Makeup Booking Quotes

Can I book an appointment for make-up sex in two hours? ~Sed

To wash your hair, apply your makeup and put on clothes that are well-scented with incense. Even if you’re somewhere where no one special will see you, you still feel a heady sense of pleasure inside.

Take care of your costume and your confidence will take care of itself.

I want you to move in here with me. I want to fall asleep with your hair in my face every night. And I want to wake up wrapped around you every morning. I want us to spend whole weekends without any clothes on at all. I want to have clean fights and dirty makeup sex...I want to talk to you until the sun comes up, and I want to bring you cereal in bed every Sunday. I want to work long, endless hours in this office, but only if you’re here next to me.” Excerpt From: Chase, Emma. “Tangled.” Omnific Publishing, 2013-05-21T05:00:00+00:00. iBooks. This material may be protected by copyright.

Your mental make-ups are the contents of your everyday thinking; they carry a charge that can either transform, reform or destroy you. Watch your thoughts, they determine your life!

With right fashion, every female would be a flame.

Fashion doesn't make you perfect, but it makes you pretty.

It's time to shop high heels if your fiance kisses you on the forehead.

Any girl with a grin never looks grim.

Impossible. I merely brought the essentials. Clothes, my favorite boots, face cream, makeup, a few books to read, a couple cans of caviar, lingerie, and my coffeepot. Plus a few other things a girl like me just can’t live without but can’t mention in mixed company because it would be indelicate. You know, because they’re sexual.” - at “lingerie,” Hector and Dallas had stood a little straighter. At “sexual,” they’d moaned. Jaxon punched them both in the back of the head.

I am convinced that "all ladies are not the same". Some have pretty faces, others have beautiful characters. Some have facial make-ups, others have mental make-ups!

Dresses don't look beautiful on hangers.

You cannot choose your face but you can choose your dress.

Throughout their lifetime, most women learn to be uncomfortable with their physical appearance. They create a mask of makeup that is intended to “fix” their “imperfections.” They identify so much with this mask they reject their true beauty. Feminine Transitions encourages women to remove their masks and love their true selves, completely.

Healthy is not an accident, a gift, or a rabbit’s foot. It is a HABIT. It is a habit that will shape the bodies that we were born with, a habit that will support the genetic makeup we got from our parents.

I like make-up sex. I find cosmetics so erotic.

Dresses won't worn out in the wardrobe, but that is not what dresses are designed for.

Little girls are the nicest things that can happen to people. They are born with a bit of angel-shine about them, and though it wears thin sometimes, there is always enough left to lasso your heart—even when they are sitting in the mud, or crying temperamental tears, or parading up the street in Mother’s best clothes. A little girl can be sweeter (and badder) oftener than anyone else in the world. She can jitter around, and stomp, and make funny noises that frazzle your nerves, yet just when you open your mouth, she stands there demure with that special look in her eyes. A girl is Innocence playing in the mud, Beauty standing on its head, and Motherhood dragging a doll by the foot. God borrows from many creatures to make a little girl. He uses the song of a bird, the squeal of a pig, the stubbornness of a mule, the antics of a monkey, the spryness of a grasshopper, the curiosity of a cat, the speed of a gazelle, the slyness of a fox, the softness of a kitten, and to top it all off He adds the mysterious mind of a woman. A little girl likes new shoes, party dresses, small animals, first grade, noisemakers, the girl next door, dolls, make-believe, dancing lessons, ice cream, kitchens, coloring books, make-up, cans of water, going visiting, tea parties, and one boy. She doesn’t care so much for visitors, boys in general, large dogs, hand-me-downs, straight chairs, vegetables, snowsuits, or staying in the front yard. She is loudest when you are thinking, the prettiest when she has provoked you, the busiest at bedtime, the quietest when you want to show her off, and the most flirtatious when she absolutely must not get the best of you again. Who else can cause you more grief, joy, irritation, satisfaction, embarrassment, and genuine delight than this combination of Eve, Salome, and Florence Nightingale. She can muss up your home, your hair, and your dignity—spend your money, your time, and your patience—and just when your temper is ready to crack, her sunshine peeks through and you’ve lost again. Yes, she is a nerve-wracking nuisance, just a noisy bundle of mischief. But when your dreams tumble down and the world is a mess—when it seems you are pretty much of a fool after all—she can make you a king when she climbs on your knee and whispers, "I love you best of all!

Keisha Blake, whose celebrated will and focus did not leave her much room for angst, watched her friend ascend to the top deck in her new panda-eyed makeup and had a mauvais quart d'heure, wondering whether she herself had any personality at all or was in truth only the accumulation and reflection of all the things she had read in books and seen on television.

Every day we’re bombarded with information and images—with adolescents in heavy makeup pretending to be grown women as they advertise miraculous creams promising eternal beauty; with the story of an aging couple who climbed Mount Everest to celebrate their wedding anniversary; with new massage gizmos, and pharmacy windows that are chockablock with slimming products; with movies that give an entirely false impression of reality, and books promising fantastic results; with specialists who give advice about how to succeed in life or find inner peace. And all these things make us feel old, make us feel that we’re leading dull, unadventurous lives as our skin grows ever more flaccid, and the pounds pile on irrevocably. And yet we feel obliged to repress our emotions and our desires, because they don’t fit with what we call “maturity.” Choose what information you listen to. Place a filter over your eyes and ears and allow in only things that won’t bring you down, because we have our day-to-day life to do that.

life isn’t something you apply like make-up. It’s something you grow and tend. Like a garden.

In LaLa Land, there is only one kind of sex that's logical. In a made-up land, such as LaLa Land, the citizens are forever engaging in make-up sex.

Your life success is well designed by the mental transformation you experience. That mental transformation guides you to construct powerful decisions. You can't live life so well without mental make-ups.

A cell has a nucleus and some other parts like membranes, plasmas and other stuff. Its energy is made up of protons, neurons and electrons. Genetic scientists, however, have discovered that the majority of a cell is made up of something unknown. Something akin to space filled with electromagnetic fibers of light. The human body is made up of some 37 trillion cells. What do you think you are made of? Who do you think you are?

The shadow self is what lies beneath the makeup. It’s those ugly parts that you haven’t accepted about yourself. You hide those parts in the shadows until you’re ready.” Her face remained a haunting calm. “When you realize the scars are who you are, that there was nothing wrong with you and that you were beautiful all along - that’s when you decide to take the makeup off.

You sometimes heard about the marginally talented wives of powerful men publishing children's books or designing handbags or, most commonly, becoming photographers. There might even be a show of the wife's work in a well-known but slightly off gallery. Everyone would come see it, and they would treat the wife with unctuous respect. Her photographs of celebrities without makeup, and seascapes, and street people, would be enormous, as though size and great equipment could make up for whatever else was missing.

People don’t have anniversaries for the day they fall in love.” “They should. I remember every day and every moment that was special with you. Love is fragile... a gift. And when you love someone, you should be the caretaker of their heart.” “Loving you has been the greatest gift I’ve ever been given. You know that, right?” Xuan nodded and then pulled me close to him as if to reply. The feel of his lips on my neck was like an electric shock, making the little hairs stand. “Stay still or I’ll ruin your makeup,” he whispered in my ear. “I don’t mind being fashionably late,” I suggested.

