“
Let us find the dam snack bar," Zoe said. "We should eat while we can."
Grover cracked a smile. "The dam snack bar?"
Zoe blinked. "Yes. What is funny?"
"Nothing," Grover said, trying to keep a straight face. "I could use some dam french fries."
Even Thalia smiled at that. "And I need to use the dam restroom."
...
I started cracking up, and Thalia and Grover joined in, while Zoe just looked at me. "I do not understand."
"I want to use the dam water fountain," Grover said.
"And..." Thalia tried to catch her breath. "I want to buy a dam t-shirt.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
How much detention did you get?
"Two weeks. One per arsehole.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I'm sorry," he says.
"What? Why?"
"You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things."
"Oh, it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want."
He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that.
Not that that would be so bad.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
My smile wavers as I revert to my natural state of being: nervous and weird.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Thank you for helping my sister,” he says.
I lean forward, mimicking his position. “I’m happy to.”
Calliope leans out her window. “STOP FLIRTING AND GET BACK TO WORK.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
You know, If you weren't tiny, cute and remarkably innocent looking I'd be running away right now. This feels like the set-up to some torture porn.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
He pats his way around the the bed and slides back in. "Ow," he says.
"yes?"
"My belt. Would it be weird..."
I'm thankful he can't see me blush."Of course not." And I listen to the slap of leather, s he pulls it out of his belt loops. He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"yes"
"Oh, piss off. I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath, and now we're lying side-by-side. In my narrow bed. Funny, but I never never imagined my first sleepover with a guy being, well, a sleepover.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Let us find the dam snack bar," Zoe said. "We should eat while we can."
Grover cracked a smile. "The dam snack bar?"
Zoe blinked. "Yes. What is funny?"
"Nothing," Grover said, trying to keep a straight face. "I could use some dam french
fries."
Even Thalia smiled at that. "And I need to use the dam restroom."
Maybe it was the fact that we were so tired and strung out emotionally, but I started
cracking up, and Thalia and Grover joined in, while Zoe just looked at us. "I do not
understand."
"I want to use the dam water fountain," Grover said.
"And…" Thalia tried to catch her breath. "I want to buy a dam T-shirt."
I busted up, and I probably would've kept laughing all day, but then I heard a noise:
"Moooo."
The smile melted off my face. I wondered if the noise was just in my head, but Grover
had stopped laughing too. He was looking around, confused. "Did I just hear a cow?"
"A dam cow?" Thalia laughed.
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
Cricket tells a joke and turns to see if I'm laughing, if I think he's funny, and I want him to know that I do think he's funny, and I want him to know that I'm glad he's my friend, and I want him to know that he has the biggest heart of anyone I've ever known. And I want to press my palm against his chest to feel it beat, to prove he's really here.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
I'd like to point out that we've had zero problem reaching each other's mouths.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
St. Clair gets a crush on Anna. He's torn between her and Ellie, and he spends so much time running between them that he hardly has time left for Josh. And the more time that Josh spends alone, the more he realizes how alone he actually is. All of his friends will be gone the next year. Josh grows increasingly antagonistic toward school, which makes Rashmi increasingly antagonistic toward him, which makes him increasingly antagonistic toward her. And she's upset because Elie dropped her as a friend, and Meredith is upset because now St. Clair likes two girls who aren't her, and Anna is upset because St. Clair is leading her on, and then St. Clair's mom gets cancer.
It's a freaking soap opera.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
Funny how women are ashamed of their inner fairy whereas men are forever proudly displaying their inner cowboy or fireman
”
”
Dawn French (A Tiny Bit Marvellous)
“
I don't know. I don't really like old movies. The acting is so, 'Hey buddy, ol' pal. Let's go wear our hats and have a big misunderstanding
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The French: a people who have used their sophisticated culture and beautiful language to bequeath to the world the sliced potato.
”
”
Bauvard (Some Inspiration for the Overenthusiastic)
“
You're serious?"
"As a heart attack."
I set my bag down and leaned on the counter. Okay, Hunter Zaccadelli, you could make me dinner.
"Stuffed French toast, sweet potato hash and strawberries and cream."
"Breakfast for dinner? You rebel, you.
”
”
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
“
Boys, welcome to the wonderful world of talking to women about their feelings. As a handy primer, here are a few things you should know:
1) Women have feelings.
2) You will spend the next seventy years or so trying to guess what they're feeling and why.
3) You will be wrong most of the time.
4) I like French Fries.
”
”
Brandon Sanderson (Alcatraz Versus the Shattered Lens (Alcatraz, #4))
“
I think Lafayette wants to rap in French now. I have to go learn some French.
Damn it, Lafayette.
”
”
Lin-Manuel Miranda
“
The policemen agreed they were living with a most peculiar fellow. One moment he was reading classical literature in the original French and quoting Tennyson, and the next he would be discussing the best way to blow up a train.
”
”
Ben Macintyre (Agent Zigzag: A True Story of Nazi Espionage, Love, and Betrayal)
“
Oh, it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want."
He freezes. A funny look runs across his face before I realize what I've said, I didn't mean it like that.
Not that that would be so bad.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Well, bloody noses." I hug his coat tighter. "Those are definitely hot.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
I think Lafayette wants to rap in French now. I have to go learn some French.
Damn it, Lafayette
”
”
Lin-Manuel Miranda (Hamillton)
“
To say my day was not going well, would be like saying the French Revolution had been a bit troublesome for Marie Antoinette.
”
”
Nichole Chase (Suddenly Royal (The Royals, #1))
“
...What do you do with all your money?"
"Me and the French hoard gold.
”
”
Dashiell Hammett (The Thin Man)
“
It gets worse. Josh tell her that he loves her. She says it back. He touches her. She touches him back. And then they're losing their virginity on the floor of her bedroom beside her pet rabbit, Isis.
A rabbit.
Josh literally lost his virginity in front of a metaphor for sex.
”
”
Stephanie Perkins (Isla and the Happily Ever After (Anna and the French Kiss, #3))
“
La rue est une musée pour tous!
”
”
Hergé
“
Well," Ben went on,"someone should just tell her to come on home, because she can find the world's largest balls right here in Orlando, Florida. They're located in a special display case known as 'my scrotum.'" Radar laughed, and Ben continued. "I mean seriously. My balls are so big that when you order french fries from McDonald's, you can choose one of four sizes: small, medium,large, and my balls.
”
”
John Green (Paper Towns)
“
Graves leaned forward, eyeing me. “Hey, Dru. You were French-kissing a
winged snake. Creeptastic.
”
”
Lili St. Crow (Strange Angels (Strange Angels, #1))
“
New Rule: Oil companies must stop with the advertisements implying they're friends of the environment. "At Exxon Mobil, we care about a thriving wildlife." Please--the only thing an oil executive has in common with a seagull is they'd both steal french fries from a baby.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Because, of course, of how intelligent you are. And funny. Not that you aren't attractive. Because you are. Attractive. Oh, bugger..."
I wait.
"Are you still there, or did you hang up because I'm such a bleeding idiot?"
"I'm here."
"God, you made me work for that.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
What fascinated me about English was what I later recognized as its hybrid etymoogy: blunt Anglo-Saxon concreteness, sleek Norman French urbanity, and polysyllabic Greco-Roman abstraction. The clash of these elements, as competitive as Italian dialects is invigorating, richly entertaining, and often funny, as it is to Shaskespeare, who gets tremendous effects out of their interplay. The dazzling multiplicity of sounds and word choices in English makes it brilliantly suited to be a language of poetry..
”
”
Camille Paglia (Break, Blow, Burn)
“
And I like a good horror story as much as the next person
so long as they kill off some men too and not just girls. But the voices Joan heard were real.
There’s clear and substantiated proof they were real. She won battles that would otherwise
have been lost because of what those voices told her in advance of them allowing the French
generals to strategize in ways completely different than they did before Joan came along.
People’s lives were saved because of what those voices told her.
”
”
Meg Cabot (Insatiable (Insatiable, #1))
“
Irene gasped. "Have you taken leave of your senses, Stuart?" she hissed. "Have you?"
Stuart closed his eyes.
"No," he said. "Au contraire." It was strong language for the Edinburgh New Town, but he had to say it.
"Don't au contraire me," said Irene.
But it was too late. He had.
”
”
Alexander McCall Smith (Sunshine on Scotland Street (44 Scotland Street, #8))
“
I'm here." St. Clair is angry. "I'm just sorry I'm not there. With you. I wish there was something I could do."
