Mahogany Love Quotes

Drink from the fountain of love where every drop is eternal passion.

He loved her eyes. They were always changing, and Lucas liked to catalogue all their different colors in his mind. When she laughed, her eyes were pale amber, like honey sitting in a glass jar on a sunny window. When he kissed her, they darkened until they were the rich color of mahogany leather, but with strips of red and gold thread shot through. Right now they were turning dark—inviting him to lower his lips to hers.

He puts down the pen, folds the sheet of paper, and slips it inside an envelope. He stands up, takes from his trunk a mahogany box, lifts the lid, lets the letter fall inside, open and unaddressed. In the box are hundreds of identical envelopes, open and unaddressed. He thinks that somewhere in the world he will meet a woman who has always been his woman. Every now and again he regrets that destiny has been so stubbornly determined to make him wait with such indelicate tenacity, but with time he has learned to consider the matter with great serenity. Almost every day, for years now, he has taken pen in hand to write to her. He has no names or addresses to put on the envelopes: but he has a life to recount. And to whom, if not to her? He thinks that when they meet it will be wonderful to place the mahogany box full of letters on her lap and say to her, 'I was waiting for you.' "She will open the box and slowly, when she so desires, read the letters one by one. As she works her way back up the interminable thread of blue ink she will gather up the years-- the days, the moments-- that that man, before he ever met her, had already given to her. Or perhaps more simply, she will overturn the box and astonished at that comical snowstorm of letters, she will smile, saying to that man, 'You are mad.' And she will love him forever.

Almost every day, for years now, he has taken pen in hand to write to her. He has no names or addresses to put on the envelopes: but he has a life to recount. And to whom, if not to her? He thinks that when they meet it will be wonderful to place the mahogany box full of letters on her lap and say to her, “I was waiting for you.” She will open the box and slowly, when she so desires, read the letters one by one, and as she works her way back up the interminable thread of blue ink she will gather up the years — the days, the moments – that that man, before he even met her, had already given to her. Or perhaps, more simply, she will overturn the box and, astonished at that comical snowstorm of letters, she will smile, saying to that man, “You are mad.” And she will love him forever.

I went to the library. I looked at the magazines, at the pictures in them. One day I went to the bookshelves, and pulled out a book. It was Winesburg, Ohio.. I sat at a long mahogany table and began to read. All at once my world turned over. The sky fell in. The book held me. The tears came. My heart beat fast. I read until my eyes burned. I took the book home. I read another Anderson. I read and I read, and I was heartsick and lonely and in love with a book, many books, until it came naturally, and I sat there with a pencil and a long tablet, and tried to write, until I felt I could not go on because the words would not come as they did in Anderson, they only came like drops of blood from my heart.

When you love what you do for a living, it's not a job.

Things, events, that occupy space yet come to an end when someone dies make us stop in wonder - and yet one thing, or an infinite number of things, dies with every man's or woman's death, unless the universe itself has a memory, as theosophists have suggested. In the course of time there was one day that closed the last eyes that had looked on Christ; the battle of Junín and the love of Helen died with the death of one man. What will die with me the day I die? What pathetic or frail image will be lost to the world? The voice of Macedonio Fernández, the image of a bay horse in a vacant lot on the corner of Sarrano and Charcas, a bar of sulfur in the drawer of a mahogany desk?

I cannot stay, Empress. You are too much temptation, and I am nowhere near strong or good enough to resist you." He spoke the words quietly at her ear, his nose buried in her hair- hair he no longer considered brown, but a rich myriad of chocolate and mahogany and sable that was fast becoming his favorite of all colors.

today, i am a black woman in a body of coal i am always burning and no one knows my name i am a nameless fury, i am a blues scratched from the throat of ms. nina—i am always angry i am always a bumble hive of hello i love like this too loudly, my neighbors think i am an unforgiving bitter sometimes, i think my neighbors are right most times i think my neighbors are nosey

Oh what marvels fill me with thanksgiving! The deep mahogany of a leaf once green. The feathered fronds of tiny icicles coating every twig and branch in a wintry landscape. The feel of goosebumps thawing after endured frozen temperatures. Both hands clamped around a hot mug of herbal tea. The aromatic whiff of mint under my nose. The stir of emotion from a child's cry for mommy. A gift of love detached of strings. Spotted lilies collecting raindrops in a cupped clump of petals. The vibrant mélange of colors on butterfly wings. The milky luster of a single pearl. Rainbows reflecting off iridescence bubbles. Awe-struck silence evoked by any form of beauty. Avocado flecks in your eyes. Warm hands on my face. Sweetness on the tongue. The harmony of voices. An answered prayer. A pink balloon. A caress. A smile. More. These have become my treasures by virtue of thanksgiving.