Salander was dressed for the day in a black T-shirt with a picture on it of E.T. with fangs, and the words I AM ALSO AN ALIEN. She had on a black skirt that was frayed at the hem, a worn-out black, mid-length leather jacket, rivet belt, heavy Doc Marten boots, and horizontally striped, green-and-red knee socks. She had put on make-up in a colour scheme that indicated she might be colourblind. In other words, she was exceptionally decked out.

Even nature is concerned, for it leads us to choose the third as the sole consonance which may makeup for the harshness of the dissonance. The third despite its imperfection becomes the sole object of our desire after a dissonance and gives new charm to the perfect chord. It is for this reason that the rule for resolving

I’ll get Manny.” Francine’s make-up was perfect, no evidence of tears. She winked at me. “He went to make himself that horrid tea with milk.

God always sees me with no make-ups on because He knew how we started.

The beauty of your mind depends on the "make-ups" you use to feed it. A "can-do-spirit" is the best cosmetic. It never fades your mental beauty!

An old fashioned outfit is not a costume, it's a comedy.

Makeup. Fancy dresses is just temporary beauty. Confidence. Smile this stays longer.

You can buy a clock, but you cannot buy time. You can buy a bed, but you cannot buy sleep. You can buy excitement, but you cannot buy bliss. You can buy luxuries, but you cannot buy satisfaction. You can buy pleasure, but you cannot buy peace. You can buy possessions, but you cannot buy contentment. You can buy entertainment, but you cannot buy fulfillment. You can buy amusement, but you cannot buy happiness. You can buy books, but you cannot buy intelligence. You can buy degrees, but you cannot buy wisdom. You can buy fame, but you cannot buy honor. You can buy a reputation, but you cannot buy character. You can buy a priest, but you cannot buy a miracle. You can buy a doctor, but you cannot buy health. You can buy a scientist, but you cannot buy discoveries. You can buy a leader, but you cannot buy power. You can buy acceptance, but you cannot buy friendship. You can buy companions, but you cannot buy loyalty. You can buy allies, but you cannot buy dependability. You can buy partners, but you cannot buy fidelity. You can buy clothes, but you cannot buy class. You can buy toys, but you cannot buy youth. You can buy women, but you cannot buy love. You can buy houses, but you cannot buy homes. You can buy a computer, but you cannot buy intellect. You can buy makeup, but you cannot buy beauty. You can buy a pen, but you cannot buy imagination. You can buy a paintbrush, but you cannot buy inspiration. You can buy opinions, but you cannot buy truth. You can buy assumptions, but you cannot buy facts. You can buy evidence, but you cannot buy faith. You can buy fantasies, but you cannot buy reality.

Dude, fix your hair and try applying a little makeup tonight. You are a girl, right?" I swear to goodness, Mom gave birth to Crystal and not me. "You two suck at being my best friends.

Sunny put on eyebrows, eyelashes, makeup, matching pajamas, a silk robe, and then say looking at herself in the vanity mirror in her bathroom. She had experienced moments in her life when she realized that she was actually alive and living in the world, instead of watching a movie starring herself, or narrating a book with herself as the main character. This was not one of those moments. She felt like she was drifting one centimeter above her physical self, a spirit at odds with its mechanical counterpart. She stood up carefully. Everything looked just right.

The more it changes, the more it's the same thing. But overall, things have changed. I say changed and not "changed for the better" because I am no fool. Fate is a total drama queen. The second you say things are better than they were, she'll come stumbling toward you on her six-inch heels, nasty-ass wig crooked and on sideways. You'll wonder exactly how she got all that makeup slathered onto her face. One nicotine-caked fake fingernail will point at you, and she will make sure that things are anything but better from there on out. So no, thank you. Things are different but not better and, in fact, could get much much worse, so fuck off, Fate! Is she gone? Whew. Things had changed at school and not in a bad way(crosses fingers and hope that doesn't count as pissing Fate off).

Poppy used to share the room with her older sister, and piles of he sister's outgrown clothes still remained spread out in drifts, along with a collection of used makeup and notebooks covered in stickers and scrawled with lyrics. A jumbled of her sister's old Barbies were on top of a bookshelf, waiting for Poppy to try and fix their melted arms and chopped hair. The bookshelves were overflowing with fantasy paperbacks and overdue library books, some of them on Greek myths, some on mermaids, and a few on local hauntings. The walls were covered in posters-Doctor Who, a cat in a bowler hat, and a giant map of Narnia.

Anthropodermic bibliopegy had been a specter on the shelves of libraries, museums, and private collections for over a century. Human skin books -mostly made by 19th century doctor bibliophiles - are the only books that are controversial not for the ideas they contain, but for the physical makeup of the object. They repel and fascinate, and their very ordinary appearances mask the horror inherent in their creation.

She’s ultra conservative, while I am ultraviolet. I would show, but I’m beyond what anybody can see. I made her look like Helen Keller, with a wig and makeup, and I also made her look like Helen Keller in that she could look but she could not see.

The two girls sit and face each other. One girl will apply makeup to the other’s face, but the trick is that the girl applying the makeup has to do it blindfolded! That’s why it’s important that the makeup be safe to use on the face, especially if it accidentally gets on the lips or eyes. The audience can gather around and watch (no hints!) as the blindfolded girl applies makeup. When she’s done, the two girls switch roles, but nobody is allowed to look in the mirror until both are done. Then they can look! Option:

Mee and Ow sat in the shade of a mango tree and were doing their make-up. Both of them wore gloves that reached all the way up to their elbows, to keep the tropical sun off their skins. They looked briefly at Maier, with the curiosity usually reserved for a passing dog. It was too early for professional enthusiasm.

I do understand. Every day we’re bombarded with information and images—with adolescents in heavy makeup pretending to be grown women as they advertise miraculous creams promising eternal beauty; with the story of an aging couple who climbed Mount Everest to celebrate their wedding anniversary; with new massage gizmos, and pharmacy windows that are chockablock with slimming products; with movies that give an entirely false impression of reality, and books promising fantastic results; with specialists who give advice about how to succeed in life or find inner peace. And all these things make us feel old, make us feel that we’re leading dull, unadventurous lives as our skin grows ever more flaccid, and the pounds pile on irrevocably. And yet we feel obliged to repress our emotions and our desires, because they don’t fit with what we call “maturity.” Choose what information you listen to. Place a filter over your eyes and ears and allow in only things that won’t bring you down, because we have our day-to-day life to do that. Do you think I don’t get judged and criticized at work? Well, I do—a lot! But I’ve decided to hear only the things that encourage me to improve, the things that help me correct my mistakes. Otherwise, I will just pretend I can’t hear the other stuff or block it out.

Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.

Why aren't these fantasy novels on display somewhere in my house, where there are a thousand-plus other books stacked across a dozen bookshelves? Because bookshelves do more than just hold up our books. They speak to how we see ourselves, and more obviously how we want others to see us. This is a part of my makeup I don't always show.