"Wanna come beat her up for me?"
"I'm packing my throwing stars right now."
I sniffle and wipe my nose. "I'm such an idiot. I can't believe I thought he liked me.That's the worst part, knowing he was never even interested."
"Bollocks.He was interested."
"No,he wasn't," I say. "Bridge said so."
"Because she's jealous! Anna, I was there that first night he called you. I've seen how he looked at you in pictures." I protest,but he interrupts. "Any bloke with a working prick would be insane not to like you."
There's a shocked pause,on both ends of the line.
"Because,of course,of how intelligent you are. And funny.Not that you aren't attractive.Because you are. Attractive. Oh,bugger..."
I wait.
"Are you still there,or did you hang up because I'm such a bleeding idiot?"
"I'm here."
"God,you made me work for that."
St. Clair said I'm attractive.That's the second time.
"You're so easy to talk to," he continues, "that sometimes I forget you're not one of the guys."
Scratch that. He thinks I'm Josh. "Just drop it. I can't take being compared to a guy right now-"
"That's not what I meant-"
"How's your mom? I'm sorry, I've hogged ur entire conversation,and this was supposed to be about her,and I didn't even ask-"
"You did ask. It was the first thing you said when you answered. And technically I called you. And I was calling to see how the show went, which is what we've been talking about.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Like any good teacher, she tolerated little dissension. She smoked and talked and ate for an hour without stopping, and I scribbled in my notebook as the muddy waters of tangents and cosines began to clarify. But not everyone was so fortunate.
As Alaska zipped through something obvious about linear equations, stoner/baller Hank Walsten said, "Wait, wait. I don't get it."
"That's because you have eight functioning brain cells."
"Studies show that marijuana is better for your health than those cigarettes," Hank said.
Alaska swallowed a mouthful of french fries, took a drag on her cigarette, and blew smoke across the table at Hank. "I may die young," she said. "But at least I'll die smart. Now, back to tangents.
”
”
John Green (Looking for Alaska)
“
He picked up the sketchbook, turning it so she could see his work - a gorgeous rendition of a stone bridge they'd passed, surrounded by the drooping boughs of oak trees.
"You could sketch me," said Emma. She flung herself down onto her seat, leaning her head on her hand. "Draw me like one of your french girls.
”
”
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
“
Cricket tells a joke and turns to see if I'm laughing, if I think he's funny, and I want him to know that I do think he's funny, and I want him to know that I'm glad he's my friend, and I want him to know that he has the biggest heart of anyone I've ever known. And I want to press my palm against his chest to feel it beat, to prove he's really there.
But we cannot touch.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
This kind of mixing of ingredients happens all the time at fast-food places... You know when you order french fries and there's a rogue onion ring at the bottom. You know, at first you're alarmed but you eat it. It all comes from the same place! You just have to go for it.
”
”
Chelsea Handler
“
Within families, you’re stuck with the character they think you are, whatever you do. You become a war hero and all that your parents ever talk about is something supposedly funny you used to do when you were in nursery school.
”
”
Nicci French (Secret Smile)
“
Webster said, ''Time them skeeters get done with that old man, his French blood will be all gone and he will speak American as good as we do.
”
”
Peter Matthiessen (Shadow Country)
“
If bliss are a type of potato, then ignorance can be french-fried
”
”
Josh Stern (And That’s Why I’m Single)
“
Let us find the dam snack bar,’ Zoë said. ‘We should eat while we can.’ Grover cracked a smile. ‘The dam snack bar?’ Zoë blinked. ‘Yes. What is funny?’ ‘Nothing,’ Grover said, trying to keep a straight face. ‘I could use some dam French fries.
”
”
Rick Riordan (Percy Jackson: The Complete Series (Percy Jackson and the Olympians, #1-5))
“
Funny business, a woman's career. The things you drop on your way up the ladder-- so you can move faster-- you forget you'll need them when you go back to being a woman. That's one career all females have in common whether we like it or not. Being a woman. Sooner or later, we've got to work at it, no matter what other careers we've had or wanted. And in the last analysis nothing is any good unless you can look up just before dinner-- or turn around in bed-- and there he is. Without that you're not a woman. You're someone with a French provincial office-- or a book full of clippings. But you're not a woman. Slow curtain. The end. (from "All About Eve")
”
”
Bette Davis
“
I said, I ain't buyin' no chocolate covered cherries."
"Oh, come on. You know you want to."
D shook his head like Jack was just too much to be believed. "I do not either want to, and them candies makes me think of my grandmother, so it's real fuckin' weird that you turned 'em inta some kinda sex fantasy, okay? 'Cause then I get all mixed up in my head where I'm in my grandma's livin' room makin' Play-Doh french fries while you suck my dick and that's just ten kinds of wrong. Even I ain't that fucked up."
Jack laughed. "Not yet you aren't." He looked at D's face, smiling with him.
”
”
Jane Seville (Zero at the Bone (Zero at the Bone #1))
“
That’s the key, you know, confidence. I know for a fact that if you genuinely like your body, so can others. It doesn’t really matter if it’s short, tall, fat or thin, it just matters that you can find some things to like about it. Even if that means having a good laugh at the bits of it that wobble independently, occasionally, that’s all right. It might take you a while to believe me on this one, lots of people don’t because they seem to suffer from self-hatred that precludes them from imagining that a big woman could ever love herself because they don’t. But I do. I know what I’ve got is a bit strange and difficult to love but those are the very aspects that I love the most! It’s a bit like people. I’ve never been particularly attracted to the uniform of conventional beauty. I’m always a bit suspicious of people who feel compelled to conform. I personally like the adventure of difference. And what’s beauty, anyway?
”
”
Dawn French (Dear Fatty)
“
It seems that along the Rhine front the French broadcast some recordings which the Germans say constituted a personal insult to the Führer. “The French did not realize,” says the DNB with that complete lack of humour which makes the Germans so funny,
”
”
William L. Shirer (Berlin Diary: The Journal of a Foreign Correspondent 1934-41)
“
Look!" Mr. Poe said, who was still too far to help but close enough to see. "Genghis has an eye tattoo, like Count Olaf! In fact, I think he IS Count Olaf!"
"Of course he is!" Violet cried, holding up the unraveled turban.
"Merd!" Sunny shrieked, holding up a tiny piece of shoelace. She meant something like "That's what we've been trying to tell you.
”
”
Lemony Snicket (The Austere Academy (A Series of Unfortunate Events, #5))
“
Cricket tells a joke and turns to see if I'm laughing, if I think he's funny, and I want him to know that I do think he's funny, and I want him to know that I'm glad he's my friend, and I want him to know that he has the biggest heart of anyone I've ever known. And I want to press my palm against his chest to feel it beat, to prove he's really there.
But we cannot touch.
”
”
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
“
She was an original ... She was an eccentric. She'd come alive like a fire, telling funny stories and entertaining everyone, then she'd suddenly run out of fuel, make her excuses and leave. You always knew when she'd had enough. Those that didn't would find themselves talk to the walls.
”
”
Santa Montefiore (The French Gardener)
“
I'd like a cheese Bunza. French fries. A Dr Pepper --"
"Oh, you're a Pepper?"
"Yeah, I'm a Pepper. Wouldn't you like to be a Pepper, too?"
I can't help but laugh at this guy. He's actually funny. Kind of a surprise. I thought maybe he'd just be some hot lug-head jerk. But this? This is unfair.
"And a shake."
"Really?"
"Yeah. A shake. Instead of Dr Pepper. Oh ... and you. I'd like a date with you. Saturday night.
”
”
Andrea Portes (Anatomy of a Misfit)
“
He pats his way around the bed and slides back in. 'Ow,' he says.
'Yes?'
'My belt. Would it be weird...'
I’m thankful he can’t see me blush. 'Of course not.' And I listen to the slap of leather as he pulls it out of his belt loops. He lays it gently on my hardwood floor.
'Um,' he says. 'Would it be weird—'
'YES.'
'Oh, piss off. I’m not talking trousers. I only want under the blankets.That breeze is horrible.' He slides underneath, and now we’re lying side by side. In my narrow bed. Funny, but I never imagined my first sleepover with a guy being, well, a sleepover.
'All we need now are 'Sixteen Candles' and a game of Truth or Dare.'
He coughs. 'Wh-what?'
