Magnificent Woman Quotes

We've searched our database for all the quotes and captions related to Magnificent Woman. Here they are! All 100 of them:

And I remember when I met him, it was so clear that he was the only one for me. We both knew it, right away. And as the years went on, things got more difficult – we were faced with more challenges. I begged him to stay. Try to remember what we had at the beginning. He was charismatic, magnetic, electric and everybody knew it. When he walked in every woman’s head turned, everyone stood up to talk to him. He was like this hybrid, this mix of a man who couldn’t contain himself. I always got the sense that he became torn between being a good person and missing out on all of the opportunities that life could offer a man as magnificent as him. And in that way, I understood him and I loved him. I loved him, I loved him, I loved him. And I still love him. I love him.
Lana Del Rey
And Peter became a tall and deep-chested man and a great warrior, and he was called King Peter the Magnificent. And Susan grew into a tall and gracious woman with black hair that fell almost to her feet and the kings of the countries beyond the sea began to send ambassadors asking for her hand in marriage. And she was called Queen Susan the Gentle. Edmund was a graver and quieter man than Peter, and great in council and judgment. he was called King Edmund the Just. But as for Lucy, she was always gay and golden-haired, and all princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
I'll never forget the first time Davram took me by the scruff of my neck and showed me he was the stronger of us. It was magnificent! If a woman is stronger than her husband, she comes to despise him. She has the choice of either tyrannizing him or else making herself less in order not to make him less. If the husband is strong enough, though, she can be as strong as she is, as strong as she can grow to be.
Robert Jordan
And I remember when I met him. It was so clear that he was the only one for me. We both knew right away. And as the years went on things got more difficult, We were faced with more challenges. I begged him to stay, Tried to remember what we had in the beginning. He was charismatic, magnetic, electric, and everybody knew him When he walked in every woman's head turned. Everyone stood up to talk to him. He was like this hybrid, this mix of a man who couldn't contain himself. I always got the sense that he became torn between being a good person and missing out on all of the opportunities that life could offer a man as magnificent as him. And in that way, I understood him. And I loved him, I loved him, I loved him, I loved him. And I still love him, I love him.
Lana Del Rey
...unforgivingly, and forcefully magnificent...
Maquita Donyel Irvin Andrews
TO understand the meaning of womanhood we have to start with God. If He is indeed “Creator of all things visible and invisible” He is certainly in charge of all things, visible and invisible, stupendous and miniscule, magnificent and trivial. God has to be in charge of details if He is going to be in charge of the overall design.
Elisabeth Elliot (Let Me Be a Woman)
And I remember when I met him, it was so clear that he was the only one for me. We both knew it, right away. And as the years went on, things got more difficult – we were faced with more challenges. I begged him to stay. Try to remember what we had in the beginning. He was charismatic, magnetic, electric and everybody knew it. When he walked in every woman’s head turned, everyone stood up to talk to him. He was like this hybrid, this mix of a man who couldn’t contain himself. I always got the sense that he became torn between being a good person and missing out on all of the opportunities that life could offer a man as magnificent as him. And in that way, I understood him and I loved him.I loved him, I loved him, I loved him. And I still love him. I love him.
Lana Del Rey
I know for sure that what we dwell on is who we become—as a woman thinks, so she is. If we absorb hour upon hour of images and messages that don’t reflect our magnificence, it’s no wonder we walk around feeling drained of our life force. If we tune in to dozens of acts of brutality every week, it shouldn’t surprise us that our children see violence as an acceptable way to resolve conflict.
Oprah Winfrey (What I Know For Sure)
Every time I asked a question, that magnificent teacher, instead of giving the answer, showed me how to find it. She taught me to organise my thoughts, to do research, to read and listen, to seek alternatives, to resolve old problems with new solutions, to argue logically. Above all, she taught me not to believe anything blindly, to doubt, and to question even what seemed irrefutably true, such as man's superiority over woman, or one race or social class over another.
Isabel Allende (Portrait in Sepia)
The beauty of sand, in other words, belonged to death. it was the beauty of death that ran through the magnificence of its ruins and its great power of destruction
Kōbō Abe (The Woman in the Dunes)
Our Pioneers and Trailblazers who dared to make the journey into the unknown have given us the courage to break out of our comfort zone to dare to be unique, magnificent, phenomenal; and have set ideals to stand for the power of truth.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!
Comte de Lautréamont (Maldoror and the Complete Works)
As she drove the familiar route to the school, she considered her magnificent new age. Forty. She could still feel "forty" the way it felt when she was fifteen. Such a colorless age. Marooned in the middle of your life. Nothing would matter all that much when you were forty. You wouldn't have real feelings when you were forty, because you'd be safely cushioned by your frumpy forty-ness. Forty-year-old woman found dead. Oh dear. Twenty-year-old woman found dead. Tragedy! Sadness! Find that murderer!
Liane Moriarty (Big Little Lies)
She had aged with style and beauty. In soft romantic lighting, I could still see the magnificent girl from Mexico who had saved me with her love. When the lighting was less sentimental and somewhat more revealing, she was perhaps even more magnificent. The years had added a velvety richness to her physical beauty, a resonance to her inner loveliness that made her even more spectacular. She was a woman in every sense of the word, yet so much of the young girl remained in those dark and lovely eyes it made you feel young again too.
Bobby Underwood (Just Beyond Love (Matt Ransom))
The Challenge is to pry Bertie loose from Dain and his circle of oafish dengenerates,” Jessica said severely. “It would be far more profitable to pry Dain loose for yourself,” said her grandmother. “He is very wealthy, his lineage is excellent, he is young, strong, and healthy, and you feel a powerful attraction.” “He isn’t husband material.” “What I have described is perfect husband material.” said her grandmother. “I don’t want a husband.” “Jessica, no woman does who can regard men objectively. And you have always been magnificently objective.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
The natural and untainted male mind respects and loves the woman and her magnificent scope of capability and creative gifts.
Bryant McGill (Voice of Reason)
My overflowing leisure handed me the world and at the same time prevented me from seeing it. Just as the sun, filtering through the closed venetian blinds on a hot afternoon, makes the whole magnificence of summer blaze in my mind; whereas if I face its direct harsh glare it blinds me.
Simone de Beauvoir (The Woman Destroyed)
You need to learn to control your woman." Kon smiled. "No, I don't. She's magnificent.
Alessa Thorn (Darkest Night (Mercenaries and Magic, #1))
They want a woman who is a canvas, white and empty. Standing still, existing for no other purpose than to serve as a mute object onto which they can paint their own hopes and desires. They want their brides veiled. They want a demure, blank space they can fill with whatever they desire.” “Miss Lowell, you magnificent creature, I want you to paint your own canvas. I want you to unveil yourself.
Courtney Milan (Unveiled (Turner, #1))
The grandest ambition that any man can possibly have, is to so live, and so improve himself in heart and brain, as to be worthy of the love of some splendid woman; and the grandest ambition of any girl is to make herself worthy of the love and adoration of some magnificent man. That is my idea. There is no success in life without love and marriage. You had better be the emperor of one loving and tender heart, and she the empress of yours, than to be king of the world. The man who has really won the love of one good woman in this world, I do not care if he dies in the ditch a beggar, his life has been a success.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
I felt a bit like the vast banks of magnificent clouds I saw out of the airplane window, directionless, grounded nowhere, without any roots, empty and at the mercy of the winds that blew them any which way.
Penny De Villiers (The Woman Who Came Home)
Instead of being regarded as intelligent or knowledgeable, many a woman would rather be regarded as beautiful or good in the kitchen; many a man, as handsome or good in bed.
Mokokoma Mokhonoana
When a woman once asked Joe how he could come from such a magnificent home and such a good family and still become a gangster, Joe's answer was two-pronged: (a) he wasn't a gangster, he was an outlaw; (b) he came from a magnificent house not a magnificent home.
Dennis Lehane (Live by Night (Coughlin, #2))
There is a higher form of hierarchy and that is the hierarchy of the spirit. When I stand in front of a person, I stand in front of a soul and I have met magnificent souls in bodies possessing no money, as well as parched and shallow souls in bodies bathed in riches. In the same light, I have met magnificent souls in bodies bathed in wealth, as well as parched and shallow souls in bodies that are impoverished. I am tired of people busying their minds with hierarchy based upon money, because this form of hierarchy is primitive; meanwhile there is an altogether higher form of hierarchy that is of the soul. As you judge man and woman based upon their riches, I laugh at your primitive form of judgment! When I stand in front of a human, I stand in front of a soul.
C. JoyBell C.
English was such a dense, tight language. So many hard letters, like miniature walls. Not open with vowels the way Spanish was. Our throats open, our mouths open, our hearts open. In English, the sounds were closed. They thudded to the floor. And yet, there was something magnificent about it. Profesora Shields explained that in English there was no usted, no tu. There was only one word—you. It applied to all people. No one more distant or more familiar. You. They. Me. I. Us. We. There were no words that changed from feminine to masculine and back again depending on the speaker. A person was from New York. Not a woman from New York, not a man from New York. Simply a person.
Cristina Henríquez (The Book of Unknown Americans)
Then there were those girls who became midwives: girls who could not get enough of the tiniest of babies - girls who would grow into women who absolutely reveled in the magnificent process of birth...The difference between a woman who becomes an OB and the women who becomes and midwife has less to do with education, philosophy or upbringing than with the depth of her appreciation for the miracle of labor and for life in its moment of emergence.