His hair, at first glance, appears merely dark, but upon closer inspection is actually many strands of chestnut brown, gold, and black. He wears it long, for a guy, not because doing so is “in,” but because he’s too busy with his many interests to remember to get it cut regularly. His eyes seem dark at first glance, as well, but are actually a kaleidoscope of russets and mahoganies, flecked here and there with ruby and gold, like twin lakes during an Indian summer, into which you feel as if you could dive and swim forever. Nose: aquiline. Mouth: imminently kissable. Neck: aromatic—an intoxicating blend of Tide from his shirt collar, Gillette shaving foam, and Ivory soap, which together spell: my boyfriend. B– Better. I would have liked more description on what exactly about his mouth you find so imminently kissable. —C. Martinez

All the distances I had traveled, trying to be myself, didn’t matter here, where nothing ever changed. Not the mahogany furniture or the art or the books in their placement on the shelves. Not the eggshell sheen on the walls, or the quality of light coming through the stained-glass window on the landing. This was the light of childhood. I was all the ages I had ever been.

She was a Victorian girl; a girl of the days when men were hard and top-hatted and masculine and ruthless and girls were gentle and meek and did a great deal of sewing and looked after the poor and laid their tender napes beneath a husband’s booted foot, and even if he brought home cabfuls of half-naked chorus girls and had them dance on the rich round mahogany dining-table (rosily reflecting great pearly hams and bums in its polished depths). Or, drunk to a frenzy, raped the kitchen-maid before the morning assembly of servants and children and her black silk-dressed self (gathered for prayers). Or forced her to stitch, on shirts, her fingers to rags to pay his gambling debts. Husbands were a force of nature or an act of God; like an earthquake or the dreaded consumption, to be borne with, to be meekly acquiesced to, to be impregnated by as frequently as Nature would allow. It took the mindless persistence, the dogged imbecility of the grey tides, to love a husband.

His office is furnished in a traditional style—a large free-standing mahogany desk facing the door, rows of bookshelves holding volumes of textbooks. A framed photograph of a rabbit hanging on the wall. Okay, that last thing is weird . . .

Alone in the worn mahogany paneled library surrounded by hundreds of books that filled every shelf and lined every wall from floor to ceiling, Lady Butler contemplated, How odd it is that a room filled with millions of words can be so silent.

Yasmin loved the little woman with her seamed glowing face, tiny mahogany hands ghosted with flour, white hair like a veil, tied up; loved her in that way women never get to love their own mothers because there is not enough unsaid, and too much said, between them.

I think people need normality at a time like this. It's the least we can offer." "And chocolate," she said softly, smiling at him. They locked eyes, liquid mahogany and shining cobalt. "And chocolate," he repeated, staring at her lips as if he would drink from them.

I wanted you in Covent Garden,” he said. “I wanted you straddling me in the dark while I came up inside you.” “In the theatre?” “Right there in the damn box, with the opera blaring on. I’d take you, make you my own.” He put his hand on her neck over the spot where he’d given her the love bite. “I branded you.” Beth smiled. “You, too.” She touched his neck. “I branded you.” He laced his fingers hard through hers and pressed her hand to the bed. “Belong to me.” “No one here to dispute that at the moment.” “Always mine. Always, Beth.” Thrusts punctuated the words. Always. Her body jerked in rhythm with his, the bed creaking. It was a solid bed, thick mahogany, made to take men like Ian loving their women.

I was examining the perfumed, coloured candles guaranteed to bring good fortune with continued use when a lovely mocha-skinned girl came in from the back room and stood behind the counter. She wore a white smock over her dress and looked about nineteen or twenty. Her wavy, shoulder-length hair was the colour of polished mahogany. A number of thin, silver hoops jingled on her fine-boned wrist. "May I help you?" she asked. Just beneath her carefully modulated diction lingered the melodic calypso lilt of the Caribbean.

