β
How were you supposed to change- in ways both big and small- when your family was always there to remind you of exactly the person you apparently signed an ironclad contract to be?
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Just because it is in Malibu's nature to burn, so was it in one particular person's nature to set fire and walk away.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Nina understood, maybe for the first time, that letting people love you and care for you is part of how you love and care for them.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Family is found...whether it be blood or circumstance or choice, what binds us does not matter. All that matters is that we are bound.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Our family histories are simply stories. They are myths we create about the people who came before us, in order to make sense of ourselves.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Must be nice. To be able to be weak. I wouldnβt know.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
She had to choose what, of the things she inherited from the people who came before her, she wanted to bring forward. And what, of the past, she wanted to leave behind.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
She was a woman, after all. Living in a world created by men. And she had long known that assholes protect their own. They are faithful to no one but surprisingly protective of each other.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Thereβs no room for you in my life anymore. And I donβt owe it to you to make any space.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Alcoholism is a disease with many faces, and some of them look beautiful.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Small boundaries broken, snapped like tiny twigs, so many that June barely noticed he was coming for the whole tree.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
There was finally enough air within her for a fire to ignite.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
But a good life is knowing people care about you, knowing you can take care of the people that count on you.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Too much self-sufficiency was sort of mean to the people who loved you, Kit thought. You robbed them of how good it feels to give, of their sense of value.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Maybe our parents' lives are imprinted within us, maybe the only fate there is is the temptation of reliving their mistakes. Maybe, try as we might, we will never be able to outrun the blood that runs through our veins. Or. Or maybe we are free the moment we are born. Maybe everything we've even done is by our own hands.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Nina didnβt hate Carrie Soto for stealing her husband because husbands canβt be stolen. Carrie Soto wasnβt a thief; Brandon Randall was a traitor.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Our parents live inside us, whether they stick around or not... They express themselves through us in the way we hold a pen or shrug our shoulders, in the way we raise our eyebrow. Our heritage lingers in our blood.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
But they were in love, the kind of love that hurts. They hit highs so high neither of them could quite stand it, and lows so low they weren't sure they'd survive them.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
It was inevitable, wasnβt it? The small mistakes and heartbreaks of guiding a life?
β
β
Taylor Jenkins Reid (Malibu Rising)
β
I rolled over and picked up Us Weekly magazine off the floor. The cover had a picture of Angelina, Brad, and their little Eskimo son, Maddox. I saw staring at the photo, wondering why this little boy looks so pissed off in every picture.
At first I thought he was just pissed about his Mohawk, but then I realized heβs probably furious. Maddox must have thought he hit the jackpot when some A-list celebrity rescued him from third-world Cambodia, only to discover that she was going to shuffle him back and for the to EVERY other third-world country in the universe. Heβs probably like, 'When the fuck are we gonna get to Malibu, bitch?
β
β
Chelsea Handler (Are You There, Vodka? It's Me, Chelsea)
β
That is the thing about the water, it is not yours to control. You are at the mercy of nature. Thatβs what makes surfing feel like more than sport: It requires destiny to be on your side, the ocean must favor you.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
She was a woman, after all. Living in a world created by men.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
She knew it was up to her to say what had to be said. To do what had to be done. When there is only you, you do not get to choose which jobs you want, you do not get to decide you are incapable of anything. There is no room for distaste or weakness. You must do it all. All of the ugliness, the sadness, the things most people can't stand to even think about, all must live inside of you. You must be capable of everything.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Your whole world can be falling apart, she thought, but then Springsteen will start playing on the radio.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
She could understand suddenly why people talked about passion as fire: She felt as if they had caught aflame and were burning like the dry Malibu hills, about to become ashes that would mix together forever.
β
β
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
β
What a gift it was to know so clearly what you were not, who you did not want to be. Nina wasnβt sure sheβd ever asked herself that question.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Accept accept accept. For so long, Nina had believed it was her greatest strengthβthat she could withstand, that she could endure, that she would accept it all and keep going. It was so foreign to her, the idea of declaring that something was unacceptable.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
She missed the parents who had never truly understood her, missed the man who had never truly loved her, missed the future she thought she had been building for herself, missed the young girl she used to be.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Why take a chance on another book when I already know I like this one?
