“
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
You'd probably kick my butt."
You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-"
Oh, you so wanted to."
Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry.
Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
You're laughing at me," I complained.
I am not!"
You are so not making this easy."
Then she laughed for real, and she put her hands
around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
You promised to be my undoing,” I murmur, lowering my head close enough to hear her sharp intake of breath. “So, prove it.” Her face angles up toward mine, our noses brushing. She never lowers her dagger, and the point of her blade still draws blood from my throat. “Prove it,” I repeat, voice quiet. “Hate me enough to make me want you.” I cup her jaw, feeling her eyes burning into mine. “Ruin me.” Our mouths crash together.
”
”
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
“
Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is "I desire you," and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure.
”
”
Roland Barthes (A Lover's Discourse: Fragments)
“
The power of beauty
Lies within our soul
And how we choose
To see everything
It is not found from
The strokes of a make-up brush
Nor the acceptance from others
”
”
Apple Blossom (My Bath My Cauldron)
“
Make me an offer, " I said at last. "Write it up, and give me a point-by-point outline of why you're a good would-be suitor. "
He started to laugh, then saw my face. "Seriously? That's like homework. There's a reason I'm not in college. " I snapped my fingers. "Get to it, Ivashkov. I want to see you put in a good day's work. "
I expected a joke or a brush-off until later, but instead, he said, "Okay. "
"Okay?"
"Yep. I'm going to go back to my room right now to start drafting my assignment. "
I stared incredulously as he reached for his coat. I had never seen Adrian move that fast when any kind of labor was involved. Oh no. What had I gotten myself into?
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
I miss you terribly sometimes, but in general I go on living with all the energy I can muster. Just as you take care of the birds and the fields every morning, every morning I wind my own spring. I give it some 36 good twists by the time I've got up, brushed my teeth, shaved, eaten breakfast, changed my clothes, left the dorm, and arrived at the university. I tell myself, "OK, let's make this day another good one." I hadn't noticed before, but they tell me I talk to myself a lot these days. Probably mumbling to myself while I wind my spring.
”
”
Haruki Murakami (Norwegian Wood)
“
You saved the world," annabeth said.
"We saved the world."
"And Rachel is the new Oracle, which means she won't be dating anybody."
"You don't sound disappointed," I noticed.
Annabeth shrugged. "Oh, I don't care."
"Uh-huh."
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
"You'd probably kick my butt."
"You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
"Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—"
"Oh, you so wanted to."
"Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because
things could always get better. And I was thinking . . ." My throat felt really dry.
"Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
"You're laughing at me," I complained.
"I am not!"
"You are so not making this easy."
Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for
you, Seaweed Brain. Get used to it."
When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Ever since I was very young, as far back as I can remember, I have loved making pictures. I knew even as a child that, when I grew up, I would be an artist of some kind. The lovely feeling of my pencil touching paper, a crayon making a star shape in my sketchbook, or my brush dipping into bright and colorful paints — these things affect me as joyfully today as they did all those years ago.
”
”
Eric Carle
“
Why do you look?” I mutter.
I half expect Magiano to tease me, spitting back one of his sarcastic phrases. But he doesn’t smile. “We are drawn to stories," he says in a soft voice, “and every scar carries one.” He lifts a hand and places his palm gently against the ruined side of my face, covering the scar.
I look down, embarrassed now. Instinctively, I reach up to brush some of my hair over my face—only to remember that I no longer have long locks.
“Hiding it makes you more beautiful,” Magiano says. Then he takes his hand away, exposing my scar again. “But revealing it makes you you.” He nods at me. “So wear it proudly.
”
”
Marie Lu (The Rose Society (The Young Elites, #2))
“
Why is it always a prince?” asked Winter. “Why isn’t she ever saved by a top-secret spy? Or a soldier? Or a … a poor farm boy, even?”
“I don’t know. That’s just how the story was written.” Evret brushed back a curl of Winter’s hair. “If you don’t like it, we’ll make up a different story tomorrow night. You can have whoever you want rescue the princess.”
“Like a doctor?”
“A doctor? Well—sure. Why not?”
“Jacin said he wants to grow up to be a doctor.”
“Ah. Well, that’s a very good job, one that saves more than just princesses.”
“Maybe the princess can save herself.”
“That sounds like a pretty good story too.
”
”
Marissa Meyer (Fairest (The Lunar Chronicles, #3.5))
“
Derek's change came faster now and maybe a bit easier--no vomiting this time. Finally it was over, and he fell onto his side, panting, shaking, and shivering. Then he reached for my hand, holding it tight, and I entwined my fingers with his, shifting closer and using my free hand to brush sweaty hair from his face.
"Whoa," a voice said, making both of us jump. Simon stood in the entrance to our corner, a pile of fabric in his hands. "You really need to get dressed before you start that."
"I'm not starting anything," Derek said.
"Still..." He held out the stack in his hands. "Dr. Fellows dug up some hospital greens for you. Get dressed and then... whatever
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
Most people miss their whole lives, you know. Listen, life isn't when you are standing on top of a mountain looking at a sunset. Life isn't waiting at the alter or the moment your child is born or that time you were swimming in a deep water and a dolphin came up alongside you. These are fragments. 10 or 12 grains of sand spread throughout your entire existence. These are not life. Life is brushing your teeth or making a sandwich or watching the news or waiting for the bus. Or walking. Every day, thousands of tiny events happen and if you're not watching, if you're not careful, if you don't capture them and make them COUNT, your could miss it. You could miss your whole life.
”
”
Toni Jordan (Addition)
“
Valkyrie smiled patiently. "I like how you do your make-up. Do you use a brush, or just dip your head in the bucket?
”
”
Derek Landy
“
I trudged back to my bedroom and pushed the door open, intending to wash my face or brush my teeth or make some stab at smoothing my hair, because I thought it might make me feel a little less trampled.
Eric was sitting on my bed, his face buried in his hands. He looked up at me as I entered, and he looked shocked. Well, no wonder, what with the very thorough takeover and traumatic changing of the guard.
Sitting here on your bed, smelling your scent,” he said in a voice so low I had to strain to hear it.
Sookie . . . I remember everything.”
Oh, hell,” I said, and went in the bathroom and shut the door. I brushed my hair and my teeth and scrubbed my face, but I had to come out. I was being as cowardly as Quinn if I didn’t face the vampire.
Eric started talking the minute I emerged. “I can’t believe I—”
Yeah, yeah, I know, loved a mere human, made all those promises, was as sweet as pie and wanted to stay with me forever,” I muttered. Surely there was a shortcut we could take through this scene.
I can’t believe I felt something so strongly and was so happy for the first time in hundreds of years,” Eric said with some dignity. “Give me some credit for that, too.
”
”
Charlaine Harris (From Dead to Worse (Sookie Stackhouse, #8))
“
Ron, you're making it snow," said Hermione patiently, grabbing his wrist and redirecting his wand away from the ceiling from which, sure enough, large white flakes had started to fall. Lavender Brown, Harry noticed, glared at Hermione from a neighboring table through very red eyes, and Hermione immediately let go of Ron's arm.
"Oh yeah," said Ron, looking down at his shoulders in vague surprise." Sorry...looks like we've all got horrible dandruff now...."
He brushed some of the fake snow off Hermione's shoulder. Lavender burst into tears. Ron looked immensely guilty and turned his back on her.
"We split up," he told Harry out of the corner of his mouth. "Last night. When she saw me coming out of the dormitory with Hermione. Obviously she couldn't see you, so she thought it had just been the two of us."
"ah," said Harry. "Well - you don't mind it's over, do you?" "No," Ron admitted. "It was pretty bad while she was yelling, but at least I didn't have to finish it."
"Coward," said Hermione, though she looked amused. "Well, it was a bad night for romance all around. Ginny and Dean split up too, Harry."
Harry thought there was a rather knowing look in her eye as she told him that, but she could no possibly know that his insides were suddenly dancing the conga.
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
It’s important to keep up appearances with books,” I explained. “Image goes a long way in this business.”
He dared a look over at me, still nervous but steadily recovering his composure. “I go more for content.”
"Really?” I repositioned slightly so that we were touching again, the soft flannel of his shirt brushing my bare skin. “Because I could have sworn a moment ago you were pretty caught up in outside appearance.”
His eyes shifted down again, but I could see a smile curving his lips. “Well. Some things are so striking, they can’t help but draw attention to themselves.”
"And doesn’t that make you curious about what’s inside?”
"Mostly it makes me want to get you some advanced copies.”
Advanced copies? What did he—?
"Seth? Seth, where—ah, there you are.” Paige turned down our aisle, Doug following behind. She brightened when she saw me, and I felt my stomach sink out of me and hit the floor with a thud as I put two and two together. No. No. It couldn’t be—
"Ah, Georgina. I see you’ve already met Seth Mortensen.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
Because even if we were struggling, we had goals. It didn't matter that we weren't there yet. What mattered is that we both experienced setbacks, and full-blown failures, but we got up, brushed ourselves off, and kept going-and were making the best of it.
”
”
Jamie McGuire (Beautiful Oblivion (The Maddox Brothers, #1))
“
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery.
People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
”
”
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
“
Sensuality does not wear a watch but she always gets to the essential places on time. She is adventurous and not particularly quiet. She was reprimanded in grade school because she couldn’t sit still all day long. She needs to move. She thinks with her body. Even when she goes to the library to read Emily Dickinson or Emily Bronte, she starts reading out loud and swaying with the words, and before she can figure out what is happening, she is asked to leave. As you might expect, she is a disaster at office jobs.
Sensuality has exquisite skin and she appreciates it in others as well. There are other people whose skin is soft and clear and healthy but something about Sensuality’s skin announces that she is alive. When the sun bursts forth in May, Sensuality likes to take off her shirt and feel the sweet warmth of the sun’s rays brush across her shoulder. This is not intended as a provocative gesture but other people are, as usual, upset. Sensuality does not understand why everyone else is so disturbed by her. As a young girl, she was often scolded for going barefoot.
Sensuality likes to make love at the border where time and space change places. When she is considering a potential lover, she takes him to the ocean and watches. Does he dance with the waves? Does he tell her about the time he slept on the beach when he was seventeen and woke up in the middle of the night to look at the moon? Does he laugh and cry and notice how big the sky is?
It is spring now, and Sensuality is very much in love these days. Her new friend is very sweet. Climbing into bed the first time, he confessed he was a little intimidated about making love with her. Sensuality just laughed and said, ‘But we’ve been making love for days.
”
”
J. Ruth Gendler (The Book of Qualities)
“
We wait and think and doubt and hate. How does it make you feel? The overwhelming feeling is rage. We hate ourself for being unable to be other than what we are. Unable to be better. We feel rage. The feelings must be followed. It doesn't matter whether you're an ideologue or a sensualist, you follow the stimuli thinking that they're your signposts to the promised land. But they are nothing of the kind. What they are is rocks to navigate the past, each on your brush against, ripping you a little more open and they are always more on the horizon. But you can't face up to the that, so you force yourself to believe the bullshit of those you instinctively know are liars and you repeat those lies to yourself and to others, hoping that by repeating them often and fervently enough you'll attain the godlike status we accord those who tell the lies most frequently and most passionately. But you never do, and even if you could, you wouldn't value it, you'd realise that nobody believes in heroes any more. We know that they only want to sell us something we don't really want and keep from us what we really do need. Maybe that's a good thing. Maybe we're getting in touch with our condition at last. It's horrible how we always die alone, but no worse than living alone.
”
”
Irvine Welsh (Filth)
“
He grasped her by the wrist , running a thumb along the sensitive skin underneath. "Then let me call you Mine for a dance or two"
She grinned but someone was suddenly between them, a tall, powerfully built person. Sam. He ripped the stranger's hand off of her wrist. "She's spoken for," he growled, all too close to the young man's maked face. The stranger's friend was behind him in an instant, his bronze eyes fixed on Sam.
Celaena grabbed Sam's elbow. "Enough," she warned him.
The masked stranger looked Sam up and down, then held up his hands. "My mistake," he said, but winked at Celaena before disappeared into the crowd, his armed friend close behind.
Celaena whirled to face Sam. "What in hell was that for?"
"You're drunk," he told her, so close her chest brushed his, "And he knew it, too."
"So?" Even as she said it, someone dancing wildly crashed into her and set her reeling. Sam caught her around the waist, his hands firm on her as he kept her from falling to the ground.
"You'll thank me in the morning."
"Just because we're working together doesn't mean I'm suddenly incapable of handling myself." His hands were still on her waist.
"Let me take you home.
”
”
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
“
Your life is your artwork and you are to paint life as a beautiful struggle. With your brush, paint the colors of joy in vibrant shades of red. Color the sky a baby blue, a color as free as your heart. With rich, earthy tones shade the valleys that run deep into the ground where heaven meets hell. Life is as chaotic as the color black, a blend of all colors, and this makes life a beautiful struggle. Be grateful for the green that makes up the beautiful canvas, for nature has given you everything that you need to be happy. Most of all, don’t ever feel the need to fill the entire canvas with paint, for the places left blank are the most honest expressions of who you are.
