Mah Everything Quotes

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I read because I have to. It drives everything else from my mind. It lets me escape to find other world.
Adeline Yen Mah (Chinese Cinderella: The True Story of an Unwanted Daughter)
I read because I have to. It drives everything else from my mind. It lets me escape to find other worlds.
Adeline Yen Mah (Chinese Cinderella: The True Story of an Unwanted Daughter)
Tibet has not yet been infested by the worst disease of modern life, the everlasting rush. No one overworks here. Officials have an easy life. They turn up at the office late in the morning and leave for their homes early in the afternoon. If an official has guests or any other reason for not coming, he just sends a servant to a colleague and asks him to officiate for him. Women know nothing about equal rights and are quite happy as they are. They spend hours making up their faces, restringing their pearl necklaces, choosing new material for dresses, and thinking how to outshine Mrs. So-and-so at the next party. They do not have to bother about housekeeping, which is all done by the servants. But to show that she is mistress the lady of the house always carries a large bunch of keys around with her. In Lhasa every trifling object is locked up and double-locked. Then there is mah-jongg. At one time this game was a universal passion. People were simply fascinated by it and played it day and night, forgetting everything else—official duties, housekeeping, the family. The stakes were often very high and everyone played—even the servants, who sometimes contrived to lose in a few hours what they had taken years to save. Finally the government found it too much of a good thing. They forbade the game, bought up all the mah-jongg sets, and condemned secret offenders to heavy fines and hard labor. And they brought it off! I would never have believed it, but though everyone moaned and hankered to play again, they respected the prohibition. After mah-jongg had been stopped, it became gradually evident how everything else had been neglected during the epidemic. On Saturdays—the day of rest—people now played chess or halma, or occupied themselves harmlessly with word games and puzzles.
Heinrich Harrer (Seven Years in Tibet)
Can you fly?” She couldn’t keep the hushed wonder from her voice, and Nick smiled. “No. Too much weight. I can’t focus the air pressure enough for that.” “What does air pressure have to do with anything?” “Are you kidding? Air pressure is awesome.” She rolled her eyes. “You are such a nerd sometimes. You’re lucky you’re hot or you couldn’t get away with saying things like air pressure is awesome.” “Seriously. Air pressure affects everything. Haven’t you ever heard the expression nature abhors a vacuum?” He grinned. “Actually, we were doing this experiment in class once where Dr. Cutter was trying to prove a point with a balloon, but I kept making it pop—” “You are the only person alive who would use superpowers to be more dorky.” “They’re not superpowers.” That sounded a lot like the difference between to-MAY-to and to-MAH-to to Quinn.
Brigid Kemmerer (Secret (Elemental, #4))
As he turned her face to study her, he said, “You have more courage than you have strength, Yellow Hair. It is not wise to fight when you cannot win.” Looking up at his carved features and the arrogant set of his mouth, she longed for the strength to jerk him off his horse. He wasn’t just taunting her, he was challenging her, mocking her. “You will yield. Look at me and know the face of your master. Remember it well.” Riding high on humiliation, Loretta forgot Amy, Aunt Rachel, everything. An image of her mother’s face flashed before her. Never, as long as she had life in her body, would she yield to him. She worked her parched mouth and spat. Nothing came out, but the message rang clear. “Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!” Loretta staggered, watching in numb disbelief as Hunter pranced his stallion in a circle around her. I claim her? Warily she turned, keeping him in sight, unsure of what he might do. He rode erect, his eyes touching on her dress, her face, her hair, as if everything about her were a curiosity. A taunting smile curved his mouth. His attention centered on her full skirt, and she could almost see the questions churning in his head. He repositioned his hand on the lance. The determination in his expression filled her with foreboding. He rode directly toward her, and she sidestepped. He turned his mount to come at her again. As he swept by he leaned forward, catching the hem of her skirt with his lance. Loretta whirled, striking out with her forearms, but the Indian moved expertly, his aim swift and sure, his horse precision-trained to the pressure of his legs. He was as bent on seeing her undergarments as she was on keeping them hidden. The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.” Raising tear-filled eyes to his, she again spat in his face. This time he felt the spray and wiped his cheek, his lips quivering with something that looked suspiciously like suppressed laughter, friendly laughter this time. “Maybe not so quick. But I am a good teacher. You will learn not to fight me, Yellow Hair. It is a promise I make for you.
