Major Misses Quotes

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Major, to what extent did you act upon your feelings for Miss LaRoux?" "Medium." "Excuse me?" "How am I supposed to answer that question?
Amie Kaufman (These Broken Stars (Starbound, #1))
The only thing that I see that is distinctly different about me is I'm not afraid to die on a treadmill. I will not be out-worked, period. You might have more talent than me, you might be smarter than me, you might be sexier than me, you might be all of those things you got it on me in nine categories. But if we get on the treadmill together, there's two things: You're getting off first, or I'm going to die. It's really that simple, right? You're not going to out-work me. It's such a simple, basic concept. The guy who is willing to hustle the most is going to be the guy that just gets that loose ball. The majority of people who aren't getting the places they want or aren't achieving the things that they want in this business is strictly based on hustle. It's strictly based on being out-worked; it's strictly based on missing crucial opportunities. I say all the time if you stay ready, you ain't gotta get ready.
Will Smith
Your key concerns at that stage?” “Well, Miss LaRoux had a party she didn’t want to miss, and I—” “Major, you don’t seem to understand the seriousness of your situation.” “Sure I do. What the hell do you think our key concerns were?
Amie Kaufman (These Broken Stars (Starbound, #1))
You are not the first man to miss a woman's more subtle communication . . . They think they are waving when we see only the calm sea, and pretty soon everybody drowns.
Helen Simonson (Major Pettigrew's Last Stand)
Sometimes you can’t figure out the truth because you’re asking people that are emotionally or socially invested in you to be brutally honest. Often family or friends will tell you what you want to hear, or what they want to believe because of their emotional investment in the situation. Instead of circling the drain with biased speculation, go out and get twenty unbiased people that have nothing to lose if they speak their mind and then ask them what they think. After you do that, stop asking for people’s perspectives. Accept their answer because you’re not going to ever know the real truth when the person you love lies to you. Sometimes, you only have the truth of commonsense when the unbiased majority has offered you their opinion. When we care about people, we will believe the most far-fetched fantasies to help us deal with our actions, their actions and the conversations we missed out on. Our intuition then becomes compromised. You should never put your life on hold, in order to decide what the truth is. The memory of truth no longer remains pure in the mind of a liar.
Shannon L. Alder
Most of the Bible is a history told by people living in lands occupied by conquering superpowers. It is a book written from the underside of power. It’s an oppression narrative. The majority of the Bible was written by a minority people living under the rule and reign of massive, mighty empires, from the Egyptian Empire to the Babylonian Empire to the Persian Empire to the Assyrian Empire to the Roman Empire. This can make the Bible a very difficult book to understand if you are reading it as a citizen of the the most powerful empire the world has ever seen. Without careful study and reflection, and humility, it may even be possible to miss central themes of the Scriptures.
Rob Bell (Jesus Wants to Save Christians: A Manifesto for the Church in Exile)
One of the major mistakes people make is that they think manners are only the expression of happy ideas. There’s a whole range of behavior that can be expressed in a mannerly way. That’s what civilization is all about — doing it in a mannerly and not an antagonistic way. One of the places we went wrong was the naturalistic, Rousseauean movement of the Sixties in which people said, ”Why can’t you just say what’s on your mind?” In civilization there have to be some restraints. If we followed every impulse, we’d be killing one another.
Judith Martin
When all you know is pain you don’t know that that is not normal. It is not a woman’s lot to suffer, even if we’ve been raised that way. It is not OK to miss a part of your life because of pain and excessive bleeding. It is not OK to be bed-ridden for two-to-three days a month. It is not OK to pain during sex. It is not OK to have major bloating or nausea." (Address, 2011 Endometriosis Foundation of America Blossom Ball)
Susan Sarandon
Unicorns are man-eating monsters. They don't have wings, they aren't lavender or sparkly, and you could never catch one to ride without its goring you through the sternum. And even if it somehow managed to miss your major arteries-and it never misses-you'd still die from the deadly poison in its horn.
Diana Peterfreund
The worst part of being okay is that okay is far from happy. Okay is that gray space in the middle where you can wake up each day and carry on with your life, even laugh and smile often, but okay isn’t joy. Okay isn’t looking forward to each second of your day, and okay isn’t getting the most out of life. Being okay is what most people settle for, myself included, and we pretend that okay is fine, when we actually hate it, and we spend the majority of our time waiting to break out of just being okay. He gave me a taste of how great life can be outside of okay, and I’ve missed it ever since. I’ve been okay for a long time, and I’m not sure how to get out of it now, but I hope for the day that I can say I’m great instead of I’m okay.
Anna Todd (After Ever Happy (After, #4))
If you’re only sceptical, then no new ideas make it through to you. You never learn anything. You become a crochety misanthrope convinced that nonsense is ruling the world. (There is, of course, much data to support you.) Since major discoveries in the borderlines of science are rare, experience will tend to confirm your grumpiness. But every now and then a new idea turns out to be on the mark, valid and wonderful. If you’re too resolutely and uncompromisingly sceptical, you’re going to miss (or resent) the transforming discoveries in science, and either way you will be obstructing understanding and progress. Mere scepticism is not enough.
Carl Sagan (The Demon-Haunted World: Science as a Candle in the Dark)
I wanted Ole Miss to feel special, but mostly I felt that the Ole Miss crowd looked at me like I was just white trash from a town full of trailers.… All was not lost. I saw the movie All The President’s Men, mostly because Robert Redford was the star. The fast-paced world of the Washington Post…captivated me. Sitting in a dark theater that afternoon, I fell in love with the idea of becoming a reporter. That was the movie that clinched my plan to major in journalism and political science…. I'd started Ole Miss as a Lady Rebel but left more rebellious than ladylike.
Karen Hinton (Penis Politics: A Memoir of Women, Men and Power)
Oxytocin, a hormone and neuropeptide ... plays a major role in attachment processes and serves several purposes: It causes women to go into labor, strengthens attachment, and ... [increases] trust and cooperation. We get a boost of oxytocin in our brain during orgasm and even when we cuddle -- which is why it's been tagged the "cuddle hormone." How is oxytocin related to conflict reduction? Sometimes we spend less quality time with our partner -- especially when other demands on us are pressing. However, neuroscience findings suggest that we should change our priorities. By forgoing closeness with our partners, we are also missing our oxytocin boost -- making us less agreeable to the world around us and more vulnerable to conflict.
Amir Levine (Attached: The New Science of Adult Attachment and How It Can Help You Find—and Keep—Love)
I miss being a student," said Abdul Wahid. "I miss the passionate discussions with my friends, and most of all the hours among the books.
Helen Simonson (Major Pettigrew's Last Stand)
Gerald Ford once said that an impeachable offense is whatever a majority of the House of Representatives says it is.
Bill Clinton (The President Is Missing)
One of the major mistakes people make is that they think manners are only the expression of happy ideas. There’s a whole range of behavior that can be expressed in a mannerly way. That’s what civilization is all about—doing it in a mannerly and not an antagonistic way. One of the places we went wrong was the naturalistic Rousseauean movement of the Sixties in which people said, “Why can’t you just say what’s on your mind?” In civilization there have to be some restraints. If we followed every impulse, we’d be killing one another. Miss Manners (Judith Martin)
Bret Easton Ellis (American Psycho (Vintage Contemporaries))
I missed the anonymity-the ability to run to the market without running into my third-grade teacher. I missed the nightlife-the knowledge that if I wanted to, there was always an occasion to get dressed up and head out for dinner and drinks. I missed the restaurants-the Asian, the Thai, the Italian the Indian. I was already tired of mashed potatoes and canned green beans. I missed the culture- the security that comes from being on the touring schedule of the major Broadway musicals. I missed the shopping-the funky boutiques, the eclectic shops, the browsing. I missed the city.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Be where you are; otherwise you will miss your life.
Cesca Major (Maybe Next Time)
Our lives were a complex tapestry, and our woven strands were only meant to intersect at a small number of points in the time-conceived whole. An embroidered starburst, a missed warp, a complicated notion on the loom of time. We were always together, but meant to live our majorities apart, two golden threads wandering through a haunted textile life.
Courtney M. Privett (Mayfly Requiem (The Malora Octet, #1))
No offense Dorian. Oh, what the hell, take all the offense you want, it's not like I give a shit." -then, to Ravyn- "I miss the days before you crossed over to the dark side. Back when you sat on the Omegrion, Rave. You were actually highly entertaining. Dorian, on the other hand, has a major stick up his ass." -Savitar
Sherrilyn Kenyon
He had had a lonely life and a lonely death. But it had been the kind of loneliness that spends itself in living amongst people, and in passing the time that way not unpleasantly. Major Palgrave might have been a lonely man, he had also been quite a cheerful one.
Agatha Christie (A Caribbean Mystery (Miss Marple, #10))
As his arms went around her, she wondered how much of the human race understood about hugging- how good it was, and how a person could want to do it for hours on end. She supposed some did understand, but doubted that they were in the majority. To fully understand about hugging, maybe you had to have missed a lot of it.
Stephen King (Rose Madder)
Rather than be encouraged to learn about ourselves and our interests, we are more often taught how to make decisions about what to do with our lives as early as possible so we won't waste time achieving our goals. Pick an academic major, choose a career, and start a family. Whether our interests are squelched isn't important. What's important is to "make something of yourself," "be able to support yourself," and "realize that life is more than just having fun.
Todd Kashdan (Curious?: Discover the Missing Ingredient to a Fulfilling Life)
We can therefore express the major elements in the New Atheists’ agenda as follows: Religion is a dangerous delusion: it leads to violence and war. We must therefore get rid of religion: science will achieve that. We do not need God to be good: atheism can provide a perfectly adequate base for ethics.
John C. Lennox (Gunning for God: Why the New Atheists are missing the target)
The majority of women in Welmont with children Charlie's age never miss a soccer game and don't earn special good mother status for being there. This is simply what good mothers do. These same mothers herald it an exceptional event if any of the dads leave the office early to catch a game. The fathers cheering on the sidelines are upheld as great dads. Fathers who miss the games are working. Mothers who miss the games, like me, are bad mothers.
