Maiden Tower Quotes

Like the scorpion said to the maiden as she lay dying, ‘You knowed I was poison when you picked me up.’ 

Maidens stand still, they are lovely statues and all admire them. Witches do not stand still. I was neither, but better that I err on the side of witchery, witchery that unlocks towers and empties ships.

That love of maidens for monsters, that does not fade with time.” He looked weary. “But the rest—I did not count on that.

Has the world run dry of warriors?' She asked. 'All out of brave lords? Are they sending out maidens these days to do the work of heroes?' 'There were no heroes,' said Vasya between her teeth. 'There was only me.

Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?

If you are a monster, stand up. If you are a monster, a trickster, a fiend, If you’ve built a steam-powered wishing machine If you have a secret, a dark past, a scheme, If you kidnap maidens or dabble in dreams Come stand by me. If you have been broken, stand up. If you have been broken, abandoned, alone If you have been starving, a creature of bone If you live in a tower, a dungeon, a throne If you weep for wanting, to be held, to be known, Come stand by me. If you are a savage, stand up. If you are a witch, a dark queen, a black knight, If you are a mummer, a pixie, a sprite, If you are a pirate, a tomcat, a wright, If you swear by the moon and you fight the hard fight, Come stand by me. If you are a devil, stand up. If you are a villain, a madman, a beast, If you are a strowler, a prowler, a priest, If you are a dragon come sit at our feast, For we all have stripes, and we all have horns, We all have scales, tails, manes, claws and thorns And here in the dark is where new worlds are born. Come stand by me.

Yes, yes, mistress, I shall go and accomplish your task. Only—I was not only sent to kill the Leucrotta. There is a maiden in a tower—" At this the Witch spat, again rolling her marvelous eyes. "Those revolting creatures are always getting themselves locked up. If only they would stay that way.

In the case of our fair maiden, we have overlooked two very crucial aspects to that myth. On the one hand, none of us ever really believed the sorcerer was real. We thought we could have the maiden without a fight. Honestly, most of us guys thought our biggest battle was asking her out. And second, we have not understood the tower and its relationship to her wound; the damsel is in distress. If masculinity has come under assault, femininity has been brutalized. Eve is the crown of creation, remember? She embodies the exquisite beauty and the exotic mystery of God in a way that nothing else in all creation even comes close to. And so she is the special target of the Evil One; he turns his most vicious malice against her. If he can destroy her or keep her captive, he can ruin the story.

That love of maidens for monsters, that does not fade with time.

In Mexico City they somehow wandered into an exhibition of paintings by the beautiful Spanish exile Remedios Varo: in the central painting of a triptych, titled “Bordando el Manto Terrestre,” were a number of frail girls with heart-shaped faces, huge eyes, spun-gold hair, prisoners in the top room of a circular tower, embroidering a kind of tapestry which spilled out the slit windows and into a void, seeking hopelessly to fill the void: for all the other buildings and creatures, all the waves, ships and forests of the earth were contained in the tapestry, and the tapestry was the world. Oedipa, perverse, had stood in front of the painting and cried. No one had noticed; she wore dark green bubble shades. For a moment she’d wondered if the seal around her sockets were tight enough to allow the tears simply to go on and fill up the entire lens space and never dry. She could carry the sadness of the moment with her that way forever, see the world refracted through those tears, those specific tears, as if indices as yet unfound varied in important ways from cry to cry. She had looked down at her feet and known, then, because of a painting, that what she stood on had only been woven together a couple thousand miles away in her own tower, was only by accident known as Mexico, and so Pierce had take her away from nothing, there’d been no escape. What did she so desire escape from? Such a captive maiden, having plenty of time to think, soon realizes that her tower, its height and architecture, are like her ego only incidental: that what really keeps her where she is is magic, anonymous and malignant, visited on her from outside and for no reason at all. Having no apparatus except gut fear and female cunning to examine this formless magic, to understand how it works, how to measure its field strength, count its lines of force, she may fall back on superstition, or take up a useful hobby like embroidery, or go mad, or marry a disk jockey. If the tower is everywhere and the knight of deliverance no proof against its magic, what else?

He built a tower to try and be closer to her and walled himself inside.” She stared at him for a moment as if waiting for something. “And?” He glanced at her, puzzled. “And, what?” She widened her eyes. “How does the story end? Did the sorcerer win his Moon Maiden?” “Of course not,” he said irritably. “She lived on the moon and was quite unattainable. I suppose he must’ve starved or pined away or fallen off the wall at some point.

