Magician King Quotes

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Once, poets were magicians. Poets were strong, stronger than warriors or kings — stronger than old hapless gods. And they will be strong once again.
Greg Bear
That was the thing about the world: it wasn't that things were harder than you thought they were going to be, it was that they were hard in ways that you didn't expect.
Lev Grossman (The Magician King (The Magicians, #2))
Though the funny thing about never being asked for anything is that after a while you start to feel like maybe you don’t have anything worth giving.
Lev Grossman (The Magician King (The Magicians, #2))
Everybody wanted to be the hero of their own story. Nobody wanted to be comic relief.
Lev Grossman (The Magician King (The Magicians, #2))
By now he had learned enough to know that when he was getting annoyed at somebody else, it was usually because there was something that he himself should be doing, and he wasn't doing it.
Lev Grossman (The Magician King (The Magicians, #2))
He who completes a quest does not merely find something. He becomes something.
Lev Grossman (The Magician King (The Magicians, #2))
You didn’t get the quest you wanted, you got the one you could do.
Lev Grossman (The Magician King (The Magicians, #2))
Magic: it was what happened when the mind met the world, and the mind won for a change.
Lev Grossman (The Magician King (The Magicians, #2))
Genuinely social people never ceased to amaze him. Their brains seemed to generate an inexhaustible fund of things to say, naturally, with no effort, out of nothing at all.
Lev Grossman (The Magician King (The Magicians, #2))
You run a grave risk, my boy," said the magician, "of being turned into a piece of bread, and toasted.
T.H. White (The Once and Future King)
Adam Parrish – magician and puzzle, student and logician, man and boy.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Maybe this was one of those times when being a hero didn’t involve looking particularly brave. It was just doing what you should.
Lev Grossman (The Magician King (The Magicians, #2))
You’re all so obsessed with other worlds, you’re so convinced that this one is crap and everywhere else is great, but you’ve never bothered to figure out what’s going on here!
Lev Grossman (The Magician King (The Magicians, #2))
Once upon a time, powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which the inhabitants drank. Whoever drank that water would go mad. The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take notice of them. When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. The marched on the castle and called for his abdication. In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’ And that was what they did: The king and queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such ‘wisdom’, why not allow him to rule the country? The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.
Paulo Coelho (Veronika Decides to Die)
Careful what you hunt, lest you catch it.
Lev Grossman (The Magician King (The Magicians, #2))
True humility, we believe, consists of two things. The first is knowing our limitations. And the second is getting the help we need.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
That’s what death did, it treated you like a child, like everything you had ever thought and done and cared about was just a child’s game, to be crumpled up and thrown away when it was over. It didn’t matter. Death didn’t respect you. Death thought you were bullshit, and it wanted to make sure you knew it.
Lev Grossman (The Magician King (The Magicians, #2))
the positive Warrior energy destroys only what needs to be destroyed in order for something new and fresh, more alive and more virtuous to appear.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
The hero pays the price.
Lev Grossman (The Magician King (The Magicians, #2))
Sometimes you just have to do things, Quentin,” Julia said, as he climbed on board after her. “You spend too much of your time waiting.
Lev Grossman (The Magician King (The Magicians, #2))
Being a hero, the man had observed, is largely a matter of knowing one’s cues.
Lev Grossman (The Magician King (The Magicians, #2))
You’re saying the gods don’t have free will.” “The power to make mistakes,” Penny said. “Only we have that. Mortals.
Lev Grossman (The Magician King (The Magicians, #2))
What makes you think what happened to you on Earth wasn't an adventure?
Lev Grossman (The Magician King (The Magicians, #2))
Being blessed has tremendous psychological consequences for us. There are even studies that show that our bodies actually change chemically when we feel valued, praised, and blessed.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
A key part of successfully being Julia, it seemed, was not giving a shit if you looked weird.
Lev Grossman (The Magician King (The Magicians, #2))
She had never expected anything special to just happen to her. Her plan for life was to get out there and make special things happen, which was a much more sensible plan from a probability point of view.
Lev Grossman (The Magician King (The Magicians, #2))
A big silvery janitor. Penny, this can’t be how the universe works.” “In the Order we call it ‘inverse profundity.’ We’ve observed it in any number of cases. The deeper you go into the cosmic mysteries, the less interesting everything gets.
Lev Grossman (The Magician King (The Magicians, #2))
She knew she was obsessed, but it was turning out that she was the kind of person who needed to be obsessed with something, and she could have done a lot worse.
