Main Street Quotes

We've searched our database for all the quotes and captions related to Main Street. Here they are! All 100 of them:

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Heidi's role as grand master was to monitor all the women and to manage their locations and communication. Even though she’d done this many times on multiple missions, her heartbeat still pounded in her ears.
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Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
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Adam offered her a heart-melting smile and a wink, then headed for the door. With his hand on the door, he paused and turned back. Heidi’s eyes jumped up from his butt to his face.
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Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
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The mayor stood, his surprise at her interruption apparent by his twitching mustache. β€œYouβ€”you can’t just burst in here. Who are you?
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Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
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Do not blame people and their attitudes: the problem is not corruption or greed, the problem is the system that pushes you to be corrupt. The solution is not, "Main Street, not Wall Street," but to change the system where Main Street cannot function without Wall Street.
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Slavoj Ε½iΕΎek
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From the antique Persian rugs covering the gleaming hardwood floors to the molded tin ceilings and ornate chandeliers, the house was a showstopper. Throughout its long life, no one had allowed this home to fall into disrepair. Every detail of the wainscoting, every pocket door, every window, floor tile, and bathtub was original to the house.
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Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
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At this point, a spaceship could land on Main Street and Elvis could saunter out singing "Love Me Tender," and I wouldn't be surprised
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Michele Bardsley (Come Hell or High Water (Broken Heart, #6))
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Missing: A teenaged girl with lanky, blonde hair and a sunburst tattoo on her cheek. The holographic posters, brighter than day itself, lit up the air on every block of Main Street.
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Amy L. Bernstein (The Potrero Complex)
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She was snatched back from a dream of far countries, and found herself on Main Street.
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Sinclair Lewis (Main Street)
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The fruition of the year had come and the night should have been fine with a moon in the sky and the crisp sharp promise of frost in the air, but it wasn't that way. It rained and little puddles of water shone under the street lamps on Main Street. In the woods in the darkness beyond the Fair Ground water dripped from the black trees.
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Sherwood Anderson (Winesburg, Ohio)
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Little by little, studying the infinite possibilities of a loss of memory, he realized that the day might come when things would be recognized by their inscriptions but that no one would remember their use.... At the beginning of the road into the swamp they put up a sign that said "Macondo" and another larger one on the main street that said "God exists".
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Gabriel GarcΓ­a MΓ‘rquez (One Hundred Years of Solitude)
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There are always those who take it upon themselves to defend God, as if Ultimate Reality, as if the sustaining frame of existence, were something weak and helpless. These people walk by a widow deformed by leprosy begging for a few paise, walk by children dressed in rags living in the street, and they think, "Business as usual." But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening. These people fail to realize that it is on the inside that God must be defended, not on the outside. They should direct their anger at themselves. For evil in the open is but evil from within that has been let out. The main battlefield for good is not the open ground of the public arena but the small clearing of each heart. Meanwhile, the lot of widows and homeless children is very hard, and it is to their defense, not God's, that the self-righteous should rush.
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Yann Martel (Life of Pi)
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Others said May was best, that sweet green time when lilacs bloomed and gardens along Main Street were filled with sugary pink peonies and Dutch tulips.
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Alice Hoffman (The River King)
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Most troubles are unnecessary. We have Nature beaten; we can make her grow wheat; we can keep warm when she sends blizzards. So we raise the devil just for pleasure--wars, politics, race-hatreds, labor-disputes.
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Sinclair Lewis (Main Street)
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I think perhaps we want a more conscious life. We're tired of drudging and sleeping and dying. We're tired of seeing just a few people able to be individualists. We're tired of always deferring hope till the next generation. We're tired of hearing politicians and priests and cautious reformers... coax us, 'Be calm! Be patient! Wait! We have the plans for a Utopia already made; just wiser than you.' For ten thousand years they've said that. We want our Utopia now β€” and we're going to try our hands at it.
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Sinclair Lewis (Main Street)
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If Paul Revere had been a modern day citizen, he wouldn't have ridden down Main Street. He would have tweeted.
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Alec Ross
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Time is so strange and life is twice as strange. You must promise me not to live to be too old, William. It if is at all convenient, die before you're fifty. It my take a bit of doing. But I advise this is simply because there is no telling when another Helen Loomis might be born. It would be dreadful, wouldn't it, if you lived on to be very very old and some afternoon in 1999 walked down Main street and saw me standing there, aged twenty-one, and the whole thing out of balance again?
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Ray Bradbury (Dandelion Wine)
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It has not yet been recorded that any human being has gained a very large or permanent contentment from meditation upon the fact that he is better off than others.
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Sinclair Lewis (Main Street)
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Las Vegas is not the kind of town where you want to drive down Main Street aiming a black bazooka-looking instrument at people.
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Hunter S. Thompson (Fear and Loathing in Las Vegas)
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We urgently need to bring to our communities the limitless capacity to love, serve, and create for and with each other. We urgently need to bring the neighbor back into our hoods, not only in our inner cities but also in our suburbs, our gated communities, on Main Street and Wall Street, and on Ivy League campuses.
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Grace Lee Boggs (The Next American Revolution: Sustainable Activism for the Twenty-First Century)
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A sombrero fell out of the sky and landed on the main street of town in front of the mayor, his cousin, and a person out of work. The day was scrubbed clean by the desert air. The sky was blue. It was the blue of human eyes, waiting for something to happen. There was no reason for a sombrero to fall out of the sky. No airplane or helicopter was passing overhead and it was not a religious holiday.
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Richard Brautigan (Sombrero Fallout (Arena Books))
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If that woman is on the side of the angels, then I have no choice; I must be on the side of the devil.
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Sinclair Lewis (Main Street)
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No matter even if you are cold, I like you better than anybody in the world. One time I said that you were my soul. And that still goes. You're all the things that I see in a sunset when I'm driving in from the country, the things that I like but can't make poetry of.
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Sinclair Lewis (Main Street)
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What are these unheard of sins you condemn so much - and like so well?
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Sinclair Lewis (Main Street)
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Alright next question: I saw someone walking a guinea pig on a leash down Main Street of the town I live in Is this normal behavior I should copy?” β€œOh gosh. No. Tell them NO!
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K.M. Shea (My Life at the MBRC (The Magical Beings' Rehabilitation Center, #1))
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October made the leaves on Main Street fit for a crown. They dripped from the trees in jewel-toned shades: yellow and orange and fiery red. The cool wind sent a confetti-cluster of leaves down around us.
