Magical Voice Quotes

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I do believe in an everyday sort of magic -- the inexplicable connectedness we sometimes experience with places, people, works of art and the like; the eerie appropriateness of moments of synchronicity; the whispered voice, the hidden presence, when we think we're alone.
Charles de Lint
A book is made from a tree. It is an assemblage of flat, flexible parts (still called "leaves") imprinted with dark pigmented squiggles. One glance at it and you hear the voice of another person, perhaps someone dead for thousands of years. Across the millennia, the author is speaking, clearly and silently, inside your head, directly to you. Writing is perhaps the greatest of human inventions, binding together people, citizens of distant epochs, who never knew one another. Books break the shackles of time ― proof that humans can work magic.
Carl Sagan
People disappear when they die. Their voice, their laughter, the warmth of their breath. Their flesh. Eventually their bones. All living memory of them ceases. This is both dreadful and natural. Yet for some there is an exception to this annihilation. For in the books they write they continue to exist. We can rediscover them. Their humor, their tone of voice, their moods. Through the written word they can anger you or make you happy. They can comfort you. They can perplex you. They can alter you. All this, even though they are dead. Like flies in amber, like corpses frozen in the ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic.
Diane Setterfield (The Thirteenth Tale)
The phone rang. I picked it up. “Are you sitting down?” Curran's voice asked. “Yes.” “Good.” Click. I listened to the disconnect signal. If he wanted me to sit, then I'd stand. I got up. The chair got up with me and I ended up bent over my desk, with the chair stuck to my butt. I grabbed the edge of the chair and tried to pull it off. It remained stuck. I would murder him. Slowly. And I'd enjoy every second of it.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
A song she heard Of cold that gathers Like winter's tongue Among the shadows It rose like blackness In the sky That on volcano's Vomit rise A Stone of ruin From burn to chill Like black moonrise Her voice fell still...
Robert Fanney
Here is a list of terrible things, The jaws of sharks, a vultures wings The rabid bite of the dogs of war, The voice of one who went before, But most of all the mirror's gaze, Which counts us out our numbered days.
Clive Barker (Abarat: Days of Magic, Nights of War)
I don't know who Azazel is," he said. "Isn't he the cat from The Smurfs?" He cast about , but Isabelle just looked up and rolled her eyes at him. "Clary?" he thought Her voice came through, tinged with alarm. "What is it? What happened? Did my mom find out I'm gone?" "Not yet," he thought back. "Is Azazel the cat from The Smurfs?" There was a long pause. "That's Azrael, Simon. And no more using the magic rings for Smurf questions.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
A myth without a voice is like a dandelion without a breath of wind. No way to spread the seeds.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
He finished the bandage and was examining it critically. "You know those things are unreliable." His voice held just a touch of reproach. “Eleven out of twelve work fine. I’d say that’s better chances than getting an orgasm with a blind date and women still try.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
The mage pulled my knife out of his side and looked at it. “Nice knife.” The voice was deep but female. I threw my second knife. The blade bit into the mage’s chest. Shit. Missed the neck. “Here, have another one.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
His Majesty needs a can-I girl anyway. And I'm not it." "A can-I girl?" Andrea frowned. I leaned back. "'Can I fetch your food, Your Majesty? Can I tell you how strong and mighty you are, Your Majesty? Can I pick your fleas, Your Majesty? Can I kiss your ass, Your Majesty? Can I..." It dawned on me that Raphael was sitting very still. Frozen, like a statue, his gaze fixed on the point above my head. "He's standing behind me, isn't he?" Andrea nodded slowly. "Technically it should be 'may I'," Curran said, his voice deeper than I remembered. "Since you're asking for permission." Why me? "To answer your question, yes, you may kiss my ass. Normally I prefer maintain my personal space, but you're a Friend of the Pack and your services have proven useful once or twice. I strive to accommodate the wishes of persons friendly to my people. My only question is, would kissing my ass be obeisance, grooming, or foreplay?