Lev Grossman (The Magician King (The Magicians, #2))
In the absence of The King the Warrior becomes a mercenary, the Magician becomes a sophist (able to argue any position and believing in none), and the Lover becomes an addict.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
I had forgotten that you are only a common boy. How should you understand reasons of the State? You must learn, child, that what would be wrong for you or for any of the common people is not wrong in a great Queen such as I. The weight of the world is on our shoulders. We must be freed from all rules. Ours is a high and lonely destiny.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
She still had her bad days, no question, when the black dog of depression sniffed her out and settled its crushing weight on her chest and breathed its pungent dog breath in her face. On those days she called in sick to the IT shop where, most days, she untangled tangled networks for a song. On those days she pulled down the shades and ran dark for twelve or twenty-four or seventy-two hours, however long it took for the black dog to go on home to its dark master.
Lev Grossman (The Magician King (The Magicians, #2))
Quentin had an obsolete sailing ship that had been raised from the dead. He had psychotically effective swordsman and an enigmatic witch-queen. It wasn't the Fellowship of the Ring, but then again he wasn't trying to save the world from Sauron, he was trying to perform a tax audit on a bunch of hick islanders…
Lev Grossman (The Magician King (The Magicians, #2))
I reached out my hand, England's rivers turned and flowed the other way... I reached out my hand, my enemies's blood stopt in their veins... I reached out my hand; thought and memory flew out of my enemies' heads like a flock of starlings; My enemies crumpled like empty sacks. I came to them out of mists and rain; I came to them in dreams at midnight; I came to them in a flock of ravens that filled a northern sky at dawn; When they thought themselves safe I came to them in a cry that broke the silence of a winter wood... The rain made a door for me and I went through it; The stones made a throne for me and I sat upon it; Three kingdoms were given to me to be mine forever; England was given to me to be mine forever. The nameless slave wore a silver crown; The nameless slave was a king in a strange country... The weapons that my enemies raised against me are venerated in Hell as holy relics; Plans that my enemies made against me are preserved as holy texts; Blood that I shed upon ancient battlefields is scraped from the stained earth by Hell's sacristans and placed in a vessel of silver and ivory. I gave magic to England, a valuable inheritance But Englishmen have despised my gift Magic shall be written upon the sky by the rain but they shall not be able to read it; Magic shall be written on the faces of the stony hills but their minds shall not be able to contain it; In winter the barren trees shall be a black writing but they shall not understand it... Two magicians shall appear in England... The first shall fear me; the second shall long to behold me; The first shall be governed by thieves and murderers; the second shall conspire at his own destruction; The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache; The second shall see his dearest posession in his enemy's hand... The first shall pass his life alone, he shall be his own gaoler; The second shall tread lonely roads, the storm above his head, seeking a dark tower upon a high hillside... I sit upon a black throne in the shadows but they shall not see me. The rain shall make a door for me and I shall pass through it; The stones shall make a throne for me and I shall sit upon it... The nameless slave shall wear a silver crown The nameless slave shall be a king in a strange country...
Susanna Clarke (Jonathan Strange & Mr Norrell)
A floorboard cracked; knuckles tapped once on the open door. Adam looked up to see Niall Lynch standing in the doorway. No, it was Ronan, face lit bright on one side, in stark shadow on the other, looking powerful and at ease with his thumbs tucked in the pockets of his jeans, leather bracelets looped over his wrist, feet bare. He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss. “I’m gonna go downstairs,” Ronan said.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
I have a hard time believing that the history of the universe is being written by a talking rabbit,” Eliot said. “Though that would explain a lot.
Lev Grossman (The Magician King (The Magicians, #2))
This isn’t how it ends!” Quentin said. “I am the hero of this goddamned story, Ember! Remember? And the hero gets the reward!” “No, Quentin,” the ram said. “The hero pays the price.
Lev Grossman (The Magician King (The Magicians, #2))
Julia would do anything to make the time pass. She killed time, murdered it, massacred it and hid the bodies. She threw her days in bunches onto the bonfire with both hands and watched them go up in fragrant smoke. It wasn’t easy. Sometimes it felt like the hours had ground to a halt. They fought her as they passed, one after the other, like stubborn stools.
Lev Grossman (The Magician King (The Magicians, #2))
It seems to be a requirement of great and powerful magicians that they live on public assistance.
Francis King
It's true," Eliot said. "Statistically, historically, and however else you want to look at it, you are almost never right. A monkey making life decisions based on its horoscope in USA Today would be right more often than you. But in this case, yes, you were right. Don't spoil it.