Lisa Genova (Left Neglected)
Those who have not lived in New Orleans have missed an incredible, glorious, vital city--a place with an energy unlike anywhere else in the world, a majority-African American city where resistance to white supremacy has cultivated and supported a generous, subversive, and unique culture of vivid beauty. From jazz, blues, and and hip-hop to secondlines, Mardi Gras Indians, jazz funerals, and the citywide tradition of red beans and rice on Monday nights, New Orleans is a place of art and music and food and traditions and sexuality and liberation.
Jordan Flaherty (Floodlines: Community and Resistance from Katrina to the Jena Six)
He knew very well that the great majority of human conversation is meaningless. A man can get through most of his days on stock answers to stock questions, he thought. Once he catches onto the game, he can manage with an assortment of grunts. This would not be so if people listened to each other, but they don't. They know that no one is going to say anything moving and important to them at that very moment. Anything important will be announced in the newspapers and reprinted for those who missed it. No one really wants to know how his neighbor is feeling, but he asks him anyway, because it is polite, and because he knows that his neighbor certainly will not tell him how he feels. What this woman and I say to each other is not important. It is the simple making of sounds that pleases us.
Peter S. Beagle (A Fine and Private Place)
Whenever something scary happens or I want to comment on something, like Joyce and Hopper’s constant bickering, which is getting annoying, I glance toward Adam’s side of the couch. And each and every time I do, the pain of his absence pierces my chest. That’s the thing about losing someone: there’s one major death followed by a million little deaths.
Alexandra Latos (Under Shifting Stars)
Betsy accepted that and moved on without missing a beat. "How are you getting along with your teammates?" "I'm pretty sure the majority of them are clinically insane.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
It is not easy to hurl snowballs while holding on to a plastic bag of groceries, so my first few efforts were subpar, missing their mark. The nine maybe ten nine-maybe-ten-year-olds ridiculed me - if I turned to aim at one, four others outflanked me and shot from the sides and the back. I was, in the parlance of an ancient day, cruising for a bruising, and while a more disdainful teenager would have walked away, and a more aggressive teenager wouls have dropped the bag and kicked some major preteen ass, I kept fighting snowball with snowball, laughing as if Boomer and I were playing a school yard game, flinging my orbs with abandon.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
So will your father object to me? Because I'm not American? I mean, not fully American? He's not one of those mad, patriotic nuts,is he?" "No.He'll love you,because you make me happy.He's not always so bad." St. Clair raises his dark eyebrows. "I know! But I said not always. He still is the majority of the time.It's just...he means well. He thought he was doing good,sending me here." "And was it? Good?" "Look at you,fishing for compliments." "I wouldn't object to a compliment." I play with a strand of his hair. "I like how you pronounce 'banana.' Ba-nah-na. And sometimes you trill your r's. I love that." "Brilliant," he whispers in my ear. "Because I've spent loads of time practicing." My room is dark,and Etienne wraps his arms back around me.We listen to the opera singer in a peaceful silence.I'm surprised by how much I'll miss France. Atlanta was home for almost eighteen years,and though I've only know Paris for the last nine months,it's changed me.I have a new city to learn next year,but I'm not scared. Because I was right.For the two of us, home isn't a place.It's a person. And we're finally home.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Last spring I talked here, and one of the girls asked me, “Miss O’Connor, why do you write?” and I said, “Because I’m good at it,” and at once I felt a considerable disapproval in the atmosphere. I felt that this was not thought by the majority to be a high-minded answer; but it was the only answer I could give. I had not been asked why I write the way I do, but why I write at all; and to that question there is only one legitimate answer. There is no excuse for anyone to write fiction for public consumption unless he has been called to do so by the presence of a gift. It is the nature of fiction not to be good for much unless it is good in itself.
Flannery O'Connor (Mystery and Manners: Occasional Prose (FSG Classics))
This historical scepticism is healthy. But it misses the bigger point: that whatever the view of Suetonius and other ancient writers, the qualities and characters of the individual emperors did not matter very much to most inhabitants of the empire, or to the essential structure of Roman history and its major developments.
Mary Beard (SPQR: A History of Ancient Rome)
My ducks and I hiked up to see a waterfall today, but when we got there it was Closed For Repairs. I think they had to order a missing part off of Amazon. Probably the flowing H2O, which is a major component of a waterfall.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
It would be easy, however, to exaggerate the havoc wrought by such artificial conditions. The monotony we observe in mankind must not be charged to the oppressive influence of circumstances crushing the individual soul. It is not society's fault that most men seem to miss their vocation. Most men have no vocation; and society, in imposing on them some chance language, some chance religion, and some chance career, first plants an ideal in their bosoms and insinuates into them a sort of racial or professional soul. Their only character is composed of the habits they have been led to acquire. Some little propensities betrayed in childhood may very probably survive; one man may prove by his dying words that he was congenitally witty, another tender, another brave.But these native qualities will simply have added an ineffectual tint to some typical existence or other; and the vast majority will remain, as Schopenhauer said, Fabrikwaaren der Natur.
George Santayana (The Life of Reason: Five Volumes in One)
We call it ‘back home’ knowing full well that the majority of us may never go back. That we may spend but a handful of weeks in the tropic heat and relentless traffic, tolerating family members we may have convinced ourselves to have missed, but very few will submit to that final pull to return. We know our land, our soil as back home, but for many of us it is only the home we left back, the one we left so far behind to be thrust into a lifelong search of another, of another, of another.
Naveed Khan
Daily, she went over the story, ramming it through the turnstile in her mind, making sure she hadn’t missed anything major. She did not want to be caught off guard if she was ever questioned. She had to have thought of everything. And what of those things she could not anticipate? She’d simply answer, “I don’t know. I have no knowledge of that. Someone else might be able to tell you.
Jonathan Epps (Until Morning Comes (The American Wrath Trilogy))
Perhaps I can make you understand. Let’s start from the beginning. A man is hired to give advice to the readers of a newspaper. The job is a circulation stunt and the whole staff considers it a joke. He welcomes the job, for it might lead to a gossip column, and anyway he’s tired of being a leg man. He too considers the job a joke, but after several months at it, the joke begins to escape him. He sees that the majority of the letters are profoundly humble pleas for moral and spiritual advice, and they are inarticulate expressions of genuine suffering. He also discovers that his correspondents take him seriously. For the first time in his life, he is forced to examine the values by which he lives. This examination shows him that he is the victim of the joke and not its perpetrator.
Nathanael West (Miss Lonelyhearts / A Cool Million)
You are doing something great with your life—when you are doing all the small things with His great love. You are changing the world—when you are changing one person’s world. You aren’t missing your best life—when you aren’t missing opportunities to love like Christ.
Katie Davis Majors (Daring to Hope: Finding God's Goodness in the Broken and the Beautiful)
Despite his attempts to maintain a vigorous structure of errands, golf games, visits, and meetings, there were sometimes days like this one, filled with rain and touched with a gnawing sense of parts missing from life. When the slick mud ran in the flower beds and the clouds smothered the light, he missed his wife.
Helen Simonson (Major Pettigrew's Last Stand)
Why is it that of every hundred gifted young musicians who study at Juilliard or every hundred brilliant young scientists who go to work in major labs under illustrious mentors, only a handful will write memorable musical compositions or make scientific discoveries of major importance? Are the majority, despite their gifts, lacking in some further creative spark? Are they missing characteristics other than creativity that may be essential for creative achievement—such as boldness, confidence, independence of mind? It takes a special energy, over and above one’s creative potential, a special audacity or subversiveness, to strike out in a new direction once one is settled. It is a gamble as all creative projects must be, for the new direction may not turn out to be productive at all. Creativity involves not only years of conscious preparation and training but unconscious preparation as well. This incubation period is essential to allow the subconscious assimilation and incorporation of one’s influences and sources, to reorganize and synthesize them into something of one’s own. In Wagner’s overture to Rienzi, one can almost trace this emergence. There are echoes, imitations, paraphrases, pastiches of Rossini, Meyerbeer, Schumann, and others—all the musical influences of his apprenticeship. And then, suddenly, astoundingly, one hears Wagner’s own voice: powerful, extraordinary (though, to my mind, horrible), a voice of genius, without precedent or antecedent. The essential element in these realms of retaining and appropriating versus assimilating and incorporating is one of depth, of meaning, of active and personal involvement.
Oliver Sacks (The River of Consciousness)
Congenital disease can warp the heart with great variety. Valves can be sealed tight, missing parts—or absent altogether. Major vessels can be misplaced, narrowed, or blocked completely. A chamber can be too small or missing, a wall too thick or thin. The heart’s electrical system—its nerves—may go haywire. The muscle can be weak. Holes may occur almost anywhere, in almost any size. Studying heart pathology, one is reminded that the genetic symphony that produces a normal baby is indeed a wondrous and delicate one.
G. Wayne Miller (King of Hearts: The True Story of the Maverick Who Pioneered Open Heart Surgery)
All the other books miss the key outcome: in return for our leaving Canada alone, Great Britain gave up its alliances with American Indian nations in what would become the United States. Without war materiel and other aid from European allies, future Indian wars were transformed from major international conflicts to domestic mopping-up operations. This result was central to the course of Indian-U.S. relations for the remainder of the century. Thus Indian wars after 1815, while they cost thousands of lives on both sides, would never again amount to a serious threat to the United States.86 Although Native Americans won many battles in subsequent wars, there was never the slightest doubt over who would win in the end.
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
Modern researchers have identified one or more major mood disorders in John Quincy Adams, Charles Darwin, Emily Dickinson, Benjamin Disraeli, William James, William Tecumseh Sherman, Robert Schumann, Leo Tolstoy, Queen Victoria, and many others. We may accurately call these luminaries “mentally ill,” a label that has some use—as did our early diagnosis of Lincoln—insofar as it indicates the depth, severity, and quality of their trouble. However, if we get stuck on the label, we may miss the core fascination, which is how illness can coexist with marvelous well-being. In
Joshua Wolf Shenk (Lincoln's Melancholy: How Depression Challenged a President and Fueled His Greatness)
Sure, some movies don’t work. Some fail in their intent. But anyone who says they hated a movie is treating a voluntarily shared human experience like a bad Red-Eye out of LAX. The departure is delayed for hours, there’s turbulence that scares even the flight attendants, the guy across from you vomits, they can’t serve any food and the booze runs out, you’re seated next to twin babies with the colic, and you land too late for your meeting in the city. You can hate that. But hating a movie misses the damn point. Would you say you hated the seventh birthday party of your girlfriend’s niece or a ball game that went eleven innings and ended 1–0? You hate cake and extra baseball for your money? Hate should be saved for fascism and steamed broccoli that’s gone cold.