This inclination is a reflection of a person’s uniqueness. This uniqueness is not something merely poetic or philosophical—it is a scientific fact that genetically, every one of us is unique; our exact genetic makeup has never happened before and will never be repeated. This uniqueness is revealed to us through the preferences we innately feel for particular activities or subjects of study. Such inclinations can be toward music or mathematics, certain sports or games, solving puzzle-like problems, tinkering and building, or playing with words. With those who stand out by their later mastery, they experience this inclination more deeply and clearly than others. They experience it as an inner calling. It tends to dominate their thoughts and dreams. They find their way, by accident or sheer effort, to a career path in which this inclination can flourish. This intense connection and desire allows them to withstand the pain of the process—the self-doubts, the tedious hours of practice and study, the inevitable setbacks, the endless barbs from the envious. They develop a resiliency and confidence that others lack.

I really identify with being a bookworm. I love reading, learning and books. I mean, I have 1000 books, all catalogued, already in my specially made library my dad made me. Books are my friends. I live in sweat pants and workout gear or t-shirt and jeans. I dress more for comfort than for fashion. I dress up if I have to go out but I can’t wait to come home and take off the makeup, heels and scratchy clothing.

Yeah, well, if you want to be my sugar daddy,” she said, “you’re going to have to get me clothes, books, my own personal TV—” “So you can break it just like the last one?” I asked incredulously. “If I wish to, yes. And I want it to have HBO, because that channel’s got all the good shows. And I want movies, and make-up, and shoes, and bags, and—” “Woman, you are giving me a headache,” I said. “My name is not ‘woman.

After three years of music-hall and theatre I'm still the same: always ready too soon. Ten thirty-five. . . . I'd better open that book lying on the make-up shelf, even though I've read it over and over again, or the copy of Paris-Sport the dresser was marking just now with my eyebrow pencil; otherwise I'll find myself all alone, face to face with that painted mentor who gazes at me from the other side of the looking-glass, with deep-set eyes under lids smeared with purplish grease-paint. Her cheek-bones are as brightly coloured as garden phlox and her blackish-red lips gleam as though they were varnished. She gazes at me for a long time and I know she is going to speak to me. She is going to say: "Is that you there? All alone, therr in that cage where idle, impatient, imprisoned hands have scored the white walls with interlaced initials and embellished them with crude, indecent shapes? On those plaster walls reddened nails, like yours, have unconsciously inscribed the appeal of the forsaken. Behind you a feminine hand has carved Marie, and the name ends in a passionate mounting flourish, like a cry to heaven. Is it you there, all alone under that ceiling booming and vibrating beneath the feet of dancers, like the floor of a mill in action? Why are you there, all alone? And why not somewhere else?" Yes, this is the dangerous, lucid hour. Who will knock at the door of my dressing-room, what face will come between me and the painted-mentor peering at me from the other side of the looking-glass? Chance, my master and my friend, will, I feel sure, deign once again to send me the spirits of his unruly kingdom. All my trust is now in him----and in myself. But above all in him, for when I go under he always fishes me out, seizing and shaking me like a life-saving dog whose teeth tear my skin a little every time. So now, whenever I despair, I no longer expect my end, but some bit of luck, some commonplace little miracle which, like a glittering link, will mend again the necklace of my days. Faith, that is what it is, genuine faith, as blind as it sometimes pretends to be, with all the dissembling renunciations of faith, and that obstinacy which makes it continue to hope even at the moment if crying. "I am utterly forsaken!" There is no doubt that, if ever my heart were to call my master Chance by another name, I should make an excellent Catholic.

People with a right parietal lobe injury, for example, will commonly suffer from a syndrome called spatial hemi-neglect. Depending on the size and location of the lesion, patients with hemi-neglect may behave as if part or all of the left side of their world, which may include the left side of their body, does not exist! This could include not eating off the left side of their plate, not shaving or putting makeup on the left side of their face, not drawing the left side of a clock, not reading the left pages of a book, and not acknowledging anything or anyone in the left half of the room. Some will deny that their left arm and leg are theirs and will not use them when trying to get out of bed, even though they are not paralyzed. Some patients will even neglect the left side of space in their imagination and memories.3 That the deficits vary according to the size and location of the lesion suggests that damage that disrupts specific neural circuits results in impairments in different component processes.

As Betsy Leondar-Wright put it in her 2005 book, Class Matters: Few middle-class people would say we have prejudices against working-class or low-income people, of course. Our classism is often disguised in the form of disdain for Southerners or Midwesterners, religious people, patriotic people, employees of big corporations, fat or non-athletic people, [heterosexual] people with conventional gender presentation (feminine women wearing make-up; tough, burly guys), country music fans, or gun users. This disdain shows in our speech.

But the face I saw this time was beautiful, luminous. My eyes were big, but soft, haunting. My cheekbones were defined and full of stories. My lips didn't scream for attention; they were available, but still mine. A secret, barely whispered; the prologue to a book you could get lost in. I'd say it didn't look like me, but it did- a me I'd never thought I'd reach. "Wow," I breathed. Victoria smiled, pleased with her work. She turned to the makeup saleswoman. "It's all about subtlety," she explained. "The best seduction is the one you never see coming.

I hadn't wanted to explain the lipstick. Or the mascara. Or the skinny jeans I'd snagged from Sienna's laundrey and washed under cover of darkness and paired with a black turtleneck that a jaunt through the dryer had made, to ne honest, a size too small. But this news about the Willing Archive trumped all of that. He gave me a careful once-over. "Well." I sat down next to him, aiming for casual. I should have aimed my butt. I sat on his geometry book. "Well what?" "Don't even.The day you become a good liar is the day I leave you for one of the Hannandas." "I have an appointment at the Willing Archive." I will say this for Frankie: He pays attention. "The utterly-off-limits, place-to-bury-your-face-in-Edward's-old-knickers archive?" "Nice.But yes,that one.Mrs. Evers got me in." "About time someone did." He bumped a shoulder against mine. "I really do hate to burst your bubble, Fiorella, but Edward is a century past appreciating the sight of you in tight jeans. So tell me whassup." I squirmed a little. "What sort of idiot do you think I am?" He sighed. "You look good, but I am concerned about the inspiration." "It's not a big deal. It's some makeup." "When I want a boy to look ta me, it's a day that ends in y. You, it's something else. It's a big deal.

I started by collecting copies of all the novels and short stories featuring him and piled them up beside my bed. I wanted to get to the very heart of what Dame Agatha thought of him and what he was really like, and to do that, I had to read every word his creator had ever written about him. I didn’t want my Poirot to be a caricature, something made up in a film or television studio, I wanted him to be real, as real as he was in the books, as real as I could possibly make him. The first thing I realised was that I was a slightly too young to play him. He was a retired police detective in his sixties when he first appeared in The Mysterious Affair at Styles, while I was in my early forties. Not only that, he was also described as a good deal fatter than I was. There was going to have to be some considerable padding, not to mention very careful make-up and costume, if I was going to convince the world that I was the great Hercule Poirot. Even more important, the more I read about him, the more convinced I became that he was a character that demanded to be taken seriously. He wasn’t a silly little man with a funny accent, any more than Sherlock Holmes was just a morphine addict with a taste for playing the violin. There was a depth and quality to the Poirot that Dame Agatha had created – and that was what I desperately wanted to bring to the screen.

