Mah Love Quotes

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Here's to real heroes, not the ones who carry us off into the sunset but the ones who help us choose our princes." - commentary on Castles on the Sand
E.M. Tippetts
Everytime Ah see uh patch uh roses uh somethin' oversportin' theyselves makin' out they pretty, Ah tell 'em 'Ah want yuh tuh see mah Janie sometime.' You must let de flowers see yuh sometimes, heah, Janie?
Zora Neale Hurston (Their Eyes Were Watching God)
I scowled. "Shut up." "We should play Go Fish later." "No." "Mah-jong? Bridge?" "What are you, an old lady?
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
I knew that I was the least-loved child because I was a girl and because my mother had died giving birth to me.
Adeline Yen Mah (Falling Leaves)
There was no experience, I thought, quite as wonderful as being an American in Paris.
Ann Mah (Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris)
I’ve always felt there are two states of existence: being in Paris and being out of it.
Ann Mah (Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris)
I love you. I mean that, all right? I don't know what kind of guys you've been dating in college, but I'm over the novelty of not living with my parents and having my own king size bed. Really.” I couldn't help it. I laughed. That was a new twist in the Talk I'd never heard before.
E.M. Tippetts (Someone Else's Fairytale (Someone Else's Fairytale, #1))
To celebrate his prosperity, fellow employees and friends urged him to take a young concubine to "serve him". Even Ye Ye's boss, the London-educated K. C. Li, jokingly volunteered to "give" him a couple of girls with his bonus. Ye Ye reported all this in a matter-of-fact way in a letter to his wife, adding touchingly that he was a "one-woman man".
Adeline Yen Mah
Ahesta boro, Mah-e-man, ahesta boro.
Khaled Hosseini
...I wondered if I would ever stop missing Paris, if I could ever stop aching for its smells, and states, and splendors. Perhaps this was the great first love of my life...
Ann Mah (Jacqueline in Paris)
Only God can turn a mess into a message, a test into a testimony, a trial into a triumph, a victim into a victor.
Fern Bernstein (Mah Jongg Mondays: a memoir about friendship, love, and faith)
They say there are as many recipes for crêpes in Bretagne as there are people who make them,
Ann Mah (Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris)
In France dining is meant to be a special, pleasurable part of the day; food offers not only fuel for the body but also a connection—between the people who have joined you at the table, between the generations who have shared a recipe, between the terroir (the earth) and the culture and cuisine that have sprung from it. Separate from cooking, the very act of eating is in itself an art to master.
Ann Mah (Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris)
...I wondered if I would very stop missing Paris, if I could ever stop aching for its smells, its states, its splendors...Perhaps this was the great love of my life...I've never stopped dreaming of it, never stopped reading French history and novels, watching French films, or devouring French culture--art and fashion and food--never stopped turning to it for inspiration and refuge. In so many ways, it has sustained me.
Ann Mah (Jacqueline in Paris)
for Jared Lyman (March 28, 1975-February 3, 2012) A man who knew how to love people. For his son's twenty-fifth birthday (sixteen years from now) he wrote: No Unlesses I love you and I'm proud of you You might be watching this from prison If so - I love you and I'm proud of you If you're watching this from backstage at Carnegie Hall - I love you and I'm proud of you. It doesn't really matter where you are or what you're doing... I will always be proud of you and I will always love you. I think that's what I'd say. I almost said “Unless...” But I couldn't think of an “Unless” Nope No “unlesses
E.M. Tippetts (Castles on the Sand)
In 1937, a group of thirty-two Jewish women formed the National Mah Jongg League, which today has over 350,000 members. These
Fern Bernstein (Mah Jongg Mondays: a memoir about friendship, love, and faith)
You will tell your sons and daughters about me, yes?” Hunter wished he could weep, but the tears were dammed behind his lids, aching and burning. “Yes. And you will tell yours of me?” “I will tell them.” Warrior’s voice cracked. “Of you and your golden one and the song that led you west. Love her well, tah-mah. The days together are brief.” “Yes.” Hunter knew Warrior was thinking of Maiden of the Tall Grass. In a husky voice, he added, “Far too brief.