Lev Grossman (The Magician King (The Magicians, #2))
Once upon a time there was a young prince who believed in all things but three. He did not believe in princesses, he did not believe in islands, he did not believe in God. His father, the king, told him that such things did not exist. As there were no princesses or islands in his father's domains, and no sign of God, the young prince believed his father. But then, one day, the prince ran away from his palace. He came to the next land. There, to his astonishment, from every coast he saw islands, and on these islands, strange and troubling creatures whom he dared not name. As he was searching for a boat, a man in full evening dress approached him along the shore. Are those real islands?' asked the young prince. Of course they are real islands,' said the man in evening dress. And those strange and troubling creatures?' They are all genuine and authentic princesses.' Then God must exist!' cried the prince. I am God,' replied the man in full evening dress, with a bow. The young prince returned home as quickly as he could. So you are back,' said the father, the king. I have seen islands, I have seen princesses, I have seen God,' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, I have seen God,' said the prince reproachfully. The king was unmoved. Neither real islands, nor real princesses, nor a real God exist.' I saw them!' Tell me how God was dressed.' God was in full evening dress.' Were the sleeves of his coat rolled back?' The prince remembered that they had been. The king smiled. That is the uniform of a magician. You have been deceived.' At this, the prince returned to the next land, and went to the same shore, where once again he came upon the man in full evening dress. My father the king has told me who you are,' said the young prince indignantly. 'You deceived me last time, but not again. Now I know that those are not real islands and real princesses, because you are a magician.' The man on the shore smiled. It is you who are deceived, my boy. In your father's kingdom there are many islands and many princesses. But you are under your father's spell, so you cannot see them.' The prince pensively returned home. When he saw his father, he looked him in the eyes. Father, is it true that you are not a real king, but only a magician?' The king smiled, and rolled back his sleeves. Yes, my son, I am only a magician.' Then the man on the shore was God.' The man on the shore was another magician.' I must know the real truth, the truth beyond magic.' There is no truth beyond magic,' said the king. The prince was full of sadness. He said, 'I will kill myself.' The king by magic caused death to appear. Death stood in the door and beckoned to the prince. The prince shuddered. He remembered the beautiful but unreal islands and the unreal but beautiful princesses. Very well,' he said. 'I can bear it.' You see, my son,' said the king, 'you too now begin to be a magician.
John Fowles
When she looked back the whole thing had a queer, unreal feeling to it, but then again you often get a queer, unreal feeling when you stay up till four and get up at seven.
Lev Grossman (The Magician King (The Magicians, #2))
He would lose whatever he had to lose, if that’s what it took to win.
Lev Grossman (The Magician King (The Magicians, #2))
There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
Lev Grossman (The Magician King (The Magicians, #2))
Love is the only bow on Life’s dark cloud. It is the morning and the evening star. It shines upon the babe, and sheds its radiance on the quiet tomb. It is the mother of art, inspirer of poet, patriot and philosopher. It is the air and light of every heart – builder of every home, kindler of every fire on every hearth. It was the first to dream of immortality. It fills the world with melody – for music is the voice of love. Love is the magician, the enchanter, that changes worthless things to Joy, and makes royal kings and queens of common clay. It is the perfume of that wondrous flower, the heart, and without that sacred passion, that divine swoon, we are less than beasts; but with it, earth is heaven, and we are gods.
Robert G. Ingersoll
Sometimes he wasn’t sure if he was in love with Julia or just that he wanted to be in love with her, because it would be so comforting, such a relief, to be in love with her. It seemed like such a good idea. Was there really that big of a difference?
Lev Grossman (The Magician King (The Magicians, #2))
This is the man who thinks too much, who stands back from his life and never lives it. He is caught in a web of pros and cons about his decisions and lost in a labyrinth of reflective meanderings from which he cannot extricate himself. He is afraid to live, to ‘leap into battle.’ He can only sit on his rock and think. The years pass. He wonders where the time has gone. And he ends by regretting a life of sterility. He is a voyeur, an armchair adventurer. In the world of academia, he is a hairsplitter. In the fear of making the wrong decision, he makes none. In his fear of living, he also cannot participate in the joy and pleasure that other people experience in their lived lives. If he is withholding from others, and not sharing what he knows, he eventually feels isolated and lonely. To the extent that he has hurt others with his knowledge and technology—in whatever field and in whatever way—by cutting himself off from living relatedness with other human beings, he has cut off his own soul.” Refering the the dark magician energy.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
Well, Henry, you can cease frowning at me. If I am a magician, I am a very indifferent one. Other adepts summon up fairy-spirits and long-dead kings. I appear to have conjured the spirit of a banker.