”
”
Forrest Curran (Purple Buddha Project: Purple Book of Self-Love)
“
So much held in a heart in a lifetime. So much held in a heart in a day, an hour, a moment. We are utterly open with no one, in the end -- not mother and father, not wife or husband, not lover, not child, not friend. We open windows to each but we live alone in the house of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart. When young we think there will come one person who will savor and sustain us always; when we are older we know this is the dream of a child, that all hearts finally are bruised and scarred, scored and torn, repaired by time and will, patched by force of character, yet fragile and rickety forevermore, no matter how ferocious the defense and how many bricks you bring to the wall. You can brick up your heart as stout and tight and hard and cold and impregnable as you possibly can and down it comes in an instant, felled by a woman's second glance, a child's apple breath, the shatter of glass in the road, the words 'I have something to tell you,' a cat with a broken spine dragging itself into the forest to die, the brush of your mother's papery ancient hand in a thicket of your hair, the memory of your father's voice early in the morning echoing from the kitchen where he is making pancakes for his children.
”
”
Brian Doyle (One Long River of Song: Notes on Wonder)
“
We are not gods. We make mistakes. We do not live very long.
Sometimes someone grinds ink, mixes it with water, arranges paper, takes up a brush to record our time, our days, and we are given another life in those words.
”
”
Guy Gavriel Kay (River of Stars (Under Heaven, #2))
“
Lolita,” he said, turning my book over in his hands. His eyes widened over the pink-lipped mouth on the cover, then handed it to me. Our fingers brushed, and a warm current coursed through them. My heart thundered so loud he could probably hear it.
“So,” he said, his eyes meeting mine. “You’re a smuthound with daddy issues?” The corner of his mouth turned up in a slow, condescending smile.
I wanted to smack it off his face. “Well, you’re quoting it. And incorrectly, by the way. So what does that make you?”
His half-smile morphed into a whole grin. “Oh, I’m definitely a smuthound with daddy issues.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
The tinkle of wind chimes announcing the return of our fairy guests made us both look up. Our chance to be alone was going to be shorter than either of us had hoped.
I sighed and brushed an errant dragon scale from Eadric’s tunic. “Someday when we have lots of time, remind me to tell you what you mean to me.”
Eadric tilted my head back so he could gaze into my eyes. “I can tell you what you mean to me with just one word.”
Let me guess,” I said, smiling up at him. “Maybe I make you happy because you no longer have to enter kissing contests to find the best kisser? Do I bring excitement into your life because I can wisk you away to exotic lands on my magic carpet? Or do you find me delightful because I can conjure food whenever you’re hungry?”
No, that’s not. . . Wait, what was that last one?”
I laughed and shook my head. “Never mind. So tell me in one word, what do I mean to you?”
That’s easy,” said Eadric. “Everything!
”
”
E.D. Baker (No Place for Magic (The Tales of the Frog Princess, #4))
“
It was a mug. And it had a joke printed on it. It said, Engineers don’t cry. They build bridges and get over it.” Someone laughed then. Isabel or perhaps Gonzalo—I wasn’t sure. With all that crazy banging, my heart had somehow moved up my throat and to my temples, so it was hard to focus on anything besides its beating and Aaron’s voice. “And you know what I did?” he continued, bitterness filling his tone. “Instead of laughing like I wanted to, instead of looking up at her and saying something funny that would hopefully make her give me one of those bright smiles I had somehow already seen her give so freely in the short day I had been around her, I pushed it all down and set the mug on my desk. Then, I thanked her and asked her if there was anything else she needed.” I knew I shouldn’t feel embarrassed, but I was. Just as much as I had been back then, if not more. It had been such a silly thing to do, and I had felt so tiny and dumb after he brushed it away so easily. Closing my eyes, I heard him continue, “I pretty much kicked her out of my office after she went out of her way and got me a gift.” Aaron’s voice got low and harsh. “A fucking welcome gift.” I opened my eyes just in time to watch him turn his head in my direction. Our gazes met. “Just like the big jerk I had advertised myself to be, I ran her out. And to this day, I regret it every time it crosses my mind. Every time I look at her.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
All right, sweetheart; here's your last question, and it's a real challenge, so don't let yourself get distracted by these jealous women. To make sure all twelve of our future children are going to be legitimate, what New York City football team did Joe Namath play for?"
Gracie's face fell. Lord. Any fool should know the answer to this one. New York City... What football team was from New York City? Her expression brightened. "The New York City YANKEES!"
A roar of laughter went up from the crowd, accompanied by more than a few loud groans. Bobby Tom silenced them all with a glare. At the same time, the glitter in his eyes dared any of them to contradict her. When he was certain everyone understood the message, he turned back to Gracie and gathered her into his arms. With a tender look and a gentle brush of his lips, he said "Exactly right, sweetheart. I had no idea you knew so much about football"
And that was how every last person in Telarosa, Texas, came to understand that Bobby Tom Denton had finally and forever fallen head over heels in love.
”
”
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
“
A man who seeks only the light, while shirking his responsibilities, will never find illumination. And one who keep his eyes fixed upon the sun ends up blind..."
"It doesn't matter what others think -because that's what they will think, in any case. So, relax. Let the universe move about. Discover the joy of surprising yourself."
"The master says: “Make use of every blessing that God gave you today. A blessing cannot be saved. There is no bank where we can deposit blessings received, to use them when we see fit. If you do not use them, they will be irretrievably lost. God knows that we are creative artists when it comes to our lives. On one day, he gives us clay for sculpting, on another, brushes and canvas, or a pen. But we can never use clay on our canvas, nor pens in sculpture. Each day has its own miracle. Accept the blessings, work, and create your minor works of art today. Tomorrow you will receive others.”
“You are together because a forest is always stronger than a solitary tree,” the master answered. "The forest conserves humidity, resists the hurricane and helps the soil to be fertile. But what makes a tree strong is its roots. And the roots of a plant cannot help another plant to grow. To be joined together in the same purpose is to allow each person to grow in his own fashion, and that is the path of those who wish to commune with God.”
“If you must cry, cry like a child. You were once a child, and one of the first things you learned in life was to cry, because crying is a part of life. Never forget that you are free, and that to show your emotions is not shameful. Scream, sob loudly, make as much noise as you like. Because that is how children cry, and they know the fastest way to put their hearts at ease. Have you ever noticed how children stop crying? They stop because something distracts them. Something calls them to the next adventure. Children stop crying very quickly. And that's how it will be for you. But only if you can cry as children do.”
“If you are traveling the road of your dreams, be committed to it. Do not leave an open door to be used as an excuse such as, 'Well, this isn't exactly what I wanted. ' Therein are contained the seeds of defeat. “Walk your path. Even if your steps have to be uncertain, even if you know that you could be doing it better. If you accept your possibilities in the present, there is no doubt that you will improve in the future. But if you deny that you have limitations, you will never be rid of them. “Confront your path with courage, and don't be afraid of the criticism of others. And, above all, don't allow yourself to become paralyzed by self-criticism. “God will be with you on your sleepless nights, and will dry your tears with His love. God is for the valiant.”
"Certain things in life simply have to be experienced -and never explained. Love is such a thing."
"There is a moment in every day when it is difficult to see clearly: evening time. Light and darkness blend, and nothing is completely clear nor completely dark."
"But it's not important what we think, or what we do or what we believe in: each of us will die one day. Better to do as the old Yaqui Indians did: regard death as an advisor. Always ask: 'Since I'm going to die, what should I be doing now?'”
"When we follow our dreams, we may give the impression to others that we are miserable and unhappy. But what others think is not important. What is important is the joy in our heart.”
“There is a work of art each of us was destined to create. That is the central point of our life, and -no matter how we try to deceive ourselves -we know how important it is to our happiness. Usually, that work of art is covered by years of fears, guilt and indecision. But, if we decide to remove those things that do not belong, if we have no doubt as to our capability, we are capable of going forward with the mission that is our destiny. That is the only way to live with honor.
”
”
Paulo Coelho (Maktub)
“
Don't do that!" she exclaimed, shivering at the realization that it had been his fingers touching her.
He gave her his lazy, slightly twisted smile and brushed a few pieces of unruly black hair out of his face.
"Are you asking me or ordering me?”
"Shut up." She glanced around, both to avoid his eyes and make sure no one saw them together.
"What's the matter? Worried about what your slaves'll think if they see you talking to me?”
"They're my friends," she retorted.
"Oh.Right. Of course they are. I mean, from what I saw, Camille would probably do anything for you, right? Friends till the end." He crossed his arms over his chest, and in spite of her anger, she couldn't help but notice how the silvery gray of his shirt set off his black hair and blue eyes.
(Lissa&Christian)
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
I’ll always hold you when you’re scared.” He softly kisses my jaw. “Comfort you when you’re sad.” His lips brush against my cheeks. “Take care of you when you’re sick.” Tilting my head back, he kisses my forehead. He bends down and his hazel eyes narrow into mine. “I’ll make it my life’s mission to make up for every second you were neglected.
”
”
J.B. Salsbury (Fighting for Flight (Fighting, #1))
“
I opened the bag and packed the boots in; and then, just as I was going to close it, a horrible idea occurred to me. Had I packed my tooth-brush? I don’t know how it is, but I never do know whether I’ve packed my tooth-brush.
My tooth-brush is a thing that haunts me when I’m travelling, and makes my life a misery. I dream that I haven’t packed it, and wake up in a cold perspiration, and get out of bed and hunt for it. And, in the morning, I pack it before I have used it, and have to unpack again to get it, and it is always the last thing I turn out of the bag; and then I repack and forget it, and have to rush upstairs for it at the last moment and carry it to the railway station, wrapped up in my pocket-handkerchief.
”
”
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
“
Tiffany got up early and lit the fires. When her mother came down, she was scrubbing the kitchen floor, very hard.
“Er…aren’t you supposed to do that sort of thing by magic, dear?” said her mother, who’d never really got the hang of what witchcraft was all about.
“No, Mum, I’m supposed not to,” said Tiffany, still scrubbing.
“But can’t you just wave your hand and make all the dirt fly away, then?”
“The trouble is getting the magic to understand what dirt is,” said Tiffany, scrubbing hard at a stain. “I heard of a witch over in Escrow who got it wrong and ended up losing the entire floor and her sandals and nearly a toe.”
Mrs. Aching backed away. “I thought you just had to wave your hands about,” she mumbled nervously.
“That works,” said Tiffany, “but only if you wave them about on the floor with a scrubbing brush.
”
”
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
“
When my husband had an affair with someone else I watched his eyes glaze over when we ate dinner together and I heard him singing to himself without me, and when he tended the garden it was not for me.
He was courteous and polite; he enjoyed being at home, but in the fantasy of his home I was not the one who sat opposite him and laughed at his jokes. He didn't want to change anything; he liked his life. The only thing he wanted to change was me.
It would have been better if he had hated me, or if he had abused me, or if he had packed his new suitcases and left.
As it was he continued to put his arm round me and talk about being a new wall to replace the rotten fence that divided our garden from his vegetable patch. I knew he would never leave our house. He had worked for it.
Day by day I felt myself disappearing. For my husband I was no longer a reality, I was one of the things around him. I was the fence which needed to be replaced. I watched myself in the mirror and saw that I was mo longer vivid and exciting. I was worn and gray like an old sweater you can't throw out but won't put on.
He admitted he was in love with her, but he said he loved me.
Translated, that means, I want everything. Translated, that means, I don't want to hurt you yet. Translated, that means, I don't know what to do, give me time.
Why, why should I give you time? What time are you giving me? I am in a cell waiting to be called for execution.
I loved him and I was in love with him. I didn't use language to make a war-zone of my heart.
'You're so simple and good,' he said, brushing the hair from my face.
He meant, Your emotions are not complex like mine. My dilemma is poetic.
But there was no dilemma. He no longer wanted me, but he wanted our life
Eventually, when he had been away with her for a few days and returned restless and conciliatory, I decided not to wait in my cell any longer. I went to where he was sleeping in another room and I asked him to leave. Very patiently he asked me to remember that the house was his home, that he couldn't be expected to make himself homeless because he was in love.
'Medea did,' I said, 'and Romeo and Juliet and Cressida, and Ruth in the Bible.'
He asked me to shut up. He wasn't a hero.
'Then why should I be a heroine?'
He didn't answer, he plucked at the blanket.
I considered my choices.
I could stay and be unhappy and humiliated.
I could leave and be unhappy and dignified.
I could Beg him to touch me again.
I could live in hope and die of bitterness.
I took some things and left. It wasn't easy, it was my home too.
I hear he's replaced the back fence.