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Natalie Lloyd (Over the Moon)
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The greatest mystery about a human being is not his reaction to sex or praise, but the manner in which he contrives to put in twenty-four hours a day.
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Sinclair Lewis (Main Street)
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Large portraits of Mao on wooden boards several feet high stood at main street corners. Painted to make the old man look extremely youthful, healthy, and fat (a sign of well-being in China), these pictures provided a mocking contrast to the thin, pale-faced pedestrians walking listlessly below them.
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Nien Cheng (Life and Death in Shanghai)
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Why did I obsess over people like this? Was it normal to fixate on strangers in this particular vivid, fevered way? I didn’t think so. It was impossible to imagine some random passer-by on the street forming quite such an interest in me. And yet it was the main reason I’d gone in those houses with Tom: I was fascinated by strangers, wanted to know what food they ate and what dishes they ate it from, what movies they watched and what music they listened to, wanted to look under their beds and in their secret drawers and night tables and inside the pockets of their coats. Often I saw interesting-looking people on the street and thought about them restlessly for days, imagining their lives, making up stories about them on the subway or the crosstown bus.
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Donna Tartt (The Goldfinch)
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A city street equipped to handle strangers, and to make a safety asset, in itself, our of the presence of strangers, as the streets of successful city neighborhoods always do, must have three main qualities: First, there must be a clear demarcation between what is public space and what is private space. Public and private spaces cannot ooze into each other as they do typically in suburban settings or in projects. Second, there must be eyes upon the street, eyes belonging to those we might call the natural proprietors of the street. The buildings on a street equipped to handle strangers and to insure the safety of both residents and strangers, must be oriented to the street. They cannot turn their backs or blank sides on it and leave it blind. And third, the sidewalk must have users on it fairly continuously, both to add to the number of effective eyes on the street and to induce the people in buildings along the street to watch the sidewalks in sufficient numbers. Nobody enjoys sitting on a stoop or looking out a window at an empty street. Almost nobody does such a thing. Large numbers of people entertain themselves, off and on, by watching street activity.
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Jane Jacobs (The Death and Life of Great American Cities)
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It's one of our favorite American myths that broad plains necessarily make broad minds, and high mountains make high purpose.
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Sinclair Lewis (Main Street)
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Edinburgh suited Ann; she liked the tall, dignified buildings of grey stone, the short days that sank into street-lamped evenings at five o'clock, and the dual personality of the city's main street, which on one side had glittering shops and on the other the green sweep of Princes Street Gardens.
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Maggie O'Farrell (After You'd Gone)
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Life is comfortable and clean enough here already. And so secure. What it needs it to be less secure, more eager.
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Sinclair Lewis (Main Street)
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Naphta loathed the bourgeois state and its love of security. He found occasion to express this loathing one autumn afternoon when, as they were walking along the main street, it suddenly began to rain and, as if on command, there was an umbrella over every head. That was a symbol of cowardice and vulgar effeminacy, the end product of civilization. An incident like the sinking of the Titanic was atavistic, true, but its effect was most refreshing, it was the handwriting on the wall. Afterward, of course, came the hue and cry for more security in shipping. How pitiful, but such weak-willed humanitarianism squared very nicely with the wolfish cruelty and villainy of slaughter on the economic battlefield known as the bourgeois state. War, war ! He was all for it – the universal lust for war seemed quite honorable in comparison.
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Thomas Mann (The Magic Mountain)
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Think of music as being a great snarl of a city [...]. In the years I spent living there, I came to know its streets. Not just the main streets. Not just the alleys. I knew shortcuts and rooftops and parts of the sewers. Because of this, I could move through the city like a rabbit in a bramble. I was quick and cunning an clever. Denna, on the other hand, had never been trained. She knew nothing of shortcuts. You’d think she’d be forced to wander the city, lost and helpless, trapped in a twisting maze of mortared stone. But instead, she simply walked through the walls. She didn’t know any better. Nobody had ever told her she couldn’t. Because of this, she moved through the city like some faerie creature. She walked roads no one else could see, and it made her music wild and strange and free.
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Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
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...he summoned up what he'd been told by numerous ladies was his most charming of smiles."But then we would never have met." Harriet muttered something that sounded very much like, "Unbelievable" under her breath, and then began marching down the alley toward the main street, apparently not moved in the least by his charm.
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Jen Turano
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On the main street of one village she passed a vast house, pillared and walled, with shutters over the windows and a pair of stone lions guarding the steps, and she thought that perhaps she might live there, dusting the lions each morning and patting their heads good night.
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Shirley Jackson (The Haunting of Hill House)
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Cruelty to animals is an enormous injustice; so is expecting those on the lowest rung of the economic ladder to do the dangerous, soul-numbing work of slaughtering sentient beings on our behalf.
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Victoria Moran (Main Street Vegan: Everything You Need to Know to Eat Healthfully and Live Compassionately in the Real World)
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NEXT LIFE. My embroidery studio on the main street of Bayeux will be just one part of my Institute of Slow Information. I will also teach letter writing, listening, miniature portrait painting, and the art of doing one thing at a time.
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Vivian Swift (Le Road Trip: A Traveler's Journal of Love and France)
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Your lips are for songs about rivers in the morning and lakes at twilight.
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Sinclair Lewis (Main Street)
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She did not yet know the immense ability of the world to be casually cruel and proudly dull,
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Sinclair Lewis (Main Street)
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The Main Street is wide, ridiculously wide, as though when it was built, the town was expecting something amazing to arrive, a thousand people to stake their claim to a patch of soggy green land, a huge boat, Titanic-size, on the back of a truck.
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Karen Foxlee (The Midnight Dress)
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What could be more absurd? Yet it is nature's folly, not ours. When she set about her chief masterpiece, the making of man, she should have thought of one thing only. Instead, turning her head, looking over her shoulder, into each one of us she let creep instincts and desires which are utterly at variance with his main being, so that we are streaked, variegated, all of a mixture; the colours have run. Is the true self this which stands on the pavement in January, or that which bends over the balcony in June? Am I here, or am I there? Or is the true self neither this nor that, neither here nor there, but something so varied and wandering that it is only when we give the rein to its wishes and let it take its way unimpeded that we are indeed ourselves?
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Virginia Woolf (Street Haunting)
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The Catholic Church built and ran hospitals, schools, and centres for the poor and unemployed generations before the secular state became involved, and even today a visit to almost any main street in the Western world or to a village or town in the developing world will show Catholic charities and outreach organizations operating in what are often the most challenging of conditions.
