Maiden Over Quotes

Once upon a midnight dreary, while I pondered, weak and weary, Over many a quaint and curious volume of forgotten lore, While I nodded, nearly napping, suddenly there came a tapping, As of some one gently rapping, rapping at my chamber door. Tis some visitor," I muttered, "tapping at my chamber door — Only this, and nothing more." Ah, distinctly I remember it was in the bleak December, And each separate dying ember wrought its ghost upon the floor. Eagerly I wished the morrow; — vainly I had sought to borrow From my books surcease of sorrow — sorrow for the lost Lenore — For the rare and radiant maiden whom the angels name Lenore — Nameless here for evermore. And the silken sad uncertain rustling of each purple curtain Thrilled me — filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, Tis some visitor entreating entrance at my chamber door — Some late visitor entreating entrance at my chamber door; — This it is, and nothing more." Presently my soul grew stronger; hesitating then no longer, Sir," said I, "or Madam, truly your forgiveness I implore; But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you"— here I opened wide the door; — Darkness there, and nothing more. Deep into that darkness peering, long I stood there wondering, fearing, Doubting, dreaming dreams no mortals ever dared to dream before; But the silence was unbroken, and the stillness gave no token, And the only word there spoken was the whispered word, "Lenore?" This I whispered, and an echo murmured back the word, "Lenore!" — Merely this, and nothing more. Back into the chamber turning, all my soul within me burning, Soon again I heard a tapping somewhat louder than before. Surely," said I, "surely that is something at my window lattice: Let me see, then, what thereat is, and this mystery explore — Let my heart be still a moment and this mystery explore; — 'Tis the wind and nothing more." Open here I flung the shutter, when, with many a flirt and flutter, In there stepped a stately raven of the saintly days of yore; Not the least obeisance made he; not a minute stopped or stayed he; But, with mien of lord or lady, perched above my chamber door — Perched upon a bust of Pallas just above my chamber door — Perched, and sat, and nothing more. Then this ebony bird beguiling my sad fancy into smiling, By the grave and stern decorum of the countenance it wore. Though thy crest be shorn and shaven, thou," I said, "art sure no craven, Ghastly grim and ancient raven wandering from the Nightly shore — Tell me what thy lordly name is on the Night's Plutonian shore!" Quoth the Raven, "Nevermore." Much I marveled this ungainly fowl to hear discourse so plainly, Though its answer little meaning— little relevancy bore; For we cannot help agreeing that no living human being Ever yet was blest with seeing bird above his chamber door — Bird or beast upon the sculptured bust above his chamber door, With such name as "Nevermore.

I love you," she sobbed, rubbing her hands over his face, his hair, his chest, making sure he was solid and real. "I love you, and I thought you were dead. I couldn't bear it. I thought I would die too." "I'd walk through fire for you," he rasped, his voice hoarse and broken. "I have walked through fire for you.

The leaves were long, the grass was green, The hemlock-umbels tall and fair, And in the glade a light was seen Of stars in shadow shimmering. Tinuviel was dancing there To music of a pipe unseen, And light of stars was in her hair, And in her raiment glimmering. There Beren came from mountains cold, And lost he wandered under leaves, And where the Elven-river rolled. He walked along and sorrowing. He peered between the hemlock-leaves And saw in wonder flowers of gold Upon her mantle and her sleeves, And her hair like shadow following. Enchantment healed his weary feet That over hills were doomed to roam; And forth he hastened, strong and fleet, And grasped at moonbeams glistening. Through woven woods in Elvenhome She lightly fled on dancing feet, And left him lonely still to roam In the silent forest listening. He heard there oft the flying sound Of feet as light as linden-leaves, Or music welling underground, In hidden hollows quavering. Now withered lay the hemlock-sheaves, And one by one with sighing sound Whispering fell the beechen leaves In the wintry woodland wavering. He sought her ever, wandering far Where leaves of years were thickly strewn, By light of moon and ray of star In frosty heavens shivering. Her mantle glinted in the moon, As on a hill-top high and far She danced, and at her feet was strewn A mist of silver quivering. When winter passed, she came again, And her song released the sudden spring, Like rising lark, and falling rain, And melting water bubbling. He saw the elven-flowers spring About her feet, and healed again He longed by her to dance and sing Upon the grass untroubling. Again she fled, but swift he came. Tinuviel! Tinuviel! He called her by her elvish name; And there she halted listening. One moment stood she, and a spell His voice laid on her: Beren came, And doom fell on Tinuviel That in his arms lay glistening. As Beren looked into her eyes Within the shadows of her hair, The trembling starlight of the skies He saw there mirrored shimmering. Tinuviel the elven-fair, Immortal maiden elven-wise, About him cast her shadowy hair And arms like silver glimmering. Long was the way that fate them bore, O'er stony mountains cold and grey, Through halls of iron and darkling door, And woods of nightshade morrowless. The Sundering Seas between them lay, And yet at last they met once more, And long ago they passed away In the forest singing sorrowless.

As she chattered and laughed and cast quick glances into the house and the yard, her eyes fell on a stranger, standing alone in the hall, staring at her in a cool impertinent way that brought her up sharply with a mingled feeling of feminine pleasure that she had attracted a man and an embarrassed sensation that her dress was too low in the bosom. He looked quite old, at least thirty-five. He was a tall man and powerfully built. Scarlett thought she had never seen such a man with such wide shoulders, so heavy with muscles, almost too heavy for gentility. When her eye caught his, he smiled, showing animal-white teeth below a close-clipped black mustache. He was dark of face, swarthy as a pirate, and his eyes were as bold and black as any pirate's appraising a galleon to be scuttled or a maiden to be ravished. There was a cool recklessness in his face and a cynical humor in his mouth as he smiled at her, and Scarlett caught her breath. She felt that she should be insulted by such a look as was annoyed with herself because she did not feel insulted. She did not know who he could be, but there was undeniably a look of good blood in his dark face. It showed in the thin hawk nose over the full red lips, and high forehead and the wide-set eyes.

Finally he turned his head toward her face and brushed a kiss over her cheek. “I love you and I believe with all my heart that you love me as well. Why can’t you say it, Hero?

Why?” he whispered as he leaned over her, supported on one arm. “Why must ye be the one that haunts me dreams? I’ve seen ye weepin’ night after bloody night since the day I sent ye from me palace with yer dress half undone. If I had it to do over again, I’d cut me own right hand off rather than hurt ye so. Will ye never be able to forgive me, Silence love?” “I already have,” she replied, cradling his cheek in her hand. “Long, long ago.

Our society does reward beauty on the outside over health on the inside. Women must not be blamed for choosing short-term beauty "fixes" that harm our long-term health, since our life spans are inverted under the beauty myth, and there is no great social or economic incentive for women to live a long time. A thin young woman with precancerous lungs [who smokes to stay thin] is more highly rewarded socially that a hearty old crone. Spokespeople sell women the Iron Maiden [an intrinsically unattainable standard of beauty used to punish women for their failure to achieve and conform to it]and name her "Health": if public discourse were really concerned with women's health, it would turn angrily upon this aspect of the beauty myth.

So I might have to marry Alec when I'm grown," Illia was prattling across to Seregil. "I hope that won't hurt your feelings too much." Seregil slapped a hand over his heart like a troubadour in a mural. "Ah, fair maiden, I shall slay a thousand evil dragons for you, and lay their steaming black livers at your dainty feet, if only you will restore me to your favor." "Livers!" Illia buried her face against Alec's shoulder with an outraged giggle. "You wouldn't bring me livers, would you, Alec?" "Of course not," Alec scoffed. "What a disgusting present. I'd bring you the eyeballs for a necklace, and all their scaly pointed tongues to tie your braids with.

But the thought arrived inside her like a train: Marya Morevna, all in black, here and now, was a point at which all the women she had been met—the Yaichkan and the Leningrader and the chyerti maiden; the girl who saw the birds, and the girl who never did—the woman she was and the woman she might have been and the woman she would always be, forever intersecting and colliding, a thousand birds falling from a thousand oaks, over and over.

Like the most of you, I was raised among people who knew - who were certain. They did not reason or investigate. They had no doubts. They knew that they had the truth. In their creed there was no guess — no perhaps. They had a revelation from God. They knew the beginning of things. They knew that God commenced to create one Monday morning, four thousand and four years before Christ. They knew that in the eternity — back of that morning, he had done nothing. They knew that it took him six days to make the earth — all plants, all animals, all life, and all the globes that wheel in space. They knew exactly what he did each day and when he rested. They knew the origin, the cause of evil, of all crime, of all disease and death. At the same time they knew that God created man in his own image and was perfectly satisfied with his work... They knew all about the Flood -- knew that God, with the exception of eight, drowned all his children -- the old and young -- the bowed patriarch and the dimpled babe -- the young man and the merry maiden -- the loving mother and the laughing child -- because his mercy endureth forever. They knew too, that he drowned the beasts and birds -- everything that walked or crawled or flew -- because his loving kindness is over all his works. They knew that God, for the purpose of civilizing his children, had devoured some with earthquakes, destroyed some with storms of fire, killed some with his lightnings, millions with famine, with pestilence, and sacrificed countless thousands upon the fields of war. They knew that it was necessary to believe these things and to love God. They knew that there could be no salvation except by faith, and through the atoning blood of Jesus Christ. Then I asked myself the question: Is there a supernatural power -- an arbitrary mind -- an enthroned God -- a supreme will that sways the tides and currents of the world -- to which all causes bow? I do not deny. I do not know - but I do not believe. I believe that the natural is supreme - that from the infinite chain no link can be lost or broken — that there is no supernatural power that can answer prayer - no power that worship can persuade or change — no power that cares for man. Is there a God? I do not know. Is man immortal? I do not know. One thing I do know, and that is, that neither hope, nor fear, belief, nor denial, can change the fact. It is as it is, and it will be as it must be. We can be as honest as we are ignorant. If we are, when asked what is beyond the horizon of the known, we must say that we do not know. We can tell the truth, and we can enjoy the blessed freedom that the brave have won. We can destroy the monsters of superstition, the hissing snakes of ignorance and fear. We can drive from our minds the frightful things that tear and wound with beak and fang. We can civilize our fellow-men. We can fill our lives with generous deeds, with loving words, with art and song, and all the ecstasies of love. We can flood our years with sunshine — with the divine climate of kindness, and we can drain to the last drop the golden cup of joy.

