Botanical Quotes

Do you know that even when you look at a tree and say, `That is an oak tree', or `that is a banyan tree', the naming of the tree, which is botanical knowledge, has so conditioned your mind that the word comes between you and actually seeing the tree? To come in contact with the tree you have to put your hand on it and the word will not help you to touch it.

And when you come back to Japan next summer, let's have that date or whatever you want to call it. We can go to the zoo or the botanical garden or the aquarium, and then we'll have the most politically correct and scrumptious omelets we can find.

Tomber amoureux. To fall in love. Does it occur suddenly or gradually? If gradually, when is the moment “already”? I would fall in love with a monkey made of rags. With a plywood squirrel. With a botanical atlas. With an oriole. With a ferret. With a marten in a picture. With the forest one sees to the right when riding in a cart to Jaszuny. With a poem by a little-known poet. With human beings whose names still move me. And always the object of love was enveloped in erotic fantasy or was submitted, as in Stendhal, to a “cristallisation,” so it is frightful to think of that object as it was, naked among the naked things, and of the fairy tales about it one invents. Yes, I was often in love with something or someone. Yet falling in love is not the same as being able to love. That is something different.

Nevermore Tree was gargantuan, a word which here means 'having attained an inordinate amount of botanical volume.

It is of course perfectly natural to assume that everyone else is having a far more exciting time than you. Human beings, for instance, have a phrase that describes this phenomenon, ‘The other man’s grass is always greener.’ The Shaltanac race of Broopkidren 13 had a similar phrase, but since their planet is somewhat eccentric, botanically speaking, the best they could manage was, ‘The other Shaltanac's joopleberry shrub is always a more mauvy shade of pinky-russet.’ And so the expression soon fell into disuse, and the Shaltanacs had little option but to become terribly happy and contented with their lot, much to the surprise of everyone else in the Galaxy who had not realized that the best way not to be unhappy is not to have a word for it.

He made two or three peculiar observations; as when shewn the botanical garden, 'Is not EVERY garden a botanical garden?

The decor bowled me over. Everywhere I looked, there was something more to see. Botanical prints, a cross section of pomegranates, a passionflower vine and its fruit. Stacks of thick books on art and design and a collection of glass paperweights filled the coffee table. It was enormously beautiful, a sensibility I'd never encountered anywhere, a relaxed luxury. I could feel my mother's contemptuous gaze falling on the cluttered surfaces, but I was tired of three white flowers in a glass vase. There was more to life than that.

a sort of botanical glory-hole

For disease prevention, berries of all colors have “emerged as champions,” according to the head of the Bioactive Botanical Research Laboratory.39 The purported anticancer properties of berry compounds have been attributed to their apparent ability to counteract, reduce, and repair damage resulting from oxidative stress and inflammation.40 But it wasn’t known until recently that berries may also boost your levels of natural killer cells.

I was going through the botanical theory book, and while I was reading I remembered something Blue Horse said to me back before Gilbert was born. He said wisdom is not a path, it is a tree.

Yes, sir, but the Librarian likes bananas, sir." "Very nourishin' fruit, Mr Stibbons." "Yes, sir. Although, funnily enough it's not actually a fruit, sir." "Really?" "Yes, sir. Botanically, it's a type of fish, sir. According to my theory it's cladistically associated with the Krullian pipefish, sir, which of course is also yellow and goes around in bunches or shoals." "And lives in trees?" "Well, not usually, sir. The banana is obviously exploiting a new niche." "Good heavens, really? It's a funny thing, but I've never much liked bananas and I've always been a bit suspicious of fish, too. That'd explain it.

When you walk through a beautiful botanical garden, you feel open and light. You feel love. You see beauty. You don’t judge the shape and placement of every leaf. The leaves are of all sizes and shapes and they face every-which-way. That’s what makes them beautiful. What if you felt that way about people? What if they didn’t all have to dress the same, believe the same, or behave the same? What if they were like the flowers, and however they happened to be seemed beautiful to you?

Bred to the pavement and steel that became his life's work, he nonetheless marvels at the annual miracle of baby peregrine falcons hatching high atop the George Washington's towers, and at the sheer botanical audacity of grass, weeds, and ailanthus trees that defiantly bloom, far from topsoil, from metal niches suspended high above the water.

Old people only say that life happens quickly to make themselves feel better. The truth is that it all happens in tiny increments like now now now now now now and it only takes twenty to thirty consecutive nows to realize that you’re aimed straight at a bench in Singleton Park. Fair play though, if I was old and had forgotten to do something worthwhile with my life, I would spend those final few years on a bench in the botanical gardens, convincing myself that time is so quick that even plants – who have no responsibilities whatsoever – hardly get a chance to do anything decent with their lives except, perhaps, produce one or two red or yellow flowers and, with a bit of luck and insects, reproduce. If the old man manages to get the words father and husband on his bench plaque then he thinks he can be reasonably proud of himself.

Felicity Montague, you are a cactus.” “Debatable.” My knees are aching against the hard floor, so I stretch out on my stomach parallel to her, propping my chin on my hands. “My botanical equivalent would more likely be . . . what are those plants that shrivel as soon as you touch them? I’d be one of those.

A poisonous seed will only kill you if you chew it and swallow.

Prohibition kills, education saves lives

evolutionary pressures have adapted the human brain to store immense quantities of botanical, zoological, topographical and social information.

A day off meant we could do things we’d always meant to do. Like go to the Botanical Garden, the Frick Collection, or something. Read some fiction. Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn’t get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.