”
”
Jeanette Winterson (Sexing the Cherry)
“
When they ask why we stayed together for so long I say, I don’t know. I just know that we cried at the exact same time in every movie. I know we blushed everyday for the first two years. I know I always stole the covers and she never woke me up. I know the exact look on her face, the first night she used my toothbrush. The next day, I brushed my teeth like thirtysome times, ‘cause I didn’t want to let her go. You have to understand when it hurt to love her, it hurt the way the light hurts your eyes in the middle of the night, but I had to see, even through the ruin, if what we were burying were seeds. There were so many plants in our house, you could rake the leaves even through that winter when I was trying to make angels in the snow of her cold shoulder. She was still leaving love notes in my suitcase; I’d always find them.
”
”
Andrea Gibson
“
Nonetheless, after we've dropped off the birds and volunteered to go back to the woods to gather kindling for the evening fire, I find myself wrapped in his arms. His lips brushing the faded bruises on my neck, working their way to my mouth. Despite what I feel for Peeta, this is when I accept deep down that he'll never come back to me. Or I'll never go back to him. I'll stay in 2 until it falls, go to the Capitol and kill Snow, and then die for my trouble. And he'll die insane and hating me. So in the fading light I shut my eyes and kiss Gale to make up for all the kisses I've withheld, and because it doesn't matter any more, and because I'm so desperately lonely I can't stand it.
Gale's touch and taste and heat remind me that at least my body's still alive, and for the moment it's a welcome feeling. I empty my mind and let the sensations run through my flesh, happy to lose myself.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began.
In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed.
Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through.
We are the humbugs now.
”
”
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
“
If you were not cast into the abyss, you would have never groped, reached as far as you could reach, to grasp for anything that you could possibly touch, anything that you could possibly feel brushing against your fingertips! Funny how in the darkness, we come to find the things that we never saw before all the lights departed! It's like someone needed to turn the lights out, to make us find all the things that we never looked for when the lights were on! And it's in that blackness that we wake up to the true light! My friends, curse not the darkness! It has given you many things!
”
”
C. JoyBell C.
“
Waves of hands, hesitations at street corners, someone dropping a cigarette into the gutter-all are stories. But which is the true story? That I do not know. Hence I keep my phrases hung like clothes in a cupboard, waiting for some one to wear them. Thus waiting, thus speculating, making this note and then an· other I do not cling to life. I shall be brushed like a bee from a sunflower. My philosophy, always accumulating, welling up moment by moment, runs like quicksilver a dozen ways at once.
”
”
Virginia Woolf (The Waves)
“
He found her not even a block away from the house, sitting on a curb.
As he approached, he saw her wiping her face with her forearm.
Sabine was...crying? "What are you doing out here, cwena?" Over the past week, Rydstrom had been pleased when she'd worried about him, and gratified when she'd felt the sting of jealousy. Was he a terrible man to hope she was crying about him?
She glared at him with her bottom lip quivering, allowing him to see her like this instead of using a mask. "I d-don't have anywhere else to g-go." Another swipe of her forearm over her eyes. "Lanthe's gone, and I c-can't get to her for six days. And I'm in a strange t-town and land, and Vrekeners are everywhere."
Sabine hadn't even mentioned what they'd just gone through-
"And you br-broke up with me!" she said, her tears falling faster. "Is that supposed to make me happy?"
"Come inside, Sabine."
"No! You t-told me not to." She sniffled, "You don't want me at your house."
He swooped her up in his arms. "Will you shut up?" With his free hand, he brushed her tears. "I made it ten minutes before I came after you.
”
”
Kresley Cole (Kiss of a Demon King (Immortals After Dark, #6))
“
Along with the trust issues, one of the hardest parts to deal with is the feeling of not being believed or supported, especially by your own grandparents and extended family. When I have been through so much pain and hurt and have to live with the scars every day, I get angry knowing that others think it is all made up or they brush it off because my cousin was a teenager. I was ten when I was first sexually abused by my cousin, and a majority of my relatives have taken the perpetrator's side. I have cried many times about everything and how my relatives gave no support or love to me as a kid when this all came out. Not one relative ever came up to that innocent little girl I was and said "I am sorry for what you went through" or "I am here for you." Instead they said hurtful things: "Oh he was young." "That is what kids do." "It is not like he was some older man you didn't know." Why does age make a difference? It is a sick way of thinking. Sexual abuse is sexual abuse. What is wrong with this picture? It brings tears to my eyes the way my relatives have reacted to this and cannot accept the truth. Denial is where they would rather stay.
”
”
Erin Merryn (Living for Today: From Incest and Molestation to Fearlessness and Forgiveness)
“
Everything dies eventually. We all know that. People, cities, whole civilizations. Nothing lasts. So if existence was just binary, dead or alive, here or not here, what would be the fucking point in anything?"
She looks up at some falling leaves and puts out her hand to catch one, a flaming red maple. "My mom used to say that's why we have memory. And the opposite of memory - hope. So things that are gone can still matter. So we can build off our pasts and make futures." She twirls the leaf in front of her face, back and forth. "Mom said life only makes any sense if we can see time how God does. Past, present and future all at once."
I allow myself to look at Julie. She sees my tears and tries to wipe one away. "So what's the future?" I ask, not flinching as her fingers brush my eye. "I can see the past and the present, but what's the future?"
"Well . . . ," she says with a broken laugh. "I guess that's the tricky part. The past is made out of facts . . . I guess the future is just hope."
"Or fear."
"No." She shakes her head firmly and sticks the leaf in my hair. "Hope.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
I picked up the blue tube again, unscrewed the cap, and squeezed a perfect line of paint onto the palate. As soon as I brushed it on the canvas, I was responsible for it, for the inevitable imperfections. My world had always been like that paint, left on a palate. That color was a passive observer. But not it wanted to make something of itself. And I was terrified.
”
”
Kate Scelsa (Fans of the Impossible Life)
“
A part of me is eager to be back in my cell. At least there Isra cant cling to my arm, or brush her body against mine, or sigh through her parted lips, or tilt her face up with that look in her eyes. The one that make me want to strangle her. And kiss her. And strangle her some more. And maybe leap off a cliff after the strangling is done.
”
”
Stacey Jay (Of Beast and Beauty)
“
What happens when we start to chase what we really want: We resist doing the work that it takes to actually get it because we are so afraid of not having it, any brush with failure makes us rescind our effort and tense up. When we go so long not having what we really want, we create subconscious associations between having it and “being bad,” because we have judged others for having it. When we get it, we fear losing it so badly that we push it away from ourselves so as to not have to withstand the pain. We are so deeply enmeshed in the mental state of “wanting,” we cannot shift to a state of “having.
”
”
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
“
Not easy when you can't talk, is it?" I grinned. "Well, not easy for you but I could get used to it."
He grumbled, but I could see relif in his eyes, like he was glad to see me smile.
"SO i was right, wasn't I? It's still youm even in wolf form."
He grunted.
"No sudden uncontrollable urges to go kill something?"
He rolled his eyes.
"Hey, you're the one who was worried." I paused. "And i don't smell like dinner, right?"
I got a real look for that one.
"Just covering all the bases."
He gave a rumbling groul, like a chuckle, and settled in, lowering his head to his front paws, gaze on me. I tried to get comfortable, but the ground was ice-cold through his swearshirt, and i was wearing only my new pajamas, a light jacket, and sneakers.
Seeing me shiver, he stretched a front leg toward the swearshirt, pawing the edge and snarling when he realized he couldnt grab it.
"The lack of opposanle thumbs is going to take some getting used to, huh?"
He motioned me closer with his muzzel. When I pretended not to understand, he twisted and gingerly took the hem of the swearshirt between his teeth, lips curled in discust as he tugged it.
"Okay, okay. I'm just trying not to croud you."
That wasnt the only reason i was uncomfortanle getting too cozy with him now, but he just grunted, again seeming to say it was fine. i moved over beside himm. He shifted, his torso making a partial wind block, the boddy heat from the change still blasting like a furnace.
He grunted.
"Yes, thats better.thanks. now get some rest."
i had no idea what would happen now. i doubted derek did either. he'd been focused on getting through the change. what i did know was that this was only half the process. he had to change back, and he'd need time and rest for that.
and how would it happen? did he have to wait until his body was ready, like he did with the change to a wolf? how long would that be?hours?days?
Feeling his gaze on me, i forced a smile and pushed back my worries. it would be okat. he could change. that was the important thing.
when i relaxed, he shifted closer, fur brushing my hand. i tentatively touched it, feeling the coarse top layer and soft undercoar. he leaned against my hand, as if to sat it was okaym and i buried my hand in his fur, his skin so hot from the change it was like putting my numb hands on a radiator. my cool fingers must have felt just as good, because he closed his eyes and shifte until i was leaning on him. within minutes he was asleep.
i closed my eyes, meaning to rest for just a moment, but the next thing i knew, i was waking up, curled on my side, using derek as a pillow. i jumped. he looked over at me.
"S-sorry, I didn't mean-"
He cut me short with a growl, telling me off for apologizing.
”
”
Kelley Armstrong
“
Once or twice a week I would set my alarm for six A.M. so I could get up and plug in Hot Stix...I would study the curls in the mirror, impressed with both the appliance and my newfound ability to use it.
Then, without fail, at the last second before leaving for school, I would ask myself, "Am I supposed to brush it out or leave it?" Why could I never remember" That feeling of "I'm pretty sure this next step is wrong, but I'm just gonna do it anyway" is part of the same set of instincts that makes me such a great cook.
”
”
Tina Fey (Bossypants)
“
I felt the warm brush of his fingers pushing the key into mine all the way to my heart. I focused on the key because if I looked up, I'd see what he was feeling. Worse, he'd see what I was
feeling -- in a minute what I was feeling was going to be spilling out of me, and it didn't make any sense. It had been over long ago; we had just finally got around to saying good-bye, that was all.
”
”
Josh Lanyon (Death of a Pirate King (The Adrien English Mysteries, #4))
“
We’ll keep the three of them in separate rooms, keep changing interviewers on them. I’m betting on Young to fall first.’
Roarke eased out of the lot, headed for home. ‘Why?’
‘The bastard loves her. Love messes you up. You make mistakes ’cause you’re worried, protective. Stupid.’
He smiled a little, brushed her hair back from her face, and she dropped steeply into sleep. ‘Tell me about it.
”
”
J.D. Robb (Immortal in Death (In Death, #3))
“
The shot doesn't come. He stares at me with the same ferocity but doesn't move. Why doesn't he shoot me? His heart pounds against my palms,and my own heart lifts. He is Divergent. He can fight this simulation.Any simulation.
"Tobias," I say. "It's me."
I step forward and wrap my arms around him. His body is stiff. His heart beats faster. I can feel it against my cheek. A thud against my cheek. A thud as the gun hits the floor.He grabs my shoulders-too hard, his fingers digging into my skin where the bullet was. I cry out as he pulls me back. Maybe he means to kill me in some crueler way.
"Tris," he says,and it's him again. His mouth collides with mine.
His arm wraps around me and he lifts me up, holding me against him, his hands clutching at my back. His face and the back of his neck are slick with sweat, his body is shaking,and my shoulder blazes with pain,but I don't care,I don't care,I don't care.
He sets me down and stares at me, his fingers brushing over my forehead, my eyebrows,my cheeks, my lips.
Something like a sob and a sigh and a moan escapes him,and he kisses me again. His eyes are bright with tears. I never thought I would see Tobias cry. It makes me hurt.
I pull myself to his chest and cry into his shirt. All the throbbing in my head comes back,and the ache in my shoulder,and I feel like my body weight doubles.I lean against him, and he supports me.
"How did you do it?" I say.
"I don't know," he says. "I just hear your voice.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
Ash pulled me closer, his eyes gentle as they gazed into mine. "Meghan, I'm going to tell you something someone once told me, when I was afraid of what was to come." He lowered his head, soft strands of his hair brushing my skin. "Nothing is certain," he murmured. "The future is constantly changing, and no one can predict what will happen next. We have the power to change our destiny, because fate is not set in stone, and we are always free to make a choice." His fingers came up to brush my hair back, tucking it behind one ear. "A very powerful seer told me that, once. And she was right. That's why I'm not afraid of the oracle's prophecy, or the future. We are only slaves to fate if we let it control us. There is always a choice.
”
”
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
“
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled.
"Nah, I'm fine. I'm more than fine."
A sly grin bloomed as he mouthed, ain't that the truth.
"Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?"
As he nodded, she rolled her eyes.
"I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep."
John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks.
" Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that."
Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred.
She purred.
The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness.
" Oh, John..."
And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha.
" You are a bastard, " she said on a laugh.
He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind.
"I'm not surrendering , you know."
He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass.
"Where do you think you're going ?
”
”
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
“
So this is what you two do when you’re up here,” Dean drawls. “All that deep, intensive tutoring.” He air-quotes the last word, chuckling in delight.
“Actually, Garrett’s just helping me brush up on my make-out skills,” I tell Dean in the most casual voice I can muster.