I should hate to be a regular girl with a sugar-plum voice. I should hate to have swan-like lashes, and a thick, sooty neck. I sound as though I’m joking, I know, but I should truly hate to be like Leanne, so charming and ordinary and stuffed with clichéd feelings. I’m glad I’m the ice maiden. Who wants to be crying over every stray dog? Not I. Scratch my surface and what do you see? More surface.

He grunted and stirred, withdrawing from her. She only had a moment to be disappointed and then he flipped her to her back and rose over her, powerful and male. He casually parted her legs with his knees and thrust into her again, hot and hard. She gasped at the swift invasion, the lovely feeling, and then his face was next to hers, his big palms cradling her cheeks. “What I want,” he drawled, “is ye. Nothin’ else.

But…” Both men looked over inquiringly when Maximus spoke. “But I never asked you to help me with Noakes.” Makepeace nodded, his expression grave. “You didn’t have to.” “You never had to,” St. John concurred.

There must be a glowing light above such houses. The joy they contain must escape in light through the stones of the walls and shine dimly into the darkness. It is impossible that this sacred festival of destiny should not send a celestial radiation to the infinite. Love is the sublime crucible in which is consummated the fusion of man and woman; the one being, the triple being, the final being-- the human trinity springs from it. This birth of two souls into one space must be an emotion for space. The lover is priest; the apprehensive maiden submits. Something of this joy goes to God. Where there really is marriage, that is to say, where there is love, the ideal is mingled with it. A nuptial bed makes a halo in the darkness. Were it given to the eye of the flesh to perceive the fearful and enchanting sights of the superior life, it is likely that we should see the forms of night, the winged stranger, the blue travelers of the invisible, bending, a throng of shadowy heads, over the luminous house, pleased, blessing, showing to one another the sweetly startled maiden bride and wearing the reflection of the human felicity on their divine countenances. If at that supreme hour, the wedded pair, bewildered with pleasure, and believing themselves alone, were to listen, they would hear in their room a rustling of confused wings. Perfect happiness implies the solidarity of the angels. That obscure little alcove has for its ceiling the whole heavens. When two mouths, made sacred by love, draw near to each other to create, it is impossible, that above that ineffable kiss there should not be a thrill in the immense mystery of the stars.

She put her hand on her chest. “I have magic yet. If you will set the clock working again, then I must be still. I have read quite as many stories as you, September. More, no doubt. And I know a secret you do not: I am not the villain. I am no dark lord. I am the princess in this tale. I am the maiden, with her kingdom stolen away. And how may a princess remain safe and protected through centuries, no matter who may assail her? She sleeps. For a hundred years, for a thousand. Until her enemies have all perished and the sun rises over her perfect, innocent face once more.

She took his length gently between her hands, her arms resting on his thighs, and looked up into his face. “I’m very, very angry with you.” And she opened her mouth over him.

I wasn't the Maiden. I wasn't a Princess or even a Queen. I was a god. And I was so over this.

The books were legends and tales, stories from all over the Realm. These she had devoured voraciously – so voraciously, in fact, that she started to become fatigued by them. It was possible to have too much of a good thing, she reflected. “They’re all the same,” she complained to Fleet one night. “The soldier rescues the maiden and they fall in love. The fool outwits the wicked king. There are always three brothers or sisters, and it’s always the youngest who succeeds after the first two fail. Always be kind to beggars, for they always have a secret; never trust a unicorn. If you answer somebody’s riddle they always either kill themselves or have to do what you say. They’re all the same, and they’re all ridiculous! That isn’t what life is like!” Fleet had nodded sagely and puffed on his hookah. “Well, of course that’s not what life is like. Except the bit about unicorns – they’ll eat your guts as soon as look at you. those things in there” – he tapped the book she was carrying – “they’re simple stories. Real life is a story, too, only much more complicated. It’s still got a beginning, a middle, and an end. Everyone follows the same rules, you know. . . It’s just that there are more of them. Everyone has chapters and cliffhangers. Everyone has their journey to make. Some go far and wide and come back empty-handed; some don’t go anywhere and their journey makes them richest of all. Some tales have a moral and some don’t make any sense. Some will make you laugh, others make you cry. The world is a library, young Poison, and you’ll never get to read the same book twice.

To live a life well, to have no regrets, be you fish, maiden, or even a damnable legger. To close your eyes and know that there was peace in the beyond and to smile because now the pain would soon be over and there’d be nothing more beyond that but joy. Yes, there was beauty in death.

Old Nan nodded. ‘In that darkness, the Others came for the first time,’ she said as her needles went click, click, click. ‘They were cold things, dead things, that hated iron and fire and the touch of the sun, and every creature with hot blood in its veins. They swept over holdfasts and cities and kingdoms, felled heroes and armies by the score, riding their pale dead horses and leading hosts of the slain. All the swords of men could not stay their advance, and even maidens and suckling babes found no pity in them. They hunted the maids through frozen forests, and fed their dead servants on the flesh of human children.’ (p240)

What does that mean?” Matthias asked. “Goedmedbridge?” “Good maiden bridge.” “Why is it called that?” Nina leaned against the doorway and said, “Well, the story is that when a woman found out her husband had fallen in love with a girl from West Stave and planned to leave her, she came to the bridge and, rather than live without him, hurled herself into the canal.” “Over a man with so little honor?” “You’d never be tempted? All the fruits and flesh of West Stave before you?” “Would you throw yourself off a bridge for a man who was?” “I wouldn’t throw myself off a bridge for the king of Ravka.

Little Maiden Encounters Fear Deepest regions walked she there little maiden sweet and fair ventured far from the path never a whisper never a laugh...

Love resistless in fight, all yield at a glance of thine eye, Love who pillowed all night on a maiden's cheek dost lie, Over the upland holds. Shall mortals not yield to thee?

Fun my ass. The only thing remotely pleasant about this experience is that Des is wearing an Iron Maiden shirt, his tattoos are on full display, and his leather pants are hugging the shit out of his backside. I mean, I can be mad at him and still enjoy the view. Over

I took the sheep and cut their throats over the pit, and let the dark blood flow. Then there gathered the spirits of the dead, brides and unwed youths, old men worn out by labour, and tender maidens with hearts still new to sorrow.

Silence cleared her throat, fearful her voice would come out a croak. “Is she asleep?” He blinked as if he, too, were waking from a dream, and glanced down at Mary Darling. “Aye, I’m a-thinkin’ she is—she’s stopped fussin’ at me.” Silence felt a huge smile of relief spread over her face. “She was fussing? Oh, how wonderful!” He shot her a look, one eyebrow arching. “Ye’ve taught the child to bully me, too, now?” “Oh, no,” she said hastily, embarrassed. Did he really think she bullied him? What a silly notion!

Children, don’t speak so coarsely,’ said Mr. Webster, who had a vague notion that some supervision should be exercised over his daughters’ speech, and that a line should be drawn, but never knew quite when to draw it. He had allowed his daughters to use his library without restraint, and nothing is more fatal to maidenly delicacy of speech than the run of a good library.

She threw one leg over his and straddled his lap, then reached under herself and found him again. He tore his mouth from hers. “Wait.” “No.” She looked him frankly in the eyes. “I don’t care if you spill at once. I need you inside me now.” His beautiful eyes widened and then narrowed. “You’ll not always hold the reins, my lady.” She smiled sweetly. “Naturally not, but I do now.

Only five of the Bodyguards reached Fal Moran alive, every man wounded, but they had the child unharmed. From the cradle they taught him all they knew. He learned weapons as other children learn toys, and the Blight as other children their mother’s garden. The oath sworn over his cradle is graven in his mind. There is nothing left to defend, but he can avenge. He denies his titles, yet in the Borderlands he is called the Uncrowned, and if ever he raised the Golden Crane of Malkier, an army would come to follow. But he will not lead men to their deaths. In the Blight he courts death as a suitor courts a maiden, but he will not lead others to it.

You've used me to punish yourself, haven't you?" He watched dawning realization spread over her face, a confirmation more positive than anything she could ever say, and that arrow twisted deep in his chest. Yet still he had to ask the last question. "Am I anything to you but a punishment?

He done taught me de maiden language all over.

A Ripple Song Once a ripple came to land In the sunset burning- Lapped against a maiden's hand, By the ford returning. Dainty foot and gentle breast- Here, across, be glad and rest. "Maiden, wait," the ripple saith "Wait awhile, for I am Death!" 'Where my lover calls I go- Shame it were to treat him coldly- 'Twas a fish that circled so, Turning over boldly.' Dainty foot and tender heart, Wait the loaded ferry-cart. "Wait, ah, wait!" the ripple saith; "Maiden, wait, for I am Death!" 'When my lover calls I haste- Dame Disdain was never wedded!' Ripple-ripple round her waist, Clear the current eddied. Foolish heart and faithful hand, Little feet that touched no land. Far away the ripple sped, Ripple-ripple-running red!

If the bible be true, God commanded his chosen people to destroy men simply for the crime of defending their native land. They were not allowed to spare trembling and white-haired age, nor dimpled babes clasped in the mothers' arms. They were ordered to kill women, and to pierce, with the sword of war, the unborn child. 'Our heavenly Father' commanded the Hebrews to kill the men and women, the fathers, sons and brothers, but to preserve the girls alive. Why were not the maidens also killed? Why were they spared? Read the thirty-first chapter of Numbers, and you will find that the maidens were given to the soldiers and the priests. Is there, in all the history of war, a more infamous thing than this? Is it possible that God permitted the violets of modesty, that grow and shed their perfume in the maiden's heart, to be trampled beneath the brutal feet of lust? If this was the order of God, what, under the same circumstances, would have been the command of a devil? When, in this age of the world, a woman, a wife, a mother, reads this record, she should, with scorn and loathing, throw the book away. A general, who now should make such an order, giving over to massacre and rapine a conquered people, would be held in execration by the whole civilized world. Yet, if the bible be true, the supreme and infinite God was once a savage.

He felt as if he hadn't slept because he spent all night wandering through the world looking for a maiden who bore his heart in her womb. His heart grew in her like a child. He was pregnant with his heart for a long time, for a year, for ten years, for a generation, for a hundred and two years. His heart grew bigger and bigger in her, and she grew bigger and bigger to accomodate the growth of his heart in her womb. He never knew when she would give birth to his heart and he lost her and searched the world over and never found her. His father, the king, told him that the world in which he searched for he was his heart, and that she was the mother of all the world, and that his search was over when it began, but he didn't know it.