Chris Bohjalian (Midwives)
I don’t want a husband.” “Jessica, no woman does who can regard men objectively. And you have always been magnificently objective.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
An ancient melody calls us To the awareness of who we are Infinite heart Infinite love Infinite peace Fierce compassion Ultimate power -I am a Magnificent Woman
Melanie Lutz (I AM A MAGNIFICENT WOMAN)
I don't know what I was hoping for. Some small praise, I guess. A bit of encouragement. I didn't get it. Miss Parrish took me aside one day after school let out. She said she'd read my stories and found them morbid and dispiriting. She said literature was meant to uplift the heart and that a young woman such as myself ought to turn her mind to topics more cheerful and inspiring than lonely hermits and dead children. "Look around yourself, Mathilda," she said. "At the magnificence of nature. It should inspire joy and awe. Reverence. Respect. Beautiful thoughts and fine words." I had looked around. I'd seen all the things she'd spoken of and more besides. I'd seen a bear cub lift it's face to the drenching spring rains. And the sliver moon of winter, so high and blinding. I'd seen the crimson glory of a stand of sugar maples in autumn and the unspeakable stillness of a mountain lake at dawn. I'd seen them and loved them. But I'd also seen the dark of things. The starved carcasses of winter deer. The driving fury of a blizzard wind. And the gloom that broods under the pines always. Even on the brightest days.
Jennifer Donnelly (A Northern Light)
Great. Lovely. Can I have your hat?” “My … hat?” The elderly woman looked up at the oversized hat. The sides drooped magnificently, and the thing was festooned with flowers. Like, oodles of them. Silk, he figured, but they were really good replicas. “You have a lady friend?” Aunt Gin asked. “You wish to give her the hat?” “Nah,” Wayne said. “I need to wear it next time I’m an old lady.” “The next time you what?” Aunt Gin grew pale, but that was probably on account of the fact that Wax went stomping by, wearing his full rusting mistcoat. That man never could figure out how to blend in.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Watch,” he rasped, fluttering his mouth along her neck. “Watch what?” “Us. In the mirror.” Julia opened her eyes and saw the mirror mounted on the wall on the other side of the room. Somehow, it was perfectly positioned to reflect her husband’s magnificent and naked back and the dark-haired woman who was hidden by his body. (...) She’d never seen what they looked like together. His body long and lean, hers smaller and softer. Their skin had different tones—he was darker while she was fair.
Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
The old woman paid no attention to the camellia until that morning, when a fleck of pink caught her eye. The single saucer-size blossom was more magnificent than she could ever have imagined. More beautiful than any rose she'd ever seen, it swayed in the morning breeze with such an air of royalty, the old woman felt the urge to curtsey in its presence.
Sarah Jio (The Last Camellia)
But a man's beauty represents inner, functional truths: his face shows what he can do. And what is that compared to the magnificent uselessness of a woman's face? Mersault was aware of this now, delighting in his vanity and smiling at his secret demons.
Albert Camus (A Happy Death)
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul. Her face had a tragic and fierce aspect of wild sorrow and of dumb pain mingled with the fear of some struggling, halt-shaped resolve. She stood looking at us without a stir, and like the wilderness itself, with an air of brooding over an inscoutable purpose. A whole minute passed, and then she made a step forward. There was a low jingle, a glint of yellow metal, a sway of fringed draperies, and she stopped as if her heart had failed her. She looked at us all as if her life had depended upon the unswerving steadiness of her glance
Joseph Conrad (Heart of Darkness)
In his paradise in Lima he had spent a joyous night with a young girl who was covered with fine, straight down over every millimeter of her Bedouin skin. At dawn, while he was shaving, he looked at her lying naked in the bed, adrift in the peaceful sleep of a satisfied woman, and he could not resist the temptation of possessing her forever with a sacramental act. He covered her from head to foot with shaving lather, and with a pleasure like that of love he shaved her clean with his razor, sometimes using his right hand and sometimes his left as he shaved every part of her body, even the eyebrows that grew together, and left her doubly naked inside her magnificent newborn's body. She asked, her soul in shreds, if he really loved her, and he answered with the same ritual phrase he had strewn without pity in so many hearts throughout his life: "More than anyone else in this world.
Gabriel García Márquez (The General in His Labyrinth)
Lestat: You're very anxious to be out of these rooms, aren't you? Why don't we simply get into bed together? I don't understand. David: You're serious? Lestat: Of course David: You do realize, that this is an absolutely magnificent body, don't you? I mean you aren't insensible to the fact that you've been deposited in a...a most impressive piece of young male flesh. Lestat: I looked it over well before the switch, remember? Why is it you don't want to.. David: You've been with a woman, haven't you? Lestat: I wish you hadn't read my mind. It's rude. Besides, what does that matter to you? David: A woman you loved. Lestat: I have always loved both men and women. David: That's a slightly different use of the word 'love.
Anne Rice
It was 1976. It was one of the darkest days of my life when that nurse, Mrs. Shimmer, pulled out a maxi pad that measured the width and depth of a mattress and showed us how to use it. It had a belt with it that looked like a slingshot that possessed the jaw-dropping potential to pop a man's head like a gourd. As she stretched the belt between the fingers of her two hands, Mrs. Shimmer told us becoming a woman was a magical and beautiful experience. I remember thinking to myself, You're damn right it had better be magic, because that's what it's going to take to get me to wear something like that, Tinkerbell! It looked like a saddle. Weighed as much as one, too. Some girls even cried. I didn't. I raised my hand. "Mrs. Shimmer," I asked the cautiously, "so what kind of security napkins do boys wear when their flower pollinates? Does it have a belt, too?" The room got quiet except for a bubbling round of giggles. "You haven't been paying attention, have you?" Mrs. Shimmer accused sharply. "Boys have stamens, and stamens do not require sanitary napkins. They require self control, but you'll learn that soon enough." I was certainly hoping my naughty bits (what Mrs. Shimmer explained to us was like the pistil of a flower) didn't get out of control, because I had no idea what to do if they did.
Laurie Notaro (The Idiot Girls' Action-Adventure Club: True Tales from a Magnificent and Clumsy Life)
As you build trust in yourself, your ability to expand your vision and fully live in your magnificence is amplified.
Miranda J. Barrett (A Woman's Truth: A Life Truly Worth Living)
A woman possessed of a fine intellect is as capable of contributing to the forward march of progress as any man.
Shelley Adina (Her Own Devices (Magnificent Devices, #2))
My eyes are wide open I will not squash the pain I feel I will not succumb to my disbelief I will not hide from my depression I will not disavow my anger I will not turn away I will expand the love I feel within And if I don’t yet feel the love within I will expand my sense of connection I will be a bridge to hope I will let humanity sing -I am a Magnificent Woman
Melanie Lutz (I AM A MAGNIFICENT WOMAN)
A little while ago, I stood by the grave of the old Napoleon—a magnificent tomb of gilt and gold, fit almost for a dead deity—and gazed upon the sarcophagus of rare and nameless marble, where rest at last the ashes of that restless man. I leaned over the balustrade and thought about the career of the greatest soldier of the modern world. I saw him walking upon the banks of the Seine, contemplating suicide. I saw him at Toulon—I saw him putting down the mob in the streets of Paris—I saw him at the head of the army of Italy—I saw him crossing the bridge of Lodi with the tri-color in his hand—I saw him in Egypt in the shadows of the pyramids—I saw him conquer the Alps and mingle the eagles of France with the eagles of the crags. I saw him at Marengo—at Ulm and Austerlitz. I saw him in Russia, where the infantry of the snow and the cavalry of the wild blast scattered his legions like winter's withered leaves. I saw him at Leipsic in defeat and disaster—driven by a million bayonets back upon Paris—clutched like a wild beast—banished to Elba. I saw him escape and retake an empire by the force of his genius. I saw him upon the frightful field of Waterloo, where Chance and Fate combined to wreck the fortunes of their former king. And I saw him at St. Helena, with his hands crossed behind him, gazing out upon the sad and solemn sea. I thought of the orphans and widows he had made—of the tears that had been shed for his glory, and of the only woman who ever loved him, pushed from his heart by the cold hand of ambition. And I said I would rather have been a French peasant and worn wooden shoes. I would rather have lived in a hut with a vine growing over the door, and the grapes growing purple in the kisses of the autumn sun. I would rather have been that poor peasant with my loving wife by my side, knitting as the day died out of the sky—with my children upon my knees and their arms about me—I would rather have been that man and gone down to the tongueless silence of the dreamless dust, than to have been that imperial impersonation of force and murder, known as 'Napoleon the Great.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
There is enchantment in wondering...in seeing a beautiful portrait every now and then rather than an overabundance of the overexposed; I wanted the figure before me to remain a magnificent mystery, like any alluring woman is as the rarity of a thing is what makes it valuable, even an enigma, and when something or someone is that, they become captivating.
Donna Lynn Hope
In the hearts of fans everywhere, his protectiveness is where his true appeal lies. Edward feels both pleasure and pain in Bella's company: his heart cries out for her love while his need for her blood, the scent of which intoxicates him, and he must fight the urge to kill her to savor it. His agony would end if he were to fulfill her request to turn her into a vampire, but he refuses. He fears it would mean giving up her soul, and he has made it his mission to safeguard her, body and soul. Even when it seems he is bound by a promise to make her a vampire, he will only do it if she marries him, sanctifying the act in his mind. This magnificent creature, who could have one of his on glorious kind, chooses plain, mortal Bella; puts her on a pedestal; and is willing to protect and honor her. What woman could ask for more?
Laura Enright (Vampires' Most Wanted: The Top 10 Book of Bloodthirsty Biters, Stake-wielding Slayers, and Other Undead Oddities)
A Witch is a woman who emerges from deep within herself. She is a woman who has honestly explored her light and learned to celebrate her darkness. She is a woman who is able to fall in love with the magnificent possibilities of her power. She is a woman who radiates mystery. She is magnetic. She is a witch.