Dean snickers. “’That so?”
“Okay…” Dean’s eyes gleam. “Then I’m calling your bluff, baby doll. Show me your moves.”
I blink in surprise. “What?”
“If a doctor told you you’ve got ten days to live, you’d go for a second opinion, wouldn’t you? Well, if you’re worried about being a crappy kisser, you can’t just take G’s word for it. You need a second opinion.” His brows lift in challenge. “Let me see what you’ve got.”
“Stop being a jackass,” Garrett mutters.
“No, he has a point,” I answer awkwardly, and my brain screams, What?
He has a point? Apparently Garrett’s body-melting kisses have turned me into a crazy person.
”
”
Elle Kennedy (The Deal (Off-Campus, #1))
“
Lok’tar ogar!” The daemon holding me pulled my head back, exposing my throat.
“Victory or death,” I retorted at my captor hoarsely. “For the Horde. And for the record, shouting World of Warcraft battle
cries kind of kills the whole ‘imminent death’ expectation.”
The daemon paused. “What server are you on?” he demanded.
“Blackhand.”
“Righteous. Guild?”
I couldn’t imagine what the hell that mattered at this point, but it was keeping me alive so that was a bonus. I’d gladly spit out
the rest of my Warcraft stats if it bought me a few more minutes.
“Yeah,” I coughed. “ElfhunterBitches.”
He blinked and then grinned, tapping himself on the chest. “No shit. I’m TartBarbie. Undead DeathKnight.”
I stared at him. “TB? Seriously? I’m Baconator. Blelf Warlock. You did a hell of a job tanking on that raid the other night.”
“Yeah, I am pretty awesome.” He glanced over his shoulder, releasing me. “Look, if I’d known it was you, I’d never have
agreed to this. Go on.” He nudged me with a leather boot. “I’ll tell them you got away.”
I didn’t have to be told twice. “Thanks,” I said softly. “I’ll make it up to you, somehow.”
“No worries.” He winked. “See you next Thursday.
”
”
Allison Pang (A Brush of Darkness (Abby Sinclair, #1))
“
You make concessions when you're married a long time that you don't believe you'll ever make when you're beginning. You say to yourself when you're young, oh, I wouldn't tolerate this or that or the other thing, you say love is the most important thing in the world and there's only one kind of love and it makes you feel different than you feel the rest of the time, like you're all lit up. But time goes by and you've slept together a thousand nights and smelled like spit-up when babies are sick and seen your body droop and get soft. And some nights you say to yourself, it's not enough, I won't put up with another minute. And then the next morning you wake up and the kitchen smells like coffee and the children have their hair all brushed and the birds are eating out of the feeder and you look at your husband and he's not the person you used to think he was but he's your life. The house and the children and so much more of what you do is built around him and your life, too, your history. If you take him out it's like cutting his face out of all the pictures, there's a big hole and it's ugly. It would ruin everything. It's more than love, it's more important than love...
It's hard. And it's hard to understand unless you're in it. And it's hard for you to understand now because of where you are and what you're feeling. But I wanted to say it...because I won't be able to say it when I need to, when it's one of those nights and you're locking the front door because of foolishness about romance, about how things are supposed to be. You can be hard, and you can be judgmental, and with those two things alone you can make a mess of your life the likes of which you won't believe. It's so much easier...the being happy. It's so much easier, to learn to love what you have instead of yearning always for what you're missing, or what you imagine you're missing. It's so much more peaceful.
”
”
Anna Quindlen (One True Thing)
“
Hamlet's Cat's Soliloquy
"To go outside, and there perchance to stay
Or to remain within: that is the question:
Whether 'tis better for a cat to suffer
The cuffs and buffets of inclement weather
That Nature rains on those who roam abroad,
Or take a nap upon a scrap of carpet,
And so by dozing melt the solid hours
That clog the clock's bright gears with sullen time
And stall the dinner bell. To sit, to stare
Outdoors, and by a stare to seem to state
A wish to venture forth without delay,
Then when the portal's opened up, to stand
As if transfixed by doubt. To prowl; to sleep;
To choose not knowing when we may once more
Our readmittance gain: aye, there's the hairball;
For if a paw were shaped to turn a knob,
Or work a lock or slip a window-catch,
And going out and coming in were made
As simple as the breaking of a bowl,
What cat would bear the houselhold's petty plagues,
The cook's well-practiced kicks, the butler's broom,
The infant's careless pokes, the tickled ears,
The trampled tail, and all the daily shocks
That fur is heir to, when, of his own will,
He might his exodus or entrance make
With a mere mitten? Who would spaniels fear,
Or strays trespassing from a neighbor's yard,
But that the dread of our unheeded cries
And scraches at a barricaded door
No claw can open up, dispels our nerve
And makes us rather bear our humans' faults
Than run away to unguessed miseries?
Thus caution doth make house cats of us all;
And thus the bristling hair of resolution
Is softened up with the pale brush of thought,
And since our choices hinge on weighty things,
We pause upon the threshold of decision.
”
”
Henry N. Beard (Poetry for Cats: The Definitive Anthology of Distinguished Feline Verse)
“
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong.
I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling"
It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face.
The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith)
Being alone has nothing to do with how many people are around. (J.R. Moehringer)
You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way.
At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words.
The dream was obviously a sign: he was too enticing to resist.
Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it.
I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night.
Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened.
Because I'm So uncool and so afraid.
If there was a clue, that meant the mystery was still intact
I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding.
This was not a haystack. We were people, and people had ways of finding eachother.
It was one of those moments when you feel the future so much that is humbles the present.
Don't worry. It's your embarrassment at not having the thought that counts.
You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately.
Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head
You should never wish for wishful thinking
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
Being together isn’t about a honeymoon. It’s about the real you and me. I want to wake up with you beside me in the mornings, I want to spend my evenings looking at you across the dinner table. I want to share every mundane detail of my day with you and hear every detail of yours. I want to laugh with you and fall asleep with you in my arms. Because you aren’t just someone I loved back then. You were my best friend, my best self, and I can’t imagine giving that up again.” He hesitated, searching for the right words. “You might not understand, but I gave you the best of me, and after you left, nothing was ever the same.” Dawson could feel the dampness in his palms. “I know you’re afraid, and I’m afraid, too. But if we let this go, if we pretend none of this ever happened, then I’m not sure we’ll ever get another chance.” He reached up, brushing a strand of hair from her eyes. “We’re still young. We still have time to make this right.
”
”
Nicholas Sparks (The Best of Me)
“
Sheridan bit back a teary smile at his quip, afraid to believe him, afraid to trust him, and unable to stop herself because she loved him. "Look at me," Stephen said, tipping her chin up again, and this time her glorious eyes looked into his. "I have several reasons for asking you to walk into that chapel, where there is a vicar waiting for us, but guilt is not among them. I also have several things to ask of you before you agree to go in there with me."
"What sort of things?"
"I would like you to give me daughters with your hair and your spirit," he said, beginning to enumerate his reasons and requests. "I would like my sons to have your eyes and your courage. Now, if that's not what you want, then give me any combination you like, and I will humbly thank you for giving me any child we make."
Happiness began to spread through Sheridan until it was so intense she ached from it. "I want to change your name," he said with a tender smile, "so there's no doubt who you are ever again, or who you belong to." He slid his hands up and down her arms, looking directly into her eyes. "I want the right to share your bed tonight and every night from this day onward. I want to make you moan in my arms again, and I want to wake up wrapped in yours."
He shifted his hands and cradled her cheeks, his thumbs brushing away two tears at the edges of her shimmering eyes. "Last of all, I want to hear you say 'I love you' every day of my life. If you aren't ready to agree to that last request right now, I would be willing to wait until tonight, when I believe you will. In return for all those concessions, I will grant you every wish that is within my power to grant you.
”
”
Judith McNaught (Until You (Westmoreland, #3))
“
What if something were to happen? What if something suddenly started throbbing? Then they would notice it was there and they'd think their hearts were going to burst. Then what good would their dykes, bulwarks, power houses, furnaces and pile drivers be to them? It can happen any time, perhaps right now: the omens are present. For example, the father of a family might go out for a walk, and, across the street, he'll see something like a red rag, blown towards him by the wind. And when the rag has gotten close to him he'll see that it is a side of rotten meat, grimy with dust, dragging itself along by crawling, skipping, a piece of writhing flesh rolling in the gutter, spasmodically shooting out spurts of blood. Or a mother might look at her child's cheek and ask him: "What's that, a pimple?" and see the flesh puff out a little, split, open, and at the bottom of the split an eye, a laughing eye might appear. Or they might feel things gently brushing against their bodies, like the caresses of reeds to swimmers in a river. And they will realize that their clothing has become living things. And someone else might feel something scratching in his mouth. He goes to the mirror, opens his mouth: and his tongue is an enormous, live centipede, rubbing its legs together and scraping his palate. He'd like to spit it out, but the centipede is a part of him and he will have to tear it out with his own hands. And a crowd of things will appear for which people will have to find new names, stone eye, great three cornered arm, toe crutch, spider jaw. And someone might be sleeping in his comfortable bed, in his quiet, warm room, and wake up naked on a bluish earth, in a forest of rustling birch trees, rising red and white towards the sky like the smokestacks of Jouxtebouville, with big bumps half way out of the ground, hairy and bulbous like onions. And birds will fly around these birch trees and pick at them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, warm and glassy with little bubbles.
”
”
Jean-Paul Sartre (Nausea)
“
The sun was up, the room already too warm. Light filtered in through the net curtains, hanging suspended in the air, sediment in a pond. My head felt like a sack of pulp. Still in my nightgown, damp from some fright I'd pushed aside like foliage, I pulled myself up and out of my tangled bed, then forced myself through the usual dawn rituals - the ceremonies we perform to make ourselves look sane and acceptable to other people. The hair must be smoothed down after whatever apparitions have made it stand on end during the night, the expression of staring disbelief washed from the eyes. The teeth brushed, such as they are. God knows what bones I'd been gnawing in my sleep.
”
”
Margaret Atwood (The Blind Assassin)
“
Her face was severe but smiling. "What the hell did you do with my hairbrush, you stupid Saumensch, you little thief?...The tirade went on for perhaps another minute, with Liesel making a desperate suggestion or two about the possible location of the said brush. It ended abruptly, with Rosa pulling Liesel close, just for a few seconds. Her whisper was almost impossible to hear, even at such close proximity. "You told me to yell at you. You said they'd all believe it." She looked left and right, her voice like needle and thread. "He woke up, Liesel. He's awake." From her pocket, she pulled out the toy soldier with the scratched exterior. "He said to give you this. It was his favorite." ...Before Liesel had a chance to answer, she finished it off. "Well? Answer me! Do you have any other idea where you might have left it?
”
”
Markus Zusak (The Book Thief)
“
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night.
She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t.
I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck.
Garrett: The hells, D?!
Dean: It’s not what you think!!
Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass!
Dean: It wasn’t in my ass!
Garrett: I’m not even going to ask where it was
Dean: I had a girl over!
Garrett: Suuuuuuuuure
Logan: Suuuuuuuuure
Dean: I hate you guys
Garrett: <3
Logan: <3
I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text.
Me: Wait… what did I miss?
Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now.
Dean messages immediately with, Why do you guys have dildo pics handy?
Logan: ALINIMB
Dean: ??
Me: ??
Garrett: At Least It’s Not In My Butt.
I snort to myself, because I’m starting to piece it together.
Logan: Nice, G! U got that on the first try!
Garrett: We spend too much time 2gether.
Me: PLEASE tell me u caught D playing w/ dildos.
Logan: Sure did.
Dean is quick to object again.
I HAD A GIRL OVER!
The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked.
“Gotta piss,” he mumbles.
“Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?”
“God. Yes. Please.”
Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.”
Fitzy nods. “Makes sense.”
I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
Beautiful surroundings, the society of learned men, the charm of noble women, the graces of art, could not make up for the loss of those light-hearted mornings of the desert, for that wind that made one a boy again. He had noticed that this peculiar quality in the air of new countries vanished after they were tamed by man and made to bear harvests. Parts of Texas and Kansas that he had first known as open range had since been made into rich farming districts, and the air had quite lost that lightness, that dry, aromatic odour. The moisture of plowed land, the heaviness of labour and growth and grain-bearing, utterly destroyed it; one could breathe that only on the bright edges of the world, on the great grass plains or the sage-brush desert.
”
”
Willa Cather (Death Comes for the Archbishop)
“
If you put a frog into a pot of boiling water, the fucker will jump right back out. It knows it’s wrong, it hurts, it will kill him. But if you put him in a pot and slowly raise it up to boiling, he’ll stay. That’s what abuse is like. You might not even notice it’s happening at first. You’d brush it off as him having a bad day, you pissing him off. But then it starts getting worse in small ways until you’re in so deep and you’re so hot and your skin is peeling and you don’t know if you even remember you can jump anymore. That doesn’t make you weak. You got out of that shit, baby. That makes you stronger, a lot stronger, I think, than you even realize.