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Your sword is made out of your grandmother’s bones?” “Okay, I see how it sounds weird when you say it in that tone of voice
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
Clap her in chains," says Randalin. Never have I so wished there was a way for me to show I was telling the truth. But there isn't. No oath of mine carries any weight. I feel a guard's hand close on my arm. Then Cardan's voice comes. "Do not touch her." A terrible silence follows. I wait for him to pronounce judgement on me. Whatever he commands will be done. His power is absolute. I don't even have the strength to fight back. "Whatever can you mean?" Randalin says. "She's-" "She is my wife," Cardan says, his voice carrying over the crowd. "The rightful High Queen of Elfhame. And most definitely not in exile.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Oh, it's you," Curran's voice said quietly. "I thought it was an elephant.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
He leaned his head to me, his neck so close to my lips, I felt the heat coming off his skin. His breath was warm against my ear. His voice was a ragged snarl. "I miss you." This wasn't happening. "I worry about you." He dipped his head and looked into my eyes. "I worry something stupid will happen and I won't be there and you'll be gone. I worry we won't ever get a chance and it's driving me out of my skull." No, no, no, no......... We stared at each other. The tiny space between us felt too hot. Muscles bulged on his naked frame. He looked feral. Mad gold eyes stared into mine. "Do you miss me, Kate?" I closed my eyes trying to shut him out. I could lie then we would be back to square one. Nothing would be resolved. I'd still be alone, hating him and wanting him. He grabbed my shoulders and shook me once. "Do you miss me?" I took the plunge. "Yes.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
Jiggery pokery!” said Harry in a fierce voice. “Hocus pocus — squiggly wiggly —” “MUUUUUUM!” howled Dudley, “He’s doing you know what!
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
Waves are the voices of tides. Tides are life," murmured Niko. "They bring new food for shore creatures, and take ships out to sea. They are the ocean's pulse, and our own heartbeat.
Tamora Pierce (Sandry's Book (Circle of Magic, #1))
I’d missed him so much, it almost hurt. It started the moment I left the Keep and nagged at me all day. Every day I had to fight with myself to keep from making up bullshit reasons to call the Keep so I could hear his voice. My only saving grace was that Curran wasn’t handling this whole mating thing any better. Yesterday he’d called me at the office claiming that he couldn’t find his socks. We talked for two hours.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Frostpine made a face. Lifting the cup, he dumped its contents down his throat. “Auugghh!” he yelled, his voice stronger than it had been since his return from the harbor. "Are you trying to kill me, woman?" "If I mean to kill someone, I do it," Rosethorn told him. "I don't try.
Tamora Pierce (Tris's Book (Circle of Magic, #2))
Then what is magic for?" Prince Lír demanded wildly. "What use is wizardry if it cannot save a unicorn?" He gripped the magician's shoulder hard, to keep from falling. Schmedrick did not turn his head. With a touch of sad mockery in his voice, he said, "That's what heroes are for.
Peter S. Beagle (The Last Unicorn (The Last Unicorn, #1))
I know it's late, but could you find a book for me? It's called The Slavs: Study of Pagan Tradition by Osvintsev." Barabas sighed dramatically. "Kate, you make me despair. Let's try that again from the top, except this time pretend you are an alpha." "I don't need a lecture. I just need the book." "Much better. Little more growl in the voice?" "Barabas!" "And we're there. Congratulations!
Ilona Andrews (Magic Slays (Kate Daniels, #5))
This is a magical place,” I said. “Everything shines here.” “You must stop yourself from thinking like that,” Dr. Kerry said, his voice raised. “You are not fool’s gold, shining only under a particular light. Whomever you become, whatever you make yourself into, that is who you always were. It was always in you. Not in Cambridge. In you. You are gold. And returning to BYU, or even to that mountain you came from, will not change who you are. It may change how others see you, it may even change how you see yourself—even gold appears dull in some lighting—but that is the illusion. And it always was.
Tara Westover (Educated)
I'm sorry I left. I'm sorry. But I'm here now, so you can't die,” he said, his voice finally breaking. “Don't you see how rude that would be, when I've come so far?
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
You used your power to toss one rock at me?" he exclaimed, an almost comic note of incredulity in his voice. "On the contrary," I heard Dorian say pleasantly. "I didn't use magic for that. I just threw it.