Tom Hanks (The Making of Another Major Motion Picture Masterpiece)
In most people's minds, fossils and Evolution go hand in hand. In reality, fossils are a great embarrassment to Evolutionary theory and offer strong support for the concept of Creation. If Evolution were true, we should find literally millions of fossils that show how one kind of life slowly and gradually changed to another kind of life. But missing links are the trade secret, in a sense, of paleontology. The point is, the links are still missing. What we really find are gaps that sharpen up the boundaries between kinds. It's those gaps which provide us with the evidence of Creation of separate kinds. As a matter of fact, there are gaps between each of the major kinds of plants and animals. Transition forms are missing by the millions. What we do find are separate and complex kinds, pointing to Creation.
Gary Parker
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
Christopher Hitchens (Hitch 22: A Memoir)
Like the rest of Holy Week, Easter is also a terrific story. It starts as tragedy: the hero broken and bloody, against all expectation dead, his followers' joyful hope in him entombed with his corpse, the rock rolled into place, sealing their despair. But the curtain doesn't fall there. The next morning at dawn they discover the rock has been rolled back. The tomb is empty, the body's gone! A missing corpse? Great stuff. A whisper of comedy. Now a touch of farce as Mary Magdalen and the guys chase frantically around looking for help, or the corpse, when suddenly, out of nowhere, up it pops—alive! Of course it's Jesus, who's done the impossible and beaten death. And they're so amazed they think he's the gardener! It's a payoff way beyond the Hollywood ending: all the flooding emotion and uplift of a tragedy followed by all the bubbling joy and optimism of a comedy. Is that possible? Not just to live happily ever after but to die—and still live happily ever after? It's the most audacious claim of Christianity, the one element that marks the brand indelibly, that trumps the claims of all other major faiths.
Tony Hendra (Father Joe: The Man Who Saved My Soul)
The freedom that will be used by only one man in a million may be more important to society and more beneficial to the majority than any freedom that we all use.14 It might even be said that the less likely the opportunity to make use of freedom to do a particular thing, the more precious it will be for society as a whole. The less likely the opportunity, the more serious will it be to miss it when it arises, for the experience that it offers will be nearly unique. It is
Friedrich A. Hayek (The Constitution of Liberty)
This easy obedience to tyrants, which often verged on devotion, always surprised him. He had come to believe that the majority of human beings aspired only to slavery. He had long wondered by what ruse this enormous enterprise of mystification orchestrated by the wealthy had been able to spread and prosper on every continent. Karamallah belonged to that category of true aristocrats who had tossed out like old soiled clothes all the values and all the dogma that these infamous individuals had generated over centuries in order to perpetuate their supremacy. And so his joy in being alive was in no way altered by these stinking dogs' enduring power on the planet. On the contrary, he found their stupid and criminal acts to be an inexhaustible source of entertainment -- so much so that there were times when he had to admit he would miss this mob were they to disappear; he feared the aura of boredom that would envelop mankind once purged of its vermin.
Albert Cossery (The Colors of Infamy (New Directions Paperbook))
I’ve been in your skin,” he taunted. “I know you inside and out. There’s nothing there. Do us all a favor and die so we can start working on another plan and quit thinking maybe you’ll grow the fuck up and be capable of something.” Okay, enough! “You don’t know me inside and out,” I snarled. “You may have gotten in my skin, but you have never gotten inside my heart. Go ahead, Barrons, make me slice and dice myself. Go ahead, play games with me. Push me around. Lie to me. Bully me. Be your usual constant jackass self. Stalk around all broody and pissy and secretive, but you’re wrong about me. There’s something inside me you’d better be afraid of. And you can’t touch my soul. You will never touch my soul!” I raised my hand, drew back the knife, and let it fly. It sliced through the air, straight for his head. He avoided it with preternatural grace, a mere whisper of a movement, precisely and only as much as was required to not get hit. The hilt vibrated in the wood of the ornate mantel next to his head. “So, fuck you, Jericho Barrons, and not the way you like it. Fuck you—as in, you can’t touch me. Nobody can.” I kicked the table at him. It crashed into his shins. I picked up a lamp from the end table. Flung it straight at his head. He ducked again. I grabbed a book. It thumped off his chest. He laughed, dark eyes glittering with exhilaration. I launched myself at him, slammed a fist into his face. I heard a satisfying crunch and felt something in his nose give. He didn’t try to hit me back or push me away. Merely wrapped his arms around me and crushed me tight to his body, trapping my arms against his chest. Then, when I thought he might just squeeze me to death, he dropped his head forward, into the hollow where my shoulder met my neck. “Do you miss fucking me, Ms. Lane?” he purred against my ear. Voice resonated in my skull, pressuring a reply. I was tall and strong and proud inside myself. Nobody owned me. I didn’t have to answer any questions I didn’t want to, ever again. “Wouldn’t you just love to know?” I purred back. “You want more of me, don’t you, Barrons? I got under your skin deep. I hope you got addicted to me. I was a wild one, wasn’t I? I bet you never had sex like that in your entire existence, huh, O Ancient One? I bet I rocked your perfectly disciplined little world. I hope wanting me hurts like hell!” His hands were suddenly cruelly tight on my waist. “There’s only one question that matters, Ms. Lane, and it’s the one you never get around to asking. People are capable of varying degrees of truth. The majority spend their entire lives fabricating an elaborate skein of lies, immersing themselves in the faith of bad faith, doing whatever it takes to feel safe. The person who truly lives has precious few moments of safety, learns to thrive in any kind of storm. It’s the truth you can stare down stone-cold that makes you what you are. Weak or strong. Live or die. Prove yourself. How much truth can you take, Ms. Lane?” Dreamfever
Karen Marie Moning
The car came opposite her, and she curtsied so low that recovery was impossible, and she sat down in the road. Her parasol flew out of her hand and out of her parasol flew the Union Jack. She saw a young man looking out of the window, dressed in khaki, grinning broadly, but not, so she thought, graciously, and it suddenly struck her that there was something, beside her own part in the affair, which was not as it should be. As he put his head in again there was loud laughter from the inside of the car. Mr. Wootten helped her up and the entire assembly of her friends crowded round her, hoping she was not hurt. "No, dear Major, dear Padre, not at all, thanks," she said. "So stupid: my ankle turned. Oh, yes, the Union Jack I bought for my nephew, it's his birthday to-morrow. Thank you. I just came to see about my coke: of course I thought the Prince had arrived when you all went down to meet the 4.15. Fancy my running straight into it all! How well he looked." This was all rather lame, and Miss Mapp hailed Mrs. Poppit's appearance from the station as a welcome diversion. . . . Mrs. Poppit was looking vexed.
E.F. Benson (Miss Mapp (Lucia, #2))
If a woman is to give her child what he will need throughout his life, it is absolutely fundamental that she not be separated from her newborn, for the hormones that foster and nourish her motherly instinct are released immediately after birth and continue in the following days and weeks as she grows more familiar with her baby When a newborn is separated from his mother—which was the rule not so long ago in maternity hospitals and still occurs in the majority of cases, out of ignorance and for the sake of convenience—then a great opportunity is missed for both mother and child.
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
Nobody owes me anything; but if you’ll lend me five shillings!” said Grace, in her agony. Miss Prettyman, as she made her way through this difficulty, thought of Major Grantly and his love. It would have been of no use, she knew. Had she brought them together on that Monday, Grace would have said nothing to him. Indeed such a meeting at such a time would have been improper. But, regarding Major Grantly, as she did, in the light of a millionaire, — for the wealth of the archdeacon was notorious, — she could not but think it a pity that poor Grace should be begging for five shillings.
Anthony Trollope (Complete Works of Anthony Trollope)
She looked at him and he read in her eyes a disappointment that he should have stooped to the dead relative excuse. Yet he was as entitled as the next man to use it. People did it all the time; it was understood that there was a defined window of availability beginning a decent few days after a funeral and continuing for no more than a couple of months. Of course, some people took dreadful advantage and a year later were still hauling around their dead relatives on their backs, showing them off to explain late tax payments and missed dentist appointments: something he would never do.
Helen Simonson (Major Pettigrew's Last Stand)
most people don’t know what Pride is about. The anguish, and the hurt, and the reason why Pride started in the first place—it was an anti-cop event. Look, yes—I know there are trans police officers. You have Black people who are police officers, and women police officers. All that’s cute, but guess what: It’s blue first, your other allegiances second. Once you get on that blue, child, it goes straight through to your brain, dyes your brain blue, and you’re no longer whoever the fuck you were before. So no, they don’t need to be there. That’s where their loyalty lies. So stay the fuck away from me.
Toshio Meronek (Miss Major Speaks: Conversations with a Black Trans Revolutionary)
Above all, as a Hindu I belong to the only major religion in the world that does not claim to be the only true religion. I find it immensely congenial to be able to face my fellow human beings of other faiths without being burdened by the conviction that I am embarked upon a “true path” that they have missed.
Shashi Tharoor (Riot)
These stories have a dark side. Outsiders and eccentrics are regarded with suspicion, tortured, even killed. The major theme that emerges is of families diminished by conflict; almost a generation of adult males appears to be missing. Their absence is balanced by a number of strong female presences. This also reflects the dominance of women in the Acehnese household. Azhari is a master of suspense. He wastes no words; his narration is sparse. The overall atmosphere of the stories in Nutmeg Woman is tense and anxious. If there is a message, it is a plea for peace and tolerance and an end to bloodshed and oppression.