Turn over, Helen." An approving sound, very nearly a purr, left his throat as she obeyed. He looked down at her with eyes as bright as the reflection of stars in a midnight ocean. So brutally handsome, like one of the volatile gods of mythology, wreaking havoc on hapless mortal maidens at a whim. And he was hers.

No one could hear them over the carriage wheels, yet somehow it felt right to whisper. His eyes dropped to her gaping bodice. One nipple was reddened and still moist. He averted his eyes, swallowing. His erection, silly thing, didn’t know the show was over.

Do you know why wildflowers are the most beautiful blossoms of all, my son?” Dain shook his little head. Soft waxen curls blew forward in the breeze as she lifted her storm-gray eyes to gaze out over the sea of petals. “Wildflowers are the loveliest of all because they grow in uncultivated soil, in those hard, rugged places where no one expects them to flourish. They are resilient in ways a garden bloom could never be. People are the same, son—the most exquisite souls are those who survive where others cannot. They root themselves, along with their companions, wherever they are, and they thrive.

Thus they fell: for Heaven to them no hope imparts, To those who hear not for their beating hearts. A maiden-angel and her seraph-lover, O! where (and ye may seek the wide skies over Was Love, the blind, near sober Duty known? Unguided Love hath fallan-'mid "tears of perfect moan.

We've lost sight of How simple the task Really is— Hunt. Gather. Live. It's all been overly simplified In a complicated way. Now we're left just looking at each other. What's worse Is when one's sight Is only as far as A cell phone's light— When one's reach Is only as far as A computer screen. Somedays, I could smash it all With my bare hands. This hand held devise Is trying to put my life In a rectangle &The wild Animal Doesn't. Quite. Like. It.

Crowds rarely cheer too loudly for the defeated, no matter how hard they fought, how great their sacrifices, how long the odds. Maidens might wet themselves over cheap and worthless victories, but they don’t so much as blush for ‘I did my best

I love you,” she said, speaking clearly so that there might be no confusion. “I love you utterly and completely. I love your elegant hands and the way you smile with only one side of your mouth — when you smile at all — and I love how grave your eyes are. I love that you let me invade your house with nearly my entire family and yours, and never even turned a hair. I love that you made love to me when I asked you, purely for politeness’ sake, and I love that you got mad at me later and made me make love to you. I love that you let Her Grace and her puppies construct a nest out of your shirts in your dressing room. I love that you’ve spent years selflessly saving people in St. Giles — although I want you to stop right now. I love that you killed a man for me, even if I’m still mad at you about it. I love that you saved my letters before we even knew each other well, and I love the curt, overly serious letters you wrote to me in return.” She looked at him very seriously. “I love you, Godric St. John, and now I’m breaking my word. I will not leave you. You may either come with me to Laurelwood or I’ll stay here with you in your musty old house in London and drive you mad with all my talking and relatives and… and exotic sexual positions until you break down and love me back, for I’m warning you that I’m not giving up until you love me and we’re a happy family with dozens of children.” She paused at that point because she’d run out of breath and looked at him. His face had gone still and for a moment her heart sank and she had to fortify herself for a battle. But then his mouth quirked like that and he said, “Exotic sexual positions?” And she knew even before he said anything else that it was all going to be fine—more than fine. It was going to be wonderful.

What,” Mick said softly, “is Lad doin’ in me bed?” Hearing his name, Lad opened small, piggish, upside-down eyes, gazing with idiotic adoration as his whip-thin tail thumped the covers. “Ah.” Harry scratched behind one ear. “Well, see, ’e was lookin’ so forlorn, like, out in the courtyard by ’imself. Seemed an awful shame to leave ’im there all alone.” “Off!” Mick roared at the dog. Lad’s transformation was instantaneous. His tiny triangle ears folded back, his eyes narrowed worriedly, and he rolled so that he could crawl toward the edge of the bed on his belly. “Is that mud on his paws?” Mick asked in outrage. Harry glanced at the dog. “I do believe it is,” he said as if making a discovery. “Christ!” Mick watched disgustedly as Lad made the edge of the bed and slithered off, thumping to the floor. The dog seemed to think that his apology was done—or perhaps he’d already forgotten that Mick was mad at him—for he gamboled over as frisky as a lamb. “He’s not even me dog,” Mick muttered. Lad sat, one back leg sprawled out to the side, tongue hanging from his mouth, and grinned up at him. He completely ignored Harry, his supposed master. “The dog ’as a wonderful affection for ye,” Harry said brightly.

Each of us could be under a cloud of suspicion for the rest of our lives." "A black spot," Dour Elinor intoned. "A blemish upon our maiden purity." "Oh, no, surely not," disgraceful Mary Jane replied. "Not for such a trifling thing as neglecting to mention the death of a headmistress and her nasty brother. No one could really be upset over that. It takes much more fun to leave a blemish upon one's maiden purity.

Somewhere, at some indefinable point, he'd crossed a bridge and the bridge had crumbled behind him. There was no going back. He cared for Lady Phoebe Batten more than anything else in life. More than his family. More than his honor. More than his freedom, should it come to that. Bringing her joy was worth more than any amount of money. He knew--without doubt, without fear--that he would kill for her. That he would die for her. It was almost a relief, this realization. He might fight intellectually against it, using all those well-worn arguments: he was too old, she was too young, they were too far apart in class, but it simply didn't matter. His heart performed a coup d'état over his mind and there was nothing more to be done about it. He loved Phoebe Batter, now and forevermore.

What about you, this week? First you completely ignore me like some Hitler Youth ice-maiden, then you turn into an irresistible sex kitten, looking at me over the computer with not so much ‘come-to-bed’ as just ‘come’ eyes, and now suddenly you’re Jeremy Paxman.” We

I see there’s more cooking out here than the pheasant.” Valten leaned over to turn the roasting birds on the spit and mumbled, “Not anymore.

Ah, fairest maiden, thine beauty doth maketh mine loins stir, and mine cup runneth over.

Only fools fail to recognize you, knowing no sleep but the shadow which you, taking pity, cast over us in the twilight before true night. They do not taste you in the golden flood of grapes, in the magic oil of the almond tree and the brown juice of the poppy. They do not know that it is you who hovers over a tender maiden’s bosom, making a heaven of her lap − never suspect that it is you who comes to them out of old stories, opening the doors to heaven and carrying the key to the dwellings of the blessed, a silent messenger of infinite mysteries.

She smiled as she poured tea into his cup. “I hope you find your rooms comfortable?” “Quite.” He took a too-hasty sip of tea and scalded his tongue. “The view is to your liking?” He had a view of a brick wall. “Indeed.” She fluttered her eyelashes at him over the rim of her teacup. “And the bed. Is it soft and… yielding?” He nearly choked on the bite of cake he’d just taken. “Or do you prefer a firmer bed?” she asked sweetly. “One that refuses to yield too soon?” “I think”—he narrowed his eyes at her—“whatever mattress I have on the bed you gave me is perfect. But tell me, my lady, what sort of mattress do you prefer? All soft goose down or one that’s a bit… harder?” It was very fast, but he saw it: Her gaze flashed down to the juncture of his thighs and then up again. If there hadn’t been anything to see there before, there certainly was now. “Oh, I like a nice stiff mattress,” she purred. “Well warmed and ready for a long ride.

Almost everyone stopped when he did, but Enaila and Jalani exchanged glances and kept on right past him toward the garden. He raised his voice a fraction and hardened it considerably more. “The Maidens here will come with me. Anyone who wants to put on a dress and discuss matchmaking can stay behind.” .................................. Bashere motioned, and one of the younger Saldaeans loped ahead in that rolling stride of a man more used to a saddle. “A man must know when to retreat from a woman,” Bashere said to the air, “but a wise man knows that sometimes he must stand and face her.” “Young men,” Bael said indulgently. “A young man chases shadows and runs from moonlight, and in the end he stabs himself in the foot with his own spear.” Some of the other Aiel chuckled, Maidens and Knife Hands alike. The older ones did. Irritated, Rand looked over his shoulder again. “Neither of you would look well in a dress.” Surprisingly, the Maidens and Knife Hands laughed again, more loudly. Maybe he was getting a grip on Aiel humor.

Well, he would share her, but only for a little while. When the ball was over, he would make sure she slept inside the castle tonight, with his sister Margaretha. In fact, he might just make sure she never left the castle. He didn’t intend for her to ever be without protection again.

I think that its out very differences that make us a perfect match," he said, and his jaw moved under his fingertips. "You'd die of boredom with Thomas within a year. If I found a lady with a temper similar to mine, we'd tear each other apart within months. You and I, though, we're like bread and butter." She snorted. "That's romantic." "Hush," he said, his voice quivering with laughter, but also with an undertone of gravity. She cradled his jaw as he said, "Bread and butter. The bread provides stability for the butter; the butter gives taste to the bread. Together they're perfect." Her eye brows drew together. "I'm the bread, aren't I?" "Sometimes." His voice was a thread of rumbled sound, low and ominous. She could feel his words as they drifted over her palm. "And sometimes I'm the bread and you're the butter. But we go together--you understand that, don't you?

Sir?" "Yes" "Where do you go at night?" Winter paused and glanced over his shoulder. Joseph was watching him with perceptive eyes for one so young. In that instant, Winter grew tired of lies. "I right wrongs." He expect more questions--Joseph was usually full of them and his answer was too obscure--but the boy merely nodded. "Will you teach me how sometime?" Winter's eyes widened. Teach him to...? His mind instantly balked at the thought of putting Joseph in danger. But were he ever to ask for an apprentice to his Ghost, he knew instinctively that he could find no one with more courage than the lad.

Better marry a maiden, so you can teach her good manners, and in particular marry one who lives close by you. Look her well over first. Don't marry what will make your neighbors laugh at you, for while there's nothing better a man can win him than a good wife, there's nothing more dismal than a bad one.