Dacha Avelin (Embracing Your Inner Witch: The Maidens Guide to Old World Witchcraft)
Tiko has taught me, a sometimes headstrong and often ferociously independent woman, the importance of interdependence, the importance of taking care, and the importance of being cared for. It's a necessary part of being human and being connected to the world around us that we realize and acknowledge our vulnerability and the vulnerability of all creatures, and that we act in accord with that knowledge. It is critical that we allow the empathetic and altruistic part of ourselves to be the guiding force behind the way that we conduct our lives, whether we give to those less fortunate than ourselves, take care of the magnificent creatures that share our world, work tirelessly to preserve native habitat or separate each strand of an unruly mass of hair so gently that we do not wake our loved one as she sleeps.
Joanna Burger (The Parrot Who Owns Me: The Story of a Relationship)
I assigned myself the role of Lot’s wife, because her behavior seemed the most human, the most sinful, and therefore closest to mine. Consumed by curiosity, I was drawn to the magnificent, horrible sight of fire and disaster as houses collapsed and towers folded like dominoes amidst human wailing that rose to the sky. My curiosity, brought to an explosive point by the divine warning, was suddenly transformed into my sole trait, overwhelming reason and the feeling of fear, turning me into a weakling of a woman, unable to resist my inquisitiveness, and I would turn around abruptly with my whole body as if rotated by the centrifugal force of my curiosity, which had passed through me like a sword.
Danilo Kiš (Garden, Ashes)
The story quilt in the novel was inspired by the magnificent quilts of Harriet Powers, an enslaved woman from Georgia who used African appliqué technique to tell stories about biblical events and historical legends. Her two surviving quilts are archived at the National Museum of American History in Washington, D.C., and the Museum of Fine Arts, Boston.
Sue Monk Kidd (The Invention of Wings)
Two Metro lines, two trains, two carriages, two people walking in parallel streets, two lives, couples criss-crossing without seeing each other, potential encounters, meetings which shall never take place. The imagination rewrites history. It modifies the local directory and the roll-call of those who frequent a town, a street, a house, a woman. It transfixes reflections in the mirror for all eternity. It hangs entire portrait galleries from the wall of our future memory on which magnificent strangers use a sharp knife to engrave their initials and a date.
Robert Desnos (Liberty or Love!)
A plain, brown paper-wrapped package came in the mail recently. Upon opening it, I saw that it was a patchwork quilt about four feet by five feet. Many little scraps of cloth, carefully joined by loving hands. Two squares have suggestions of a black cassock and Roman white collar. The maker of the quilt states, “In its variety, I feel it denotes confusion and the world “mixed” up. There are dark spots for the dark times and bright squares, so, hopefully, some good and brightness will come in the future. The other pieces of cloth were of happy times, mothers and children, peaceful settings, happy things.” A note inside stated that she felt we were “scraps,”—the “scraps” that the abusive priests treated us like. They would use us as a scrap is used and then simply toss us aside. I was moved to tears. Holding it in my hands, I could almost feel others' pain and suffering, as I touched each panel. It is a magnificent work, worthy of a prize. I was deeply humbled by the receipt of the quilt. This woman got it; she really got it. This woman got it; she really got it. She has a deeper understanding of what we have gone through. It is rare.
Charles L. Bailey Jr. (In the Shadow of the Cross: The True Account of My Childhood Sexual and Ritual Abuse at the Hands of a Roman Catholic Priest)
The creature which stood before me was no bigger than a child, yet I would have sworn she was wood nymph. With pointed ears, translucent skin and a halo of woodland flowers in her silvery hair, the small woman held a strange presence. Besides the creature's obvious beauty, I couldn't draw my gaze away from her magnificent opaque wings. They fluttered in the breeze like the leaves above us.
Freedom Matthews (Inherited (Curses of VIII, #1))
Every time we reach in to the cave of our loving heart and deliver an act of kindness, and touch another, we are truly sending a beautiful arrow of our love from our heart straight in to God's heart. When we purely serve another—whether it's someone hurting and confused, the cranky person at work, or the slightly strange elderly woman we help up the elevator—we are actually serving the beauty of God who lives within that person. In essence, we are magnificently surrendering to a higher and divine Love. My dear friends, lets be those beautiful instruments of that divine love. Lets open our wings and deliver small acts of everyday kindness, no matter how big or small. Remember, this divine love; is never wasted. It only flows out and becomes a great big ocean of oneness love for all
Angie karan
What do you seek, so pensive and silent? What do you need, Camerado? Dear son! do you think it is love? Listen, dear son—listen, America, daughter or son! It is a painful thing to love a man or woman to excess—and yet it satisfies—it is great; But there is something else very great—it makes the whole coincide; It, magnificent, beyond materials, with continuous hands, sweeps and provides for all.
Walt Whitman (Poems by Walt Whitman)
.. And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. 'She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witchmen, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Joseph Conrad (Heart of Darkness)
during a hearing on the proposed expansion of a port terminal, a member of the public objected on the grounds that the project would generate more truck trips on already crowded freeways. "Why do I need a port? the woman asked. "I have Walmart." There were murmurs of agreement from an audience who felt that these trucks were indeed deplorable, their presence a barrier on the travels and commerce of "real people.
Edward Humes (Door to Door: The Magnificent, Maddening, Mysterious World of Transportation)
Good evening," he whispered, just a touch too close to her ear to be proper. She turned toward him with a blush and he finally had the pleasure of seeing the color of her eyes. Jade green. Magnificent. Even if this woman proved to be an unattainable challenge, he'd certainly chosen well. "G-Good evening," she stammered as she straightened up to smooth the front of the gown that matched those jade eyes perfectly.
Jenna Petersen (Scandalous)
And Peter became a tall and deep chested man and a great warrior, and he was called King Peter the Magnificent. And Susan grew into a tall and gracious woman with black hair that fell almost to her feet and the Kings of the countries beyond the sea began to send ambassadors asking for her hand in marriage. And she was called Queen Susan the Gentle. Edmund was a graver and quieter man than Peter, and great in council and judgement. He was called King Edmund the Just. But as for Lucy, she was always gay and golden haired, and all Princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.
C.S. Lewis (The Chronicles of Narnia MEGAPACK®)
There are so many dirty names for her that one rarely learns them all, even in one’s native language. There are dirty names for every female part of her body and for every way of touching her. There are dirty words, dirty laughs, dirty noises, dirty jokes, dirty movies, and dirty things to do to her in the dark. Fucking her is the dirtiest, though it may not be as dirty as she herself is. Her genitals are dirty in the literal meaning: stink and blood and urine and mucous and slime. Her genitals are also dirty in the metaphoric sense: obscene. She is reviled as filthy, obscene, in religion, pornography, philosophy, and in most literature and art and psychology. where she is not maligned she is magnificently condescended to, as in this diary entry by Somerset Maugham written when he was in medical school: The Professor of Gynaecology: He began his course of lectures as follows: Gentlemen, woman is an animal that micturates once a day, defecates once a week, menstruates once a month, parturates once a year and copulates whenever she has the opportunity. I thought it a prettily-balanced sentence. Were she loved sufficiently, or even enough, she could not be despised so much. were she sexually loved, or even liked, she and what is done with or to her, in the dark or in the light, she would not, could not, exist rooted in the realm of dirt, the contempt for her apparently absolute and irrevocable; horrible; immovable; help us, Lord; unjust. She is not just less; she and the sex she incarnates are a species of filth. God will not help of course: "For a whore is a deep ditch; and a strange woman is a narrow pit.
Andrea Dworkin (Intercourse)
The whole group represented a powerful picture: Ivan Nikiforovich standing in the middle of the room in all his unadorned beauty! The woman, her mouth gaping and with a most senseless and fearful look on her face! Ivan Ivanovich with one arm raised aloft, the way Roman tribunes are portrayed! This was an extraordinary moment! a magnificent spectacle! And yet there was only one spectator: this was the boy in the boundless frock coat, who stood quite calmly and cleaned his nose with his finger.
Nikolai Gogol (The Collected Tales of Nikolai Gogol)
These two Kings and two Queens governed Narnia well, and long and happy was their reign. At first much of their time was spent in seeking out the remnants of the White Witch's army and destroying them, and indeed for a long time there would be news of evil things lurking in the wilder parts of the forest- a haunting here and a killing there, a glimpse of a werewolf one month and a rumor of a hag the next. But in the end all that foul brood was stamped out. And they made good laws and kept the peace and saved good trees from being unnecessarily cut down, and liberated young dwarfs and young satyrs from being sent to school, and generally stopped busybodies and interferers and encouraged ordinary people who wanted to live and let live. And they drove back the fierce giants (quite a different sort from Giant Rumblebuffin) in the North of Narnia when these ventured across the frontier. And they entered into friendship and alliance with countries beyond the sea and paid them visits of state and received visits of state from them. And they themselves grew and changed as the years passed over them. And Peter became a tall and deep-chested man and a great warrior, and he was called King Peter the Magnificent. And Susan grew into a tall and gracious woman with black hair that fell almost to her feet and the kings of the countries beyond the sea began to send ambassadors asking for her hand in marriage. And she was called Queen Susan the Gentle. Edmund was a graver and quieter man than Peter, and great in council and judgement. He was called King Edmund the Just. But as for Lucy, she was always gay and golden-haired, and all the princes in those parts desired her to be their Queen, and her own people called her Queen Lucy the Valiant.
