Makeup Free Quotes

Some of the New York Radical Women shortly afterward formed WITCH (Women's International Terrorist Conspiracy from Hell) and its members, dressed as witches, appeared suddenly on the floor of the New York Stock Exchange. A leaflet put out by WITCH in New York said: WITCH lives and smiles in every woman. She is the free part of each of us, beneath the shy smiles, the acquiescence to absurd male domination, the make-up or flesh-suffocating clothes our sick society demands. There is no "joining" WITCH. If you are a woman and dare to look within yourself, you are a WITCH. You make your own rules.

Misogynists have often reproached intellectual women for 'letting themselves go'; but they also preach to them: if you want to be our equals, stop wearing makeup and polishing your nails. This advice is absurd. Precisely because the idea of femininity is artificially defined by customs and fashion, it is imposed on every woman from the outside[...]. The individual is not free to shape the idea of femininity at will.

In exact proportion as women grow independent, educated, wise and free, do they become less submissive to men-made fashions.

There is a part of me that no one ever sees. I hide behind a mask of heavy make-up and ever-changing hair and clothing. I try to reinvent myself. It doesn’t work. There are times when I am bone-crushingly sad. I just want to curl into a ball and hide from the rest of the world. But, I plaster on a smile and play the game for my family and friends. They call me a free spirit. I wish I were free. I feel like I am imprisoned by my own mind.

and seeing her makeup free, in a nightgown and ponytail, her lips bruised from his kisses, her face flushed with sex, he thought she’d never looked more adorable, never prettier, beyond beautiful.

People will try to make you feel good by saying everyone is beautiful, but what they really mean is written into all those empty beauty campaigns where they only ever show people who still fit the standard or are just a tiny bit deviant from it— just enough to still be acceptable. Maybe they’ve got body hair, but it’s only some peach fuzz and a bit of stubble under their arms. Maybe they’re plus-sized, but they still have the correct chest-to-waist-to-hips ratio. Maybe they’re going makeup-free, but their skin only has a few small imperfections to begin with. Then everybody pats themselves on the back because they’re so inclusive, wow, everyone is beautiful.

I suddenly felt the way Cinderella might have felt if she hadn’t had that convenient midnight curfew: my feet were hurting, my hair was slipping free from its pins, and my makeup was getting all smudged from sweat. I was unbelievably tired, undeniably depressed, and I just wanted charming.

Lizzie rolled into school in a boy's school trousers and runners, uncaring of what anyone had to say about her appearance. She honestly didn’t seem to care what people thought. She dressed according to her mood and projected vibes the same way. She could show up tomorrow in a skirt and with a full face of makeup. She did what she wanted to do when she wanted to do it, unaware and uncaring of anyone else's opinion. She oozed a lazy sort of confidence with her long, dark blonde, swishing ponytail and makeup-free face, emphasizing those big, blue eyes of hers.

Plants or animals rarely behave in an unnatural manner that’s contrary to their true makeup. Human beings are also natural beings, but at the same time, we’re conscious entities. We therefore have free will and must make the choice not merely to be part of nature, but also to follow faithfully the “laws of nature.

WITCH lives and laughs in every woman. She is the free part of each of us, beneath the shy smiles, the acquiescence to absurd male domination, the make-up or flesh-suffocating clothes our sick society demands. There is no “joining” WITCH. If you are a woman and dare to look within yourself, you are a WITCH. You make your own rules.

Afterwards, sitting on my bunk, I cried. I read somewhere that when you’re a kid it’s people’s cruelty that makes you cry, then when you’re an adult it’s their kindness. I hadn’t realised until that moment how completely I’d given up any entitlement to kindness. And then when I saw Jake, so visibly strung out, looking so totally alone, the makeup felt cheap on my face, a stupid girl’s gesture. (The girl’s still in there, waist-deep in the blood and guts of the monster’s victims. There might be something out there that’ll kill the girl but if so I can’t imagine what it could be.) Are you okay? I’m fine. Are you all right? I’m fine. Weeks of waiting and then when the moment comes you trade the plainest words. The nearness of him hurt, my heart, my head, my breasts, my womb, it felt like, started the wolf trying to tear itself free.

In those days, before the First World War, young women did not use makeup. Anna was free of lipstick, and her gold hair was rolled in great coils over her ears.

Before me lay a body grayer than a sketch. Someone had applied makeup and colors to try to make it look alive. I didn’t cry. That was not my mother. My mother is free in the sky. She doesn’t have the burden of a human body, is not made up of a single dot of gray. My mother is a bird.

I point at Drew, as I turn to Dawn. "See? My sister finds her soulmate, and not only does she get rewarded with love and happiness, she gets free champagne flutes, and dutch ovens, and fifty-dollar checks. And what do I get? What do I get on a day when I still haven't found anyone to love? When I'm waiting by the phone for some jerk to call me, and acting like a crazy woman, e-mailing him at three a.m., clutching at straws that I might ever find anyone? Do I get gifts? No! I get condemnation from my grandmother, and I get to wear a dress that makes me look like a baked potato.