Courtney, I had this all planned out, and I wanted to make it so special for you, but something just came over me, and I…well, shit…I couldn’t wait another minute. I love you, Courtney. I want to love you for the rest of my life. I want to wake up to you every morning and lie down next to you every night. I want to make love to you on our kitchen island as much as we want to. I want to sit with you on the back porch and watch you while you’re lost in one of your books. I want to see your stomach getting bigger with our kids, and hell, I even want to fight with you and then have make-up sex. I want the world for both of us, and more than anything, I want to make all your dreams come true. I want to be your Prince Charming, Courtney. I want to be your everything. Will you marry me?

What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.

Hello, Jimmy,' said an all-too-familiar voice from somewhere behind me. It was Marty. No one else at South Miami had that delightful, almost exotic English accent. I turned around slowly until I faced her. “Hi, Marty,” I said. She got up from one of the few chairs that had not been placed in storage and gave me a shy half-smile. “So, come to say goodbye, then?” Marty asked. I gazed at her, committing every detail of her appearance to memory. She wore faded Levi’s blue jeans, a white and orange SOUTH MIAMI CHORUS T-shirt, white socks and an old pair of Keds sneakers. Her chestnut hair was tied into a ponytail. She wore very little makeup; a touch of mascara here, a hint of blush there, a bit of lip-gloss to make things a bit interesting. She was shockingly, heartrendingly beautiful. My heart skipped a beat. “I couldn’t go without seeing you, you know,” I said. She smiled. “Oh, come on; I bet you say that to all the girls.” “It’s true,” I said. “And no, I don’t say that to all the girls.

IN ADDITION TO having become a distinctly Christian party, the GOP is more than ever America’s self-consciously white party. The nationalization of its Southern Strategy from the 1960s worked partly because it rode demographic change. In 1960, 90 percent of Americans were white and non-Hispanic. Only a few states had white populations of less than 70 percent—specifically Mississippi, South Carolina, Louisiana, and Alabama. Today the white majority in the whole country is down nearly to 60 percent; in other words, America’s racial makeup is now more “Southern” than the Deep South’s was in the 1960s. For a while, the party’s leaders were careful to clear their deck of explicit racism. It was reasonable, wasn’t it, to be concerned about violent crime spiraling upward from the 1960s through the ’80s? We don’t want social welfare programs to encourage cultures of poverty and dependency, do we? Although the dog-whistled resentment of new policies disfavoring or seeming to disfavor white people became more audible, Republican leaders publicly stuck to not-entirely-unreasonable arguments: affirmative action is an imperfect solution; too much multiculturalism might Balkanize America; we shouldn’t let immigrants pour into the U.S. helter-skelter. But in this century, more Republican leaders started cozying up to the ugliest fantasists, unapologetic racists. When Congressman Ron Paul ran for the 2008 GOP nomination, he appeared repeatedly with the neo-Nazi Richard Spencer, who was just coining the term “alt-right” for his movement. Senator Rand Paul employed as an aide and wrote a book with a former leader of the League of the South, an organization devoted to a twenty-first-century do-over of Confederate secession. After we elected a black president, more regular whistles joined the kind only dogs can hear. Even thoughtful Ross Douthat, one of the Times’s conservative columnists, admitted to a weakness for the Old South fantasy. During the debate about governments displaying Confederate symbols after nine black people were shot dead by a white supremacist in Charleston, he discussed “the temptation…to regard the Confederate States of America as the political and historical champion of all…attractive Southern distinctives….Even a secession-hating Yankee like myself has felt, at certain moments the pull of that idea, the lure of that fantasy.

Go away.” I stick my elbow in his ribs and force him to step back. “Sit on the couch and keep your hands to yourself,” I instruct, then follow him to the sofa and grab my Dating and Sex for Dummies books off the coffee table and shove them into my sock drawer while he laughs. “You’re making me miss my show,” I gripe as I toss things into the suitcase. “Your show? You sound like you’re eighty.” He glances at the TV behind me then back to me. “Murder on Mason Lane,” he says. “It was the neighbor. She was committing Medicare fraud using the victim’s deceased wife’s information. He caught on so she killed him.” I gasp. “You spoiler! You spoiling spoiler who spoils!” Then I shrug. “This is a new episode. You don’t even know that. It’s the daughter. She killed him. I’ve had her pegged since the first commercial break.” “You’re cute.” “Just you wait,” I tell him, very satisfied with myself. I’m really good at guessing whodunnit. “Sorry, you murder nerd, I worked on this case two years ago. It’s the neighbor.” “Really?” I drop my makeup bag into the suitcase and check to see if he’s teasing me. “I swear. I’ll tell you all the good shit the show left out once we’re on the plane.” I survey Boyd with interest. I do have a lot of questions. “I thought you were in cyber crimes, not murder.” “Murder isn’t a department,” he replies, shaking his head at me. “You know what I mean.” “Most crimes have a cyber component to them these days. There’s always a cyber trail.” Shit, that’s hot.

When the attendant at Britz Rentals of Australia whipped around in our prepaid-in-full honeymoon car, my eyes grew wide and I knew we were in trouble. It was an SUV, yes, and a Toyota Land Cruiser at that--just as Marlboro Man had ordered. It was white and clean and very shiny. And painted in huge bright orange and royal blue lettering across the hood, the roof, all four doors, and the tailgate of the vehicle, were scrawled the enormous words: BRITZ RENTALS OF AUSTRALIA. I could see Marlboro Man’s jaw muscles flex as he beheld his worst nightmare playing out in front of his eyes. He could hardly even bear to gaze upon such an attention-grabbing abomination, let alone conceive of driving it all over an entire continent. Unfortunately, our last-minute attempts to trade to another vehicle proved to be futile; even if Britz hadn’t been completely booked that week, it wouldn’t have mattered anyway. Every single car in their fleet was smeared with the exact same orange and blue promotional graffiti. Having no other transportational alternative, we set off on our drive, a black cloud of conspicuousness and, in Marlboro Man’s case, dread following us everywhere we went. Being an attention-seeking middle child, I didn’t really mind it much. But for Marlboro Man, this was more than his makeup was programmed to handle. As far as he was concerned, we were the Griswolds, and the Land Cruiser was our Family Truckster. It was a pox on what might have been the perfect honeymoon. Except for my inner ear disturbance. And the vomiting. And the slightly marsupial undertone to the hamburgers.