Lyra at eighteen sitting intent and absorbed in Duke Humfrey’s Library with the alethiometer and a pile of leather-bound books. Tucking the hair back behind her ears, pencil in mouth, finger moving down a list of symbols, Pantalaimon holding the stiff old pages open for her … “Look, Pan, there’s a pattern there—see? That’s why they’re in that sequence!” And it felt as if the sun had come out. It was the second thing she said to Will next day in the Botanic Garden.

The making of gardens and parks goes on with civilization all over the world, and they increase both in size and number as their value is recognized. Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike. This natural beauty-hunger is made manifest in the little windowsill gardens of the poor, though perhaps only a geranium slip in a broken cup, as well as in the carefully tended rose and lily gardens of the rich, the thousands of spacious city parks and botanical gardens, and in our magnificent National Parks—the Yellowstone, Yosemite, Sequoia, etc.—Nature's sublime wonderlands, the admiration and joy of the world. Nevertheless, like anything else worth while, from the very beginning, however well guarded, they have always been subject to attack by despoiling gain-seekers and mischief-makers of every degree from Satan to Senators, eagerly trying to make everything immediately and selfishly commercial, with schemes disguised in smug-smiling philanthropy, industriously, sham-piously crying, "Conservation, conservation, panutilization," that man and beast may be fed and the dear Nation made great. Thus long ago a few enterprising merchants utilized the Jerusalem temple as a place of business instead of a place of prayer, changing money, buying and selling cattle and sheep and doves; and earlier still, the first forest reservation, including only one tree, was likewise despoiled. Ever since the establishment of the Yosemite National Park, strife has been going on around its borders and I suppose this will go on as part of the universal battle between right and wrong, however much of its boundaries may be shorn, or its wild beauty destroyed.

The infinitesimal seedlings became a forest of trees that grew courteously, correcting the distances between themselves as they shaped themselves to the promptings of available light and moisture, tempering the climate and the temperaments of the Scots, as the driest land became moist and the wettest land became dry, seedlings finding a mean between extremes, and the trees constructing a moderate zone for themselves even into what I would have called tundra, until I understood the fact that Aristotle taught, while walking in a botanic garden, that the middle is fittest to discern the extremes. ("Interim")

Would not the earth, quickened to an evil purpose by the sympathy of his eye, greet him with poisonous shrubs... Would he not suddenly sink into the earth, leaving a barren and blasted spot, where, in due course of time, would be seen deadly nightshade, dogwood, henbane, and whatever else of vegetable wickedness the climate could produce, all flourishing with hideous luxuriance?

The first casualty of war is truth, and the war on drugs is no different

Sometimes busywork is the only thing holding back existential dread.

Botanical Pavilion of Lost Cities?

Of the approximately 93 species of butterfly species in California, --a botanically rich and diverse state—65 species can only reproduce on native plants.

FRUIT IS NOT A VEGETABLE Although fruits and vegetables are often considered interchangeable, they’re more different than similar, both botanically and metabolically.

If you have read this far in the chronicle of the Baudelaire orphans - and I certainly hope you have not - then you know we have reached the thirteenth chapter of the thirteenth volume in this sad history, and so you know the end is near, even though this chapter is so lengthy that you might never reach the end of it. But perhaps you do not yet know what the end really means. "The end" is a phrase which refers to the completion of a story, or the final moment of some accomplishment, such as a secret errand, or a great deal of research, and indeed this thirteenth volume marks the completion of my investigation into the Baudelaire case, which required much research, a great many secret errands, and the accomplishments of a number of my comrades, from a trolley driver to a botanical hybridization expert, with many, many typewriter repairpeople in between. But it cannot be said that The End contains the end of the Baudelaires' story, any more than The Bad Beginning contained its beginning. The children's story began long before that terrible day on Briny Beach, but there would have to be another volume to chronicle when the Baudelaires were born, and when their parents married, and who was playing the violin in the candlelit restaurant when the Baudelaire parents first laid eyes on one another, and what was hidden inside that violin, and the childhood of the man who orphaned the girl who put it there, and even then it could not be said that the Baudelaires' story had not begun, because you would still need to know about a certain tea party held in a penthouse suite, and the baker who made the scones served at the tea party, and the baker's assistant who smuggled the secret ingredient into the scone batter through a very narrow drainpipe, and how a crafty volunteer created the illusion of a fire in the kitchen simply by wearing a certain dress and jumping around, and even then the beginning of the story would be as far away as the shipwreck that leftthe Baudelaire parents as castaways on the coastal shelf is far away from the outrigger on which the islanders would depart. One could say, in fact, that no story really has a beginning, and that no story really has an end, as all of the world's stories are as jumbled as the items in the arboretum, with their details and secrets all heaped together so that the whole story, from beginning to end, depends on how you look at it. We might even say that the world is always in medias res - a Latin phrase which means "in the midst of things" or "in the middle of a narrative" - and that it is impossible to solve any mystery, or find the root of any trouble, and so The End is really the middle of the story, as many people in this history will live long past the close of Chapter Thirteen, or even the beginning of the story, as a new child arrives in the world at the chapter's close. But one cannot sit in the midst of things forever. Eventually one must face that the end is near, and the end of The End is quite near indeed, so if I were you I would not read the end of The End, as it contains the end of a notorious villain but also the end of a brave and noble sibling, and the end of the colonists' stay on the island, as they sail off the end of the coastal shelf. The end of The End contains all these ends, and that does not depend on how you look at it, so it might be best for you to stop looking at The End before the end of The End arrives, and to stop reading The End before you read the end, as the stories that end in The End that began in The Bad Beginning are beginning to end now.

People are dying because of ignorance. They are dying because unremitting propaganda is denying them essential safety information. They are dying because legislators and the media are censoring the science, and are ruthlessly pushing an ideological agenda instead. They are dying because the first casualty of war is truth, and the war on drugs is no different.