Everything seemed to have less to do with power, and more to do with right and wrong. And it was also apparent that laws were being manipulated using the inconsistency of free will and the shitty make-up of human nature. ~RUIN Katara Aggelos

I settled into a contented routine of working, spending my free time with Veronica and, back in my student room, wanking explosively to fantasies of her splayed beneath me or arched above me. Daily intimacy made me proud of knowing about make-up, clothes policy, the feminine razor, and the mystery and consequences of a woman’s periods. I found myself envying this regular reminder of something so wholly female and defining, so connected to the great cycle of nature.

What some people regard as freedom is slavery wearing makeup … a push-up bra … and a corset.

Makeup can be used to express yourself as well. Those experiences should not be limited to women. Everyone should be free to be as colorful as they want to be.

Even though men have very little interest in wearing women’s clothes, this has not prevented a gigantic industry from arising, dedicated to satisfying women’s desires in fashion. Industries which provide makeup, hair styling, nail polish, hair removal, and weight loss services are similarly “biased” in the direction of females: they disproportionately serve women. These phenomena would be very difficult to understand on the feminist model that female wants are ignored or deprecated in the male’s favor.

Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.

Art is dead. Art is dead. Art is dead. Art is dead. Entertainers like to seem complicated But we're not complicated I can explain it pretty easily Have you ever been to a birthday Party for children? And one of the children won't stop screaming 'Cause he's just a little Attention attractor When he grows up To be a comic or actor He'll be rewarded for never maturing For never under- Standing or learning That every day Can't be about him There's other people You selfish asshole I must be psychotic I must be demented To think that I'm worthy Of all this attention Of all of this money, you worked really hard for I slept in late while you worked at the drug store My drug's attention, I am an addict But I get paid to indulge in my habit It's all an illusion, I'm wearing make-up, I'm wearing make-up Make-up, make-up, make-up, make... Art is dead So people think you're funny, how do we get those people's money? I said art is dead We're rolling in dough, while Carlin rolls in his grave His grave, his grave The show has got a budget The show has got a budget And all the poor people way more deserving of the money Won't budge it 'Cause I wanted my name in lights When I could have fed a family of four For forty fucking fortnights Forty fucking fortnights I am an artist, please God forgive me I am an artist, please don't revere me I am an artist, please don't respect me I am an artist, you're free to correct me A self-centred artist Self-obsessed artist I am an artist I am an artist But I'm just a kid I'm just a kid I'm just a kid Kid And maybe I'll grow out of it.

SLEEP DIDN’T CURE MY GUILT. It didn’t lessen it either. The mind is nothing but a free Polaroid that never stops taking pictures. And you can’t just throw them away. They won’t rip or cut. Those moments are captured forever. I go through my morning routine like a robot. Shower. Dress. Hair. Make-up. Coffee. Two cups, actually.

At first we only knew a few things: we wanted to make content we would have watched when we were younger, and we wanted to end our episodes with a dance party. Spontaneous dance parties are important in my life. I have one in the makeup trailer almost every afternoon on Parks and Recreation. Dancing is the great equalizer. It gets people out of their heads and into their bodies. I think if you can dance and be free and not embarrassed you can rule the world.

Denial serves a very real, very necessary purpose. It allows addicts to revel in the ecstatic joy of their vices, free of guilt; free of worry. It lets the sweet customer service rep at Belk -- the one with the frequent black eyes that makeup just doesn’t quite seem to hide -- continue on in her marriage, hoping her husband’s tantrums are just a phase. It helped split the nation, bloodying battlefields from Vicksburg to Gettysburg as both sides denied the reality of brother killing brother.

Living ‘in accordance with nature’ means not only questioning convention and training ourselves to do without all except the necessities (plain food, water, basic clothing and shelter) but developing the inborn gift of reason which marks us off as different from the animal world. We are meant to set free or perfect this rational element, this particle of the universal reason, the ‘divine spark’ in our human make-up, so that it may campaign against and conquer pain, grief, superstition and the fear of death.

Brocq's disease was incurable until 1951 when a sixteen-year-old boy with an advanced case of the affliction was referred as a last resort to a hypnotherapist named A. A. Mason at the Queen Victoria Hospital in London. Mason discovered that the boy was a good hypnotic subject and could easily be put into a deep state of trance. While the boy was in trance, Mason told him that his Brocq's disease was healing and would soon be gone. Five days later the scaly layer covering the boy's left arm fell off, revealing soft, healthy flesh beneath. By the end of ten days the arm was completely normal. Mason and the boy continued to work on different body areas until all of the scaly skin was gone. The boy remained symptom-free for at least five years, at which point Mason lost touch with him.6 0 This is extraordinary because Brocq's disease is a genetic condition, and getting rid of it involves more than just controlling autonomic processes such as blood flow patterns and various cells of the immune system. It means tapping into the masterplan, our DNA programming itself. So, it would appear that when we access the right strata of our beliefs, our minds can override even our genetic makeup.