Fate has always been the realm of the gods, though even the gods are subject to it. In ancient Greek mythology, the Three Sisters of Fate spin out a person's destiny within three nights of their birth. Imagine your newborn child in his nursery. It's dark and soft and warm, somewhere between two and four a.m., one of those hours that belong exclusively to the newly born or the dying. The first sister - Clotho - appears next to you. She's a maiden, young and smooth. In her hands she holds a spindle, and on it she spins the thrads of your child's life. Next to her is Lachesis, older and more matronly than her sister. In her hands, she holds the rod used to mesure the thread of life. The length and destiny of your child's life is in her hands. Finally we have Atropos - old, haggardly. Inevitable. In her hands she holds the terrible shears she'll use to cut the thread of your child's life. She determines the time and manner of his or her death. Imagine the awesome and awful sight of these three sisters pressed together, presiding over his crib, dermining his future. In modern times, the sisters have largely disappeared from the collective consiousness, but the idea of Fate hasn't. Why do we still believe? Does itmake tragedy more bearable to believe that we ourselves had no hand in it, that we couldn't have prevented it? It was always ever thus. Things happen for a reason, says Natasha's mother. What she means is Fate has a Reason and, though you may not know it, there's a certain comfort in knowing that there's a Plan.

Your Grace seems out of breath. I do hope you’re not being chased by an overly enthusiastic heiress?” “Pack a light bag, Craven,” Maximus snapped. “We’re going to London to help a murderous lunatic escape from Bedlam.

To what a world does the illustrious bard carry me! To wander over pathless wilds, surrounded by impetuous whirlwinds, where, by the feeble light of the moon, we see the spirits of our ancestors; to hear from the mountain-tops, mid the roar of torrents, their plaintive sounds issuing from deep caverns, and the sorrowful lamentations of a maiden who sighs and expires on the mossy tomb of the warrior by whom she was adored. I meet this bard with silver hair; he wanders in the valley; he seeks the footsteps of his fathers, and, alas! he finds only their tombs. Then, contemplating the pale moon, as she sinks beneath the waves of the rolling sea, the memory of bygone days strikes the mind of the hero, days when approaching danger invigorated the brave, and the moon shone upon his bark laden with spoils, and returning in triumph. When I read in his countenance deep sorrow, when I see his dying glory sink exhausted into the grave, as he inhales new and heart-thrilling delight from his approaching union with his beloved, and he casts a look on the cold earth and the tall grass which is so soon to cover him, and then exclaims, "The traveller will come, -- he will come who has seen my beauty, and he will ask, 'Where is the bard, where is the illustrious son of Fingal?' He will walk over my tomb, and will seek me in vain!

Silence rose and crossed to the connecting door and knocked. The door was opened almost at once. Michael leaned a shoulder against the doorjamb, a wicked smile playing about his sensuous lips. He was so very big this close—every time it surprised her and made her breathless. “Well, now, and when did ye decide to start knockin’ at me door?” Silence fought to keep her face from flaming as she remembered the last time she’d peeked through Michael’s door. She swallowed. “We’re bored.” “Is that so?” Michael glanced down. Silence followed his gaze and saw that Mary had crawled over to investigate. The baby grabbed a handful of her skirt and stood up. She kept one hand on Silence’s skirt and popped two fingers from the other into her mouth as she stared solemnly at Michael. “She looks a rare treat,” Michael said softly, watching the toddler. Silence smiled down at Mary. “She does indeed.” She glanced up and her heart squeezed at the gentle look on Michael’s face. As if she understood she was the subject of conversation, Mary lifted her arms—to Michael. “Up!” Michael arched an eyebrow. “Mouthy little thing, ain’t she?” But he bent and lifted the toddler.

She flew in, all fiery flashing eyes and flushed cheeks, her bosom heaving beneath black wool. She was magnificent. "Tell them to let her go!" Séraphine ordered him imperiously. "Tell them to let her go right now." She stood over him, her lips wet, her body shaking with her rage, and he wanted to take her and roll her beneath him and fuck her into the mattress.

What do you want?” There was silence, broken only by a faint rustling. When he opened his eyes she was buttoning his banyan over her chemise. “Nothing, I think,” she said to her hands. Then, “My freedom, perhaps.” Freedom. He stared. What did freedom mean to such a wild creature? Did she want to be entirely quit of him? “I’ll not let you go,” he snapped. She glanced up at him and her look was sardonic. “Did I ask you to?” “Artemis—

Hmmm," he said, "Lauren Elizabeth Danner.Elizabeth is a beautiful name and so is Lauren. They suit you." Unable to endure the sweet torment of having him flirt with her, Lauren said repressively, "I was named after two maiden aunts.One of them had a squint and the other had warts." Nick ignored that and continued aloud. "Color of eyes,blue." He regarded her over the top of the file, his gray eyes intimate and teasing. "They are definitely blue.A man could lose himself in those eyes of yours-they're gorgeous." "My right eye used to wobble unless I wore my glasses," Lauren informed him blithely. "They had to operate on it." "A little girl with wobbly blue eyes and glasses on her nose," he reflected with a slow grin. "I'll bet you were cute." "I looked studious,not cute.

Valten’s hand tightened around Gisela arm, and he grunted in frustration. He brushed his finger over her cheek and whispered, “We will continue this conversation later.” “Yes, my lord.” The mischievous twinkle in her eye almost made him kiss her anyway, even though Rainhilda was staring at them from the Great Hall door.

What?” Lucien laughed. “Yes—all those female faeries around you were females for Tamlin to pick. It’s an honor to be chosen, but it’s his instincts that select her.” “But you were there—and other male faeries.” My face burned so hot that I began sweating. That was why those three horrible faeries had been there—and they’d thought that just by my presence, I was happy to comply with their plans. “Ah.” Lucien chuckled. “Well, Tam’s not the only one who gets to perform the rite tonight. Once he makes his choice, we’re free to mingle. Though it’s not the Great Rite, our own dalliances tonight will help the land, too.” He shrugged off that invisible hand a second time, and his eyes fell upon the hills. “You’re lucky I found you when I did, though,” he said. “Because he would have smelled you, and claimed you, but it wouldn’t have been Tamlin who brought you into that cave.” His eyes met mine, and a chill went over me. “And I don’t think you would have liked it. Tonight is not for lovemaking.

Well, Scarborough cares, doesn’t he? Maximus doesn’t—not really. No doubt he’s a bit compelled by the chase, but if he doesn’t win”—she shrugged her shoulders—“he’ll simply find another suitable heiress. She—Lady Penelope herself—doesn’t really matter to him. And if it comes right down to it, wouldn’t you chose passion—however old—over dispassion?

He immediately took her in his arms and cut off her stays. She didn’t move. He shook her. “Artemis.” Her head flopped back and forth limply. Makepeace laid a hand on his arm. “Your Grace.” He ignored the other man. “Diana.” “Your Grace, I’m sorry—” He swung back his arm and slapped her face, the sound echoing across the water. She choked. Immediately he flipped her so that her face was over the gunwale of the boat. She coughed and a great stream of dirty water fountained out of her mouth. He’d never seen such a wonderful sight in his life.

Behind the tall-backed and elaborately wrought chairs, stand the servants, men and maidens—fifteen in number—discriminately selected, not only with a view to their industry and faithfulness, but with special regard to their personal appearance, their graceful agility and captivating address. Some of these are armed with fans, and are fanning reviving breezes toward the over-heated brows of the alabaster ladies; others watch with eager eye, and with fawn-like step anticipate and supply wants before they are sufficiently formed to be announced by word or sign.

Umm, Ren? We have something important we need to discuss. Meet me on the veranda at sundown, okay?” He froze with his sandwich halfway to his mouth. “A secret rendezvous? On the veranda? At sundown?” He arched an eyebrow at me. “Why, Kelsey, are you trying to seduce me?” “Hardly,” I dryly muttered. He laughed. “Well, I’m all yours. But be gentle with me tonight, fair maiden. I’m new at this whole being human business.” Exasperated, I threw out, “I am not your fair maiden.” He ignored my comment and went back to devouring his lunch. He also took the other half of my discarded peanut butter sandwich and ate that too, commenting, “Hey! This stuff’s pretty good.” Finished, I walked over to the kitchen island and began clearing away Ren’s mess. When he was done eating, he stood to help me. We worked well together. It was almost like we knew what the other person was going to do before he or she did it. The kitchen was spotless in no time. Ren took off his apron and threw it into the laundry basket. Then, he came up behind me while I was putting away some glasses and wrapped his arms around my waist, pulling me up against him. He smelled my hair, kissed my neck, and murmured softly in my ear, “Mmm, definitely peaches and cream, but with a hint of spice. I’ll go be a tiger for a while and take a nap, and then I can save all my hours for you this evening.” I grimaced He was probably expecting a make-out session, and I was planning to break up with him. He wanted to spend time with a girlfriend, and my intention was to explain to him how we weren’t meant to be together. Not that we were ever officially together. Still, it felt like a break-up. Why does this have to be so hard? Ren rocked me and whispered, “’How silver-sweet sound lovers’ tongues by night, Like soft music to attending ears.’” I turned around in his arms, shocked. “How did you remember that? That’s Romeo and Juliet!” He shrugged. “I paid attention when you were reading it to me. I liked it.” He gently kissed my cheek. “See you tonight, iadala,” and left me standing there. The rest of the afternoon, I couldn’t focus on anything. Nothing held my attention for more than a few minutes. I rehearsed some sentences in front of the mirror, but they all sounded pretty lame to me: “It’s not you, it’s me,” “There are plenty of other fish in the sea,” “I need to find myself,” “Our differences are too big,” “I’m not the one,” “There’s someone else.” Heck, I even tried “I’m allergic to cats.

Oh," said her husband, sounding deeply pleased at something he'd read in his letter. "What?" Bridget sat up, inadvertently spilling several drops of honey on her breast. Sadly, she succumbed to her husband's fondness for nudity soon after their marriage. Valentine glanced up, but his gaze was immediately drawn to the honey slowly dripping down her breast. "Val..." Bridget moved to scoop the honey up with her finger. His hand darted out, catching hers. "Oh, don't," he breathed, leaning over her, forcing her flat on her back. He bent, closing his azure eyes, and licked her breast almost reverently. She shuddered. "It's the middle of the day," she whispered. His eyes opened, wicked and amused. "I know. Your favorite." She smiled up at him, threading her fingers through his golden hair. "I love you." "And I love you," he murmured against her lips, before taking her mouth hard and possessively. Their letters fell to the floor, abandoned, but Bridget didn't care at all. She was with her true love and the world outside could wait.