I ran from them. Nights, yellow lights scoured sand. What was ever found but women in skirts folded around the men they loved that Friday? No one found me. And how could that have been, here, where even botanical names were recorded and small roads mapped in red? Night, the sky is black paper pecked with pinholes.

If then, we would indeed restore mankind by truly botanic, magnetic, or natural means, let us first be as simple and well as Nature ourselves, dispel the clouds which hang over our brows, and take up a little life into our pores. Do not stay to be an overseer of the poor, but endeavor to become of the worthies of the world.

But a male tree produces only small, well-behaved flowers—that is, if your definition of well behaved includes spewing plant sperm into the air for weeks on end.

Why is it that every nation considers its own customs reasonable, and those of other nations amusing?

What if you are holy, just as you are? What if you don’t need to be more “spiritual,” more kind, more anything?

Soon shall thy arm, UNCONQUER'D STEAM! afar Drag the slow barge, or drive the rapid car; Or on wide-waving wings expanded bear The flying-chariot through the fields of air.

Gregor now knew in his soul that greatness came at a price, and true greatness is paid for by the hour.

Is this some bizarre other world where such strangeness could be so comfortable?

Literary criticism can be no more than a reasoned account of the feeling produced upon the critic by the book he is criticizing. Criticism can never be a science: it is, in the first place, much too personal, and in the second, it is concerned with values that science ignores. The touchstone is emotion, not reason. We judge a work of art by its effect on our sincere and vital emotion, and nothing else. All the critical twiddle-twaddle about style and form, all this pseudoscientific classifying and analysing of books in an imitation-botanical fashion, is mere impertinence and mostly dull jargon.

Aromatherapy is more thoroughly defined as the skilled and controlled use of essential oils for physical and emotional health and well-being. Science is now confirming what has been known for centuries: essential oils have healing properties on both physical and emotional levels. Absorbed through the skin and via the olfactory-brain connection through inhalation, they have been considered among the most therapeutic and rejuvenating of all botanical extracts throughout the ages.

In so many places, we are so busy playing at being stewards of the Earth, deciding who gets to live and who gets to die. Once we have left our mark on an ecosystem, we show no hesitation in throwing open the hood again later to fiddle with its workings. We run the Earth as if it were one giant botanical garden to tend; passing judgment on species, playing God. I

She [Mrs. Badger] was surrounded in the drawing-room by various objects, indicative of her painting a little, playing the piano a little, playing the guitar a little, playing the harp a little, singing a little, working a little, reading a little, writing poetry a little, and botanizing a little. She was a lady of about fifty, I should think, youthfully dressed, and of a very fine complexion. If I add to the little list of her accomplishments that she rouged a little, I do not mean that there was any harm in it.

It reminds me of a story told by my friend Holly Youngbear Tibbetts. A plant scientist, armed with his notebooks and equipment, is exploring the rainforests for new botanical discoveries, and he has hired an indigenous guide to lead him. Knowing the scientist’s interests, the young guide takes care to point out the interesting species. The botanist looks at him appraisingly, surprised by his capacity. “Well, well, young man, you certainly know the names of a lot of these plants.” The guide nods and replies with downcast eyes. “Yes, I have learned the names of all the bushes, but I have yet to learn their songs.” I was teaching the names and ignoring the songs.

Must look into the botanical background of substance known as hashish," I jotted in my journal, writing by the light of candles that grew incessantly jewel-like even as protean wafts of incense approached my snout like platters of ripe fruits borne on the back of Nubian pages.

Such is the condition of organic nature! whose first law might be expressed in the words 'Eat or be eaten!' and which would seem to be one great slaughter-house, one universal scene of rapacity and injustice!

When you walk through a beautiful botanical garden, you feel open and light. You feel love. You see beauty. You don’t judge the shape and placement of every leaf. The leaves are of all sizes and shapes and they face every-which-way. That’s what makes them beautiful. What if you felt that way about people?

The bells gave tongue: Gaude, Sabaoth, John, Jericho, Jubilee, Dimity, Batty Thomas and Tailor Paul, rioting and exulting high up in the dark tower, wide mouths rising and falling, brazen tongues clamouring, huge wheels turning to the dance of the leaping ropes. Tin tan din dan bim bam bom bo--tan tin din dan bam bim bo bom--tan dan tin bam din bo bim bom--every bell in her place striking tuneably, hunting up, hunting down, dodging, snapping, laying her blows behind, making her thirds and fourths, working down to lead the dance again. Out over the flat, white wastes of fen, over the spear-straight, steel-dark dykes and the wind-bent, groaning poplar trees, bursting from the snow-choked louvres of the belfry, whirled away southward and westward in gusty blasts of clamour to the sleeping counties went the music of the bells--little Gaude, silver Sabaoth, strong John and Jericho, glad Jubilee, sweet Dimity and old Batty Thomas, with great Tailor Paul bawling and striding like a giant in the midst of them. Up and down went the shadows of the ringers upon the walls, up and down went the scarlet sallies flickering roofwards and floorwards, and up and down, hunting in their courses, went the bells of Fenchurch St. Paul.

I have always been sensitive to vibrations and energies. Sometimes, I meet people and the hairs on the back of my neck stand up and I know that person is just wrong somehow. That their wiring is different, their moral compass screwed.

Somewhere in the garden a nightingale was singing, and a little breeze touched her hair and stirred the leaves overhead. All the different bells of the city chimed, once each, this one high, that one low, some close by, others farther off, one cracked and peevish, another grave and sonorous, but agreeing in all their different voices on what the time was, even if some of them got to it a little more slowly than others. In that other Oxford where she and Will had kissed good-bye, the bells would be chiming, too, and a nightingale would be singing, and a little breeze would be stirring the leaves in the Botanic Garden...