A private car was waiting for us and Renée and I were driven back to the Pleasure Prison. As we rode along I was thinking, “Why do I feel so inflated, so pumped up, so on edge? I have been here eight weeks and worked only eight days.” I mean, talk about mad dogs and Englishmen, the British were incredible. A sixty-year-old makeup man stood for hours each day in the burning sun, just to press ice packs on our necks so we wouldn’t faint, and I was complaining? I was feeling ravaged, all spoiled and puffed up. But, oh, how I was going to miss it. How I was going to miss it. Riding in the car, I said a silent farewell. Farewell to the fantastic breakfasts, the pineapple like I’d never tasted and probably never will taste again. Farewell to the fresh mango and papaya, farewell to the Thai maid and the fresh, clean, cotton sheets on the king-size bed every night. Farewell to the incredible free lunches under the circus tent with fresh meat flown in from America every day. Roast lamb, roast potatoes and green beans at 110 degrees, in accordance with British Equity. Farewell to the cakes and teas and ices at four. Farewell to the Thai driver with the tinted glasses and the Mercedes with the one-way windows. Farewell to the single fresh rose in the glass on my bureau every morning. And just as I was dozing off in the Pleasure Prison, I had a flash. An inkling. I suddenly thought I knew what it was that killed Marilyn Monroe.

The history of philosophy is to a great extent that of a certain clash of human temperaments. Undignified as such a treatment may seem to some of my colleagues, I shall have to take account of this clash and explain a good many of the divergencies of philosophers by it. Of whatever temperament a professional philosopher is, he tries when philosophizing to sink the fact of his temperament. Temperament is no conventionally recognized reason, so he urges impersonal reasons only for his conclusions. Yet his temperament really gives him a stronger bias than any of his more strictly objective premises. It loads the evidence for him one way or the other, making for a more sentimental or a more hard-hearted view of the universe, just as this fact or that principle would. He trusts his temperament. Wanting a universe that suits it, he believes in any representation of the universe that does suit it. He feels men of opposite temper to be out of key with the world's character, and in his heart considers them incompetent and 'not in it,' in the philosophic business, even tho they may far excel him in dialectical ability....But the one thing that has COUNTED so far in philosophy is that a man should see things, see them straight in his own peculiar way, and be dissatisfied with any opposite way of seeing them. There is no reason to suppose that this strong temperamental vision is from now onward to count no longer in the history of man's beliefs. .... Rationalism usually considers itself more religious than empiricism, but there is much to say about this claim, so I merely mention it. It is a true claim when the individual rationalist is what is called a man of feeling, and when the individual empiricist prides himself on being hard-headed. In that case the rationalist will usually also be in favor of what is called free-will, and the empiricist will be a fatalist—I use the terms most popularly current. The rationalist finally will be of dogmatic temper in his affirmations, while the empiricist may be more sceptical and open to discussion. I will write these traits down in two columns. I think you will practically recognize the two types of mental make-up that I mean if I head the columns by the titles 'tender-minded' and 'tough-minded' respectively. THE TENDER-MINDED Rationalistic (going by 'principles'), Intellectualistic, Idealistic, Optimistic, Religious, Free-willist, Monistic, Dogmatical. THE TOUGH-MINDED Empiricist (going by 'facts'), Sensationalistic, Materialistic, Pessimistic, Irreligious, Fatalistic, Pluralistic, Sceptical.

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The complete NIV Bible was first published in 1978. It was a completely new translation made by over a hundred scholars working directly from the best available Hebrew, Aramaic and Greek texts. The translators came from the United States, Great Britain, Canada, Australia and New Zealand, giving the translation an international scope. They were from many denominations and churches—including Anglican, Assemblies of God, Baptist, Brethren, Christian Reformed, Church of Christ, Evangelical Covenant, Evangelical Free, Lutheran, Mennonite, Methodist, Nazarene, Presbyterian, Wesleyan and others. This breadth of denominational and theological perspective helped to safeguard the translation from sectarian bias. For these reasons, and by the grace of God, the NIV has gained a wide readership in all parts of the English-speaking world. The work of translating the Bible is never finished. As good as they are, English translations must be regularly updated so that they will continue to communicate accurately the meaning of God’s Word. Updates are needed in order to reflect the latest developments in our understanding of the biblical world and its languages and to keep pace with changes in English usage. Recognizing, then, that the NIV would retain its ability to communicate God’s Word accurately only if it were regularly updated, the original translators established The Committee on Bible Translation (CBT). The committee is a self-perpetuating group of biblical scholars charged with keeping abreast of advances in biblical scholarship and changes in English and issuing periodic updates to the NIV. CBT is an independent, self-governing body and has sole responsibility for the NIV text. The committee mirrors the original group of translators in its diverse international and denominational makeup and in its unifying commitment to the Bible as God’s inspired Word.