Richelle Mead (Storm Born (Dark Swan, #1))
Clary?" he thought. Her voice came through, tinged with alarm. "What is it? What's happened? Did my mom find out I'm gone?" "Not yet," he thought back. "Is Azazel the cat from the Smurfs?" There was a long pause. "That's Azrael, Simon. And no more using the magic rings for Smurfs question.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
creative entitlement simply means believing that you are allowed to be here, and that—merely by being here—you are allowed to have a voice and a vision of your own.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
The magic of the present moment that is warily stored in the granary of our memory may pop up at any time and usher us along the winding paths of our life, and light up the dead points in the dim curves of our journey. ("Voices of the sea") –
Erik Pevernagie
Five minutes later, we were rolling around on the helipad as he tried to muscle his way out of my armlock, after slamming me onto the helipad. “I finally realized the source of your mutual attraction,” Saiman said, his voice dry. I looked up. He was standing a few feet away. “Do enlighten us.” Curran tried to roll into me to break the lock. Oh no you don’t. “You both think violence is foreplay.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Enough," Curran said. An unmistakable command saturated his voice. Jim clicked his mouth shut. I crossed my arms. "I'm sorry, is this the part where I fall to my knees and shiver in fear, Your Furriness? Silly me, I didn't get the memo.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
You're Mad Rogan!" Leon burst out. "Yes," Mad Rogan said, his voice calm. "And you can break cities?" "Yes." "And you have all this money and magic?" "Yes." Where was Leon going with this? My cousin blinked. "And you look . . . like that?" Mad Rogan nodded. "Yes." Leon's dark eyes went wide. He looked at Mad Rogan, then glanced back at himself. At fifteen, Leon weighed barely a hundred pounds. His arms and legs were like chopsticks. "There is no justice in the world!" Leon announced.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
When the ashes of the wildfire of love have been scattered in the hazy den of oblivion and emotions have gone out of commission, life gets unremittingly tangled up, if no inner voices emerge to enlighten the looming shadows of hesitant expectations, if no shimmer sparks the magic appeal of ‘Being in the world’. ("Fish for silence." )
Erik Pevernagie
Kings need not raise their voices to be heard.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
When she opened her eyes, she was both in her body and watching it, nowhere near the cavity of the tree. The Blue that was before her stood inches from a boy in an Aglionby sweater. There was a slight stoop to his posture, and his shoulders were spattered darkly with rain. It was his fingers that Blue felt on her face. He touched her cheek with the backs of his fingers. Tears coursed down the other Blue's face. Though some strange magic, Blue could feel them on her face as well. She could feel, too, sick, rising misery she'd felt in the churchyard, the grief that felt bigger than her. The other Blue's tears seemed endless. One drop slid after another, each following an identical path down her cheeks. The boy in the Aglionby sweater leaned his forehead against Blue's. She felt the pressure of his skin against hers, and suddenly she could smell mint. It'll be okay. Gansey told the other Blue. She could tell that he was afraid. It'll be okay. Impossibly, Blue realized that this other Blue was crying because she loved Gansey. And that the reason Gansey touched her like that, his fingers so careful with her, was because he knew that her kiss could kill him. She could feel how badly the other Blue wanted to kiss him, even as she dreaded it. Though she couldn't understand why, her real, present day memories in the tree cavity were clouded with other false memories of their lips nearly touching, a life this other Blue had already lived. Okay, I'm ready- Gansey's voice caught, just a little. Blue, kiss me.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
Sleep, my love," He whispered, smoothing her long hair, lifting the damp locks away from the back of her neck. "I'll be here to watch over you." "You sleep too," she said groggily, her hand creeping to the center of his chest. "No." McKenna smiled and pressed a soft kiss against her temple. His voice was husky with wonder. "Not when staying awake is better than anything I could find in a dream.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
You look like hell,' he said to me in a low voice. 'Gee, Dax, don’t coat it with honey. Tell me what you really think,' I said.