'The movie, pervert. I was just thinking it’s been a while since I’ve had a sleepover.'
A pause. 'Oh.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Speaking of cold...
I shiver. "Has the temperature dropped, or is it just me?"
"Here." Etienne unwraps the black scarf that had been tied loosely around his neck,and hands it to me. I take it, gently, and wrap it around mine. It makes me dizzy.It smells like freshly scrubbed boy. It smells like him.
"Your hair looks nice," he says. "You bleached it again.
I touch the stripe self-consciously. "Mom helped me."
"That breeze is wicked,I'm going for coffee." Josh snaps his sketchbook closed. I'd forgotten he was here again. "You coming?"
Etienne looks at me, waiting to see how I answer.
Coffee! I'm dying for a real cup. I smile at Josh. "Sounds perfect."
And then I'm heading down the steps of the Pantheon, cool and white and glittering, in the most beautiful city in the world. I'm with two attractive, intelligent,funny boys and I'm grinning ear to ear. If Bridgette could see me now.
I mean,who needs Christopher when Etienne St. Clair is in the world?
But as soon as I think of Toph, I get that same stomach churching I always do when I think about him now.Shame that I ever thought he might wait. That I wasted so much time on him. Ahead of mine,Etienne laughs at something Josh said. And the sound sends me spiraling into panic as the information hits me again and again and again.
What am I going to do? I'm in love with my new best friend.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
On summer nights when the windows are open, you can listen in on people's lives—babies crying, kids laughing, radios blaring, mothers yelling, couples fighting. Funny thing is, the sounds are always the same. Even though different people come and go, the sounds stay the same. I like that. It makes me feel a part of something big, something never ending, like the stars.
”
”
Jackie French Koller (Nothing to Fear (Gulliver Books))
“
My seven a.m. teacher was from France. And he spoke Frenglish. Sometimes it was funny, but when he announced which chapters we should study and the names came out in English, but the chapter numbers came out in French, I wanted to strangle the sacre bleu out of him.
”
”
Lila Felix (How It Rolls (Love and Skate, #2))
“
Okay, so how, exactly, did I get into this mess—up onstage at a comedy club, baking like a bag of French fries under a hot spotlight that shows off my sweat stains( including one that sort of looks like Jabba the Hutt), with about a thousand beady eyeballs drilling into me?
”
”
James Patterson (I Funny: A Middle School Story (I Funny, #1))
“
It’s funny,’ Rado says, ‘I can only be Bulgarian when I’m in France. Here, I’m semi-French. Everything is funny and bizarre, and I laugh like someone watching a Beckett play. Except I am a Frenchman with Bulgarian memories. […] But I’ll never be one of them. Ah, the filthy French!
”
”
Kapka Kassabova (Street without a Name: Childhood and Other Misadventures in Bulgaria)
“
For me that's the only way of understanding a particular term that everyone here bandies about quite happily, but which clearly can't be quite that straight forward because it doesn't exist in many languages, only in Italian and Spanish, as far as I know, but then again, I don't know that many languages. Perhaps in German too, although I can't be sure: el enamoramiento--the state of falling or being in love, or perhaps infatuation. I'm referring to the noun, the concept; the adjective, the condition, are admittedly more familiar, at least in French, although not in English, but there are words that approximate that meaning ... We find a lot of people funny, people who amuse and charm us and inspire affection and even tenderness, or who please us, captivate us, and can even make us momentarily mad, we enjoy their body and their company or both those things, as is the case for me with you and as I've experienced before with other women, on other occasions, although only a few. Some become essential to us, the force of habit is very strong and ends up replacing or even supplanting almost everything else. It can supplant love, for example, but not that state of being in love, it's important to distinguish between the two things, they're easily confused, but they're not the same ... It's very rare to have a weakness, a genuine weakness for someone, and for that someone to provoke in us that feeling of weakness.
”
”
Javier Marías (Los enamoramientos)
“
Let us find the dam snack bar,” Zoë said. “We should eat while we can.”
Grover cracked a smile. “The dam snack bar?”
Zoë blinked. “Yes. What is funny?”
“Nothing,” Grover said, trying to keep a straight face. “I could use some dam french fries.” (The Titan’s Curse - chapter 14 page 208)
”
”
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
“
The room where they were dancing was very dark.... It was queer to be in his arms.... She had known better dancers.... He had looked ill.... Perhaps he was.... Oh, poor Valentine-Elisabeth.... What a funny position!.... The good gramophone played.... Destiny!.... You see, father! ... In his arms! Of course, dancing is not really.... But so near the real thing! So near!... 'Good luck to the special intention!...' She had almost kissed him on the lips ... All but!... Effleurer, the French call it.... But she was not as humble.... He had pressed her tighter.... All these months without.... My lord did me honour.... Good for Malbrouck s'en va-t-en guerre.... He knew she had almost kissed him on the lips.... And that his lips had almost responded.... The civilian, the novelist, had turned out the last light.... Tietjens said, 'Hadn't we better talk?...' She said: 'In my room, then! I'm dog-tired.... I haven't slept for six nights.... In spite of drugs...' He said: 'Yes. Of course! Where else?....
”
”
Ford Madox Ford (Parade's End)
“
Most experts today subscribe to some variations of the incongruity theory, the idea that humor arises when people discover there's an inconsistency between what they expect to happen and what actually happens. Or, as seventeenth-century French philosopher Blaise Pascal put it when he first came up with the concept, "Nothing produces laughter more than a surprising disproportion between that which one expects and that which one sees.
”
”
Joel Warner (The Humor Code: A Global Search for What Makes Things Funny)
“
There’s just something about him that gets me. He’s a mass of contradictions. He’s a terrible grouch, but then he’s funny and endearing. He dresses like a rock star and acts like a recluse. He ignores me for days on end and then every now and then he is so, so incredible that he knocks the breath out of me.
”
”
Kat French (The Piano Man Project)
“
I wasn’t afraid of the Germans, not me,” an old bag would whine, “I went straight up to them and said, ‘This house belongs to the mother of a French officer’—and they didn’t say a word.” And another woman would say, “Bullets were flying all around me, but it’s funny, I wasn’t scared, not a bit.” It was understood that everyone would embellish their tales with terrifying scenes. As for Charles, he would simply reply, “That’s odd. Everything seemed quite normal to me. There were a lot of people on the road, but that’s all.” He imagined their surprise and smiled, feeling smug. He needed to feel smug. When he thought about his apartment in Paris, his heart broke.
”
”
Irène Némirovsky (Suite Française)
“
Any bloke with a working prick would be insane not to like you. There's a shocked pause, on both ends of the line. Because, of course, of how intelligent you are. And funny
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Funny thing is, the sounds are always the same. Even though different people come and go, the sounds stay the same.
”
”
Jackie French Koller (Nothing to Fear (Gulliver Books))
“
The Dirty Thirties are knocking
in a French accent-
”
”
Sahndra Fon Dufe
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Let us find the dam snack bar,” Zoë said. “We should eat while we can.” Grover cracked a smile. “The dam snack bar?” Zoë blinked. “Yes. What is funny?” “Nothing,” Grover said, trying to keep a straight face. “I could use some dam french fries.” Even Thalia smiled at that. “And I need to use the dam restroom.” Maybe it was the fact that we were so tired and strung out emotionally, but I started cracking up, and Thalia and Grover joined in, while Zoë just looked at us. “I do not understand.” “I want to use the dam water fountain,” Grover said. “And…” Thalia tried to catch her breath. “I want to buy a dam T-shirt.
”
”
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
“
Americans are funny," Terence O'Donnell pointed out in a conversation we had about our national need to own as much as possible, including our joy.
"We look for a state of happiness," said O'Donnell. "But the French know that's ridiculous. They accept that there are only les petits bonheurs, the little happinesses, only the moments: a sudden view, awakening to a superb morning, the sun's warmth, a cooling breeze.
”
”
Lionel Fisher (Celebrating Time Alone: Stories Of Splendid Solitude)
“
Balzac was pretty funny. His philosophy is plain and simple, says basically that pure materialism is a recipe for madness. The only true knowledge for Balzac seems to be in superstition. Everything is subject to analysis. Horde your energy. That’s the secret of life. You can learn a lot from Mr. B. It’s funny to have him as a companion. He wears a monk’s robe and drinks endless cups of coffee. Too much sleep clogs up his mind. One of his teeth falls out, and he says, “What does this mean?” He questions everything. His clothes catch fire on a candle. He wonders if fire is a good sign. Balzac is hilarious.