Catherine Anderson (Comanche Moon (Comanche, #1))
• I am that I am As Moses asked for his name, God's response to Moses was ‘Ham-Sah’ or ‘I am that I am’ according to the famous lines of the Hebrew Torah. ‘I am that I am’ reaffirms God's eternal existence which is all, where all that is the God of nature. Breathe in whilst meditating whilst saying ‘ham’. With that, you understand your identity and all you are-your perceptions, your thoughts, and your memories. Breathing out and trying to say ‘sa’ to identify with all that you are, with all that's there. Through their senses, feelings and experiences, the lives of those before you. • Aham-Prema The mantra is said to be ‘Aah-ham-pree-mah’. In ‘I am Divine Love’ it translates. Chanting this mantra, you surround yourself with divine love–all that is and can be unconditional love to you. These are the traits; acceptance, innocence, respect, admiration, love, thanks, forgiveness, empathy, feeling, unity. Aham Prema' is a simple mantra which should be repeated 108 times in a chant. This puts together, in harmony, spirit, body and soul. That will allow you to leave behind your history. It will clear your mind and give you focus from distraction. Aham Prema' will give you energy and fresh start. •
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
I wanna hold 'em like they do in Texas, please Fold 'em, let 'em hit me, raise it, baby, stay with me (I love it) Love game intuition, play the cards with spades to start And after he's been hooked, I'll play the one that's on his heart Oh, whoa, oh, oh Oh, oh-oh I'll get him hot, show him what I got Oh, whoa, oh, oh Oh, oh-oh I'll get him hot, show him what I got Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) I wanna roll with him, a hard pair we will be A little gamblin' is fun when you're with me (I love it) Russian roulette is not the same without a gun And baby, when it's love, if it's not rough, it isn't fun (fun) Oh, whoa, oh, oh Oh, oh-oh I'll get him hot, show him what I got Oh, whoa, oh, oh Oh, oh-oh I'll get him hot, show him what I got Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) (Mum-mum-mum-mah) (Mum-mum-mum-mah) I won't tell you that I love you, kiss or hug you 'Cause I'm bluffin' with my muffin I'm not lyin', I'm just stunnin' with my love-glue-gunnin' Just like a chick in the casino Take your bank before I pay you out I promise this, promise this Check this hand 'cause I'm marvelous Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) Can't read my, can't read my No, he can't read my poker face (She's got me like nobody) P-p-p-poker face, p-p-poker face P-p-p-poker face, f-f-fuck her face (she's got me like nobody) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah) P-p-p-poker face, f-f-fuck her face (mum-mum-mum-mah)
Eric Cartman
The People of Ice Planet Barbarians As of the end of Barbarian’s Mate (suggested pronunciations in parenthesis) AT THE MAIN TRIBAL CAVE CAVE 1 VEKTAL (Vehk-tall) - The chief of the sa-khui. Mated to Georgie. GEORGIE – Human woman (and unofficial leader of the human females). Has taken on a dual-leadership role with her mate. TALIE (Tah-lee) – Their baby daughter. CAVE 2 Maylak (May-lack) – Tribe Healer. Mated to Kashrem and currently pregnant with child. Kashrem (Cash-rehm) - Her mate, also a leather-worker. Esha (Esh-uh) – Their young daughter. CAVE 3 Sevvah (Sev-uh) – Tribe elder, mother to Aehako, Rokan, and Sessah Oshen (Aw-shen) – Tribe elder, her mate Sessah – (Ses-uh) - Their youngest son Rokan – (Row-can) – Their oldest son. Adult male hunter. CAVE 4 Warrek (War-ehk) – Tribal hunter. Eklan (Ehk-lan) – His father. Elder. CAVE 5 Ereven (Air-uh-ven) Hunter, mated to Claire Claire – mated to Ereven, currently pregnant CAVE 6 Liz – Raahosh’s mate and huntress. Raahosh (Rah-hosh) – Her mate. A hunter and brother to Rukh. Raashel (Rah-shel) – Their daughter. CAVE 7 Stacy – Mated to Pashov. Has an unnamed child. Pashov (Pah-showv) – son of Kemli and Borran, brother to Farli and Salukh. Mate of Stacy, and has an unnamed child. CAVE 8 Nora – Mate to Dagesh, mother to twins Anna and Elsa. Dagesh (Dah-zzhesh) (the g sound is swallowed) – Her mate. A