β
β
Taylor Jenkins Reid (Malibu Rising)
β
And Iβve been really sad,β Nina added. βThat Iβ¦that I meant so little to someone who had made me believe I meant so much.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Hud would love his child the way his mother had loved him: actively, every day, and without ambiguity.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
It was as if June had given her a boxβas if every parent gives their children a boxβfull of the things they carried. June had given her children this box packed to the brim with her own experiences, her own treasures and heartbreaks. Her own guilts and pleasures, triumphs and losses, values and biases, duties and sorrows. And Nina had been carrying around this box her whole life, feeling the full weight of it. But it was not, Nina saw just then, her job to carry the full box. Her job was to sort through the box. To decide what to keep, and to put the rest down. She had to choose what, of the things she inherited from the people who came before her, she wanted to bring forward. And what, of the past, she wanted to leave behind.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Instead, Nina Riva stood on the edge of the cliff she'd never wanted, and looked out onto the water she wished was closer, and for the first time in her quiet life, screamed into the wind.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Kit regretted every single choice she'd made that had brought her to this moment. This is what she had always wanted to avoid, being forced to pretend men were interesting.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Waves that beautiful are rare. That is the thing about the water, it is not yours to control, you are at the mercy of nature.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
...Please tell me it's not like eighty degrees in Malibu."
"It's not. It's raining, which means the natives are convinced the end is near and are engaged in ritual auto pileups in an attempt to appease the angry gods.
β
β
D.B. Reynolds (Rajmund (Vampires in America, #3))
β
She knew that she could not sustain her life fueled only by the memories of those she once loved. Loss would not propel her forward. She had to go out and live. She had to find new people.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
It was the beginning of a lesson her children would learn by heart: Alcoholism is a disease with many faces, and some of them look beautiful.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
When there is only you, you do not get to choose which jobs you want, you do not get to decide you are incapable of anything. There is no room for distaste or weakness. You must do it all. All of the ugliness, the sadness, the things most people canβt stand to even think about, all must live inside of you. You must be capable of everything.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Men were bullshit - people were bullshit - and Nina was not going to live through bullshit white wearing high heels a single second longer.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Aunt Sookieβs Malibu pad had always been magical. It was where they could be anyone or anything they wanted. ", Loving Summer by Kailin Gow
β
β
Kailin Gow (Loving Summer (Loving Summer, #1))
β
just as it is in Malibuβs nature to burn, so was it in one particular personβs nature to set fire and walk away.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
At the bottom of every person's dependency, there is always pain, Discovering the pain and healing it is an essential step in ending dependency.
β
β
Chris Prentiss (The Alcoholism and Addiction Cure: A Holistic Approach to Total Recovery)
β
How were you supposed to changeβin ways both big and smallβwhen your family was always there to remind you of exactly the person you apparently signed an ironclad contract to be?
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Midget,β Nat says simply, his smile widening.
βI was not a midget.β
Nat raises an eyebrow. βIt looked that way from up here. The same as Rachel. The Two Midgets of Malibu.β
Loving Summer by Kailin Gow
β
β
Kailin Gow (Loving Summer (Loving Summer, #1))
β
Kit, particularly, grieved the way some people drink, which is to say: rarely but always alone and to excess.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
She thought of her children like the magic grow capsules you got at gift shops at the science museum. These tiny little nothings that you drop into water and then watch as they slowly reveal what they were always destined to be. This one a Stegosaurus, this one a T. Rex. Except, instead, it was watching them become dependable, or talented, or kind, or daring.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
You are not an alcoholic or an addict. You are not incurably diseased. You have merely become dependent on substances or addictive behavior to cope with underlying conditions that you are now going to heal, at which time your dependency will cease completely and forever.
