (Your Voice in My Head)
Some believe what separates men from animals is our ability to reason. Others say it’s language or romantic love, or opposable thumbs. Living here in this lost world, I’ve come to believe it is more than our biology. What truly makes us human is our unending search, our abiding desire for immortality.
Arthur Conan Doyle (The Lost World (Professor Challenger, #1))
The secret is not just to be stunning, which I find comes rather easily, to be honest. The tricky thing is getting exactly the right level of stun for the occasion.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
I think about how quickly things have changed for me. But that’s the personality of change, isn’t it? When it’s slow, it’s called growth; when it’s fast, it’s change. And God, how things change: some things, nothings, anythings, everything… all the things change.
David Arnold (Mosquitoland)
If you want to build a ship, don’t drum up people to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
Make sure that you are seeing each person on your team with fresh eyes every day. People evolve, and so your relationships must evolve with them. Care personally; don’t put people in boxes and leave them there.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
A good rule of thumb for any relationship is to leave three unimportant things unsaid each day.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
It was the sort of day when deciding what to wear is like planning a military operation. Believe me – I have considerable experience of both.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
: هذا النوع من الأغراء لا أريده الآن . إن حاجتي لجمال الحياة قد انتهت . واستطيع أن أموت اليوم إذا رغبت بمجرد مجهود صغير .
Samuel Beckett (Malone Dies)
I have spoken softly, gone my ways softly, all my days, as behoves one who has nothing to say, nowhere to go, and so nothing to gain by being seen or heard.
Samuel Beckett (Malone Dies)
I raised an alluring eyebrow. Alluringly.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
Gaslighting is mind control to make victims doubt their reality.
Tracy Malone
Say it, do it, preach it, shout it, but never, absolutely never, believe your own bullshit.
Steve Berry (The Templar Legacy (Cotton Malone, #1))
The fact would seem to be, if in my situation one may speak of facts, not only that I shall have to speak of things of which I cannot speak, but also, which is even more interesting, but also that I, which is if possible even more interesting, that I shall have to, I forget, no matter. And at the same time I am obliged to speak. I shall never be silent. Never.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
ماذا علي أن أفعل؟ أرقب النافذه ،أطلق العنان لآلامي ، لعجزي،أغص،واسقط،أنهض،وأغص، وأفترض ،وأنكر، أؤكد وأغرق .أغادر نفسي بسرور أقل .
Samuel Beckett (Malone Dies)
أستطيع أن أميز بين الأصوات الخارجية.أوراق الشجر،تأوه الجذوع.الأغصان،حتى الأعشاب،كل شجرة لها صيحتها الخاصة،ولا تتشابه شجرتان همسهما.
Samuel Beckett (Malone Dies)
I don’t often need rescuing, but it’s nice when it goes well and doesn’t involve great heights.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
If you want to live your whole life free from pain,you must either be a god or a corpse.
Steve Berry (The Venetian Betrayal (Cotton Malone, #3))
في صغري كان الكبار يبعثون في نفسي التساؤل والرهبة ، وما يدهشني الآن هم الأطفال يبكون ويصرخون .
Samuel Beckett (Malone Dies)
I’ve never been one to resist a single entendre.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
Everything about me is pretty and a lot of it is shrewd. So I had a pretty shrewd idea what was going on.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
It was one of the few places where someone remembered his name. Yeah, okay, so he felt like Sam Malone on Cheers, but there was no Norm or Cliff sitting at the bar here. More like Spike and Switchblade.’ (Wulf)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
But heroes, at times, had to be fools.
Steve Berry (The Venetian Betrayal (Cotton Malone, #3))
Just a quick glimpse to assure myself that everything was buttoned and unbuttoned in the best places and pointing in the right direction.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
The essence of leadership is not getting overwhelmed by circumstances.
Kim Malone Scott (Radical Candor: Be a Kickass Boss Without Losing Your Humanity)
Gaslighting are lies with a purpose to confuse and control.
Tracy Malone
Live and invent. I have tried. I must have tried. Invent. It is not the word. Neither is to live. No matter. I have tried. [...] I say living without knowing what it is. I tried to live without knowing what I was trying. Perhaps I have lived afterall, without knowing.
Samuel Beckett (Malone Dies)
There is no use indicting words, they are no shoddier than what they peddle.