Maria V. Snyder (Magic Study (Study, #2))
I hope you feel better about yourself. I hope you feel alive. I hope that good things happen to you, and I hope that when the inevitable bad things happen you can handle them and learn a lesson and move on. I hope you know you're not alone and I hope you spend plenty of time with your family and/or friends and I hope you write more and get a seven-figure book deal. I hope next year no more celebrities die and I hope you get an iPhone if you want one. Or maybe a pony. I hope someone writes a song for you on Valentines Day that's a bit like Hey There Delilah, and I hope they have a good singing voice, or at least one better than mine. I hope that you accept yourself the way you are, and figure out that losing 20 pounds isn't going to magically make you love yourself. I hope you read a lot. I hope you don't have to almost die to figure out how valuable life is. I hope you find the perfect nail polish/digital camera/home/life partner. I hope you stop being jealous of others. I hope you feel good, about yourself and the people around you and the world. I hope you eat heaps of salt and vinegar chips because they're the best kind. I hope you accomplish all your hopes & dreams & aspirations and are blissfully happy & get married to Edward Cullen/George Clooney/Megan Fox/Angelina Jolie (delete whichever are inappropriate) & ride a pretty white horse into the sunset & I hope it's all sweet and wonderful because you deserve it because you did well this year in the face of sparkly vampires/great evil/low self-esteem.
Steph Bowe
Curran's eyes went gold. His voice dropped into a rough growl. "If you're going to shoot, make sure to empty the clip, because after you're done, I'll shove that gun up your ass sideways." Blue Jacket blinked. "Can you even do that?" I asked. "Let's find out." Curran stared at the thug. "Well? Shoot, so we can start this experiment.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
And you expect me to commute two hours each way from the Keep to the Order." I kept my voice mild. "I suppose I won't be needing my job, my house, or my clothes anymore." "I didn't say that. Although let me get back to you on the clothes. It's still under consideration.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
His Majesty needs a can-I girl anyway. And I’m not it.” “A can-I girl?” Andrea frowned. I leaned back. “ ‘ Can I fetch you your food, Your Majesty? Can I tell you how strong and mighty you are, Your Majesty? Can I pick out your fleas, Your Majesty? Can I kiss your ass, Your Majesty? Can I...” It dawned on me that Raphael was sitting very still. Frozen, like a statue, his gaze fixed on the point above my head. “He’s standing behind me, isn’t he?” Andrea nodded slowly. “Technically it should be ‘may I,’” Curran said, his voice deeper than I remembered. “Since you’re asking permission.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
I finally realized the source of your mutual attraction," Saiman said, his voice dry. "You both think violence is foreplay.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
Read this to yourself. Read it silently. Don't move your lips. Don't make a sound. Listen to yourself. Listen without hearing anything. What a wonderfully weird thing, huh? NOW MAKE THIS PART LOUD! SCREAM IT IN YOUR MIND! DROWN EVERYTHING OUT. Now, hear a whisper. A tiny whisper. Now, read this next line in your best crotchety- old man voice: "Hello there, sonny. Does your town have a post office?" Awesome! Who was that? Whose voice was that? It sure wasn't yours! How do you do that? How?! It must've been magic.
Bo Burnham
Really, Luther, if I knew you were that hungry, I would’ve picked up some takeout.” At the sound of my voice, he turned. “You!” “Me.” “What is this?” He looked at Julie. “Mini-you?
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
The sound of my name in his voice stopped me in midturn. I don't know how the hell he did it, but whenever he said my name, it cut through all other distractions and made me pause, as if he'd clenched me to him and kissed me.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
I know I hated magic for a reason," Janco said. "Congratulations. This is the first time you've had a VALID reason to hate something," Ari countered. "Remember your campaign against sand?" "Sand! Horrid little stuff. Gets everywhere. I had a perfectly good argue--" "Janco." Ari's voice rumbled deep in his throat. In a heartbeat, Janco switched gears. "Well, this blood magic sounds worse than sand.
Maria V. Snyder (Storm Glass (Glass, #1))
All right. Tell me what I'm looking at." From the improvised Rolling Stones T-shirt bag tied to my sash, Bob the Skull said, in his most caustic voice, "A giant pair of cartoon lips." I muttered a curse and fumbled with the shirt until one of the skull's glowing orange eye sockets was visible. A big goofy magic nerd!" Bob said.