Susanna Clarke (Jonathan Strange i pan Norrell. Tom 2)
He’d been free his whole life, if only he’d known it.
Lev Grossman (The Magician King (The Magicians, #2))
It was strange to be naked in front of anybody. It was like that cold water out there in the bay: scary, you didn’t think you could stand it, but then you plunged in and pretty soon you got used to it. There was enough hiding in life. Sometimes you just wanted to show somebody your tits.
Lev Grossman (The Magician King (The Magicians, #2))
Intellectual 'work' is misnamed; it is a pleasure, a dissipation, and is its own highest reward. The poorest paid architect, engineer, general, author, sculptor, painter, lecturer, advocate, legislator, actor, preacher, singer, is constructively in heaven when he is at work; and as for the magician with the fiddle-bow in his hand, who sits in the midst of a great orchestra with the ebbing and flowing tides of divine sound washing over him - why, certainly he is at work, if you wish to call it that, but lord, it's a sarcasm just the same. The law of work does seem utterly unfair - but there it is, and nothing can change it: the higher the pay in enjoyment the worker gets out of it, the higher shall be his pay in cash also.
Mark Twain (A Connecticut Yankee in King Arthur's Court)
Maybe this was the only way it could have gone. You didn’t get the quest you wanted, you got the one you could do. That was the hard part, accepting that you didn’t get to choose which way you went.
Lev Grossman (The Magician King (The Magicians, #2))
In one huge leather-gloved fist Jollyby held up a large, madly kicking hare by its ears. 'Son of a bitch,' Dauntless said. 'He caught it.' Dauntless was a talking horse. She just didn't talk much.
Lev Grossman (The Magician King (The Magicians, #2))
Everything will be all right, She seemed to say, and whatever is not, we will mourn.
Lev Grossman (The Magician King (The Magicians, #2))
Archetypes cannot be banished or wished away.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
Not our logical faculty, but our imaginative one is king over us. I might say, priest and prophet to lead us to heaven-ward, or magician and wizard to lead us hellward.
Thomas Carlyle
Only after Satan had exposed the evil in creation—and, by implication, in the Creator—could honesty and healing begin.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
The leaving happened slowly, gradually, as these things do, and before we knew it, we were lost to each other, as if a magician had whisked a cloth off the table, leaving the dishes there, jolted. And when we looked back it was all a blur, time on fast forward, hurtling to an inevitable conclusion.
Kathryn Stern (Another Song About the King: A Novel)
I consider the positions of kings and rulers as that of dust motes. I observe treasure of gold and gems as so many bricks and pebbles. I look upon the finest silken robes as tattered rags. I see myriad worlds of the universe as small seeds of fruit, and the greatest lake in India as a drop of oil on my foot. I perceive the teachings of the world to be the illusion of, magicians. I discern the highest conception of emancipation as golden brocade in a dream, and view the holy path of the illuminated one as flowers appearing in one's eyes. I see meditation as a pillar of a mountain, Nirvana as a nightmare of daytime. I look upon the judgment of right and wrong as the serpentine dance of a dragon, and the rise and fall of beliefs as but traces left by the four seasons.
Gautama Buddha
Julia had been very very good for a very long time, and the funny thing about that was, if you're too good too much of the time, people start to forget about you. You're not a problem, so people can strike you off their list of things to worry about. Nobody makes a fuss over you. They make a fuss over the bad girls.
Lev Grossman (The Magician King (The Magicians, #2))
The problem was that Julia was smart, and Julia was interested in the truth. She didn’t like inconsistencies, and she didn’t let go until they were resolved, ever.
Lev Grossman (The Magician King (The Magicians, #2))
This whole world was a processed petroleum product.
Lev Grossman (The Magician King (The Magicians, #2))
Maybe this was the only way it could have gone. You didn’t get the quest you wanted, you got the one you could do.
Lev Grossman (The Magician King (The Magicians, #2))
Only a massive rebirth of courage in both men and women will rescue the world.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
We can only admire others if we have a sense of our own worthiness, and a developing sense of security about our own creative energies.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
He was aware for the first time of how quiet the city had gotten. After dark the streets and canals seemed to empty out. As if Venice felt less of an obligation to pretend to be part of this millennium at night, and had reverted to its medieval self again.
Lev Grossman (The Magician King (The Magicians, #2))
she was smart enough to know whose problem that was, and it wasn’t hers.
Lev Grossman (The Magician King (The Magicians, #2))
The quietness of it was weird: real fights happened without a sound track.