You, my dear, do not know how to have fun." "I do, too!" "You do not. You are as bad as Lucien. And do you know something? I think it's time someone showed you how to have fun. Namely, me. You can worry all you like about our situation tomorrow, but tonight ... tonight I'm going to make you laugh so hard that you'll forget all about how afraid of me you are." "I am not afraid of you!" "You are." And with that, he pushed his chair back, stalked around the table, and in a single easy movement, swept her right out of her chair and into his arms. "Gareth!  Put me down!" He only laughed, easily carrying her toward the bed. "Gareth, I am a grown woman!" "You are a grown woman who behaves in a manner far too old for her years," he countered, still striding toward the bed. "As the wife of a Den member, that just will not do." "Gareth, I don't want — I mean, I'm not ready for that!" "That? Who said anything about that?"  He tossed her lightly onto the bed. "Oh, no, my dear Juliet. I'm not going to do that —" She tried to scoot away. "Then what are you going to do?" "Why, I'm going to wipe that sadness out of your eyes if only for tonight. I'm going to make you forget your troubles, forget your fears, forget everything but me. And you know how I'm going to do that, O dearest wife?"  He grabbed a fistful of her petticoats as she tried to escape. "I'm going to tickle you until you giggle ... until you laugh ... until you're hooting so loudly that all of London hears you!" He fell upon the bed like a swooping hawk, and Juliet let out a helpless shriek as his fingers found her ribs and began tickling her madly. "Stop!  We just ate!  You'll make me sick!" "What's this? Your husband makes you sick?" "No, it's just that — aaaoooooo!" He tickled her harder. She flailed and giggled and cried out, embarrassed about each loud shriek but helpless to prevent them. He was laughing as hard as she. Catching one thrashing leg, he unlaced her boot and deftly removed it. She yelped as his fingers found the sensitive instep, and she kicked out reflexively. He neatly ducked just in time to avoid having his nose broken, catching her by the ankle and tickling her toes, her soles, her arch through her stockings. "Stop, Gareth!"  She was laughing so hard, tears were streaming from her eyes. "Stop it, damn it!" Thank goodness Charlotte, worn out by her earlier tantrum, was such a sound sleeper! The tickling continued. Juliet kicked and fought, her struggles tossing the heavy, ruffled petticoats and skirts of her lovely blue gown halfway up her thigh to reveal a long, slender calf sheathed in silk. She saw his gaze taking it all in, even as he made a grab for her other foot. "No!  Gareth, I shall lose my supper if you keep this up, I swear it I will — oooahhhhh!" He seized her other ankle, yanked off the remaining boot, and began torturing that foot as well, until Juliet was writhing and shrieking on the bed in a fit of laughter. The tears streamed down her cheeks, and her stomach ached with the force of her mirth. And when, at last, he let up and she lay exhausted across the bed in a twisted tangle of skirts, petticoats, and chemise, her chest heaving and her hair in a hopeless tumbled-down flood of silken mahogany beneath her head, she looked up to see him grinning down at her, his own hair hanging over his brow in tousled, seductive disarray.

And, ach! what a beautiful skeleton you will make! And very soon, too, because you do not smile on your madly loving Svengali. You burn his letters without reading them! You shall have a nice little mahogany glass case all to yourself in the museum of the École de Médecine, and Svengali shall come in his new fur-lined coat, smoking his big cigar of the Havana, and push the dirty carabins* out of the way, and look through the holes of your eyes into your stupid empty skull, and up the nostrils of your high, bony sounding-board of a nose without either a tip or a lip to it, and into the roof of your big mouth, with your thirty-two big English teeth, and between your big ribs into your big chest, where the big leather lungs used to be, and say, “Ach! what a pity she had no more music in her than a big tom-cat!” And then he will look all down your bones to your poor crumbling feet, and say, “Ach! what a fool she was not to answer Svengali’s letters!

A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.

And then his mouth was on her, his tongue stroking in long, slow licks, curling almost unbearably at the place where pleasure pooled and strained and begged for release. She cried out, sitting up straight before he lifted his head and pressed one large hand to her soft stomach. "Lie back... let me taste you. Let me show you how good it can be. Watch. Tell me what you like. What you need." And she did, God help her. As he licked and sucked with his perfect tongue and his wicked lips, she whispered her encouragement, learning what she wanted even as she was not sure of the end result. More, Michael.... Her hands slid into his curls, holding him close to her. Michael, again... Her thighs widened, willing and wanton. There, Michael... Michael... He was her world. There was nothing beyond this moment. And then his fingers joined his tongue, and she thought she might die as he pressed more firmly, rubbed more deliberately, giving her everything for which she did not know to ask. Her eyes flew open, his name on a gasp. His tongue moved faster, circling at the place where she needed him, and she moved, all inhibitions gone, lost to the rising, cresting pleasure... wanting nothing more than to know what lay beyond. "Please, don't stop," she whispered. He didn't. With his name on her lips, she threw herself over the edge, rocking against him, pressing to him, begging for more even as he gave it to her with tongue and lips and fingers until she lost awareness of everything but the bold, brilliant pleasure he gave her. As she floated back from her climax, he pressed long lovely kisses to the inside of her thighs until she sighed his name and reached for his soft mahogany curls, wanting nothing more than to lie next to him for an hour... a day... a lifetime. He stilled at her touch as her fingers sifted through his hair, and they remained that way for long moments. She was limp with pleasure, her whole world in the feel of his silken curls in her hands, in the scrape of his beard at the soft skin of her thigh.