Heather Curnow (Nutmeg Woman)
Quite as agreeable was the arrival of a fresh supply of red-currant fool, and as this had been heralded a few minutes before by a loud pop from the butler's pantry, which looked on to the lawn, Miss Mapp began to waver in her belief that there was no champagne in it, particularly as it would not have suited the theory by which she accounted for the Major's unwonted good humour, and her suggestion that the pop they had all heard so clearly was the opening of a bottle of stone ginger-beer was not delivered with conviction. To make sure, however, she took one more sip of the new supply, and, irradiated with smiles, made a great concession. "I believe I was wrong," she said. "There is something in it beyond yolk of egg and cream. Oh, there's Boon; he will tell us." She made a seductive face at Boon, and beckoned to him. "Boon, will you think it very inquisitive of me," she asked archly, "if I ask you whether you have put a teeny drop of champagne into this delicious red-currant fool?" "A bottle and a half, Miss," said Boon morosely, "and half a pint of old brandy. Will you have some more, Miss?" Miss Mapp curbed her indignation at this vulgar squandering of precious liquids, so characteristic of Poppits. She gave a shrill little laugh.
E.F. Benson (Miss Mapp (Lucia, #2))
Miss Bingley, you address me with words of contempt, yet have I not already accomplished what you most desire? Despite my background in trade being the same as yours, I attracted and married a gentleman landowner well before I reached my majority. Not only are you unwed at an age far beyond what I was, but it is apparent that there is no one in pursuit of your hand since we have seen no suitors since you arrived in Hertfordshire. On the other hand, my daughters are universally known to be kind-hearted. They know better than to utter callous, spiteful, malicious, or ruthless comments against anyone, but most especially a guest.
J. Dawn King (Windswept: A Pride & Prejudice Variation (The Misadventures of Darcy & Elizabeth))
Plane Ride - In our sport it is natural and necessary to set up goals to inspire us. We all want to achieve the next level, the break-thru performance. What we (all of us) must not forget is that the journey to these goals is the best part. The daily process of obtaining success takes up the majority of our time and effort throughout our lives. Remember to appreciate what you’ve done in the past and what you are doing in the present on your way to higher goals. This will allow you to always strive for something more without missing out on the fact that your path to success is as much a starting point as it is a finish line.
Matthew Alan
I briefly considered giving the Myerson kids the same lecture I’d given the other first graders on the playground: Unicorns are man-eating monsters. They don’t have wings, they aren’t lavender or sparkly, and you could never catch one to ride without its goring you through the sternum. And even if it somehow managed to miss your major arteries—and it never missed—you’d still die from the deadly poison in its horn. But don’t worry. My great-great-great-great-great-great-aunt Clothilde killed the last one a hundred and fifty years ago. Except now I guessed it would be more like a hundred and sixty. How time doth fly in a unicorn-free world.
Diana Peterfreund (Rampant (Killer Unicorns, #1))
The truth of mimetic theory is unacceptable to the majority of human beings, because it involves Christ. The Christian cannot help but think about the world as it is, and see its extreme fragility. I think that religious faith is the only way to live with this fragility. Otherwise all we're left with is Pascalian diversion and the negation of reality. I've gotten interested in Pascal again, by the way. His notion of diversion, or distraction, is so powerful! But it's clear there was something missing in his life: he never had any trouble getting along with people. And even though his youthful brilliance aroused jealousy, he never experienced rivalry, even in science. As a scientist, he understood the importance of diversion, of distraction. But he never knew rivalry in love, as Shakespeare and Cervantes did, for example; he had no way of seeing, as Racine did, the negation of desire in the very functioning of desire. Bizarrely, this is characteristic of the great French authors of the Renaissance.
René Girard (The One by Whom Scandal Comes)
Experts in diagnostic errors provided an answer to the puzzle that had been nagging me: How was it possible for missed diagnoses to be so common and yet not perceived by doctors as a major problem? The problem is that physicians, while generally aware that mistakes happen, greatly underestimate how often they make them. In his talks to doctors on the topic, Graber often asks how many have made a diagnostic error in the past year; typically, only about 1 percent of the hands go up. 'The concept that they, personally, could err at a significant rate is inconceivable to most physicians,' he writes. In short, they think it's the other guy. This overconfidence is not necessarily their fault: doctors simply do not get the feedback needed to gain an accurate sense of their batting average. They assume their diagnoses are correct until they hear otherwise. Since there are few, if any, health care organizations that systematically measure diagnostic error rates, they typically learn of their mistakes only from the patients themselves.
Maya Dusenbery (Doing Harm: The Truth About How Bad Medicine and Lazy Science Leave Women Dismissed, Misdiagnosed, and Sick)
Of the hundreds of answers, most had one thing in common: the majority of regrets were about failures to act, not actions that failed. Psychologists have found that over time we usually regret the chances we missed, not the chances we took. As my mom often told me when I was growing up, “You regret the things you don’t do, not the things you do.
Sheryl Sandberg (Option B)
He sees that the majority of letters are profoundly humble pleas fpr moral and spiritual advixe, that they are inarticulate expressions of genuine suffering. He also discovers that his correspondents take him seriously. For the first time in his life, he is forced to examine the values by which he lives. This examinatin shows him that he is the victim of the joke and not the perpetator.
Nathanael West (Miss Lonelyhearts)
Perhaps I can make you understand. Let’s start from the beginning. A man is hired to give advice to the readers of a newspaper. The job is a circulation stunt and the whole staff considers it a joke. He welcomes the job, for it might lead to a gossip column, and anyway he’s tired of being a leg man. He too considers the job a joke, but after several months at it, the joke begins to escape him. He sees that the majority of the letters are profoundly humble pleas for moral and spiritual advice, that they are inarticulate expressions of genuine suffering. He also discovers that his correspondents take him seriously. For the first time in his life, he is forced to examine the values by which he lives. This examination shows him that he is the victim of the joke and not its perpetrator.
Nathanael West (Miss Lonelyhearts & The Day of the Locust)
The wars around the globe into which religion is woven -- violence that over the past two decades has sent many tens of thousands of men, women, and children to terrible deaths in the Balkans, Iraq, Afghanistan, Indonesia, India, Israel, the Palestinian territories, and the United States -- deeply threaten what we have of a human society. Denouncing religion itself is futile. And such simple reactions badly miss the point. It is among the religious believers that the work must be done, within that overwhelming majority who would find common ground in being human and not wanting destruction, if only because their traditions are about so much more. Those traditions contain life-giving possibilities, even if the worst demagogues would try to twist dogma so hard as to wring poison from it.
Gustav Niebuhr (Beyond Tolerance: Searching for Interfaith Understanding in America)
What is it,” Maestra had asked quite rhetorically, “that separates human beings from the so-called lower animals? Well, as I see it, it’s exactly one half-dozen significant things: Humor, Imagination, Eroticism—as opposed to the mindless, instinctive mating of glowworms or raccoons—Spirituality, Rebelliousness, and Aesthetics, an appreciation of beauty for its own sake. “Now,” she’d gone on to say, “since those are the features that define a human being, it follows that the extent to which someone is lacking in those qualities is the extent to which he or she is less than human. Capisce? And in those cases where the defining qualities are virtually nonexistent, well, what we have are entities that are north of the animal kingdom but south of humanity, they fall somewhere in between, they’re our missing links.” In his grandmother’s opinion, the missing link of scientific lore was neither extinct nor rare. “There’re more of them, in fact, than there are of us, and since they actually seem to be multiplying, Darwin’s theory of evolution is obviously wrong.” Maestra’s stand was that missing links ought to be treated as the equal of full human beings in the eyes of the law, that they should not suffer discrimination in any usual sense, but that their writings and utterances should be generally disregarded and that they should never, ever be placed in positions of authority. “That could be problematic,” Switters had said, straining, at the age of twenty, to absorb this rant, “because only people who, you know, lack those six qualities seem to ever run for any sort of office.” Maestra thoroughly agreed, although she was undecided whether it was because full-fledged humans simply had more interesting things to do with their lives than marinate them in the torpid waters of the public trough or if it was because only missing links, in the reassuring blandness of their banality, could expect to attract the votes of a missing link majority. In any event, of the six qualities that distinguished the human from the subhuman, both grandmother and grandson agreed that Imagination and Humor were probably the most crucial.
Tom Robbins (Fierce Invalids Home from Hot Climates)
Miss Mapp had experienced a cruel disappointment last night, though the triumph of this morning had done something to soothe it, for Major Benjy's window had certainly been lit up to a very late hour, and so it was clear that he had not been able, twice in succession, to tear himself away from his diaries, or whatever else detained him, and go to bed at a proper time. Captain Puffin, however, had not sat up late; indeed he must have gone to bed quite unusually early, for his window was dark by half-past nine. To-night, again the position was reversed, and it seemed that Major Benjy was "good" and Captain Puffin was "bad". On the whole, then, there was cause for thankfulness, and as she added a tin of biscuits and two jars of Bovril to her prudent stores, she found herself a conscious sceptic about those Roman roads. Diaries (perhaps) were a little different, for egoism was a more potent force than archæology, and for her part she now definitely believed that Roman roads spelt some form of drink. She was sorry to believe it, but it was her duty to believe something of the kind, and she really did not know what else to believe. She did not go so far as mentally to accuse him of drunkenness, but considering the way he absorbed red-currant fool, it was clear that he was no foe to alcohol and probably watered the Roman roads with it.
E.F. Benson (Miss Mapp (Lucia, #2))
The same tools that enable doctors to quickly identify and cure new illnesses may also enable armies and terrorists to engineer even more terrible diseases and doomsday pathogens. It is therefore likely that major epidemics will continue to endanger humankind in the future only if humankind itself creates them, in the service of some ruthless ideology. The era when humankind stood helpless before natural epidemics is probably over. But we may come to miss it. Breaking
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
Will Smith > Quotes > Quotable Quote “The only thing that I see that is distinctly different about me is I'm not afraid to die on a treadmill. I will not be out-worked, period. You might have more talent than me, you might be smarter than me, you might be sexier than me, you might be all of those things you got it on me in nine categories. But if we get on the treadmill together, there's two things: You're getting off first, or I'm going to die. It's really that simple, right? You're not going to out-work me. It's such a simple, basic concept. The guy who is willing to hustle the most is going to be the guy that just gets that loose ball. The majority of people who aren't getting the places they want or aren't achieving the things that they want in this business is strictly based on hustle. It's strictly based on being out-worked; it's strictly based on missing crucial opportunities. I say all the time if you stay ready, you ain't gotta get ready.