β
β
Chris Prentiss (The Alcoholism and Addiction Cure: A Holistic Approach to Total Recovery)
β
She was pretty sure she did not want to kiss any guy at all
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Dolphins had been swimming along the shore in Malibu well before she was born and they would be swimming along the shore here in Malibu well after she left, and she took comfort in that.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
I think the problem, Dad," she said, with an unexpected warmth in her voice, "is that your love doesnβt mean very much.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Children who grow up with money have no idea it exists. But children who donβt understand that it powers everything.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Someone should tell them all, Nina thought, paradise doesnβt exist.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
People who believe they have bad luck create bad luck. Those who believe they are very fortunate, that the world is a generous place filled with trustworthy people, live in exactly that kind of world.
β
β
Chris Prentiss (The Alcoholism and Addiction Cure: A Holistic Approach to Total Recovery)
β
What did it take? To say exactly what you meant? To feel comfortable in the middle of causing discomfort? To not feelβso intrinsically as to be as vital to yourself as your bloodβthat it was your responsibility to make things smooth and pleasant for everyone?
β
β
Taylor Jenkins Reid (Malibu Rising)
β
You were born a piece of shit and youβll die a piece of shit just like every other piece of shit on this planet!
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Small boundaries broken, snapped like tiny twigs, so many that June barely noticed he was coming for the whole tree. With every move Mick made, as he held her, as he kissed her, June lost sight of the exact moment to speak up and then resigned herself to the pain of having never spoken up at all.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Itβs the kind of kitchen people donβt just cook in, they live in it. Just stepping into it reminds me of where I am, and Iβm at home instantly.", Loving Summer by Kailin Gow
β
β
Kailin Gow
β
She could see her mother in her body, could feel her in her heart, could sense her in everything she did, sometimes. The older she got, the more obvious it became.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
What broken familyβno matter how shattered be reunited? What child, no matter how lost or abandoned, does not ache to be loved?
β
β
Taylor Jenkins Reid (Malibu Rising)
β
It was inevitable wasn't it? The small mistakes and heartbreaks of guiding a life. His mother had screwed up as much as she'd succeeded.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
If you examine your motive for doing anything, you'll soon discover that your reason is that you believe it will make you happy.
β
β
Chris Prentiss (The Alcoholism and Addiction Cure: A Holistic Approach to Total Recovery)
β
We were born with magic in our hearts.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Every minute of your lives you were loved", he said as his chin started to quake. He put his hands together in a prayer motion and put them to his chest and said, "If I exist on this earth, someone loves you".
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Our parents live inside us, whether they stick around or not, Hud thought. They express themselves through us in the way we hold a pen or shrug our shoulders, in the way we raise our eyebrow. Our heritage lingers in our blood. The idea of it scared the shit out of him.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
I began asking myself just what my high was about. What did I do when I was high that I didn't do when I was sober? What was wrong that heroin fixed?
β
β
Pax Prentiss (The Alcoholism and Addiction Cure: A Holistic Approach to Total Recovery)
β
The good thing about getting dumped by a dickhead is that you donβt have to deal with the dickhead anymore.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Winter denial: therein lay the key to California Schadenfreude--the secret joy that the rest of the country feels at the misfortune of California. The country said: "Look at them, with their fitness and their tans, their beaches and their movie stars, their Silicon Valley and silicone breasts, their orange bridge and their palm trees. God, I hate those smug, sunshiny bastards!" Because if you're up to your navel in a snowdrift in Ohio, nothing warms your heart like the sight of California on fire. If you're shoveling silt out of your basement in the Fargo flood zone, nothing brightens your day like watching a Malibu mansion tumbling down a cliff into the sea. And if a tornado just peppered the land around your Oklahoma town with random trailer trash and redneck nuggets, then you can find a quantum of solace in the fact that the earth actually opened up in the San Fernando Valley and swallowed a whole caravan of commuting SUVs.
β
β
Christopher Moore (The Stupidest Angel: A Heartwarming Tale of Christmas Terror (Pine Cove, #3))
β
Iβll always love you,β she said. βNo matter who you are or what sort of life you want.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
But I don't think what you're born into says anything about where you're headed.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Mick married again, shortly after he divorced Veronica. The biggest star in Hollywood. It was a huge scandal, the talk of the town when they had it annulled the next day.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Iβm just sayingβ¦I donβt come from any money at all. But I donβt think what youβre born into says anything about where youβre headed.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Every day of your life feels like youβre climbing up the mountain. And then you get there and you stay for a bit. And itβs nice at the top. But then you start sliding down the other side.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Letting people love you and care for you is part of how you love and care for them.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
If June didn't want her mother's life, then she couldn't take her mother's advice. Plain and simple.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
As with most of their disagreements, they found the anger dissipated as soon as they forgot to hold on to it.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Call the fire department," I said, trying hard to stay calm.