A maiden was imprisoned in a stone tower. She loved a lord. Why? Ask the wind and the stars, ask the god of life; for no one else knows these things. And the lord was her friend and her lover; but time passed, and one fine day he saw someone else and his heart turned away. As a youth he loved the maiden. Often he called her his bliss and his dove, and her embrace was hot and heaving. He said, Give me your heart! And she did so. He said, May I ask you for something, my love? And she answered, in raptures, Yes. She gave him all, and yet he never thanked her. The other one he loved like a slave, like a madman and a beggar. Why? Ask the dust on the road and the falling leaves, ask life’s mysterious god; for no one else knows these things. She gave him nothing, no, nothing did she give him, and yet he thanked her. She said, Give me your peace and your sanity. And he only grieved that she didn’t ask for his life. And the maiden was put in the tower. . . .

Whoa,” I pinned my dress under my legs and nudged his chest with my elbow. “Put me down. This is kidnapping.” “No, it's not,” he stated with a smile, keeping his eyes on the path ahead, “It's is a rescue.” “Rescue?” I scoffed, but imagined a white horse waiting for us as we burst through the doors. “I don't need to be rescued.” He stopped walking and looked down at me; I shrank into his arms a little. “The fair maiden, who is locked in the darkest tower, guarded by the cruellest beast, never believes herself to be in danger, only suffering from sorrows untold and a heart untouched.

Persinette, let down your hair.

I decided to drop it since he liked it so much. But I glanced at it first, and then I couldn't. I held a porcelain castle no bigger than my two fists, with six wee towers, each ending in a miniature candle holder. And oh! Strung between a window in each of two towers was a gossamer thread of china from which hung-laundry! A man's hose, a robe, a baby's pinafore, all thin as a spider's web. And, painted in a window downstairs, a smiling maiden waved a silken scarf.

She was not a beauteous maiden and he had not rescued her from her tower. If anything, she had called down to him and he had pointed out there was a door. The many steps leading to her freedom had to be scaled by Linnet alone.

People have always been vain. Can you imagine what it was like when some guy invented the first mirror? Maidens probably spent all day and night just staring at their own reflection in the dim candle light of their drafty castle tower, back when the first mirrors were cutting edge technology.

Like the scorpion said to the maiden as she lay dying, ‘You knowed I was poison when you picked me up.

But now those childish dreams dwindled to this: an aging woman, magnificent and solitary, whose tower door never opened, who would make her daughter a proper maiden but never count the cost.

The quest of the handsome prince was complete. He had found his fair maiden and the world had its fairytale. In her ivory tower, Cinderella was unhappy, locked away from her friends, her family and the outside world.

He walked back to St George's-in-the-East, which in his mind he had now reduced to a number of surfaces against which the murderer might have leaned in sorrow, desperation or even, perhaps, joy. For this reason it was worth examining the blackened stones in detail, although he realised that the marks upon them had been deposited by many generations of men and women. It was now a matter of received knowledge in the police force that no human being could rest or move in any area without leaving some trace of his or her identity; but if the walls of the Wapping church were to be analysed by emission spectroscopy, how many partial or residual spectra might be detected? And he had an image of a mob screaming to be set free as he guided his steps towards the tower which rose above the houses cluttered around Red Maiden Lane, Crab Court and Rope Walk.

When at last they rose by some unspoken male accord, she noticed with a pang that Indio came only to Caliban’s waist. The man towered over the boy, so much taller and broader that his gentleness was all the more moving as a result. They walked to the pond’s bank and Indio launched his boat. Caliban restrained Daffodil from jumping in after. This man was not at all like Kitty’s husband. Not at

Then there are the words that the Song of Solomon provides a man. The enchanting words of courtship." She closed her eyes and, lips parted, began to chant. "How beautiful you are, my love, your eyes are doves.... Your lips are like a crimson thread, and your mouth is lovely. Your cheeks are like halves of a pomegranate.... Your neck is like the tower of David.... Your two breasts are like two fawns, twins of a gazelle, that feed among the lilies.

Grass! Millions of square miles of it; numberless wind-whipped tsunamis of grass, a thousand sun-lulled caribbeans of grass, a hundred rippling oceans, every ripple a gleam of scarlet or amber, emerald or turquoise, multicolored as rainbows, the colors shivering over the prairies in stripes and blotches, the grasses – some high, some low, some feathered, some straight – making their own geography as they grow. There are grass hills where the great plumes tower in masses the height of ten tall men; grass valleys where the turf is like moss, soft under the feet, where maidens pillow their heads thinking of their lovers, where husbands lie down and think of their mistresses; grass groves where old men and women sit quiet at the end of the day, dreaming of things that might have been, perhaps once were. Commoners all, of course. No aristocrat would sit in the wild grass to dream. Aristocrats have gardens for that, if they dream at all.