Jones, along with the US military attaché in Indonesia, took Subandrio’s advice. He emphasized to Washington that the United States should support the Indonesian military as a more effective, long-term anticommunist strategy. The country of Indonesia couldn’t be simply broken into pieces to slow down the advance of global socialism, so this was a way that the US could work within existing conditions. This strategic shift would begin soon, and would prove very fruitful. But behind the scenes, the CIA boys dreamed up wild schemes. On the softer side, a CIA front called the Congress for Cultural Freedom, which funded literary magazines and fine arts around the world, published and distributed books in Indonesia, such as George Orwell’s Animal Farm and the famous anticommunist collection The God That Failed.33 And the CIA discussed simply murdering Sukarno. The Agency went so far as to identify the “asset” who would kill him, according to Richard M. Bissell, Wisner’s successor as deputy director for plans.34 Instead, the CIA hired pornographic actors, including a very rough Sukarno look-alike, and produced an adult film in a bizarre attempt to destroy his reputation. The Agency boys knew that Sukarno routinely engaged in extramarital affairs. But everyone in Indonesia also knew it. Indonesian elites didn’t shy away from Sukarno’s activities the way the Washington press corps protected philanderers like JFK. Some of Sukarno’s supporters viewed his promiscuity as a sign of his power and masculinity. Others, like Sumiyati and members of the Gerwani Women’s Movement, viewed it as an embarrassing defect. But the CIA thought this was their big chance to expose him. So they got a Hollywood film crew together.35 They wanted to spread the rumor that Sukarno had slept with a beautiful blond flight attendant who worked for the KGB, and was therefore both immoral and compromised. To play the president, the filmmakers (that is, Bing Crosby and his brother Larry) hired a “Hispanic-looking” actor, and put him in heavy makeup to make him look a little more Indonesian. They also wanted him bald, since exposing Sukarno—who always wore a hat—as such might further embarrass him. The idea was to destroy the genuine affection that young Sakono, and Francisca, and millions of other Indonesians, felt for the Founding Father of their country. The thing was never released—not because this was immoral or a bad idea, but because the team couldn’t put together a convincing enough film.36

The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.

Days like that I feel that my mind is going 1,000,000 miles an hour, visions of the past, present, and future race through my mind. It races, like a train as if I was looking out the window of the car while it is speeding down the line. I am on a track that will never end.' 'I feel that I am going to derail from this runaway train that I am becoming. I cannot sleep at night, because of the fear inside me.' 'I feel restless, depressed, and loveless as well as not content with myself. I would have to say that my passion for life is gone; my imagination is the only thing that keeps me going.' 'I write the day's events that have gone by in my book of life of all the pastimes, while dreaming of what could have been in it, and besides what has not been in it.' 'If this does not stop, I am going to crack. I look into my mirror, and I do not see me, I see an impression of what I used to be.' 'I see my long brown hair that covers part of my face and covers my blue eyes of emotion. I see the cross around my neck that brings me confidence.' 'I hide behind a smile; I see the body in which nobody thinks is without drought flawless.' 'The bare body that is touched in all ways, yet I tried to hide behind my makeup. I gasp at my pale skin and the look of my body.' 'I am 95 pounds, really tiny; surely there is someone that would find me attractive?' 'I wonder if I can find someone who can think for themselves. I want someone who will love me, for who I am- and not what they want me to be.' 'Most importantly, I need someone that will not use me. Is that too much to ask for?' 'Fear!' 'Anxiety is something that I have inside, it is the source of the things which lead to distress. Not finding someone that loves me, for who I am, is some of my fears.' 'I fear the fact that I am most likely going to be alone forever. Another being that everyone that has meaning in my life is fading away from me it seems.' 'I fear not having a family by my side at all times. I have tears about the overwhelming struggle to rebuild my reputation, which has been destroyed.' 'I ask this question if I was to die tomorrow would anybody come to my wake, to see me lying there?' 'I fear what society has done to me. I fear that I have no trust in anyone or anything. I fear that my life has no meaning.' 'I fear that I will never get out of this hell.' 'I just want to start my life and get a degree in nursing someday from- 'The Conemaugh School of Nursing,' if I can make it through all of this. I do not think that is too much to ask for or is it?' 'I think that if I could be left alone, with the one that I want. I could have a life; you know what I am sure of it. I fear that the towering entity will never collapse, and the demons will keep playing in my head. I fear that I will never have a social ability, to be part of the nobility of compatibility.' 'I fear that the terror will never stop in these innocent lives like mine, and they will not be saved. I fear that nobody will ever see my creativity or recognize me for the good in which I do for others. I feel like I am the only one left in this world, that I call my life.' 'All the beauty in life has been dejected, and it is all ablaze around me. Yes, I fear to be in the outside realm of things.' 'I want to scream yet no one is going to hear it. I ask- am I becoming institutionalized?

joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of

I pull the fire escape door open, scoop my eyeshadow palette off the ground and slip back inside. For a moment, I pause in the corridor and catch my breath. Adrenaline is surging through me. Rage. A normal woman would call the police at this point. But a normal woman would never have been paranoid enough in the first place to pretend to go to the toilet, only to sneak out of the fire escape and spy through a window to watch what her date does when he has five minutes alone with her drink. Nope. A normal woman would have gone to the loo, done a pee and topped up her lipstick. Or she’d have texted a friend about her hot date, feeling giddy with hope and excitement. Now, let’s think about what would have happened to a normal woman. A normal woman would have headed back to her date, smiling prettily, before sitting down and drinking her drugged drink. Then, a short while later, that normal woman would have started feeling far more drunk than she normally does after just a couple of drinks, but she’d probably blame herself. She’d wonder if maybe she’d drunk too much. Or maybe she’d blame herself for having not eaten earlier in the day because she didn’t want to look fat in her dress. Or maybe she’d blame herself because that’s just what she does; she blames herself. And then, just as she started to feel woozy and a bit confused, her date would take her outside for some fresh air and she’d be grateful to him. She’d think he was caring and responsible, when really, he was just whisking her out of sight, before she started to look less like she was drunk and more like she’d been drugged. And then the next thing she’d know, she’d be staggering into the back of a cab and her date would be asking her to tell the driver where she lived. And when she’d barely be able to get the words out and her date made a joke to the driver about how drunk she was, she’d feel small and embarrassed. And then she’d find herself slumping into her date’s open arms, flopping against his big manly body, and she’d feel grateful once more that this man was taking care of her and getting her home safe. And then, once the taxi slowed down and she blinked her eyes open and found they’d pulled up outside her flat, she’d notice in a fleeting moment of clarity that when the driver asked for the fare, her date thrust two crisp ten-pound notes towards him in a weirdly premeditated move, as though he’d known this moment was going to happen all along. As though he’d had the cash lined up, the plan set, and she’d feel something. Something. But then she’d be staggering out of the taxi, even sloppier than when she got in, and her legs would be buckling, and she’d cling to her date for support, her make-up now smudged, her eyes half-closed, her hair messy. She’d look a state and he’d ask her which flat was hers, and she’d walk with him to her front door, to the flat where she lives alone. To the place that’s full of books and cute knick-knacks from charity shops and colourful but inexpensive clothes. She’d unlock her front door, her hand sliding drunkenly over the lock, and she’d lead him into the place she’s been using as a base to try to get ahead in life, and then he’d look around, keen-eyed, until he spotted her bedroom and he’d draw her in. And then all of a sudden he’d be in her bedroom and she wouldn’t be able to remember if she’d asked him back or not or quite how this happened, and it would all be moving so fast and her thoughts would be unable to keep up – they’d keep sliding away – and he’d be kissing her and she’d be unsure what was happening as he pulled off her dress and she’d wonder, did she ask for this? Does she want this? Has she been a ‘slut’ again? But the thoughts would be weak, they’d keep falling away and he’d be confident and he’d be certain and he’d be good-looking and he’d be pulling off her bra and taking off her knickers. He’d be pushing himself inside her. The next day, he’d be gone by the time she woke up. She’d be blocked, unmatched...