Wake up with stunning smudge free makeup everyday

But the Butler-Brennan collaboration splendidly informs The Prince and the Pirate, a Samuel Goldwyn million-dollar Technicolor production that spoofs the swashbuckling pictures of the 1930s that made Errol Flynn a star. Butler seems to have given Brennan free rein in bringing to life one of his most exuberant and ribald roles. As Featherhead, a scuzzy pirate, he convinces the malicious Captain Barrett, “the Hook” (Victor McLaglen) to spare a female gypsy fortune-teller, impersonated by “The Great Sylvester” (Hope) from walking the plank. The pirate crew is perplexed by Featherhead’s lascivious designs on this none too appetizing dish, but he practically slavers over his prize, which he bears away with great glee. Brennan plays Featherhead with devouring relish. But as soon as he has Hope to himself, Featherhead confesses he has known all along that she is a he. The shocked Sylvester recovers enough to say, “If you don’t tell anybody I’m not a gypsy, I won’t tell anybody you’re not an idiot.” Featherhead has appropriated the performer in a scheme to outwit The Hook and to capture a buried treasure. Brennan takes out his teeth for this role, and either through added weight or makeup, presents a rubicund complexion and a robust, rounded face that is startlingly different from the gaunt and rickety Eddie of To Have and Have Not.

Part of the human makeup which distinguishes man from other creatures is his ability to reason and make moral decisions. Man is a free moral agent.

Our genetic makeup permits a wide range of behaviors - from Ebenezer Scrooge before to Ebenezer Scrooge after. I do not believe that the miser hoards through opportunist genes or that the philanthropist gives because nature endowed him with more than the normal complement of altruist genes. Upbringing, culture, class, status, and all the intangibles that we call "free will," determine how we restrict our behaviors from the wide spectrum - extreme altruism to extreme selfishness - that our genes permit.

Linda was many things Jane Asher was not. Much as she enjoyed her career as a photographer, she didn’t live for it, and could happily pursue it avocationally if she didn’t have to make her living doing it. More importantly, she was an enthusiastic cook and a devoted mother, and happy to take on the domestic role that was so important to Paul. Yet she was also a free spirit. She could be stylish when the occasion demanded, but for the most part, her taste in clothes, and her disinclination to wear makeup, were rooted in a hippie sensibility that treated fashion as less important than comfort and practicality.

But one person had stayed quiet ever since Alisha’s wedding, the person whose blessing she wanted most, and he was sitting across from her, leaning back in his chair like he wanted to put some distance between himself and the platter of tempeh barbecue sliders. “Vegetarian barbecue?” Pops made it sound like blasphemy. She grinned. Silence was damning, but pushback she could handle. “Yep. I want to make sure there’s something for everyone here. And expanding our options makes sense from a business standpoint. If we’re getting more out-of-town customers, we need to offer dishes to suit a variety of dietary needs and preferences.” She nudged the plate toward him. “C’mon, I bet you’ll love it.” He picked up a slider and took a bite, then went back for another with a murmur of appreciation. “That’s actually tasty,” he admitted. “But why’d you go and make new buns? We’ve already got rolls on the menu.” “Yeah, but these are gluten-free.” “Quit lying.” He twisted the roll around, scrutinizing it like he was trying to ascertain its chemical makeup, then took another bite and chewed, brow creased in thought. “Vegetarian options I guess I can get used to, even though we used to have a pig on the sign,” he said, and chuckled.

But the point Sartre wanted his audience to get was that each of them was as free as the student, even if their predicaments were less dramatic. You might think you are guided by moral laws, he was saying to them, or that you act in certain ways because of your psychological make-up or past experiences, or because of what is happening around you. These factors can play a role, but the whole mixture merely adds up to the ‘situation’ out of which you must act. Even if the situation is unbearable — perhaps you are facing execution, or sitting in a Gestapo prison, or about to fall off a cliff — you are still free to decide what to make of it in mind and deed. Starting from where you are now, you choose. And in choosing, you also choose who you will be. If this sounds difficult and unnerving, it’s because it is. Sartre does not deny that the need to keep making decisions brings constant anxiety. He heightens this anxiety by pointing out that what you do really matters. You should make your choices as though you were choosing on behalf of the whole of humanity, taking the entire burden of responsibility for how the human race behaves. If you avoid this responsibility by fooling yourself that you are the victim of circumstance or of someone else’s bad advice, you are failing to meet the demands of human life and choosing a fake existence, cut off from your own ‘authenticity’.

Tristan ran his fingers through his hair and was so incredibly glad not to meet the long tangles he'd been dealing with for weeks. Makeup had kindly removed the extensions he'd had in for filming and he hadn't even put any product in his hair after washing it, so it was curling wildly. Being free of the black contacts he'd been wearing was also heaven and he had every intention of enjoying the wrap party to the fullest.

Children also assume that girls always play with makeup and tea sets and boys always collect baseball cards and play with fire trucks, even if the girls and boys were never exposed to these things. A cow can’t do pig things, just like a girl can’t do boy things and a boy can’t do girl things. Children, based on the findings in this study, assume that girls are born with innate and unchangeable characteristics that fundamentally differ from the innate and unchangeable characteristics that boys are born with. No amount of exposure or teaching can change our traits and interests. In other words, boys and girls are as different as cows and pigs. This is an important study because it points out how rigid children’s thinking is when it comes to gender differences. It is similar to the old saying “Give him an inch and he will take a mile.” Give kids a little push toward focusing on gender differences (and, in fact, we are giving them a massive push with our constant use of gender), and they will run with it—making us entirely different species in the process.