hunter. Anna & Elsa – Their infant twin daughters. CAVE 9 Harlow – Mate to Rukh. ‘Mechanic’ to the Elders’ Cave. Spends 75% of her time there with her family. Rukh (Rookh) – Former exile and loner. Original name Maarukh. (Mah-rookh). Brother to Raahosh. Mate to Harlow. Rukhar (Roo-car) – Their infant son. CAVE 10 Megan – Mate to Cashol. Extremely pregnant. Cashol – (Cash-awl) – Mate to Megan. Hunter. CAVE 11 Marlene (Mar-lenn) – Human mate to Zennek. Has unnamed child. French. Zennek – (Zehn-eck) – Mate to Marlene. Has unnamed child. CAVE 12 Ariana – Human female. Mate to Zolaya. Unnamed child. Zolaya (Zoh-lay-uh) – Hunter and mate to Ariana. Unnamed child. CAVE 13 Tiffany – Human female. Mated to Salukh and newly pregnant. Salukh - Salukh (Sah-luke) – Hunter. Son of Kemli and Borran, brother to Farli, Pashov and Dagesh. CAVE 14 Aehako – (Eye-ha-koh) – Acting leader of the South cave. Mate to Kira, father to Kae. Son of Sevvah and Oshen, brother to Rokan and Sessah. Kira – Human woman, mate to Aehako, mother of Kae. Was the first to be abducted by aliens and wore an ear-translator for a long time. Kae (Ki –rhymes with ‘fly’) – Their newborn daughter. CAVE 15 Kemli – (Kemm-lee) Female elder, mother to Salukh, Pashov and Farli Borran – (Bore-awn) Her mate, elder Farli – (Far-lee) Their teenage daughter. Her brothers are Salukh and Pashov. She has a pet dvisti named Chahm-pee (Chompy). CAVE 16 Drayan (Dry-ann) – Elder. Drenol (Dree-nowl) – Elder. CAVE 17 Vadren (Vaw-dren) – Elder. Vaza (Vaw-zhuh) – Widower and elder. Loves to creep on the ladies. CAVE 18 Asha (Ah-shuh) – Mated to Hemalo. No living child. Hemalo (Hee-mah-lo) – Mated to Asha. CAVE 19 Bek – (BEHK) – Hunter. Hassen (Hass-en) – Hunter. Harrec (Hair-ek) – Hunter. Taushen (Tow –rhymes with cow- shen) – Hunter. CAVE 20 Josie – Human woman and last one to resonate. Haeden (Hi-den) – Hunter. Previously resonated to Zalah but she died (along with his khui) in the khui-sickness before resonance could be completed. Now mated to Josie
Ruby Dixon (Barbarian's Mate (Ice Planet Barbarians, #6))
Turkish Coffee Set and Turkish Tea Set Tea, called “çay” in Turkey, is the unofficial“national beverage” of the Turkish people. Turkish tea is very special kind of black tea with strong robust flavor and a lovely crimson color. Wherever you go in Turkey you’ll immediately be offered a cup of hot tea, in distinctive glass cups that look like an hour glass. There is hardly a single business meeting, meal or social gathering in Turkey in which tea is not served automatically. To turn down a cup of (almost always free) tea is considered a rude act in Turkish culture and will not win you any friends. All government offices, universities, and most corporations in Turkey have a full-time tea-server on their payroll called “çayci” whose sole function is to brew and serve tea all day long. Green and ever-moist mountains of Rize is ideal to grow tea Turkish tea, the same Camellia Sinensis cultivated all over Far East, is grown along the Black Sea coast of Turkey. Provinces like Rize are famous for their black tea plantation situated on the steep mountains that overlook the Black Sea. Turkish tea is both consumed widely within the country and exported as well. Usually export variety is a slightly more expensive but better brand. Some of the best-known Turkish black tea brands include Filiz and CayKur. Turkish People do not add milk to their tea but use sugar. Mengene mah Arıcı sok. 2/7 Konya 0505 357 10 10
Fair Turk
… I notice differences in how we all handle the mahjong tiles. Pat and Amy treat the tiles with something bordering on reverence. They silently select tiles for discard from their racks and place them gently on the tabletop, in a dainty almost whispering motion. Sue and I place our discard tiles down so they make that clicking sound I have always loved hearing. Betty flings her tiles onto the tabletop with a throw-away motion befitting the worthless items they are.
Meredith Marple (What Took So Long?: A Group-Phobic, Uncomfortable Competitor's Journey to Mahjong - A Memoir Essay)
It's like I forgot how to love or sumthin'. I think I done broke mah insides.