”
”
Jessica Gadziala (Shane (Mallick Brothers, #1))
“
I missed you, Kitten,” he growled. Then his mouth crushed over mine, his kiss more filled with raw need than romantic welcome. That was fine; I felt the same way. Aside from my compulsive urge to run my hands over him to assure myself that he was really here, relief, happiness, and the most profound feeling of rightness zoomed through me, settling all the way to my core. I hadn’t realized how deeply I’d missed Bones until that very moment, hadn’t let myself acknowledge how everything felt off when I was apart from him. On some levels, it was frightening how much a part of me he’d become. It let me know just how much I’d crumble if anything happened to him. “Why didn’t you answer your mobile earlier?” Bones murmured once he lifted his head. “I tried you several times. Tried Mencheres, too. Even Tepesh. None of you answered. Scared the wits out of me, so I stowed away on a FedEx plane to make sure you were all right.” “You came all the way from Ohio because I didn’t answer the phone?” I was torn between laughter and disbelief. “God, Bones, that’s a little crazy.” And it was, except the part of me that had had images of his tombstone dancing in my head because he hadn’t answered his phone earlier was nodding in complete understanding. Despite all our protestations, we were so alike when it came to fear over the other’s safety, and I doubted we’d ever change. “Crazy,” I repeated, my voice roughening with the surge of emotion in me. “And have I told you lately. that your crazy side . . . is your sexiest side?” He chuckled before his mouth swooped back over mine in another dizzying kiss. Then he picked me up, brushing past Vlad and Mencheres without even a hello, though I doubted either of them was surprised.
”
”
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
“
One of my constant preoccupations is trying to understand how it is that other people exist, how it is that there are souls other than mine and consciousnesses not my own, which, because it is a consciousness, seems to me unique. I understand perfectly that the man before me uttering words similar to mine and making the same gestures I make, or could make, is in some way my fellow creature. However, I feel just the same about the people in illustrations I dream up, about the characters I see in novels or the dramatis personae on the stage who speak through the actors representing them.
I suppose no one truly admits the existence of another person. One might concede that the other person is alive and feels and thinks like oneself, but there will always be an element of difference, a perceptible discrepancy, that one cannot quite put one's finger on. There are figures from times past, fantasy-images in books that seem more real to us than these specimens of indifference-made-flesh who speak to us across the counters of bars, or catch our eye in trams, or brush past us in the empty randomness of the streets. The others are just part of the landscape for us, usually the invisible landscape of the familiar.
I feel closer ties and more intimate bonds with certain characters in books, with certain images I've seen in engravings, that with many supposedly real people, with that metaphysical absurdity known as 'flesh and blood'. In fact 'flesh and blood' describes them very well: they resemble cuts of meat laid on the butcher's marble slab, dead creatures bleeding as though still alive, the sirloin steaks and cutlets of Fate.
I'm not ashamed to feel this way because I know it's how everyone feels. The lack of respect between men, the indifference that allows them to kill others without compunction (as murderers do) or without thinking (as soldiers do), comes from the fact that no one pays due attention to the apparently abstruse idea that other people have souls too.
”
”
Fernando Pessoa (The Book of Disquiet)
“
You know," he said with unusual somberness, "I asked my father once why kenders were little, why we weren't big like humans and elves. I really wanted to be big," he said softly and for a moment he was quiet.
"What did your father say?" asked Fizban gently.
"He said kenders were small because we were meant to do small things. 'If you look at all the big things in the world closely,' he said, 'you'll see that they're really made up of small things all joined together.' That big dragon down there comes to nothing but tiny drops of blood, maybe. It's the small things that make the difference."
"Very wise, your father."
"Yes." Tas brushed his hand across his eyes. "I haven't seen him in a long time." The kender's pointed chin jutted forward, his lips tightened. His father, if he had seen him, would not have known this small, resolute person for his son.
"We'll leave the big things to others," Tas announced finally. "They've got Tanis and Sturm and Goldmoon. They'll manage. We'll do the small thing, even if it doesn't seem very important. We're going to rescue Sestun.
”
”
Margaret Weis
“
He wanted you to be the small, quiet girl from Abnegation," Four says softly. "He hurt you because your strength made him feel weak. No other reason."
I nod and try to believe him.
"The others won't be as jealous if you show some vulnerability. Even if it isn't real."
"You think I have to pretend to be vulnerable?" I ask, raising an eyebrow.
"Yes,I do." He takes the ice pack from me, his fingers brushing mine, and holds it against my head himself. I put my hand down, too eager to relax my arm to object. Four stands up. I stare at the hem of his T-shirt.
Sometimes I see him as just another person, and sometimes I feel the sight of him in my gut, like a deep ache.
"You're going to want to march into breakfast tomorrow and show your attackers they had no effect on you," he adds, "but you should let that bruise on your cheek show, and keep your head down."
The idea nauseates me.
"I don't think I can do that," I say hollowly. I lift my eyes to his.
"You have to."
"I don't think you get it." Heat rises into my face. "They touched me."
His entire body tightens at my words, his hand clenching around the ice pack. "Touched you," he repeates, his dark eyes cold.
"Not...in the way you're thinking." I clear my throat. I didn't realize when I said it how awkward it would be to talk about. "But...almost."
I look away.
He is silent and still for so long that eventually,I have to say something.
"What is it?"
"I don't want to say this," he says, "but I feel like I have to.It is more important for you to be safe than right, for the time being. Understand?"
His straight eyebrows are drawn low over his eyes. My stomach writhes, partly because I know he makes a good point but I don't want to admit it, and partly because I want something I don't know how to express; I want to press against te space between us until it disappears.
I nod.
"But please,when you see an opportunity..." He pesses his hand to my cheek,cold and strong, and tilts my head up so I have to look at him. His eyes glint. They look almost predatory. "Ruin them."
I laugh shakily. "You're a little scary, Four."
"Do me a favor," he says, "and don't call me that."
"What should I call you,then?"
"Nothing." He takes his hand from my face. "Yet.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
You'd probably kick my butt."
You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-"
Oh, you so wanted to."
Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry.
Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
You're laughing at me," I complained.
I am not!"
You are so not making this easy."
Then she laughed for real, and she put her hands
around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.” When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
When she woke up crying for one of her nightmares, the Kolker would stay with her, brush her hair with his hands, collect her tears in thimbles for her to drink the next morning (The only way to overcome sadness is to consume it, he said), and more than that: once her eyes closed and she fell back asleep, he was left to bear the insomnia. There was a complete transfer, like a speeding billiard ball colliding with a resting one. Should Brod feel depressed - she was always depressed - the Kolker would sit with her until he could convince her that it’s OK. It is. Really. And when she would move on with her day, he would stay behind, paralysed with a grief he couldn’t name and that wasn’t his. Should Brod become sick, it was the Kolker that would be bedridden by week’s end. Should Brod feel bored, knowing too many languages, too many facts, with too much knowledge to be happy, the Kolker would stay up all night studying her books, studying the pictures, so the next day he could try to make the kind of small talk that would please his young wife.
”
”
Jonathan Safran Foer
“
I stop dead in my tracks when I see Nash leaning against the wall right outside the ladies’ room. His legs are crossed casually at the ankle, as his arms are crossed casually over his chest. His smile is faint. And sad.
Finally, he straightens and steps toward me. He doesn’t stop until he is mere inches from me, forcing me to tilt my face up just to maintain eye contact.
He brushes his thumb over the ridge of my cheekbone at the corner of my eye. I wonder briefly if I missed a streak of mascara.
“I’m so sorry,” he whispers, closing his eyes as if in pain. His face is etched with regret and it tugs at my heart.
“Don’t be. You can’t control other people. I just hope I haven’t embarrassed you too badly, or ruined any important business connections you were hoping to make.”
“I don’t care about business connections. Not at this cost.
”
”
M. Leighton (Down to You (The Bad Boys, #1))
“
Julian," she said huskily, "you were right the other morning. You know me so well. I'm not made for illicit affaires, all that sneaking around to avoid discovery." In the dark, her hands crept up to his shoulders, then his face. Her finger teased through his hair. "Why should we hide at all? Let all London see us together. I don't care what anyone says or thinks. I love you, and I want the world to know."
He wanted to weep. For joy, for frustration. She was so brave, his beautiful Lily, and the situation was so damned unfair. It wasn't her fault that she made these heartrending declarations at a moment when their lives were probably in danger and he couldn't possibly reciprocate. That fault was his, for choosing to live the way he had and making the decisions he'd made. He didn't deserve her, didn't deserve her love. He most certainly didn't merit those warm brushes of her lips against his skin. But damned if he could bring himself to stop them.
"We're in love, Julian. Isn't it wonderful?"
"No," he murmured as she kissed him again. "It's not wonderful. It's a disaster."
Her lips grazed his jaw, then his throat. "I can feel you speaking, and I know you're probably making some valiant protest. But you know I can't hear those words. Your body is making an altogether different argument, and I'm listening to it." Her fingers crept inside his waistcoat, splaying over the thin lawn of his shirt. "Take your heart, for example."
Yes, take it. Take it and keep it, always.
”
”
Tessa Dare (Three Nights with a Scoundrel (Stud Club, #3))
“
Excellent," said Cinder, standing up and brushing off her hands. "I was beginning to worry we wouldn't have a pilot for when it's time to take Kai back to Earth. Now I just have to worry about not having a competent one."
Thorne leaned against the crate Cress was organizing. She froze, but when she dared to peer up through her lashes, his attention was on the other side of the cargo bay. "Oh, Cinder, I've missed seeing your face when you make sarcastic comments in an attempt to hide your true feelings about me."
"Please." Rolling her eyes, Cinder started organizing the guns against the wall.
"See that eye roll? It translates to 'How am I possibly keeping my hands off you, Captain?"
"Yeah, keeping them from strangling you."
Kai folded his arms, grinning. "How come no one told me I had such steep competition?"
Cinder glared. "Don't encourage him.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
He watches me eat for a moment. “Let me see it again.”
“No.”
“Okay.” He pulls a can of carbonated water out of his backpack and pops the lid.
Sometimes I want to punch him. I find the letter and slide it across the table.
He reads it again. It makes me feel all jittery inside.
His eyes flick up. “She likes you.”
I shrug and steal his drink. It tastes like someone drowned an orange in a bottle of Perrier, and I cough.
Rev smiles. “You like her.”
“How can you drink this crap?”
His smile widens. “Is it making you crazy that she won’t reveal herself?”
“Seriously, Rev, do you have any regular water?”
He’s no fool. “What do you want to do?”
I take a long breath and blow it out. I run a hand through my hair. “I don’t know.”
“You know.”
“I want to stake out the grave. This waiting between letters is killing me.”
“Suggest email.”
“She doesn’t want to tell me anything more than her age. She’s not going to give me her email address.”
“Maybe not her real email. But you could set up a private account and give her the address. See if she writes you.”
It’s so simple it’s brilliant. I hate that I didn’t think of it. “Rev, I could kiss you.”
“Brush your teeth first.” He reclaims his bizarre can of water.
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
The Universe is made of hands;
Hands that twist fabric and sizzle in the air.
Hands that grasp curls and flick words away
Small, smooth fingers pouring gold over gaping wounds
Before slicing into soft tissue,
Blood mixing with gold.
Hands that make it beautiful.
The Universe is made of bones;
Bones that cut against yards of skin,
Warm and yielding and moulded around the wings that splay across his back.
Bones that cage the heart and dig into the hollows.
Bones that break,
Tear the warm, yielding skin.
Bones that shred and brush his chin.
The Universe is made of lips;
Lips that breathe and stutter warm sighs,
Caressing the cracks in his broken body, the body that he broke.
Lips that carve paths into stone,
That leave trails upon gooseflesh,
Lips that make incisions,
Too delicate to mend.
The Universe is made of blood;
Blood that runs warm and hot and steady and crimson,
Pumping beneath the stone and the gold.
Blood that burns with every jerk of limbs.
Blood that spills on open palms,
Staining the fabric,
Filling up his throat.
The Universe is made of eyes;
Eyes that breach and eyes that splice and eyes that never leave.
Eyes that ripple oceans.
Eyes that whisper in the dark.
Eyes that rip open the seams.
Eyes that create wounds, create chaos, create broken shards of blue.
Eyes that alight and
won’t
let
go.
The Universe was built.
The Universe fell.
You took it apart,
Dragged the chaos from my soul with your hands,
Your bones,
Your lips,
Your blood,
Your eyes.
And now you’re back.
And so is the Universe.
And so, I suppose, am I.
The Universe is made of five things.
The Universe is made of you.