Grip.” Bristol bends over the rail up on the landing. Her dark hair hangs a little wild and completely free down her back. She rushes down the stairs and hurls herself into my arms. I stumble back, laughing with an armful of my girl. God, yes. This. Parker can have his billions and his hotels and his helicopters. This is all I want. I squeeze Bristol so tightly our hearts converse through our clothes. I lean into her, sliding my hands down to her waist and kissing her. “Are you hungry?” she asks against my lips. She’s wearing a simple black dress with short sleeves. She’s barefoot and has on no makeup. I could eat her for dinner she looks so good. Or actual food and then just make love to her afterwards. I like that option even better. “Starving.” I peck her lips and squint toward the take out menus under magnets on the refrigerator. “We can order whatever you want, just make it fast.

In the back of his classroom, he put his outdoor shoes in a nook and traded them for indoor flip-flops, just like the other students. He noticed that many of the kids wore colorful socks with sayings he couldn’t understand—or cartoon images of Batman. The school banned makeup, earrings, long hair, and hair dye, so socks seemed to be the main outlet for free expression.

You,” Angel seethed, and my eyes adjusted to where she stood in the room behind Charlie. Her face was makeup-free, red and blotchy and shining with freshly shed tears as she stood. She was in a silky white robe that said “bride” in gemstones on the right breast, and she pointed one hard, shaky finger right at me. “This is all your fault!

What the fu—” My tongue catches in my mouth when I spot her looking all relaxed in one of the chairs at the rear, her hair disheveled and piled high, her face free of makeup, her body in some sweats and a T-shirt, flip-flops on her feet. Because she didn’t have time to fuck about if she was going to beat me here.

I'm shoving my way through the three tall, well-muscled bodies that stand between me and my ex-roommate and straight into the room. Rylie's eyes widen as she realizes what's coming. "Ava—" I slam the door shut halfway through Dean trying to call my name. No. Not this time. "You're their fucking contact?" I hiss. She stands back, her faded purple hair yanked up into a haphazard bun and her face unusually makeup free. Like this, she looks five years younger than she actually is. Youthful. Innocent. And now I know all it hides is a conniving bitch. Anyone else would be fucking shaking in their boots right now, but Rylie? No.

i do not want to wait for another life to not care what people think of me. i want to run free in the wildflowers. say hi to strangers i do not know. i want to invite people over for dinner and not care if they do not show. i want to wear no makeup and not feel like i have to explain my lack of being put together. i want to eat burgers and pizza and not say that was the first thing i ate all day. i do not want to wait for another life to not care about the ideas people have of me. i want to be in the here and now feeling free.

Her face, framed by long blonde hair, was free of makeup, yet she was still the most beautiful woman I’d ever laid eyes on. Natalie was perfect, but I could never have her.

Clare marvelled at the number of people adorned in flags and makeup, who were claiming the streets as their own. They sported coloured hair and T-shirts, braces, face paint, rainbow-coloured shoes, and glittered skin. People carried banners and bags. Clare swallowed; how many people tamped down their identities and personalities in their day-to-day lives, and how free must they feel today?

But these sins they speak of; masturbation, fornication, erotic thoughts... They don’t feel sinful to me. They feel natural. Biologically natural. As if some force deep within my genetic makeup is driving me towards the inevitable. I feel uninhibited in a way I’ve never known, and free from restraints around me. I crave the sensation of touch from a man. I yearn for the passion of a kiss. I have an overwhelming desire to touch myself and explore these ever-changing thoughts and feelings. But planted there in the back of my mind are the thoughts that haunt me. Sin. Sinful. Sinner.

I looked up at myself in the mirror of my trailer. I had just had the most horrible conversation of my life, and the very last conversation I would ever have with my tormentor. I was free of him at last. I wonder what he would have done had he known that during that conversation, I was wearing high heels, a bra and panties, and a full face of makeup.

Some secrets just need accepting. They are part of this person’s makeup and history. And though unpleasant, these issues always require a gentle touch. In either case, you alone wield the power either to reject your spouse because of what you know or to welcome them in—warts and all. They will either know they’re in a refuge of safety where they are free to make mistakes, or they will recoil into themselves and be lost to you, perhaps forever. Loving them well should be your life’s work.

The notion of “free will”—a linchpin of many faiths—now looks increasingly dubious as scientists not only untangle the influence of our genes and environments on our behavior, but also show that some “decisions” can be predicted from brain scans several seconds before people are conscious of having made them. In other words, the notion of pure “free will,” the idea that in any situation we can choose to behave in different ways, is vanishing. Most scientists and philosophers are now physical “determinists” who see our genetic makeup and environmental history as the only factors that, acting through the laws of physics, determine which decisions we make. That,

Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.