Julia Wertz (Museum of Mistakes: The Official Fart Party Collection 2004-2010)
In 1944 the Confrérie established the Château du Clos de Vougeot as their headquarters, restoring it and in fact improving upon its former austerity, creating luxurious banquet rooms where monks had once lived in spartan simplicity. (In the monks’ former dining room, re-created as part of the château’s museum, long wooden tables, benches, and a pulpit hinted at their austere lifestyle; one brother would read passages from the Bible as the others ate gruel in enforced silence.)
Ann Mah (Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris)
Do you sleep?” Warrior asked. Hunter jerked and peered at his brother through the silvery gloom. “No, tah-mah, I do not sleep.” Warrior spread his buffalo robe and sat down, bracing his arms on his bent knees. Contemplating the darkness, he said, “You are no longer one with us.” Something hard and cold turned over in Hunter’s stomach. Was his turmoil so apparent? “I love the People, Warrior.” “I know that. But you are no longer one with us.” Warrior toyed with the fringe on his moccasin. “Perhaps that is not a bad thing. The People will soon go the way of the wind.” He sighed and grew pensive. “We’re outnumbered, Hunter. Though we fight with all our strength, we’ll never win. When the war between the tosi tivo ends, their soldiers will return and drive us back into the wastelands. Hundreds and hundreds will be killed, until only a few of us remain.” Hunter knew what Warrior said was true, but admitting it wasn’t easy. “For now, Warrior, the People prevail.” “For now.” Warrior swallowed and lowered his gaze. “I have great love for you, tah-mah. If you leave me, my heart will be laid upon the ground. But it is time that you fulfill the last part of the prophecy.” Hunter’s mouth went dry. He fixed his attention on the stars. “Someone must preserve the ways of the People,” Warrior rasped, “someone who will sing our songs and teach our ways. Unless you do that, all that we are will be lost. You must go get your woman and take her far away into the west lands where this war does not reach.” Warrior’s voice shook with emotion. “To a new place, Hunter. You know the words of the song.
Catherine Anderson (Comanche Moon (Comanche, #1))
I have great love for you, tah-mah. If you leave me, my heart will be laid upon the ground. But it is time that you fulfill the last part of the prophecy.” Hunter’s mouth went dry. He fixed his attention on the stars. “Someone must preserve the ways of the People,” Warrior rasped, “someone who will sing our songs and teach our ways. Unless you do that, all that we are will be lost. You must go get your woman and take her far away into the west lands where this war does not reach.” Warrior’s voice shook with emotion. “To a new place, Hunter. You know the words of the song.” “Warrior, you make it sound so simple. You saw what happened near her home today. She will spit upon me when she sees me.” Hunter angled an arm over his eyes. “I left her and rode into battle against her people. How many have we killed since the attack on our village?” “She won’t turn from you.” “How can you know? You say I should fulfill the last part of the song? How? Where is the high place the Great Ones spoke of? Where is the canyon filled with blood? And how will I ever reach across so great a distance to take Loh-rhett-ah’s hand?” “You must have faith. The high place will be there, as will the great canyon.” Leaning forward, Warrior clasped his brother’s shoulder. “Courage, tah-mah. Have courage.” Hunter clenched his teeth. “I feel so alone. I can’t see into myself and find my face, Warrior. I lifted my ax to kill that man today, and I couldn’t do it. Our father lies dead. Your woman lies dead. Where is my hatred? When I search for it, it isn’t there. Just emptiness and sorrow that runs so deep it aches in my bones.” Warrior’s grip on Hunter’s shoulder tightened until the bite of his fingers was almost painful. “The hate has gone from you to a faraway place you cannot find, as it was spoken in the prophecy. That’s why it is time for you to walk your own way. You must fight the last great fight for the People, yes? And you must fight it alone. I have to stay here. For our mother, my children. You’re our hope, our only hope.