"On it." Bess said, digging into her pocket. "I'll text 911."
"Don't text, call!" I said, feeling my heart pounding in the chest.
β
β
Carolyn Keene
β
But when the lights went out that night, and all of them lay in their separate beds, staring at the ceiling, June knew that she, and Nina, and Jay, and Hudson all had lost something. They were now living with a different-sized hole in each one of their four hearts.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Do you know how much a body can weigh when it falls into your arms, helpless? Multiply it by three. Nina carried it all. All of the weight, in her arms, on her back.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
After all, her family had grown up. And wasnβt this the day you always looked toward? When the kids were grown and your life was yours to take.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
What a gift it was to know so clearly what you were not, who you did not want to be.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Treatment for dependency at substance abuse treatment centers must change if alcoholism and addiction are to be overcome in our society.
β
β
Chris Prentiss (The Alcoholism and Addiction Cure: A Holistic Approach to Total Recovery)
β
The worst pain you can imagine is when something you love goes away and nothing you can do will ever bring it back.
β
β
M.K. Meredith (Malibu Betrayals (Malibu Sights #1))
β
She knew that childhood is made up of days magnificent and mundane. And this had been a magnificent day for all of them.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
They had taught her that family is found, that whether it be blood or circumstance or choice, what binds us does not matter. All that matters is that we are bound.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
There was no end to the stories people would tell about what happened at the Riva party, some of which Nina wasn't even sure were true.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Why were all of her mistakes that had been so hidden from her as she was making them so clear to her now?
β
β
Taylor Jenkins Reid (Malibu Rising)
β
Nina, her entire life, had been programmed to accept. Accept that your father left. Accept that your mother was gone. Accept that you must take care of your siblings. Accept that the world wants to lust after you. Accept Accept Accept.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
If you can stop using substance or stop your addictive behavior for extended periods of time without craving, you are not dependent. You are dependent only if you can't stop without physical or psychological distress (you have unpleasant physical and/or psychological withdrawal symptoms) or if you stop and then relapse.
β
β
Chris Prentiss (The Alcoholism and Addiction Cure: A Holistic Approach to Total Recovery)
β
This boy needed someone to love him. And she could do
that. That would be a very easy thing for her to do.
She pulled him close to her, as close as she could, as
close as sheβd held her own babies the days they were
born. She held him tight and she put her cheek to his head
and she could feel him start to calm. And then, even before
he was silent, June had already made up her mind.
βI will love you,β June told him. And she did.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
They will not know what the future holds or if their paths will ever cross again. But they will feel that - for one night at least - someone has seen them as they have always wanted to be seen. And that will be enough.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
The time came to put Iris Duarte back on the plane.
It was a morning flight which made it difficult. I was
used to rising at noon; it was a fine cure for hangovers
and would add 5 years to my life. I felt no sadness
while driving her to L.A. International. The sex had
been fine; there had been laughter. I could hardly
remember a more civilized time, neither of us making
any demands, yet there had been warmth, it had not
been without feeling, dead meat coupled with dead
meat. I detested that type of swinging, the Los
Angeles, Hollywood, Bel Air, Malibu, Laguna Beach
kind of sex. Strangers when you meet, strangers when
you partβa gymnasium of bodies namelessly
masturbating each other. People with no morals often
considered themselves more free, but mostly they
lacked the ability to feel or to love. So they became
swingers. The dead fucking the dead. There was no
gamble or humor in their gameβit was corpse
fucking corpse. Morals were restrictive, but they were
grounded on human experience down through the
centuries. Some morals tended to keep people
slaves in factories, in churches and true to the State.
Other morals simply made good sense. It was like a
garden filled with poisoned fruit and good fruit. You
had to know which to pick and eat, which to leave
alone.