Will Smith
The problem is most people don’t really think prayer makes a difference in how God acts. The majority of us are fatalistic when it comes to prayer. Lots of people honestly believe that what’s going to happen is going to happen, with or without prayer. That kind of a twisted, lazy theology is what sucks the life out of people’s prayers.[13] Are you saying my prayers really make a difference in what God does or does not do? Yes. Do not miss that. Many Jesus followers do. What I’m saying is really important. Prayer changes reality. Prayer moves the hand of God. Dallas Willard writes: “God’s response to our prayers is not a charade. He does not pretend that he is answering our prayer when he is only doing what he was going to do anyway. Our requests really do make a difference in what God does or does not do. The idea that everything would happen exactly as it does regardless of whether we pray or not is a specter that haunts the minds of many who sincerely profess belief in God. It makes prayer psychologically impossible, replacing it with dead ritual at best…of course this is not the biblical idea of prayer, nor is it the idea of people for whom prayer is a vital part of life.”[14] When you pray, things happen. And the reverse is also true. When you don’t pray, things don’t happen. It is written, “You have not because you ask not.” Do you know what that really means? You have not because you ask not![15] What a novel idea. I repeat: Prayer changes reality. Prayer moves the hand of God.
John Mark Comer (My Name is Hope: Anxiety, depression, and life after melancholy)
Even without world wars, revolutions and emigration, siblings growing up in the same home almost never share the same environment. More accurately, brothers and sisters share some environments — usually the less important ones — but they rarely share the one single environment that has the most powerful impact on personality formation. They may live in the same house, eat the same kinds of food, partake in many of the same activities. These are environments of secondary importance. Of all environments, the one that most profoundly shapes the human personality is the invisible one: the emotional atmosphere in which the child lives during the critical early years of brain development. The invisible environment has little to do with parenting philosophies or parenting style. It is a matter of intangibles, foremost among them being the parents’ relationship with each other and their emotional balance as individuals. These, too, can vary significantly from the birth of one child to the arrival of another. Psychological tension in the parents’ lives during the child’s infancy is, I am convinced, a major and universal influence on the subsequent emergence of ADD. A hidden factor of great importance is a parent’s unconscious attitude toward a child: what, or whom, on the deepest level, the child represents for the parents; the degree to which the parents see themselves in the child; the needs parents may have that they subliminally hope the child will meet. For the infant there exists no abstract, “out-there” reality. The emotional milieu with which we surround the child is the world as he experiences it. In the words of the child psychiatrist and researcher Margaret Mahler, for the newborn, the parent is “the principal representative of the world.” To the infant and toddler, the world reveals itself in the image of the parent: in eye contact, intensity of glance, body language, tone of voice and, above all, in the day-today joy or emotional fatigue exhibited in the presence of the child. Whatever a parent’s intention, these are the means by which the child receives his or her most formative communications. Although they will be of paramount importance for development of the child’s personality, these subtle and often unconscious influences will be missed on psychological questionnaires or observations of parents in clinical settings. There is no way to measure a softening or an edge of anxiety in the voice, the warmth of a smile or the depth of furrows on a brow. We have no instruments to gauge the tension in a father’s body as he holds his infant or to record whether a mother’s gaze is clouded by worry or clear with calm anticipation. It may be said that no two children have exactly the same parents, in that the parenting they each receive may vary in highly significant ways. Whatever the hopes, wishes or intentions of the parent, the child does not experience the parent directly: the child experiences the parenting. I have known two siblings to disagree vehemently about their father’s personality during their childhood. Neither has to be wrong if we understand that they did not receive the same fathering, which is what formed their experience of the father. I have even seen subtly but significantly different mothering given to a pair of identical twins.
Gabor Maté (Scattered: How Attention Deficit Disorder Originates and What You Can Do About It)
Around a million protester hermits are living in Japan right now. They’re called hikikomori—“pulling inward”—and the majority are males, aged late teens and up, who have rejected Japan’s competitive, conformist, pressure-cooker culture. They have retreated into their childhood bedrooms and almost never emerge, in many cases for more than a decade. They pass the day reading or surfing the web. Their parents deliver meals to their doors, and psychologists offer them counseling online. The media has called them “the lost generation” and “the missing million.
Michael Finkel (The Stranger in the Woods: The Extraordinary Story of the Last True Hermit)
Tony Williams: You’ve often mentioned that Tales of Hoffmann (1951) has been a major influence on you. George Romero: It was the first film I got completely involved with. An aunt and uncle took me to see it in downtown Manhattan when it first played. And that was an event for me since I was about eleven at the time. The imagery just blew me away completely. I wanted to go and see a Tarzan movie but my aunt and uncle said, “No! Come and see a bit of culture here.” So I thought I was missing out. But I really fell in love with the film. There used to be a television show in New York called Million Dollar Movie. They would show the same film twice a day on weekdays, three times on Saturday, and three-to-four times on Sunday. Tales of Hoffmann appeared on it one week. I missed the first couple of days because I wasn’t aware that it was on. But the moment I found it was on, I watched virtually every telecast. This was before the days of video so, naturally, I couldn’t tape it. Those were the days you had to rent 16mm prints of any film. Most cities of any size had rental services and you could rent a surprising number of films. So once I started to look at Tales of Hoffmann I realized how much stuff Michael Powell did in the camera. Powell was so innovative in his technique. But it was also transparent so I could see how he achieved certain effects such as his use of an overprint in the scene of the ballet dancer on the lily ponds. I was beginning to understand how adept a director can be. But, aside from that, the imagery was superb. Robert Helpmann is the greatest Dracula that ever was. Those eyes were compelling. I was impressed by the way Powell shot Helpmann sweeping around in his cape and craning down over the balcony in the tavern. I felt the film was so unique compared to most of the things we were seeing in American cinema such as the westerns and other dreadful stuff I used to watch. Tales of Hoffmann just took me into another world in terms of its innovative cinematic technique. So it really got me going. Tony Williams: A really beautiful print exists on laserdisc with commentary by Martin Scorsese and others. George Romero: I was invited to collaborate on the commentary by Marty. Pat Buba (Tony’s brother) knew Thelma Schoonmaker and I got to meet Powell in later years. We had a wonderful dinner with him one evening. What an amazing guy! Eventually I got to see more of his movies that I’d never seen before such as I Know Where I’m Going and A Canterbury Tale. Anyway, I couldn’t do the commentary on Tales of Hoffmann with Marty. But, back in the old days in New York, Marty and I were the only two people who would rent a 16mm copy of the film. Every time I found it was out I knew that he had it and each time he wanted it he knew who had it! So that made us buddies.
George A. Romero (George A. Romero: Interviews)
To the enormous majority of persons who risk themselves in literature, not even the smallest measure of success can fall. They had better take to some other profession as quickly as may be, they are only making a sure thing of disappointment, only crowding the narrow gates of fortune and fame. Yet there are others to whom success, though easily within their reach, does not seem a thing to be grasped at. Of two such, the pathetic story may be read, in the Memoir of A Scotch Probationer, Mr. Thomas Davidson, who died young, an unplaced Minister of the United Presbyterian Church, in 1869. He died young, unaccepted by the world, unheard of, uncomplaining, soon after writing his latest song on the first grey hairs of the lady whom he loved. And she, Miss Alison Dunlop, died also, a year ago, leaving a little work newly published, Anent Old Edinburgh, in which is briefly told the story of her life. There can hardly be a true tale more brave and honourable, for those two were eminently qualified to shine, with a clear and modest radiance, in letters. Both had a touch of poetry, Mr. Davidson left a few genuine poems, both had humour, knowledge, patience, industry, and literary conscientiousness. No success came to them, they did not even seek it, though it was easily within the reach of their powers. Yet none can call them failures, leaving, as they did, the fragrance of honourable and uncomplaining lives, and such brief records of these as to delight, and console and encourage us all. They bequeath to us the spectacle of a real triumph far beyond the petty gains of money or of applause, the spectacle of lives made happy by literature, unvexed by notoriety, unfretted by envy. What we call success could never have yielded them so much, for the ways of authorship are dusty and stony, and the stones are only too handy for throwing at the few that, deservedly or undeservedly, make a name, and therewith about one-tenth of the wealth which is ungrudged to physicians, or barristers, or stock-brokers, or dentists, or electricians. If literature and occupation with letters were not its own reward, truly they who seem to succeed might envy those who fail. It is not wealth that they win, as fortunate men in other professions count wealth; it is not rank nor fashion that come to their call nor come to call on them. Their success is to be let dwell with their own fancies, or with the imaginations of others far greater than themselves; their success is this living in fantasy, a little remote from the hubbub and the contests of the world. At the best they will be vexed by curious eyes and idle tongues, at the best they will die not rich in this world’s goods, yet not unconsoled by the friendships which they win among men and women whose faces they will never see. They may well be content, and thrice content, with their lot, yet it is not a lot which should provoke envy, nor be coveted by ambition.
Andrew Lang (How to Fail in Literature: A Lecture)
You're right. I haven't suggested medication. Because antidepressants are designed to smooth out the highs and lows of your mood, and if used properly they can stop you feeling so sad, but often they stop you feeling as happy. She held one hand up, her palm horizontal. You just end up... on a level. And you would expect that patients who take antidepressants mostly miss the highs, wouldn't you? But that isn't actually the case. The majority of people who want to stop medication say they want to be able to cry again. They watch a sad film with someone they love, and they want to be able to... feel the same thing.
Fredrik Backman (Anxious People)
In literature, plays, and cinema, substitutionary sacrifice is always the most riveting and moving plot point. In the movie The Last of the Mohicans, British major Duncan Heyward asks his Indian captors if he might die in the flames so that Cora, whom he loves, and Nathaniel can go free. When, as he is being dragged away, Duncan cries, “My compliments, sir! Take her and get out!” we are electrified by his unflinching willingness to die to save others, one of whom has been his rival. He dies with his arms bound and stretched out, as if he were on a cross. In Ernest Gordon’s memoir of being a prisoner of the Japanese during World War II, he recounts how at the end of a day of forced labor the guards counted the shovels, and one was apparently missing. A furious guard threatened the British POWs that unless the guilty person confessed, he would kill them all. He cocked his gun to start shooting them one by one. At that moment, one prisoner stepped forward calmly and said, “I did it.” He stood quietly at attention, and “he did not open his mouth” (Isaiah 53: 7) as he was beaten to death. When they all got back to the camp and counted the shovels again, it turned out that they were all there. The man had sacrificed himself to save them all. In the first Harry Potter novel, the evil Lord Voldemort can’t touch Harry without being burned. Later Dumbledore explains it to him. “Your mother died to save you. . . . Love as powerful [as that] . . . leaves its own mark. . . . [T]o have been loved so deeply . . . will give us some protection forever.” Why do these stories move us? It’s because we know from the mundane corners of life to the most dramatic that all life-changing love is substitutionary sacrifice. We know that anybody who has ever done anything that really made a difference in our lives made a sacrifice, stepped in and gave something or paid something or bore something so we would not have to.