”
”
Bob Dylan (Chronicles, Volume One)
“
Let us find the dam snack bar,” Zoë said. “We should eat while we can.” Grover cracked a smile. “The dam snack bar?” Zoë blinked. “Yes. What is funny?” “Nothing,” Grover said, trying to keep a straight face. “I could use some dam french fries.” Even Thalia smiled at that. “And I need to use the dam restroom
”
”
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
“
Let us find the dam snack bar,” Zoë said. “We should eat while we can.” Grover cracked a smile. “The dam snack bar?” Zoë blinked. “Yes. What is funny?” “Nothing,” Grover said, trying to keep a straight face. “I could use some dam french fries.” Even Thalia smiled at that. “And I need to use the dam restroom.
”
”
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
“
She's probably just tired of seeing you miserable.Like we all are," I add. "I'm sure...I'm sure she's as crazy about you as ever."
"Hmm." He watches me put away my own shoes and empty the contents of my pockets. "What about you?" he asks, after a minute.
"What about me?"
St. Clair examines his watch. "Sideburns. You'll be seeing him next month."
He's reestablishing...what? The boundary line? That he's taken, and I'm spoken for? Except I'm not. Not really.
But I can't bear to say this now that he's mentioned Ellie. "Yeah,I can't wait to see him again. He's a funny guy, you'd like him.I'm gonna see his band play at Christmas. Toph's a great guy, you'd really like him. Oh. I already said that,didn't I? But you would. He's really...funny."
Shut up,Anna. Shut.Up.
St. Clair unbuckles and rebuckles and unbuckles his watchband.
"I'm beat," I say. And it's the truth. As always, our conversation has exhausted me. I crawl into bed and wonder what he'll do.Lie on my floor? Go back to his room? But he places his watch on my desk and climbs onto my bed. He slides up next to me. He's on top of the covers, and I'm underneath. We're still fully dressed,minus our shoes, and the whole situation is beyond awkward.
He hops up.I'm sure he's about to leave,and I don't know whether to be relieved or disappointed,but...he flips off my light.My room is pitch-black. He shuffles back toward my bed and smacks into it.
"Oof," he says.
"Hey,there's a bed there."
"Thanks for the warning."
"No problem."
"It's freezing in here.Do you have a fan on or something?"
"It's the wind.My window won't shut all the way.I have a towel stuffed under it, but it doesn't really help."
He pats his way around the bed and slides back in. "Ow," he says.
"Yes?"
"My belt.Would it be weird..."
I'm thankful he can't see my blush. "Of course not." And I listen to the slap of leather as he pulls it out of his belt loops.He lays it gently on my hardwood floor.
"Um," he says. "Would it be weird-"
"Yes."
"Oh,piss off.I'm not talking trousers. I only want under the blankets. That breeze is horrible." He slides underneath,and now we're lying side by side. In my narrow bed. Funny,but I never imagined my first sleepover with a guy being,well,a sleepover.
"All we need now are Sixteen Candles and a game of Truth or Dare."
He coughs. "Wh-what?"
"The movie,pervert.I was just thinking it's been a while since I've had a sleepover."
A pause. "Oh."
"..."
"..."
"St. Clair?"
"Yeah?"
"Your elbow is murdering my back."
"Bollocks.Sorry." He shifts,and then shifts again,and then again,until we're comfortable.One of his legs rests against mine.Despite the two layers of pants between us,I feel naked and vulnerable. He shifts again and now my entire leg, from calf to thigh, rests against his. I smell his hair. Mmm.
NO!
I swallow,and it's so loud.He coughs again. I'm trying not to squirm. After what feels like hours but is surely only minutes,his breath slows and his body relaxes.I finally begin to relax, too. I want to memorize his scent and the touch of his skin-one of his arms, now against mine-and the solidness os his body.No matter what happens,I'll remember this for the rest of my life.
I study his profile.His lips,his nose, his eyelashes.He's so beautiful.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
As the day heats up, Peter convinces me to put down my French book and jump in the pool with him. The pool is crowded with little kids, no one as old as us. Steve Bledell has a pool at his house, but I wanted to come here, for old times’ sake.
“Don’t you dare dunk me,” I warn. Peter starts circling me like a shark, coming closer and closer. “I’m serious!”
He makes a dive for me and grabs me by the waist, but he doesn’t dunk me; he kisses me. His skin is cool and smooth against mine; so are his lips.
I push him away and whisper, “Don’t kiss me--there are kids around!”
“So?”
“So nobody wants to see teenagers kissing in the pool where kids are trying to play. It isn’t right.” I know I sound like a priss, but I don’t care. When I was little, and there were teenagers horsing around in the pool, I always felt nervous to go in, because it was like the pool was theirs.
Peter bursts out laughing. “You’re funny, Covey.” Swimming sideways, he says, “It isn’t right,” and then starts laughing again.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
So what happened?"
"I don't know." Another glance to ensure his continued state of Not Looking, and then I rip off my clothes in one fast swoop. I am now officially stark naked in the room with the most beautiful boy I know. Funny,but this isn't how I imagined this moment.
No.Not funny.One hundred percent the exact opposite of funny.
"I think I maybe,possibly, vaguely remember hitting the snooze button." I jabber to cover my mortification. "Only I guess it was the off button.But I had the alarm on my phone set,too, so I don't know what happened."
Underwear,on.
"Did you turn the ringer back on last night?"
"What?" I hop into my jeans, a noise he seems to determinedly ignore.His ears are apple red.
"You went to see a film,right? Don't you set your mobile to silent at the theater?"
He's right.I'm so stupid. If I hadn't taken Meredith to A Hard Day's Night, a Beatles movie I know she loves, I would have never turned it off. We'd already be in a taxi to the airport. "The taxi!" I tug my sweater over my head and look up to find myself standing across from a mirror.
A mirror St. Clair is facing.
"It's all right," he says. "I told the driver to wait when I came up here. We'll just have to tip him a little extra." His head is still down. I don't think he saw anything.I clear my throat, and he glances up. Our eyes meet in the mirror,and he jumps. "God! I didn't...I mean,not until just now..."
"Cool.Yeah,fine." I try to shake it off by looking away,and he does the same. His cheeks are blazing.I edge past him and rinse the white crust off my face while he throws my toothbrush and deodorant and makeup into my luggage, and then we tear downstairs and into the lobby.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
In Mallard, you grew up hearing stories about folks who’d pretended to be white. Warren Fontenot, riding a train in the white section, and when a suspicious porter questioned him, speaking enough French to convince him that he was a swarthy European; Marlena Goudeau becoming white to earn her teaching certificate; Luther Thibodeaux, whose foreman marked him white and gave him more pay. Passing like this, from moment to moment, was funny. Heroic, even. Who didn’t want to get over on white folks for a change? But the passe blanc were a mystery. You could never meet one who’d passed over undetected, the same way you’d never know someone who successfully faked her own death; the act could only be successful if no one ever discovered it was a ruse. Desiree only knew the failures: the ones who’d gotten homesick, or caught, or tired of pretending. But for all Desiree knew, Stella had lived white for half her life now, and maybe acting for that long ceased to be acting altogether. Maybe pretending to be white eventually made it so.
”
”
Brit Bennett (The Vanishing Half)
“
In the time it takes for all of this to happen, Tariq takes a shower. In the time it takes for all of this to happen, Craig (admittedly a slow eater) eats a piece of French toast. In the time it takes for all of this to happen, Peter loads up a video game and starts to play. In the time it takes for all of this to happen, Avery wakes to find a phone number still written on his hand, and wonders what to do next. He doesn’t have to worry, though. Ryan is already on it. He has Avery’s number in his phone, and as soon as the clock hits ten, he’s going to call. He feels it’s rude to call anyone before ten. So he waits. Impatiently, he waits. It’s funny the things you miss. Like phone cords. Reading
”
”
David Levithan (Two Boys Kissing)
“
Je me rends parfaitement compte du desagreable effet que produit sur la majorite de l'humanité, tout ce qui se rapporte, même au plus faible dègré, á des calculs ou raisonnements mathematiques.
I am well aware of the disagreeable effect produced on the majority of humanity, by whatever relates, even at the slightest degree to calculations or mathematical reasonings.
”
”
Hiram Stevens Maxim
“
Everyone's here except for St. Clair." Meredith cranes her neck around the cafeteria. "He's usually running late."