Changing times can be disquieting enough, but if our fears grow silent they become ever more monstrous.

Revenge was a grisly business, but there was no reason not to be civil about it.

She was a force of nature. When the moorland catches on fire, it burns on and on- the blaze spreading through the peat itself. She was like that, a beautiful tinderbox.

A dark color grows over the plant life, eventually growing so thick that it divorces the plant from the sun and a botanical sadness takes over.

Fairchild Tropical Botanic Garden in Coral Gables by

Long, intense silences follow, which you endure by staring out the window at a lawn so deeply green it looks botanically assassinated…

The great actors of history cannot be neatly tucked between the covers of a book and filed away like so many pressed botanical specimens.

No radiant pearl, which crested Fortune wears, No gem that twinkling hangs from Beauty's wars. Not the bright stars which Night's blue arch adorn, Nor rising suns that gild the vernal morn, Shine with such lustre as the tear that flows Down Virtue's manly cheek for others' woes.

I was like everyone else. We all hoped the storm would knock things over, fuck things up enough but not too much. We hoped the damage was bad enough to cancel work the next morning but not so bad that we couldn’t go to brunch instead. Brunch? he echoed skeptically. Okay, maybe not brunch, I conceded. If not brunch, then something else. A day off meant we could do things we’d always meant to do. Like go to the Botanical Garden, the Frick Collection, or something. Read some fiction. Leisure, the problem with the modern condition was the dearth of leisure. And finally, it took a force of nature to interrupt our routines. We just wanted to hit the reset button. We just wanted to feel flush with time to do things of no quantifiable value, our hopeful side pursuits like writing or drawing or something, something other than what we did for money. Like learn to be a better photographer. And even if we didn’t get around to it on that day, our free day, maybe it was enough just to feel the possibility that we could if we wanted to, which is another way of saying that we wanted to feel young, though many of us were that if nothing else.

In 1967, the architect Lewis Mumford wrote of the human brain as a 'neural efflorescence' like those 'in the botanical realm', one of those 'extravagances and exuberances of nature' in which evolution overreaches itself: The very excess of 'brainness' set a problem for man not unlike that of finding a way of utilizing a high explosive trough inventing a casing strong enough to hold the charge and deliver it. This, he argued, must have proved maladaptive, thus endangering the survival of early humans. Nature's grandest flower was drooping under its own luxuriant weight. Mumford suggested that it was only by unloading and storing this 'hyperactivity' into 'cultural containers', damning up our sapient surplus in the supererogations of art and curiosity, that our species has avoided 'behaving like a racing motor that burns itself out for lack of a load'. But latent self-destructive potential still lurked just beneath the surface.

Alas," the Spider Queen said softly, "life needs dark leaves in the wreath. There cannot be true joy without sorrow, or real happiness without loss. They come as a pair. It is simply how it must be, if one is to live a full life. Take my own wreath, for example." She pointed at a particularly striking one made up of foliage so dark it was almost purple and black in places, but brightened with spectacular bursts of scarlet poinsettia. "I first saw the poinsettia in Mexico," she said. "The Euphorbia pulcherrima, to give it its botanical name, but it's also known as a 'Christmas star' because of its red pigment, so vibrant and bold. I would not give up my dark leaves if it meant losing the poinsettia," she said.

We are incapable of deriving nutrition from most parts of most plants. In particular we cannot make use of cellulose, which is what plants primarily consist of. The few plants that we can eat are the ones we know as vegetables. Otherwise we are limited to eating a few botanical end products, such as seeds and fruits, and even many of those are poisonous to us. But we can benefit from a lot more foods by cooking them. A cooked potato, for instance, is about twenty times more digestible than a raw one. Cooking frees up a lot of time for us. Other primates spend as many as seven hours a day just chewing. We don’t need to eat constantly to ensure our survival. Our tragedy, of course, is that we eat more or less constantly anyway.

When her parents had company over, it wasn’t uncommon to see guests stopping to check out the koi ponds, exotic flowers and rare species of trees that offered plenty of cool shade. This backyard could easily rival the best botanical garden in town.

I sat this afternoon to read during the boys’ nap. I was going through the botanical theory book, and while I was reading I remembered something Blue Horse said to me back before Gilbert was born. He said wisdom is not a path, it is a tree. At the time I was too busy to give it much thought, so I nodded politely but didn’t pay much attention. Now I see that he was surely right. I have been sad almost a whole year, thinking that taking that test was somehow the end of my learning and that not having that as a possibility in my future left a big empty spot in my life that the children and the ranch didn’t fill. But my life is not like that, it is a tree, and I can stay in one place and spread out in all directions, and I can do more learning shading this brood of mine than if I was all alone. I declare, it is like some other part of me made up some rules about happiness and I just went along with them without thinking. My heart is lightened so much that I am amazed at how sad I felt for so long.

To sum up: all nature-spirits are not the same as fairies; nor are all fairies nature-spirits. The same applies to the relationship of nature-spirits and the dead. But we may safely say that a large proportion of nature-spirits became fairies, while quite a number of the dead in some areas seem to take on the character of nature-spirits. We cannot expect any fixity of rule in dealing with barbaric thought. We must take it as it comes. It bears the same relationship to "civilized" or folk-lore theory as does the growth of the jungle to a carefully designed and meticulously labelled botanical garden. As Victor Hugo once exclaimed when writing of the barbaric confusion which underlies the creative function in poetry: 'What do you expect? You are among savages!