Timothy J. Keller (The Prodigal Prophet: Jonah and the Mystery of God's Mercy)
Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room
Jennifer L. Armentrout (Deity (Covenant, #3))
I don’t like to use this word,” he said, “because I’m a man of science and I don’t believe in it. But what happened to your mother today was a miracle. I never say that, because I hate it when people say it, but I don’t have any other way to explain this.” The bullet that hit my mother in the butt, he said, was a through-and-through. It went in, came out, and didn’t do any real damage. The other bullet went through the back of her head, entering below the skull at the top of her neck. It missed the spinal cord by a hair, missed the medulla oblongata, and traveled through her head just underneath the brain, missing every major vein, artery, and nerve. With the trajectory the bullet was on, it was headed straight for her left eye socket and would have blown out her eye, but at the last second it slowed down, hit her cheekbone instead, shattered her cheekbone, ricocheted off, and came out through her left nostril. On the gurney in the emergency room, the blood had made the wound look much worse than it was. The bullet took off only a tiny flap of skin on the side of her nostril, and it came out clean, with no bullet fragments left inside. She didn’t even need surgery. They stopped the bleeding, stitched her up in back, stitched her up in front, and let her heal. “There was nothing we can do, because there’s nothing we need to do,” the doctor
Trevor Noah (Born a Crime: Stories from a South African Childhood (One World Essentials))
ballot you go, the more volatile the polls tend to be: polls of House races are less accurate than polls of Senate races, which are in turn less accurate than polls of presidential races. Polls of primaries, also, are considerably less accurate than general election polls. During the 2008 Democratic primaries, the average poll missed by about eight points, far more than implied by its margin of error. The problems in polls of the Republican primaries of 2012 may have been even worse.26 In many of the major states, in fact—including Iowa, South Carolina, Florida, Michigan, Washington, Colorado, Ohio, Alabama, and Mississippi—the candidate ahead in the polls a week before the election lost.
Nate Silver (The Signal and the Noise: Why So Many Predictions Fail-but Some Don't)
I got the winning end, and a small plastic object rolled on to the floor. I was glad to see that it was not a hat. Major Charge leapt at it and gave a snort of laughter as merciless as a nose-blowing. He put it to his mouth and breathed hard, making a sound like a raspberry. Then I saw that it was shaped like a tiny po with a whistle in the handle. ‘Lower-deck humour,’ Miss Truman said in a kindly way. ‘It’s the festive season,’ Major Charge said. He blew another raspberry. ‘Hark! the herald-angels sing,’ he said in a tone of savagery, as though he were taking some kind of revenge on Christmas Eve and all its impediments of holy families and managers and wise men, a revenge on love, a revenge for some deep disappointment.
Graham Greene (Travels with My Aunt)
The language of caste may well seem foreign or unfamiliar to some. Public discussions about racial caste in America are relatively rare. We avoid talking about caste in our society because we are ashamed of our racial history. We also avoid talking about race. We even avoid talking about class. Conversations about class are resisted in part because there is a tendency to imagine that one's class reflects upon one's character. What is key to America's understanding of class is the persistent belief - despite all evidence to the contrary - that anyone, with the proper discipline and drive, can move from a lower class to a higher class. We recognize that mobility may be difficult, but the key to our collective self-image is the assumption that mobility is always possible, so failure to move up reflects on one's character. By extension, the failure of a race or ethnic group to move up reflects very poorly on the group as a whole. What is completely missed in the rare public debates today about the plight of African Americans is that a huge percentage of them are not free to move up at all. It is not just that they lack opportunity, attend poor schools, or are plagued by poverty. They are barred by law from doing so. And the major institutions with which they come into contact are designed to prevent their mobility. To put the matter starkly: The current system of control permanently locks a huge percentage of the African American community out of the mainstream society and economy. The system operates through our criminal justice institutions, but it functions more like a caste system than a system of crime control. Viewed from this perspective, the so-called underclass is better understood as an undercaste - a lower caste of individuals who are permanently barred by law and custom from mainstream society. Although this new system of racialized social control purports to be colorblind, it creates and maintains racial hierarchy much as earlier systems of control did. Like Jim Crow (and slavery), mass incarceration operates as a tightly networked system of laws, policies, customs, and institutions that operate collectively to ensure the subordinate status of a group defined largely by race.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Obviously, in those situations, we lose the sale. But we’re not trying to maximize each and every transaction. Instead, we’re trying to build a lifelong relationship with each customer, one phone call at a time. A lot of people may think it’s strange that an Internet company is so focused on the telephone, when only about 5 percent of our sales happen through the telephone. In fact, most of our phone calls don’t even result in sales. But what we’ve found is that on average, every customer contacts us at least once sometime during his or her lifetime, and we just need to make sure that we use that opportunity to create a lasting memory. The majority of phone calls don’t result in an immediate order. Sometimes a customer may be calling because it’s her first time returning an item, and she just wants a little help stepping through the process. Other times, a customer may call because there’s a wedding coming up this weekend and he wants a little fashion advice. And sometimes, we get customers who call simply because they’re a little lonely and want someone to talk to. I’m reminded of a time when I was in Santa Monica, California, a few years ago at a Skechers sales conference. After a long night of bar-hopping, a small group of us headed up to someone’s hotel room to order some food. My friend from Skechers tried to order a pepperoni pizza from the room-service menu, but was disappointed to learn that the hotel we were staying at did not deliver hot food after 11:00 PM. We had missed the deadline by several hours. In our inebriated state, a few of us cajoled her into calling Zappos to try to order a pizza. She took us up on our dare, turned on the speakerphone, and explained to the (very) patient Zappos rep that she was staying in a Santa Monica hotel and really craving a pepperoni pizza, that room service was no longer delivering hot food, and that she wanted to know if there was anything Zappos could do to help. The Zappos rep was initially a bit confused by the request, but she quickly recovered and put us on hold. She returned two minutes later, listing the five closest places in the Santa Monica area that were still open and delivering pizzas at that time. Now, truth be told, I was a little hesitant to include this story because I don’t actually want everyone who reads this book to start calling Zappos and ordering pizza. But I just think it’s a fun story to illustrate the power of not having scripts in your call center and empowering your employees to do what’s right for your brand, no matter how unusual or bizarre the situation. As for my friend from Skechers? After that phone call, she’s now a customer for life. Top 10 Ways to Instill Customer Service into Your Company   1. Make customer service a priority for the whole company, not just a department. A customer service attitude needs to come from the top.   2. Make WOW a verb that is part of your company’s everyday vocabulary.   3. Empower and trust your customer service reps. Trust that they want to provide great service… because they actually do. Escalations to a supervisor should be rare.   4. Realize that it’s okay to fire customers who are insatiable or abuse your employees.   5. Don’t measure call times, don’t force employees to upsell, and don’t use scripts.   6. Don’t hide your 1-800 number. It’s a message not just to your customers, but to your employees as well.   7. View each call as an investment in building a customer service brand, not as an expense you’re seeking to minimize.   8. Have the entire company celebrate great service. Tell stories of WOW experiences to everyone in the company.   9. Find and hire people who are already passionate about customer service. 10. Give great service to everyone: customers, employees, and vendors.
Tony Hsieh (Delivering Happiness: A Path to Profits, Passion, and Purpose)
So in the struggle against natural calamities such as AIDS and Ebola, the scales are tipping in humanity’s favour. But what about the dangers inherent in human nature itself? Biotechnology enables us to defeat bacteria and viruses, but it simultaneously turns humans themselves into an unprecedented threat. The same tools that enable doctors to quickly identify and cure new illnesses may also enable armies and terrorists to engineer even more terrible diseases and doomsday pathogens. It is therefore likely that major epidemics will continue to endanger humankind in the future only if humankind itself creates them, in the service of some ruthless ideology. The era when humankind stood helpless before natural epidemics is probably over. But we may come to miss it. Breaking
Yuval Noah Harari (Homo Deus: A History of Tomorrow)
But the worst that the wind did was to be the primary cause of a huge, vicious, boat-flipping, morale-shattering seaway. The helicopter pilots, who, while hovering, had to dodge them, said the waves were as high as fifty feet. If that estimate were true, it still misses the point, for the danger of the waves lay not in their height but in their shape. “At daybreak the seas were spectacular,” remembered Peter Bruce, a commander in the Royal Navy who was navigator in Eclipse. “They had become very large, very steep, and broke awkwardly, but the boat was handling well.” George Tinley, who had been so badly beaten around in his Windswept, later said, “There were seas coming at one angle with breakers on them, but there were seas coming at another angle also with breakers, and then there were the most fearsome things where the two met in the middle.” After the gale, Major Maclean vividly described the appearance of the waves at night: “All around were white horses with their spray flurrying horizontally and slashing against us with the added impetus of the occasional rain squalls. But these white horses were just the top of some monster waves which hunched up, their tops flaring with spume, and marched on leaving us high at one minute so we could glimpse around, and then bringing us some fifty feet down into their troughs so we could appreciate the enormity of the next wave following. Some waves had boiling foam all over them where they were moving through the break of a previous wave, or, when the foam had fizzled away, they were deep green from the disturbance of the water. Otherwise the sea was black.