”
”
Velvetoscar (Core 'ngrato)
“
I don’t know if I ever liked you,” I say, and bathroom acoustics being what they are, the declaration is magnified and that much more unkind, which makes me feel bad until I see that he is missing a shoe, and I feel it anew, this terrible disappointment in myself that I am happy to take out on him. He is the most obvious thing that has ever happened to me, and all around the city it is happening to other silly, half-formed women excited by men who’ve simply met the prerequisite of living a little more life, a terribly unspecial thing that is just what happens when you keep on getting up and brushing your teeth and going to work and ignoring the whisper that comes to you at night and tells you it would be easier to be dead. So, sure, an older man is a wonder because he has paid thirty-eight years of Con Ed bills and suffered food poisoning and seen the climate reports and still not killed himself, but somehow, after being a woman for twenty-three years, after the ovarian torsion and student loans and newfangled Nazis in button-downs, I too am still alive, and actually this is the more remarkable feat. Instead I let myself be awed by his middling command of the wine list.
”
”
Raven Leilani
“
As the world turns toward winter and the nights grow long, people begin to wake in the dark. Lying in bed too long cramps the limbs, and dreams dreamt too long turn inward on themselves, grotesque as a Mandarin’s fingernails. By and large, the human body isn’t adapted for more than seven or eight hours’ sleep—but what happens when the nights are longer than that? What happens is the second sleep. You fall asleep from tiredness, soon after dark—but then wake again, rising toward the surface of your dreams like a trout coming up to feed. And should your sleeping partner also wake then—and people who have slept together for a good many years know at once when each other wakes—you have a small, private place to share, deep in the night. A place in which to rise, to stretch, to bring a juicy apple back to bed, to share slice by slice, fingers brushing lips. To have the luxury of conversation, uninterrupted by the business of the day. To make love slowly in the light of an autumn moon. And then, to lie close, and let a lover’s dreams caress your skin as you begin to sink once more beneath the waves of consciousness, blissful in the knowledge that dawn is far off—that’s second sleep.
”
”
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
“
Hi.” I caught a flash of his smile as he bent to kiss me. His lips were warm and his kiss was sweet. Gentle. He only deepened the kiss a little while his hand slid into my hair and his other hand curved into the small of my back.
I smiled as he pulled away. “Hi.”
“That’s better.” He cupped my cheek in his hand, his thumb tracing the curve of my cheekbone. “I’ve missed you since yesterday. Is that weird? Does that make me one of those stalker guys?”
“Only if you follow me home. Cut off a lock of my hair while I sleep. Something like that.”
“I thought I’d save that for next weekend.” He bent to kiss me again but swerved at the last second to brush his lips against my cheek instead. “I have a theory about you, Emily Parker.”
“You do?”
“I do.” Another kiss on my cheek, and then his teeth grazed my earlobe, and I shivered. “I don’t think you’ve ever been wooed. Have you?” The words were a low whisper in my ear, and the shiver intensified.
“Wooed?” The word felt strange in my mouth.
“Wooed,” he repeated, punctuating the word with a kiss on my other cheek. “Courted. Swept off your feet. Had someone show you how you make him feel.”
“I . . . I can’t say that I have.” That was an understatement.
“Then brace yourself.” He straightened up and backed away from me a step or two. “I’m going to woo your ass off.
”
”
Jen DeLuca (Well Met (Well Met, #1))
“
You know what I think?”
Touching him feels so good, so strangely uncomplicated, like he’s the exception to every rule. “What?”
“I think you love your job,” he says softly. “I think you work that hard because you care ten times more than the average person.”
“About work,” I say.
“About everything.” His arms tighten around me. “Your sister. Your clients. Their books. You don’t do anything you’re not going to do one hundred percent. You don’t start anything you can’t finish.
“You’re not the person who buys the stationary bike as part of a New Year’s resolution, then uses it as a coatrack for three years. You’re not the kind of woman who only works hard when it feels good, or only shows up when it’s convenient. If someone insults one of your clients, those fancy kid gloves of yours come off, and you carry your own pen at all times, because if you’re going to have to write anything, it might as well look good. You read the last page of books first—don’t make that face, Stephens.” He cracks a smile in one corner of his mouth. “I’ve seen you—even when you’re shelving, you sometimes check the last page, like you’re constantly looking for all the information, trying to make the absolute best decisions.”
“And by you’ve seen me,” I say, “you mean you’ve watched me.”
“Of course I fucking do,” he says in a low, rough voice. “I can’t stop. I’m always aware of where you are, even if I don’t look, but it’s impossible not to. I want to see your face get stern when you’re emailing a client’s editor, being a hard-ass, and I want to see your legs when you’re so excited about something you just read that you can’t stop crossing and uncrossing them. And when someone pisses you off, you get these red splotches.” His fingers brush my throat. “Right here.”
“You’re a fighter,” he says. “When you care about something, you won’t let anything fucking touch it. I’ve never met anyone who cares as much as you do. Do you know what most people would give to have someone like that in their life?” His eyes are dark, probing, his heartbeat fast. “Do you know how fucking lucky anyone you care about is? You know . . .
”
”
Emily Henry (Book Lovers)
“
I went back in and grabbed my running clothes, then changed in the bathroom. I opened the door to the bathroom, stopping when I saw Kaidan's toiletry bag on the sink. I was overcome with curiosity about his cologne or aftershave, because I'd never smelled it on anyone else before. Feeling sneaky, I prodded one finger into the bag and peeked. No cologne bottle. Only a razor, shaving cream, toothbrush, toothpaste, and deodorant. I picked up the deodorant, pulled off the lid, and smelled it. Nope, that wasn't it.
The sound of Kaidan's deep chuckle close to the doorway made me scream and drop the deodorant into the sink with a clatter. I smacked one hand to my chest and grabbed the edge of the sink with the other. He laughed out loud now.
“Okay, that must have looked really bad.” I spoke to his reflection in the mirror, then fumbled to pick up the deodorant. I put the lid on and dropped it in his bag. “But I was just trying to figure out what cologne you wear.”
My face was on fire as Kaidan stepped into the small bathroom and leaned against the counter, crossing his arms over his chest. I stepped away. He seemed entertained by my predicament.
“I haven't been wearing any cologne.”
“Oh.” I cleared my throat. “Well, I didn't see any, so I thought it might be your deodorant, but that's not it either. Maybe it's your laundry detergent or something. Let's just forget about it.”
“What is it you smell, exactly?” His voice took on a husky quality, and it felt like he was taking up a lot of room. I couldn't bring myself to look at him. Something strange was going on here. I stepped back, hitting the tub with my heel as I tried to put the scent into words.
“I don't know. It's like citrus and the forest or something...leaves and tree sap. I can't explain it.”
His eyes bored into mine while he wore that trademark sexy smirk, arms still crossed.
“Citrus?” he asked. “Like lemons?”
“Oranges mostly. And a little lime, too.”
He nodded and flicked his head to the side to get hair out of his eyes. Then his smile disappeared and his badge throbbed.
“What you smell are my pheromones, Anna.”
A small, nervous laugh burst from my throat.
“Oh, okay, then. Well...” I eyed the small space that was available to pass through the door. I made an awkward move toward it, but he shifted his body and I stepped back again.
“People can't usually smell pheromones,” he told me. “You must be using your extra senses without realizing it. I've heard of Neph losing control of their senses with certain emotions. Fear, surprise...lust.”
I rubbed my hands up and down my upper arms, wanting nothing more than to veer this conversation out of the danger zone.
“Yeah, I do have a hard time reining in the scent sometimes,” I babbled. “It even gets away from me while I sleep now and then. I wake up thinking Patti's making cinnamon rolls and it ends up being from someone else's apartment. Then I'm just stuck with cereal. Anyway...”
“Would you like to know your own scent?” he asked me.
My heart swelled up big in my chest and squeezed small again. This whole scent thing was way too sensual to be discussed in this small space. Any second now my traitorous body would be emitting some of those pheromones and there'd be red in my aura.
“Uh, not really,” I said, keeping my eyes averted. “I think I should probably go.”
He made no attempt to move out of the doorway.
“You smell like pears with freesia undertones.”
“Wow, okay.” I cleared my throat, still refusing eye contact. I had to get out of there. “I think I'll just...” I pointed to the door and began to shuffle past him, doing my best not to brush up against him. He finally took a step back and put his hands up by his sides to show that he wouldn't touch me. I broke out of the confined bathroom and took a deep breath.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
He firmly pulled her body against his and he brushed her lips with his. Staring into her eyes, he lightly slid his tongue across her bottom lip. She drew a deep, staggered breath in response to the wave of heat she felt flushing through her. Derrick smiled at her. Then, he softly kissed her. He lightly swept his tongue between her lips, pressing his warm, soft lips to hers. He slid his hands up her body and cradled her face with his hands. Then, he passionately kissed her, tickling her tongue with his. He sucked her lips, gently, as though he was sampling nectar on a delicate petal. Then, with an intense urgency, he dipped his tongue past her lips, caressing her tongue with his. She felt fluttering inside. Anne’s body craved him. A shallow hum escaped from within her in response to how he was making her feel. She could feel his body responding to her. He was breathing heavier which was waking Anne’s primal needs. The tidal wave of lust that had just churned within her was slowly calming as his kiss became more subtle and tender. He gently pressed his lips against hers. He pulled back a little and looked away, exhaling.
”
”
Laney Smith (Lock Creek: One Year's Time)
“
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
You'd probably kick my butt."
You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-"
Oh, you so wanted to."
Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry.
Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
You're laughing at me," I complained.
I am not!"
You are so not making this easy."
Then she laughed for real, and she put her hands
around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.”
When she kissed me, I had the feeling my brain was melting right through my body.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
The sun was shining on the sea,
Shining with all his might:
He did his very best to make
The billows smooth and bright--
And this was odd, because it was
The middle of the night.
The moon was shining sulkily,
Because she thought the sun
Had got no business to be there
After the day was done--
"It's very rude of him," she said,
"To come and spoil the fun!"
The sea was wet as wet could be,
The sands were dry as dry.
You could not see a cloud, because
No cloud was in the sky:
No birds were flying over head--
There were no birds to fly.
The Walrus and the Carpenter
Were walking close at hand;
They wept like anything to see
Such quantities of sand:
"If this were only cleared away,"
They said, "it WOULD be grand!"
"If seven maids with seven mops
Swept it for half a year,
Do you suppose," the Walrus said,
"That they could get it clear?"
"I doubt it," said the Carpenter,
And shed a bitter tear.
"O Oysters, come and walk with us!"
The Walrus did beseech.
"A pleasant walk, a pleasant talk,
Along the briny beach:
We cannot do with more than four,
To give a hand to each."
The eldest Oyster looked at him.
But never a word he said:
The eldest Oyster winked his eye,
And shook his heavy head--
Meaning to say he did not choose
To leave the oyster-bed.
But four young oysters hurried up,
All eager for the treat:
Their coats were brushed, their faces washed,
Their shoes were clean and neat--
And this was odd, because, you know,
They hadn't any feet.
Four other Oysters followed them,
And yet another four;
And thick and fast they came at last,
And more, and more, and more--
All hopping through the frothy waves,
And scrambling to the shore.
The Walrus and the Carpenter
Walked on a mile or so,
And then they rested on a rock
Conveniently low:
And all the little Oysters stood
And waited in a row.
"The time has come," the Walrus said,
"To talk of many things:
Of shoes--and ships--and sealing-wax--
Of cabbages--and kings--
And why the sea is boiling hot--
And whether pigs have wings."
"But wait a bit," the Oysters cried,
"Before we have our chat;
For some of us are out of breath,
And all of us are fat!"
"No hurry!" said the Carpenter.
They thanked him much for that.
"A loaf of bread," the Walrus said,
"Is what we chiefly need:
Pepper and vinegar besides
Are very good indeed--
Now if you're ready Oysters dear,
We can begin to feed."
"But not on us!" the Oysters cried,
Turning a little blue,
"After such kindness, that would be
A dismal thing to do!"
"The night is fine," the Walrus said
"Do you admire the view?
"It was so kind of you to come!
And you are very nice!"
The Carpenter said nothing but
"Cut us another slice:
I wish you were not quite so deaf--
I've had to ask you twice!"
"It seems a shame," the Walrus said,
"To play them such a trick,
After we've brought them out so far,
And made them trot so quick!"
The Carpenter said nothing but
"The butter's spread too thick!"
"I weep for you," the Walrus said.
"I deeply sympathize."
With sobs and tears he sorted out
Those of the largest size.
Holding his pocket handkerchief
Before his streaming eyes.
"O Oysters," said the Carpenter.
"You've had a pleasant run!
Shall we be trotting home again?"
But answer came there none--
And that was scarcely odd, because
They'd eaten every one.
”
”
Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
“
Wanting to be through with this quickly, I leaned forward and kissed him.