Wild primates from chimpanzees to capuchin monkeys regularly treat themselves with botanicals, choosing specific seeds, leaves, and bark known to have healing properties. When researchers in the Central African Republic observed a gorilla plucking junglesop seeds from the dung of elephants, no one was surprised to learn those seeds contained potent alkaloids, and that local healers prescribed them (as well as the plant’s leaves and bark) as a treatment for everything from sore feet to stomach problems. This

When i heard on the radio that the New York Panthers had been busted, i was furious. The so-called conspiracy charges were so stupid that even a fool could see through them. The police actually had the audacity to charge them with plotting to blow up the flowers in the Botanical Garden.

By asking why, by seeking meaning (not in any final sense, but in the immediate sense of use or purpose), Darwin found in his botanical work the strongest evidence for evolution and natural selection. And in doing so, he transformed botany itself from a purely descriptive discipline into an evolutionary science. Botany, indeed, was the first evolutionary science, and Darwin’s botanical work was to lead the way to all the other evolutionary sciences—and to the insight, as Theodosius Dobzhansky put it, that “nothing in biology makes sense except in the light of evolution.

The Copse at Hurstbourne is one of those fancy-sounding titles for a brand-new tract of condominiums on the outskirts of town. 'Copse' as in 'a thicket of small trees.' 'Hurst' as in 'hillock, knoll, or mound.' And 'bourne' as in 'brook or stream.' All of these geological and botanical wonders did seem to conjoin within the twenty parcels of the development, but it was hard to understand why it couldn't have just been called Shady Acres, which is what it was. Apparently people aren't willing to pay a hundred and fifty thousand dollars for a home that doesn't sound like it's part of an Anglo-Saxon land grant. These often quite utilitarian dwellings are never named after Jews or Mexicans. Try marketing Rancho Feinstein if you want to lose money in a hurry. Or Paco Sanchez Park. Middle-class Americans aspire to tone, which is equated, absurdly, with the British gentry.

Vomiting isn't bad either, take note. It is, in certain more obvious respects, a show of force. I have always liked this story 'A man holding with one hand to a one-way sign is vomiting into the gutter, another man goes past near him and tells him: "If you only knew how much I agree with you.

Six decades and two years, no more than a passing glance of time, separate Mendel's initial experiments on peas and the court-mandated sterilization of Carrie Buck. Yet in this brief flash of six decades, the gene had transformed from an abstract concept in a botanical experiment to a powerful instrument of social control.

I notice you have written about mussels a few times, but you only ever mention cooking clams. I recently learned a creative mussels recipe from a Frenchwoman I met on a voyage to the Far East. I am enclosing a packet of saffron from that voyage. It is my small way of thanking you for "Letters from the Island." For steamed mussels, in a stockpot add a generous pinch of saffron, coarsely chopped garlic, and parsley to a half cup of melted butter. The red enamel pot you mentioned in your column about racing Dungeness crabs, the one with the pockmark from your niece's Red Ryder BB gun, will do perfectly. If you can't find fresh garlic, shallots can be substituted, but in my opinion, without fresh garlic the dish isn't worth making. The Frenchwoman told me the addition of a cup or so of white wine is considered standard for this broth, but she prefers vermouth. I agree with her. It gives the dish a crisp, botanical flavor, and I can save my Chablis for drinking with my meal.

El tiempo es la cosa más importante que una persona puede gastar

Sometimes I defy flower anatomy & other times I try and replicate it intricately!

Sometimes when I am painting large flowers, I imagine that I am the bee.

kore hodo to / botan no shikata / suru ko kana “The peony was as big as this, “Says the little girl Opening her arms.

A jalapeño pepper—generally considered to be the hottest pepper any sane person would attempt to chew and swallow—gets a rating of around 5,000 SHU.

The drug education currently provided broadly amounts to ‘take drugs and you will die’. This lie is so obvious that no-one takes it seriously.

I would rather be exposed to all their torments than be obliged to think about them in order to protect myself from their attacks.

When Wilde composed his works he surrounded himself with books. A friend remembered him writing a poem ‘with a botanical work in front of him from which he . . . [selected] the names of flowers most pleasing to the ear to plant in his garden of verse’.5 Aubrey Beardsley’s caricature of Wilde, ‘Oscar Wilde at Work’, shows the author at his desk surrounded by mountains of books.

Simon, what do you understand to be the nature of a soul?" he said suddenly. Simon was staring darkly into the endless distance. He didn't refocus his gaze to reply. "That part of us which cannot be destroyed.

My meditations and reveries are never more delightful than when I forget myself. I feel ecstasies and inexpressible delight when I melt, so to speak, into the system of beings and identify myself with the whole of nature.

can take over a week for a Venus flytrap to devour its prey, and it may only eat a few bugs in its life. Although people can force a trap to close by running a finger along it, carnivorous plant enthusiasts consider this rude.

It is easy to lose hope when all is lost. We do not realise that is just the beginning. That is just the catalyst. That is when we have to spread our wings like a butterfly. The rainy days will come but so will 'the botanical drawings' of life. Of kitchen tables, our mother's apron strings, cabbage roses and toys if we want to become the women our mothers were. There are so many careers for women to choose from today. Wherever they find themselves women will always find an abundance.

It is easy to lose hope when all is lost. We do not realise that is just the beginning. That is just the catalyst. That is when we have to spread our wings like a butterfly. The rainy days will come but so will 'the botanical drawings' of life. Of kitchen tables, our mother's apron strings, cabbage roses and toys if we want to become the women our mother's were. There are so many careers for women to choose from today. Wherever they find themselves women will always find an abundance.