"Always," Josh corrects. "Always running late."
I clear my throat. "I think I met him last night. In the hallway."
"Good hair and an English accent?" Meredith asks.
"Um.Yeah.I guess." I try to keep my voice casual.
Josh smirks. "Everyone's in luuurve with St. Clair."
"Oh,shut up," Meredith says.
"I'm not." Rashmi looks at me for the first time, calculating whether or not I might fall in love with her own boyfriend.
He lets go of her hand and gives an exaggerated sigh. "Well,I am. I'm asking him to prom. This is our year, I just know it."
"This school has a prom?" I ask.
"God no," Rashmi says. "Yeah,Josh. You and St. Clair would look really cute in matching tuxes."
"Tails." The English accent makes Meredith and me jump in our seats. Hallway boy. Beautiful boy. His hair is damp from the rain. "I insist the tuxes have tails, or I'm giving your corsage to Steve Carver instead."
"St. Clair!" Josh springs from his seat, and they give each other the classic two-thumps-on-the-back guy hug.
"No kiss? I'm crushed,mate."
"Thought it might miff the ol' ball and chain. She doesn't know about us yet."
"Whatever," Rashi says,but she's smiling now. It's a good look for her. She should utilize the corners of her mouth more often.
Beautiful Hallway Boy (Am I supposed to call him Etienne or St. Clair?) drops his bag and slides into the remaining seat between Rashmi and me. "Anna." He's surprised to see me,and I'm startled,too. He remembers me.
"Nice umbrella.Could've used that this morning." He shakes a hand through his hair, and a drop lands on my bare arm. Words fail me. Unfortunately, my stomach speaks for itself. His eyes pop at the rumble,and I'm alarmed by how big and brown they are. As if he needed any further weapons against the female race.
Josh must be right. Every girl in school must be in love with him.
"Sounds terrible.You ought to feed that thing. Unless..." He pretends to examine me, then comes in close with a whisper. "Unless you're one of those girls who never eats. Can't tolerate that, I'm afraid. Have to give you a lifetime table ban."
I'm determined to speak rationally in his presence. "I'm not sure how to order."
"Easy," Josh says. "Stand in line. Tell them what you want.Accept delicious goodies. And then give them your meal card and two pints of blood."
"I heard they raised it to three pints this year," Rashmi says.
"Bone marrow," Beautiful Hallway Boy says. "Or your left earlobe."
"I meant the menu,thank you very much." I gesture to the chalkboard above one of the chefs. An exquisite cursive hand has written out the morning's menu in pink and yellow and white.In French. "Not exactly my first language."
"You don't speak French?" Meredith asks.
"I've taken Spanish for three years. It's not like I ever thought I'd be moving to Paris."
"It's okay," Meredith says quickly. "A lot of people here don't speak French."
"But most of them do," Josh adds.
"But most of them not very well." Rashmi looks pointedly at him.
"You'll learn the lanaguage of food first. The language of love." Josh rubs his belly like a shiny Buddha. "Oeuf. Egg. Pomme. Apple. Lapin. Rabbit."
"Not funny." Rashmi punches him in the arm. "No wonder Isis bites you. Jerk."
I glance at the chalkboard again. It's still in French. "And, um, until then?"
"Right." Beautiful Hallway Boy pushes back his chair. "Come along, then. I haven't eaten either." I can't help but notice several girls gaping at him as we wind our way through the crowd.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Twenty minutes into French class, Madame O’Malley was conjugating the verb to believe in the subjunctive. Que je croie. Que tu croies. Qu’il ou qu’elle croie. She said it over and over, like it wasn’t a verb so much as a Buddhist mantra. Que je croie; que tu croies; qu’il ou qu’elle croie. What a funny thing to say over and over again: I would believe; you would believe; he or she would believe. Believe what? I thought, and right then, the rain came.
”
”
John Green (Looking for Alaska)
“
Joan of Arc! Fancy dying to put a thing like that upon a throne. It would be funny if it wasn’t so tragic. You can say she drove out the English—saved France. But for what? The Bartholomew massacres. The ruin of the Palatinate by Louis XIV. The horrors of the French Revolution, ending with Napoleon and all the misery and degeneracy that he bequeathed to Europe. History might have worked itself out so much better if the poor child had left it alone and minded her sheep.
”
”
Jerome K. Jerome (All Roads Lead to Calvary)
“
Because she’s jealous! Anna, I was there that first night he called you. I’ve seen how he looked at you in pictures.” I protest, but he interrupts. “Any bloke with a working prick would be insane not to like you.”
There’s a shocked pause, on both ends of the line.
“Because, of course, of how intelligent you are. And funny. Not that you aren’t attractive. Because you are. Attractive. Oh, bugger ...”
I wait.
“Are you still there, or did you hang up because I’m such a bleeding idiot?
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
New Rule: Conservatives have to stop rolling their eyes every time they hear the word "France." Like just calling something French is the ultimate argument winner. As if to say, "What can you say about a country that was too stupid to get on board with our wonderfully conceived and brilliantly executed war in Iraq?" And yet an American politician could not survive if he uttered the simple, true statement: "France has a better health-care system than we do, and we should steal it." Because here, simply dismissing an idea as French passes for an argument. John Kerry? Couldn't vote for him--he looked French. Yeah, as a opposed to the other guy, who just looked stupid.
Last week, France had an election, and people over there approach an election differently. They vote. Eighty-five percent turned out. You couldn't get eighty-five percent of Americans to get off the couch if there was an election between tits and bigger tits and they were giving out free samples.
Maybe the high turnout has something to do with the fact that the French candidates are never asked where they stand on evolution, prayer in school, abortion, stem cell research, or gay marriage. And if the candidate knows about a character in a book other than Jesus, it's not a drawback. The electorate doesn't vote for the guy they want to have a croissant with. Nor do they care about private lives. In the current race, Madame Royal has four kids, but she never got married. And she's a socialist. In America, if a Democrat even thinks you're calling him "liberal," he grabs an orange vest and a rifle and heads into the woods to kill something.
Royal's opponent is married, but they live apart and lead separate lives. And the people are okay with that, for the same reason they're okay with nude beaches: because they're not a nation of six-year-olds who scream and giggle if they see pee-pee parts. They have weird ideas about privacy. They think it should be private. In France, even mistresses have mistresses. To not have a lady on the side says to the voters, "I'm no good at multitasking."
Like any country, France has its faults, like all that ridiculous accordion music--but their health care is the best in the industrialized world, as is their poverty rate. And they're completely independent of Mid-East oil. And they're the greenest country. And they're not fat. They have public intellectuals in France. We have Dr. Phil. They invented sex during the day, lingerie, and the tongue. Can't we admit we could learn something from them?
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
It was astonishing how loudly one laughed at tales of gruesome things, of war’s brutality-I with the rest of them. I think at the bottom of it was a sense of the ironical contrast between the normal ways of civilian life and this hark-back to the caveman code. It made all our old philosophy of life monstrously ridiculous. It played the “hat trick” with the gentility of modern manners. Men who had been brought up to Christian virtues, who had prattled their little prayers at mothers’ knees, who had grown up to a love of poetry, painting, music, the gentle arts, over-sensitized to the subtleties of half-tones, delicate scales of emotion, fastidious in their choice of words, in their sense of beauty, found themselves compelled to live and act like ape-men; and it was abominably funny. They laughed at the most frightful episodes, which revealed this contrast between civilized ethics and the old beast law. The more revolting it was the more, sometimes, they shouted with laughter, especially in reminiscence, when the tale was told in the gilded salon of a French chateau, or at a mess-table.
It was, I think, the laughter of mortals at the trick which had been played on them by an ironical fate. They had been taught to believe that the whole object of life was to reach out to beauty and love, and that mankind, in its progress to perfection, had killed the beast instinct, cruelty, blood-lust, the primitive, savage law of survival by tooth and claw and club and ax. All poetry, all art, all religion had preached this gospel and this promise.
Now that ideal had broken like a china vase dashed to hard ground. The contrast between That and This was devastating. It was, in an enormous world-shaking way, like a highly dignified man in a silk hat, morning coat, creased trousers, spats, and patent boots suddenly slipping on a piece of orange-peel and sitting, all of a heap, with silk hat flying, in a filthy gutter. The war-time humor of the soul roared with mirth at the sight of all that dignity and elegance despoiled.