This?" He thrust short and hard into her, the impact sending jolts of pleasure through her body. "Yes, that," he murmured to himself as if pleased, and did it again. And again. Until the heat between them combusted. Until she felt hot liquid wash over her limbs. Until she looked up and wondered why she'd ever thought his gray eyes emotionless. He was watching her with passion. With lust. With so much love. She felt tears in her eyes. He groaned above her, his hips jerking without rhythm, but all the while he watched her with those eyes. And when he at last stilled and rested his sweaty forehead against hers, he whispered, "I love you.

Val turned, still naked, still impossibly beautiful. Only the gore spattered on his belly, chest, and arm, marred his perfection. He walked toward her and she couldn't help it. She backed away from him. He smiled. Sweetly. Like a boy. The dagger still in his left hand. And caught her arm with his right hand. "This is who I am, Séraphine. Naked, with blade and blood. I am vengeance. I am hate. I am sin personified. Never mistake me for the hero of this tale, for I am not and shall never be. I am the villain." And he laid his lips over hers and pushed his hot tongue into her mouth and kissed her until she couldn't breathe and it was only later that she found the bloodstains on her dress. Her lips had been sweet, like ripe figs, her mouth a cavern of delight. But her eyes- those dark inquisitor's eyes- had held only horror and disgust. Val sipped his China tea the next morning and gazed out the window. The sun shone on his garden, giving the illusion of warmth, though his empty chest was ice-cold. He could have explained to her that a razor-sharp blade was kinder than a hangman's noose. That death delivered in seconds with a few thrusts was preferable to a laughing, jabbering mob, gleeful at the jerking, agonizing execution. But those saint's eyes would've seen the hypocrisy.

No." He caught her back to him, spreading his fingers over her uninjured cheek. "Listen. When you were twelve years old I saw you for the first time. Truly saw you. And from then on, I took note whenever our paths crossed. You were so quiet it was difficult to believe you sprang from the same messy bloodlines as the rest of us. You had modesty and grace. You didn't flirt, and you didn't give quarter." His palm slipped from her face; he took up both her hands. "If the other maidens of the shire were garish bright stars, then you were the midnight around them, silent and mysterious and all the more interesting for it. I accepted you as that, mouse. I still do." -Kit

As our ship tumbled, free-falling through the eye of a saltwater cyclone, the nine giant maidens spiraled around us, weaving in and out of the tempest so they appeared to drown over and over again. Their faces contorted in anger and glee. Their long hair lashed us with icy spray. Each time they emerged, they wailed and shrieked, but it wasn’t just random noise. Their screams had a tonal quality, like a chorus of whale songs played through heavy feedback. I even caught snippets of lyrics: boiling mead...wave daughters...death for you! It reminded me of the first time Halfborn Gunderson played Norwegian black metal for me. After a few bars, it dawned on me...Oh, wait. That’s supposed to be music!

I found it after the soldiers came and I kept it. I don’t know why because at that point I wasn’t sure I’d ever see you again. But then when I uncovered it this morning, I knew… that is…” She reached out and flipped the pages of the notebook until the last page lay open in his hands. She’d written something there. He bent and read. I love you, Beast. I love you, Caliban. I love you, Apollo. I love you, Romeo. I love you, Smith. I love you, Gardener. I love you, Aristocrat. I love you, Lover. I love you, Husband. I love you, Friend. I love you, You. He inhaled and looked up. She was twisting her hands together. “For a writer, I’m awfully ineloquent. I don’t know—” He dropped the notebook and pulled her into his arms, kissing her passionately. He held her sweet face between his palms and caressed her temples with his thumbs as he opened his mouth over hers, inhaling her gasp. When at last he drew back, he whispered against her lips, “Do you know where we are?” “Yes,” she murmured, her eyes closed. “At the heart of the maze.” And when she opened her lichen-green eyes he saw all the love he’d ever hoped for shining in her eyes just for him. “At your heart—and mine.

Why then was he taking her? Was it merely for his own amusement- or was it for some other, more sinister reason? After all, only two days before she'd seen him kill a footman in cold blood. Of course Cal had tried to kill the duke in a particularly awful and vicious way. But then afterward the duke had kissed her as she'd never been kissed in all her life. His tongue had tasted of wine and sin and she'd wanted to moan and rub herself against him as he'd tilted her back over his arm.

Niren had not seen her properly before. She had very lovely eyes. He had not before seen such a beautiful expression in any one's eyes, except perhaps those of her brother Opu. They were big and sleepy. They had the same drowsy quality which was hidden in the deep fresh greenness of the mango and bokul trees that lined the paths in the village. The dawn that would quicken them had not yet come; and the heavy sleep that precedes waking still brooded over them. Yes, it was dawn they made him think of; dawn, when sleeping eyes first open, dawn when maidens walk down to the river's edge, and every window gives forth the odour of incense; dawn, that cool ambrosial hour when the waters of awakening flow cool and fresh through house after house.

I'm just saying, when a woman in a maiden, she's in the spotlight. Everybody cares what a pretty, young girl does and says. And she's got some pretty strict archetypes to adhere to: Sleeping Beauty or Cinderella or Britney Spears. Pick your poison. But when you become a young mother? People don't give a fuck what you're doing. Their eyes glaze over before they even finish asking you. Once a woman starts doing the most important work of her life, all of a sudden, nobody wants to know a thing about it.

Lost in the stormy kiss, Elizabeth felt her legs gliding down his as he gently lowered her against him until her feet touched the floor. But when his fingers pulled at the ribbon that held her gown in place at her shoulder, she jerked free of his kiss, automatically clamping her hand over his. “What are you doing?” she asked in a quaking whisper. His fingers stilled, and Ian lifted his heavy-lidded gaze to hers. The question took him by surprise, but as he stared into her green eyes Ian saw her apprehension, and he had a good idea what was causing it. “What do you think I’m doing?” he countered cautiously. She hesitated, as if unwilling even to accuse him of such an unspeakable act, and then she admitted in a small, reluctant voice, “Disrobing me.” “And that surprises you?” “Surprises me? Of course it does. Why wouldn’t it?” Elizabeth asked, more suspicious than ever of what Lucinda had told her. Quietly he said, “What exactly do you know about what takes place between a husband and wife in bed?” “You-you mean ‘as it pertains to the creation of children’?” she said, quoting his words to her the day she agreed to become betrothed to him. He smiled with tender amusement at her phrasing. “I suppose you can call it that-for now.” “Only what Lucinda told me.” He waited to hear an explanation, and Elizabeth reluctantly added, “She said a husband kisses his wife in bed and that it hurts the first time, and that is how it is done.” Ian hesitated, angry with himself for not having followed his own instincts and questioned her further when she seemed fully informed and without maidenly qualms about lovemaking. As gently as he could, he said, “You’re a very intelligent young woman, love, not an overly fastidious spinster like your former duenna. Now, do you honestly believe the rules of nature would be completely set aside for people?

Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year

The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true.

*I treat my poor heart like a sick child, and gratify its every fancy * The human race is but a monotonous affair *and O Wilhelm, I vowed at that moment, that a maiden whom I loved, or for whom I felt the slightest attachment, never, never should waltz with any one else but with me, if I went to perdition for it! — you will understand this. *I felt as though a dagger went through my heart. * I gazed upon her rich dark eyes during these remarks, how my very soul gloated over her warm lips and fresh, glowing cheeks, how I became quite lost in the delightful meaning of her words, so much so, that I scarcely heard the actual expressions *"As long as I see those eyes open, there is no fear of my falling asleep." * I left her asking permission to visit her in the course of the day. She consented, and I went, and, since that time, sun, moon, and stars may pursue their course: I know not whether it is day or night; the whole world is nothing to me. *We should deal with children as God deals with us, we are happiest under the influence of innocent delusions

He strode, nude, to his desk, and, bending over it, afforded her a quite scandalous view of his muscular bottom. He seemed to have a dark mark of some kind on the left cheek. Good God, it looked like a tattoo. What-? "I have the most lamentable taste sometimes. It probably would be better if a few of my things disappeared. Why, Mrs. Crumb," he drawled, and she snapped her gaze belatedly up to find that he'd turned back to her- damn it! "Were you ogling my arse?" She opened her mouth and then wasn't sure, exactly, what to say. Was he about to dismiss her or not? "I... I-" "Ye-es?" He took one long stride toward her. She was suddenly, overwhelmingly aware of what she'd until now successfully ignored: He. Was. Nude.

him." "Oh, I wish we had the old days back again," exclaimed Jem. "I'd love to be a soldier—a great, triumphant general. I'd give EVERYTHING to see a big battle." Well, Jem was to be a soldier and see a greater battle than had ever been fought in the world; but that was as yet far in the future; and the mother, whose first-born son he was, was wont to look on her boys and thank God that the "brave days of old," which Jem longed for, were gone for ever, and that never would it be necessary for the sons of Canada to ride forth to battle "for the ashes of their fathers and the temples of their gods." The shadow of the Great Conflict had not yet made felt any forerunner of its chill. The lads who were to fight, and perhaps fall, on the fields of France and Flanders, Gallipoli and Palestine, were still roguish schoolboys with a fair life in prospect before them: the girls whose hearts were to be wrung were yet fair little maidens a-star with hopes and dreams. Slowly the banners of the sunset city gave up their crimson and gold; slowly the conqueror's pageant faded out. Twilight crept over the valley and the little group grew silent. Walter had been reading again that day in his beloved book of myths and he remembered how he had once fancied the Pied Piper coming down the valley on an evening just like this. He began to speak dreamily, partly because he wanted to thrill his companions a little, partly because something apart from him seemed to be speaking through his lips. "The Piper is coming nearer," he said, "he is nearer than he was that evening I saw him before. His long, shadowy cloak is blowing around him. He pipes—he pipes—and we must follow—Jem and Carl and Jerry and I—round and round the world. Listen— listen—can't you hear his wild music?" The girls shivered. "You know you're only pretending," protested Mary Vance, "and I wish you wouldn't. You make it too real. I hate that old Piper of yours." But Jem sprang up with a gay laugh. He stood up on a little hillock, tall and splendid, with his open brow and his fearless eyes. There were thousands like him all over the land of the maple. "Let the Piper come and welcome," he cried, waving

But these facts are not very useful to women, because there is a double standard for “health” in men and women. Women are not getting it wrong when they smoke to lose weight. Our society does reward beauty on the outside over health on the inside. Women must not be blamed for choosing short-term beauty “fixes” that harm our long-term health, since our life spans are inverted under the beauty myth, and there is no great social or economic incentive for women to live a long time. A thin young woman with precancerous lungs is more highly rewarded socially than a hearty old crone. Spokespeople sell women the Iron Maiden and name her “Health”; if public discourse were really concerned with women’s health, it would turn angrily upon this aspect of the beauty myth.