respective Common Areas to watch the address of the Commander on the digital screen. The screen flickered to life, showing a man in brightly colored clothes, a little bit of makeup, slicked back bleach blonde hair, and holding a small dog. He had a weird smile, and then he began talking in a singsong voice, “Hello there, welcome to Camp 13. I’m so glad you’re here! I’m Lane Simmons, your Camp Commander. We’re going to have so much fun; well, I will anyway.” he giggled, “I’m sure you’re all waiting in eager anticipation for the rules of our little abode, but first, I have something to show you. I’m sure all of you will be tickled pink, because I sure was!

Or airport welcoming procedures... Dancing girls in grass skirts singing, 'A-wimbowe, a-wimbowe...' Dancing men singing, 'A-wimbowe, a-wimbowe...' Giant warrior with lion whiskers and shiny black make-up walks on all fours towards clapping German tourists, flexing his muscles and growling, 'A-wimbowe, a-wimbowe...' In the jungle...

My dad works for MMM; that stands for Movie Makeup and Monsters. Yep! He helps create all the monster and make-up stuff in the movies.

Sure!” replied the crew. SpongeBob came out of the makeup and wardrobe departments feeling quite good about himself. Barry began to explain to SpongeBob what the final stunt was. “Okay, Superstar, this is the most dangerous stunt yet. Only a true daredevil could pull it off.” “Bring it on!” declared SpongeBob. “I’m unstoppable!” “Great! How do you like paddle bikes?” asked Barry. “Love ’em!” SpongeBob exclaimed, though he had never been on one in his life. “You are going to do a stunt that will not only be the most significant stunt for the TV show, but will surely put you in the record books, too!” “All right!” SpongeBob cheered. “Hey, do I get paid extra for that?” “Uh … we’ll talk about that later,” Barry said. “Now get on that paddle bike, Superstar, and let’s make TV history!” Sitting high atop a paddle bike at the edge of Jellyfish

When Ham was under the spell of Anu and Ishtar, they had secretly experimented on him through occultic sciences that were beyond the knowledge of mankind at the time. They had altered his body by splicing their own genetic makeup into his. But they also violated his wife, Neela, impregnating her with a newly developed genetic implantation. One that would carry the recessive genes of the Watchers without resulting in immediate gigantism. They hoped this would suffuse throughout the population with more efficient results.

Two blondes are walking down the street. One reaches into her purse for a makeup compact and looks into the mirror. “This picture looks like someone I know,” she says. Her blonde friend has a look and says, “Of course, dummy. It’s me!

Q: What’s a Jewish woman’s idea of natural childbirth? A: No makeup, whatsoever.

Only women like cats, he said, and added disparagingly that this seemed to him “a very significant tip-off on the makeup of the two sexes.

Just because you don't know the exact country or tribe that your ancestors descended from, doesn't mean they aren't apart of your ethnic make-up. Black history didn't begin in slavery, we have a beautiful royal dynasty that began around 830 CE (CE is the correct term to use, most people know this as AD). My visits to Nigeria gave me a sense of pride to be connected to such a rich history that will never be taken away from me.-part of an excerpt from my second book, Ebony Jones

BE THE MAN Set a good example. Even if you’ve got to fake it. Your kids observe everything you do. And even though it may not seem like it at the time, your kids want to be like you. They want to be proud of you and brag about their dad at school and to their friends. Be observant of your own actions around them kids. Listen to your girl. We men sometimes get frustrated when our ladies talk. We will try to actually converse when she is deep into a story about the boss being a dick, or some other friend of hers doing your girl wrong. Do not even try to fix this situation! Your sweetie just wants you to listen. Hell, you don’t even have to agree. Just listen. This is black-belt-level man stuff. Do the dishes. Hell, take it one level further: cook the dinner and do the dishes. Doing laundry is man’s work too, as well as cleaning up after the dogs and cuddling your kids. Having a home life where you get the opportunity to be a family man and partake in all these things is a very good thing. It means that you have elevated your man thing to the very top level. Keep it up. Don’t be a pussy. Don’t shy away from a situation just because it’s tough. If you need to protect the one you love or things are tough at work . . . pin those ears back and remember who the fuck you are. Get smart. Educate yourself on what is going on in culture and politics. Read some books about history. Don’t be a pawn, be a scholar. Evolve. Our dads and granddads grew up in a different time. Communication and tenderness were not necessarily components of their age groups’ makeup. You don’t have to be exactly like them. Even though we saw good examples of man stuff in them, the times, they are a-changing.

Anandamides are naturally occurring neurotransmitters in the brain whose chemical make-up is very similar to cannabis. The word ‘anandamide’ is derived from the Sanskrit word ananda,

My mom was a devoted wife and mother. The first up every morning, she would don her very practical apron, which was usually made out of floral feed-sack material and went over her head and buttoned or tied behind her back. She'd prepare lunches for my five sisters and me, and one for Dad, too... About three o'clock in the afternoon, Mom would straighten the house, vacuuming and dusting, and by the time we walked in from school, she'd be in the kitchen with her apron on, preparing the evening meal. Every dinner was complete with meat, potatoes, salad, two vegetables, and bread and butter. And the dining table was always set with a vase of fresh flowers or green cuttings. When dinner was just about ready, she'd go freshen up, changing clothes and putting on makeup. When one of my sisters once asked her how come she "got ready" and changed clothes right before dinner, Mom smiled and said, "Because my husband is coming home." When our father walked into the house from work, he was greeted with a delicious home-cooked meal on the table and Mom, all decked out in a fresh, pretty apron. [Dick Amman]

When dinner was just about ready, [Mother] would go freshen up, changing clothes and putting on makeup. When one of my sisters once asked her how come she "got ready" and changed clothes right before dinner, Mom smiled and said, "Because my husband is coming home." [Dick Amman]

No day God created is the same; so I can't wake up tomorrow and look like yesterday's leftover-do-overs" ~ Lady Tracey Bond, The #DoubleOhhSevenEffect

It’s not funny,” I said. But suddenly, it was. I imagined the police taking mug shots of Janine and booking her for “incompetent makeup application,” and “meal tardiness.” I giggled. Stacey giggled. Soon we were completely hysterical.