So we laughed merrily, I remember, when a military chaplain (Eton, Christ Church, and Christian service) described how an English sergeant stood round the traverse of a German trench, in a night raid, and as the Germans came his way, thinking to escape, he cleft one skull after another with a steel-studded bludgeon a weapon which he had made with loving craftsmanship on the model of Blunderbore’s club in the pictures of a fairy-tale.
So we laughed at the adventures of a young barrister (a brilliant fellow in the Oxford “Union”) whose pleasure it was to creep out o’ nights into No Man’s Land and lie doggo in a shell-hole close to the enemy’s barbed wire, until presently, after an hour’s waiting or two, a German soldier would crawl out to fetch in a corpse. The English barrister lay with his rifle ready. Where there had been one corpse there were two. Each night he made a notch on his rifle three notches one night to check the number of his victims. Then he came back to breakfast in his dugout with a hearty appetite.
”
”
Phillip Gibbs
“
Barbara and I had arrived early, so I got to admire everyone’s entrance. We were seated at tables around a dance floor that had been set up on the lawn behind the house. Barbara and I shared a table with Deborah Kerr and her husband. Deborah, a lovely English redhead, had been brought to Hollywood to play opposite Clark Gable in The Hucksters. Louis B. Mayer needed a cool, refined beauty to replace the enormously popular redhead, Greer Garson, who had married a wealthy oil magnate and retired from the screen in the mid-fifties. Deborah, like her predecessor, had an ultra-ladylike air about her that was misleading. In fact, she was quick, sharp, and very funny. She and Barbara got along like old school chums. Jimmy Stewart was also there with his wife. It was the first time I’d seen him since we’d worked for Hitchcock. It was a treat talking to him, and I felt closer to him than I ever did on the set of Rope. He was so genuinely happy for my success in Strangers on a Train that I was quite moved. Clark Gable arrived late, and it was a star entrance to remember. He stopped for a moment at the top of the steps that led down to the garden. He was alone, tanned, and wearing a white suit. He radiated charisma. He really was the King. The party was elegant. Hot Polynesian hors d’oeuvres were passed around during drinks. Dinner was very French, with consommé madrilène as a first course followed by cold poached salmon and asparagus hollandaise. During dessert, a lemon soufflé, and coffee, the cocktail pianist by the pool, who had been playing through dinner, was discreetly augmented by a rhythm section, and they became a small combo for dancing. The dance floor was set up on the lawn near an open bar, and the whole garden glowed with colored paper lanterns. Later in the evening, I managed a subdued jitterbug with Deborah Kerr, who was much livelier than her cool on-screen image. She had not yet done From Here to Eternity, in which she and Burt Lancaster steamed up the screen with their love scene in the surf. I was, of course, extremely impressed to be there with Hollywood royalty that evening, but as far as parties go, I realized that I had a lot more fun at Gene Kelly’s open houses.
”
”
Farley Granger (Include Me Out: My Life from Goldwyn to Broadway)
“
Well,Anna.It's Matt or the minivan. I'm not making the choice for you."
I choose my ex.We used to be good friends,so I'm sort of looking forward to seeing him again. And maybe Cherrie isn't as bad as I remember.Except she is. She totally is. After only five minutes in her company,I cannot fathom how Bridge stands sitting with her at lunch every day.She turns to look at me in the backseat,and her hair swishes in a vitamin-enriched, shampoo-commercial curtain. "So.How are the guys in Paris?"
I shrug. "Parisian."
"Ha ha.You're funny."
Her lifeless laugh is one of her lesser attributes.What does Matt see in her?
"No one special?" Matt smiles and glances at me through the rearview mirror. I'm not sure why,but I forgot that he has brown eyes.Why do they make some people look amazing and others completely average? It's the same with brown hair. Statistically speaking, St. Clair and Matt are quite similar. Eyes: Brown. Hair: Brown. Race: Caucasian. There's a significant difference in height,but still. It's like comparing a gourmet truffle to a Mr. Goodbar.
I think about the gourmet truffle. And his girlfriend. "Not exactly.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
You're fixing everything I set down." He nods at my hands, which are readjusting the elephant. "It wasn't polite of me to come in and start touching your things."
"Oh,it's okay," I say quickly, letting go of the figurine. "You can touch anything of mine you want."
He freezes. A funny look runs across his face before I realize what I've said. I didn't mean it like that.
Not that that/i> would be so bad.
But I like Toph,and St. Clair has a girlfriend. And even if the situation were different, Mer still has dibs. I'd never do that to her after how nice she was my first day.And my second. And every other day this week.
Besides,he's just an attractive boy. Nothing to get worked up over. I mean, the streets of Europe are filled with beautiful guys, right? Guys with grooming regimens and proper haircuts and stylish coats.Not that I've seen anyone even remotely as good-looking as Monsieur Etienne St.Clair.But still.
He turns his face away from mine. Is it my imagination or does he look embarrassed? But why would he be embarrassed? I'm the one with the idiotic mouth.
"Is that your boyfriend?" He points to my laptop's wallpaper, a photo of my coworkers and me goofing around. It was taken before the midnight release of the lastest fantasy-novel-to-film adaptation. Most of us were dressed like elves or wizards. "The one with his eyes closed?"
"WHAT?" He thinks I'd date a guy like Hercules Hercules is an assistant manager. He's ten years older than me and,yes, that's his real name. And even though he's sweet and knows more about Japanese horror films than anyone,he also has a ponytail.
A ponytail.
"Anna,I'm kidding.This one. Sideburns." He points to Toph,the reason I love the picture so much.Our heads are turned into each other, and we're wearing secret smiles,as if sharing a private joke.
"Oh.Uh...no.Not really.I mean, Toph was my almost-boyfriend.I moved away before..." I trail off, uncomfortable. "Before much could happen.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
I think fairies are all awfully sad,” she said. “Poor fairies.” “This was sort of funny though,” David said. “Because this worthless man that taught Tommy backgammon was explaining to Tommy what it meant to be a fairy and all about the Greeks and Damon and Pythias and David and Jonathan. You know, sort of like when they tell you about the fish and the roe and the milt and the bees fertilizing the pollen and all that at school and Tommy asked him if he’d ever read a book by Gide. What was it called, Mr. Davis? Not Corydon. That other one? With Oscar Wilde in it.” “Si le grain ne meurt,” Roger said. “It’s a pretty dreadful book that Tommy took to read the boys in school. They couldn’t understand it in French, of course, but Tommy used to translate it. Lots of it is awfully dull but it gets pretty dreadful when Mr. Gide gets to Africa.” “I’ve read it,” the girl said. “Oh fine,” David said. “Then you know the sort of thing I mean. Well this man who’d taught Tommy backgammon and turned out to be a fairy was awfully surprised when Tommy spoke about this book but he was sort of pleased because now he didn’t have to go through all the part about the bees and flowers of that business and he said, ‘I’m so glad you know,’ or something like that and then Tommy said this to him exactly; I memorized it: ‘Mr. Edwards, I take only an academic interest in homosexuality. I thank you very much for teaching me backgammon and I must bid you good day.
”
”
Ernest Hemingway (Islands in the Stream)
“
Okay.First things first. Three things you don't want me to know about you."
"What?" I gaped at him.
"You're the one who says we don't know each other.So let's cut to the chase."
Oh,but this was too easy:
1. I am wearing my oldest, ugliest underwear.
2.I think your girlfriend is evil and should be destroyed.
3.I am a lying, larcenous creature who talks to dead people and thinks she should be your girlfriend once the aforementioned one is out of the picture.
I figured that was just about everything. "I don't think so-"
"Doesn't have to be embarrassing or major," Alex interrupted me, "but it has to be something that costs a little to share." When I opened my mouth to object again, he pointed a long finger at the center of my chest. "You opened the box,Pandora.So sit."
There was a funny-shaped velour chair near my knees. I sat. The chair promptly molded itself to my butt. I assumed that meant it was expensive, and not dangerous. Alex flopped onto the bed,settling on his side with his elbow bent and his head propped on his hand.
"Can't you go first?" I asked.
"You opened the box..."
"Okay,okay. I'm thinking."
He gave me about thirty seconds. Then, "Time."
I took a breath. "I'm on full scholarship to Willing." One thing Truth or Dare has taught me is that you can't be too proud and still expect to get anything valuable out of the process.
"Next."
"I'm terrified of a lot things, including lightning, driving a stick shift, and swimming in the ocean."