Would that Ned had been able to say the same. Fifteen years past, when they had ridden forth to win a throne, the Lord of Storm’s End had been clean-shaven, clear-eyed, and muscled like a maiden’s fantasy. Six and a half feet tall, he towered over lesser men, and when he donned his armor and the great antlered helmet of his House, he became a veritable giant. He’d had a giant’s strength too, his weapon of choice a spiked iron warhammer that Ned could scarcely lift. In those days, the smell of leather and blood had clung to him like perfume.

Al’Akir and his Queen, el’Leanna, had Lan brought to them in his cradle. Into his infant hands they placed the sword of Malkieri kings, the sword he wears today. A weapon made by Aes Sedai during the War of Power, the War of the Shadow that brought down the Age of Legends. They anointed his head with oil, naming him Dai Shan, a Diademed Battle Lord, and consecrated him as the next King of the Malkieri, and in his name they swore the ancient oath of Malkieri kings and queens.” Agelmar’s face hardened, and he spoke the words as if he, too, had sworn that oath, or one much similar. “To stand against the Shadow so long as iron is hard and stone abides. To defend the Malkieri while one drop of blood remains. To avenge what cannot be defended.” The words rang in the chamber. “El’Leanna placed a locket around her son’s neck, for remembrance, and the infant, wrapped in swaddling clothes by the Queen’s own hand, was given over to twenty chosen from the King’s Bodyguard, the best swordsmen, the most deadly fighters. Their command: to carry the child to Fal Moran. “Then did al’Akir and el’Leanna lead the Malkieri out to face the Shadow one last time. There they died, at Herat’s Crossing, and the Malkieri died, and the Seven Towers were broken. Shienar, and Arafel, and Kandor, met the Halfmen and the Trollocs at the Stair of Jehaan and threw them back, but not as far as they had been. Most of Malkier remained in Trolloc hands, and year by year, mile by mile, the Blight has swallowed it.” Agelmar drew a heavyhearted breath. When he went on, there was a sad pride in his eyes and voice. “Only five of the Bodyguards reached Fal Moran alive, every man wounded, but they had the child unharmed. From the cradle they taught him all they knew. He learned weapons as other children learn toys, and the Blight as other children their mother’s garden. The oath sworn over his cradle is graven in his mind. There is nothing left to defend, but he can avenge. He denies his titles, yet in the Borderlands he is called the Uncrowned, and if ever he raised the Golden Crane of Malkier, an army would come to follow. But he will not lead men to their deaths. In the Blight he courts death as a suitor courts a maiden, but he will not lead others to it. “If you must enter the Blight, and with only a few, there is no man better to take you there, nor to bring you safely out again. He is the best of the Warders, and that means the best of the best.

I don’t know why you’re doing this!” “Well.” Halim busied himself putting away the salt and the herbs. “There’s the mystery, of course. But also…” “Also?” “I would like to save you.” He looked slightly embarrassed by the admission. “I have never been of much use to anyone, you see.” “I’m not exactly a fair maiden to be saved by a questing knight,” she said. “It’s not as if I’m beautiful.” “No,” said Halim. “I know I should say you are, because that would be chivalrous. But I’m not handsome, either, and I’m not rich, and men don’t feel the slightest urge to follow me into battle, and I already told you about the tourneys , so I’ve failed on most counts as a knight. It would be nice to do something and not fail at it. And you’re…um.” He shrugged. “Interesting. And sad.” Toadling had been sad for a long time, but she was not used to being interesting. She had been nearly invisible for so long in her father’s house that it surprised her. “Interesting,” she said. “Huh.” “And you look a bit like my friend Faizan used to, when he’d done something wrong and was waiting for his mother to find out,” said Halim. “His mother was much fiercer than mine. But he always said the dread was the worst.” The words slipped under her ribs like the blessed knife had not. Toadling’s breath came out in a short, pained huff. He was not wrong. She had lived in dread for two hundred years. He was going to climb the tower, and she could think of no way to stop him. And inside, some tiny mad voice was saying, Perhaps it will be alright. “Tomorrow,” she said shortly. “Bring the knife.

Daisy realized that her heart had begun to thump just as it had when she had read the more lurid passages of 'The Plight of Penelope,' in which a maiden was captured by an evil villain who locked her in a tower room until she agreed to surrender her virtue. Daisy had known the novel was silly even as she had read it, but that had not detracted one bit from her enjoyment. And she had been perversely disappointed when Penelope had been rescued from imminent ruin by the bland golden-haired hero Reginald, who was not nearly as interesting as the villain. Of course the prospect of being locked in a tower room without any books had not sounded at all appealing to Daisy. But the threatening monologues by the villain about Penelope's beauty, and his desire for her, and the debauchery he would force on her, had been quite intriguing.