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Michael Coren (Why Catholics are Right)
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... a woman who was washing clothes in the river during the hottest time of the day ran screaming down the main street in an alarming state of commotion. "It's coming," she finally explained. "Something frightful, like a kitchen dragging a village behind it.
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Gabriel GarcΓ­a MΓ‘rquez (One Hundred Years of Solitude)
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Even the classic American main street, with its mixed-use buildings right up against the sidewalk, is now illegal in most municipalities. Somewhere along the way, through a series of small and well-intentioned steps, traditional towns became a crime in America.
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AndrΓ©s Duany (Suburban Nation: The Rise of Sprawl and the Decline of the American Dream)
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Of course my ex didn’t walk me home. Instead I wandered, drunk, from Main Street down to the railroad tracks, lay down there and listened to the quiet world. Smoked a cigarette on my back, feeling a part of the ground, one of night’s dark and lost creatures. For as long as I can remember, this has been one of my favorite feelings. To be alone in public, wandering at night, or lying close to the earth, anonymous, invisible, floating. To be β€œa man of the crowd,” or, conversely, alone with Nature or your God. To make your claim on public space even as you feel yourself disappearing into its largesse, into sublimity. To practice for death by feeling completely empty, but somehow still alive. It’s a sensation that people have tried, in various times and places, to keep women from feeling.
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Maggie Nelson (The Red Parts)
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She found beauty in the children.
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Sinclair Lewis (Main Street)
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Whatever she might become she would never be static.
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Sinclair Lewis (Main Street)
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It might be that he lived a more real life within his thoughts...
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Nathaniel Hawthorne (The Custom House, and Main Street)
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She bought a budget-plan account book and made her budgets as exact as budgets are likely to be when they lack budgets.
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Sinclair Lewis (Main Street)
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London was beginning to illuminate herself against the night. Electric lights sizzled and jagged in the main thoroughfares, gas-lamps in the side streets glimmered a canary gold or green. The sky was a crimson battlefield of spring, but London was not afraid. Her smoke mitigated the splendour, and the clouds down Oxford Street were a delicately painted ceiling, which adorned while it did not distract.
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E.M. Forster (Howards End)
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In the main street of Winesburg crowds filled the stores and sidewalks. Night came on, horses whinnied, the clerks in stores ran madly about, children became lost and cried lustily, an American town worked terribly at the task of amusing itself.
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Sherwood Anderson (Winesburg, Ohio)
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They were staggered to learn that a real tangible person, living in Minnesota, and married to their own flesh-and-blood relation, could apparently believe that divorce may not always be immoral; that illegitimate children do not bear any special and guaranteed form of curse; that there are ethical authorities outside of the Hebrew Bible; that men have drunk wine yet not died in the gutter; that the capitalistic system of distribution and the Baptist wedding-ceremony were not known in the Garden of Eden; that mushrooms are as edible as corn-beef hash; that the word "dude" is no longer frequently used; that there are Ministers of the Gospel who accept evolution; that some persons of apparent intelligence and business ability do not always vote the Republican ticket straight; that it is not a universal custom to wear scratchy flannels next the skin in winter; that a violin is not inherently more immoral than a chapel organ; that some poets do not have long hair; and that Jews are not always peddlers or pants-makers. "Where does she get all them theories?" marveled Uncle Whittier Smail; while Aunt Bessie inquired, "Do you suppose there's many folks got notions like hers? My! If there are," and her tone settled the fact that there were not, "I just don't know what the world's coming to!
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Sinclair Lewis (Main Street)
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Whoever is born in New York is ill-equipped to deal with any other city: all other cities seem, at best, a mistake, and, at worst, a fraud. No other city is so spitefully incoherent. Whereas other cities flaunt there history - their presumed glory - in vividly placed monuments, squares, parks, plaques, and boulevards, such history as New York has been unable entirely to obliterate is to be found, mainly, in the backwaters of Wall Street, in the goat tracks of Old and West Broadway, in and around Washington Square, and, for the relentless searcher, in grimly inaccessible regions of The Bronx.
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James Baldwin (Just Above My Head)
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Intensive mothering is the ultimate female Olympics: We are all in powerful competition with each other, in constant danger of being trumped by the mom down the street, or in the magazine we're reading. The competition isn't just over who's a good mother--it's over who's the best. We compete with each other; we compete with ourselves. The best mothers always put their kids' needs before their own, period. The best mothers are the main caregivers. For the best mothers, their kids are the center of the universe. The best mothers always smile. They always understand. They are never tired. They never lose their temper. They never say, "Go to the neighbor's house and play while Mommy has a beer." Their love for their children is boundless, unflagging, flawless, total. Mothers today cannot just respond to their kids' needs, they must predict them--and with the telepathic accuracy of Houdini. They must memorize verbatim the books of all the child-care experts and know which approaches are developmentally appropriate at different ages. They are supposed to treat their two-year-olds with "respect." If mothers screw up and fail to do this on any given day, they should apologize to their kids, because any misstep leads to permanent psychological and/or physical damage. Anyone who questions whether this is the best and the necessary way to raise kids is an insensitive, ignorant brute. This is just common sense, right?
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Susan J. Douglas
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The days of pioneering, of lassies in sunbonnets, and bears killed with axes in piney clearings, are deader now than Camelot; and a rebellious girl is the spirit of that bewildered empire called the American Middlewest.
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Sinclair Lewis (Main Street)
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Lexington wasn't a great city, like Philadelphia or New York, but around the Courthouse square, and along Main Street and Broadway, brick buildings reared two and three stories tall, and it was possible to buy almost anything: breeze-soft silks from France that came upriver from New Orleans, fine wines and cigars, pearl necklaces, and canes with ivory handles shaped like parrots or dogs'-heads or (in the case of Mary's older friend Cash Clay) scantily dressed ladies (but Cash was careful not to carry that one in company).
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Barbara Hambly (The Emancipator's Wife: A Novel of Mary Todd Lincoln)
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A muddy little stream, a village grown unfamiliar with time and trees. I turn around and retrace my way up Main Street and park and have a Coke in the confectionery store. It is run by a Greek, as it used to be, but whether the same Greek or another I would not know. He does not recognize me, nor I him. Only the smell of his place is familiar, syrupy with old delights, as if the ghost of my first banana split had come close to breathe on me.
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Wallace Stegner (Wolf Willow)
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The Wonderlust--probably it's a worse affliction than the Wanderlust.