Samuel Beckett (Malone Dies)
It is the role of objects to restore silence
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
Remember that, Iz. Be a kid of honesty. Wave it like a banner for all to see. Also, while I'm thinking about it - be a kid who loves surprises. Squeal with delight over puppies and cupcakes and birthday parties. Be curious, but content. Be loyal, but independent. Be kind. To everyone. Treat every day like you're making waffles. Don't settle for the first guy (or girl) unless he's the right guy (or girl). Live your effing life. Do so with gusto, because my God, there's nothing sorrier than a gusto-less existence. Know yourself. Love yourself. Be a good friend. Be a kid of hope and substance. Be a kid of appetite, Iz. You know what I mean, don't you? (Of course you do. You're a Malone.) Okay, that's all for now. Catch you on the flip side. Blimey, get ready. Signing off, Mary Iris Malone, Your Big Sister
David Arnold (Mosquitoland)
Probably the most important thing you can do to build trust is to spend a little time alone with each of your direct reports on a regular basis.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
Nothing to do but stretch out comfortably on the rack, in the blissful knowledge you are nobody for all eternity.
Samuel Beckett (Three Novels: Molloy, Malone Dies, The Unnamable)
It's the circumstances that create fear. How you respond is all you can control. Concentrate on that, and you'll always succeed.
Steve Berry (The Paris Vendetta (Cotton Malone, #5))
Twinkle the Destroyer wasn't alone, it seemed. There were more gnomes than I thought. Pip the Bringer of Pain, Chauncey the Devourer of Souls, Cuddly the Inexplicable, Gnoman Polanski, Pith the Bitey, Gnome ChompSky, Gnomie Malone, Chuck the Norriser- the list went on. 'It's like a mishmash of violent imagery, TV, an political references' 'I told you they like TV. I'm not sure the understand everything they see, though, so they don't fully grasp what they're stealing their names from. Like, I think Gnome ChompSky just thought it sounded tough and Chuck the Norriser came from watching too many episodes of Walker, Texas Ranger. They believe Chuck Norris is a demigod' 'Who doesn't?
Lish McBride (Necromancing the Stone (Necromancer, #2))
There's a thin, blurry line between humor and tragedy.
Christopher Paul Curtis (The Mighty Miss Malone)
Always think deep inside and listen to your gut about someone that “loves” you. If you wonder if they should be treating you that way you know the answer.
Tracy Malone
The best way to keep superstars happy is to challenge them and make sure they are constantly learning.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
Let me through – I’m a doctor.’ My heart beat a little faster, and I lingered just long enough to be sure he’d used the indefinite article. But the man was short and bald and rather ugly – not at all like any Doctor I’d consult. I hope. If ‘consult’ is the right word.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
I fold my laundry discretely, putting my jeans and tops on anything I don’t want the guys to see. I sneak a look at Malone every once in a while, and each time I do, he seems to know. Blushing becomes my permanent facial state. I pretend to watch the game, though the Sox could have all been murdered and left disemboweled on the field for all the attention I truly pay.
Kristan Higgins (Catch of the Day (Gideon's Cove, #1))
I could die today, if I wished, merely by making a little effort, if I could wish, if I could make an effort. But it is just as well to let myself die, quietly, without rushing things. Something must have changed. I will not weigh upon the balance any more, one way or the other.
Samuel Beckett (Malone Dies)
Gaslighting is an attempt to change the truth.
Tracy Malone
In other words, or perhaps another thing, whatever I said it was never enough and always too much. Yes,
Samuel Beckett (Three Novels: Molloy, Malone Dies, The Unnamable)
Follow your heart. It rarely leads you astray. It's thinking that gets us into trouble.
Steve Berry (The Jefferson Key (Cotton Malone, #7))
Sometimes, the greatest gift you can give your team is to let them go home.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
Everything happens because there was a lesson you needed to learn. Move on from the messenger they were not the lesson. Find the lesson and you will never repeat it again.
Tracy A. Malone
Likeyoubye
Jen Malone (Wanderlost)
When bosses are too invested in everyone getting along they also fail to encourage the people on their team to criticize one another other for fear of sowing discord. They create the kind of work environment where being "nice" is prioritized at the expense of critiquing and therefore improving actual performance.
Kim Malone Scott (Radical Candor: Be a Kickass Boss Without Losing Your Humanity)
What can it matter to me, that I succeed or fail ? The undertaking is none of mine, if they want me to succeed I'll fail, and vice versa, so as not to be rid of my tormentors.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
He seemed as oblivious to it as he probably was to the meaning of the word.
Melody Malone (The Angel's Kiss: A Melody Malone Mystery)
My flat's about half a mile away, and you know what I'd like most of all in the world? I'd like a cup of tea. Come on, let's go and put the kettle on.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
Gaslighting is confusing because they switch to intermittent concern.