Catherine Anderson (Comanche Moon (Comanche, #1))
The hate has gone from you to a faraway place you cannot find, as it was spoken in the prophecy. That’s why it is time for you to walk your own way. You must fight the last great fight for the People, yes? And you must fight it alone. I have to stay here. For our mother, my children. You’re our hope, our only hope.” “You call it hope? I call it running away.” “No! When we run, we find someplace familiar and safe. Winter will be upon us soon. You will face uncertainty and great danger when you go west.” Giving Hunter a small shake, Warrior cried, “You are our hope, Hunter! Why can’t you see that? When the last Comanche puts down his weapon, when the last chief says it is finished, we will know it is not finished. We will know that the People live on--far away from this place--that our songs are being sung, that our ways are being honored. I know you feel great fear, but fear has never stopped you. You mustn’t let it stop you now.” “I will go wherever the Great Ones lead me,” Hunter whispered. “You know I will. It’s just that I can’t see the path they want me to follow. There is no one to lead me.” “The path will be there. When you turn your face westward you will know, deep within, where to place your feet.” Warrior’s voice rang with certainty. “I would ask one thing of you, tah-mah. Ride beside me one last time into battle. It will be our final memory of each other, yes?” Once again Hunter remembered looking into that white man’s blue eyes. The battles shall stretch before him with no horizon. When would it ever end? But his brother had made this request of him. “I will ride with you,” Hunter whispered. “One last time.” Straightening his pallet, Warrior stretched out on his back, so close his arm brushed Hunter’s. After a long while he said, “You will tell your sons and daughters about me, yes?” Hunter wished he could weep, but the tears were dammed behind his lids, aching and burning. “Yes. And you will tell yours of me?” “I will tell them.” Warrior’s voice cracked. “Of you and your golden one and the song that led you west. Love her well, tah-mah. The days together are brief.” “Yes.” Hunter knew Warrior was thinking of Maiden of the Tall Grass. In a husky voice, he added, “Far too brief.
Catherine Anderson (Comanche Moon (Comanche, #1))
I will go wherever the Great Ones lead me,” Hunter whispered. “You know I will. It’s just that I can’t see the path they want me to follow. There is no one to lead me.” “The path will be there. When you turn your face westward you will know, deep within, where to place your feet.” Warrior’s voice rang with certainty. “I would ask one thing of you, tah-mah. Ride beside me one last time into battle. It will be our final memory of each other, yes?” Once again Hunter remembered looking into that white man’s blue eyes. The battles shall stretch before him with no horizon. When would it ever end? But his brother had made this request of him. “I will ride with you,” Hunter whispered. “One last time.” Straightening his pallet, Warrior stretched out on his back, so close his arm brushed Hunter’s. After a long while he said, “You will tell your sons and daughters about me, yes?” Hunter wished he could weep, but the tears were dammed behind his lids, aching and burning. “Yes. And you will tell yours of me?” “I will tell them.” Warrior’s voice cracked. “Of you and your golden one and the song that led you west. Love her well, tah-mah. The days together are brief.” “Yes.” Hunter knew Warrior was thinking of Maiden of the Tall Grass. In a husky voice, he added, “Far too brief.
Catherine Anderson (Comanche Moon (Comanche, #1))
The streets of downtown Shanghai likewise seemed a continuous freak circus at first, unbelievably alive with all manner of people performing almost every physical and social function in public: yelling, gesturing, always acting, crushing throngs spilling through every kind of traffic, precariously amidst old cars and new ones and between coolies racing wildly to compete for ricksha fares, gingerly past "honey-carts" filled with excrement dragged down Bubbling Well Road, sardonically past perfumed, exquisitely gowned, mid-thigh-exposed Chinese ladies, jestingly past the Herculean bare-backed coolie trundling his taxi-wheelbarrow load of six giggling servant girls en route to home or work, carefully before singing peddlers bearing portable kitchens ready with delicious noodles on the spot, lovingly under gold-lettered shops overflowing with fine silks and brocades, dead-panning past village women staring wide-eyed at frightening Indian policemen, gravely past gambling mah-jongg ivories clicking and jai alai and parimutuel betting, slyly through streets hung with the heavy-sweet acrid smell of opium, sniffingly past southern restaurants and bright-lighted sing-song houses, indifferently past scrubbed, aloof young Englishmen in their Austins popping off to cricket on the Race Course, snickeringly round elderly white gentlemen in carriages with their wives or Russian mistresses out for the cool air along the Bund, and hastily past sailors looking for beer and women—from noisy dawn to plangent night the endless hawking and spitting, the baby's urine stream on the curb, the amah's scolding, the high falsetto of opera at Wing On Gardens where a dozen plays went on at once and hotel rooms next door filled up with plump virgins procured for wealthy merchants in from the provinces for business and debauch, the wail of dance bands moaning for slender bejeweled Chinese taxi dancers, the whiteness of innumerable beggars and their naked unwashed infants, the glamour of the Whangpoo with its white fleets of foreign warships, its shaggy freighters, its fan-sailed junks, its thousand lantern-lit sampans darting fire-flies on the moon-silvered water filled with deadly pollution. Shanghai!