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Sinclair Lewis (Main Street)
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It keeps strays in the flock. To word it differently: 'You must live up to the popular code if you believe in it; but if you don't believe in it, then you MUST live up to it!
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Sinclair Lewis (Main Street)
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Biggest case we've had here in five years was when Dan Schwartz got drunk and shot up his own trailer, then he went on the run, down Main Street, in his wheelchair, waving this darn shotgun, shouting that he would shoot anyone that got in his way, that no one would stop him from getting to the interstate. I think he was on his way to Washington to shoot the president. I still laugh whenever I think of Dan heading down the interstate in that wheelchair of his with the bumper sticker on the back. My Juvenile Delinquent Is Screwing Your Honor Student.
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Neil Gaiman (American Gods (American Gods, #1))
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He was almost a poet in his old age and his notion of what happened took a poetic turn. 'I had come to the time in my life when prayer became necessary and so I invented gods and prayed to them,' he said. 'I did not say my prayers in words nor did I kneel down but sat perfectly still in my chair. In the late afternoon when it was hot and quiet on Main Street or in the winter when the days were gloomy, the gods came into the office and I thought no one knew about them. Then I found that this woman Elizabeth knew, that she worshipped also the same gods. I have a notion that she came to the office because she thought the gods would be there but she was happy to find herself not alone just the same. It was an experience that cannot be explained, although I suppose it is always happening to men and women in all sorts of places.
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Sherwood Anderson (Winesburg, Ohio)
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My life after childhood has two main stories: the story of the hustler and the story of the rapper, and the two overlap as much as they diverge. I was on the streets for more than half of my life from the time I was thirteen years old. People sometimes say that now I'm so far away from that life - now that I've got businesses and Grammys and magazine covers - that I have no right to rap about it. But how distant is the story of your own life ever going to be? The feelings I had during that part of my life were burned into me like a brand. It was life during wartime.
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Jay-Z (Decoded)
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He could hear his granny speaking. β€œNo one’s too poor to buy soap.” Of course, many people were. But in Cockbill Street they bought soap just the same. The table might not have any food on it but, by gods, it was well scrubbed. That was Cockbill Street, where what you mainly ate was your pride.
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Terry Pratchett (Feet of Clay (Discworld, #19))
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At Mayflower-Plymouth, we love helping businesses adapt to change. We all live and work in a dynamic and ever-changing economy. The businesses that are able to adapt, pivot and restructure are the businesses that are most positioned to thrive through the changes.
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Hendrith Vanlon Smith Jr.
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Cynicism is overrated, and far too easy. In small doses, cynicism--like irony--provides an essential tempering quality. But to wallow in it, and to dismiss things like hope and faith, is cowardly and unoriginal.
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Michael Perry (Off Main Street: Barnstormers, Prophets Gatemouth's Gator: Essays)
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There is an important difference between the words 'losers' and 'outlaw.' One is passive and the other is active, and the main reason the Angels are such good copy is that they are acting out the day-dreams of millions of losers who don't wear any defiant insignia and who don't know how to be outlaws. The streets of every city are thronged with men who would pay all the money they could get their hands on to be transformed-even for a day-into hairy, hard-fisted brutes who walk over cops, extort free drinks from terrified bartenders and thunder out of town on big motorcycles after raping the banker's daughter. Even people who think the Angels should all be put to sleep find it easy to identify with them. They command a fascination, however reluctant, that borders on psychic masturbation.
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Hunter S. Thompson (Hell's Angels)
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There is a bus station in Henry, but it isn't on Main Street. It's one block north - the town fathers hadn't wanted all the additional traffic. The station lost one-third of its roof to a tornado fifteen years ago. In the same summer, a bottle rocket brought the gift of fire to its restrooms. The damage has never been repaired, but the town council makes sure that the building is painted fresh every other year, and always the color of a swimming pool. There is never graffiti. Vandals would have to drive more than twenty miles to buy the spray paint. Every once in a long while, a bus creeps into town and eases to a stop beside the mostly roofed, bright aqua station with the charred bathrooms. Henry is always glad to see a bus. Such treats are rare.
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N.D. Wilson (100 Cupboards (100 Cupboards, #1))
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Not individuals but institutions are the enemies, and they most afflict the disciples who the most generously serve them. They insinuate their tyranny under a hundred guises and pompous names, such as Polite Society, the Family, the Church, Sound Business, the Party, the Country, the Superior White Race; and the only defense against them, Carol beheld, was unembittered laughter.
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Sinclair Lewis (Main Street)
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I guess the last remaining question is: What about the sombrero? It's still there, lying in the street but its temperature had returned to -24 degrees and fortunately for America it stayed there. Millions of tourists have walked all around it but not one of them has seen it, though it is in plain sight. How can you miss a very cold white sombrero lying in the Main Street of a town? In other words: There is more to life than meets the eye.
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Richard Brautigan (Sombrero Fallout (Arena Books))
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I think perhaps we want a more conscientious life. We're tired of drudging and sleeping and dying. We're tired of always deferring hope to the next generation. We're tired of hearing the politicians and priests and cautious reformers (and the husbands!) coax us, 'Be calm! Be patient! Wait! We have plans for a Utopia already made; just give us a bit more time and we'll produce it; trust us; we're wiser than you.' For ten thousand years they've said that. We want our Utopia now - and we're going to try our hands at it. All we want is - everything for all of us! For every housewife and every longshoreman and every Hindu nationalist and every teacher. We want everything. We sha'n't get it. So we sha'n't ever be content -
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Sinclair Lewis (Main Street)
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[...] all of the good-intentioners who wanted to 'do something for the common people' were insignificant, because the 'common people' were able to do things for themselves, and highly likely to, as soon as they learned the fact.
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Sinclair Lewis (Main Street)
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Olivia was moody. Moody wasn't a word with which she was very familiar, but if it meant that her moods swung back and forth for no reason at all, and that she felt crabby and wanted to be alone more often than she felt content and friendly, and that she was often tempted to slam her bedroom door - preferably in someone's face - well, then, moody described perfectly the way she'd been feeling lately.
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Ann M. Martin (Coming Apart (Main Street, #9))
β€œ
Buffett's uncommon urge to chronicle made him a unique character in American life, not only a great capitalist but the Great Explainer of American capitalism. He taught a generation how to think about business, and he showed that securities were not just tokens like the Monopoly flatiron, and that investing need not be a game of chance. It was also a logical, commonsensical enterprise, like the tangible businesses beneath. He stripped Wall Street of its mystery and rejoined it to Main Street -- a mythical or disappearing place, perhaps, but one that is comprehensible to the ordinary American.