As I went out one evening to take the evening air I was blessed by a blood-red moon In Lincoln Park the dark was turning I spied a fair young maiden and a flame was in her eye And on her face lay the steel blue skies Of Lincoln Park, the dark was turning Turning They spread their sheets upon the ground just like a wandering tribe And the wise men walked in their Robespierre robes Through Lincoln Park the dark was turning The towers trapped and trembling, and the boats were tossed about When the fog rolled in and the gas rolled out From Lincoln Park the dark was turning Turning Like wild horses freed at last we took the streets of wine But I searched in vain for she stayed behind In Lincoln Park the dark was turning I'll go back to the city where I can be alone And tell my friend she lies in stone In Lincoln Park the dark was turning

I'd take her to the top of the widow's tower at Ainsdale Castle, late at night, and we'd watch the moon rise. The widow's tower was very high but she wasn't afraid. Sometimes I'd steal a pie from the kitchens and we'd picnic up there. I brought up a blanket, too, so she wouldn't have to sit on the bare stone floor." Mrs. Crumb made an aborted movement, as if she'd meant to turn to face him and then changed her mind. He let the wineglass dangle by his side. "I told her a rabbit lived on the moon and she believed me. She believed everything I told her then." "What rabbit?" "There." He roused himself, straightening. He drew back, fitting her against his chest and setting his chin on her shoulder. She smelled of tea and housekeeperly things, and she was warm, so warm. He caught up her right hand in his and traced the moon with it. "D'you see? There are the long ears, there the tail, there the forepaws, there the back." "I see," she whispered. "I told her the rabbit had lavender fur and ate pink moon clover up there." His mouth twisted, as he remembered. "She'd watch me with big blue eyes, her mouth half-open, a bit of piecrust on her dress. She hung on every word." He could hear her breath, could feel the tremble of her limbs. Did she fear him? "D'you believe me?" he asked against her ear, his lips wet with wine. She was a housekeeper and housekeepers didn't matter in the grand schemes of kings and dukes and little girls who wished upon rabbit moons. But she was silent, damnable housekeeper. They breathed together for a moment, there in the night air, London twinkling before them, overhung by a pagan moon. At last she stirred and asked, "What happened to the girl?" He broke away from her, draining his glass of wine. "She grew up and knew me for a liar.

That stream, Arthur,’ said the elder traveller, as with one consent they stopped to gaze on such a scene as I have described, ‘resembles the life of a good and a happy man.’ ‘And the brook, which hurries itself headlong down yon distant hill, marking its course by a streak of white foam,’ answered Arthur,—‘what does that resemble?’ ‘That of a brave and unfortunate one,’ replied his father. ‘The torrent for me,’ said Arthur; ‘a headlong course which no human force can oppose, and then let it be as brief as it is glorious’.... This stream, by a devious and gentle course, which seemed to indicate a reluctance to leave this quiet region, found its way at length out of the sequestered domain, and, like a youth hurrying from the gay and tranquil sports of boyhood into the wild career of active life, finally united itself with the boisterous torrent, which, breaking down tumultuously from the mountains, shook the ancient Tower of Geierstein as it rolled down the adjacent rock, and then rushed howling through the defile in which our youthful traveller had well-nigh lost his life.

Through a trick lighting technique the skyline was made and faded with the care of a pointillist— maybe aiding us to think nothing was missing. We traded verbs about what was happening in the metropolis, realizing, in the scorched plum of dusk, actual human infinity was occurring on an island before us....

The Maiden strode unseen through the castle, smiling as she went, until she climbed to the top of the tallest tower, where a spinning wheel waited for her. She reached her pale finger to the spindle’s end. There are many versions of this story, but there is always a pricked finger. There are always three drops of the Maiden’s blood. Her blood touched the castle floor and a spell drifted through the castle. Every living creature fell into a sudden slumber.

She wondered if all the old stories of heroes slaying monsters and maidens locked in towers had involved long, tedious stretches of trying to find the monsters or build the towers in the first place. Probably. No, almost certainly. Who wants to hear the dull practical bits? Me. I do. It would make me feel less like I am failing. She sighed and sat back on the bench. It was midafternoon, just barely warm enough to sit outside. The view in the courtyard wasn’t much. One bench, three walls, one door. A half dozen pots that had probably held flowers once but now held sticks. There was a climbing rose that had died back for winter and she’d curled greenish-brown leaves across the bricks. It looked like it had seen better days and was only holding on out of habit. Marra found herself identifying a little too much with the rosebush. Agnes had befriended a woman next door and was doing laundry with her. Marra could hear her laugh drifting over the wall from time to time. And did the great heroes do laundry? I don’t remember hearing about it. You’d think after slaying a hundred men, they’d need a good wash.