John Rousmaniere (Fastnet, Force 10: The Deadliest Storm in the History of Modern Sailing)
The Major's laughter boomed out again. "And I never kept a diary in my life!" he cried. "Why there's enough cream in this situation to make a dishful of meringues. You and I, you know, the students of Tilling! The serious-minded students who do a hard day's work when all the pretty ladies have gone to bed. Often and often has old--I mean has that fine woman, Miss Mapp, told me that I work too hard at night! Recommended me to get earlier to bed, and do my work between six and eight in the morning! Six and eight in the morning! That's a queer time of day to recommend an old campaigner to be awake at! Often she's talked to you, too, I bet my hat, about sitting up late and exhausting the nervous faculties." Major Flint choked and laughed and inhaled tobacco smoke till he got purple in the face. "And you sitting up one side of the street," he gasped, "pretending to be interested in Roman roads, and me on the other pulling a long face over my diaries, and neither of us with a Roman road or a diary to our names. Let's have an end to such unsociable arrangements, old friend; you lining your Roman roads and the bottle to lay the dust over to me one night, and I'll bring my diaries and my peg over to you the next. Never drink alone--one of my maxims in life--if you can find someone to drink with you. And there were you within a few yards of me all the time sitting by your old solitary self, and there was I sitting by my old solitary self, and we each thought the other a serious-minded old buffer, busy on his life-work. I'm blessed if I ever heard of two such pompous old frauds as you and I, Captain! What a sight of hypocrisy there is in the world, to be sure! No offence--mind: I'm as bad as you, and you're as bad as me, and we're both as bad as each other. But no more solitary confinement of an evening for Benjamin Flint, as long as you're agreeable.
E.F. Benson (Miss Mapp (Lucia, #2))
In the gospel of Matthew, the ninety-nine sheep are left behind by the shepherd to seek the one that is missing. This narrative undermines the majority perspective. None are truly free until all are free. The majority is unwhole until the minority finds its place in the circle. We see this concern for "all" again in 2 Peter 3:9:"The Lord...is patient with you, not wanting any to perish but all to come to repentance." Theologian James Alison highlights this passage in 2 Peter as indicative of the apostles' dawning realization that the kingdom Jesus reveals is finally non-sacrificial. The New Testament undoes majority reasoning with a glimplse of universal love--a love that cannot be contained, begetting a beloved community opening ever outward. In the mind of God, which holds all things, there is only this all. The membership of the community opens out into infinity: What of the stranger, the enemy, the orphan? What of the trees, the rivers, the plankton? Who is now my neighbour?
Marcus Peter Rempel (Life at the End of Us Versus Them: Cross Culture Stories)
Luna. Luna! LUNA! “Huh,” Sophie said, “I think she likes it.” “Yeah, I think she does,” Keefe agreed, petting Silveny’s nose again. “And this means we can still have a little Keefster!” Silveny gave him some major alicorn side-eye. “Fine. No Keefster—though you’re missing out.” He went back to thinking. “What about Wynn? Because we all know the little guy is going to be made of win!” “I actually like Wynn,” Sophie admitted, glancing at Silveny as she turned the name over in her mind. Wynn. Wynn! WYNN! Keefe smirked. “Feels like it’s Wynn for the win!” “Wynn and Luna,” Sophie said. “I like it.” So did Silveny and Greyfell, who kept repeating both names over and over as Greyfell settled next to Silveny for more alicorn snuggling. And Sophie shot Keefe a grateful smile as they made their way out of the pasture. “Thanks,” she whispered. “You really got Silveny out of her funk.” “That’s what I’m here for. To de-funk all the . . . You know what? I’m actually not sure where I’m going with that sentence.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
I don’t remember the particulars but when he [Dr. Hichiro Shimanuki, aka ‘Shim’] was nearly finished he offered an observation that was, for the most part, missed by the majority of those present. … Answers and dogma, went the feeling, saves bees, money, and time. … Shim’s observations were, however, profound, and any beekeeper who listened carefully to his challenge is probably doing quite well today. Basically, his observation was this: He called it the Rule of Rights. — If you produce the right number of bees that are the right age and the right condition, and are in the right place at the right time, you will be successful. The complexity of achieving this goal is well hidden in the simplicity of his statement. But to accomplish this requires making intelligent and correct decisions based on sound planning, correct timing, and getting the balance of business and biology to work in an operation. There’s little how-to hidden within this simple statement. Rather, it is a goal to strive for in many ways. It is, in the real world, not easy and it is not often that it will be achieved. [From the ‘Introduction.’]
Kim Flottum (Better Beekeeping: The Ultimate Guide to Keeping Stronger Colonies and Healthier, More Productive Bees)
I missed my workout this morning, so I vault up the stairs to my flat. Breakfast has taken longer than intended, and I'm expecting Oliver at any minute. Part of me also hopes that Alessia will still be there. As I approach my front door, I hear music coming from the flat. Music? What's going on? I slide my key into the lock and cautiously open the door. It's Bach, one of his preludes in G Major. Perhaps Alessia is playing music through my computer. But how can she? She doesn't know the password. Does she? Maybe she's playing her phone through the sound system, though from the look of her tatty anorak she doesn't strike me as someone who has a smartphone. I've never seen her with one. The music rings through my flat, lighting up its darkest corners. Who knew that my daily likes classical? This is a tiny piece of the Alessia Demachi puzzle. Quickly I close the door, but as I stand in the hallway, it becomes apparent that the music is not coming from the sound system. It's from my piano. Bach. Fluid and light, played with a deftness and understanding I've only heard from concert-standard performers. Alessia? I've never managed to make my piano sing like this. Taking off my shoes, I creep down the hallway and peer around the door into the drawing room. She is seated at the piano in her housecoat and scarf, swaying a little, completely lost in the music, her eyes closed in concentration as her hands move with graceful dexterity across the keys. The music flows through her, echoing off the walls and ceiling in a flawless performance worthy of any concert pianist. I watch her in awe as she plays, her head bowed. She is brilliant. In every way. And I'm completely spellbound. She finishes the prelude, and I step back into the hall, flattening myself against the wall in case she looks up, not daring to breath. However, without missing a beat she goes straight into the fugue. I lean against the wall and close my eyes, marveling at her artistry and the feeling that she puts into each phrase. I'm carried away by the music, and as I listen, I realize that she wasn't reading the music. She's playing from memory. Good God. She's a fucking virtuoso. And I remember her intense focus when she examined my score while she was dusting the piano. Clearly she was reading the music. Shit. She plays at this standard and she was reading my composition? The fugue ends, and seamlessly she launches into another piece. Again Bach, Prelude in C-sharp Major, I think.
E.L. James
HUNGER AND OBESITY The change in diets around the world is also creating a global obesity epidemic—and in its wake a global diabetes epidemic—even as more than 900 million people in the world still suffer from chronic hunger. In the United States, where many global trends begin, the weight of the average American has increased by approximately twenty pounds in the last forty years. A recent study projects that half the adult population of the United States will be obese by 2030, with one quarter of them “severely obese.” At a time when hunger and malnutrition are continuing at still grossly unacceptable levels in poor countries around the world (and in some pockets within developed countries), few have missed the irony that simultaneously obesity is at record levels in developed countries and growing in many developing countries. How could this be? Well, first of all, it is encouraging to note that the world community has been slowly but steadily decreasing the number of people suffering from chronic hunger. Secondly, on a global basis, obesity has more than doubled in the last thirty years. According to the World Health Organization, almost 1.5 billion adults above the age of twenty are overweight, and more than a third of them are classified as obese. Two thirds of the world’s population now live in countries where more people die from conditions related to being obese and overweight than from conditions related to being underweight. Obesity represents a major risk factor for the world’s leading cause of death—cardiovascular diseases, principally heart disease and stroke—and is the major risk factor for diabetes, which has now become the first global pandemic involving a noncommunicable disease.* Adults with diabetes are two to four times more likely to suffer heart disease or a stroke, and approximately two thirds of those suffering from diabetes die from either stroke or heart disease.† The tragic increase in obesity among children is particularly troubling; almost 17 percent of U.S. children are obese today, as are almost 7 percent of all children in the world. One respected study indicates that 77 percent of obese children will suffer from obesity as adults. If there is any good news in the latest statistics, it is that the prevalence of obesity in the U.S. appears to be reaching a plateau, though the increases in childhood obesity ensure that the epidemic will continue to grow in the future, both in the U.S. and globally. The causes of this surge in obesity are both simple—in that people are eating too much and exercising
Al Gore (The Future: Six Drivers of Global Change)
for nearly a decade, the World Bank has been reiterating its finding that “crime and violence have emerged in recent years as major obstacles to the realization of development objectives.”8 The Bank has stated flatly, “In many developing countries, high levels of crime and violence not only undermine people’s safety on an everyday level, they also undermine broader development efforts to improve governance and reduce poverty.”9 Multiple studies by the United Nations Office on Drugs and Crime (UNODC) have concluded that restraining violence is a precondition to poverty alleviation and economic development, plainly stating that “a foundational level of order must be established before development objectives can be realized.”10 Leaders of the United Kingdom’s Department for International Development (DFID) have concluded, “Poor people want to feel safe and secure just as much as they need food to eat, clean water to drink and a job to give them an income. Without security there cannot be development.”11 When it comes to violence, researchers are increasingly concerned that development experts are missing Amartya Sen’s insight that “development [is] a process of expanding the real freedoms people enjoy,” and are failing to appreciate the idea “that freedom from crime and violence are key components of development. Freedom from fear is as important as freedom from want. It is impossible to truly enjoy one of these rights without the other.”12
Gary A. Haugen (The Locust Effect: Why the End of Poverty Requires the End of Violence)
and at one point they had heard what had sounded mighty like a musket shot which, although not very near, might or might not have been fired in their direction but, they decided, probably had been. Harry clung to this adventure, such as it was, all the more tenaciously when he found that because of his sprained wrist he had missed an adventure at Captainganj. Those of his peers who had escaped with life and limb from the Captainganj parade ground did not seem to be thinking of it as an adventure, those who had managed to escape unhurt were now looking tired and shocked. And they seemed to be having trouble telling Harry what it had been like. Each of them simply had two or three terrible scenes printed on his mind: an Englishwoman trying to say something to him with her throat cut, or a comrade spinning down into a whirl-pool of hacking sepoys, something of that sort. To make things worse, one kept finding oneself about to say something to a friend who was not there to hear it any more. It was hard to make any sense out of what had happened, and after a while they gave up trying. Of the score of subalterns who had managed to escape, the majority had never seen a dead person before . . . a dead English person, anyway . . . one occasionally bumped into a dead native here and there but that was not quite the same. Strangely enough, they listened quite enviously to Harry talking about the musket shot which had “almost definitely” been fired at himself and Fleury. They wished they had had an adventure too, instead of their involuntary glimpse of the abattoir. It
J.G. Farrell (The Siege of Krishnapur)
The [Tiananmen] Gate was built during the Ming Dynasty and used by Emperors for making public appearances and proclamations. The Gate, like Tiananmen Square, has always been a major point of focus in the political history of China. If you climb up to the balcony, you can stand on the spot from which, on October 1, 1949, Chairman Mao proclamied the founding of the People's Republic of China. The spot is clearly marked, and there is an exhibition of photographs of the event clustered around it. The view across the immensity of Tiananmen Square here is extraordinary. It is like looking across a plain from the side of a mountain. In political terms the view is more astounding yet, encompassing as it does a nation that comprises almost one-quarter of the population of this planet. All of the history of China is symbolically focused here, at this very point, and it is hard, as you stand there, not to be transfixed by the power of it. It is hard, also, not to be profoundly moved by the vision of the peasant from Shaoshan who seized that power in the name of the people and whom the people still revere, in spite of the atrocities of the Cultural Revolution, as the father of their nation. And while we were standing on this spot, the spot where Mao stood when he proclaimed the founding of the Peoples Republic of China, the music we were having played at us by the public address system was first "Viva España", and then the "Theme from Hawaii Five-O." It was hard to avoid the feeling that somebody, somewhere, was missing the point. I couldn't even be sure it wasn't me.