Almost. I lost my nerve halfway there, somewhere around the moment I noticed he had a freckle next to his eye and wondered ridiculously if that was something he would remove if I asked it of him, and instead of a proper kiss, I merely brushed my lips against his. It was a shadow of a kiss, cool and insubstantial, and I almost wish I could be romantic and say it was somehow transformative, but in truth, I barely felt it. But then his eyes came open, and he smiled at me with such innocent happiness that my ridiculous heart gave a leap and would have answered him instantly, if it was the organ in charge of my decision-making.
"Choose whenever you wish," he said. "No doubt you will first need to draw up a list of pros and cons, or perhaps a series of bar plots. If you like, I will help you organize them into categories."
I cleared my throat. "It strikes me that this is all pointless speculation. You cannot marry me. I am not going to be left behind, pining for you, when you return to your kingdom. I have no time for pining."
He gave me an astonished look. "Leave you behind! As if you would consent to that. I would expect to be burnt alive when next I returned to visit. No, Em, you will come with me, and we will rule my kingdom together. You will scheme and strategize until you have all my councillors eating out of your hand as easily as you do Poe, and I will show you everything---everything. We will travel to the darkest parts of my realm and back again, and you will find answers to questions you have never even thought to ask, and enough material to fill every journal and library with your discoveries.
”
”
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
“
But…” Hazel gripped his shoulders and stared at him in amazement. “Frank, what happened to you?” “To me?” He stood, suddenly self-conscious. “I don’t…” He looked down and realized what she meant. Triptolemus hadn’t gotten shorter. Frank was taller. His gut had shrunk. His chest seemed bulkier. Frank had had growth spurts before. Once he’d woken up two centimeters taller than when he’d gone to sleep. But this was nuts. It was as if some of the dragon and lion had stayed with him when he’d turned back to human. “Uh…I don’t…Maybe I can fix it.” Hazel laughed with delight. “Why? You look amazing!” “I—I do?” “I mean, you were handsome before! But you look older, and taller, and so distinguished—” Triptolemus heaved a dramatic sigh. “Yes, obviously some sort of blessing from Mars. Congratulations, blah, blah, blah. Now, if we’re done here…?” Frank glared at him. “We’re not done. Heal Nico.” The farm god rolled his eyes. He pointed at the corn plant, and BAM! Nico di Angelo appeared in an explosion of corn silk. Nico looked around in a panic. “I—I had the weirdest nightmare about popcorn.” He frowned at Frank. “Why are you taller?” “Everything’s fine,” Frank promised. “Triptolemus was about to tell us how to survive the House of Hades. Weren’t you, Trip?” The farm god raised his eyes to the ceiling, like, Why me, Demeter? “Fine,” Trip said. “When you arrive at Epirus, you will be offered a chalice to drink from.” “Offered by whom?” Nico asked. “Doesn’t matter,” Trip snapped. “Just know that it is filled with deadly poison.” Hazel shuddered. “So you’re saying that we shouldn’t drink it.” “No!” Trip said. “You must drink it, or you’ll never be able to make it through the temple. The poison connects you to the world of the dead, lets you pass into the lower levels. The secret to surviving is”—his eyes twinkled—“barley.” Frank stared at him. “Barley.” “In the front room, take some of my special barley. Make it into little cakes. Eat these before you step into the House of Hades. The barley will absorb the worst of the poison, so it will affect you, but not kill you.” “That’s it?” Nico demanded. “Hecate sent us halfway across Italy so you could tell us to eat barley?” “Good luck!” Triptolemus sprinted across the room and hopped in his chariot. “And, Frank Zhang, I forgive you! You’ve got spunk. If you ever change your mind, my offer is open. I’d love to see you get a degree in farming!” “Yeah,” Frank muttered. “Thanks.” The god pulled a lever on his chariot. The snake-wheels turned. The wings flapped. At the back of the room, the garage doors rolled open. “Oh, to be mobile again!” Trip cried. “So many ignorant lands in need of my knowledge. I will teach them the glories of tilling, irrigation, fertilizing!” The chariot lifted off and zipped out of the house, Triptolemus shouting to the sky, “Away, my serpents! Away!” “That,” Hazel said, “was very strange.” “The glories of fertilizing.” Nico brushed some corn silk off his shoulder. “Can we get out of here now?” Hazel put her hand on Frank’s shoulder. “Are you okay, really? You bartered for our lives. What did Triptolemus make you do?” Frank tried to hold it together. He scolded himself for feeling so weak. He could face an army of monsters, but as soon as Hazel showed him kindness, he wanted to break down and cry. “Those cow monsters…the katoblepones that poisoned you…I had to destroy them.” “That was brave,” Nico said. “There must have been, what, six or seven left in that herd.” “No.” Frank cleared his throat. “All of them. I killed all of them in the city.” Nico and Hazel stared at him in stunned silence. Frank
”
”
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
“
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.
Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb.
At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another.
By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names.
The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light.
Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
”
”
F. Scott Fitzgerald (The Great Gatsby)
“
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
”
”
Gabby Rivera (Juliet Takes a Breath)
“
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him.
I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!"
"I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.”
He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable.
"There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests.
I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough.
Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere.
"Letha? Where are you at?”
My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon.
Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze.
"Have you ever been with anyone before?" he asked wonderingly.
I shook my head.
"How did you ... I never imagined you doing that...”
"I learn fast.”
He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...”
"Tonight," I agreed.
He backed away then, eyes still smoldering. "I love you. You are my life.”
"I love you too." I smiled and watched him go.
”
”
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
“
By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath!
"One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes.
"Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately.
"Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.
”
”
Guy de Maupassant (Selected Short Stories)
“
Your grandparents are English?"
"Grandfather is,but Grandmere is French. And my other grandparents are American,of course."
"Wow.You really are a mutt."
St. Clair smiles. "I'm told I take after my English grandfather the most, but it's only because of the accent."
"I don't know.I think of you as more English than anything else.And you don't just sound like it,you look like it,too."
"I do?" He surprised.
I smile. "Yeah,it's that...pasty complexion. I mean it in the best possible way," I add,at his alarmed expression. "Honestly."
"Huh." St. Clair looks at me sideways. "Anyway.Last summer I couldn't bear to face my father, so it was the first time I spent the whole holiday with me mum."
"And how was it? I bet the girls don't tease you about your accent anymore."
He laughs. "No,they don't.But I can't help my height.I'll always be short."
"And I'll always be a freak,just like my dad. Everyone tells me I take after him.He's sort of...neat,like me."
He seems genuinely surprised. "What's wrong with being neat? I wish I were more organized.And,Anna,I've never met your father,but I guarantee you that you're nothing like him."
"How would you know?"
"Well,for one thing,he looks like a Ken doll.And you're beautiful."
I trip and fall down on the sidewalk.
"Are you all right?" His eyes fill with worry.
I look away as he takes my hand and helps me up. "I'm fine.Fine!" I say, brushing the grit from my palms. Oh my God, I AM a freak.
"You've seen the way men look at you,right?" he continues.
"If they're looking, it's because I keep making a fool of myself." I hold up my scraped hands.
"That guy over there is checking you out right now."
"Wha-?" I turn to find a young man with long dark hair staring. "Why is he looking at me?"
"I expect he likes what he sees."
I flush,and he keeps talking. "In Paris, it's common to acknowledge someone attractive.The French don't avert their gaze like other cultures do. Haven't you noticed?"
St. Clair thinks I'm attractive. He called me beautiful.
"Um,no," I say. "I hadn't noticed."
"Well.Open your eyes."
But I stare at the bare tree branches, at the children with balloons, at the Japanese tour group. Anywhere but at him. We've stopped in front of Notre-Dame again.I point at the familiar star and clear my throat. "Wanna make another wish?"
"You go first." He's watching me, puzzled, like he's trying to figure something out. He bites his thumbnail.
This time I can't help it.All day long, I've thought about it.Him.Our secret.
I wish St. Clair would spend the night again.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Dear Kai,
The sun is probably streaming in through the big barn windows now, which means you're awake. And if you're awake, it means you're wondering where I went.
I haven't run away from you, I promise. But I knew that today of all days, they'd need me in the house. Tatiana may be the head of our household now, but she's not the one our staff will look to in my mother's absence. And there is so much to do to prepare for the funeral. Also, I have to go tell my grandfather what has happened to his daughter. I don't want him to hear of her death from anyone but me.
Thank you for last night. I wish I could say I don't know why you re the one I ran to,- you, Kai, not Tatiana or my father or even my grandfather. But I know why. And I have a confession to make.
After you let me cry, after you let me sob and shout and choke on all that pain-after you did all that, and didn't say a word-I didn't fall asleep like you thought. Not right away. I lay there, wadded up into a ball, and you curved your body behind mine. You were barely touching me-your thigh against the edge of my hip, your arm draped lightly across my waist, your fingers entwined with mine. How many times have our hands touched, when we were passing each other tools or helping each other in and out of machines? Hundreds of times. Thousands.
But last night was different. You cradled my hand in yours, palms up, our fingers curled in like a pair of fallen leaves. Fallen, maybe, but not dead. My hand never felt so alive. Every place you touched me sparked with energy. I couldn't sleep. Not like that.
And so I bent my head, just the slightest bit, until my mouth reached our hands. I smelled the oil you never quite get off your fingers. I breathed in the scent of your skin. And then, as if that was all I was doing, just breathing, I let my bottom lip brush against your knuckle.
Time stopped, I was sure you'd see through my ruse and pull away. I was sure you'd know that I was not asleep, that I was not just breathing. But you didn't move, so I did it again. And again. And in the third time, I let my top lip join my bottom.
I kissed your hand, Kai. I didn't do it to thank you for letting me cry. For letting me sleep in your arms. I thought you should know.
Yours,
Elliot
Dear Elliot,
I know. When will I see you again?
Yours,
Kai
”
”
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
“
Zits,” I said. “Z-I-T-S. Actually, I don’t think you even need electric bolts. You could just breathe on us.” I looked him in the eyes and smiled. “Seriously, dude, when was the last time you brushed your teeth?” “Shut up!” “No, really. Did you eat a diaper?” “Shut up!” he shouted. He squinted. “Do you know how much I enjoyed guarding your mother? I shocked her at least a dozen times just to watch her squeal.” “Yeah, well you could have just sat next to her and let her smell you. That would have been much worse. I’ve had hamsters with better hygiene.” “Enough! Don’t think I won’t electrocute you, Vey!” Taylor looked at me as if I’d lost my mind. “It’s his Tourette’s, he can’t help it.” “I’m scared, Zits,” I said. “You know Hatch would have your head if you did. But here’s my promise: after I’m in charge, my first command is to make you my shoeshine boy. You’ll be following me around with a towel.” “You’ll never be in charge.” “No, that’s what Hatch said. You heard him. He wants my power. I’m not kidding, Zits. When Hatch was trying to get me to join you guys, he promised me that you would be my servant.” Zeus looked at me with a worried expression. After a moment he shouted, “Shut up! And stop calling me Zits!” “I don’t think I will. In fact, it’s going to be the first rule I make. I’m going to have everyone else call you that.” “I don’t care what Hatch says. I’m gonna fry you, Vey.” “Oooh, now I’m really shaking. You don’t have enough juice in you to light a flashlight.” “Michael!” Taylor shouted. “Stop it. He’s got a temper. I’ve seen it.” “You should listen to the cheerleader, Vey.” He stepped toward me. “You think you’re so cool. But you can’t shoot electricity like me, can you? You’re just a flesh-covered battery.” “And you’re a flesh-covered outhouse. You should tie a couple hundred of those car air fresheners around your neck.” “Last warning!” Zeus shouted. “I’m not kidding, Zits. There are porta-potties with better aromas. Would a little deodorant kill you? What was the last year you took a bath?
”
”
Richard Paul Evans (The Prisoner of Cell 25 (Michael Vey, #1))
“
Wanting his mind on other matters, she deliiberately challenged his statement. "You don't know so much about me. There was a man once. He was crazy about me." She tried to look wordly. "Absolutely crazy for me."
His answering laughter was warm against her neck, her throat. His lips touched the skin over her pulse and skimmed lightly up to her ear. "Are you, by any chance, referring to that foppish boy with the orange hair and spiked collar? Dragon something?"
Savannah gasped and pulled away to glare at im. "How could you possibly know about him? I dated him last year."
Gregori nuzzled her neck, inhaling her fragrance, his hand sliding over her shoulder, moving gently over her satin skin to take possession of her breast. "He wore boots and rode a Harley." His breath came out in a rush as his palm cupped the soft weight, his thumb brushing her nipple into a hard peak.
The feel of his large hand-so strong, so warm and possessive on her-sent heat curling through her body. Desire rose sharply. He was seducing her with tenderness. Savannah didn't want it to happen. Her body felt better, but the soreness was there to remind her where this could all lead. Her hand caught at his wrist. "How did you find out about Dragon?" she asked, desperate to distract him, to distract herself. How could he make her body burn for his when she was so afraid of him, of having sex with him?