Jim Butcher (Changes (The Dresden Files, #12))
She asked in a hesitant whisper, "Do you still think i'm a... A singularly unhorrible demon?" "No," he said smiling. "I think you're magical, and brave, and exquisite. And..." His voice grew bashful. Only in a dream could he be so bold and speak such words. "I hope you'll let me be in your story.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
There is a relationship between the eye contacts we make and the perceptions that we create in our heads, a relationship between the sound of another's voice and the emotions that we feel in our hearts, a relationship between our movements in space all around us and the magnetic pulls we can create between others and ourselves. All of these things (and more) make up the magic of every ordinary day and if we are able to live in this magic, to feel and to dwell in it, we will find ourselves living with magic every day. These are the white spaces in life, the spaces in between the written lines, the cracks in which the sunlight filters into. Some of us swim in the overflowing of the wine glass of life, we stand and blink our eyes in the sunlight reaching unseen places, we know where to find the white spaces, we live in magic.
C. JoyBell C.
There once was a girl,” he said, his voice slick, “clever and good, who tarried in shadow in the depths of the wood. There also was a King—a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two were the same: “The girl, the King, and the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
Like flies in amber, like corpses frozen in ice, that which according to the laws of nature should pass away is, by the miracle of ink on paper, preserved. It is a kind of magic. As one tends the graves of the dead, so I tend the books. And every day I open a volume or two, read a few lines or pages, allow the voices of the forgotten dead to resonate inside my head.
Diane Setterfield (The Thirteenth Tale)
Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, "Here, kitty, kitty, kitty." [...] "Kitty, kitty?" asked a level male voice.[...] "What kind of woman greets the Beast Lord with 'here, kitty, kitty'?" he asked. "One of a kind". I murmered the obvious reply.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Is there anything in the world better than words on the page? Magic signs, the voices of the dead, building blocks to make wonderful worlds better than this one, comforters, companions in loneliness. Keepers of secrets, speakers of the truth...all those glorious words.
Cornelia Funke (Inkheart (Inkworld, #1))
Magnus said, in a low voice, “And what’s that one?” Alec answered, “Stamina.” Magnus stared. “Are you serious?” Alec began to grin. “Yeah.” “Really, though,” Magnus said. “I want to be clear on this. You’re not just saying that to be sexy?” “No,” Alec answered, his voice husky, and swallowed. “But I’m glad if it is.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
You're screening your calls?" "Why not? It saves me from conversations with idiots." "Is that an insult?" His voice dropped into a deep growl. "You're not an idiot," I told him. "You're just a deadly psychopath with a god complex.(...)
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
If you choose to use your status and influence to raise your voice on behalf of those who have no voice; if you choose to identify not only with the powerful, but with the powerless; if you retain the ability to imagine yourself into the lives of those who do not have your advantages, then it will not only be your proud families who celebrate your existence, but thousands and millions of people whose reality you have helped transform for the better. We do not need magic to change the world, we carry all the power we need inside ourselves already: we have the power to imagine better.