Douglas Adams (Last Chance to See)
VIOLATION SERIOUSNESS SENTENCE PRINCIPAL’S COMMENTS DESTRUCTION OF ACADEMY PROPERTY According to a report from Miss Foster, Mr. Sencen set off a device in my office, shattering the majority of the windows in the glass pyramid. 20 out of 10 None. Mr. Sencen remains absent, making punishment difficult to issue. And this does appear to confirm his involvement with the Neverseen. But I suspect there’s more to the story. —Magnate Leto Update: The glass pyramid has been rebuilt. Foxfire is also teaming up with Exillium for skill lessons. And Mr. Sencen has yet to return to campus. The Council is pressuring me to expel him, but I see no reason, (particularly since everyone should be focusing on the upcoming Peace Summit in Lumenaria). —Magnate Leto VIOLATION SERIOUSNESS SENTENCE PRINCIPAL’S COMMENTS Second Update: Foxfire’s midterm break was extended after the tragedy in Lumenaria, and… I’m grateful to have the time to adjust. There’s so much to do… and I’ll be so much more limited now.… But I’ll find a way to manage. In the meantime, it should be noted that when the academy resumes sessions, Mr. Sencen will be returning, and no disciplinary action will be taken against him. —Magnate Leto Third Update: Sessions still haven’t resumed. But Miss Foster brought Mr. Sencen to see Elwin for treatment after Mr. Sencen received several serious wounds during a sparring match with King Dimitar. Apparently, one result of the match is that Keefe will now have Princess Romhilda serving as his bodyguard, which will likely cause tension on campus. Preparations will need to be made. —Magnate Leto
Shannon Messenger (Unlocked (Keeper of the Lost Cities, #8.5))
Creating “Correct” Children in the Classroom One of the most popular discipline programs in American schools is called Assertive Discipline. It teaches teachers to inflict the old “obey or suffer” method of control on students. Here you disguise the threat of punishment by calling it a choice the child is making. As in, “You have a choice, you can either finish your homework or miss the outing this weekend.” Then when the child chooses to try to protect his dignity against this form of terrorism, by refusing to do his homework, you tell him he has chosen his logical, natural consequence of being excluded from the outing. Putting it this way helps the parent or teacher mitigate against the bad feelings and guilt that would otherwise arise to tell the adult that they are operating outside the principles of compassionate relating. This insidious method is even worse than outand-out punishing, where you can at least rebel against your punisher. The use of this mind game teaches the child the false, crazy-making belief that they wanted something bad or painful to happen to them. These programs also have the stated intention of getting the child to be angry with himself for making a poor choice. In this smoke and mirrors game, the children are “causing” everything to happen and the teachers are the puppets of the children’s choices. The only ones who are not taking responsibility for their actions are the adults. Another popular coercive strategy is to use “peer pressure” to create compliance. For instance, a teacher tells her class that if anyone misbehaves then they all won’t get their pizza party. What a great way to turn children against each other. All this is done to help (translation: compel) children to behave themselves. But of course they are not behaving themselves: they are being “behaved” by the adults. Well-meaning teachers and parents try to teach children to be motivated (translation: do boring or aversive stuff without questioning why), responsible (translation: thoughtless conformity to the house rules) people. When surveys are conducted in which fourth-graders are asked what being good means, over 90% answer “being quiet.” And when teachers are asked what happens in a successful classroom, the answer is, “the teacher is able to keep the students on task” (translation: in line, doing what they are told). Consulting firms measuring teacher competence consider this a major criterion of teacher effectiveness. In other words if the students are quietly doing what they were told the teacher is evaluated as good. However my understanding of ‘real learning’ with twenty to forty children is that it is quite naturally a bit noisy and messy. Otherwise children are just playing a nice game of school, based on indoctrination and little integrated retained education. Both punishments and rewards foster a preoccupation with a narrow egocentric self-interest that undermines good values. All little Johnny is thinking about is “How much will you give me if I do X? How can I avoid getting punished if I do Y? What do they want me to do and what happens to me if I don’t do it?” Instead we could teach him to ask, “What kind of person do I want to be and what kind of community do I want to help make?” And Mom is thinking “You didn’t do what I wanted, so now I’m going to make something unpleasant happen to you, for your own good to help you fit into our (dominance/submission based) society.” This contributes to a culture of coercion and prevents a community of compassion. And as we are learning on the global level with our war on terrorism, as you use your energy and resources to punish people you run out of energy and resources to protect people. And even if children look well-behaved, they are not behaving themselves They are being behaved by controlling parents and teachers.
Kelly Bryson (Don't Be Nice, Be Real: Balancing Passion for Self with Compassion for Others)
As implied in Levy’s quote, the process of freely choosing what sort of person you become, despite whatever bad constitutive luck you’ve had, is usually framed as a gradual, usually maturational process. In a debate with Dennett, incompatibilist Gregg Caruso outlined chapter 3’s essence—we have no control over either the biology or the environment thrown at us. Dennett’s response was “So what? The point I think you are missing is that autonomy is something one grows into, and this is indeed a process that is initially entirely beyond one’s control, but as one matures, and learns, one begins to be able to control more and more of one’s activities, choices, thoughts, attitudes, etc.” This is a logical outcome of Dennett’s claim that bad and good luck average out over time: Come on, get your act together. You’ve had enough time to take responsibility, to choose to catch up to everyone else in the marathon.[2] A similar view comes from the distinguished philosopher Robert Kane, of the University of Texas: “Free will in my view involves more than merely free of action. It concerns self-formation. The relevant question for free will is this: How did you get to be the kind of person you now are?” Roskies and Shadlen write, “It is plausible to think that agents might be held morally responsible even for decisions that are not conscious, if those decisions are due to policy settings which are expressions of the agent [in other words, acts of free will in the past].”[3] Not all versions of this idea require gradual acquisition of past-tense free will. Kane believes that “choose what sort of person you’re going to be” happens at moments of crisis, at major forks in the road, at moments of what he calls “Self-Forming Actions” (and he proposes a mechanism by which this supposedly occurs, which we’ll touch on briefly in chapter 10). In contrast, psychiatrist Sean Spence, of the University of Sheffield, believes that those I-had-free-will-back-then moments happen when life is at its optimal, rather than in crisis.
Robert M. Sapolsky (Determined: A Science of Life without Free Will)
When I drive I like to listen to Schubert's piano sonatas with the volume turned up. Do you know why?' 'I have no idea.' 'Because playing Schubert's piano sonatas well is one of the hardest things in the world. Especially this, the Sonata in D Major. It's a tough piece to master. Some pianists can play one or maybe two of the movements perfectly, but if you listen to all four movements as a unified whole, no one has ever nailed it. A lot of famous pianists have tried to rise to the challenge, but it's like there's always something missing. There's never one where you can say, Yes! He's got it! Do you know why?' 'No,' I reply. 'Because the sonata itself is imperfect. Robert Schumann understood Schubert's sonatas well, and he labeled this one "Heavenly Tedious."' "If the composition's imperfect, why would so many pianists try to master it?' 'Good question,' Oshima says, and pauses as music fills in the silence. 'I have no great explanation for it, but one thing I can say. Works that have a certain imperfection to them have an appeal for that very reason―or at least they appeal to certain types of people. Just like you're attracted to Soseki's The Miner. There's something in it that draws you in, more than more fully realized novels like Kokoro or Sanshiro. You discover something about that work that tugs at your heart―or maybe we should say the work discovers you. Schubert's Sonata in D Major is sort of the same thing.' 'To get back to the question,' I say, 'why do you listen to Schubert's sonatas? Especially when you're driving?' 'If you play Schubert's sonatas, especially this one straight through, it's not art. Like Schumann pointed out, it's too long and too pastoral, and technically too simplistic. Play it through the way it is and it's flat and tasteless, some dusty antique. Which is why every pianist who attempts it adds something of his own, something extra. Like this―hear how he articulates it there? Adding rubato. Adjusting the pace, modulation, whatever. Otherwise they can't hold it all together. They have to be careful, though, or else all those extra devices destroy the dignity of the piece. Then it's not Schubert's music anymore. Every single pianist who's played this sonata struggles with the same paradox.' He listens to the music, humming the melody, then continues. 'That's why I like to listen to Schubert while I'm driving. Like I said, it's because all the performances are imperfect. A dense, artistic kind of imperfection stimulates your consciousness, keeps you alert. If I listen to some utterly perfect performance of an utterly perfect piece while I'm driving, I might want to close my eyes and die right then and there. But listening to the D major, I can feel the limits of what humans are capable of―that a certain type of perfection can only be realized through a limitless accumulation of the imperfect. And personally, I find that encouraging.
Haruki Murakami (Kafka on the Shore)