Valerie reached up and pulled off her earrings. “These are no longer a symbol of us!” she said, and threw the earrings into the grass behind her. Another girl joined her and started raising her own symbols in the air. She picked up a pair of pantyhose and threw them away. Another girl threw her purse about 30 feet. They’d obviously been told beforehand to bring all the symbols of girlhood because everyone seemed to have something to throw away—jewelry, acrylic nails, perfume, and makeup. Patty raised up a can of hairspray and shot it out into the air, waving it to show the stream. Just then, Mark, head of Clean Up Kidsboro, flew out of a nearby bush. He had obviously been watching them to make sure they finished the bathroom. But now, I had a feeling he thought the feminists had gone too far. “Hey! Stop that!” he yelled. Most of the girls ignored him, including Patty, who continued spraying. “Those are harmful chemicals!” he protested. She continued to ignore him. “Stop spraying!” he yelled, jumping up and snatching the can from her hand. Some of the girls finally noticed that there was a boy present, and their frenzy came to an abrupt halt. “What are you people doing?” Mark shouted. “You’re killing us! My organization is relying on you. You’re supposed to be digging a latrine, not spraying deadly chemicals in the air!” “We’re just about to dig,” Patty said. “Well, get started, then! You’ve only got 24 hours, or we lose our funding!” “How about it, girls?” Valerie shouted, trying to regain the momentum

Truth be told, slaves in Jamaica have more ranking among themself than massa. In this place two thing matter more than most, how dark a nigger you be and where the white man choose to put you. One have all to do with the other. From highest to lowest, this be how things go. The number one prime nigger who would never get sell is the head of the house slaves. That position so hoity-toity that in some house is a white woman who be that nigger. The head house nigger get charge with so much that she downright run the house, and everybody including the massa do what she say. Homer careful not to cross the line, though. Position can make a negro girl forget herself and there is always the cowhide, the cat-o’-nine and the buckshot to remind her of her place. After she, there be the house slaves who work the rooms and the grounds and the gardens. Sometimes is the prime pretty niggers or the mulatto, quadroon or mustee that work there. Then you have the cooks who the backra trust the most, because the cook know that if the mistress get sick after a meal there goin’ be a whipping or a hanging before the cock even crow. Other house slaves be cleaning and dusting and shining and manservanting and womanservanting and taking care of backra pickneys. After the house slaves come the artisan niggermens, like the blacksmith, the bricklayer, the tanner, the silversmith, niggers who skilled with they hands, followed by the stable boys, coachmen and carters. Next is the field niggers, headed by the Johnny-jumpers who be the right hand and left hand of the slave-drivers. They do most of the whipping and kicking but when the estate running right they have nothing to do, so they whip and kick harder. After Johnny-jumper come the Great Slave Gang, the most expensive slaves, the one who they buy for the long years of hard work. The mens and the womens strapping and handsome like a prime horse. Most be Ashanti, what the white man call Coromantee, but they not easy to control so they get punish plenty for they spiritedness. But a dead Coromantee man can set an estate back up to three hundred pounds so they careful not to kill too much. After that is the Petit Gang, the makeup of plain common nigger. Some cost less than one hundred pounds and they work the other fields, like the ratoon or the tobacco that some planters grown on the side. Other nigger look down ’pon them mens as worthless and them womens as good for rutting, not breeding. On some estate even the pickneys work, mostly in the trash gang to pick up rubbish on the estate or to carry water for the field slaves to drink, or to get firewood. That be the negroes.

Traditional structures of social and economic support slowly weakened; no longer was it possible for a man to follow his father and grandfather into a manufacturing job, or to join the union and start on the union ladder of wages. Marriage was no longer the only socially acceptable way to form intimate partnerships, or to rear children. People moved away from the security of legacy religions or the churches of their parents and grandparents, toward churches that emphasized seeking an identity, or replaced membership with the search for connection or economic success (Wuthnow, 1988). These changes left people with less structure when they came to choose their careers, their religion, and the nature of their family lives. When such choices succeed, they are liberating; when they fail, the individual can only hold himself or herself responsible. In the worst cases of failure, this is a Durkheim-like recipe for suicide. We can see this as a failure to meet early expectations or, more fundamentally, as a loss of the structures that give life a meaning.10 Durkheim, in his book On Suicide, wrote: It is sometimes said that, by virtue of his psychological make-up, man cannot live unless he attaches himself to an object that is greater than himself and outlives him, and this necessity has been attributed to a supposedly common need not to perish entirely. Life, they say, is only tolerable if one can see some purpose in it, if it has a goal and one that is worth pursuing. But the individual in himself is not sufficient as an end for himself. He is too small a thing. Not only is he confined in space, he is also narrowly limited in time.

I want to make sure you’re happy and getting everything you want.” I tucked her hair behind her ear. “I never want you to leave, so I need to make sure I’m giving you a million reasons to stay.” Her lips relaxed like she was moved. Then her eyes softened noticeably. “I’m very happy, Conrad. I wouldn’t change a thing.” “Really?” “Yes,” she said firmly. “You make me feel loved every single day. I feel sexy even on the days I feel bloated. I feel pretty even when I don’t wear makeup. I feel like my voice is heard. And I feel respected and adored.” “There’s nothing you want to change?

My boss demanded I wear pantyhose. You are a contractor, he told me, no benefits. Women who work for me wear makeup, that is how it is. My men wear suits.

A Remarkable Woman She is so exquisite Even without makeup on her face She is very special Even if she lets others seem important She is selfless Even when the selfish surround her She offers a lot of love Even so, she needs it often She has a big heart Even though she appears small She lets others belong But she longs to be appreciated She adds value Despite her worth being undermined She is attentive Nonetheless, no one pays attention to her needs She is patient No matter how long it takes, she waits She is generous While no one could be willing to give She is forgiving Much as the worst was done against her She is trusting Albeit her trust was broken countless times She is wise In spite of being treated otherwise by some She works hard Notwithstanding that she requires rest She is helpful Yet, there is none to lend her a hand She makes life seem easy Whilst going through difficult times herself She stands by others Although there is no one to stand by her She chooses to be peaceful Against being somehow provoked She is calm Undeterred by what is not She is bold In defiance of tough battles ahead She shows bravery Still in the presence of adversity She is fearless Though she may seem helpless She is spirited Contrary to attempts to bring her down She is never destroyed Irrespective of the storms she faces sometimes She keeps moving forward Granting the hindrances along the way She stands in the gap And makes things happen She does not look down on others Regardless of some doing so to her She recognises those who shielded her on rainy days Whenever the sun shines upon her She keeps running her race Because she knows for her, grace is abundant She wears a smile always Since prayer keeps her in the right place She is an inspiration A pioneer of transformation Cheerleader for economic revolution How the world adores such A remarkable woman!

Thus to this day, Europe’s elite discourse often depicts America not as proletarian, which at least to leftist Europeans has the connotation of authenticity, but rather as commodified, commercial, vulgar—values that exude inauthenticity, plasticity, and heteronomy. European elites’ image of America as “Las Vegas,” “Disneyland,” basically as “white trash”—or what the British call “chav”— has a distinguished pedigree: gaudy jewelry, expensive-but-tacky clothes, garish makeup, platinum blond hair, tattoos, vulgar demeanor, in short inauthentic and kitschy glitter best captured by the term “uncouth.” This disparaging image of America cultivated by European elites was also linked to how the young United States embodied modern capitalism hostile to an aristocratic order.