He spun her world in silver-blue Catching in the light the faintest hues A maiden from a castle tall Its towers spun of silk But it could not stand against the winds Without foundation laid more firm And so the tide rushed forward And took it far from view Far, far away from view. She bent before the boat Laughter once in her eyes Silenced in the morning still And so she stepped into its web An echo of another age And weaving through the waters soft Like the Lady of Shalott Her Camelot in mind’s eye Too lost in silver-turned shadow gray To note the one who stood afar Beside the willowy tree behind Eyes cast in farther distance still Not far from where she lay. Her heart knew only the web that spun And onward she rowed, longer she held. Of silk, a flimsy dash of hope Of silk, a hope dashed in its midst Oh, its towers spun of silk. It could not stand It could not stand For, it was not a rock.

As a child she had imagined workarounds for stories where maidens needed rescue, had never understood why Rapunzel, for instance, didn’t engineer her own escape. If Rapunzel’s hair was capable of sustaining a man on the ascent, then surely she could have cut herself free from her hair with utensils or sewing implements or broken-off bedroom furniture and then used it to rappel herself down from the tower. Helen had even drawn up several viable contingency options for Rapunzel, should things not go as planned.

I understand now why people fear bone witches. Theirs is not the magic found in storybooks, slaying onyx-eyed dragons and rescuing grateful maidens from ivory towers. Theirs is not the magic made from smoke and mirrors, where the trap lies in the twitch of the hand and a trick of the eyes. Nor is theirs the magic that seeds runeberry fields, whose crops people harvest for potions and spells. This is death magic, complicated and exclusive and implacable, and from the start, I wielded it with ease

She stares out the window, thinking of maidens and drops of blood and tall towers surrounded by roses and truth wrapped in lies.

Must a thing be bound and shelved in order to matter? Some stories were never written down. Some stories were passed by whisper and song, mother to daughter to sister. Bits and pieces were lost over the centuries, I’m sure, details shifted, but not all of them.” Quinn stands, pacing. “Towers and roses. Maiden’s blood. Crone’s tears. Mother’s milk. Would you really deny your own discoveries? Surely you are not such a coward.

But our theories are so tenuous. Mere…moonbeams.” Quinn swats her again. “They are perfectly scholarly! Considered, documented, based on reliable sources—” Children’s stories! Nursery rhymes! Nothing respectable, nothing verifiable!” Must a thing be bound and shelved in order to matter? Some stories were never written down. Some stories were passed by whisper and song, mother to daughter to sister. Bits and pieces were lost over the centuries, I’m sure, details shifted, but not all of them.” Quinn stands, pacing. “Towers and roses. Maiden’s blood. Crone’s tears. Mother’s milk. Would you really deny your own discoveries? Surely you are not such a coward.

James Juniper is the wild sister, fearless as a fox and curious as a crow; she goes first into the tower. Inside she finds a ruin: snowdrifts of ash and char, the skeleton of the staircase still clinging to the walls, greasy soot blackening every stone. And three women... One of them is pale and fey, with ivory antlers sprouting from matted dark hair and yellowed teeth strung in a necklace around her throat. Her dress is ragged and torn, black as a moonless night. She meets Juniper's eyes and Juniper feels a thrill of recognition. Juniper always loved maiden-stories best. Maidens are supposed to be sweet, soft creatures who braid daisy-crowns and turn themselves into laurel trees rather than suffer the loss of their innocence, but the Maiden is none of those things. She's the fierce one, the feral one, the witch who lives free in the wild woods. She's the siren and the selkie, the virgin and the valkyrie; Artemis and Athena. She's the little girl in the red cloak who doesn't run from the wolf but walks arm in arm with him deeper into the woods. Juniper knows her by the savage green of her eyes, the vicious curve of her smile. An adder drapes over her shoulders like a strip of dark velvet, like the carved-yew snake of Juniper's staff come to life. Juniper's smile could be the Maiden's own, sharp and white, mirrored back across the centuries.

...Numenor went down into the sea, with all its children and its wives and its maidens and its ladies proud; and all its gardens and its balls and its towers, its tombs and its riches, and its jewels and its webs and its things painted and carven, and its lore: they vanished for ever. And last of all the mounting wave, green and cold and plumed with foam, climbing over the land, took to its bosom Tar-Miriel the Queen, fairer than silver or ivory or pearls.

That first love warrants careful consideration. In recognizing what was projected then, we can often see the same projection recurring in every serious relationship. Part of the projection is neurotic; part is a genuine yearning for the Beloved. The projection itself may become a betrayer— in a man, the maiden in the tower; in a woman, the rescuing knight. If not recognized as projections, these inner images become the ultimate betrayers of oneself. We cannot look to another human being to complete our soul process. The inner marriage is a divine marriage, the outer marriage a human one.