Tracy Malone
Allie.” Dean leans forward and fixes me with an eerily somber stare. “This show is fucking stupid.” “I know,” I say sheepishly. “But it’s addictive. Trust me, one episode of this crap and you’ll be hooked.” “Sorry, baby doll, but I can pretty much guarantee that’s not gonna happen.” * Dean It happened. God help me. I’m into this show. I came over tonight with the single-minded purpose of working the charm and convincing Allie to get naked with me again. Instead, I’m sipping on a margarita, I’ve just watched two hours’ worth of a French soap opera, and now I’m texting Logan to let him know I won’t make it to Malone’s. Because…God help me…I want to know what happens next.
Elle Kennedy (The Score (Off-Campus, #3))
I have a license,” says a voice behind us. I turn to find 17C scrolling through pictures on his camera, standing in the front yard like a deep-rooted tree, like he’s been there for years. Somehow, that black eye only makes him more desirable. “And you are . . . ?” asks Moses. A) Perfect B) The god of Devastating Attractiveness C) A flawless specimen, created in a lab by mad scientists in an effort to toy with the heart of Mary Iris Malone D) All of the above I circle D. Final effing answer.
David Arnold (Mosquitoland)
Let them be gone now, them and all the others, those I have used and those I have not used, give me back the pains I lent them and vanish, from my life, my memory, my terrors and shames. There, now there is no one here but me, no one wheels about me, no one comes toward me, no one has ever met anyone before my eyes, these creatures have never been, only I and this black void have ever been.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
If you’re in doubt as to whether or not a question is inappropriate, here’s a helpful tip. Ask yourself if you would feel comfortable asking that question to a cisgender person. Generally speaking we as a society don’t around asking people about their private parts. They’re called private for a reason.
Ian Thomas Malone (The Transgender Manifesto)
. . . people use tricks to get you to think the way they do or take away something you have that they want. One way they do that is to interrupt your normal way of thinking and take you by the hand and guide you down the path they want you to take. Father says they make you take a teeny-weeny step in their direction, and then they start to nudge you a little further down the path and before you know it, you're running full speed with them in a direction that you probably wouldn't have gone alone.
Christopher Paul Curtis (The Mighty Miss Malone)
You may be worried about earning their respect, and that’s natural. Unfortunately, though, being overly focused on respect can backfire because it’ll make you feel extra defensive when criticized. If, on the other hand, you can listen to the criticism and react well to it, both trust and respect will follow.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
Anna was, Livia is, Plurabelle's to be. Northmen's thing made southfolk's place but howmulty plurators made eachone in per-son? Latin me that, my trinity scholard, out of eure sanscreed into oure eryan! Hircus Civis Eblanensis! He had buckgoat paps on him, soft ones for orphans. Ho, Lord! Twins of his bosom. Lord save us! And ho! Hey? What all men. Hot? His tittering daugh-ters of. Whawk? Can't hear with the waters of. The chittering waters of. Flitter-ing bats, fieldmice bawk talk. Ho! Are you not gone ahome? What Thom Malone? Can't hear with bawk of bats, all thim liffey-ing waters of. Ho, talk save us! My foos won't moos. I feel as old as yonder elm. A tale told of Shaun or Shem? All Livia's daughter- sons. Dark hawks hear us. Night! Night! My ho head halls. I feel as heavy as yonder stone. Tell me of John or Shaun? Who wereShem and Shaun the living sons or daughters of? Night now! Tell me, tell me, tell me, elm! Night night! Telmetale of stem or stone. Beside the rivering waters of, hitherandthithering waters of. Night!
James Joyce (Finnegans Wake)
In youth he had felt the hidden beauty and ecstasy of things, and had been a poet; but poverty and sorrow and exile had turned his gaze in darker directions, and he had thrilled at the imputations of evil in the world around. Daily life had for him come to be a phantasmagoria of macabre shadow-studies; now glittering and leering with concealed rottenness as in Beardsley's best manner, now hinting terrors behind the commonest shapes and objects as in the subtler and less obvious work of Gustave Dore. He would often regard it as merciful that most persons of high Intelligence jeer at the inmost mysteries; for, he argued, if superior minds were ever placed in fullest contact with the secrets preserved by ancient and lowly cults, the resultant abnormalities would soon not only wreck the world, but threaten the very integrity of the universe. All this reflection was no doubt morbid, but keen logic and a deep sense of humour ably offset it. Malone was satisfied to let his notions remain as half-spied and forbidden visions to be lightly played with; and hysteria came only when duty flung him into a hell of revelation too sudden and insidious to escape.