Uh, Jill?” Rowan interrupted. He stood in the bathroom doorway. His pants were on, but a crisp white shirt hung open, revealing his taut abdominal muscles. “Can you button my shirt? I can do it, but—” “Sure.” Jill didn’t let him finish. He had no need to be embarrassed. Most of the time, she forgot Rowan operated with a big handicap. He was so strong and capable; it was hard to think of him not being good at anything. She stepped over to him, and found the first button, starting with the top. “Get the very top one,” he said. “I’m wearing a tie. And I’ll need your help with that too if you know how to tie a tie.” “No problem.” She shut her mouth and concentrated on closing his buttons without running her fingers against his skin. She was on button number four when her vision started wavering from arousal. The steamy heat of the bathroom and Rowan’s nearness made her whole body tighten with need. She wasn’t alone feeling it. As she hit the final bottom button, it was impossible to miss his erection jutting from his unbuttoned dress pants. She said nothing but stepped back when she finished. “Thanks,” he said, and started to turn away to tuck his shirt in. Something crazy inside her dared her to step forward and reach for his zipper. There was shocked silence from both of them. “I’ll tuck you in,” she murmured. Only the sound of them breathing could be heard as she carefully lowered his zipper and pushed the white dress shirt into his trousers. Her palm rubbed his body with each tuck. She started at her right, his left, and worked her away around until she came to the front. “I’ll do that,” he said in a strangled voice. She met his gaze for the first time. “Let me?” He didn’t answer but dropped his arm and stood passively letting her caress his cock under the guise of tucking his shirt. His body swelled under her hand, and she wanted to squeeze him and reach behind the elastic of his underwear to feel his hot flesh. “Jill.” “Mm?” “You have to stop.” She froze with her hand in place. His arousal pulsed against her hand. “I’m sorry.” She yanked her hand free and tried to turn away, but he spun her back and pinned her against the sink counter with a fierce kiss. She welcomed his body, pushing back against him, undulating against his hips which sought hers. The kiss overwhelmed her and she strained to capture more of his mouth, more of his body. She forgot where she was and where they were going. Anything he asked for, she was ready to give. And then he pulled back. Cold air slapped at her front where he’d warmed her. “Brother’s wedding,” he muttered. “Can’t miss it.” He helped her off the sink, and in a daze she turned to the mirror to fix her hair and makeup. “Got your lipstick on me,” Rowan said. She looked in the mirror at his reflection. “I like it.” A pink stain was smudged on one side of his lips. Lips she wanted to keep kissing. “Let’s get my tie, then we gotta go.

Why do some of us work hard and some of us sit on our asses all day? Dan Pink, a New York Times and Wallstreet Journal bestselling author, argues that there are three main motivators―and they’re not what you think. Money doesn’t make the list. In fact, money can be a demotivator. It turns out that once you get beyond work that only requires rudimentary cognitive skill, higher monetary rewards are inversely related to performance. Instead, emotion becomes the driving force. More specifically, Pink defines the three main motivators as autonomy, mastery, and purpose.2 This has been backed up by numerous scientific studies. Here’s one: “Psychologists Teresa Amabile and Steven Kramer interviewed over 600 managers and found a shocking result. 95 percent of managers misunderstood what motivates employees. They thought what motivates employees was making money, getting raises and bonuses. In fact, after analyzing over 12,000 employee diary entries, they discovered that the number one work motivator was emotion, not financial incentive: It’s the feeling of making progress every day toward a meaningful goal.”3 Consider what this means. If you aren’t hardworking, maybe it’s not because you’re lazy, but because you hate what you’re working on! I believe there’s a hustler in all of us. It isn’t about your genetic makeup. It’s about your environment and the emotional state in which you’re operating. If you’re having trouble getting up in the morning and going to work, there’s a good chance you’d be happier hustling. You just need to find the right thing to be hustling toward, and the right people to support you. If you had all the free time in the world, what would you want to master? What would give you a sense of purpose? What would make your heart beat a little louder? The hustle is somewhere inside you. You just have to find it and set it free.

engages youth through film in the promotion of safer and more diverse learning environments, free from homophobia, transphobia and bullying.”) Follow him @razielreid. Table of Contents Preproduction Hair and Makeup The Set Child Star The Small Screen Rehab Movie Poster Flashback Sex Scene Train Wreck Sunset Boulevard Shoot-out Fight Sequence 9021-Opiates Typecast Hidden Feature Rewrite Hollywood Ending Director’s Cut