His expression didn't change at all. He just took in my answers. "Last one."
"I am not telling you about my underwear," I muttered.
He laughed. "I am sorry to hear that. Not even the color?"
I wanted to scowl. I couldn't. "No.But I will tell you that I like anchovies on my pizza."
"That's supposed to be consolation for withholding lingeries info?"
"Not my concern.But you tell me-is it something you would broadcast around the lunchroom?"
"Probably not," he agreed.
"Didn't think so." I settled back more deeply into my chair. It didn't escape my notice that, yet again, I was feeling very relaxed around this boy. Yet again, it didn't make me especially happy. "Your turn."
I thought about my promise to Frankie. I quietly hoped Alex would tell me something to make me like him even a little less.
He was ready. "I cried so much during my first time at camp that my parents had to come get me four days early."
I never went to camp. It always seemed a little bit idyllic to me. "How old were you?"
"Six.Why?"
"Why?" I imagined a very small Alex in a Spider-Man shirt, cuddling the threadbare bunny now sitting on the shelf over his computer. I sighed. "Oh,no reason. Next."
"I hated Titanic, The Notebook, and Twilight."
"What did you think of Ten Things I Hate About You?"
"Hey," he snapped. "I didn't ask questions during your turn."
"No,you didn't," I agreed pleasantly. "Anser,please."
"Fine.I liked Ten Things. Satisfied?"
No,actually. "Alex," I said sadly, "either you are mind-bogglingly clueless about what I wouldn't want to know, or your next revelation is going to be that you have an unpleasant reaction to kryptonite."
He was looking at me like I'd spoken Swahili. "What are you talking about?"
Just call me Lois. I shook my head. "Never mind. Carry on."
"I have been known to dance in front of the mirror-" he cringed a little- "to 'Thriller.'"
And there it was. Alex now knew that I was a penniless coward with a penchant for stinky fish.I knew he was officially adorable.
He pushed himself up off his elbow and swung his legs around until he was sitting on the edge of the bed. "And on that humiliating note, I will now make you translate bathroom words into French." He picked up a sheaf of papers from the floor. "I have these worksheets. They're great for the irregular verbs...
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
We're in her bedroom,and she's helping me write an essay about my guniea pig for French class. She's wearing soccer shorts with a cashmere sweater, and even though it's silly-looking, it's endearingly Meredith-appropriate. She's also doing crunches. For fun.
"Good,but that's present tense," she says. "You aren't feeding Captain Jack carrot sticks right now."
"Oh. Right." I jot something down, but I'm not thinking about verbs. I'm trying to figure out how to casually bring up Etienne.
"Read it to me again. Ooo,and do your funny voice! That faux-French one your ordered cafe creme in the other day, at that new place with St. Clair."
My bad French accent wasn't on purpose, but I jump on the opening. "You know, there's something,um,I've been wondering." I'm conscious of the illuminated sign above my head, flashing the obvious-I! LOVE! ETIENNE!-but push ahead anyway. "Why are he and Ellie still together? I mean they hardly see each other anymore. Right?"
Mer pauses, mid-crunch,and...I'm caught. She knows I'm in love with him, too.
But then I see her struggling to reply, and I realize she's as trapped in the drama as I am. She didn't even notice my odd tone of voice. "Yeah." She lowers herself slwoly back to the floor. "But it's not that simple. They've been together forever. They're practically an old married couple. And besides,they're both really...cautious."
"Cautious?"
"Yeah.You know.St. Clair doesn't rock the boat. And Ellie's the same way. It took her ages to choose a university, and then she still picked one that's only a few neighborhoods away. I mean, Parsons is a prestigious school and everything,but she chose it because it was familiar.And now with St. Clair's mom,I think he's afraid to lose anyone else.Meanwhile,she's not gonna break up with him,not while his mom has cancer. Even if it isn't a healthy relationship anymore."
I click the clicky-button on top of my pen. Clickclickclickclick. "So you think they're unhappy?"
She sighs. "Not unhappy,but...not happy either. Happy enough,I guess. Does that make sense?"
And it does.Which I hate. Clickclickclickclick.
It means I can't say anything to him, because I'd be risking our friendship. I have to keep acting like nothing has changed,that I don't feel anything ore for him than I feel for Josh.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Nous avons ete amies," I added. "There,that's two in French, and using past perfect, no less."
I couldn't see his expression clearly. It flet like a long time before he said anything. "Ella..." He paused, then, "What happened? Between you and Anna?"
"Other than the fact that I'm a fashion-impaired poor kid who draws doorknobs? Haven't a clue."
Alex leaned forward. Now I could see his face. He looked annoyed. "Why do you do that? Diminish yourself?"
"I don't-"
"Bullshit."
I could feel my cheeks flaming, feel my shoulders curving inward. "I don't-"
"Right.Don't.Just don't, with me, anyway. I like you better feisty."
I couldn't help it; that made me smile. "Did you really just say 'feisty'?"
"I did.It's a good word."
"It's am old word, favored by granddads and pirates."
"Yar," Alex sighed.
"Face it.You're just an old-fashioned guy."
"Whatever.Three...?"
"Three," I said, and changed my mind midthought. "I haven't been able to decide if Willing is the second best thing that ever happened to me, or the second worst."
"What are the firsts?"
"Nope.Uh-uh.It is not for you to ask, Alexander Bainbridge, but to reveal."
He drained his glass and rolled it back and forth between his hands. "I had all these funny admissions planned, but you've screwed up my plans. Hey. Don't go all wounded-wide-eyed on me. It's cute, that Bambi thing you have going, but beside the point.Now I have to rethink."
"You don't-"
"Quiet.One: My name isn't Alexander." He sat up straight and gave his chest a resounding thump. "Menya zavut Alexei Pavlovich Dillwyn Bainbridge. Not Alexander. I don't think anyone outside my family knows that.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Once the leeks and potatoes have simmered for an hour or so, you mash them up with a fork or a food mill or a potato ricer. All three of these options are far more of a pain in the neck than the Cuisinart- one of which space-munching behemoths we scored when we got married- but Julia Child allows as how a Cuisinart will turn soup into "something un-French and monotonous." Any suggestion that uses the construction "un-french" is up for debate, but if you make Potage Parmentier, you will see her point. If you use the ricer, the soup will have bits- green bits and white bits and yellow bits- instead of being utterly smooth. After you've mushed it up, just stir in a couple of hefty chunks of butter, and you're done. JC says sprinkle with parsley but you don't have to. It looks pretty enough as it is, and it smells glorious, which is funny when you think about it. There's not a thing in it but leeks, potatoes, butter, water, pepper, and salt.
”
”
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
“
I have these worksheets. They're great for the irregular verbs..."
"Not today."
He shot me a look and kept shuffling papers.
"Okay," I said. "D'accord.Pas de papiers aujourd'hui. S'il vous plait,Alex. Je...je fais les choses la derniere fois."
"Prochaine."
"What?"
"La prochaine fois," he correct. "Next time. Derniere fois is 'last time.' I'm not even going to start on your verb usage."
"Right.La derniere...sorry...prochaine fois. How do you say 'I'm begging you'?"
"Jes t'en supplie," he answered. Then, "You are aware that in order to speak better french, you actually have to speak French."
"Oui,monsieur. But the Eiffel Tower will still be standing next week, and french fries will still be American."
"Belgian," Alex sighed. "French fries started in Belgium. Look,I'm not going to force you to work. It's your choice and not my job."
"Next week," I promised. "I promise."
"Right." He rubbed the back of his head, pushing his hair into a funny little ducktail. "Okay,fine. How 'bout a movie?"
Worked for me. "Sure.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
Thanks.” “For what?” “For everything.” I shrug and my smile wobbles a little. “Thanks for talking me into taking this trip instead of staying home and wallowing in self-pity. For sticking by my side, but also giving me space. For…being my best friend.” She gives the impression of being cool, clipped, controlled, but deep down Fanny is a smushy-mushy sentimental marshmallow. She grabs me and gives me a fierce hug. “It’s just my time,” she finally says, pulling away. “You know?” I shake my head. I don’t know. “Being best friends is like playing baseball. Right now, it’s my turn to step up to the plate and carry the team.” She lifts her chin and looks up at me with her trademark confidence. “Don’t worry. Your time at bat will come.” “I hope I will carry the team as well as you have.” “You will.” “Wait!” I laugh. “Did you just make a baseball analogy?” “Yeah. So?” “The Americanization of Fanny is complete.” I stroke my chin and chuckle maniacally. “Funny!” Fanny snaps. “I don’t think so!” “It starts with reality television binges and baseball analogies. Soon, you’ll be forgoing French chocolate for Hershey’s bars and baguettes for Wonder Bread.