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
He was incredibly and unbearably beautiful. There was no other way for her to adequately describe it to herself. It was beyond being just handsome. Handsome was a common masculine adjective, limited in its scope. This man was honestly beautiful. His facial features were so very elegant, taking the term noble to the extreme. Dark brows winged up over dark eyes, both of indeterminate color in the shadows of the night. So dramatic, but then so belied by the ridiculous childlike length of lush lashes. His magnificent eyes were lit with a soft, smoldering light of amusement as his sensual mouth was lifting up at the corner in a smile she could only call sinful. “How did you . . . but that’s . . . you couldn’t possibly!” she spluttered, her hands opening and closing reflexively on his lapels. “I did. It is not. And apparently, I could.” He was smiling broadly now, and Isabella was certain she was the cause of some unseen bit of amusement. She glowered at him, completely forgetting he’d just saved her neck. Literally. “I’m so glad you find this so entertaining!” Jacob couldn’t help his growing smile. She was so focused on him that she hadn’t realized they were still a good ten feet off the ground and floating at the exact spot where he’d met her precipitous fall. That was for the best, he thought, sinking down to the pavement while she was distracted by the taunt of his amusement. He was going to have enough trouble as it was explaining how he’d managed to catch a woman hurtling to her death from five stories up.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
The woman, one of those usually known as a good-time girl, was famous for the premature portliness which had earned her the nickname Boule de Suif. Small, round as a barrel, fat as butter and with fingers tightly jointed like strings of small sausages, her glowing skin and the enormous bosom which strained under the constraints of her dress — as well as her freshness, which was a delight to the eye — made her hugely desirable and much sought after. She had a rosy apple of a face, a peony bud about to burst into bloom. Out of it looked two magnificent dark eyes shaded by thick black lashes. Further down was a charming little mouth complete with invitingly moist lips and tiny, gleaming pearly-white teeth. She was said to possess a variety of other inestimable qualities.
Guy de Maupassant (A Parisian Affair and Other Stories)
I am not sure whether you could call this abuse, but when I was (long ago) abroad in the world of dry men, I saw parents, usually upscale and educated and talented and functional and white, patient and loving and supportive and concerned and involved in their children’s lives, profilgate with compliments and diplomatic with constructive criticism, loquacious in their pronouncements of unconditional love for and approval of their children, conforming to every last jot-tittle in any conceivably definition of a good parent, I saw parent after unimpeachable parent who raised kids who were (a) emotionally retarded or (b) lethally self-indulgent or (c) chronically depressed or (d) borderline psychotic or (e) consumed with narcissistic self-loathing or (f) neurotically driven/addicted or (g) variously psychosomatically Disabled or (h) some conjunctive permutation of (a) … (g). Why is this. Why do many parents who seem relentlessly bent on producing children who feel they are good persons deserving of love produce children who grow to feel they are hideous persons not deserving of love who just happen to have lucked into having parents so marvelous that the parents love them even though they are hideous? Is it a sign of abuse if a mother produces a child who believes not that he is innately beautiful and lovable and deserving of magnificent maternal treatment but somehow that he is a hideous unlovable child who has somehow lucked in to having a really magnificent mother? Probably not. But could such a mother then really be all that magnificent, if that’s the child’s view of himself? ...I think, Mrs. Starkly, that I am speaking of Mrs. Avril M.-T. Incandenza, although the woman is so multileveled and indictment-proof that it is difficult to feel comfortable with any sort of univocal accusation of anything. Something just was not right, is the only way to put it. Something creepy, even on the culturally stellar surface.
David Foster Wallace (Infinite Jest)
I don't myself think much of science as a phase of human development. It has given us a lot of ingenious toys; they take our attention away from the real problems, of course, and since the problems are insoluble, I suppose we ought to be grateful for distraction. But the fact is, the human mind, the individual mind, has always been made more interesting by dwelling on the old riddles, even if it makes nothing of them. Science hasn't given us any new amazements, except of the superficial kind we get from witnessing dexterity and sleight-of-hand. It hasn't given us any richer pleasures, as the Renaissance did, nor any new sins-not one! Indeed, it takes our old ones away. It's the laboratory, not the Lamb of God, that taketh away the sins of the world. You'll agree there is not much thrill about a physiological sin. We were better off when even the prosaic matter of taking nourishment could have the magnificence of a sin. I don't think you help people by making their conduct of no importance-you impoverish them. As long as every man and woman who crowded into the cathedrals on Easter Sunday was a principal in a gorgeous drama with God, glittering angels on one side and the shadows of evil coming and going on the other, life was a rich thing. The king and the beggar had the same chance at miracles and great temptations and revelations. And that's what makes men happy, believing in the mystery and importance of their own little individual lives. It makes us happy to surround our creature needs and bodily instincts with as much pomp and circumstance as possible. Art and religion (they are the same thing, in the end, of course) have given man the only happiness he has ever had.
Willa Cather (The Professor's House)
Peabody, you may as well hear the truth. I am mad about you! Since the day you walked into my tomb and started ordering us all about, I have known you were the only woman for me. Why do you suppose I have sulked and avoided you since we left Amarna? I was contemplating a life without you—a bleak, gray existence, without your voice scolding me and your big bright eyes scowling at me, and your magnificent figure—has no one told you about your figure, Peabody?—striding up and down prying into all sorts of places where you had no business to be…. I knew I couldn’t endure it! If you hadn’t spoken tonight, I should have borrowed Alberto’s mummy costume and carried you off into the desert! There, I have said it. You have stripped away my defenses. Are you satisfied with your victory?” I did not reply in words, but I think my answer was satisfactory. When Emerson had regained his breath he let out a great hearty laugh.
Elizabeth Peters (Crocodile on the Sandbank (Amelia Peabody, #1))
   'And you are the first woman I've ever loved,' he continued calmly. 'I love you so much that it makes me suffer, but I'm not suffering because I can't possess you. I'm suffering because it's impossible for me to love you. It tears my heart apart that such a magnificent nature has resulted in such an ugly character.'   
Leopold von Sacher-Masoch (Love. The Legacy of Cain)
The Poet" His teeth splayed in a way he'd notice and pity in his closest enemies or friends. Youth held his eye; he blinked at passing beauties, birds of passage that could not close the gap. His wife was high-blooded, he counted on her living-- she lived, past sixty, then lived on in him, and often when he plotted lines, she breathed her acrid sweetness past his imaginings. She was still a magnificent handle of a woman-- did she have her lover as a novelist wished her? No--hating someone nearer, she found her voice-- no wife so loved; though Hardy, home from cycling, was glad to climb unnoticed to his study by a circling outside staircase, his own design.
Robert Lowell
And from right to left along the lighted shore moved a wild and gorgeous apparition of a woman. "She walked with measured steps, draped in striped and fringed cloths, treading the earth proudly, with a slight jingle and flash of barbarous ornaments. She carried her head high; her hair was done in the shape of a helmet; she had brass leggings to the knee, brass wire gauntlets to the elbow, a crimson spot on her tawny cheek, innumerable necklaces of glass beads on her neck; bizarre things, charms, gifts of witch-men, that hung about her, glittered and trembled at every step. She must have had the value of several elephant tusks upon her. She was savage and superb, wild-eyed and magnificent; there was something ominous and stately in her deliberate progress. And in the hush that had fallen suddenly upon the whole sorrowful land, the immense wilderness, the colossal body of the fecund and mysterious life seemed to look at her, pensive, as though it had been looking at the image of its own tenebrous and passionate soul.
Joseph Conrad (Heart of Darkness)
think you are magnificent,’ Therese said with the courage of the second drink, not caring how it might sound, because she knew the woman knew anyway. She laughed, putting her head back. It was a sound more beautiful than music. It made a little wrinkle at the corner of her eyes, and it made her purse her red lips as she drew on her cigarette.
Claire Morgan (Carol)
You may not be beautiful in the traditional sense, but that doesn't mean you aren't lovely all the same. Uniquely lovely, with an inner radiance that far transcends what passes for pretty these days. Take your eyes, for example." "My eyes?" "Hmmm. Have you ever noticed how they change color with your moods?" She shook her head. "Well, they do. When you're happy, they're a pure pristine blue, like twin brushstrokes of sky. And when you're displeased or lost in serious thought, they shift to grey. Silvery, sensual grey, the sort that ripples like dawn mist over a lake. I can think of no other woman with eyes like yours. Magnificent, soul-deep eyes in which a man could drown if he weren't careful.
Tracy Anne Warren (Seduced by His Touch (The Byrons of Braebourne, #2))
Another Weeping Woman Pour the unhappiness out From your too bitter heart, Which grieving will not sweeten. Poison grows in this dark. It is in the water of tears Its black blooms rise. The magnificent cause of being, The imagination, the one reality In this imagined world Leaves you With him for whom no phantasy moves, And you are pierced by a death.
Wallace Stevens
The woman, who belonged to the courtesan class, was celebrated for an embonpoint unusual for her age, which had earned for her the sobriquet of "Boule de Suif" (Tallow Ball). Short and round, fat as a pig, with puffy fingers constricted at the joints, looking like rows of short sausages; with a shiny, tightly-stretched skin and an enormous bust filling out the bodice of her dress, she was yet attractive and much sought after, owing to her fresh and pleasing appearance. Her face was like a crimson apple, a peony-bud just bursting into bloom; she had two magnificent dark eyes, fringed with thick, heavy lashes, which cast a shadow into their depths; her mouth was small, ripe, kissable, and was furnished with the tiniest of white teeth.
Guy de Maupassant (Complete Original Short Stories of Guy De Maupassant)
You know, Breccan, we were all born into this realm for a purpose. We were born to live in that forest," Gunnar said, pointing ahead. He swallowed deeply as he continued to take in the sight of Surchin. Breccan came up behind Gunnar. "And you know, we are all gonna die there. How convenient. Yep, we are all gonna find finality before we've taken a woman. So not the way I wanted things to go.
Madison Thorne Grey (Magnificence (Gwarda Warriors #1))
You can't fix a problem by targeting its victims. Even if you hate fat people with all your heart, if you actually want to get us out of 'your' armrest space, defending out humanity is the only pragmatic solution. Because no matter how magnificently you resent them, you cannot turn a fat person into a thin person in time for the final boarding call (nor a full bladder into an empty one, nor a crying baby into a baked potato). The only answer is to decide we're worth helping.