Femi turned around as he heard the door swing open. Chioma appeared in a white thick towel tied around her sexy body, from above her small and well-rounded breasts. Her artificial hair took refuge under a transparent shower cap. Even with a washed-up makeup-free face, her beauty radiated and penetrated every inch of the tastelessly furnished room. Tension traveled across the floor that separated the pair as they stared hard and awkwardly at each other’s sexy figure. After a momentary loss of consciousness, the two were brought back to their senses. ‘You need to turn around so I can get dressed,’ she purred. As a gentleman would, Femi, without any utterance, quickly turned away without nurturing a second thought. He stared through the window, again, at the police van parked outside. He tried to observe what was going on inside the van, but nothing. His attention was brought back to Chioma as he stared at her from the back of his eyes. He went into whirlwinds of impure thoughts. ‘Femi… Femi… Femi!’ He was brought back to his senses as Chioma repeatedly called out his name. He slowly trained his sight upon Chioma who was dressed in a sexy, semi-transparent, cream nightgown that revealed shades of her nakedness. The nipples of her erect boobies were stiff and swollen. The gown terminated far above her knees, exposing her succulent fresh thighs. Femi’s heart began to race fast. He cleared his throat and quickly caught his breath. ‘Where do I sleep?’ Chioma asked in a half-sexy voice. ‘You have the bed. I’ll have the rug,’ Femi proposed. ‘Are you going to be comfortable sleeping on the rug? We can sleep on the bed together as long as you promise to remain on your side of the bed.’ Femi considered the very tempting offer, but summoned the strength to turn it down. ‘Don’t worry about me. I will be comfortable on the rug. I sometimes sleep on the rug when I’m alone.’ Chioma slipped into the bed in her nightgown and camisole, while Femi strolled to the light switch fastened to the wall.

An hour later we were pulling into the hospital parking lot. Sparkly and shiny from my hair and makeup job, I had to stop and bend over six times between the car and the front door of the hospital. I literally couldn’t take a step until each contraction ended. Within an hour after checking in, I was writhing on a hospital bed in all-encompassing pain and wishing once again that I’d gone ahead and moved to Chicago. It had become my default response when things got rough in my life: morning sickness? I should have moved to Chicago. Cow manure in my yard? Chicago would have been a better choice. Contractions less than a minute apart? Windy City, come and get me. Finally, I reached my breaking point. It’s an indescribable feeling, the throes of hard labor--that mind-numbing total body cramp whose origin you can’t even begin to wrap your head around. After trying to be strong and tough in front of Marlboro Man, I finally gave up and gripped the bedsheet and clenched my teeth. I groaned and moaned and pushed the nurse button and whimpered to Marlboro Man, “I can’t do this anymore.” When the nurse came into the room moments later, I begged her to put me out of my misery. My salvation arrived five minutes later in the form of an eight-inch needle, and when the medicine hit I nearly began to cry. The relief was indescribably sweet. I was so blissfully pain-free, I fell asleep. And when I woke up confused and disoriented an hour later, a nurse named Heidi was telling me it was time to push. Almost immediately, Dr. Oliver entered the room, fully scrubbed and wearing a mask. “Are you ready, Mama?” Marlboro Man asked, standing near my shoulders as the nurse draped my legs and adjusted the fetal monitor, which was strapped around my middle. I felt like I’d woken up in the middle of a party. But the weirdest party ever--one where the hostess was putting my feet in stirrups. I ordered Marlboro Man to remain north of my belly button as nurses scurried into place. I’d made it clear beforehand: I didn’t want him down there. I wanted him to continue to get to know me the old-fashioned way--and besides, that’s what we were paying the doctor for. “Go ahead and push once for me,” Dr. Oliver said. I did, but only hard enough to ensure that nothing accidental or embarrassing would slip out. I could think of no greater humiliation. “Okay, that’s not going to work at all,” Dr. Oliver scolded. I pushed again. “Ree,” Dr. Oliver said, looking up at me through the space between my legs. “You can do way better than that.” He’d watched me grow up in the ballet company in our town. He’d watched me contort and leap and spin in everything from The Nutcracker to Swan Lake to A Midsummer Night’s Dream. He knew I had the fortitude to will a baby from my loins. That’s when Marlboro Man grabbed my hand, as if to impart to me, his sweaty and slightly weary wife, a measure of his strength and endurance. “Come on, honey,” he said. “You can do it.” A few tense moments later, our baby was born. Except it wasn’t a baby boy. It was a seven-pound, twenty-one-inch baby girl. It was the most important moment of my life. And more ways than one, it was a pivotal moment for Marlboro Man.