Edgar Snow (Journey to the Beginning)
The Aether Stone has been passed down for generations. Your mah wore it. Her mah before that. On and fucking on—” “His name is Caelis,” she announces, her voice stained with a fierce imperial lilt. She pins me with a stare that cuts through flesh and bone. “And because I’ve fallen in love with him.
Sarah A. Parker (When the Moon Hatched (Moonfall, #1))
• I am that I am As Moses asked for his name, God's response to Moses was ‘Ham-Sah’ or ‘I am that I am’ according to the famous lines of the Hebrew Torah. ‘I am that I am’ reaffirms God's eternal existence which is all, where all that is the God of nature. Breathe in whilst meditating whilst saying ‘ham’. With that, you understand your identity and all you are-your perceptions, your thoughts, and your memories. Breathing out and trying to say ‘sa’ to identify with all that you are, with all that's there. Through their senses, feelings and experiences, the lives of those before you. • Aham-Prema The mantra is said to be ‘Aah-ham-pree-mah’. In ‘I am Divine Love’ it translates. Chanting this mantra, you surround yourself with divine love–all that is and can be unconditional love to you. These are the traits; acceptance, innocence, respect, admiration, love, thanks, forgiveness, empathy, feeling, unity. Aham Prema' is a simple mantra which should be repeated 108 times in a chant. This puts together, in harmony, spirit, body and soul. That will allow you to leave behind your history. It will clear your mind and give you focus from distraction. Aham Prema' will give you energy and fresh start. • Ho’oponopono It is an old Hawaiian word, declared ‘ho-oh-pono-pono’. The meaning is: ‘I love you; I'm sorry; excuse me, please; thank you’. People who find themselves overcome with feelings of anger, guilt, which have problems caused by complicated interpersonal relationships who find themselves unable to express their feelings about their loved ones are chosen to do so. People who feel wrong and find it hard to obtain forgiveness for themselves. It opens your heart to say ‘I love you’. Saying ‘I'm sorry’ makes you calm. Saying ‘Please forgive me’ accepts your imperfections and expresses your thanks for saying' thank you.' The chant will cure your karmic effect and give you a chance to start fresh.
Adrian Satyam (Energy Healing: 6 in 1: Medicine for Body, Mind and Spirit. An extraordinary guide to Chakra and Quantum Healing, Kundalini and Third Eye Awakening, Reiki and Meditation and Mindfulness.)
THE PEOPLE OF ICE PLANET BARBARIANS As of the end of BARBARIAN’S TOUCH (suggested pronunciations in parenthesis) AT THE MAIN TRIBAL CAVE CAVE 1 Vektal (Vehk-tall) - The chief of the sa-khui. Mated to Georgie. Georgie – Human woman (and unofficial leader of the human females). Has taken on a dual-leadership role with her mate. Talie (Tah-lee) – Their baby daughter. CAVE 2 Maylak (May-lack) – Tribe Healer. Mated to Kashrem and currently pregnant with child. Kashrem (Cash-rehm) - Her mate, also a leather-worker. Esha (Esh-uh) – Their young daughter. CAVE 3 Sevvah (Sev-uh) – Tribe elder, mother to Aehako, Rokan, and Sessah Oshen (Aw-shen) – Tribe elder, her mate Sessah (Ses-uh) - Their youngest son CAVE 4 Warrek (War-ehk) – Tribal hunter. Eklan (Ehk-lan) – His father. Elder. CAVE 5 Ereven (Air-uh-ven) Hunter, mated to Claire Claire – mated to Ereven, currently pregnant CAVE 6 Liz – Raahosh’s mate and huntress. Currently pregnant for a second time. Raahosh (Rah-hosh) – Her mate. A hunter and brother to Rukh. Raashel (Rah-shel) – Their daughter. CAVE 7 Stacy – Mated to Pashov. Mother to Pacy, a baby boy. Pashov (Pah-showv) – son of Kemli and Borran, brother to Farli and Salukh. Mate of Stacy, father to Pacy. Pacy – Their infant son. CAVE 8 Nora – Mate to Dagesh, mother to twins Anna and Elsa. Dagesh (Dah-zzhesh) (the g sound is swallowed) – Her mate. A hunter. Anna & Elsa – Their infant twin