Lev Grossman (The Magician King (The Magicians, #2))
But being in the middle of it, it wasn’t that obvious.
Lev Grossman (The Magician King (The Magicians, #2))
And why not do the easiest possible thing? Because isn’t that always the best thing?
Lev Grossman (The Magician King (The Magicians, #2))
Free Trader Beowulf—you had to be at least forty and a recovering pen-and-paper role-playing-gamer to get the reference, but it was apt. Google it.
Lev Grossman (The Magician King (The Magicians, #2))
Jungians have found that in every man there is a feminine sub-personality called the Anima, made up of the feminine archetypes. And in every woman there is a masculine sub-personality called the Animus, made up of the masculine archetypes.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
Even the Raven King - who was not a fairy, but an Englishman - had a somewhat regrettable habit of abducting men and women and taking them to live with him in his castle in the Other Lands. Now, had you and I the power to seize by magic any human being that took our fancy and the power to keep that person by our side through all eternity, and had we all the world to chuse from, then I dare say our choice might fall on someone a little more captivating than a member of the Learned Society of York Magicians, but this comforting thought did not occur to the gentlemen inside York Cathedral
Susanna Clarke (Jonathan Strange & Mr Norrell)
Often, conducting a dialogue with inner “opponents”—usually forms of the immature masculine energies—will defuse much of their power. What they—like all children—really want is to be noticed, honored, and taken seriously. And they have a right to be. Once they are honored, and their feelings validated, they no longer need to act out through our lives.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
That will teach me to meddle with magic meant for kings! Norrell is right. Some magic is not meant for ordinary magicians. Presumably John Uskglass knew what to do with this horrible knowledge. I do not.
Susanna Clarke (Jonathan Strange & Mr Norrell)
He wanted to stick his finger in it and see what happened. Some story, some quest, started here, and he wanted to go on it. It felt fresh and clean and unsafe, nothing like the heavy warm lard of palace life. The protective plastic wrap had been peeled off
Lev Grossman (The Magician King (The Magicians, #2))
If you please, Admiral, don't be a cock. I'll know it when I see it, and if, for some reason, I don't, you tell me, alright?" Admiral Lacker inclined his head almost imperceptibly to indicate that they had a deal. He would endeavor to be as little of a cock as possible.
Lev Grossman (The Magician King (The Magicians, #2))
Forget everything you ordinarily associate with religious study. Strip away all the reverence and the awe and the art and the philosophy of it. Treat the subject coldly. Imagine yourself to be a theologist, but a special kind of theologist, one who studies gods the way an entomologist studies insects. Take as your dataset the entirety of world mythology and treat it as a collection of field observations and statistics pertaining to a hypothetical species: the god. Proceed from there.
Lev Grossman (The Magician King (The Magicians, #2))
All things that move between the quiet poles Shall be at my command. Emperors and kings Are but obey'd in their several provinces, Nor can they raise the wind, or rend the clouds; But his dominion that exceeds in this Stretcheth as far as doth the mind of man! A sound magician is a mighty god.
Christopher Marlowe (The Tragical History of Doctor Faustus)
She strode the earth clad in the invisible armor of their virtual companionship.
Lev Grossman (The Magician King (The Magicians, #2))
There are things that a man must do, that a god may not. He who completes a quest does not merely find something. He becomes something.
Lev Grossman (The Magician King (The Magicians, #2))
This was bad behavior, and she knew it. She did it because she was angry and because she disliked herself. The more she disliked herself, the more she took it out on other people, and the more she took it out on other people the more she disliked herself
Lev Grossman (The Magician King (The Magicians, #2))
He had painstakingly assembled all the ingredients of happiness. He had performed all the necessary rituals, spoken the words, lit the candles, made the sacrifices. But happiness, like a disobedient spirit, refused to come. He couldn’t think what else to do.
Lev Grossman (The Magicians and the Magician King)
Reading about Bordertown was the first time I saw people like me in speculative fiction. Messed-up kids, making messsed-up choices. I couldn't be a magician's apprentice or a pig keeper who might or might not be a king's son or a princess with a prophecy hanging over my head. But I could, maybe, somehow, be part of a community of artists who loved magic.
Holly Black (Welcome to Bordertown (Borderland, #8))
She considered herself too smart to believe in things she had no evidence for, and that behaved in ways that violated every principle she’d ever observed or heard plausibly spoken about. And she considered herself too tough-minded to believe in things just because they made her feel better.