In Berlin, Stauffenberg and his confederates had at last perfected their plans. They were lumped under the code name “Valkyrie”—an appropriate term, since the Valkyrie were the maidens in Norse-German mythology, beautiful but terrifying, who were supposed to have hovered over the ancient battlefields choosing those who would be slain. In this case, Adolf Hitler was to be slain. Ironically enough, Admiral Canaris, before his fall, had sold the Fuehrer the idea of Valkyrie, dressing it up as a plan for the Home Army to take over the security of Berlin and the other large cities in case of a revolt of the millions of foreign laborers toiling in these centers. Such a revolt was highly unlikely—indeed, impossible—since the foreign workers were unarmed and unorganized, but to the suspicious Fuehrer danger lurked everywhere these days, and, with almost all the able-bodied soldiers absent from the homeland either at the front or keeping down the populace in the far-flung occupied areas, he readily fell in with the idea that the Home Army ought to have plans for protecting the internal security of the Reich against the hordes of sullen slave laborers.

Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do. I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason. And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every hawk and gillyflower ... oh, I don't even know what I'm talking about half the time. I just run with it, creating some of the SEMINAL TOURS DE FORCE OF THE ENGLISH LANGUAGE. You're welcome.

He looked down at her sleeping form. Her hands lay like half-opened flowers on her lap, one cupped within the other. Such sturdy little hands, meant for practical work. Her fingers were rather plump. He smiled at the thought. He held his own hand over hers, comparing. His fingers, long and elegant, dwarfed hers, and yet he found he preferred hers. He let his hand fall to his lap. She wore that dreadful mobcap, hiding both her hair and her face from him, and he wanted to pluck it from her head. But to do so would disturb her sleep. He cocked his head, considering the conundrum. He found, on the whole, that he didn't wish to disturb his housekeeper's sleep. It felt... nice to have her lying so trustingly against him. If he listened very intently he could hear her breaths. After a bit he breathed with her. In and out. In... and then out.

Hoffa and Brennan formed a trucking company called Test Fleet. The “brains” and his partner put that company in their wives’ maiden names. Test Fleet had only one contract. It was with a Cadillac car carrier that had been having union problems with its Teamsters union independent owner-operator car haulers. This group of Teamsters held an unsanctioned wildcat strike. Angered by this break of union solidarity, Jimmy Hoffa ordered them back to work. With Hoffa’s blessings the Cadillac car carrier then terminated its leases with the independent Teamsters haulers, put many of them out of business, and gave hauling business to Test Fleet. This arrangement helped Josephine Poszywak, aka Mrs. Hoffa, and Alice Johnson, aka Mrs. Brennan, make $155,000 in dividends over ten years, without doing a single minute’s work for the Test Fleet company. Hoffa

There were charming ones as well as terrible ones, that I must admit. The painter was particularly entranced by Japanese masks: warriors', actors' and courtesans' masks. Some of them were frightfully contorted, the bronze cheeks creased by a thousand wrinkles, with vermilion weeping from the corners of the eyes and long trails of green at the corners of the mouths like splenetic beards. 'These are the masks of demons,' said the Englishman, caressing the long black swept-back tresses of one of them. 'The Samurai wore them in battle, to terrify the enemy. The one which is covered in green scales, with two opal pendants between the nostrils, is the mask of a sea-demon. This one, with the tufts of white fur for eyebrows and the two horsehair brushes beside the lips, is the mask of an old man. These others, of white porcelain - a material as smooth and fine as the cheeks of a Japanese maiden, and so gentle to the touch - are the masks of courtesans. See how alike they all are, with their delicate nostrils, their round faces and their heavy slanted eyelids; they are all effigies of the same goddess. The black of their wigs is rather beautiful, isn't it? Those which bubble over with laughter even in their immobility are the masks of comic actors.' That devil of a man pronounced the names of demons, gods and goddesses; his erudition cast a spell. Then: 'Bah! I have been down there too long!' Now he took up the light edifices of gauze and painted silk which were Venetian masks. 'Here is a Cockadrill, a Captain Fracasse, a Pantaloon and a Braggadocio. Only the noses are different - and the cut of their moustaches, if you look at them closely. Doesn't the white silk mask with enormous spectacles evoke a rather comical dread? It is Doctor Curucucu, an actual marionette featured in the Tales of Hoffmann. And what about that one, with all the black horsehair and the long spatulate nose like a stork's beak tipped with a spoon? Can you imagine anything more appalling? It's a duenna's mask; amorous young women were well-guarded when they had to go about flanked by old dragons dressed up in something like that. The whole carnival of Venice is put on parade before us beneath the cape and the domino, lying in ambush behind these masks... Would you like a gondola? Where shall we go, San Marco or the Lido?

You want to leave the moat, to go back to the room; you’re already turning and trying to find the door, covered with fake leather, in the steep wall of the moat, but the master succeeds in grabbing your hand and, looking straight in your eyes, says: Your assignment: describe the jaw of a crocodile, the tongue of a hummingbird, the steeple of the New Maiden Convent, a shoot of bird cherry, the bend of the Lethe, the tail of any village dog, a night of love, mirages over hot asphalt, the bright midday in Berezov, the face of a flibbertigibbet, the garden of hell, compare the termite colony to the forest anthill, the sad fate of leaves to the serenade of a Venetian gondolier, and transform a cicada into a butterfly, turn rain into hail, day into night, give us today our daily bread, make a sibilant out of a vowel, prevent the crash of the train whose engineer is asleep, repeat the thirteenth labor of Hercules, give a smoke to a passerby, explain youth and old age, sing a song about a bluebird bringing water in the morn, turn your face to the north, to the Novgorodian barbicans, and then describe how the doorman knows it is snowing outside, if he sits in the foyer all day, talks to the elevator operator, and does not look out the window because there is no window; yes, tell how exactly, and in addition, plant in your orchard a white rose of the winds, show it to the teacher Pavel and, if he likes it, give the white rose to the teacher Pavel, pin the flower to his cowboy shirt or to his dacha hat, bring joy to the man who departed to nowhere, make your old pedagogue—a joker, a clown, and a wind-chaser—happy.

Al’Akir and his Queen, el’Leanna, had Lan brought to them in his cradle. Into his infant hands they placed the sword of Malkieri kings, the sword he wears today. A weapon made by Aes Sedai during the War of Power, the War of the Shadow that brought down the Age of Legends. They anointed his head with oil, naming him Dai Shan, a Diademed Battle Lord, and consecrated him as the next King of the Malkieri, and in his name they swore the ancient oath of Malkieri kings and queens.” Agelmar’s face hardened, and he spoke the words as if he, too, had sworn that oath, or one much similar. “To stand against the Shadow so long as iron is hard and stone abides. To defend the Malkieri while one drop of blood remains. To avenge what cannot be defended.” The words rang in the chamber. “El’Leanna placed a locket around her son’s neck, for remembrance, and the infant, wrapped in swaddling clothes by the Queen’s own hand, was given over to twenty chosen from the King’s Bodyguard, the best swordsmen, the most deadly fighters. Their command: to carry the child to Fal Moran. “Then did al’Akir and el’Leanna lead the Malkieri out to face the Shadow one last time. There they died, at Herat’s Crossing, and the Malkieri died, and the Seven Towers were broken. Shienar, and Arafel, and Kandor, met the Halfmen and the Trollocs at the Stair of Jehaan and threw them back, but not as far as they had been. Most of Malkier remained in Trolloc hands, and year by year, mile by mile, the Blight has swallowed it.” Agelmar drew a heavyhearted breath. When he went on, there was a sad pride in his eyes and voice. “Only five of the Bodyguards reached Fal Moran alive, every man wounded, but they had the child unharmed. From the cradle they taught him all they knew. He learned weapons as other children learn toys, and the Blight as other children their mother’s garden. The oath sworn over his cradle is graven in his mind. There is nothing left to defend, but he can avenge. He denies his titles, yet in the Borderlands he is called the Uncrowned, and if ever he raised the Golden Crane of Malkier, an army would come to follow. But he will not lead men to their deaths. In the Blight he courts death as a suitor courts a maiden, but he will not lead others to it. “If you must enter the Blight, and with only a few, there is no man better to take you there, nor to bring you safely out again. He is the best of the Warders, and that means the best of the best.

I rest my head on his shoulder, feeling his heart beating against me. I wish I could gather time around us, slowing the minutes, making them last a lifetime. “I was born on the island kingdom of Ghedda,” I whisper. This is a story I never told even to you, Habiba. I tell it now only because I cannot bear to leave him without the truth, knowing only half of me. I raise my head and meet his eyes. “That was more than four thousand years ago. I was the eldest daughter of a wise and generous king.” Aladdin stares at me, his eyes soft and curious, encouraging me to go on. “When I was seventeen, I became queen of Ghedda. In those days, the jinn were greater in number, and the Shaitan held greater sway over the realms of men. He demanded we offer him twenty maidens and twenty warriors in sacrifice, in return for fair seas and lucrative trade. I was young and proud and desired, above all else, to be a fair ruler. I would not bow to his wishes, so he shook our island until it began to fall into the sea.” I shudder, and Aladdin draws me closer. “I climbed to the alomb at the top of the Mountain of Tongues, and there offered myself to the Shaitan, if he would only save my city from the sea.” My voice falls to a whisper, little more than a ripple on the water. “So he took me and made me jinn and put me in the lamp. And then he caused the Mountain of Tongues to erupt, and Ghedda was lost to fire. For he had sworn only to save my people from the sea, not from flame.