"Making love," he corrected, his voice husky, caressing, betraying the ease with which his mind moved like a shadow through hers."And to answer your question, I live in you, can touch you whenever I wish.I knew about all of them. Every damn one." He growled the worrds, and her breath caught in her throat. "He was the only one you thought of kissing." His mouth touched hers. Gently. Lightly. Returned for more. Coaxing, teasing, until she opened to him. He stole her breath, her reason, whirling her into a world of feeling.Bright colors and white-hot heat, the room falling away until there was only his broad shoulders,strong arms, hard body, and perfect,perfect mouth.
When he lifted his head, Savannah nearly pulled him back to her.He watched her face,her eyes cloudy with desire, her lips so beautiful, bereft of his. "Do you have any idea how beautiful you are, Savannah? There is such beauty in your soul,I can see it shining in your eyes."
She touched his face, her palm molding his strong jaw. Why couldn't she resist his hungry eyes? "I think you're casting a spell over me. I can't remember what we were talking about."
Gregori smiled. "Kissing." His teeth nibbled gently at her chin. "Specifically,your wanting to kiss that orange-bearded imbecile."
"I wanted to kiss every one of them," she lied indignantly.
"No,you did not.You were hoping that silly fop would wipe my taste from your mouth for all eternity." His hand stroked back the fall of hair around her face.He feathered kisses along the delicate line of her jaw. "It would not have worked,you know.As I recall,he seemed to have a problem getting close to you."
Her eyes smoldered dangerously. "Did you have anything to do with his allergies?" She had wanted someone, anyone,to wipe Gregori's taste from her mouth,her soul.
He raised his voice an octave. "Oh, Savannah, I just have to taste your lips," he mimicked. Then he went into a sneezing fit. "You haven't ridden until you've ridden on a Harley,baby." He sneezed, coughed, and gagged in perfect imitation.
Savannah pushed his arm, forgetting for a moment her bruised fist. When it hurt, she yelped and glared accusingly at him. "It was you doing all that to him! That poor man-you damaged his ego for life. Each time he touched me, he had a sneezing fit."
Gregori raised an eyebrow, completely unrepentant. "Technically,he did not lay a hand on you.He sneezed before he could get that close.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
XXIV.
And more than that - a furlong on - why, there!
What bad use was that engine for, that wheel,
Or brake, not wheel - that harrow fit to reel
Men's bodies out like silk? With all the air
Of Tophet's tool, on earth left unaware
Or brought to sharpen its rusty teeth of steel.
XXV.
Then came a bit of stubbed ground, once a wood,
Next a marsh it would seem, and now mere earth
Desperate and done with; (so a fool finds mirth,
Makes a thing and then mars it, till his mood
Changes and off he goes!) within a rood -
Bog, clay and rubble, sand, and stark black dearth.
XXVI.
Now blotches rankling, coloured gay and grim,
Now patches where some leanness of the soil's
Broke into moss, or substances like boils;
Then came some palsied oak, a cleft in him
Like a distorted mouth that splits its rim
Gaping at death, and dies while it recoils.
XXVII.
And just as far as ever from the end!
Naught in the distance but the evening, naught
To point my footstep further! At the thought,
A great black bird, Apollyon's bosom friend,
Sailed past, not best his wide wing dragon-penned
That brushed my cap - perchance the guide I sought.
XXVIII.
For, looking up, aware I somehow grew,
Spite of the dusk, the plain had given place
All round to mountains - with such name to grace
Mere ugly heights and heaps now stolen in view.
How thus they had surprised me - solve it, you!
How to get from them was no clearer case.
XXIX.
Yet half I seemed to recognise some trick
Of mischief happened to me, God knows when -
In a bad dream perhaps. Here ended, then
Progress this way. When, in the very nick
Of giving up, one time more, came a click
As when a trap shuts - you're inside the den.
XXX.
Burningly it came on me all at once,
This was the place! those two hills on the right,
Crouched like two bulls locked horn in horn in fight;
While to the left a tall scalped mountain ... Dunce,
Dotard, a-dozing at the very nonce,
After a life spent training for the sight!
XXXI.
What in the midst lay but the Tower itself?
The round squat turret, blind as the fool's heart,
Built of brown stone, without a counterpart
In the whole world. The tempest's mocking elf
Points to the shipman thus the unseen shelf
He strikes on, only when the timbers start.
XXXII.
Not see? because of night perhaps? - why day
Came back again for that! before it left
The dying sunset kindled through a cleft:
The hills, like giants at a hunting, lay,
Chin upon hand, to see the game at bay, -
Now stab and end the creature - to the heft!'
XXXIII.
Not hear? When noise was everywhere! it tolled
Increasing like a bell. Names in my ears
Of all the lost adventurers, my peers -
How such a one was strong, and such was bold,
And such was fortunate, yet each of old
Lost, lost! one moment knelled the woe of years.
XXXIV.
There they stood, ranged along the hillsides, met
To view the last of me, a living frame
For one more picture! In a sheet of flame
I saw them and I knew them all. And yet
Dauntless the slug-horn to my lips I set,
And blew. 'Childe Roland to the Dark Tower came.
”
”
Robert Browning
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
It happened to me. And I'll never forget it. Back when I was in the sixth grade, my whole family went out to go watch a baseball game at the stadium. I didn't really care about baseball, but I was surprised by what I saw when we got there. Everywhere I looked, I saw people. On the other side of the stadium, the people looked so small, like little moving grains of rice. It was so crowded. I thought that everyone in Japan had to be packed in there. So I turned to my dad and asked him, "Do you know how many people are here right now"? He said since the stadium was full, probably fifty thousand. After the game, the street was filled with people and I was really shocked to see that, too. To me, it seemed like there was a ton of people there. But then, I realized it could only be a tiny fraction of all the people in Japan. When I got home, I pulled out my calculator. In social studies, I'd learned that the population of Japan was a hundred some odd million. So I divided that by fifty thousand. The answer was one two-thousandth. That shocked me even more. I was only one little person in that big crowded stadium filled with people, and believe me, there were so many people there, but it was just a handful of the entire population. Up till then, I always thought that I was, I don't know, kind of a special person. It was fun to be with my family. I had fun with my classmates. And the school that I was going to, it had just about the most interesting people anywhere. But that night, I realized it wasn't true. All the stuff we did during class that I thought was so fun and cool, was probably happening just like that in classes in other schools all over Japan. There was nothing special about my school at all. When I realized that, it suddenly felt like the whole world around me started to fade into a dull gray void. Brushing my teeth and going to sleep at night, waking up and eating breakfast in the morning, that stuff happened all over the place. They were everyday things that everybody was doing. When I thought about it like that, everything became boring. If there's really that many people in the world, then there had to be someone who wasn't ordinary. There had to be someone who was living an interesting life. There just had to be. But why wasn't I that person? So, that's how I felt till I finished elementary school. And then I had another realization. I realized fun things wouldn't come my way just by waiting for them. I thought when I got into junior high, it was time for me to make a change. I'd let the world know I wasn't a girl who was happy sitting around waiting. And I've done my best to become that person. But in the end, nothing happened. More time went by and before I knew it, I was in high school. I thought that something would change.
”
”
Nagaru Tanigawa
“
And do not try to be so brave. I am your lifemate.You cannot hide from me something as powerful as fear."
"Trepidation," she corrected, nibbling at the pad of his thumb.
"Is there a difference?" His pale eyes had warmed to molten mercury. Just that fast, her body ent liquid in answer.
"You know very well there is." She laughed again, and the sound traveled down from his heart to pool in his groin, a heavy,familiar ache. "Slight, perhaps, but very important."
"I will try to make you happy, Savannah," he promised gravely.
Her fingers went up to brush at the thick mane of hair falling around his face. "You are my lifemate, Gregori. I have no doubt you will make me happy."
He had to look away,out the window into the night. She was so good, with so much beauty in her, while he was so dark, his goodness drained into the ground with the blood of all the lives he had taken while he waited for her. But now,faced with the reality of her, Gregori could not bear her to witness the blackness within him, the hideous stain across his soul.
For beyond his killing and law-breaking, he had committed the gravest crime of all. And he deserved the ultimate penalty, the forfeit of his life. He had deliberately tempered with nature.He knew he was powerful enough, knew his knowledge exeeded the boundaries of Carpathian law. He had taken Savannah's free will, manipulated the chemistry between them so that she would believe he was her true lifemate. And so she was with him-less than a quarter of a century of innocence pitted against his thousand years of hard study.Perhaps that was his punishment, he mused-being sentenced to an eternity of knowing Savannah could never really love him, never really accept his black soul.That she would be ever near yet so far away.
If she ever found out the extent of his manipulation, she would despise him. Yet he could never,ever, allow her to leave him. Not if mortals and immortals alike were to be safe. His jaw hardened, and he stared out the window, turning slightly away from her. His mind firmly left hers, not wanting to alert her to the grave crime he had committed.He could bear torture and centuries of isolation, he could bear his own great sins, but he could not endure her loathing him. Unconsciously, he took her hand in his and tightened his grip until it threatened to crush her fragile bones.
Savannah glanced at him, let out a breath slowly to keep from wincing, and kept her hand passively in his.He thought his mind closed to her.Didn't believe she was his true lifemate. He truly believed he had manipulated the outcome of their joining unfairly and that somewhere another Carpathian male with the chemistry to match hers might be waiting.Though he had offered her free access to his mind, had himself given her the power,to meld her mind with his,both as her wolf and as her healer before she was born,he likely didn't think a woman,a fledging, and one who was not his true lifemate, could possibly have the skill to read his innermost secrets.But Savannah could. And completing the ancient ritual of lifemates had only strengthened the bond.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
Here, Kells. I brought you something,” he said unassumingly and held out three mangos.
“Thanks. Um, dare I ask where you got them?”
“Monkeys.”
I stopped in mid-brush. “Monkeys? What do you mean monkeys?”
“Well, monkeys don’t like tigers because tigers eat monkeys. So, when a tiger comes around, they jump up in the trees and pummel the tiger with fruit or feces. Lucky for me today they threw fruit.”
I gulped. “Have you ever…eaten a monkey?”
Ren grinned at me. “Well, a tiger does have to eat.”
I dug a rubber band out of the backpack so I could braid my hair. “Ugh, that’s disgusting.”
He laughed. “I didn’t really eat a monkey, Kells. I’m just teasing you. Monkeys are repellant. They taste like meaty tennis balls and they smell like feet.” He paused. “Now a nice juicy deer, that is delectable.” He smacked his lips together in an exaggerated way.
“I don’t think I really need to hear about your hunting.”
“Really? I quite enjoy hunting.”
Ren froze into place. Then, almost imperceptibly, he lowered his body slowly to a crouch and balanced on the balls of his feet. He placed a hand in the grass in front of him and began to creep closer to me. He was tracking me, hunting me. His eyes locked on mine and pinned me to the spot where I was standing. He was preparing to spring. His lips were pulled back in a wide grin, which showed his brilliant white teeth. He looked…feral.
He spoke in a silky, mesmerizing voice. “When you’re stalking your prey, you must freeze in place and hide, remaining that way for a long time. If you fail, your prey eludes you.” He closed the distance between us in a heartbeat.
Even though I’d been watching him closely, I was startled at how fast he could move. My pulse started thumping wildly at my throat, which was where his lips now hovered as if he were going for my jugular.
He brushed my hair back and moved up to my ear, whispering, “And you will go…hungry.” His words were hushed. His warm breath tickled my ear and made goose bumps fan out over my body.
I turned my head slightly to look at him. His eyes had changed. They were a brighter blue than normal and were studying my face. His hand was still in my hair, and his eyes drifted down to my mouth. I suddenly had the distinct impression that this was what it felt like to be a deer.
Ren was making my nervous. I blinked and swallowed dryly. His eyes darted back up to mine again. He must have sensed my apprehension because his expression changed. He removed his hand from my hair and relaxed his posture.
“I’m sorry if I frightened you, Kelsey. It won’t happen again.”
When he took a step back, I started breathing again. I said shakily, “Well, I don’t want to hear any more about hunting. It freaks me out. The least you could do is not tell me about it. Especially when I have to spend time with you outdoors, okay?”
He laughed. “kells, we all have some animalistic tendencies. I loved hunting, even when I was young.”
I shuddered. “Fine. Just keep your animalistic tendencies to yourself.”
He leaned toward me again and pulled on a strand of my hair. “Now, Kells, there are some of my animalistic tendencies that you seem to like.” He started making a rumbling sound in his chest, and I realized that he was purring.
“Stop that!” I sputtered.
He laughed, walked over to the backpack, and picked up the fruit. “So, do you want any of this mango or not? I’ll wash it for you.”
“Well, considering you carried it in your mouth all that way just for me. And taking into account the source of said fruit. Not really.”
His shoulders fell, and I hurried to add, “But I guess I could eat some of the inside.”
He looked up at me and smiled. “It’s not freeze-dried.”
“Okay. I’ll try some.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))