H.P. Lovecraft (The Call of Cthulhu & Other Weird Stories (20th-Century Classics))
Bella. "Nathan Malone is dead." He caught her shoulders, shook her. "No!" she screamed back. And she couldn't hit him. She wanted to, and she couldn't. "look at me," he yelled. "Look at me, Bella. What happened killed the man you loved. All that is left is this. The man you see now.The name name I carry now. Anything else is no possible." "No!" She pulled away from him, stumbled to her feet, and shook with the rage pounding through her. "The name may be dead, but you are not dead. "You weren't just a SEAL," she cried. "You weren't just a friend, or a son, or a grandson, or a brother. You weren't just a warrior." She clenched her fists, pressed to her stomach as the agony swell up through every cell of her body. "You are my husband. My lover. It doesn't matter if your name is Nathan, Noah, or hey fucking you, you are my my lover. My soul. My heart.
Lora Leigh (Wild Card (Elite Ops, #1))
It’s brutally hard to tell people when they are screwing up. You don’t want to hurt anyone’s feelings; that’s because you’re not a sadist. You don’t want that person or the rest of the team to think you’re a jerk. Plus, you’ve been told since you learned to talk, “If you don’t have anything nice to say, don’t say anything at all.” Now all of a sudden it’s your job to say it. You’ve got to undo a lifetime of training. Management is hard.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
From Beckett's "The Unnamable": "They love each other, marry, in order to love each other better, more conveniently, he goes off to the wars, he dies at the wars, she weeps, with emotion, at having loved him, at having lost him, yep, marries again, in order to love again..., more conveniently again, they love each other, you love as many times as necessary, as necessary in order to be happy, he comes back, the other comes back, from the wars, he didn't die at the wars after all, she goes to the station, to meet him, he dies in the train, of emotion, at the thought of seeing her again, having her again, she weeps, weeps again, with emotion again, at having lost him again, yep, goes back to the house, he's dead, the other is dead, the mother-in-law takes him down, he hanged himself, with emotion, at the thought of losing her, she weeps, weeps louder, at having loved him, at having lost him, there's a story for you, that was to teach me the nature of emotion, that's called emotion, what emotion can do, given favourable conditions, what love can do, well well, so that's emotion, that's love, and trains, and the nature of trains, and the meaning of...
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
But what matter whether I was born or not, have lived or not, am dead or merely dying, I shall go on doing as I have always done, not knowing what it is I do, nor who I am, nor where I am, nor if I am. Yes, a little creature, I shall try and make a little creature, to hold in my arms, a little creature in my image, no matter what I say. And seeing what a poor thing I have made, or how like myself, I shall eat it. Then be alone a long time, unhappy, not knowing what my prayer should be nor to whom.
Samuel Beckett (Malone Dies)
Oh, now my Erin, she'd smile down on me no matter where I walked." Grandpop smiled that little smile again. "But I'd be separated from her, and I'd feel that separation in my soul, you see?" Nathan shook his head. Grandpop sighed. "You have the Irish eyes, boy. One of these days, you'll see from eyes, not your own, feel with a heart outside your chest. Wild Irish eyes. Nathan. When you love, love well and love true, and take care, lad, because those Irish eyes are windows into not just your own soul, but the soul of the one you love." Grandpop looked out at his Erin's grave. "And when you lose that heart, you can't leave the places where your memories are the best. And if I left her, I'd not be buried beside her.
Lora Leigh (Wild Card (Elite Ops, #1))
Here’s what I need to do to stay centered: sleep eight hours, exercise for forty-five minutes, and have both breakfast and dinner with my family. If I skip one or two of those things for a day or two, it’s OK. But that’s the routine. Also, every so often I need to read a novel (ideally one a week), go away for a romantic weekend with my husband (ideally four times a year), and take a two-week vacation with siblings and parents (once a year). If I can manage to do those things, I can usually stay centered no matter what storms are raging around me.
Kim Malone Scott (Radical Candor: Be a Kick-Ass Boss Without Losing Your Humanity)
No" she jerked back, stared up at him. Her eyes were like thunderclouds. He'd never seen them like that. Shock and fear filled them. Her face was paper white. Her body shuddering. "Don't you leave me!" She gripped his shirt and tried to shake him, tears falling from her eyes. "Don't you leave Noah." His head lowered. He touched her lips with his and knew this woman held the best part of him. The memories of the husband he had been, the man he had been. He couldn't destroy that. He refuse to. He pushed her to Jordan slowly, loath to let her go. To release her. Knowing that releasing her was the only way to save the memories she held. "Don't you leave!" She screamed the order, eyes blazing, her lips trembling as tears fell and hysteria threatened to overwhelm her. "If you leave me, Noah Blake, if you don't come back when this is over, don't bother coming back at all. He touched her cheek. Ran his thumb over her lips. "You are the best part of me," he whispered. "Always remember that, Sabella. The best part of me." Before she could grab him, hold him to her, he pulled away, grabbed one of the rifles Mike had set on the table across the room. And left.
Lora Leigh (Wild Card (Elite Ops, #1))
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)