Lindy West (Shrill: Notes from a Loud Woman)
Yes, perfection. it rests its full weight upon the core of the poor aunt's being, like a corpse sealed inside a glacier-a magnificent glacier made of ice like stainless steel. Only ten thousand years of sunshine could melt such a glacier. But no poor aunt can live for thousand years, of course, and so she will have to live with her perfection, die with her perfection, and be buried with her perfection. Perfection and the aunt beneath the ground. Ten thousand years goes by. Then, perhaps, the glacier melt in darkness and perfection thrust its way out of the grave to reveal it self on the earth's surface. Everything on earth is completely change by then, but if by any chance the ceremony known as "wedding" still exists, the perfection left behind by the poor aunt might be invited to one, there to eat an entire dinner with impeccable table manners and be called upon to deliver heartfelt words of congratulation. But never mind. These events would not take place until the year 11,980.
Haruki Murakami (Blind Willow, Sleeping Woman)
The purpose of woman helping man isn’t about exalting the man. It’s really not about him (or her) at all. Her help contributes to the both of them achieving a greater, nobler eternal purpose that is far bigger and more significant than their own existence. She labors and serves alongside him for the same purpose for which he labors and serves. And what is that? The glory of God. Woman helps man achieve the purpose of exalting and displaying the jaw-dropping magnificence of the gospel of Jesus Christ.
Mary A. Kassian (True Woman 101: Divine Design: An Eight-Week Study on Biblical Womanhood (True Woman))
You have to stop letting me do this,” he bit off, half-angrily. “If you’ll stop leaning on me so that I can get my hands on a blunt object, I’ll be happy to…!” He kissed the words into oblivion. “It isn’t a joke,” he murmured into her mouth. His hips moved in a gentle, sensuous sweep against her hips. He felt her shiver. “That’s…new,” she said with a strained attempt at humor. “It isn’t,” he corrected. “I’ve just never let you feel it before.” He kissed her slowly, savoring the submission of her soft, warm lips. His hands swept under the blouse and up under her breasts in their lacy covering. He was going over the edge. If he did, he was going to take her with him, and it would damage both of them. He had to stop it, now, while he could. “Is this what Colby gets when he comes to see you?” he whispered with deliberate sarcasm. It worked. She stepped on his foot as hard as she could with her bare instep. It surprised him more than it hurt him, but while he recoiled, she pushed him and tore out of his arms. Her eyes were lividly green through her glasses, her hair in disarray. She glared at him like a female panther. “What Colby gets is none of your business! You get out of my apartment!” she raged at him. She was magnificent, he thought, watching her with helpless delight. There wasn’t a man alive who could cow her, or bend her to his will. Even her drunken, brutal stepfather hadn’t been able to force her to do something she didn’t want to do. “Oh, I hate that damned smug grin,” she threw at him, swallowing her fury. “Man, the conqueror!” “That isn’t what I was thinking at all.” He sobered little by little. “My mother was a meek little thing when she was younger,” he recalled. “But she was forever throwing herself in front of me to keep my father from killing me. It was a long time until I grew big enough to protect her.” She stared at him curiously, still shaken. “I don’t understand.” “You have a fierce spirit,” he said quietly. “I admire it, even when it exasperates me. But it wouldn’t be enough to save you from a man bent on hurting you.” He sighed heavily. “You’ve been…my responsibility…for a long time,” he said, choosing his words carefully. “No matter how old you grow, I’ll still feel protective about you. It’s the way I’m made.” He meant to comfort, but the words hurt. She smiled anyway. “I can take care of myself.” “Can you?” he said softly. He searched her eyes. “In a weak moment…” “I don’t have too many of those. Mostly, you’re responsible for them,” she said with black humor. “Will you go away? I’m supposed to try to seduce you, not the reverse. You’re breaking the rules.” His eyebrow lifted. Her sense of humor seemed to mend what was wrong between them. “You stopped trying to seduce me.” “You kept turning me down,” she pointed out. “A woman’s ego can only take so much rejection.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Who of you by worrying and being anxious can add one unit of measure (cubit) to his stature or to the span of his life? And why should you be anxious about clothes? Consider the lilies of the field and learn thoroughly how they grow; they neither toil nor spin. Yet I tell you, even Solomon in all his magnificence (excellence, dignity, and grace) was not arrayed like one of these. But if God so clothes the grass of the field, which today is alive and green and tomorrow is tossed into the furnace, will He not much more surely clothe you, O you of little faith? —MATTHEW 6:27–30
Joyce Meyer (The Confident Woman Devotional: 365 Daily Inspirations)
... and for the first time in his life the possibility of death presented itself, not in relation to the living world, or any effect it might have on other people, but purely in relation to himself and his own soul, and it seemed so vivid, almost a dependable certainty, stark and terrible. And from the heights of this vision everything that had once tormentingly preoccupied him seemed suddenly bathed in a cold, white light with no shadows, no perspective, no outline. His whole life seemed like a magic-lantern show that he had been staring at through glass by artificial light. Now suddenly the glass was gone, and he could see those awful daubings in the clear light of day. 'Yes, yes, here they are, these false images that I used to find so worrying, enthralling and agonizing,' he told himself, giving his imagination a free rein to run over the main pictures in the magic lantern of his life, looked anew in the cold, white daylight brought on by a clear vision of death. 'Here they are, these crudely daubed figures that used to seem so magnificent and mysterious. Honour and glory, philanthropy, love of a woman, love of Fatherland -- how grand these pictures used to seem, filled with such deep meanings! And now it all looks so simple, colourless and crude in the cold light of the morning I can feel coming upon me.
Leo Tolstoy (War and Peace)
What under heaven do you want with a daughter of the bourgoisie? Leave them alone. pick some great, wanton flame of a woman, who laughs at life and jeers at death and loves one while she may. There are such women, and they will love you just as reaidly as any pusillanimous product of bourgois-sheltered life." "Pusillanimous?" Martin protested. 'Just so, pusillanimous; prattling out little moralities that have been prattled into them, and afraid to live life. They will love you, Martin, but they will love their little moralities more. What you want is the magnificent abandon of life, the great free souls, the blazing butterflies of life and not the little gary months".
Jack London (Martin Eden)
After all, a kiss between real lovers is not some type of contract, a neatly defined moment of pleasure, something obtained by greedy conquest, or any kind of clear saying of how it is. It is a grief-drenched hatching of two hearts into some ecstatic never-before-seen bird whose new uncategorizable form, unrecognized by the status quo, gives the slip to Death's sure rational deal. For love is a delicious and always messy extension of life that unfrantically outgrows mortality's rigid insistence on precise and efficient definition. Having all the answers means you haven't really ecstatically kissed or lived, thereby declaring the world defined and already finished. Loving all the questions on the other hand is a vitality that makes any length of life worth living. Loving doesn't mean you know all the notes and that you have to play all the notes, it just means you have to play the few notes you have long and beautifully. Like the sight of a truly beautiful young woman, smooth and gliding, melting hearts at even a distant glimpse, that no words, no matter how capable, can truly describe; a woman whose beauty is only really known by those who take a perch on the vista of time to watch the years of life speak out their long ornate sentences of grooves as they slowly stretch into her smoothness, wrinkling her as she glides struggling, decade by decade, her gait mitigated by a long trail of heavy loads, joys, losses, and suffering whose joint-aching years of traveling into a mastery of her own artistry of living, becomes even more than beauty something about which though we are even now no more capable of addressing than before, our admiration as original Earth-loving human beings should nonetheless never remain silent. And for that beauty we should never sing about, but only sing directly to it. Straightforward, cold, and inornate description in the presence of such living evidence of the flowering speech of the Holy in the Seed would be death of both the beauty and the speaker. Even if we always fail when we speak, we must be willing to fail magnificently, for even an eloquent failure, if in the service of life, feeds the Divine. Is it not a magical thing, this life, when just a little ash, cinder, and unclear water can arrange themselves into a beautiful old woman who sways, lifts, kisses, loves, sickens, argues, loses, bears up under it all, and, wrinkling, still lives under all that and yet feeds the Holy in Nature by just the way she moves barefoot down a path? If we can find the hearts, tongues, and brightness of our original souls, broken or not, then no matter from what mess we might have sprung today, we would be like those old-time speakers of life; every one of us would have it in our nature to feel obligated by such true living beauty as to know we have to say something in its presence if only for our utter feeling of awe. For, finally learning to approach something respectfully with love, slowly with the courtesy of an ornate indirectness, not describing what we see but praising the magnificence of her half-smiles of grief and persistent radiance rolling up from the weight-bearing thumping of her fine, well-oiled dusty old feet shuffling toward the dawn reeds at the edge of her part of the lake to fetch a head-balanced little clay jar of water to cook the family breakfast, we would know why the powerful Father Sun himself hurries to get his daily glimpse of her, only rising early because she does.
Martin Prechtel (The Unlikely Peace at Cuchumaquic: The Parallel Lives of People as Plants: Keeping the Seeds Alive)
Oh—Silvermanel” cried Hare. It was just a call, as if the horse were human, and knew what that pace meant to his master. The stern business of the race had ceased to rest on Hare. Silvermane was out to the front! He was like a level-rushing thunderbolt. Hare felt the instantanepus pause between his long low leaps, the gather of mighty muscles, the strain, the tension, then the quivering expubsion of force. It was a perilous ride down that red slope, not so much from the hissing bullets as from the washes and gullies which Silvermane sailed over in magnificent leaps Hare thrilled with savage delight in the wonderful prowess of his desert king, in the primal instinct of joy at escaping with the woman he loved.