J.K. Rowling
What do you think?" he asked, his voice deep and commanding. I eyed him. "Impressive, but too much." He leaned toward me, the blue eyes smoky with a promise I was shure he could fulfill. I tried not to think of the bedroom. "Too much?" "Yes. I like the menace. It's very masculine, but he looks like he would screw everything in sight and call me 'wench
Ilona Andrews (Magic Bites (Kate Daniels, #1))
While this is all very amusing, the kiss that will free the girl is the kiss that she most desires,” she said. “Only that and nothing more.” Jace’s heart started to pound. He met the Queen’s eyes with his own. “Why are you doing this?” … “Desire is not always lessened by disgust…And as my words bind my magic, so you can know the truth. If she doesn’t desire your kiss, she won’t be free.” “You don’t have to do this, Clary, it’s a trick—” (Simon) ...Isabelle sounded exasperated. ‘Who cares, anyway? It’s just a kiss.” “That’s right,” Jace said. Clary looked up, then finally, and her wide green eyes rested on him. He moved toward her... and put his hand on her shoulder, turning her to face him… He could feel the tension in his own body, the effort of holding back, of not pulling her against him and taking this one chance, however dangerous and stupid and unwise, and kissing her the way he had thought he would never, in his life, be able to kiss her again. “It’s just a kiss,” he said, and heard the roughness in his own voice, and wondered if she heard it, too. Not that it mattered—there was no way to hide it. It was too much. He had never wanted like this before... She understood him, laughed when he laughed, saw through the defenses he put up to what was underneath. There was no Jace Wayland more real than the one he saw in her eyes when she looked at him… All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. He...whispered in her ear. “You can close your eyes and think of England, if you like,” he said. Her eyes fluttered shut, her lashes coppery lines against her pale, fragile skin. “I’ve never even been to England,” she said, and the softness, the anxiety in her voice almost undid him. He had never kissed a girl without knowing she wanted it too, usually more than he did, and this was Clary, and he didn’t know what she wanted. Her eyes were still closed, but she shivered, and leaned into him — barely, but it was permission enough. His mouth came down on hers. And that was it. All the self-control he’d exerted over the past weeks went, like water crashing through a broken dam. Her arms came up around his neck and he pulled her against him… His hands flattened against her back... and she was up on the tips of her toes, kissing him as fiercely as he was kissing her... He clung to her more tightly, knotting his hands in her hair, trying to tell her, with the press of his mouth on hers, all the things he could never say out loud... His hands slid down to her waist... he had no idea what he would have done or said next, if it would have been something he could never have pretended away or taken back, but he heard a soft hiss of laughter — the Faerie Queen — in his ears, and it jolted him back to reality. He pulled away from Clary before he it was too late, unlocking her hands from around his neck and stepping back... Clary was staring at him. Her lips were parted, her hands still open. Her eyes were wide. Behind her, Alec and Isabelle were gaping at them; Simon looked as if he was about to throw up. ...If there had ever been any hope that he could have come to think of Clary as just his sister, this — what had just happened between them — had exploded it into a thousand pieces... He tried to read Clary’s face — did she feel the same? … I know you felt it, he said to her with his eyes, and it was half bitter triumph and half pleading. I know you felt it, too…She glanced away from him... He whirled on the Queen. “Was that good enough?” he demanded. “Did that entertain you?” The Queen gave him a look: special and secretive and shared between the two of them. “We are quite entertained," she said. “But not, I think, so much as the both of you.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Did you just grab my butt?” I whispered. “What?” “Curran!” “Yes?” I could hear controlled laughter in his voice. Unbelievable. I sped up. “We’re tracking ghouls and you’re grabbing my butt.” “I always make sure to pay attention to important things.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
I almost had her." Curran nodded. "I heard. And you could've taken her, too." My voice came out flat. "Rub it in, why don't you." He grinned. "No time for that now, maybe later." I closed my eyes. There wouldn't be any later. "Are you imagining me rubbing it in?" he asked.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
You don’t get to leave me. Do you understand?” Cupping my face, he wrenched me backward and kissed me hard. His voice was fierce. His eyes were fiercer. They burned into mine, angry and anguished and afraid. “You don’t get to do this alone. If you retreat into your mind—into your magic—I’ll follow you, Lou.” He shook me slightly, tears glistening in those frightened eyes. “I’ll follow you into that darkness, and I’ll bring you back. Do you hear me? Where you go, I will go.
Shelby Mahurin (Blood & Honey (Serpent & Dove, #2))
Who is there with you?" "Raphael" Kate's voice snapped. "I'll be in Atlanta in three hours. Where are you?" "I said it's nothing major." "Bullshit. You wouldn't work with Raphael unless the Apocalypse was imminent and that was the only way to prevent it.
Ilona Andrews (Magic Mourns (World of Kate Daniels, #3.5; Andrea Nash, #0.5))
Tell your story. Shout it. Write it. Whisper it if you have to. But tell it. Some won't understand it. Some will outright reject it. But many will thank you for it. And then the most magical thing will happen. One by one, voices will start whispering, 'Me, too.' And your tribe will gather. And you will never feel alone again.