The door opened to reveal a room with walls consisting mostly of inset mahogany bookcases covered by leaded glass doors. Intricate plasterwork adorned the ceiling in a flowered medallion style that matched the thick Aubusson carpet on the floor. "Are all of these books for sale?" Amanda asked in a hushed voice, feeling as if she had entered a king's treasure room. Fretwell nodded. "You'll find everything from antiques to zoology. We have a wide selection of antique maps and celestial charts, original folios and manuscripts..." He gestured around them, as if the extensive rows of books were self-explanatory. "I would love to lock myself in here for a week," she said impulsively.

Hunter slipped from the bed and grabbed his breeches to pull them on. Bathed in moonlight, the planes of his body were gilded with silver, its contours cast into delineative shadow. Clutching a fur to her chest, Loretta sat up, pretending not to notice. She did, though, and what she saw set her pulse to skittering. Perhaps beautiful wasn’t an appropriate adjective for a man, but it was the only word that came to her. Watching him, she was, for the first time in her life, appreciative of the male form, the smooth play of muscle in motion, the subtle grace in strength. Lean tendons roped his buttocks and thighs. When he turned slightly she glimpsed his manhood, jutting forth, hard and proud from a mahogany nest of short curly hair. Her throat tightened, and deep within her there welled feelings she could scarcely credit, longing, tenderness, delicious excitement--and fierce pride. That such a man loved her and wanted her was nothing short of incredible. He could have had any girl in the village, someone supple and dark with liquid brown eyes, a dozen such someones if he chose, but instead he had picked her, a skinny, pallid farm girl. Cinching the drawstring of his pants, he tied a quick bowknot and extended a hand to her. For an instant Loretta was swept back in time to that first afternoon, when he had commanded she place her palm across his. She had been so terrified then, but no longer. His arm was her shield, just as he had promised. “Come, wife. My cousin brings a gift, eh?” “Hunter, I’m not dressed!” Chuckling, he grabbed a buffalo robe and draped it around her shoulders. After enveloping her in the fur, he drew her from the bed and to the door, untying the flap to sweep it aside.

Watching him, she was, for the first time in her life, appreciative of the male form, the smooth play of muscle in motion, the subtle grace in strength. Lean tendons roped his buttocks and thighs. When he turned slightly she glimpsed his manhood, jutting forth, hard and proud from a mahogany nest of short curly hair. Her throat tightened, and deep within her there welled feelings she could scarcely credit, longing, tenderness, delicious excitement--and fierce pride. That such a man loved her and wanted her was nothing short of incredible. He could have had any girl in the village, someone supple and dark with liquid brown eyes, a dozen such someones if he chose, but instead he had picked her, a skinny, pallid farm girl. Cinching the drawstring of his pants, he tied a quick bowknot and extended a hand to her. For an instant Loretta was swept back in time to that first afternoon, when he had commanded she place her palm across his. She had been so terrified then, but no longer. His arm was her shield, just as he had promised.

Will you be traveling there again? To Istanbul and Arabia and the places where they follow the Koran?" "I hope so," he said, laying aside the golden book very carefully. "The air is so hot there, warm and fragrant, the sky so blue, and the food tastes like nothing here. They have olives and dates and soft cheeses. I think you would like it, my Séraphine. You could dress in pink and gold and mahogany and lounge on silken pillows, listening to strange music. I'd buy you a little monkey with a vest and a hat to make you laugh and I'd sit and watch you and feed you juicy grapes." She smiled sadly and drew off her stays. "And how would we get there, Val?" "I'd hire a ship," he said taking a sip of his red wine. "No, I'd buy a ship- one of our very own. It'll have blue sails and a flag with a rooster on it. We'll take your mongrel and Mehmed and all his cats and set sail with fifty strong men. During the day we'll sit on deck and watch for mermaids and monsters in the waves, and at night we'll stare at the stars and then I'll make love to you until dawn." "And after far Arabia?" she whispered as she drew off her chemise and stood nude save for her stockings and shoes. "What then?" His smile faded and he looked very grave as she took off her shoes and stockings. "Why, Séraphine, then we would journey on to Egypt or India or China or indeed wherever else you please. Or even come round about here, back to foggy, bustling London, where, if nothing else, the pies and sausages are quite good, if that was what you wished. Just as long as I were with you and you with me, my sweet Séraphine.