daughters. CAVE 9 Harlow – Mate to Rukh. ‘Mechanic’ to the Elders’ Cave. Spends 75% of her time there with her family. Rukh (Rookh) – Former exile and loner. Original name Maarukh. (Mah-rookh). Brother to Raahosh. Mate to Harlow. Rukhar (Roo-car) – Their infant son. CAVE 10 Megan – Mate to Cashol. Mother to newborn Holvek. Cashol – (Cash-awl) – Mate to Megan. Hunter. Father to newborn Holvek. Holvek – (Haul-vehk) – Wee blue baby boy! CAVE 11 Marlene (Mar-lenn) – Human mate to Zennek. Has unnamed child. French. Zennek – (Zehn-eck) – Mate to Marlene. Has unnamed child. CAVE 12 Ariana – Human female. Mate to Zolaya. Mother to Analay. Zolaya (Zoh-lay-uh) – Hunter and mate to Ariana. Father to Analay. Analay – (Ah-nuh-lay) – Their infant son. CAVE 13 Tiffany – Human female. Mated to Salukh and newly pregnant. Salukh - Salukh (Sah-luke) – Hunter. Son of Kemli and Borran, brother to Farli and Pashov. CAVE 14 Aehako – (Eye-ha-koh) – Acting leader of the South cave. Mate to Kira, father to Kae. Son of Sevvah and Oshen, brother to Rokan and Sessah. Kira – Human woman, mate to Aehako, mother of Kae. Was the first to be abducted by aliens and wore an ear-translator for a long time. Kae (Ki –rhymes with ‘fly’) – Their newborn daughter. CAVE 15 Kemli – (Kemm-lee) Female elder, mother to Salukh, Pashov and Farli Borran – (Bore-awn) Her mate, elder Farli – (Far-lee) Their teenage daughter. Her brothers are Salukh and Pashov. She has a pet dvisti named Chahm-pee (Chompy). CAVE 16 Drayan (Dry-ann) – Elder. Drenol (Dree-nowl) – Elder. CAVE 17 Vadren (Vaw-dren) – Elder. Vaza (Vaw-zhuh) – Widower and elder. Loves to creep on the ladies. CAVE 18 Asha (Ah-shuh) – Separated from Hemalo. No living child. Maddie – Lila’s sister. Found in second crash. CAVE 19 Bek – (BEHK) – Hunter. Hassen (Hass-en) – Hunter. Harrec (Hair-ek) – Hunter. Taushen (Tow –rhymes with cow- shen) – Hunter. Hemalo (Hee-mah-lo) – Separated from Asha. CAVE 20 Josie – Human woman. Mated to Haeden and newly pregnant. Haeden (Hi-den) – Hunter. Previously resonated to Zalah but she died (along with his khui) in the khui-sickness before resonance could be completed. Now mated to Josie. CAVE 21 (formerly a storage cave) Rokan (Row-can) – Oldest son to Sevvah and Oshen. Brother to Aehako and Sessah. Adult male hunter. Now mated to Lila. Has ‘sixth’ sense. Lila – Maddie’s sister. Hearing impaired. Resonated to Rokan.
Ruby Dixon (Barbarian's Touch (Ice Planet Barbarians, #7))
Now, I was unemployed in Beijing, and my former ambition seemed like the pollution that smudged the sky, a great green cloud composed of a billion different particles of fear and uncertainty. Without a career I hardly knew who I was anymore.
Ann Mah (Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris)
Of course, it still sailed next to me, that parallel life—it would always sail next to me—as full of joy and challenge as the one I was living. I thought of it sometimes, pale and chilled—lit by a satellite moon, not the sun of reality—a ghostly ship charting a route to what might have been, while I remained on the course of what was. *
Ann Mah (Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris)
Dey gointuh make ’miration ’cause mah love didn’t work lak they love, if dey ever had any. Then you must tell ’em dat love ain’t somethin’ lak uh grindstone dat’s de same thing everywhere and do de same thing tuh everything it touch. Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.
Zora Neale Hurston (Their Eyes Were Watching God)
Sometimes, I thought, living in Paris was like living in a museum—beautiful and poignant and untouched by time.
Ann Mah (Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris)
Insomnia. It was like a foreign movie I never wanted to see, filled with dark images that ran on an incessant loop through my exhausted brain.
Ann Mah (Mastering the Art of French Eating: Lessons in Food and Love from a Year in Paris)