”
”
Roger Lowenstein (Buffett: The Making of an American Capitalist)
β€œ
I detested that people who already had everything they could possibly want would step on others who had nothing. Would use them and crush them. I'd lived my life mainly in the streets and found out the hard way that people who could have helped just hurt us.
”
”
Christine Feehan (Toxic Game (GhostWalkers #15))
β€œ
And Casey said, β€œWe could go get a pizza and a beer, maybe? If you wanted to.” And this. This was on the list. Gus was prepared for this. And before he could think it through, Gus said, β€œHey, bro, I have a better idea. Let’s go try that heart-healthy vegan restaurant that just opened over on Main Street. I hear their crispy kale and tofu salad is the bomb.” Lottie dropped the smoothie she was making. It exploded as soon as it hit the ground, berry juice spraying all over her. β€œSorry,” she exclaimed. β€œSo sorry! It just slipped!” Gus didn’t pay much attention because he was in the throes of realizing two things at once: first, no new heart-healthy vegan restaurant has opened in Abby, much less on Main Street. And two, being normal was a lot harder than it looked because what the hell had he just done?
”
”
T.J. Klune (How to Be a Normal Person (How to Be, #1))
β€œ
My dear man, there's nothing I'd like better than to be by myself occasionally... I suppose you expect me to sit here and dream delicately and satisfy my tempermentality while you wander in from the bathroom with lather all over your face and shout "seen my brown pants?
”
”
Sinclair Lewis (Main Street)
β€œ
And that wasn't the end of it. There are always those who take it upon themselves to defend God, as if Ultimate Reality, as if the sustaining frame of existence, were something weak and helpless. These people walk by a widow deformed by leprosy begging for a few paise, walk by children dressed in rags living in the street, and they think, "Business as usual." But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening. These people fail to realize that it is on the inside that God must be defended, not on the outside. They should direct their anger at themselves. For evil in the open is but evil from within that has been let out. The main battlefield for good is not the open ground of the public arena but the small clearing of each heart. Meanwhile, the lot of widows and homeless children is very hard, and it is to their defense, not God's, that the self-righteous should rush.
”
”
Yann Martel (Life of Pi)
β€œ
Those faces on Main Street shaded by wide straw hats are surrounded in my child-memory by hardware and ploughs, seed bags and bales of cotton, the smell of guano and mule lots, hot sun on sidewalks and lovely white ladies with sweet childlike voices and smooth childlike faces, and Old gardens of boxwood and camellias, and fields endlessly curving around my small world. I know now that the bitterness, the cruel sensual lips, the quick fears in hard eyes, the sashshaying buttocks of brown girls, the thin childish voices of white women, had a great deal to do with high interest at the bank and low wages in the mills and gullied fields and lynchings and Ku Klux Klan and segregation and sacred womanhood and revivals, and Prohibition. And that no part of this memory can be understood without recalling it all of it.
”
”
Lillian Smith
β€œ
Not long ago, after my last trip to Russia, I had a conversation with an American very eminent in the field of politics. I asked what he read, and he replied that he studied history, sociology, politics and law. "How about fiction - novels, plays poetry?" I asked. "No," he said, "I have never had time for them. There's so much else I have to read." I said, "Sir, I have recently visited Russia for the third time and don't know how well I understand Russians; but I do know that if I only read Russian history I could not have had the access to Russian thinking I have had from reading Dostoevsky, Tolstoy, Chekhov, Pushkin, Turgenev, Sholokhov, and Ehrenburg. History only recounts, with some inaccuracy, what they did. The fiction tells, or tries to tell, why they did it and what they felt and were like when they did it." My friend nodded gravely. "I hadn't though of that," he said. "Yes, that might be so; I had always thought of fiction as opposed to fact." But in considering the American past, how poor we would be in information without Huckleberry Fin, An American Tragedy, Winesburg, Ohio, Main Street, The Great Gatsby, and As I Lay Dying.
”
”
John Steinbeck (America and Americans)
β€œ
She was close in her husband's arms; she clung to him; whatever of strangeness and slowness and insularity she might find in him, none of that mattered so long as she could slip her hands beneath his coat, run her fingers over the warm smoothness of the satin back of his waistcoat, seem almost to creep into his body, find in him strength, find in the courage and kindness of her man a shelter from the perplexing world.
”
”
Sinclair Lewis (Main Street)
β€œ
By April 1999, the plain was nearly filled, all the way to the foothills. But the fiercely independent residents refused to incorporate. A new town would only impose new rules and new taxes. The 100,000 new arrivals filled one continuous suburb with no town center: no main street, no town hall, town library, or town name. No one was sure what to call it. Littleton is a quiet suburb south of Denver where the massacre did not actually occur. Although the name would grow synonymous with the tragedy, Columbine lies several miles west, across the South Platte River, in a different county with separate schools and law enforcement. The postal system slapped β€œLittleton” onto a vast tract of seven hundred square miles, stretching way up into the foothills.
”
”
Dave Cullen (Columbine)
β€œ
As for describing the smell of a spaniel mixed with the smell of torches, laurels, incense, banners, wax candles and a garland of rose leaves crushed by a satin heel that has been laid up in camphor, perhaps Shakespeare, had he paused in the middle of writing Antony and Cleopatra β€” But Shakespeare did not pause. Confessing our inadequacy, then, we can but note that to Flush Italy, in these the fullest, the freest, the happiest years of his life, meant mainly a succession of smells. Love, it must be supposed, was gradually losing its appeal. Smell remained. Now that they were established in Casa Guidi again, all had their avocations. Mr. Browning wrote regularly in one room; Mrs. Browning wrote regularly in another. The baby played in the nursery. But Flush wandered off into the streets of Florence to enjoy the rapture of smell. He threaded his path through main streets and back streets, through squares and alleys, by smell. He nosed his way from smell to smell; the rough, the smooth, the dark, the golden. He went in and out, up and down, where they beat brass, where they bake bread, where the women sit combing their hair, where the bird-cages are piled high on the causeway, where the wine spills itself in dark red stains on the pavement, where leather smells and harness and garlic, where cloth is beaten, where vine leaves tremble, where men sit and drink and spit and dice β€” he ran in and out, always with his nose to the ground, drinking in the essence; or with his nose in the air vibrating with the aroma. He slept in this hot patch of sun β€” how sun made the stone reek! he sought that tunnel of shade β€” how acid shade made the stone smell! He devoured whole bunches of ripe grapes largely because of their purple smell; he chewed and spat out whatever tough relic of goat or macaroni the Italian housewife had thrown from the balcony β€” goat and macaroni were raucous smells, crimson smells. He followed the swooning sweetness of incense into the violet intricacies of dark cathedrals; and, sniffing, tried to lap the gold on the window- stained tomb. Nor was his sense of touch much less acute. He knew Florence in its marmoreal smoothness and in its gritty and cobbled roughness. Hoary folds of drapery, smooth fingers and feet of stone received the lick of his tongue, the quiver of his shivering snout. Upon the infinitely sensitive pads of his feet he took the clear stamp of proud Latin inscriptions. In short, he knew Florence as no human being has ever known it; as Ruskin never knew it or George Eliot either.