L.R. Knost
Kate stood by the door with her arms crossed. That was an anti-Curran pose. What the hell was the Beast Lord doing here? I padded to the door. “First, you didn’t come home.” Curran’s voice held zero humor. “Second, I’m told that my mate is lingering in Raphael’s house. There can’t be any good reason for you to be here.” “Are you spying on me, Your Furriness?” Kate asked.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
Oh, good, it worked,” Archer said, his ghostly face relieved. Unlike Elodie, his voice came in loud and clear, and so familiar that my heart broke all over again. I stood frozen, my back against the door. Even though he was faint, I could see him smirk. “Um…Mercer? Haven’t seen you in nearly a month. I was expecting something like, ‘Oh, Cross, love of my heart, fire of my loins, how I’ve longed—’” “You’re dead,” I blurted out, pressing a hand against my stomach. “You’re a ghost, and you think—” All the humor disappeared from his face, and he held up both hands. “Whoa, whoa, whoa. Not dead. Promise.” My heart was still hammering. “Then what the heck are you?” Archer almost looked sheepish as he reached inside his shirt and pulled out some kind of amulet on a thin silver chain. “It’s a speaking stone. Lets you appear to people kind of like a hologram. You know. ‘Help me, Sophie-Wan Kenobi, you’re my only hope.’” “Did you steal it from the cellar at Hecate, too?” Archer had collected all sorts of magical knickknacks back when we had cellar duty at Hex Hall. “No,” he said, offended. “I found it at a…store. For magical stuff. Okay, yes, I stole it from the cellar.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Rosethorn had gone to her room the moment Niko started to cough. Now she returned with her syrup and a firm look in her eye. "I thought you were having trouble last night. Drink this." She poured some into a cup and held it out to him. Niko looked at it as if she offered him rotten fish. "I am fine. I am per-" He couldn't even finish the sentence for coughing. "It's not bad," said Tris, crossing her fingers behind her back. "Really, tastes like-like mangoes." Niko looked at her, then took the cup and downed its contents. The four watched with interest as his cheeks turned pale, then scarlet. "That's terrible (exclamation point)" he cried, his voice a thin squeak. "Maybe I was thinking of some other syrup," Tris remarked with a straight face.
Tamora Pierce (Daja's Book (Circle of Magic, #3))
friend request from ........." a) the girl who said you were ugly. b) the girl who said your voice was off-key. c) the girl who refused to defend you. d) the girl who laughed at you behind your back & to your face. e) the girl who took your lunch money every day because she said you didn't need to eat. f) the girl who said you were "fat" even after you starved yourself to death. g) the girl who was supposed to be your best friend. h) all the above. -keep pressing ignore, lovely.
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic—one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita’s absence from my side, but the absence of her voice from that concord.
Vladimir Nabokov (Lolita)
He uttered a curse that startled her with its foulness, and gripped her head between his hands, forcing her to stare at him. His voice was savage. "For twelve years I have been in constant torment, wanting you in my arms and believing it would never be possible. I want you for a thousand reasons other than your legs, and...no, damn it, I want you for no reason at all, other than the fact that you're you. I want to shove myself deep inside you and stay for hours...days...weeks. I want morning and noon and nightfall with you. I want your tears, your smiles, your kisses...the smell of your hair, the taste of your skin, the touch of your breath on my face. I want to see you in the final hour of my life...to lie in your arms as I take my last breath.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
Women are powerful, and I see them stifle this every. single. day. Stop looking to be saved and hiding your magic. Stop tossing aside your voice and valid emotions. Stop wasting your time with fake friends and chasing men like they're cures. Material things, better jobs, and other people- they won't fill your gap. Only you can do that. Life is short. Rise up and step back into your awesome, innate power. You are compassion and creative force and divine life itself. You are a Goddess.