Zane Grey (The Heritage of the Desert)
When police arrested a New York bus driver for running down a schoolgirl in a crosswalk… the New York Daily News decried what it saw as mistreatment of one of the city’s bus drivers. The head of the transit union protested this enforcement of the city’s new Right of Way Law as “outrageous, illogical and anti-worker” while branding the head of a city street safety advocacy group “a progressive intellectual jackass.” The same union previously launched a work slowdown when another bus driver faced sanctions for killing a seventy-eight-year-old woman in a crosswalk in December 2014. All this occurred because police sought to enforce _misdemeanor_ charges in cases of pedestrians who were run over in crosswalks where they had the clear right of way.
Edward Humes (Door to Door: The Magnificent, Maddening, Mysterious World of Transportation)
He was halfway to the house, thinking to set the cabbage inside the kitchen door,when a brown blur thundered past him. Joanna Robbins tore out of the barn astride a magnificent chestnut quarter horse. She leaned forward in the saddle,hat flopping against her back, hair streaming out behind her in a wild curly mass as she urged her mount to a full-out gallop. Unable to do anything but stare, Crockett stood dumbstruck as she raced past. She was the most amazing horsewoman he'd ever seen. Joanna Robbins. The shy creature who claimed painting and reading were her favorite pastimes had just bolted across the yard like a seasoned jockey atop Thoroughbred. She might have inherited her mother's grace and manners, but the woman rode like her outlaw father.Maybe better.
Karen Witemeyer (Stealing the Preacher (Archer Brothers, #2))
The family were wild," she said suddenly. "They tried to marry me off. And then when I'd begun to feel that after all life was scarcely worth living I found something"—her eyes went skyward exultantly—"I found something!" Carlyle waited and her words came with a rush. “Courage—just that; courage as a rule of life, and something to cling to always. I began to build up this enormous faith in myself. I began to see that in all my idols in the past some manifestation of courage had unconsciously been the thing that attracted me. I began separating courage from the other things of life. All sorts of courage—the beaten, bloody prize-fighter coming up for more—I used to make men take me to prize-fights; the déclassé woman sailing through a nest of cats and looking at them as if they were mud under her feet; the liking what you like always; the utter disregard for other people's opinions—just to live as I liked always and to die in my own way—Did you bring up the cigarettes?" He handed one over and held a match for her silently. "Still," Ardita continued, "the men kept gathering—old men and young men, my mental and physical inferiors, most of them, but all intensely desiring to have me—to own this rather magnificent proud tradition I'd built up round me. Do you see?" "Sort of. You never were beaten and you never apologized." "Never!" She sprang to the edge, poised or a moment like a crucified figure against the sky; then describing a dark parabola plunked without a slash between two silver ripples twenty feet below. Her voice floated up to him again. "And courage to me meant ploughing through that dull gray mist that comes down on life—not only over-riding people and circumstances but over-riding the bleakness of living. A sort of insistence on the value of life and the worth of transient things." She was climbing up now, and at her last words her head, with the damp yellow hair slicked symmetrically back, appeared on his level. "All very well," objected Carlyle. "You can call it courage, but your courage is really built, after all, on a pride of birth. You were bred to that defiant attitude. On my gray days even courage is one of the things that's gray and lifeless." She was sitting near the edge, hugging her knees and gazing abstractedly at the white moon; he was farther back, crammed like a grotesque god into a niche in the rock. "I don't want to sound like Pollyanna," she began, "but you haven't grasped me yet. My courage is faith—faith in the eternal resilience of me—that joy'll come back, and hope and spontaneity. And I feel that till it does I've got to keep my lips shut and my chin high, and my eyes wide—not necessarily any silly smiling. Oh, I've been through hell without a whine quite often—and the female hell is deadlier than the male." "But supposing," suggested Carlyle, "that before joy and hope and all that came back the curtain was drawn on you for good?" Ardita rose, and going to the wall climbed with some difficulty to the next ledge, another ten or fifteen feet above. "Why," she called back, "then I'd have won!
F. Scott Fitzgerald (The Offshore Pirate)
Your Sunny decided to show off for you?” Axel asked with a laugh. “She doesn’t know I’m here,” he grated, keeping the binoculars trained on her. His heart raced. He’d known she enjoyed fighting demons, but he’d never seen her wage war. Despite fear for her safety, his chest puffed with pride. The woman had skill, boundless grace and lethal precision. She was an angel of death, wielding a spear, toppling demons three by three. Magnificent. Of course, he hardened at the sight of her. Not just hardened. Burned. For the first time in centuries, William felt truly demonic. Watching his female lay waste to the enemy, his every savage instinct clambered for attention. Sunny’s companions paused to cheer her on, and a glorious smile lit her face. Killing demons, having fun. “What is she?” Axel asked, sounding awed. What else? “My greatest torment.
Gena Showalter (The Darkest King (Lords of the Underworld, #15))
Scrooge has some interesting literary ancestors. Pact-makers with the Devil didn’t start out as misers, quite the reverse. Christopher Marlowe’s late-sixteenth-century Doctor Faustus sells his body and soul to Mephistopheles with a loan document signed in blood, collection due in twenty-four years, but he doesn’t do it cheaply. He has a magnificent wish list, which contains just about everything you can read about today in luxury magazines for gentlemen. Faust wants to travel; he wants to be very, very rich; he wants knowledge; he wants power; he wants to get back at his enemies; and he wants sex with a facsimile of Helen of Troy. Helen of Troy isn’t called that in the luxury men’s magazines, she has other names, but it’s the same sort of thing: a woman so beautiful she doesn’t exist, or, worse, may be a demon in disguise. Very hot though, as they say.
Margaret Atwood (Payback: Debt and the Shadow Side of Wealth)
Marlboro Man picked me up the next evening, exactly one month before our wedding day. Our evening apart had made the heart grow fonder, and we greeted each other with a magnificently tight embrace. It filled my soul, the way his arms gripped me…how he almost always used his superior strength to lift me off the ground. A wannabe strong, independent woman, I was continually surprised by how much I loved being swept, quite literally, off my feet. We drove straight into the sunset, arriving on his ranch just as the sky was changing from salmon to crimson, and I gasped. I’d never seen anything so brilliant and beautiful. The inside of Marlboro Man’s pickup glowed with color, and the tallgrass prairie danced in the evening breeze. Things were just different in the country. The earth was no longer a mere place where I lived--it was alive. It had a heartbeat. The sight of the country absolutely took my breath away--the vast expanse of the flat pastures, the endless view of clouds. Being there was a spiritual experience.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Now I know what makes you so different from other women," said John Tenison, when he and Margaret were alone. "It's having that wonderful mother! She--she--well, she's one woman in a million; I don't have to tell you that! It's something to thank God for, a mother like that; it's a privilege to know her. I've been watching her all day, and I've been wondering what SHE gets out of it--that was what puzzled me; but now, just now, I've found out! This morning, thinking what her life is, I couldn't see what REPAID her, do you see? What made up to her for the unending, unending effort, and sacrifice, the pouring out of love and sympathy and help--year after year after year..." He hesitated, but Margaret did not speak. "You know," he went on musingly, "in these days, when women just serenely ignore the question of children, or at most, as a special concession, bring up one or two--just the one or two whose expenses can be comfortably met!--there's something magnificent in a woman like your mother, who begins eight destinies instead of one! She doesn't strain and chafe to express herself through the medium of poetry or music or the stage, but she puts her whole splendid philosophy into her nursery--launches sound little bodies and minds that have their first growth cleanly and purely about her knees. Responsibility--that's what these other women say they are afraid of! But it seems to me there's no responsibility like that of decreeing that young lives simply SHALL NOT BE. Why, what good is learning, or elegance of manner, or painfully acquired fineness of speech, and taste and point of view, if you are not going to distill it into the growing plants, the only real hope we have in the world! You know, Miss Paget," his smile was very sweet in the half darkness, "there's a higher tribunal than the social tribunal of this world, after all; and it seems to me that a woman who stands there, as your mother will, with a forest of new lives about her, and a record like hers, will--will find she has a Friend at court!" he finished whimsically.
Kathleen Thompson Norris
What under heaven do you want with a daughter of the bourgeoisie? Leave them alone. Pick out some great, wanton flame of a woman, who laughs at life and jeers at death and loves one while she may. There are such women, and they will love you just as readily as any pusillanimous product of bourgeois sheltered life. There are such women, and they will love you just as readily as any pusillanimous product of bourgeois sheltered life. Pusillanimous?” Martin protested. “Just so, pusillanimous; prattling out little moralities that have been prattled into them, and afraid to live life. They will love you, Martin, but they will love their little moralities more. What you want is the magnificent abandon of life, the great free souls, the blazing butterflies and not the little gray moths. Oh, you will grow tired of them, too, of all the female things, if you are unlucky enough to live. But you won’t live. You won’t go back to your ships and sea; therefore, you’ll hang around these pest-holes of cities until your bones are rotten, and then you’ll die.