”
”
Virginia Woolf (Flush)
β€œ
What the hell was that?” one of them asked. β€œJackal,” Irene stated quietly while watching city streets turn to suburb. They weren’t taking her to a main airport but a small airstrip. One built exclusively for private planes. β€œDid she just call us jackals?” one of them joked. Irene grinned which wiped the smile off the man’s face. β€œNo. I said the howl you heard was jackal.” She looked at Jenny. β€œThey’ll be coming for you.” Jenny glanced at the men and back at her. She looked terribly concerned she had a lunatic in the car with her. β€œThe jackals will be coming for me?” β€œNo. The wolves.” Jenny sighed. β€œWhy oh why do I always get the nutcases?” β€œOh!” Irene pointed excitedly. β€œSee that spot up there?” β€œWhat about it?” β€œThat’s where it all started. Where I crossed the Rubicon.” Exasperated, Jenny snarled, β€œWhat the fuck are you talking about?” β€œIt’s feeding time,” Irene whispered. β€œThat’s it.” Jenny threw up her hands. β€œWe’re so medicating her.
”
”
Shelly Laurenston (When He Was Bad (Magnus Pack, #3.5; Pride, #0.75; Smith's Shifter World, #3.5))
β€œ
A scattering of pinpoint lights shows up in the blackness ahead. A town or village straddling the highway. The indicator on the speedometer begins to lose ground. The man glances in his mirror at the girl, a little anxiously as if this oncoming town were some kind of test to be met. An illuminated road sign flashes by: CAUTION! MAIN STREET AHEAD - SLOW UP The man nods grimly, as if agreeing with that first word. But not in the way it is meant. The lights grow bigger, spread out on either side. Street lights peer out here and there among the trees. The highway suddenly sprouts a plank sidewalk on each side of it. Dark store-windows glide by. With an instinctive gesture, the man dims his lights from blinding platinum to just a pale wash. A lunch-room window drifts by. ("Jane Brown's Body")
”
”
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
β€œ
London was beginning to illuminate herself against the night. Electric lights sizzled and jagged in the main thoroughfares, gas-lamps in the side streets glimmered a canary gold or green. The sky was a crimson battlefield of spring, but London was not afraid. Her smoke mitigated the splendour, and the clouds down Oxford Street were a delicately painted ceiling, which adorned while it did not distract. She has never known the clear-cut armies of the purer air. Leonard hurried through her tinted wonders, very much part of the picture. His was a grey life, and to brighten it he had ruled off a few corners for romance.
”
”
E.M. Forster (Howards End)
β€œ
It is an unimaginatively standardized background, a sluggishness, of speech and manners, a rigid ruling of the spirit by the desire to appear respectable. It is contentment...the contentment of the quiet dead, who are scornful of the living for their restless walking. It is negation canonized as the one positive virtue. It is the prohibition of happiness. It is slavery self-sought and self-defended. It is dullness made God. A savorless people, gulping tasteless food, and sitting afterward, coatless and thoughtless, in rocking chairs prickly with inane decorations, listening to mechanical music, saying mechanical things about the excellence of Ford automobiles, and viewing themselves as the greatest race in the world.
”
”
Sinclair Lewis (Main Street)
β€œ
I was holding on to hurricane nights and lit candles and my acoustic guitar resting in your hands. I was holding on to the sound of your voice saying my name and the peace I felt with your arms around me. I was holding on to documentaries in bed and your beautiful eyes closed as you sang Rocket Man and all the songs we never finished. I was holding on to our first text and last phone call and the plane ticket you offered but never sent. I was holding on to our first Christmas together and the last few Christmas Eves apart and I've been thinking we should be together. we should be kissing even if there isn't any mistletoe because if I have you there' no reason to celebrate and fuck, your lips were mine. They were always supposed to be mine. I was holding on to hope and banana pancakes on Sundays. I was holding on to Main Street and sunsets in Jersey. I was holding on to two streets that separated us and blizzards that couldn't keep us apart. I was holding on to you. I was holding on to us. And it was killing me.
”
”
Christina Hart (Letting Go Is an Acquired Taste)
β€œ
All this working land was turned into exuberance by the light. The sunshine was dizzy on open stubble; shadows from immense cumulus clouds were forever sliding across low mounds; and the sky was wider and loftier and more resolutely blue than the sky of cities... she declared. "It's a glorious country; a land to be big in
”
”
Sinclair Lewis (Main Street)
β€œ
It was Christmas night in the Castle of the Forest Sauvage, and all around length. It hung on the boughs of the forest trees in rounded lumps, even better than apple-blossom, and occasionally slid off the roofs of the village when it saw the chance of falling on some amusing character and giving pleasure to all. The boys made snowballs with it, but never put stones in them to hurt each other, and the dogs, when they were taken out to scombre, bit it and rolled in it, and looked surprised but delighted when they vanished into the bigger drifts. There was skating on the moat, which roared with the gliding bones which they used for skates, while hot chestnuts and spiced mead were served on the bank to all and sundry. The owls hooted. The cooks put out plenty of crumbs for the small birds. The villagers brought out their red mufflers. Sir Ector’s face shone redder even than these. And reddest of all shone the cottage fires down the main street of an evening,
”
”
T.H. White (The Once and Future King (The Once and Future King, #1-4))
β€œ
Last fall, I was sitting at the kitchen table of two friends who have been together since 1972. They tell me a story about how they got together. She couldn't decide between two suitors, so she left New York City to spend the summer in an ashram. (Did I mention was 1972?) One of the suitors sent her postcards while she was gone, the famous postcards that came inside the sleeve of the Rolling Stones' Exile on Main Street. Needless to say, he was the suitor that won her hand. They tell me this story, laughing and interrupting each other, as their teenage daughter walks through the kitchen on her way out to a Halloween party. I've heard of these postcards - over the years, I've heard plenty of record-collector guys boast that they own the original vinyl Exile on Main Street with the original postcards, intact and pristine in the virgin sleeve. I've never heard of anybody getting rid of their prized Exile postcards, much less actually writing on them and sending them through the mail to a girl. I watch these two, laughing over this story at the same kitchen table they've shared for thirty years. I realize that I will never fully understand the millions of bizarre ways that music brings people together.