The wet dawn inks are doing their blue dissolve. On their blotter of fog the trees Seem a botanical drawing. Memories growing, ring on ring, A series of weddings. Knowing neither abortions nor bitchery, Truer than women, They seed so effortlessly! Tasting the winds, that are footless, Waist-deep in history. Full of wings, otherworldliness. In this, they are Ledas. O mother of leaves and sweetness Who are these pietas? The shadows of ringdoves chanting, but chasing nothing.

Some nine years before, Mr. Tan Chay Yan, scion of a well-known Peranakan Chinese family of Malacca, had converted his pepper garden into a rubber plantation. In 1897 this had seemed like a mad thing to do. Everyone had advised against it: rubber was known to be a risk. Mr. Ridley, the curator of the Singapore Botanical Gardens, had been trying for years to interest British planters in giving rubber a try. The imperial authorities in London had spent a fortune in arranging to have seed stocks stolen from Brazil.

What I mean is,’ continued Amit, ‘it sprouts, and grows, and spreads, and drops down branches that become trunks or intertwine with other branches. Sometimes branches die. Sometimes the main trunk dies, and the structure is held up by the supporting trunks. When you go to the Botanical Garden you’ll see what I mean. It has its own life—but so do the snakes and birds and bees and lizards and termites that live in it and on it and off it. But then it’s also like the Ganges in its upper, middle and lower courses—including its delta—of course.

If a fountain could jet bouquets of chrome yellow in dazzling arches of chrysanthemum fireworks, that would be Canada Goldenrod. Each three-foot stem is a geyser of tiny gold daisies, ladylike in miniature, exuberant en masse. Where the soil is damp enough, they stand side by side with their perfect counterpart, New England Asters. Not the pale domesticates of the perennial border, the weak sauce of lavender or sky blue, but full-on royal purple that would make a violet shrink. The daisylike fringe of purple petals surrounds a disc as bright as the sun at high noon, a golden-orange pool, just a tantalizing shade darker than the surrounding goldenrod. Alone, each is a botanical superlative. Together, the visual effect is stunning. Purple and gold, the heraldic colors of the king and queen of the meadow, a regal procession in complementary colors. I just wanted to know why. In composing a palette, putting them together makes each more vivid; just a touch of one will bring out the other. In an 1890 treatise on color perception, Goethe, who was both a scientist and a poet, wrote that “the colors diametrically opposed to each other . . . are those which reciprocally evoke each other in the eye.” Purple and yellow are a reciprocal pair. Growing together, both receive more pollinator visits than they would if they were growing alone. It’s a testable hypothesis; it’s a question of science, a question of art, and a question of beauty. Why are they beautiful together? It is a phenomenon simultaneously material and spiritual, for which we need all wavelengths, for which we need depth perception. When I stare too long at the world with science eyes, I see an afterimage of traditional knowledge. Might science and traditional knowledge be purple and yellow to one another, might they be goldenrod and asters? We see the world more fully when we use both. The question of goldenrod and asters was of course just emblematic of what I really wanted to know. It was an architecture of relationships, of connections that I yearned to understand. I wanted to see the shimmering threads that hold it all together. And I wanted to know why we love the world, why the most ordinary scrap of meadow can rock us back on our heels in awe.

Our gardening forebears meant watermelon to be the juicy, barefoot taste of a hot summer's end, just as a pumpkin is the trademark fruit of late October. Most of us accept the latter, and limit our jack-o'-latern activities to the proper botanical season. Waiting for a watermelon is harder. It's tempting to reach for melons, red peppers, tomatoes, and other late-summer delights before the summer even arrives. But it's actually possible to wait, celebrating each season when it comes, not fretting about its being absent at all other times because something else good is at hand.

There's a psychologist called Mary & Diamond who at Brooklyn in California, in the 80s studied rats. And they took rats at different ages. Newborns, some of whom they deliberately brain damaged, adult, middle-aged, elderly rats. And they exposed these rats to different levels of environmental stimulation, better food, more playmates, toys to play with and so on. They found out a couple of months later that the rats, at any age, including the brain-damaged rats, who had the better stimulation, they were smarter. But in the autopsy then they also found that in the front part of their brain they had larger nerve-cells with more connections with other nerve-cells and richer blood supply. In other words that environmental stimulation actually caused a change in the state of the brain, even in the older rats. And that's called neuroplasticity. The capacity of the brain to develop new circuits. So whether it comes to ADHD, addiction, depression or other childhood disorders or any other issue with adults as well, if we recognize them not as ingrained, genetically-determined diseases, but as problems of development, then the question becomes very different. Then the question becomes not just "how do we treat the symptoms?" (and addiction itself is a symptom, depression is a symptom), but "how do we help people develop out of these conditions?" In other words, it is not a medical question, purely, but a developmental question. And development always requires the right environment. Now, if you're a gardener you know that. If you are growing plants in your backyard and you want them to grow into healthy, functioning beings, botanical beings, you want to provide them with the right nurturing, the right nutrition, minerals, water, sunlight and so on. So the real question is how do we provide the conditions for further development for people whose development was impaired in the first place? Now we know how to do that. We are just not doing it.

The great actors of history cannot be neatly tucked between the covers of a book and filed away like so many pressed botanical specimens. Their actions cannot be explained according to a specific timetable like the coming and going of so many trains. Although scholars may designate the beginning and ending of an era with exact precision, great historical events, particularly those that erupt suddenly and violently, build up slowly, and, once having begun, never end. Their effects linger long after the action faded from view. Like the tingling vibrations of a bell that we can still sense well after it has stopped ringing, Genghis Khan has long passed from the scene, but his influence continues to reverberate through our time.