He smiled and pulled the ugly white fichu from her neck. She blinked and looked down at the simple, square neckline of her bodice as if she'd never seen it. Perhaps she hadn't. Perhaps she dressed in the dark like a nun. "What are you doing?" He sighed. "I confess, I find your naïveté perplexing. How have you arrived at the advanced age of six and twenty without having anyone attempt seduction upon yourself? I'm of two minds on the matter: One, utter astonishment at my sex and their deaf disregard for your siren call. Two, glee at the thought that your innocence might signal that you are indeed innocent. Why this should excite me so, I don't know- virginity has never before been a particular whim of mine. I think perhaps it's the setting. Who knows how many virgins were deflowered here by my lusty ancestors? Or," he said as he deftly unpinned and tossed aside her apron, "maybe it's simply you." "I don't..." Her words trailed off and then, interestingly, she blushed a deep rose. Well. That question settled, then. His little maiden was really a maiden. "What?" "I think it's you," he confided, pulling the strings tying her hideous mobcap beneath her chin. She made a wild grab for it, but he was faster, snatching the bloody thing off- finally, and with a great deal of satisfaction. She might've deprived him of a wife that it'd taken him half a year and a rather large sum of money to entangle, but by God, he'd taken off her awful cap. And underneath... "Oh, Séraphine," he breathed, enchanted, for her hair was as black as coal, as black as night, as black as his own soul, save for one white streak just over her left eye. But she'd twisted and braided and tortured the strands, binding them tight to her head, and his fingers itched to let them free. "Don't!" she said, as if she knew what he wanted, her hands flying up to cover her hair. He batted them aside, laughing, pulling a pin here, a pin there, dropping them carelessly to the carpet as she squealed like a little girl and backed away from him, trying frantically to ward off his fingers. He might've taken pity on her had he not just spent an hour on a freezing moor, wondering if he was going to find her dead, neck broken, at the bottom of a hill. Her hair came down all at once, a tumbling mass, tousled and heavy and nearly down to her waist. "Wonderful," he murmured, taking it in both hands and lifting it.

Let me help you rinse your hair." His voice had deepened and it made a shock go through her, low in her belly. He rose and crossed to where a pitcher stood on the hearth. She didn't turn, but she could hear him moving behind her, and it struck her that she'd seldom been waited upon before in her life- and never by a gentleman. "Sit a little forward." He was suddenly close. "Close your eyes and tilt your head back." The water flowed over her scalp, warm and soothing, but her skin was prickled with goose bumps nonetheless. "Once more, I think," he said, his voice so near, his hands large and sure, and he poured again. "There." She sat back, wringing the water from her hair with fingers that trembled. She could hear him setting down the pitcher and she wasn't sure what to do. This was so far outside any experience she'd ever before had or imagined... Bridget cleared her throat, but her voice was husky when she spoke. "Can you hand me a cloth for my hair?" "Let me." He expertly wrapped a cloth around her head, keeping her clean hair out of the water. "Now you look like an Ottoman sultana." His fingers lingered on the back of her neck, stroking. She closed her eyes, feeling her nipples throb. Oh, God, he'd barely touched her yet. She inhaled and tried to smile, but found she was too tense. "Is... is there another cloth with which to dry myself?" The fingers left as he reseated himself, his cheek propped on his knuckles. "But you haven't washed yourself, sweet Brid-get." He snapped off the t of her name with a click of his tongue. "I'm sure you wouldn't want to miss..." His gaze seemed to penetrate the now-clouded water before rising and meeting her own eyes with a devilish gleam. "Well, everything.

Half inebriated, he vaulted up the stairs to find them lolling in chairs in the hall outside Maria’s door. Gabe clasped a bunch of violets in his hand while Jarret held a rolled-up piece of parchment in his. “What are you two louts doing here in the middle of the night?” he growled. “It’s nearly dawn,” Gabe said coolly. “Hardly the middle of the night. Not that you would have noticed, in your drunken state.” Scowling, Oliver took a step toward them. “It’s still earlier than you, at least, every rise.” Gabe glanced at Jarret. “Clearly, the old boy doesn’t remember what today is.” “I believe you’re right,” Jarret returned, a hint of condemnation in his tone. Oliver glared at them both as he sifted through his soggy brain for what they menat. When it came to him, he groaned. St. Valentine’s Day. That sobered him right up. “That doesn’t explain why you’re lurking outside Maria’s door.” Jarret cast him a scathing glance as he got to his feet. “Why do you care? You ran off to town to find your entertainment. Seems to me that you’re relinquishing the field.” “So you two intend to step in?” he snapped. “Why not?” Gabe rose to glower at him. “Since your plan to thwart Gran isn’t working, and it’s looking as if we’ll have to marry someone, we might as well have a go at Miss Butterfield. She’s an heiress and a very nice girl, too, in case you hadn’t noticed If you’re stupid enough to throw her over for a bunch of whores and opera dancers, we’re more than happy to take your place. We at least appreciate her finer qualities.” The very idea of his brothers appreciating anything of Maria’s made his blood boil. “In the first place, I didn’t throw her over for anyone. In the second, I am damned well not relinquishing the field. And I’m certainly not giving it over to a couple of fortune hunters like you.” The sound of footsteps coming down the hall from the servants’ stairs made them whirl in that direction. Betty walked slowly toward them, one hand shading her eyes. That’s when it hit him. His brothers were here because of that silly superstition about a maiden’s heart being joined to that of whoever was the first man she spotted on St. Valentine’s Day. “Good morning, gentlemen,” Betty murmured as she approached, carefully avoiding looking at any of them. A devilish grin lit Gabe’s face. “Betty, catch!” he cried and tossed a violet at her. She didn’t even move a finger to stop it from bouncing off her and falling to the floor. “If your lordships will excuse me,” she said in a decidedly snippy tone, “my mistress rang the bell for me.” With a sniff that conveyed her contempt for them, she slipped inside Maria’s rom and shut the door firmly behind her. “That was shameful,” Jarret told Gabe. “You know bloody well that Betty and John are sweethearts.” “It’s not my fault that John didn’t show up this morning so she could see him first,” Gabe said with a shrug.

Where Western tales begin by shifting us to another time – ‘Once upon a time’ they say, meaning elsewhen, meaning then rather than now – Russian skazki make an adjustment of place. ‘In a certain land’, they start; or, ‘In the three-times-ninth kingdom …’ Meaning elsewhere, meaning there rather than here. Yet these elsewheres are always recognisable as home. In the distance will always be a woodwalled town where the churches have onion domes. The ruler will always be a Tsar, Ivan or Vladimir. The earth is always black. The sky is always wide. It’s Russia, always Russia, the dear dreadful enormous territory at the edge of Europe which is as large as all Europe put together. And, also, it isn’t. It is story Russia, not real Russia; a place never quite in perfect overlap with the daylight country of the same name. It is as near to it as a wish is to reality, and as far away too. For the tales supplied what the real country lacked, when villagers were telling them, and Afanaseyev was writing them down. Real Russia’s fields grew scraggy crops of buckwheat and rye. Story Russia had magic tablecloths serving feasts without end. Real Russia’s roads were mud and ruts. Story Russia abounded in tools of joyful velocity: flying carpets, genies of the rushing air, horses that scarcely bent the grass they galloped on. Real Russia fixed its people in sluggish social immobility. Story Russia sent its lively boys to seek the Firebird or to woo the Swan Maiden. The stories dreamed away reality’s defects. They made promises good enough to last for one evening of firelight; promises which the teller and the hearers knew could only be delivered in some Russian otherwhere. They could come true only in the version of home where the broke-backed trestle over the stream at the village’s end became ‘a bridge of white hazelwood with oaken planks, spread with purple cloths and nailed with copper nails’. Only in the wish country, the dream country. Only in the twenty-seventh kingdom.

He paused and eyed her as if she were an agate discovered in gravel. "But what a very sharp tongue you have for a housekeeper." Bridget's heart sank- she knew better than to speak so frankly. It was never good for a servant to be noticed by a master- particularly this master. "Come." He beckoned her closer with his forefinger and she saw the flash of a jeweled gold ring on his left thumb. She swallowed and opened her right hand, silently dropping the miniature to the lush carpet. As she walked toward him she nudged the little painting under the enormous bed with the side of her foot. She stopped a pace away from him. His lips curved, sly and sensual. "Closer." She stepped nearer until her plain, practical black linsey-woolsey skirts were crushed against his purple velvet knees. Her heart beat hard and swift, but she was confident her expression didn't show her fear. Still smiling, he held out his hands, palms upward. His hands were long-fingered and elegant. The hands of a musician- or a swordsman. She stared down at them a moment, confused. He quirked an eyebrow and nodded. Bridget placed her hands on top of his. Palm to palm. She expected searing heat or deathly cold and was a little surprised to instead feel human warmth. She'd been hired little more than a fortnight before the duke had supposedly been banished. In that time he had never struck her as human- or humane. "Ah," His Grace murmured, cocking his head with interest. "What feminine hands you have, despite your station in life." His blue eyes flashed at her from under dark eyelashes, a secretive smile playing about his mouth. She met his gaze stonily. His lips quirked and he looked down again. "Small, plump, with neat, round nails." He turned her hands over so that they now rested palms-up in his. "I once knew a Greek girl who swore she could read a man's life story from the lines on his hands." He dropped her left hand to trace the lines on her right palm with a forefinger. His touch sent a frisson along her nerves and Bridget couldn't hold back a shudder.

His nostrils flared and he couldn't wait any longer. He lifted her bodily, moving her farther up on the bed, placing her head and shoulders against the pillows, and then pushed up her chemise, crawling between her spread thighs and settling to enjoy what he'd found. There. There she was, her pretty, pretty pink cunny, all coral lips and wispy dark-blond curls. He hiked her trembling legs over his arms, ignoring her gasp of shocked surprise. He glanced up at once and saw wide, wondering eyes gazing back at him. Her gentlemanly first husband had evidently never done this to her. More fool he. Then he bent and feasted. His nose pressed into her mound, inhaling her woman's scent, his cock grinding hard into the bed, his tongue licking into tart and salt and her. Oh God, her. She squealed at his first touch and tried to squirm away, but he held her fast with his hands on her hips. He almost smiled against her tender flesh, his teeth scraping oh so gently. She might be startled, might be outraged and shocked, but she liked it. Perhaps even loved it- what he was doing to her. She was moaning now, low in her throat, making little mewling sounds, so erotic and sweet, her hips twitching against his lips, trying to get more. He opened his mouth, covering her, breathing over her. He stiffened his tongue and speared into her as far as he could reach, his jaw aching. She cried out at that and he felt fingers tangling in his hair. He withdrew his tongue and moved to her clitoris, taking the small bit of flesh gently between his teeth and pulling. She froze, trembling all over, and he could hear her gasping breaths. He opened his mouth and licked her. Softly. Tenderly. Thoroughly. And at the same time he shoved two fingers into her, feeling her wet walls contract against his knuckles, smelling the rise of her arousal. She arched under him, her soft thighs thrashing restlessly, making no sound, but he knew. He knew. He curled the fingers inside her and stroked her wet, silky inner walls as he pulled them back. Then he shoved them again into her, hard and firm, repeating the motion as he suckled her clitoris. She moaned- loud in the quiet room- and pushed against him, and he felt her tremble and suddenly grow wetter. She shuddered helplessly and he was drunk on her release, his cock a heavy, near-painful throb. He turned his head and kissed the inside of her soft thigh, listening to her pant.