Harro could not only perform complex mathematical operations in his head, he was an avid reader who had a vivid and original way of talking about things. Asked to compare the words fly and butterfly, he launched into an etymological reverie: “The butterfly is colorful and the fly is black. The butterfly has big wings so that two flies could go underneath one wing. But the fly is much more skillful and can walk up the slippery glass and up the wall . . . The microscope explains how the fly can walk up the wall: just yesterday I saw it has teeny weeny claws on the feet and at the ends tiny little hooks.” But Harro was failing in school, because he was very disruptive in class, like Fritz. He would crawl around on all fours and announce that a lesson was “far too stupid” for him. He rarely did his homework, and if a teacher gave him a makeup assignment, he would sneer, “I wouldn’t dream of doing this.” He spent his days immersed in the books he loved, a stranger to the children around him.

Right/Wrong Things To Say To A Client About Hair and Makeup Don’t Say… Your hair and makeup say you’re trying too hard to look young. Do Say… Keys to beauty are finding the styles that work best for you now. Could we take a look at an idea book? When you look at your face we have internal and external lines. Let me show you how we can work on this to your advantage.

But Murray pays no attention to accomplishments in other human endeavours such as warfare, voyages of discovery, and heroic leadership. His achievements come only in the form of ‘great books’ and ‘great ideas.’ Europeans were also exceptional in their contentious and expansionist behaviours. Their scholarly achievements, including their liberal values, were inseparably connected to their aristocratic ethos of competitive individualism. There is no need to concede to multicultural critics, as Norman Davies believes, ‘the sorry catalogue of wars, conflict, and persecutions that have dogged every stage of the [Western] tale.’[5] The intellectual and artistic achievements of Europeans, seemingly peaceful as they may seem, are part of the same expansionist and disputatious psychological make-up Spengler designated as ‘Faustian’.

Anthropodermic bibliopegy has been a specter on the shelves of libraries, museums, and private collections for over a century. Human skin books—mostly made by nineteenth-century doctor bibliophiles—are the only books that are controversial not for the ideas they contain but for the physical makeup of the object itself. They repel and fascinate, and their very ordinary appearances mask the horror inherent in their creation. Anthropodermic books tell a complicated and uncomfortable tale about the development of clinical medicine and the doctoring class, and the worst of what can come from the collision of acquisitiveness and a distanced clinical gaze. The weight of these objects’ fraught legacy transfers to the institutions where they are housed, and the library and museum professionals who are responsible for them. Each owner handles this responsibility differently.

Human skin books—mostly made by nineteenth-century doctor bibliophiles—are the only books that are controversial not for the ideas they contain but for the physical makeup of the object itself.

talking to me?” someone said. Arthur turned around to find a young woman in a rain slicker, her blonde hair pulled into a taut ponytail, juggling a pink backpack, an orange tote bag, and a red umbrella. She had a square face and a wide mouth that were spared from looking masculine by her lively blue eyes and the bright makeup she wore. She smiled at Arthur tentatively. “Hello, young lady,” Arthur said. He gave her a half bow. Arthur had turned just forty-seven the previous spring, but he looked older because his hair had turned mostly gray a decade before, and deep emotions had carved lines on his face. Recently, he’d decided he was now old enough to refer to younger women as “young lady.” When he was a young man himself, he was always befuddled by what to call women. “Miss” and “Ma’am” seemed to offend more often than not, for reasons that confused Arthur. “Hey you” was always inappropriate. “Hi,” the young woman said. Arthur held out a hand. “I’m Father Blythe.” Inwardly, he cringed at the formality. He preferred being called by his first

Semi-enclosed within a rampart of books, she was reading intensely, oblivious of everything except the volumes she had gathered around her. Freddy tilted his head and read the titles on the bindings, whispering them as he read. He had assumed that her selection would be heavy on fashion, makeup, and “celebrities,” but he was wrong. With her left hand resting possessively on Who’s Who in Zimbabwe, she was deep in Sources and Methods of Hiccup Diagnosis. She had also chosen the Directory of Polish Hydraulic Fluid Wholesalers; the Encyclopaedia of Angels; the Catalogue of Chuvash Books in German Libraries; Aboriginal Science Fiction; The Register of Non-Existent Churches; A Bibliography of Indonesian Military Poetry; Orators Who Possessed Horses; Lloyds’ Survey of Failed Board Games; A Dictionary of the Efik Language; The Picture Book of Albanian Idioms—a list in her handwriting lay next to the latter, beginning with the entry, “I ka duart të prera, ‘to have one’s hands cut off,’ ”—The Language of the French & Indian War, Vol. I, Obscene Expressions; Glossary of Dead Architects (Freddy couldn’t wait to read the latest entries); and, finally, though not least, Nicknames of Popular Fish. “You see,” he told her, “it’s fascinating.” “Yes, I love it. Now go away.” “I have our press.” “I couldn’t care less about our press.” She held up Who’s Who in Zimbabwe. “There’s a whole world out there, Freddy, that has nothing to do with us.

Consider this: Siamese cats possess genes that give the coat its characteristic coloring. The genes, however, are not set in stone, but rather express themselves conditionally in relation to the environment because they are temperature-sensitive. They are “switched on” in colder areas of the body (the brown tail tip, nose, ears, and feet) and turned off in warmer areas. If you raise a Siamese kitten in a very cool climate, it will be darker brown. In a warmer climate, it will look lighter. Thus, two cats with the same genetic makeup end up with a different phenotype, i.e., physiological expression of those genes.

Either the nation of the dead will come to be seen as an isolated phenomenon of the twentieth century – in which case history will want to know more and more about its make-up and characteristics. Or it will grow by fits and starts as an ever-increasing menace to the idea of civilization – and the sooner history identifies the nature of that threat the better. Or, through some cataclysm in the future it will swell in numbers to obliterate in significance any nation of the living. In that case it will be the final phenomenon of our history. There are no other possibilities.

If we look at the makeup of the word disaster, dis-aster, we see dis, which means separation, and aster, which means star. So dis-aster is separation from the stars. Such separation is disaster indeed. When we are separated from the stars, the sea, each other, we are in danger of being separated from God.

It means exactly what it says, at-one-ment. I double-checked it in a second dictionary. There is nothing about crime and punishment in the makeup of that word. It simply means to be at one with God. Jesus on the cross was so at-one with God that death died there on Golgotha, and was followed by the glorious celebration of the Resurrection.

The good white mom needs things to put in her good white home and on her good white body. Her goodness is bolstered by her good capitalist consumerism. She buys makeup to make her look young younger for as long as she can, and once the make up stops working, she graciously cedes into the background and accepts her and invisibility. She spends as many hours as possible hating her body and buying the right food, exercise, equipment, and diet books because, while she is a mom, she is also a woman, so she must never forget to glow for the male gaze. She is vacuuming and dusting and flower arranging and cooking, and googling her one precious life away in search of the best countertops spray. She should not worry her pretty little head about agency, because she is cleaning her countertops instead.