”
”
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
β€œ
A credit default swap was confusing mainly because it wasn’t really a swap at all. It was an insurance policy, typically on a corporate bond, with semiannual premium payments and a fixed term. For instance, you might pay $200,000 a year to buy a ten-year credit default swap on $100 million in General Electric bonds. The most you could lose was $2 million: $200,000 a year for ten years. The most you could make was $100 million, if General Electric defaulted on its debt any time in the next ten years and bondholders recovered nothing. It was a zero-sum bet: If you made $100 million, the guy who had sold you the credit default swap lost $100 million. It was also an asymmetric bet, like laying down money on a number in roulette. The most you could lose were the chips you put on the table; but if your number came up you made thirty, forty, even fifty times your money.
”
”
Michael Lewis (The Big Short: Inside the Doomsday Machine)
β€œ
It was difficult to say which were the more dismal, these deserted streets that wandered away to right and left, or the great main thoroughfare with its narcotic and shadowy life. For the latter appeared vast, interminable, grey, and those who travelled by it were scarcely real, the bodies of the living, but rather the uncertain and misty shapes that come sand go across the desert in an Eastern tale, when men look up from the sand and see a caravan pass them, all in silence, without a cry or a greeting. So they passed and repassed each other on those pavements, appearing and vanishing, each intent on his own secret, and wrapped in obscurity.
”
”
Arthur Machen (The Hill of Dreams)
β€œ
Practical jokes are a demonstration that the distinction between seriousness and play is not a law of nature but a social convention which can be broken, and that a man does not always require a serious motive for deceiving another. Two men, dressed as city employees, block off a busy street and start digging it up. The traffic cop, motorists and pedestrians assume that this familiar scene has a practical explanation – a water main or an electric cable is being repaired – and make no attempt to use the street. In fact, however, the two diggers are private citizens in disguise who have no business there. All practical jokes are anti-social acts, but this does not necessarily mean that all practical jokes are immoral. A moral practical joke exposes some flaw of society which is hindrance to a real community or brotherhood. That it should be possible for two private individuals to dig up a street without being stopped is a just criticism of the impersonal life of a large city where most people are strangers to each other, not brothers; in a village where all inhabitants know each other personally, the deception would be impossible.
”
”
W.H. Auden (The Dyer's Hand and Other Essays)
β€œ
His wife would never admit it to him, but Billy’s guess was that interns killed patients all the time, and their supervisors, with an eye for the long-term healer to come, mainly looked the other way. Well, it was the same with him. In order to get the greater job done, to mold your people as you saw fit and prepare them to effectively do the job in the years to come, you tolerated error, you turned a not-quite-blind eye to the actions of others and to your own actions. You created secrets and you kept secrets. Out on the streets, same thing: depending on the individual and the situation, sometimes you threw the Thor hammer at a misdemeanor, other times you let an individual walk who had no right to sleep in his own bed that night. You did all these things and more because as a boss, if you weren’t willing to play fast and loose when required, if you weren’t willing to make a discreet hash of the rule book now and then, on this job you might as well call in sick. That’s just the way it was. *
”
”
Harry Brandt (The Whites)
β€œ
What are we waiting for, assembled in the forum? The barbarians are due here today. Why isn't anything happening in the senate? Why do the senators sit there without legislating? Because the barbarians are coming today. What laws can the senators make now? Once the barbarians are here, they'll do the legislating. Why did our emperor get up so early, and why is he sitting at the city's main gate on his throne, in state, wearing the crown? Because the barbarians are coming today and the emperor is waiting to receive their leader. He has even prepared a scroll to give him, replete with titles, with imposing names. Why have our two consuls and praetors come out today wearing their embroidered, their scarlet togas? Why have they put on bracelets with so many amethysts, and rings sparkling with magnificent emeralds? Why are they carrying elegant canes beautifully worked in silver and gold? Because the barbarians are coming today and things like that dazzle the barbarians. Why don't our distinguished orators come forward as usual to make their speeches, say what they have to say? Because the barbarians are coming today and they're bored by rhetoric and public speaking. Why this sudden restlessness, this confusion? (How serious people's faces have become.) Why are the streets and squares emptying so rapidly, everyone going home so lost in thought? Because night has fallen and the barbarians have not come. And some who have just returned from the border say there are no barbarians any longer. And now, what's going to happen to us without barbarians? They were, those people, a kind of solution
”
”
Constantinos P. Cavafy
β€œ
Some of the city legislators, whose concern for appropriate names and the maintenance of the city's landmarks was the principal part of their political life, saw to it that "Doctor Street" was never used in any official capacity. And since they knew that only Southside residents kept it up, they had notices posted in the stores, barbershops, and restaurants in that part of the city saying that the avenue running northerly and southerly from Shore Road fronting the lake to the junction of routes 6 and 2 leading to Pennsylvania, and also running parallel to and between Rutherford Avenue and Broadway, had always been and would always be known as Mains Avenue and not Doctor Street. It was a genuinely clarifying public notice because it gave Southside residents a way to keep their memories alive and please the city legislators as well. They called it Not Doctor Street, and were inclined to call the charity hospital at its northern end No Mercy Hospital since it was 1931, on the day following Mr. Smith's leap from its cupola, before the first colored expectant mother was allowed to give birth inside its wards and not on its steps.