Time in the tower full of death stands completely still. The only movement seems to come from the hands of the manually wound watch that stubbornly ticks away every second.

The quest of the handsome prince was complete. He had found his fair maiden and the world had its fairytale. In her ivory tower, Cinderella was unhappy, locked away from her friends, her family and the outside world. As the public celebrated the Prince’s fortune, the shades of the prison-house closed inexorably around Diana. For all her aristocratic breeding, this innocent young kindergarten teacher felt totally at sea in the deferential hierarchy of Buckingham Palace. There were many tears in those three months and many more to come after that. Weight simply dropped off, her waist shrinking from 29 inches when the engagement was announced down to 23 inches on her wedding day. It was during this turbulent time that her bulimia nervosa, which would take nearly a decade to overcome, began. The note Diana left her friends at Coleherne Court saying: “For God’s sake ring me up--I’m going to need you.” It proved painfully accurate.

The quest of the handsome prince was complete. He had found his fair maiden and the world had its fairytale. In her ivory tower, Cinderella was unhappy, locked away from her friends, her family and the outside world. As the public celebrated the Prince’s fortune, the shades of the prison-house closed inexorably around Diana. For all her aristocratic breeding, this innocent young kindergarten teacher felt totally at sea in the deferential hierarchy of Buckingham Palace. There were many tears in those three months and many more to come after that. Weight simply dropped off, her waist shrinking from 29 inches when the engagement was announced down to 23 inches on her wedding day. It was during this turbulent time that her bulimia nervosa, which would take nearly a decade to overcome, began. The note Diana left her friends at Coleherne Court saying: “For God’s sake ring me up--I’m going to need you.” It proved painfully accurate. As Carolyn Bartholomew, who watched her waste away during her engagement, recalls: “She went to live at Buckingham Palace and then the tears started. This little thing got so thin. I was so worried about her. She wasn’t happy, she was suddenly plunged into all this pressure and it was a nightmare for her. She was dizzy with it, bombarded from all sides. It was a whirlwind and she was ashen, she was grey.” Her first night at Clarence House, the Queen Mother’s London residence, was the calm before the coming storm. She was left to her own devices when she arrived, no-one from the royal family least of all her future husband, thinking it necessary to welcome her to her new world. The popular myth paints a homely picture of the Queen Mother clucking around Diana as she schooled her in the subtle arts of royal protocol while the Queen’s senior lady-in-waiting, Lady Susan Hussey took the young woman aside for tuition in regal history. In reality, Diana was given less training in her new job than the average supermarket checkout operator.

I thought I’d know what to do,” said Halim, as Toadling sat down on the step beside him. “I thought once I got in here and saw what there was to see…I thought I’d know what to do next.” Toadling glanced over at him, surprised. “I thought you could be lying,” he admitted, and then flushed. “No, I don’t mean—that came out wrong. I’m sorry. I didn’t think you were lying to lie. I said I believed you and I meant it. I still do. But maybe you couldn’t speak all the truth, or there was a curse on you, or…” “Or I truly was the wicked fairy,” said Toadling gently, “and Fayette was the beautiful maiden trapped in the tower.” His flush deepened. He dropped his head and put his hands over the back of his neck. “But I still don’t know,” he mumbled to his feet. Toadling patted his shoulder. It was still strange to her, touching another living being. She felt the weight of his chain hauberk under the softer surcoat. It made him feel more solid than he really was. He did not sound solid. He sounded as lost and alone as Toadling. “If I were a proper knight,” he said mournfully, “I should probably strike off your head with my sword and take the girl back to my mother.” “Don’t do that!” said Toadling, alarmed. “Your mother sounds kind, and Fayette would— Please, don’t do that!” He raised his head, a smile tugging at the corner of his mouth. “And striking your head off with a sword?” Toadling shrugged. “I suppose I’d prefer you didn’t.” He snorted. After a moment, he leaned slightly toward her, so that their shoulders touched, and Toadling leaned back, and they sat together on the steps for a little time, with the magic washing over them like the sea. Finally, Halim sighed and stood up. He walked back into the room and stood looking down at Fayette. Toadling followed him as far as the doorway, with her heart in her throat. She was restless in her sleep now that there were people here. Her brows furrowed, and she opened her mouth and closed it again. Perhaps a parent might have found that endearing, but Toadling saw only the snapping of teeth. “All right,” said Halim, and turned away. “I do believe you.” Toadling waited for the but. It didn’t come. “I am probably mad or a fool or enchanted,” he said. “But if so, it is like no enchantment I have ever heard of, and I already knew I was a fool.” He gazed at Toadling with his clear brown eyes. “What do we do now?” “You…you’re not going to try and wake her?” He shook his head. “I believe you,” he said again, and the words filled up the hollow space under her breastbone the way few other words ever had.