Catherine Anderson (Comanche Moon (Comanche, #1))
Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!” Loretta staggered, watching in numb disbelief as Hunter pranced his stallion in a circle around her. I claim her? Warily she turned, keeping him in sight, unsure of what he might do. He rode erect, his eyes touching on her dress, her face, her hair, as if everything about her were a curiosity. A taunting smile curved his mouth. His attention centered on her full skirt, and she could almost see the questions churning in his head. He repositioned his hand on the lance. The determination in his expression filled her with foreboding. He rode directly toward her, and she sidestepped. He turned his mount to come at her again. As he swept by he leaned forward, catching the hem of her skirt with his lance. Loretta whirled, striking out with her forearms, but the Indian moved expertly, his aim swift and sure, his horse precision-trained to the pressure of his legs. He was as bent on seeing her undergarments as she was on keeping them hidden. The outcome of their battle was a foregone conclusion, and Loretta knew it. His friends encouraged him, whooping with ribald laughter each time her ruffles flashed. She snatched the dirty peace flag from the wooden shaft and threw it to the earth, grinding it beneath the heel of her shoe. After fending off several more passes, exhaustion claimed its victory, and Loretta realized the folly in fighting. She stood motionless, breasts heaving, her eyes staring fixedly at nothing, head lifted. The warrior circled her, guiding his stallion’s flashing hooves so close to her feet that her toes tingled. When she didn’t move, he reined the horse to a halt and studied her for several seconds before he leaned forward to finger the bodice of her dress. Her breath snagged when he slid a palm over her bosom to the indentation of her waist. “Ai-ee,” he whispered. “You learn quick.
Catherine Anderson (Comanche Moon (Comanche, #1))
Ice. Loretta sucked in a whine of air as the shock of water washed over her body. A warm arm encircled her waist. A large hand clamped over her ribs. She twisted her neck to see, then froze. The Comanche. Instinctively she thrashed and squirmed in his arms. She tried to throw herself away from him. But it was all to no avail. Hunter held her fast with one arm hooked through her elbows behind her and walked deeper into the water until it hit her chin high. A convulsive shudder ran the length of her. Cold. Oh, mercy, it was so horribly cold. He ran a hand down her belly. The touch was slow, effortless, leaving her in no doubt that he could explore any part of her he chose, at his leisure. “Ah, mah-tao-yo, you are so hot. Even where you are not burned. Toquet,” he whispered. “You will not fight.” Something about his voice seemed familiar, oddly comforting. Her father, she realized, somehow his voice put her in mind of her father. She fought back tears. Shivers racked her. So cold. The freezing ache of it blocked out everything else. Her teeth began chattering nonstop. When she could bear it no longer, she made one last attempt to get free. “It will pass,” he promised. “You will be still. It is a burn, no? From the sun. You have fire inside you. The cold will chase it away. You understand?” She tried to nod. When she did, she took a mouthful of water and choked. He exclaimed under his breath and turned her so her chin rested on his shoulder. The shock of his body heat against her breasts and belly made her gasp. In the moonlight, the cut in his flesh from Rachel’s bullet was a black line. “Toquet, mah-tao-yo, toquet.” His arms tightened around her, hard, powerful, yet strangely gentle. “Close your eyes, eh? Trust this Comanche. We will make war tomorrow.” Time ceased to exist. There was nothing but the night, the water, and the Indian. Loretta floated into a dream world. She was sick, so awfully sick. Too sick to care what happened. Too sick to fight it.
Catherine Anderson (Comanche Moon (Comanche, #1))
Sensing reprieve, grasping for it with eager disbelief, she lifted her lashes in confusion to see the same emotion reflected in his cobalt eyes. He began to tremble, as if the lance weighed a thousand pounds. And suddenly she knew that as much as he longed to murder her, a part of him couldn’t, wouldn’t throw the lance. It made no sense. She could see nothing but hatred written on his chiseled face. He had surely killed hundreds of times and would kill again. Slowly he lowered his arm and stared at her as if she had bested him in some way. Then, so quickly she couldn’t be sure she saw it, pain flashed across his face. “So you’re sweet?” His smile dripped ice. “We shall see, woman, we shall see.” He said “woman” as if he were spitting bile and slid his lance arrow to her chin. She had heard of women being disfigured by Indians and expected him to slash her as he outlined her mouth and the slope of her nose. Breathless fear brought moisture to her brow. Black spots danced, blurring her vision. She blinked and forced herself to focus on him. Laughter twinkled in his eyes. She realized that since he had decided not to kill her, he was, for some reason she couldn’t imagine, playing a hideous game, terrifying her to test her mettle. She caught hold of his lance and shoved it aside, lifting her head in defiance. Chuckling low in his chest, he leaned over his thigh, making a fist in her hair. His grip brought tears to her eyes. As he turned her face to study her, he said, “You have more courage than you have strength, Yellow Hair. It is not wise to fight when you cannot win.” Looking up at his carved features and the arrogant set of his mouth, she longed for the strength to jerk him off his horse. He wasn’t just taunting her, he was challenging her, mocking her. “You will yield. Look at me and know the face of your master. Remember it well.” Riding high on humiliation, Loretta forgot Amy, Aunt Rachel, everything. An image of her mother’s face flashed before her. Never, as long as she had life in her body, would she yield to him. She worked her parched mouth and spat. Nothing came out, but the message rang clear. “Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!