β
β
Charles Bukowski (Women)
β
To do what had to be done. When there is only you, you do not get to choose which jobs you want, you do not get to decide you are incapable of anything. There is no room for distaste or weakness. You must do it all. All of the ugliness, the sadness, the things most people canβt stand to even think about, all must live inside of you. You must be capable of everything.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
As I was walking with a friend through a beautiful nature reserve near Malibu in California, we came upon the ruins of what had been once a country house, destroyed by a fire several decades ago. As we approached the property, long overgrown with trees and all kinds of magnificent plants, there was a sign by the side of the trail put there by the park authorities. It read: danger. all structures are unstable. I said to my friend, βThatβs a profound sutra [sacred scripture].β And we stood there in awe. Once you realize and accept that all structures (forms) are unstable, even the seemingly solid material ones, peace arises within you. This is because the recognition of the impermanence of all forms awakens you to the dimension of the formless within yourself, that which is beyond death. Jesus called it βeternal life.
β
β
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
β
Family histories repeat, Nina thought. For a moment, she wondered if it was pointless to try to escape it. Maybe our parentsβ lives are imprinted within us, maybe the only fate there is is the temptation of reliving their mistakes. Maybe, try as we might, we will never be able to outrun the blood that runs through our veins.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
But she would welcome a certain type of man in particular: a good man, who was a nice guy, who didnβt play games and understood that her career was important to her, that she could never quit the business, that she was living her dream. A man that could give her an orgasm every night and not expect her to make breakfast in the morning.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
When there's only you, you do not get to choose which jobs you want, you do not get to decide you are incapable of anything. There is no room for distance or weakness. You must do it all. All of the ugliness, the sadness, the things most people can't stand to even think about, all must live inside you. You must be capable of anything.
β
β
Taylor Jenkins Reid (Malibu Rising)
β
It's the causes, not the dependent person, that must be corrected. That's why I see the United States' War on Drugs as being fought in an unrealistic manner. This war is focused on fighting drug dealers and the use of drugs here and abroad, when the effort should be primarily aimed at treating and curing that causes that compel people to reach for drugs.
β
β
Chris Prentiss (The Alcoholism and Addiction Cure: A Holistic Approach to Total Recovery)
β
Nina continued staring at Carrie but didnβt say anything. How was it that this woman could shout out every thought running through her head? Why was it that Carrie Soto felt so entitled to scream?
In that moment, Nina was not mad or jealous or embarrassed or anything else she might have expected. Nina was sad. Sad that sheβd never lived a fraction of a second like Carrie Soto. What a world she must live in, Nina thought, where you can piss and moan and stomp your feet and cry in public and yell at the people who hurt you. That you can dictate what you will and will not accept.
Nina, her entire life, had been programmed to accept. Accept that your father left. Accept that your mother is gone. Accept that you must take care of your siblings. Accept that the world wants to lust after you. Accept accept accept. For so long, Nina believed it was her greatest strength - that she could withstand, that she could endure, that she would accept it all and keep going. It was so foreign to her, the idea of declaring that something was unacceptable.
Nina thought of herself driving to someone elseβs house to scream on their front lawn while a whole partyβs worth of people watched. It was so impossible that she couldnβt even summon a mental picture.
But Carrie had this fire within her. Where was Ninaβs fire? Had it ever been there? And if so, when did it go out?
Her husband had slept with Carrie last night and then Nina had taken him back this evening. What was wrong with her? Was she just going to accept it all? Just accept every piece of bullshit thrown at her for the rest of her life?
β
β
Taylor Jenkins Reid (Malibu Rising)
β
AA purports to be open to anyone, as it is stated in Tradition Tree, "The only requirement for AA membership is a desire to stop drinking," but it isn't open to everyone. It's open only to those who are willing to publicly declare themselves to be alcoholics or addicts and who are willing to give up their inherent right of independence by declaring themselves powerless over addictive drugs and alcohol, as stated in Step One, "We admitted we are powerless over alcohol- that our lives had become unmanageable.
β
β
Chris Prentiss (The Alcoholism and Addiction Cure: A Holistic Approach to Total Recovery)