The dark mahogany front door contained an oval, etched glass window in the top half. A peaked overhang was trimmed with white gingerbread, and a small porch extended to the right, allowing room for a small table and chair. Sweets & Treats

Derek Walcott wrote in his 1992 Nobel Lecture about the enthusiasm of the tourist: What is hidden cannot be loved. The traveller cannot love, since love is stasis and travel is motion. If he returns to what he loved in a landscape and stays there, he is no longer a traveller but in stasis and concentration, the lover of that particular part of earth, a native. So many people say they ‘love the Caribbean’, meaning that someday they plan to return for a visit but could never live there, the usual benign insult of the traveller, the tourist. These travellers, at their kindest, were devoted to the same patronage, the islands passing in profile, their vegetal luxury, their backwardness and poverty . . . What is the earthly paradise for our visitors? Two weeks without rain and a mahogany tan, and, at sunset, local troubadours in straw hats and floral shirts beating ‘Yellow Bird’ and ‘Banana Boat Song’ to death. There is a territory wider than this – wider than the limits made by the map of an island – which is the illimitable sea and what it remembers. All of the Antilles, every island, is an effort of memory; every mind, every racial biography culminating in amnesia and fog. Pieces of sunlight through the fog and sudden rainbows, arcs-en-ciel.24

Anders looked up and saw Rik’s chocolate eyes. Even though they were brown, a closer look revealed a blue corona around the dark, almost mahogany brown irises. He’d seen a piece of agate like that once on a dig; a perfect marriage of brown and blue in the depths of a broken stone.

By contrast, think about how much time we take planning for other stuff. We talk to people, check out things on Google, and weigh our options on everything from the type of wedding cake we want to which career looks most promising. We analyze our health benefits, test-drive cars, and peek in the crawl spaces of our houses. When children come along, we buy books about what to name them, how to toilet train them, and what we should do when they announce that they don’t need us anymore and they’re leaving home to follow a rock-’n’-roll band. And don’t get me started on pets! I spent more time researching what type of dog to get Johnnie for Christmas than I ever spent thinking about his casket — despite walking past it almost every single day (it was the one he would never let us sell, since it had a ding in the mahogany paneling).

Laws are not drawn up near dumpsters with dirty needles and rats, but in mahogany trimmed board rooms where the marble gleams with the light of noble intentions. Rarely do these coincide with the gun toting men who are charged with the task of enforcing them. They are the offensive linemen of society. Nobody buys their jersey. People just yell at them when they are offsides. But without him everything will collapse! When I was an offensive guard I did whatever I could to block the other guy. So I can empathize with Inspector Harry Callahan and his methods. I love it when Callahan is still chewing his hot dog as he blows away punks who think they can steal from a bank during the middle of the day in San Francisco. Dirty Harry you had me at 'do you feel lucky?' Real cops couldn't catch the Zodiac killer, but Harry blew that scumbag into a pond, then followed up by throwing his badge into the same pond, because he too knows that the rules of 'decent' society are a myth that pretty people in big houses talk about over tea.

Holly Berries A Confederate Christmas Story by Refugitta There was, first, behind the clear crystal pane, a mammoth turkey, so fat that it must have submitted to be killed from sheer inability to eat and move, hung all around with sausage balls and embowered in crisp white celery with its feathered tops. Many a belated housekeeper or father of a family, passing by, cast loving glances at the monster bird, and turned away with their hands on depleted purses and arms full of brown paper parcels. Then there were straw baskets of eggs, white and shining with the delightful prospect of translation into future eggnogs; pale yellow butter stamped with ears of corn, bee hives, and statuesque cows with their tails in an attitude. But these were all substantials, and the principal attraction was the opposition window, where great pyramids of golden oranges, scaly brown pineapples, festoons of bananas, boxes of figs and raisins with their covers thrown temptingly aside, foreign sauces and pickles, cheeses, and gilded walnuts were arranged in picturesque regularity, jut, as it seemed, almost within reach of one’s olfactories and mouth, until a closer proximity realized the fact of that thick plate glass between. Inside it was just the same: there were barrels and boxes in a perfect wilderness; curious old foreign packages and chests, savory of rare teas and rarer jellies; cinnamon odors like gales from Araby meeting you at every turn; but yet everything, from the shining mahogany counter under the brilliant gaslight, up to the broad, clean, round face of the jolly grocer Pin, was so neat and orderly and inviting that you felt inclined to believe yourself requested to come in and take off things by the pocketful, without paying a solitary cent. I acknowledge that it was an unreasonable distribution of favors for Mr. Pin to own, all to himself, this abundance of good things. Now, in my opinion, little children ought to be the shop keepers when there are apples and oranges to be sold, and I know they will all agree with me, for I well remember my earliest ambition was that my papa would turn confectioner, and then I could eat my way right through the store. But our friend John Pin was an appreciative person, and not by any means forgetful of his benefits. All day long and throughout the short afternoon, his domain had been thronged with busy buyers, old and young, and himself and his assistant (a meager-looking young man of about the dimensions of a knitting needle) constantly employed in supplying their demands. From the Southern Illustrated News.