Lev Grossman (The Magician King (The Magicians, #2))
Strange began to laugh. 'Well, Henry, you can cease frowning at me. If I am a magician, I am a very indifferent one. Other adepts summon up fairy-spirits and long-dead kings. I appear to have conjured the spirit of a banker.
Susanna Clarke (Jonathan Strange & Mr Norrell)
Wart draggled off to the tower room, where Merlyn was busy knitting himself a woollen night-cap for the winter. “I cast off two together at every other line,” said the magician, “but for some reason it seems to end too sharply. Like an onion. It is the turning of the heel that does one, every time.
T.H. White (The Once and Future King (The Once and Future King, #1-4))
Like wine, Provençal magic had its own distinctive terroir. It was rich and chaotic and romantic. It was a night-magic, confabulated out of moons and silver, wine and blood, knights and fairies, wind and rivers and forests. It concerned itself with good and evil but also with the vast intermediate realm in between, the realm of mischief.
Lev Grossman (The Magician King (The Magicians, #2))
A Fillory without a god. It was a radical notion. But he thought about it, and it didn't seem like a terrible one. They would be on their own this time - the kings, the queens, the people, the animals, the spirits, the monsters. They'd have to decide what was right and just and fair for themselves.
Lev Grossman (The Magician's Land (The Magicians, #3))
He wordlessly crossed the floor and sat beside Adam on the mattress. When he held out his hand, Adam put the model into it. “This old thing,” Ronan said. He turned the front tyre, and again the music played out of it. They sat like that for a few minutes, as Ronan examined the car and turned each wheel to play a different tune. Adam watched how intently Ronan studied the seams, his eyelashes low over his light eyes. Ronan let out a breath, put the model down on the bed beside him, and kissed Adam. Once, when Adam had still lived in the trailer park, he had been pushing the lawn mower around the scraggly side yard when he realized that it was raining a mile away. He could smell it, the earthy scent of rain on dirt, but also the electric, restless smell of ozone. And he could see it: a hazy gray sheet of water blocking his view of the mountains. He could track the line of rain travelling across the vast dry field towards him. It was heavy and dark, and he knew he would get drenched if he stayed outside. It was coming from so far away that he had plenty of time to put the mower away and get under cover. Instead, though, he just stood there and watched it approach. Even at the last minute, as he heard the rain pounding the grass flat, he just stood there. He closed his eyes and let the storm soak him. That was this kiss. They kissed again. Adam felt it in more than his lips. Ronan sat back, his eyes closed, swallowing. Adam watched his chest rise and fall, his eyebrows furrow. He felt as bright and dreamy and imaginary as the light through the window. He did not understand anything. It was a long moment before Ronan opened his eyes, and when he did, his expression was complicated. He stood up. He was still looking at Adam, and Adam was looking back, but neither said anything. Probably Ronan wanted something from him, but Adam didn’t know what to say. He was a magician, Persephone had said, and his magic was making connections between disparate things. Only now he was too full of white, fuzzy light to make any sort of logical connections. He knew that of all the options in the world, Ronan Lynch was the most difficult version of any of them. He knew that Ronan was not a thing to be experimented with. He knew his mouth still felt warm. He knew he had started his entire time at Aglionby certain that all he wanted to do was get as far away from this state and everything in it as possible. He was pretty sure he had just been Ronan’s first kiss.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
This means that he has an unconquerable spirit, that he has great courage, that he is fearless, that he takes responsibility for his actions, and that he has self-discipline. Discipline means that he has the rigor to develop control and mastery over his mind and over his body, and that he has the capacity to withstand pain, both psychological and physical.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
All knowledge that takes special training to acquire is the province of the Magician energy. Whether you are an apprentice training to become a master electrician and unraveling the mysteries of high voltage; or a medical student, grinding away night and day, studying the secrets of the human body and using available technologies to help your patients; or a would-be stockbroker or a student of high finance; or a trainee in one of the psychoanalytic schools, you are in exactly the same position as the apprentice shaman or witch doctor in tribal societies. You are spending large amounts of time, energy, and money in order to be initiated into rarefied realms of secret power. You are undergoing an ordeal testing your capacities to become a master of this power. And, as is true in all initiations, there is no guarantee of success. [Magician energy]
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
Eliot had no idea where he was going, but he’d read enough to know that a state of relative ignorance wasn’t necessarily a handicap on a quest. It was something your dauntless questing knight accepted and embraced. You lit out into the wilderness at random, and if your state of mind, or maybe it was your soul, was correct, then adventure would find you through the natural course of events. It was like free association—there were no wrong answers. It worked as long as you weren’t trying too hard.