”
”
Toni Morrison (Song of Solomon)
β€œ
Italy still has a provincial sophistication that comes from its long history as a collection of city states. That, combined with a hot climate, means that the Italians occupy their streets and squares with much greater ease than the English. The resultant street life is very rich, even in small towns like Arezzo and Gaiole, fertile ground for the peeping Tom aspect of an actor’s preparation. I took many trips to Siena, and was struck by its beauty, but also by the beauty of the Siennese themselves. They are dark, fierce, and aristocratic, very different to the much paler Venetians or Florentines. They have always looked like this, as the paintings of their ancestors testify. I observed the groups of young people, the lounging grace with which they wore their clothes, their sense of always being on show. I walked the streets, they paraded them. It did not matter that I do not speak a word of Italian; I made up stories about them, and took surreptitious photographs. I was in Siena on the final day of the Palio, a lengthy festival ending in a horse race around the main square. Each district is represented by a horse and jockey and a pair of flag-bearers. The day is spent by teams of supporters with drums, banners, and ceremonial horse and rider processing round the town singing a strange chanting song. Outside the Cathedral, watched from a high window by a smiling Cardinal and a group of nuns, with a huge crowd in the Cathedral Square itself, the supporters passed, and to drum rolls the two flag-bearers hurled their flags high into the air and caught them, the crowd roaring in approval. The winner of the extremely dangerous horse race is presented with a palio, a standard bearing the effigy of the Virgin. In the last few years the jockeys have had to be professional by law, as when they were amateurs, corruption and bribery were rife. The teams wear a curious fancy dress encompassing styles from the twelfth to the eighteenth centuries. They are followed by gangs of young men, supporters, who create an atmosphere or intense rivalry and barely suppressed violence as they run through the narrow streets in the heat of the day. It was perfect. I took many more photographs. At the farmhouse that evening, after far too much Chianti, I and my friends played a bizarre game. In the dark, some of us moved lighted candles from one room to another, whilst others watched the effect of the light on faces and on the rooms from outside. It was like a strange living film of the paintings we had seen. Maybe Derek Jarman was spying on us.
”
”
Roger Allam (Players of Shakespeare 2: Further Essays in Shakespearean Performance by Players with the Royal Shakespeare Company)
β€œ
Let them talk more munitions and airplanes and battleships and tanks and gases why of course we’ve got to have them we can’t get along without them how in the world could we protect the peace if we didn’t have them? Let them form blocs and alliances and mutual assistance pacts and guarantees of neutrality. Let them draft notes and ultimatums and protests and accusations. But before they vote on them before they give the order for all the little guys to start killing each other let the main guy rap his gavel on my case and point down at me and say here gentlemen is the only issue before this house and that is are you for this thing here or are you against it. And if they are against it why goddam them let them stand up like men and vote. And if they are for it let them be hanged and drawn and quartered and paraded through the streets in small chopped up little bits and thrown out into the fields where no clean animal will touch them and let their chunks rot there and may no green thing ever grow where they rot. Take me into your churches your great towering cathedrals that have to be rebuilt every fifty years because they are destroyed by war. Carry me in my glass box down the aisles where kings and priests and brides and children at their confirmation have gone so many times before to kiss a splinter of wood from a true cross on which was nailed the body of a man who was lucky enough to die. Set me high on your altars and call on god to look down upon his murderous little children his dearly beloved little children. Wave over me the incense I can’t smell. Swill down the sacramental wine I can’t taste. Drone out the prayers I can’t hear. Go through the old holy gestures for which I have no legs and no arms. Chorus out the hallelujas I can’t sing. Bring them out loud and strong for me your hallelujas all of them for me because I know the truth and you don’t you fools. You fools you fools you fools…
”
”
Dalton Trumbo (Johnny Got His Gun)
β€œ
and drew her strength directly from our magickal Oklahoma earth. β€œU-we-tsi-a-ge-ya, it seems I need help at the lavender booth. I simply cannot believe how busy we are.” Grandma had barely spoken when a nun hurried up. β€œZoey, Sister Mary Angela could use your help filling out cat adoption forms.” β€œI’ll help you, Grandma Redbird,” Shaylin said. β€œI love the smell of lavender.” β€œOh, honey, that would be so sweet of you. First, could you run to my car and get into the trunk. There is another box of lavender soaps and sachets tucked back there. Looks like I’m going to sell out completely,” Grandma said happily. β€œSure thing.” Shaylin caught the keys Grandma tossed to her and hurried toward the main exit of the school grounds which led to the parking lot, as well as the tree-lined road that joined Utica Street. β€œAnd I’ll call my momma. She said just let her know if we get too busy over here. She and the PTA moms will be back here in a sec,” said Stevie Rae. β€œGrandma, do you mind if I give Street Cats a hand? I’ve been dying to check out their new litter of kittens.” β€œGo on, u-we-tsi-a-ge-ya. I think Sister Mary Angela has been missing your company.” β€œThanks, Grandma.” I smiled at her. Then I turned to Stevie Rae. β€œOkay, if your mom’s group is coming back, I’m gonna go help the nuns.” β€œYeah, no problem.” Stevie Rae, shielding her eyes and peering through the crowd, added, β€œI see her now, and she’s got Mrs. Rowland and Mrs. Wilson with her.” β€œDon’t worry. We can handle this,” Shaunee said. β€œβ€™Kay,” I said, grinning at both of them. β€œI’ll be back as soon as I can.” I left the cookie booth and noticed Aphrodite, clutching her big purple Queenies cup, was right on my heels. β€œI thought you didn’t want a lecture from the nuns.” β€œBetter than a lecture from PTA moms.” She shuddered. β€œPlus, I like cats more than people.” I shrugged. β€œOkay, whatever.” We’d only gotten partway to the Street Cats tent when Aphrodite slowed way down. β€œSeriously. Effing. Pathetic.” She was muttering around her straw, narrowing her eyes, and glaring. I followed her gaze and joined her frown. β€œYeah, no matter how many times I see them together, I still don’t get it.” Aphrodite and I had stopped to watch Shaunee’s ex-Twin BFF, Erin, hang all over Dallas. β€œI really thought she was better than that.” β€œApparently not,” Aphrodite said. β€œEeew,” I said, looking away from their way too public display of locked lips. β€œI’m telling you, there’s not enough booze in Tulsa to make watching those two suck face okay.” She made a gagging sound, which changed to a snort and a laugh. β€œCheck out the wimple, twelve o’clock.” Sure enough, there was a nun I vaguely recognized as Sister Emily (one of the more uptight of the nuns) descending on the too-busy-with-their-tongues-to-notice couple. β€œShe looks serious,” I said. β€œYou know, a nun may very well be the direct opposite of an aphrodisiac. This should be entertaining. Let’s watch.” β€œZoey! Over here!” I looked from the train wreck about to happen to see Sister Mary Angela waving me over to her.
”
”
P.C. Cast (Revealed (House of Night #11))