Sir, they're here to take Mr. Vice President. I'm clearing out the room to give you a moment alone. They won't wait long," a younger sounding guard said. Kane never saw him. The man spoke from behind Kane's back, and then immediately turned and left the room again, drawing the doors closed behind him with a soft click. Kane stared at the casket. This was it, his last time with Avery. He stood; his tired gritty eyes roamed the top of the closed mahogany box. He wished he had one last look at Avery before they took him away. Kane placed both hands on top of the coffin, his eyes filled with tears. Tears that just wouldn't stop flowing. He leaned in, placing his forehead close to where he thought Avery's would be, and he softly whispered, hoping Avery could hear his words, "I have to leave you now. I know you would fight this, but you have to do this part alone. They have so much planned to honor you today. It's exactly the way you would have wanted it. It's what you deserve…" Kane closed his eyes tighter, saying goodbye to Avery was the hardest thing he'd ever had to do. He took a deep breath, trying to get through everything he wanted to say. "I love you, Avery. Always. You completed my life. You made me whole, gave me hope, made me a better man. For me, you were everything right in my life. And I know you're in heaven smiling down on us. You're too good a man to be kept out because of me. I know you have to be one of God's special angels. I know you're there, and I'm happy for you. I just miss you so much already. I'm trying to pull myself together here, but I'm failing, and I'm sorry. I'm just lost without you.

Daddy, they need to take the casket." Robert's voice came from somewhere behind him. "I love you, baby. Forever and always." Kane pressed his lips against the top of the casket, his tears falling freely on the polished mahogany box. This was it, they were taking Avery. It felt so wrong to leave his side, so final. How would he find the strength to go on without him? Kane kissed the coffin again before he forced himself away. Robert materialized beside him, handing him a handkerchief—one of Avery's—and he cried a little harder when the scent of his favorite cologne wafted from the soft fabric. Kane stood, watching the guards, Robert's arm wrapped around his shoulders, holding him up, as Avery was taken from the room. Kane followed closely behind the casket, waiting until they loaded Avery inside the hearse to transport him to the funeral events of the day.

No. No… No!’ the fear ebbed my voice, cut through me like a knife. I ran, bare feet slipping and sliding over the floorboards. I turned the corner and headed for the backdoor. Run. Run. I must run. As soon as I reached the backdoor in the kitchen, pulling the barn door from the hinges, I felt his gaze upon me. Cinders and kindling crunched at my feet; what had once been my lovely mahogany kitchen furniture was now little more than firewood. My crockery and china splintered in shards and as I turned to face him, I felt them dig into my skin, cut me with every shiver that bolted through my frame. ‘You wanted Hemlock House. You have, Hemlock House.’ His voice was dark, cruel and yet hauntingly light. As if cooing, whispering to a newborn. He was lounging against the countertop as if waiting for breakfast, as if waiting for something so meaningless.

His new friends did not, perhaps, realize the overpowering effect of the sudden change upon this northernbred man; the effects of the moonlight and the soft trade-wind, the life of love which surrounded him here. Love whispered to him vaguely, compellingly. It summoned him from the palm fronds, rustling dryly in the continuous breeze; love was telegraphed through the shy, bovine eyes of the brown girls in his estate-house village; love assailed him in the breath of the honey-like sweet grass, undulating all day and all night under the white moonlight of the Caribbees, pouring over him intoxicatingly through his opened jalousies as he lay, often sleepless, through long nights of spice and balm smells on his mahogany bedstead—pale grass, looking like snow under the moon. The half-formulated yearnings which these sights and sounds were begetting were quite new and fresh in his experience. Here fresh instincts, newly released, stirred, flared up, at the glare of early-afternoon sunlight, at the painful scarlet of the hibiscus blooms, the incredible indigo of the sea—all these flames of vividness through burning days, wilting into a caressing coolness, abruptly, at the fall of the brief, tropic dusk. The fundament of his crystallizing desire was for companionship in the blazing life of this place of rapid growth and early fading, where time slipped away so fast. ("Sweet Grass")