Lev Grossman (The Magician King (The Magicians, #2))
He and Janet talked like this all the time. The Fillorians didn’t really get it, they thought High King Eliot and Queen Janet hated each other, but the truth was that in Quentin’s absence Janet had become his principal confidante. Eliot supposed it was partly because they both found real romantic intimacy elusive and kind of uninteresting, so usually neither of them had a serious boyfriend, and they had to turn to each other for intelligent companionship.
Lev Grossman (The Magician's Land)
All of these techniques share an ontological purpose: to manipulate perceptions and to re-create reality. Once that Pandora’s box was open, there was no closing it again. The temptation was too great. For those who wanted to play God, there was the next best thing: one could play with the elements of creation in such a way that magical transformations would take place. As the men of the OSS, CIA, military intelligence and with Tavistock’s oversight developed from the armchair scholars that most of them were before the war years into soldiers fighting on all fronts of the Cold War, they became, in a very real sense, magicians. “The CIA mind control projects themselves represented an assault on consciousness and reality that has not been seen in history since the age of the philosopher-kings and their court alchemists.”9
Daniel Estulin (Tavistock Institute: Social Engineering the Masses)
What the Addict is seeking (though he doesn’t know it) is the ultimate and continuous “orgasm,” the ultimate and continuous “high.” This is why he rides from village to village and from adventure to adventure. This is why he goes from one woman to another. Each time his woman confronts him with her mortality, her finitude, her weakness and limitations, hence shattering his dream of this time finding the orgasm without end—in other words, when the excitement of the illusion of perfect union with her (with the world, with God) becomes tarnished—he saddles his horse and rides out looking for renewal of his ecstasy. He needs his “fix” of masculine joy. He really does. He just doesn’t know where to look for it. He ends by looking for his “spirituality” in a line of cocaine. Psychologists talk about the problems that stem from a man’s possession by the Addict as “boundary issues.” For the man possessed by the Addict, there are no boundaries. As we’ve said, the Lover does not want to be limited. And, when we are possessed by him, we cannot stand to be limited.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
…but to the unicorn’s eyes Molly was becoming a softer country, full of pools and caves, where old flowers came burning out of the ground. Under the dirt and indifference, she appeared only thirty-seven or thirty-eight years old - no older than Schmendrick, surely, despite the magician’s birthdayless face. Her rough hair bloomed, her skin quickened, and her voice was nearly as gentle to all things as it was when she spoke to the unicorn. The eyes would never be joyous, any more than they could ever turn green or blue, but they too had wakened in the earth. She walked eagerly into King Haggard’s realm on bare, blistered feet, and she sang often. And far away on the other side of the unicorn, Schmendrick the Magician stalked in silence. His black cloak was sprouting holes, coming undone, and so was he. The rain that renewed Molly did not fall on him, and he seemed ever more parched and deserted, like the land itself. The unicorn could not heal him. A touch of her horn could have brought him back from death, but over despair she had no power, nor over magic that had come and gone.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
Captain Harcourt-Bruce was not only dashing, handsome, and brave, he was also rather romantic. The reappearance of magic in England thrilled him immensely. He was a great reader of the more exciting sort of history - and his head was full of ancient battles in which the English were outnumbered by the French and doomed to die, when all at once would be heard the sound of strange, unearthly music, and upon a hilltop would appear the Raven King in his tall, black helmet with it's mantling of raven-feathers streaming in the wind; he would gallop down the hillside on his tall, black horse with a hundred human knights and a hundred fairy knights at his back, and he would defeat the French by magic. That was Captain Harcourt-Bruce's idea of a magician. That was the sort of thing which he now expected to see reproduced on every battlefield on the Continent. So when he saw Mr Norrell in his drawing-room in Hanoversquare, and after he had sat and watched Mr Norrell peevishly complain to his footman, first that the cream in his tea was too creamy, and next that it was too watery - well, I shall not surprize you when I say he was somewhat disappointed. In fact he was so downcast by the whole undertaking that Admiral Paycocke, a bluff old gentleman, felt rather sorry for him and only had the heart to laugh at him and tease him very moderately about it.