My dear, dear ladies,” Sir Francis effused as he hastened forward, “what a long-awaited delight this is!” Courtesy demanded that he acknowledge the older lady first, and so he turned to her. Picking up Berta’s limp hand from her side, he presed his lips to it and said, “Permit me to introduce myself. I am Sir Francis Belhaven.” Lady Berta curtsied, her fear-widened eyes fastened on his face, and continued to press her handkerchief to her lips. To his astonishment, she did not acknowledge him at all; she did not say she was charmed to meet him or inquire after his health. Instead, the woman curtsied again. And once again. “There’s hardly a need for all that,” he said, covering his puzzlement with forced jovially. “I’m only a knight, you know. Not a duke or even an earl.” Lady Berta curtsied again, and Elizabeth nudged her sharply with her elbow. “How do!” burst out the plump lady. “My aunt is a trifle-er-shy with strangers,” Elizabeth managed weakly. The sound of Elizabeth Cameron’s soft, musical voice made Sir Francis’s blood sing. He turned with unhidden eagerness to his future bride and realized that it was a bust of himself that Elizabeth was clutching so protectively, so very affectionately to her bosom. He could scarcely contain his delight. “I knew it would be this way between us-no pretense, no maidenly shyness,” he burst out, beaming at her blank, wary expression as he gently took the bust of himself from Elizabeth’s arms. “But, my lovely, there’s no need for you to caress a hunk of clay when I am here in the flesh.” Momentarily struck dumb, Elizabeth gaped at the bust she’d been holding as he first set it gently upon its stand, then turned expectantly to her, leaving her with the horrifying-and accurate-thought that he now expected her to reach out and draw his balding head to her bosom. She stared at him, her mind in paralyzed chaos. “I-I would ask a favor of you, Sir Francis,” she burst out finally. “Anything, my dear,” he said huskily. “I would like to-to rest before supper.” He stepped back, looking disappointed, but then he recalled his manners and reluctantly nodded. “We don’t keep country hours. Supper is at eight-thirty.” For the first time he took a moment to really look at her. His memories of her exquisite face and delicious body had been so strong, so clear, that until then he’d been seeing the Lady Elizabeth Cameron he’d met long ago. Now he belatedly registered the stark, unattractive gown she wore and the severe way her hair was dressed. His gaze dropped to the ugly iron cross that hung about her neck, and he recoiled in shock. “Oh, and my dear, I’ve invited a few guests,” he added pointedly, his eyes on her unattractive gown. “I thought you would want to know, in order to attire yourself more appropriately.” Elizabeth suffered that insult with the same numb paralysis she’d felt since she set eyes on him. Not until the door closed behind him did she feel able to move. “Berta,” she burst out, flopping disconsolately onto the chair beside her, “how could you curtsy like that-he’ll know you for a lady’s maid before the night is out! We’ll never pull this off.” “Well!” Berta exclaimed, hurt and indignant. “Twasn’t I who was clutching his head to my bosom when he came in.” “We’ll do better after this,” Elizabeth vowed with an apologetic glance over her shoulder, and the trepidation was gone from her voice, replaced by steely determination and urgency. “We have to do better. I want us both out of here tomorrow. The day after at the very latest.” “The butler stared at my bosom,” Berta complained. “I saw him!” Elizabeth sent her a wry, mirthless smile. “The footman stared at mine. No woman is safe in this place. We only had a bit of-of stage fright just now. We’re new to playacting, but tonight I’ll carry it off. You’ll see. No matter what if takes, I’ll do it.

Ione I. AH, yes, 't is sweet still to remember, Though 't were less painful to forget; For while my heart glows like an ember, Mine eyes with sorrow's drops are wet, And, oh, my heart is aching yet. It is a law of mortal pain That old wounds, long accounted well, Beneath the memory's potent spell, Will wake to life and bleed again. So 't is with me; it might be better If I should turn no look behind, — If I could curb my heart, and fetter From reminiscent gaze my mind, Or let my soul go blind — go blind! But would I do it if I could? Nay! ease at such a price were spurned; For, since my love was once returned, All that I suffer seemeth good. I know, I know it is the fashion, When love has left some heart distressed, To weight the air with wordful passion; But I am glad that in my breast I ever held so dear a guest. Love does not come at every nod, Or every voice that calleth 'hasten;' He seeketh out some heart to chasten, And whips it, wailing, up to God! Love is no random road wayfarer Who Where he may must sip his glass. Love is the King, the Purple-Wearer, Whose guard recks not of tree or grass To blaze the way that he may pass. What if my heart be in the blast That heralds his triumphant way; Shall I repine, shall I not say: 'Rejoice, my heart, the King has passed!' In life, each heart holds some sad story — The saddest ones are never told. I, too, have dreamed of fame and glory, And viewed the future bright with gold; But that is as a tale long told. Mine eyes have lost their youthful flash, My cunning hand has lost its art; I am not old, but in my heart The ember lies beneath the ash. I loved! Why not? My heart was youthful, My mind was filled with healthy thought. He doubts not whose own self is truthful, Doubt by dishonesty is taught; So loved! boldly, fearing naught. I did not walk this lowly earth; Mine was a newer, higher sphere, Where youth was long and life was dear, And all save love was little worth. Her likeness! Would that I might limn it, As Love did, with enduring art; Nor dust of days nor death may dim it, Where it lies graven on my heart, Of this sad fabric of my life a part. I would that I might paint her now As I beheld her in that day, Ere her first bloom had passed away, And left the lines upon her brow. A face serene that, beaming brightly, Disarmed the hot sun's glances bold. A foot that kissed the ground so lightly, He frowned in wrath and deemed her cold, But loved her still though he was old. A form where every maiden grace Bloomed to perfection's richest flower, — The statued pose of conscious power, Like lithe-limbed Dian's of the chase. Beneath a brow too fair for frowning, Like moon-lit deeps that glass the skies Till all the hosts above seem drowning, Looked forth her steadfast hazel eyes, With gaze serene and purely wise. And over all, her tresses rare, Which, when, with his desire grown weak, The Night bent down to kiss her cheek, Entrapped and held him captive there. This was Ione; a spirit finer Ne'er burned to ash its house of clay; A soul instinct with fire diviner Ne'er fled athwart the face of day, And tempted Time with earthly stay. Her loveliness was not alone Of face and form and tresses' hue; For aye a pure, high soul shone through Her every act: this was Ione.

He strode forward, heedless of the murmuring that began among the women when they saw him. Then Sara turned, and her gaze met his. Instantly a guilty blush spread over her cheeks that told him all he needed to know about her intent. “Good afternoon, ladies,” he said in steely tones. “Class is over for today. Why don’t you all go up on deck and get a little fresh air?” When the women looked at Sara, she folded her hands primly in front of her and stared at him. “You have no right to dismiss my class, Captain Horn. Besides, we aren’t finished yet. I was telling them a story—” “I know. You were recounting Lysistrata.” Surprise flickered briefly in her eyes, but then turned smug and looked down her aristocratic little nose at him. “Yes, Lysistrata,” she said in a sweet voice that didn’t fool him for one minute. “Surely you have no objection to my educating the women on the great works of literature, Captain Horn.” “None at all.” He set his hands on his hips. “But I question your choice of material. Don’t you think Aristophanes is a bit beyond the abilities of your pupils?” He took great pleasure in the shock that passed over Sara’s face before she caught herself. Ignoring the rustle of whispers among the women, she stood a little straighter. “As if you know anything at all about Aristophanes.” “I don’t have to be an English lordling to know literature, Sara. I know all the blasted writers you English make so much of. Any one of them would have been a better choice for your charges than Aristophanes.” As she continued to glower at him unconvinced, he scoured his memory, searching through the hundreds of verse passages his English father had literally pounded into him. “You might have chosen Shakespeare’s The Taming of the Shrew, for example—‘fie, fie! Unknit that threatening unkind brow. / And dart not scornful glances from those eyes / to wound thy lord, thy king, thy governor.’” It had been a long time since he’d recited his father’s favorite passages of Shakespeare, but the words were as fresh as if he’d learned them only yesterday. And if anyone knew how to use literature as a weapon, he did. His father had delighted in tormenting him with quotes about unrepentant children. Sara gaped at him as the other women looked from him to her in confusion. “How . . . I mean . . . when could you possibly—” “Never mind that. The point us, you’re telling them the tale of Lysistrata when what you should be telling them is ‘thy husband is thy lord, thy life, thy keeper. /thy head, thy sovereign; one that cares for thee / and for thy maintenance commits his body / to painful labour by both sea and land.’” Her surprise at this knowledge of Shakespeare seemed to vanish as she recognized the passage he was quoting—the scene where Katherine accepts Petruchio as her lord and master before all her father’s guests. Sara’s eyes glittered as she stepped from among the women and came nearer to him. “We are not your wives yet. And Shakespeare also said ‘sigh no more, ladies, sigh no more / men were deceivers ever / one foot on sea and one on shore / to one thing constant never.’” “Ah, yes. Much Ado About Nothing. But even Beatrice changes her tune in the end, doesn’t she? I believe it’s Beatrice who says, ‘contempt, farewell! And maiden pride, adieu! / no glory lives behind the back of such./ and Benedick, love on, I will requite thee, / taming my wild heart to thy loving hand.’” “She was tricked into saying that! She was forced to acknowledge him as surely as you are forcing us!” “Forcing you?” he shouted. “You don’t know the meaning of force! I swear, if you—” He broke off when he realized that the women were staring at him with eyes round and fearful. Sara was twisting his words to make him sound like a monster. And succeeding, too, confound her.