My brothers would say that I am being very foolish, wasting my time on stories,” said Halim. “They would tell me to work on my swordplay instead, so that I can finally win a tourney. But I do not particularly enjoy tourneys, and I do like stories. And I would still like to get into that old keep, if God wills it, and see if there is a tower. Perhaps there is no maiden sleeping in it after all. But there is a great deal of magic in the world, and I will not dismiss the possibility.” “There is no maiden,” said Toadling. “Your brothers were right.” Halim put his chin in his hands. “Perhaps you are the enchanter,” he said. Toadling went very still. “Or if you aren’t the enchanter, you might be enchanted yourself. Should I be trying to break the curse on you?” Toadling blinked at him, aware that she was giggling like a startled frog. “What?” “Is there a curse on you?” he asked, leaning forward. “Oh my! Is that it?” “No…?” The conversation was moving too fast for her again. “I’m not cursed!” “Which is exactly what you’d say if you were,” he pointed out. “But it’s exactly what I’d say if I wasn’t!” “Well, that’s true.” He considered.

But—but couldn’t I be a nun, then, instead of marrying?” I ventured timidly. Sir Ambrose stood up in a towering rage and shouted down where I knelt, “You? A bride of Christ? You have no vocation that I have ever seen – Mistress Light Foot, the Dancer, Mistress Gay Voice, the Singer, Mistress Stay-up-at-Night-to-Steal-Kisses! Do not blaspheme the Holy Sisters! Ask Christ to steady you and make you grateful for marriage to so fine a man as Lewis Small!” “Fine a man?” I looked up at him. “Why, fine indeed! Finer by far than your own family. And although not noble in birth, noble in thought, noble in deed and noble in his love for Mother Church. He has already made an offering sufficient to repair the roof. And on the day the wedding vows are made, he pledges a window for the nave. Would you deny a holy place the beauty of a stained-glass window for your own selfish desires? Repent, repent now, and be forgiven, and marry in all modesty and humility, as becomes a maiden!

In the opening paragraphs of the first chapter, the narrator is speaking casually to Mirdath the Beautiful, a maiden of the gentry of the English rural countryside. A more comfortable and bucolic setting cannot be imagined. Then, when he says, 'It is an elf night; the Towers of Sleep rise' she answers by speaking of the Moon-Garden, the City of Twilight, and the Tree with the Great Painted Head. By that word she reveals that she is like him: a soul that is more than mortal, that has lived other lives in other cycles of reincarnation, dimly half-forgotten. She and he are both travelers from moon-lit elfin lands or empires of cloudy nightmare, and they hail from places far beyond the little fields we know, older than human history: they have seen the light of other suns, other days. They dance to music we cannot hear. No one of their own time will understand them.

Trellised towers of primrose and delicate lily, arousing our senses, like the arabicas of Spring, false pretenses and guises, in maiden's attire, strung carelessly on their wood frame, willy nilly. Sonnet "Trellised Towers

Trellised towers of Primrose and delicate lily, arousing our senses, like the arabicas of Spring, false pretenses and guises, in maiden's attire, strung carelessly on their wooden frames, willy nilly. Sonnet "Trellised Towers

God, I know You are with me. You will never let the righteous fall. You are my mother’s strong tower, her deliverer, and nothing can hinder You from saving, whether by many or by few.

Like spendthrift youths in spring's new fashions dressed, Its bare thin branches burst in glorious flower. Snow no more falls, but a bright rosy cloud Tints hills and streams in one long sunset hour. Through this red flood my dream-boat makes its way, While flutes sound chill from many a maiden's bower. Sure from no earthly stock this beauty came, But trees immortal round the Fairy Tower.

In an hour unlooked for by Men this doom befell, on the nine and thirtieth day since the passing of the fleets. Then suddenly fire burst from the Meneltarma, and there came a mighty wind and a tumult of the earth, and the sky reeled, and the hills slid, and Númenor went down into the sea, with all its children and its wives and its maidens and its ladies proud; and all its gardens and its halls and its towers, its tombs and its riches, and its jewels and its webs and its things painted and carven, and its laughter and its mirth and its music, its wisdom and its lore; they vanished forever.