The names of your informers, what backstabbing campaigns you’re embarking on, where you store your guns, your drugs, your money, the location of your hideout, the interchangeable lists of your friends and enemies, your contacts, the fences, your escape plans—all things you need to keep to yourself, and you will reveal every one if you are in love. Love is the Ultimate Informer because of the conviction it inspires that your love is eternal and immutable—you can no more imagine the end of your love than you can imagine the end of your own head. And because love is nothing without intimacy, and intimacy is nothing without sharing, and sharing is nothing without honesty, you must inevitably spill the beans, every last bean, because dishonesty in intimacy is unworkable and will slowly poison your precious love. When it ends—and it will end (even the most risk-embracing gambler wouldn’t touch those odds)—he or she, the love object, has your secrets. And can use them. And if the relationship ends acrimoniously, he or she will use them, viciously and maliciously—will use them against you. Furthermore, it is highly probable that the secrets you reveal when your soul has all its clothes off will be the cause of the end of love. Your intimate revelations will be the flame that lights the fuse that ignites the dynamite that blows your love to kingdom come. No, you say. She understands my violent ways. She understands that the end justifies the means. Think about this. Being in love is a process of idealization. Now ask yourself, how long can a woman be expected to idealize a man who held his foot on the head of a drowning man? Not too long, believe me. And cold nights in front of the fire, when you get up and slice off another piece of cheese, you don’t think she’s dwelling on that moment of unflinching honesty when you revealed sawing off the feet of your enemy? Well, she is. If a man could be counted on to dispose of his partner the moment the relationship is over, this chapter wouldn’t be necessary. But he can’t be counted on for that. Hope of reconciliation keeps many an ex alive who should be at the bottom of a deep gorge. So, lawbreakers, whoever you are, you need to keep your secrets for your survival, to keep your enemies at bay and your body out of the justice system. Sadly—and this is the lonely responsibility we all have to accept—the only way to do this is to stay single. If you need sexual relief, go to a hooker. If you need an intimate embrace, go to your mother. If you need a bed warmer during cold winter months, get a dog that is not a Chihuahua or a Pekingese. But know this: to give up your secrets is to give up your security, your freedom, your life. The truth will kill your love, then it will kill you. It’s rotten, I know. But so is the sound of the judge’s gavel pounding a mahogany desk.

To the French, sin—provided it is conceived with imagination and carried off with flair—is like the dust on an old bottle of burgundy, the streaks of gray in the hair of a loved one, the gleam of long, loving use on the mahogany of an ancient cabinet. It’s evidence of endurance, of survival, of life.

I cannot stay, Empress. You are too much temptation, and I am nowhere near strong or good enough to resist you." He spoke the words quietly at her ear, his nose buried in her hair- hair he no longer considered brown, nut a rich myriad of chocolate and mahogany and sable that was fast becoming his favorite of all colors.

When I listen to music I'm teleported back to when I was three and I can see my mother and father Back when they loved each other

An inheritance of abnormal hemoglobin and a trench of violence (here violence is considered love, too)

It is common for one party to a transaction to have better information than another party. In the parlance of economists, such a case is known as an information asymmetry. We accept as a verity of capitalism that someone (usually an expert) knows more than someone else (usually a consumer). But information asymmetries everywhere have in fact been gravely wounded by the Internet. Information is the currency of the Internet. As a medium, the Internet is brilliantly efficient at shifting information from the hands of those who have it into the hands of those who do not. Often, as in the case of term life insurance prices, the information existed but in a woefully scattered way. (In such instances, the Internet acts like a gigantic horseshoe magnet waved over an endless sea of haystacks, plucking the needle out of each one.) The Internet has accomplished what even the most fervent consumer advocates usually cannot: it has vastly shrunk the gap between the experts and the public. The Internet has proven particularly fruitful for situations in which a face-to-face encounter with an expert might actually exacerbate the problem of asymmetrical information—situations in which an expert uses his informational advantage to make us feel stupid or rushed or cheap or ignoble. Consider a scenario in which your loved one has just died and now the funeral director (who knows that you know next to nothing about his business and are under emotional duress to boot) steers you to the $8,000 mahogany casket. Or consider the automobile dealership: a salesman does his best to obscure the car’s base price under a mountain of add-ons and incentives. Later, however, in the cool-headed calm of your home, you can use the Internet to find out exactly how much the dealer paid the manufacturer for that car. Or you might just log on to TributeDirect.com and buy that mahogany casket yourself for only $3,595, delivered overnight.

I head straight to my suite, a set of rooms reminiscent of a British manor house library with tall mahogany bookshelves and a crackling fire. Even though the weather outside is furious and rain lashes the windows, I can take refuge here. More importantly, I can take tea, settle into a deep chair to read a book, and listen to overwrought operatic sopranos going to their graves, singing of doomed love. This recipe never fails to soothe me.