Chapatis will soon become EXTINCT A renowned cardiologist explains how eliminating wheat can IMPROVE your health. Cardiologist William Davis, MD, started his career repairing damaged hearts through angioplasty and bypass surgeries. “That’s what I was trained to do, and at first, that’s what I wanted to do,” he explains. But when his own mother died of a heart attack in 1995, despite receiving the best cardiac care, he was forced to face nagging concerns about his profession. "I’d fix a patient’s heart, only to see him come back with the same problems. It was just a band-aid, with no effort to identify the cause of the disease.” So he moved his practice toward highly uncharted medical territory prevention and spent the next 15 years examining the causes of heart disease in his patients. The resulting discoveries are revealed in "Wheat Belly", his New York Times best-selling book, which attributes many of our physical problems, including heart disease, diabetes and obesity, to our consumption of wheat. Eliminating wheat can “transform our lives.” What is a “Wheat Belly”? Wheat raises your blood sugar dramatically. In fact, two slices of wheat bread raise your blood sugar more than a Snickers bar. "When my patients give up wheat, weight loss was substantial, especially from the abdomen. People can lose several inches in the first month." You make connections between wheat and a host of other health problems. Eighty percent of my patients had diabetes or pre-diabetes. I knew that wheat spiked blood sugar more than almost anything else, so I said, “Let’s remove wheat from your diet and see what happens to your blood sugar.” They’d come back 3 to 6 months later, and their blood sugar would be dramatically reduced. But they also had all these other reactions: “I removed wheat and I lost 38 pounds.” Or, “my asthma got so much better, I threw away two of my inhalers.” Or “the migraine headaches I’ve had every day for 20 years stopped within three days.” “My acid reflux is now gone.” “My IBS is better, my ulcerative colitis, my rheumatoid arthritis, my mood, my sleep . . .” and so on, and so on". When you look at the makeup of wheat, Amylopectin A, a chemical unique to wheat, is an incredible trigger of small LDL particles in the blood – the number one cause of heart disease. When wheat is removed from the diet, these small LDL levels plummet by 80 and 90 percent. Wheat contains high levels of Gliadin, a protein that actually stimulates appetite. Eating wheat increases the average person’s calorie intake by 400 calories a day. Gliadin also has opiate-like properties which makes it "addictive". Food scientists have known this for almost 20 years. Is eating a wheat-free diet the same as a gluten-free diet? Gluten is just one component of wheat. If we took the gluten out of it, wheat will still be bad since it will still have the Gliadin and the Amylopectin A, as well as several other undesirable components. Gluten-free products are made with 4 basic ingredients: corn starch, rice starch, tapioca starch or potato starch. And those 4 dried, powdered starches are some of the foods that raise blood sugar even higher. I encourage people to return to REAL food: Fruits Vegetables and nuts and seeds, Unpasteurized cheese , Eggs and meats Wheat really changed in the 70s and 80s due to a series of techniques used to increase yield, including hybridization. It was bred to be shorter and sturdier and also to have more Gliadin, (a potent appetite stimulant) The wheat we eat today is not the wheat that was eaten 100 years ago. If you stop eating breads/pasta/chapatis every day, and start eating chicken, eggs, salads and vegetables you still lose weight as these products don’t raise blood sugar as high as wheat, and it also doesn’t have the Amylopectin A or the Gliadin that stimulates appetite. You won’t have the same increase in calorie intake that wheat causes.

Without having to labor under the burden of actual scholarship, Cordain and the others are free to speculate about the makeup of the Paleo diet, generally identifying the foods each of them already enjoys.

A man walks past with pink hair in the crowd; another with make-up on, oh so loud! It’s not they want to differ from ourselves, more than they’re not afraid to be themselves! Commence being happy and be yourself; from blending with discontent, free yourself! If oft afraid of what others might say, it’s not you who owns your life—it is they!

Gone the glitter and glamour; gone the pompous wealth beside naked starvation; gone the strange excitement of a polyglot and many-sided city; gone the island of Western civilization flourishing in the vast slum that was Shanghai. Good-by to all that: the well-dressed Chinese in their chauffeured cars behind bullet-proof glass; the gangsters, the shakedowns, the kid­napers; the exclusive foreign clubs, the men in white dinner jackets, their women beautifully gowned; the white-coated Chinese “boys” ob­sequiously waiting to be tipped; Jimmy’s Kitchen with its good Amer­ican coffee, hamburgers, chili and sirloin steaks. Good-by to all the night life: the gilded singing girl in her enameled hair-do, her stage make-up, her tight-fitting gown with its slit skirt breaking at the silk­ clad hip, and her polished ebony and silver-trimmed rickshaw with its crown of lights; the hundred dance halls and the thousands of taxi dolls; the opium dens and gambling halls; the flashing lights of the great restaurants, the clatter of mah-jongg pieces, the yells of Chinese feasting and playing the finger game for bottoms-up drinking; the sailors in their smelly bars and friendly brothels on Szechuan Road; the myriad short-time whores and pimps busily darting in and out of the alleyways; the display signs of foreign business, the innumerable shops spilling with silks, jades, embroideries, porcelains and all the wares of the East; the generations of foreign families who called Shanghai home and lived quiet conservative lives in their tiny vacuum untouched by China; the beggars on every downtown block and the scabby infants urinating or defecating on the curb while mendicant mothers absently scratched for lice; the “honey carts” hauling the night soil through the streets; the blocks-long funerals, the white-clad professional mourners weeping false tears, the tiers of paper palaces and paper money burned on the rich man’s tomb; the jungle free-for- all struggle for gold or survival and the day’s toll of unwanted infants and suicides floating in the canals; the knotted rickshaws with their owners fighting each other for customers and arguing fares; the peddlers and their plaintive cries; the armored white ships on the Whangpoo, “protecting foreign lives and property”; the Japanese conquerors and their American and Kuomintang successors; gone the wickedest and most colorful city of the old Orient: good-by to all that.