Jack London (Martin Eden)
Mr. Haverstrom closes the door, leaving Patrick and me alone in the hallway. Pat smiles slickly, leaning in toward me. I step back until I press against the wall. It’s uncomfortable—but not threatening. Mostly because in addition to racquetball I’ve practiced aikido for years. So if Patrick tries anything funny, he’s in for a very painful surprise. “Let’s be honest, Sarah: you know and I know the last thing you want to do is give a presentation in front of hundreds of people—your colleagues.” My heart tries to crawl into my throat. “So, how about this? You do the research portion, slides and such that I don’t really have time for, and I’ll take care of the presentation, giving you half the credit of course.” Of course. I’ve heard this song before—in school “group projects” where I, the quiet girl, did all the work, but the smoothest, loudest talker took all the glory. “I’ll get Haverstrom to agree on Saturday—I’m like a son to him,” Pat explains before leaning close enough that I can smell the garlic on his breath. “Let Big Pat take care of it. What do you say?” I say there’s a special place in hell for people who refer to themselves in the third person. But before I can respond, Willard’s firm, sure voice travels down the hall. “I think you should back off, Nolan. Sarah’s not just ‘up for it,’ she’ll be fantastic at it.” Pat waves his hand. “Quiet, midge—the adults are talking.” And the adrenaline comes rushing back, but this time it’s not anxiety-induced—it’s anger. Indignation. I push off the wall. “Don’t call him that.” “He doesn’t mind.” “I mind.” He stares at me with something akin to surprise. Then scoffs and turns to Willard. “You always let a woman fight your battles?” I take another step forward, forcing him to move back. “You think I can’t fight a battle because I’m a woman?” “No, I think you can’t fight a battle because you’re a woman who can barely string three words together if more than two people are in the room.” I’m not hurt by the observation. For the most part, it’s true. But not this time. I smile slowly, devilishly. Suddenly, I’m Cathy Linton come to life—headstrong and proud. “There are more than two people standing here right now. And I’ve got more than three words for you: fuck off, you arrogant, self-righteous swamp donkey.” His expression is almost funny. Like he can’t decide if he’s more shocked that I know the word fuck or that I said it out loud to him—and not in the good way. Then his face hardens and he points at me. “That’s what I get for trying to help your mute arse? Have fun making a fool of yourself.” I don’t blink until he’s down the stairs and gone. Willard slow-claps as he walks down the hall to me. “Swamp donkey?” I shrug. “It just came to me.” “Impressive.” Then he bows and kisses the back of my hand. “You were magnificent.” “Not half bad, right? It felt good.” “And you didn’t blush once.” I push my dark hair out of my face, laughing self-consciously. “Seems like I forget all about being nervous when I’m defending someone else.” Willard nods. “Good. And though I hate to be the twat who points it out, there’s something else you should probably start thinking about straight away.” “What’s that?” “The presentation in front of hundreds of people.” And just like that, the tight, sickly feeling washes back over me. So this is what doomed feels like. I lean against the wall. “Oh, broccoli balls.
Emma Chase (Royally Matched (Royally, #2))
Are you willing?" Through the shadows, he found her gleaming eyes, her slightly curved mouth. "No, it's too reckless. Too irresponsible." "You're sounding like a father. Or a constable, Constable." "I'm both, Miss Connor." He watched her lips tilt and flow into a glorious smile. "Rory's in bed, safe and sound. Most of the town is in bed, safe and sound. And you're here, with a pragmatic woman who can take care of herself. Two adults and one magnificent challenge." "More like a dare," he said and drained his glass. She took a step closer, until her skirt brushed his knee. "Call it a dare if you like." "No." His resolve slipped a notch when she crouched before him, the pleasing angles of her face flooding into view. She was much, much too tempting. "I'll do it all. You don't have to participate. That should be enough to prove my case." "I wasn't serious when I said that. I'm sure you're not, hell, frigid." She leaned in, her hands sliding along the arms of the chair, her face fading out of view as it closed in on his. A scent, provocative and earthy, stole in with his stuttered breath. "You see, Constable, I'm always serious." He watched her moisten her lips, so near he could almost taste her. "Close your eyes. I've heard that's the way it's done.
Tracy Sumner (Tides of Passion)
Suddenly a shadow fell athwart the wooden stanchions of the door. It was no more than a darkening of the pallid paws of the day which were now embracing the shed, but all the cows instinctively stiffened, and Adam’s eyes, as he stood up to face the new-comer, were again piteously full of twisted fear. “Adam,” uttered the woman who stood in the doorway, “how many pails of milk will there be this morning?” “I dunnamany,” responded Adam, cringingly; “’tes hard to tell. If so be as our Pointless has got over her indigestion, maybe “twill be four. If so be as she hain’t, maybe three.” Judith Starkadder made an impatient movement. Her large hands had a quality which made them seem to sketch vast horizons with their slightest gesture. She looked a woman without boundaries as she stood wrapped in a crimson shawl to protect her bitter, magnificent shoulders from the splintery cold of the early air. She seemed fitted for any stage, however enormous. “Well, get as many buckets as you can,” she said, lifelessly, half-turning away. “Mrs Starkadder questioned me about the milk yesterday. She has been comparing our output with that from other farms in the district, and she says we are five-sixteenths of a bucket below what our rate should be, considering how many cows we have.
Stella Gibbons (Cold Comfort Farm)
When I’m under stress,” he emphasized, sliding the magnificent emerald onto her finger, “I buy everything in sight. It took my last ounce of control not to buy one of those in every color.” Her eyes lifted from his smiling lips, dropped to the enormous jewel on her finger, and then widened in shock. “Oh, but-“ she exclaimed, staring at it and straightening in his arms. “It’s glorious. I do mean that, but I couldn’t let you-really, I couldn’t. Ian,” she burst out anxiously, sending a tremor through him when she called him by name, “I can’t let you do this. You’ve been extravagantly generous already.” She touched the huge stone almost reverently, then gave her head a practical shake. “I don’t need jewels, really I don’t. You’re doing this because of that stupid remark I made about someone offering me jewels as large as my palm, and now you’ve bought one nearly that large!” “Not quite,” he chuckled. “Why, a stone like this would pay for irrigating Havenhurst and all the servants’ wages for years and years and years, and food to-“ She reached to slide it off her finger. “Don’t!” he warned on a choked laugh, linking his hands behind her back. “I-“ he thought madly for some way to stop her objections-“I cannot possibly return it,” he said. “It’s part of a matched set.” “You don’t mean there’s more!” “I’m afraid so, though I meant to surprise you with them tonight. There’s a necklace and bracelet and earrings.” “Oh, I see,” she said, making a visible effort not to stare at her ring. “Well, I suppose…if it was a purchase of several pieces, the ring alone probably didn’t cost as much as it would have…Do not tell me,” she said severely, when his shoulders began to shake with suppressed mirth, “you actually paid full price for all of the pieces!” Laughing, Ian put his forehead against hers, and he nodded. “It’s very fortunate,” she said, protectively putting her fingers against the magnificent ring, “that I’ve agreed to marry you.” “If you hadn’t,” he laughed, “God knows what I would have bought.” “Or how much you would have paid for it,” she chuckled, cuddling in his arms-for the first time of her own volition. “Do you really do that?” she asked a moment later. “Do what?” he gasped, tears of mirth blurring his vision. “Spend money heedlessly when you’re disturbed about something?” “Yes,” he lied in a suffocated, laughing voice. “You’ll have to stop doing it.” “I’m going to try.” “I could help you.” “Please do.” “You may place yourself entirely in my hands.” “I’m very much looking forward to that.” It was the first time Ian had ever kissed a woman while he was laughing.
Judith McNaught (Almost Heaven (Sequels, #3))
He kept stealing glances at Celia that were filled with longing and perhaps desire. Jackson didn’t like that one bit. When he gave her his report he would emphasize the viscount’s utter unsuitability as a suitor. Devonmont’s, too. Lyons’s unsuitability was more murky. But Jackson could still make a case against the man, and he fully intended to do so as soon as he could get her alone. Preferably in a public area where what happened between them last night couldn’t occur again. Liar. You want to kiss her so badly you can taste it. It was a wonder he could shoot straight with her standing so near. She’d dressed to entice again today, this time in a heavy redingote the color of the forest. It turned her hazel eyes just green enough to remind him she was a Sharpe, with the same eyes as most of them. The expensive tailoring of her wool attire, a cross between a gown and a coat, reminded him she was a lady and an heiress, especially since she’d refrained from wearing her usual smock. He’d never seen her shoot and had assumed that her prowess must be exaggerated. It was not. He hadn’t been able to keep track of her kills while focusing on his own, but he was fairly certain the number came close to his. He noted her concentration, the care she took in aiming, the way she compensated for wind and other variables. He’d never met another woman like her. She was magnificent.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
In the Brhadāraṇyaka Upaniṣad7 the first form of the doctrine of transmigration is given. The souls of those who have lived lives of sacrifice, charity and austerity, after certain obscure peregrinations, pass to the World of the Fathers, the paradise of Yama; thence, after a period of bliss, they go to the moon; from the moon they go to empty space, whence they pass to the air, and descend to earth in the rain. There they “become food,… and are offered again in the altar fire which is man, to be born again in the fire of woman”, while the unrighteous are reincarnated as worms, birds or insects. This doctrine, which seems to rest on a primitive belief that conception occurred through the eating by one of the parents of a fruit or vegetable containing the latent soul of the offspring, is put forward as a rare and new one, and was not universally held at the time of the composition of the Upaniṣad. Even in the days of the Buddha, transmigration may not have been believed in by everyone, but it seems to have gained ground very rapidly in the 7th and 6th centuries B.C. Thus the magnificently logical Indian doctrines of saṃsāra, or transmigration, and karma, the result of the deeds of one life affecting the next, had humble beginnings in a soul theory of quite primitive type; but even at this early period they had an ethical content, and had attained some degree of elaboration. In
A.L. Basham (The Wonder That Was India: A Survey of the Culture of the Indian Sub-Continent Before the Coming of the Muslims)
You grow sleepy,cara mia," Julian whispered, leaning down to kiss her forehea. "We should go to your brother's chamber. I will check him once more before we go to ground." Desari refused to open her eyes. She made a soft purring sound, completely contented to lie in his arms. "Not yet, Julian," she protested softly. "I do not want to leave this place for a little while longer." "I can feel how tired you are, my love. I can do no other than-" "Do not say it!" Deasri thumped his chest. "Just lie there and hold me. That is what I want. Men are such difficult creatures,Julian. I am beginning to realize this." He rubbed his chin on the top of her head, her hair catching in the shadow along his jaw. "Men are not difficult. They are logical and methodical." She laughed softly. "You wish it wree so. I must tell you,although I am taking a huge cance that you might become impossible to live with, tha you are an extraordinary lover." "Keep talking,lifemate. I am listening," he responded with a deep satisfaction. "Magnificent was only a starting place. Extraordinary lover is the perfect description. I see that now." Her soft laughter washed over him, as gentle as a breeze. Touching him. Just like that. She could touch him with her breath. Julian wrapped his arms around her tightly and buried his face in her ebony hair. "Why is it you always smell so good?" "Would you want me to smell like a cavewoman?" "I do not know,cara. I do not know what a cavewoman smells like." She opened her eyes at that, her long lashes fluttering in the sexy,flirty little way she had. "You'd better not want me smelling like any other, Julian, or you will find out what a real ancient woman can do when she is enraged.