Krude, mind your damn business!” I glanced over my shoulder to see Mahogany, Focus, Exodus, and Krude’s grandmother standing on the porch. “Bring your ass in this house so you can get a plate and leave them the hell alone! I swear your granddaddy dropped you on your head too many times when you were a little one.” “Madea, that nigga dropped me?” Krude asked, surprised. “Like for real dropped a nigga?” He made his way to the porch, and all I could do was shake my head because he was a damn fool. Mrs. Austin grabbed him by his arm and drug him into the house. Mahogany and Focus followed behind them, laughing.

Who was the artist? The line of her body was slim and softly feminine in a way that spoke to every one of his senses. Her hair, a rich mahogany had smelled wonderful, though he'd be hard-pressed to describe just exactly what it smelled like... fresh, he would have said, Or clean. Or sweet. But none of those words really seemed to apply, precisely. How he loved discovering the unique smell of a woman... a good place to start discovering it, he knew, was the nape of the neck. But there were other delightful places, too. He smiled, a wicked, private smile, which faded when he remembered he was not to be discovering the smells of females while he was in Barnstables. You were bloody quiet, she'd said. As though he'd thwarted her. He gave a bark of delighted laughter. It rather sounded like something he would have said.

You have the most lovely skin,”  Finn told her. “Like mahogany. Like the finest river loam. Could I touch it?” “You are touching it, Casanova,”  Rita answered, eyes on the blood pressure dial. “Behave.” “Casanova?”  Finn shot Diego a questioning glance. “Famous lover.” “Ah. A compliment?” “Sarcasm.”  Please don’t make me explain sarcasm. “Typical.” Apparently, it wouldn’t be necessary.

But you are not ungrateful, you never have been. Always, you could see the whirling constellation of wonders that makes up your life. God, there is just so much to love. Dust motes lit up by stage lights, the creak of a book’s binding when it’s opened for the first time, the ache in the back of your throat from singing too loud, the whirring noise of a light bulb as it’s flicked on, a warm blanket in a cold room, a kiss when you didn’t know you needed one, dark pencils, the wet snuffle of a dog’s nose, strangers who say ‘Bless you’ when you sneeze, mahogany, the dusty silk of flower petals, good lines in bad poems, the watercolour mess of sunset, snow, liquid-ink pens and more. So much more.

As Christopher checked into the hotel and conversed with the concierge, he remarked on a portrait that hung over the marble mantel in the lobby. The subject was a singularly beautiful woman with mahogany-colored hair and striking blue eyes. "That is a portrait of Mrs. Rutledge, sir," the concierge said with a touch of fond pride. "A beauty, is she not? A better, kinder lady could not be found anywhere." Christopher regarded the portrait with casual interest. He recalled that Amelia Hathaway had said one of her sisters had married Harry Rutledge, the owner of the hotel. "Then Mrs. Rutledge is one of the Hathaway sisters of Hampshire?" "Just so, sir." That had brought a quizzical smile to Christopher's lips. Harry Rutledge, being a wealthy and well-connected man, could have had any woman he wanted. What madness had inspired him to marry into such a family? It was the eyes, Christopher decided, looking closer, unwillingly fascinated. Hathaway blue, heavily lashed. Exactly like Beatrix's.

My mouth harbors love like a well Except most days the well feels dry No one told me how to replenish I’ve been taught to fear large bodies of water' — Crowned

they’ll look really cool on you, Indigo,” Fathom said. He crossed to the far wall, where all of Pearl’s jewels were displayed on a tall tree of dark brown mahogany with many branches, which he had carved for her for their birthday last year. (Without magic, since Indigo insisted.) “Are you sure?” Indigo asked Pearl. “Won’t Manta be upset if she sees me wearing them instead of you?” “She’ll be thrilled,” Pearl said. “Mother thinks you’re very entertaining.” Indigo wilted a little and Fathom flashed Pearl a glare. “Mother loves you,” he said to Indigo. “She wants you at the party, and she won’t mind what you have to wear to fit in.” He unhooked the string of pearls and the bracelet. Each of the pearls was slightly irregular instead of perfectly round, and they were all different shades of pink from almost white to deep rose. He could see why Pearl didn’t like it — she preferred everything perfectly symmetrical — but he thought it was really cool. He clasped the bracelet around one of Indigo’s wrists and then helped her drape the long cord of pearls around her neck and wings. They glowed against the deep purplish-blue of her scales. Fathom could feel her heart beating as he leaned over her back to adjust the