Susanna Clarke (Jonathan Strange & Mr Norrell)
The drug dealer, the ducking and diving political leader, the wife beater, the chronically “crabby” boss, the “hot shot” junior executive, the unfaithful husband, the company “yes man,” the indifferent graduate school adviser, the “holier than thou” minister, the gang member, the father who can never find the time to attend his daughter’s school programs, the coach who ridicules his star athletes, the therapist who unconsciously attacks his clients’ “shining” and seeks a kind of gray normalcy for them, the yuppie—all these men have something in common. They are all boys pretending to be men. They got that way honestly, because nobody showed them what a mature man is like. Their kind of “manhood” is a pretense to manhood that goes largely undetected as such by most of us. We are continually mistaking this man’s controlling, threatening, and hostile behaviors for strength. In reality, he is showing an underlying extreme vulnerability and weakness, the vulnerability of the wounded boy.
Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering the Archetypes of the Mature Masculine)
I once saw a woman wearing a low-cut dress; she had a glazed look in her eyes, and she was walking the streets of Ljubljana when it was five degrees below zero. I thought she must be drunk, and I went to help her, but she refused my offer to lend her my jacket. Perhaps in her world it was summer and her body was warmed by the desire of the person waiting for her. Even if that person only existed in her delirium, she had the right to live and die as she wanted, don’t you think?” Veronika didn’t know what to say, but the madwoman’s words made sense to her. Who knows; perhaps she was the woman who had been seen half-naked walking the streets of Ljubljana? “I’m going to tell you a story,” said Zedka. “A powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which all the inhabitants drank. Whoever drank that water would go mad. “The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take no notice of them. “When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. They marched on the castle and called for his abdication. “In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’ “And that was what they did: The king and the queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such wisdom, why not allow him to continue ruling the country? “The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.” Veronika laughed. “You don’t seem crazy at all,” she said. “But I am, although I’m undergoing treatment since my problem is that I lack a particular chemical. While I hope that the chemical gets rid of my chronic depression, I want to continue being crazy, living my life the way I dream it, and not the way other people want it to be. Do you know what exists out there, beyond the walls of Villete?” “People who have all drunk from the same well.” “Exactly,” said Zedka. “They think they’re normal, because they all do the same thing. Well, I’m going to pretend that I have drunk from the same well as them.
Paulo Coelho (Veronika Decides to Die)
The earliest storytellers were magi, seers, bards, griots, shamans. They were, it would seem, as old as time, and as terrifying to gaze upon as the mysteries with which they wrestled. They wrestled with mysteries and transformed them into myths which coded the world and helped the community to live through one more darkness, with eyes wide open and hearts set alight. "I can see them now, the old masters. I can see them standing on the other side of the flames, speaking in the voices of lions, or thunder, or monsters, or heroes, heroines, or the earth, or fire itself -- for they had to contain all voices within them, had to be all things and nothing. They had to have the ability to become lightning, to become a future homeland, to be the dreaded guide to the fabled land where the community will settle and fructify. They had to be able to fight in advance all the demons they would encounter, and summon up all the courage needed on the way, to prophesy about all the requisite qualities that would ensure their arrival at the dreamt-of land. "The old masters had to be able to tell stories that would make sleep possible on those inhuman nights, stories that would counter terror with enchantment, or with a greater terror. I can see them, beyond the flames, telling of a hero's battle with a fabulous beast -- the beast that is in the hero." "The storyteller's art changed through the ages. From battling dread in word and incantations before their people did in reality, they became the repositories of the people's wisdom and follies. Often, conscripted by kings, they became the memory of a people's origins, and carried with them the long line of ancestries and lineages. Most important of all, they were the living libraries, the keepers of legends and lore. They knew the causes and mutations of things, the herbs, trees, plants, cures for diseases, causes for wars, causes of victory, the ways in which victory often precipitates defeat, or defeat victory, the lineages of gods, the rites humans have to perform to the gods. They knew of follies and restitutions, were advocates of new and old ways of being, were custodians of culture, recorders of change." "These old storytellers were the true magicians. They were humanity's truest friends and most reliable guides. Their role was both simple and demanding. They had to go down deep into the seeds of time, into the dreams of their people, into the unconscious, into the uncharted fears, and bring shapes and moods back up into the light. They had to battle with monsters before they told us about them. They had to see clearly." "They risked their sanity and their consciousness in the service of dreaming better futures. They risked madness, or being unmoored in the wild realms of the interspaces, or being devoured by the unexpected demons of the communal imagination." "And I think that now, in our age, in the mid-ocean of our days, with certainties collapsing around us, and with no beliefs by which to steer our way through the dark descending nights ahead -- I think that now we need those fictional old bards and fearless storytellers, those seers. We need their magic, their courage, their love, and their fire more than ever before. It is precisely in a fractured, broken age that we need mystery and a reawoken sense of wonder. We need them to be whole again.
Ben Okri (A Way of Being Free)