Who can know what he's doing when he doesn't even know why he does it? Bless the bright Cromagnon for inventing the bow and damn him for inventing missile warfare. Bless the stubby little Sumerians for miracles in gold and lapis lazuli and damn them for burying a dead queen's hand-maidens living in her tomb. Bless Shih Hwang-Ti for building the Great Wall between northern barbarism and southern culture, and damn him for burning every book in China. Bless King Minos for the ease of Cnossian flush toilets and damn him for his yearly tribute of Greek sacrificial victims. Bless Pharaoh for peace and damn him for slavery. Bless the Greeks for restricting population so the well-fed few could kindle a watch-tower in the west, and damn the prostitution and sodomy and wars of colonization by which they did it. Bless the Romans for their strength to smash down every wall that hemmed their building genius, and damn them for their weakness that never broke the bloody grip of Etruscan savagery on their minds. Bless the Jews who discovered the fatherhood of God and damn them who limited it to the survivors of a surgical operation. Bless the Christians who abolished the surgical preliminaries and damn them who substituted a thousand cerebral quibbles. Bless Justinian for the Code of Law and damn him for his countless treacheries that were the prototype of the wretched Byzantine millenium. Bless the churchmen for teaching and preaching, and damn, them for drawing a line beyond which they could only teach and preach in peril of the stake.

This custom is known as the “Frog Dropping” since every year on the first Wednesday before Lent four (or sometimes five) frogs are dropped from the tower of the church of St. Eustachius. They fall onto the pavement beneath, whereupon their remains are examined by the oldest accredited virgin in the town who acquires the honorific title of “Frog Maiden” therefrom. (And in all conscience, she often looks not unlike a frog.) The Frog Maiden is said to be able to foretell the future from these remains and if any spectator is splashed by the blood of the fallen frogs it is considered unusually lucky.

Then the Frog Maiden, a scrawny old person dressed all in green for the occasion, stepped out in front of the crowd, muttering under her breath, a violent little pulse throbbing in the leathery sinews of her neck. Finally, the priest on the tower took the casket, opened it and emptied its four occupants out into the air. Unfortunately, there was a strong wind blowing at the time. This not only considerably dissipated their rate of descent but also blew them away from the place where they were supposed to fall. The crowd drew back, but not quickly enough. Two frogs landed in a bail of straw, one on Vlad’s head and another on my shoulder, all seemingly unhurt. Taking advantage of the confusion the four of them managed to skip away and were never seen again. Imagine the consternation that this unprecedented event caused. The Frog Maiden was canvassed for an opinion, but she was as confused as the rest; upon which doubts — ill-founded ones, I have no doubt — were immediately cast upon her virginity. The general consensus was that the omens were bad; though whether this was due more to the proximity of half a million Turks than the near miraculous escape of four small amphibians I could not say. ==========

Númenor went down into the sea, with all its children and its wives and its maidens and its ladies proud; and all its gardens and its halls and its towers, its tombs and its riches, and its jewels and its webs and its things painted and carven, and its laughter and its mirth and its music, its wisdom and its lore: they vanished for ever.

The sense of impending catastrophe had been with her for so long now that it had almost faded to background noise, but suddenly it all came roaring back, clutching at her throat like a strangler. Doomed, you are doomed, the worst has come, the worst is here, you have failed and all will be ashes… But it can’t be! It’s too fast! I’m not ready…and Richard’s not back yet… It was a tiny, hopeless thought, in a tiny hopeless voice, but it stiffened her spine. She was not a maiden in a tower, waiting for her faithful knight to save her. She was a grown woman, goddammit, and even if an aged spinster was among the most socially powerless of creatures, she would not concede to Doom without a fight.

The sense of impending catastrophe had been with her for so long now that it had almost faded to background noise, but suddenly it all came roaring back, clutching at her throat like a strangler. Doomed, you are doomed, the worst has come, the worst is here, you have failed and all will be ashes… But it can’t be! It’s too fast! I’m not ready…and Richard not back yet… It was a tiny, hopeless thought, in a tiny hopeless voice, but it stiffened her spine. She was not a maiden in a tower, waiting for her faithful knight to save her. She was a grown woman, goddammit, and even if an aged spinster was among the most socially powerless of creatures, she would not concede to Doom without a fight.

The sense of impending catastrophe had been with her for so long now that it had almost faded to background noise, but suddenly it all came roaring back, clutching at her throat like a strangler. Doomedd, you are doomed, the worst has come, the worst is > here, you have failed and all will be ashes… But it can’t be! It’s too fast! I’m not ready…and Richard not back yet… It was a tiny, hopeless thought, in a tiny hopeless voice, but it stiffened her spine. She was not a maiden in a tower, waiting for her faithful knight to save her. She was a grown woman, goddammit, and even if an aged spinster was among the most socially powerless of creatures, she would not concede to Doom without a fight.