Catherine Anderson (Comanche Moon (Comanche, #1))
Now, dat's how everything wuz, Pheoby, jus' lak Ah told yuh. So Ah'm back home agin and Ah'm satisfied tuh be heah. Ah done been tuh de horizon and back and now Ah kin set heah in mah house and live by comparisons.
Zora Neale Hurston
she wouldn’t have seen the booklet, considering everything going on at the time. The photo that grabbed her attention first was the one front and center. There were four people—Dani, Matthew, Becca, and Todd. She and Matthew used to hang out with Becca and her husband, Todd. The four of them had joined a bowling league and used to get together every few weeks to play mah-jongg. A twinge of sadness swept over her. Dani and Becca used to talk every day, but since Tinsley’s disappearance, they had talked only a handful of times. It wasn’t anyone’s fault. Dani had only one thing on her mind after Tinsley was gone. Conversation became awkward. They both had moved on, gracefully and without guilt. There were truly no words to express what it felt like to lose a child. Dani still held on to hope that Tinsley was alive. She often imagined the homecoming, a surreal moment when she would see her daughter again. She imagined Tinsley would appear as an apparition right up until
T.R. Ragan (Count to Three)
She blinked and forced herself to focus on him. Laughter twinkled in his eyes. She realized that since he had decided not to kill her, he was, for some reason she couldn’t imagine, playing a hideous game, terrifying her to test her mettle. She caught hold of his lance and shoved it aside, lifting her head in defiance. Chuckling low in his chest, he leaned over his thigh, making a fist in her hair. His grip brought tears to her eyes. As he turned her face to study her, he said, “You have more courage than you have strength, Yellow Hair. It is not wise to fight when you cannot win.” Looking up at his carved features and the arrogant set of his mouth, she longed for the strength to jerk him off his horse. He wasn’t just taunting her, he was challenging her, mocking her. “You will yield. Look at me and know the face of your master. Remember it well.” Riding high on humiliation, Loretta forgot Amy, Aunt Rachel, everything. An image of her mother’s face flashed before her. Never, as long as she had life in her body, would she yield to him. She worked her parched mouth and spat. Nothing came out, but the message rang clear. “Nei mah-heepicut!” Releasing her, he struck her lightly on the arm. Wheeling his horse, he glanced toward the windows of the house and thumped his chest with a broad fist. “I claim her!
Catherine Anderson (Comanche Moon (Comanche, #1))
because I convert the Joker into a 9 Dot, and utilize the Flower and the Power Pair, making six tiles toward a Maj Jongg hand. Very respectable, and so far, the strongest Section/hand. F 3, 6, J (9 Dot) 99 Crak (6th hand) In the Consecutive Run Section, a close search reveals that the Consecutive Run hand (the 2nd) is definitely a hand to be considered because again, converting the Joker to an 8 Crak allows me to use the Power Pair and gives me five tiles toward Mah Jongg. 6, 7 Dot J (8 Crak) 9, 9 Crak (2nd hand) This example shows the power that Jokers have to help you create hands from seemingly unrelated elements. They also strengthen a chosen Section/hand(s). That’s why Jokers are a valuable asset and must be included as an integral part of your selection. All the hands
Elaine Sandberg (Play American Mah Jongg! Kit Ebook: Everything you Need to Play American Mah Jongg)
Dey gointuh make ’miration ’cause mah love didn’t work lak they love, if dey ever had any. Then you must tell ’em dat love ain’t somethin’ lak uh grindstone dat’s de same thing everywhere and do de same thing tuh everything it touch. Love is lak de sea. It’s uh movin’ thing, but still and all, it takes its shape from de shore it meets, and it’s different with every shore.
Zora Neale Hurston (Their Eyes Were Watching God)