He sighed. “You’ve chosen poorly, you know. When we return to England you’ll be celebrated, just as I will be. If you’ve decided to abandon me, you might have netted someone titled, someone with enough wealth to see you esteemed and me able to continue my botanical studies. That would have been the aim of a dutiful daughter.” “I’m not abandoning you, and I chose Shaw. You’re the one who declined to attend your daughter’s wedding.” “You never used to speak to me like this. A dutiful child would never have accepted a proposal from the first man who asked, simply because he did ask.” “He didn’t propose to me. I proposed to him.” Finally he looked more surprised than angry and frustrated. “You proposed to him?” “Yes, because I didn’t think he believed me when I said that I loved him. I can hardly blame him, since I had to think about it for an entire day after he said it to me, but I do love him. More than I can articulate to you.

Night is the worst time. After the long regimentation of the day, the enforced silences, the men want to talk. At first it doesn’t matter what about: TV, movies, travel, jobs. I lie on my side on my mattress as the words pool around me, reciting to myself the botanical classifications for peach, cherry, apple. Magnoliophyta, Magnoliopsida, Rosales, Rosaceae… I smell the smell of other bodies: stale skin, flatulence, cologne. I long to open the windows and let the fresh air sweep the smells away, sweep the bodies away too. Gradually one man drops out of the conversation, then another. Soon there will be only two men left speaking. And these two—they are not the same two every night—will drop their voices, speak in an intimate murmur. Perhaps they are only gossiping about one of the monks. Perhaps they are complaining about the food. But no, there is a reticence that lets me know that they are trying, clumsily, to reach each other.

For about 48 weeks of the year an asparagus plant is unrecognizable to anyone except an asparagus grower. Plenty of summer visitors to our garden have stood in the middle of the bed and asked, 'What is this stuff? It's beautiful!' We tell them its the asparagus patch, and they reply, 'No this, these feathery little trees.' An asparagus spear only looks like its picture for one day of its life, usually in April, give or take a month as you travel from the Mason-Dixon Line. The shoot emerges from the ground like a snub nose green snake headed for sunshine, rising so rapidly you can just about see it grow. If it doesn't get it's neck cut off at ground level as it emerges, it will keep growing. Each triangular scale on the spear rolls out into a branch until the snake becomes a four foot tree with delicate needles. Contrary to lore, fat spears are no more tender or mature than thin ones. Each shoot begins life with its own particular girth. In the hours after emergence, it lengthens but does not appreciably fatten. To step into another raging asparagus controversy, white spears are botanically no different from their green colleagues. White shoots have been deprived of sunlight by a heavy mulch pulled up over the plant's crown. European growers go to this trouble for consumers who prefer the stalks before they've had their first blush of photosynthesis. Most Americans prefer the more developed taste of green. Uncharacteristically, we're opting for the better nutritional deal here also. The same plant could produce white or green spears in alternate years, depending on how it is treated. If the spears are allowed to proceed beyond their first exploratory six inches, they'll green out and grow tall and feathery like the house plant known as asparagus fern, which is the next of kin. Older, healthier asparagus plants produce chunkier, more multiple shoots. Underneath lies an octopus-shaped affair of chubby roots called a crown that stores enough starch through the winter to arrange the phallic send-up when winter starts to break. The effect is rather sexy, if you're the type to see things that way. Europeans of the Renaissance swore by it as an aphrodisiac and the church banned it from nunneries.

Flowers are conscious, intelligent forces. They have been given to us for our happiness and our healing. We can hasten our own evolution by through employing the tools offered to us by a conscious, caring Mother Nature—flowers and their essences. Flower essences allow us to see into the soul of things—into ourselves, our world, and all living beings. Flower essences are a response to the call of an ever-awakening humanity to minister to its spiritual needs. Mother Nature’s pharmacy has long been accessible to those who have pried open her botanical medicine chest. And to those who wish to learn her language—the language of flowers—she bestows her most wonderful secrets of perfect well-being. In keeping with herbalism’s ancient tradition of communing with the plant kingdom, flower essences have evolved as a natural expression of healing—in the simplest ways, through the simplest means. (The) principle of magnetism is strongly operative in flower essences that vibrationally align us with the positive qualities that we seek to uncover within ourselves. How, then, do flower essences work? Very well indeed.

I have never believed that man’s freedom consists in doing what he wants, but rather in never doing what he does not want to do, and this is the freedom I have always sought after and often achieved, the freedom by virtue of which I have most scandalized my contemporaries. For they, being active, busy, ambitious, detesting freedom in others and not desiring it for themselves, as long as they can sometimes have their way, or rather prevent others from having theirs, they force themselves all their lives to do what they do not want to do and are willing to endure any servitude in order to command

We know that these clashes with Asia and Jewry are necessary for evolution. They give the cue for the European Continent to unite. These clashes are the only evolu-tionary possibility which will enable us one day, now that Fate has given us the Fuehrer Adolf Hitler, to create the Germanic Reich. They are the necessary condition, for our race, and our blood to create for itself and put under cultivation, in the years of peace, (during which we must live and work austerely, frugally and like Spartans), that settlement area in which new blood can breed, as in a botanical garden so to speak. Only by this means can the Continent become a Germanic Continent, capable of daring to embark, in one or two or three or five or ten generations, on the conflict with this Continent of Asia which spews out hordes of humanity. Perhaps we shall also have to hold in check other coloured peoples who will soon be in their certain prime, and thus preserve the world, which is the world of our blood, of our children and of our grandchildren. Now it is just this world we like the best, the Germanic world, the world of Nordic life. We know that this conflict with the advancing pressure from Asia, with the 200 million Russians, is necessary.