Christine Feehan (Dark Challenge (Dark, #5))
Only with Clara did she allow herself the luxury of giving in to her overwhelming desire to serve and be loved; with her, however slyly, she was able to express the secret, most delicate yearnings of her soul. The long years of solitude and unhappiness had distilled her emotions and purified her feelings down to a few terrible, magnificent passions, which possessed her totally. She had no gift for small perturbations, mean-spirited resentments, concealed envies, works of charity, faded endearments, ordinary friendly politeness, or day-to-day acts of kindness. She was one of those people who are born for the greatness of a single love, for exaggerated hatred, for apocalyptic vengeance, and for the most sublime forms of heroism, but she was unable to shape her fate to the dimensions of her amorous vocation, so it was lived out as something flat and gray trapped between her mother’s sickroom walls, wretched tenements, and the tortured confessions with which this large, opulent, hot-blooded woman—made for maternity, abundance, action, and ardor—was consuming herself She was about forty-five years old then, and her splendid breeding and distant Moorish ancestors kept her looking fit and polished, with black, silky hair and a single white lock on her forehead, a strong and slender body and the resolute step of the healthy. Still, the emptiness of her life made her look far older than she was. I have a photograph of Ferula taken around that time, on one of Blanca’s birthdays. It is an old sepiatoned picture, discolored with age, but you can still see how she looked. She was a regal matron, but with a bitter smile on her face that revealed her inner tragedy. Those years with Clara were probably the only happy period in her life, because only with Clara could she be herself Clara was the one in whom she confided her most subtle feelings, and to her she consecrated her enormous capacity for sacrifice and veneration.
Isabel Allende
He frowned down at her. “You need to settle down and listen to me.” “You need to fuck off and—” She never got the next word out because he flipped her over on her stomach. While she cursed and tried to move him he tied her hands together with something, then wrapped some silky cloth around her head, forcing it between her lips. Bound and gagged, he moved her back over so she was on her back again. Beyond pissed, she struggled against her bindings, trying to get free so she could kill him. To her disgust he just grinned and watched her writhe on her mattress until she finally lay there in a sweaty, panting heap, with her hands still bound and her mouth still gaged. “Done with your tantrum?” he asked in a quiet voice. “Fuck you,” she said, or at least tried to say. It must have come through loud and clear because he smiled at her, a predatory smile that actually made her wet. Damn her hormones had bad taste and timing. He licked his lips and her pussy throbbed. “Oh, you’ll be begging me to fuck you by the time I’m done with you.” She glared, then rolled over on her stomach so she could flip him off with both bound hands. “See, this is why I love you. I love you, Amanda. You’re it for me. All I want, the only woman I want.” He leaned down and brushed her hair back from her face with a gentle touch. “Hold still and I’ll let you up. I’m sorry if I scared you.” “Wait,” she said in a garbled voice. “You love me?” He smiled and began to unbutton his shirt, slowly, revealing his magnificent body an inch at a time. “That’s right, I love you. I love how brave you are, how smart, how classy and yet at the same time you can cuss up a blue streak. I love how you take care of me, how I’m the only one who gets to see the soft, feminine side of you that comes out when you make love. I love your temper, your kindness, and how you devour me with your eyes, like you want to eat me alive. Kind of like you’re doing right now.” “I don’t love you,” she mumbled through the gag. “Liar,” he whispered into her ear, tracing the shell with the tip of his tongue.
Ann Mayburn (The Fighter's Secretary)
After Marcus had wiped her perspiring body with a cool, damp cloth, he dressed her in his discarded shirt, which held the scent of his skin. He brought her a plate containing a poached pear, and a glass of sweet wine, and even allowed her to feed him a few bites of the silky-soft fruit. When her appetite was sated, Lillian set aside the empty plate and spoon, and turned to snuggle against him. He rose on one elbow and looked down at her, his fingers playing idly in her hair. “Are you sorry that I wouldn’t let St. Vincent have you?” She gave him a puzzled smile. “Why would you ask such a thing? Surely you’re not having pangs of conscience.” Marcus shook his head. “I am merely wondering if you had any regrets.” Surprised and touched by his need for reassurance, Lillian toyed with the dark curls on his chest. “No,” she said frankly. “He is attractive, and I do like him… but I didn’t want him.” “You did consider marrying him, however.” “Well,” she admitted, “it did cross my mind that I would like to be a duchess— but only to spite you.” A smile flashed across his face. He retaliated with a punishing nip at her breast, causing her to yelp. “I couldn’t have borne it,” he admitted, “seeing you married to anyone but me.” “I don’t think Lord St. Vincent will have any difficulty finding another heiress to suit his purposes.” “Perhaps. But there aren’t many women with fortunes comparable to yours… and none with your beauty.” Smiling at the compliment, Lillian crawled halfway over him and hitched one leg over his. “Tell me more. I want to hear you wax lyrical about my charms.” Levering himself to a sitting position, Marcus lifted her with an ease that made her gasp, and settled her until she straddled his hips. He stroked a fingertip along the pale skin that was exposed at the open vee of the shirt. “I never wax lyrical,” he said. “Marsdens are not a poetic sort. However…” He paused to admire the sight of the long-limbed young woman who sat astride him while her hair trailed to her waist in tangled streamers. “I could at least tell you that you look like a pagan princess, with your tangled black hair and your bright, dark eyes.” “And?” Lillian encouraged, linking her arms loosely around his neck. He set his hands at her slender waist and moved them down to grasp her strong, sleek thighs. “And that every erotic dream I’ve ever had about your magnificent legs pales in comparison to the reality.” “You’ve dreamed about my legs?” Lillian wriggled as she felt his palms slide up her inner thighs in a lazy, teasing path. “Oh yes.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
My father had a sister, Mady, who had married badly and ‘ruined her life.’ Her story was a classic. She had fallen in love before the war with an American adventurer, married him against her family’s wishes, and been disinherited by my grandfather. Mady followed her husband romantically across the sea. In America he promptly abandoned her. By the time my parents arrived in America Mady was already a broken woman, sick and prematurely old, living a life two steps removed from destitution. My father, of course, immediately put her on an allowance and made her welcome in his home. But the iron laws of Victorian transgression had been set in motion and it was really all over for Mady. You know what it meant for a woman to have been so disgraced and disinherited in those years? She had the mark of Cain on her. She would live, barely tolerated, on the edge of respectable society for the rest of her life. A year after we arrived in America, I was eleven years old, a cousin of mine was married out of our house. We lived then in a lovely brownstone on New York’s Upper West Side. The entire house had been cleaned and decorated for the wedding. Everything sparkled and shone, from the basement kitchen to the third-floor bedrooms. In a small room on the second floor the women gathered around the bride, preening, fixing their dresses, distributing bouquets of flowers. I was allowed to be there because I was only a child. There was a bunch of long-stemmed roses lying on the bed, blood-red and beautiful, each rose perfection. Mady walked over to them. I remember the other women were wearing magnificent dresses, embroidered and bejeweled. Mady was wearing only a simple white satin blouse and a long black skirt with no ornamentation whatever. She picked up one of the roses, sniffed deeply at it, held it against her face. Then she walked over to a mirror and held the rose against her white blouse. Immediately, the entire look of her plain costume was altered; the rose transferred its color to Mady’s face, brightening her eyes. Suddenly, she looked lovely, and young again. She found a long needle-like pin and began to pin the rose to her blouse. My mother noticed what Mady was doing and walked over to her. Imperiously, she took the rose out of Mady’s hand and said, ‘No, Mady, those flowers are for the bride.’ Mady hastily said, ‘Oh, of course, I’m sorry, how stupid of me not to have realized that,’ and her face instantly assumed its usual mask of patient obligation. “I experienced in that moment an intensity of pain against which I have measured every subsequent pain of life. My heart ached so for Mady I thought I would perish on the spot. Loneliness broke, wave after wave, over my young head and one word burned in my brain. Over and over again, through my tears, I murmured, ‘Unjust! Unjust!’ I knew that if Mady had been one of the ‘ladies’ of the house my mother would never have taken the rose out of her hand in that manner. The memory of what had happened in the bedroom pierced me repeatedly throughout that whole long day, making me feel ill and wounded each time it returned. Mady’s loneliness became mine. I felt connected, as though by an invisible thread, to her alone of all the people in the house. But the odd thing was I never actually went near her all that day. I wanted to comfort her, let her know that I at least loved her and felt for her. But I couldn’t. In fact, I avoided her. In spite of everything, I felt her to be a pariah, and that my attachment to her made me a pariah, also. It was as though we were floating, two pariahs, through the house, among all those relations, related to no one, not even to each other. It was an extraordinary experience, one I can still taste to this day. I was never again able to address myself directly to Mady’s loneliness until I joined the Communist Party. When I joined the Party the stifled memory of that strange wedding day came back to me. . .
Vivian Gornick (The Romance of American Communism)