”
”
Leah Marie Brown (Faking It (It Girls, #1))
“
Winslow wants you to learn this"- he waved a few sheets of stapled pages- "and that." He pointed to the book in my lap. Fifty French Conversations. It was one of our textbooks. I'd stopped at the seventeenth: Mon hamster a mange trop de fromage. Il a mal au ventre maintenant. "The rest is the Bainbridge Method."
"You have a method?"
"Patented and proven."
I waved the book. "Does it include greedy, cheese-guzzling hamsters with stomachaches?"
He nodded. "Absolutely.French conversations is nothing without rodents and cheese.Is there something shameful in your past involving either?"
"Not that I can think of off the top of my head."
"Tant pis."
"And that means...?"
"Fuhgeddaboudit," he translated, grinning.
I sighed. "Do people make Russian jokes in your presence?"
"How do you get five Russians to agree on anything?"
"How?" I asked.
"Shoot four of them."
I thought for a sec. "I'm not sure that's funny."
"No," Alex said. "People don't tell many Russian jokes in my presence."
"I should start my three things, huh?"
"Yeah.That would be good."
I did some speedy translating in my head. "Je n'ai jamais lu Huckleberry Finn, Beloved, ou Moby-Dick."
"Ella,no one has read Moby-Dick. The French was passable, but as far as revelations go,that sucked."
"Ah, but there's a part deux. All three of those books were required reading last year in my American lit class. I used SparkNotes."
"You're kidding, right?"
"See?" I daintily brushed Dorito crumbs from my fingertips. "Changes your perception of me, doesn't it?"
"No,I mean, 'That's a revelation?' You can do better than that."
"Maybe," I agreed, "but it's still early in the game.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
She sits with shoulders slumped, staring at the wall, waiting for an answer, waiting to feel some joy. She's holding her breath without knowing it, listening to her body like a pregnant woman, listening, bending down deep into herself. But nothing stirs, everything is silent and empty like a forest when no birds are singing. She tries harder, this twenty-eight-year-old woman, to remember what it is to be happy, and with alarm she realizes that she no longer knows, that it's like a foreign language she learned in childhood but has now forgotten, remembering only that she knew it once. When was the last time I was happy? She thinks hard, and two little lines are etched in her bowed forehead. Gradually it comes to her: an image as though from a dim mirror, a thin-legged blond girl, her schoolbag swinging above her short cotton skirt. A dozen other girls are swirling about her: it's a game of rounders in a park in suburban Vienna. A surge of laughter, a bright trill of high spirits following the ball into the air, now she remembers how light, how free that laughter felt, it was never far away, it tickled under her skin, it swirled through her blood; one shake and it would spill out over her lips, it was so free, almost too free: on the school bench you had to hug yourself and bite your lip to keep from laughing at some funny remark or silliness in French class. Any little thing would set off waves of that effervescent girlish laughter. A teacher who stammered, a funny face in the mirror, a cat chasing its tail, a look from an officer on the street, any little thing, any tiny, senseless bit of nonsense, you were so full of laughter that anything could bring it out. It was always there and ready to erupt, that free, tomboyish laughter, and even when she was asleep, its high-spirited arabesque was traced on her young mouth.
”
”
Stefan Zweig (The Post-Office Girl)
“
I made no difficulty in communicating to him what had interested me most in this affair. It seemed as though he had a right to know: hadn’t he spent thirty hours on board the Patna — had he not taken the succession, so to speak, had he not done “his possible”? He listened to me, looking more priest-like than ever, and with what — probably on account of his downcast eyes — had the appearance of devout concentration. Once or twice he elevated his eyebrows (but without raising his eyelids), as one would say “The devil!” Once he calmly exclaimed, “Ah, bah!” under his breath, and when I had finished he pursed his lips in a deliberate way and emitted a sort of sorrowful whistle. ‘In any one else it might have been an evidence of boredom, a sign of indifference; but he, in his occult way, managed to make his immobility appear profoundly responsive, and as full of valuable thoughts as an egg is of meat. What he said at last was nothing more than a “Very interesting,” pronounced politely, and not much above a whisper. Before I got over my disappointment he added, but as if speaking to himself, “That’s it. That is it.” His chin seemed to sink lower on his breast, his body to weigh heavier on his seat. I was about to ask him what he meant, when a sort of preparatory tremor passed over his whole person, as a faint ripple may be seen upon stagnant water even before the wind is felt. “And so that poor young man ran away along with the others,” he said, with grave tranquillity. ‘I don’t know what made me smile: it is the only genuine smile of mine I can remember in connection with Jim’s affair. But somehow this simple statement of the matter sounded funny in French... “S’est enfui avec les autres,” had said the lieutenant. And suddenly I began to admire the discrimination of the man. He had made out the point at once: he did get hold of the only thing I cared about. I felt as though I were taking professional opinion on the case. His imperturbable and mature calmness was that of an expert in possession of the facts, and to whom one’s perplexities are mere child’s-play. “Ah! The young, the young,” he said indulgently. “And after all, one does not die of it.” “Die of what?” I asked swiftly. “Of being afraid.” He elucidated his meaning and sipped his drink.
”
”
Joseph Conrad (Joseph Conrad: The Complete Novels)
“
Nana's French knickers were surely a symbol of liberty and abandonment, worn only by women who didn't care for conventional frills or superficial nametags. Those french knickers were flags blowing in the wind, like a statement of victory.
”
”
Diana Janney (The Infinite Wisdom of Harriet Rose)
“
God damn you!” Alfred said. “You belong in jail!” The turd wheezed with laughter as it slid very slowly down the wall, its viscous pseudopods threatening to drip on the sheets below. “Seems to me,” it said, “you anal retentive type personalities want everything in jail. Like, little kids, bad news, man, they pull your tchotchkes off your shelves, they drop food on the carpet, they cry in theaters, they miss the pot. Put ’em in the slammer! And Polynesians, man, they track sand in the house, get fish juice on the furniture, and all those pubescent chickies with their honkers exposed? Jail ’em! And how about ten to twenty, while we’re at it, for every horny little teenager, I mean talk about insolence, talk about no restraint. And Negroes (sore topic, Fred?), I’m hearing rambunctious shouting and interesting grammar, I’m smelling liquor of the malt variety and sweat that’s very rich and scalpy, and all that dancing and whoopee-making and singers that coo like body parts wetted with saliva and special jellies: what’s a jail for if not to toss a Negro in it? And your Caribbeans with their spliffs and their potbelly toddlers and their like daily barbecues and ratborne hanta viruses and sugary drinks with pig blood at the bottom? Slam the cell door, eat the key. And the Chinese, man, those creepy-ass weird-name vegetables like homegrown dildos somebody forgot to wash after using, one-dollah, one-dollah, and those slimy carps and skinned-alive songbirds, and come on, like, puppy-dog soup and pooty-tat dumplings and female infants are national delicacies, and pork bung, by which we’re referring here to the anus of a swine, presumably a sort of chewy and bristly type item, pork bung’s a thing Chinks pay money for to eat? What say we just nuke all billion point two of ’em, hey? Clean that part of the world up already. And let’s not forget about women generally, nothing but a trail of Kleenexes and Tampaxes everywhere they go. And your fairies with their doctor’s-office lubricants, and your Mediterraneans with their whiskers and their garlic, and your French with their garter belts and raunchy cheeses, and your blue-collar ball-scratchers with their hot rods and beer belches, and your Jews with their circumcised putzes and gefilte fish like pickled turds, and your Wasps with their Cigarette boats and runny-assed polo horses and go-to-hell cigars? Hey, funny thing, Fred, the only people that don’t belong in your jail are upper-middle-class northern European men. And you’re on my case for wanting
”
”
Jonathan Franzen (The Corrections)
“
When I announced to my family that I wanted to add an American name, they reacted with their usual laughter. Never one to let mockery or good judgment stand in my way, I proceeded to ask for suggestions. My father suggested “Fifi.” Had I had a special affinity for French poodles or been considering a career in prostitution, I would’ve
”
”
Firoozeh Dumas (Funny In Farsi: A Memoir Of Growing Up Iranian In America)