Are you chuckling yet? Because then along came you. A big, broad meat eater with brash blond hair and ruddy skin that burns at the beach. A bundle of appetites. A full, boisterous guffaw; a man who tells knock know jokes. Hot dogs - not even East 86th Street bratwurst but mealy, greasy big guts that terrifying pink. Baseball. Gimme caps. Puns and blockbuster movies, raw tap water and six-packs. A fearless, trusting consumer who only reads labels to make sure there are plenty of additives. A fan of the open road with a passion for his pickup who thinks bicycles are for nerds. Fucks hard and talks dirty; a private though unapologetic taste for porn. Mysteries, thrillers, and science fiction; a subscription to National Geographic. Barbecues on the Fourth of July and intentions, in the fullness of time, to take up golf. Delights in crappy snack foods of ever description: Burgles. Curlies. Cheesies. Squigglies - you're laughing - but I don't eat them - anything that looks less like food than packing material and at least six degrees of separation from the farm. Bruce Springsteen, the early albums, cranked up high with the truck window down and your hair flying. Sings along, off-key - how is it possible that I should be endeared by such a tin ear?Beach Boys. Elvis - never lose your roots, did you, loved plain old rock and roll. Bombast. Though not impossibly stodgy; I remember, you took a shine to Pearl Jam, which was exactly when Kevin went off them...(sorry). It just had to be noisy; you hadn't any time for my Elgar, my Leo Kottke, though you made an exception for Aaron Copeland. You wiped your eyes brusquely at Tanglewood, as if to clear gnats, hoping I didn't notice that "Quiet City" made you cry. And ordinary, obvious pleasure: the Bronx Zoo and the botanical gardens, the Coney Island roller coaster, the Staten Island ferry, the Empire State Building. You were the only New Yorker I'd ever met who'd actually taken the ferry to the Statue of Liberty. You dragged me along once, and we were the only tourists on the boat who spoke English. Representational art - Edward Hopper. And my lord, Franklin, a Republican. A belief in a strong defense but otherwise small government and low taxes. Physically, too, you were such a surprise - yourself a strong defense. There were times you were worried that I thought you too heavy, I made so much of your size, though you weighed in a t a pretty standard 165, 170, always battling those five pounds' worth of cheddar widgets that would settle over your belt. But to me you were enormous. So sturdy and solid, so wide, so thick, none of that delicate wristy business of my imaginings. Built like an oak tree, against which I could pitch my pillow and read; mornings, I could curl into the crook of your branches. How luck we are, when we've spared what we think we want! How weary I might have grown of all those silly pots and fussy diets, and how I detest the whine of sitar music!

Within it grew such a variety of plants as Elizabeth had ever seen: white roses, carnations, lobelias, mimosas, even sweet peas tumbling over each other in vigorous abandon. At one end was an herb garden, and Elizabeth recognized rue, fennel, caraway, sage, thyme and mint. Through a doorway at the rear of the courtyard she could see a grove of olive and lemon trees and on the short walk from the harbor to the house she had spotted tall, spiky thistle-like plants, palms and trees covered in white flowers. She was seized with an immediate desire to open her sketchbook and take out the magnifying glass from the pocket of her cloak, to capture the intricate detail of an almond blossom, its calyx and corolla, stamens and carpel, or perhaps to draw the curl of a vine tendril or a spiky aloe leaf

In 1853, Haussmann began the incredible transformation of Paris, reconfiguring the city into 20 manageable arrondissements, all linked with grand, gas-lit boulevards and new arteries of running water to feed large public parks and beautiful gardens influenced greatly by London’s Kew Gardens. In every quarter, the indefatigable prefect, in concert with engineer Jean-Charles Alphand, refurbished neglected estates such as Parc Monceau and the Jardin du Luxembourg, and transformed royal hunting enclaves into new parks such as enormous Bois de Boulogne and Bois de Vincennes. They added romantic Parc des Buttes Chaumont and Parc Montsouris in areas that were formerly inhospitable quarries, as well as dozens of smaller neighborhood gardens that Alphand described as "green and flowering salons." Thanks to hothouses that sprang up in Paris, inspired by England’s prefabricated cast iron and glass factory buildings and huge exhibition halls such as the Crystal Palace, exotic blooms became readily available for small Parisian gardens. For example, nineteenth-century metal and glass conservatories added by Charles Rohault de Fleury to the Jardin des Plantes, Louis XIII’s 1626 royal botanical garden for medicinal plants, provided ideal conditions for orchids, tulips, and other plant species from around the globe. Other steel structures, such as Victor Baltard’s 12 metal and glass market stalls at Les Halles in the 1850s, also heralded the coming of Paris’s most enduring symbol, Gustave Eiffel’s 1889 Universal Exposition tower, and the installation of steel viaducts for trains to all parts of France. Word of this new Paris brought about emulative City Beautiful movements in most European capitals, and in the United States, Bois de Boulogne and Parc des Buttes Chaumont became models for Frederick Law Olmsted’s Central Park in New York. Meanwhile, for Parisians fascinated by the lakes, cascades, grottoes, lawns, flowerbeds, and trees that transformed their city from just another ancient capital into a lyrical, magical garden city, the new Paris became a textbook for cross-pollinating garden ideas at any scale. Royal gardens and exotic public pleasure grounds of the Second Empire became springboards for gardens such as Bernard Tschumi’s vast, conceptual Parc de La Villette, with its modern follies, and “wild” jardins en mouvement at the Fondation Cartier and the Musée du Quai Branly. In turn, allées of trees in some classic formal gardens were allowed to grow freely or were interleaved with wildflower meadows and wild grasses for their unsung beauty. Private gardens hidden behind hôtel particulier walls, gardens in spacious suburbs, city courtyards, and minuscule rooftop terraces, became expressions of old and very new gardens that synthesized nature, art, and outdoors living.