Victoria Erickson
Morpheus’s gaze flashes to mine, then back to the chess piece wrapped in his magic. “Stop crying,” his quirky voice scolds. “Queens don’t cry. I taught you better than that.” I bite my quivering lip, and tiny Alice strokes the caterpillar’s face. “But you’re crying . . .” Morpheus lowers a wing and shades his cheek along with the transparent glimmer of his jeweled markings. “Well”—his shrill voice cracks slightly—“contrary to my preferences for lace and velvet, I’m not the queen. So I can cry all I like.
A.G. Howard (Ensnared (Splintered, #3))
I clawed my eyes open and rolled off my bed. For some reason, someone had moved the floor several feet lower than I had expected, and I fell and crashed with a thud. Ow. A blond head popped over the side of the bed, and a familiar male voice asked, “Are you okay down there?” Curran. The Beast Lord was in my bed. No, wait a minute. I didn’t have a bed, because my insane aunt had destroyed my apartment. I was mated to the Beast Lord, which meant I was in the Keep, in Curran’s rooms, and in his bed. Our bed. Which was four feet high. Right. “Kate?” “I’m fine.” “Would you like me to install one of those child playground slides for you?
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Master Kell,” said Alucard, cheerfully. “What an unexpected pleasure, running into you here.” His voice had a natural undercurrent of laughter in it, and Kell could never tell if he was being mocked. “I don’t see how it’s unexpected,” said Kell, “as I live here. What is unexpected is running into you, since I thought I made myself quite clear the last time we met.” “Quite,” echoed Alucard. “Then what were you doing in my brother ’s chambers?” Alucard raised a single studded brow. “Do you want a detailed account? Or will a summary suffice?
Victoria E. Schwab (A Gathering of Shadows (Shades of Magic, #2))
I've got a gig," Jim said. I sat up in my bed, wide-awake. A gig was good- I needed the money. "Half." "Third." "Half." "Thirty-five percent." Jim's voice hardened. "Half." The phone went silent as my former Guild partner mulled it over. "Okay, forty." I hung up.(...) The phone rang. I let it ring twice before I picked it up. "Fine." Jim's voice had a hint of a snarl in it. "Half.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
What's on?" Magnus inquired. "What Not to Wear," came a familiar drawling voice, emanating from a sprawled figure in one of the armchairs. He sat forward and for a moment Clary thought Jace might get up and greet them. Instead, he shook his head at the screen. "High-waisted khaki pants? Who wears those?" He turned and glared at Magnus. "Nearly unlimited supernatural power," he said, "and all you do is use it to watch reruns. What a waste." "Also, TiVo accomplishes much the same thing," pointed out Simon. "My way is cheaper." Magnus clapped his hands together and the room was suddenly flooded with light. Jace, slumped in the chair, raised an arm to cover his face. "Can you do that without magic?" "Actually," said Simon, "yes. If you watched infomercials, you'd know that.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
It wasn’t a bluff; I heard it in his voice. He would do it. He would walk away. “You would leave all these people, all the bowing, and the . . .” His gray eyes looked into mine. “If I fought for them and was crippled, they would all say nice things, and then they would replace me and forget I was ever there. You would stay with me. You would take care of me, because you love me. I love you too, Kate. If you ever became hurt, I would not leave you. I’ll be there. Wherever you want ‘there’ to be.
Ilona Andrews (Magic Slays (Kate Daniels, #5))
Don't worry, he's coming with me to investigate things." "In the city?" Jim asked. "Yes." "That's a great idea. You both should go. To the city." Curran and I looked at each other. "He's trying to get rid of us," I said. "You think he's planning a coup?" Curran wondered. "I hope so." I turned to Jim. "Is there any chance you'd overthrow the tyrannical Beast Lord and his psychotic Consort?" "Yeah, I want a vacation," Curran said. Jim leaned toward us and said in a lowered voice, "You couldn't pay me enough. This is your mess, you deal with it. I have enough on my plate." He walked away. "Too bad," Curran said. "I don't know, I think we could convince him to seize the reins of power." Curran shook his head. "Nahh. He's too smart for that.
Ilona Andrews (Magic Gifts (Kate Daniels, #5.6))
You're going to take him on by yourself?" Curran's voice asked at my side. He sounded amused. "If I wait any longer, I won't go in," I said. My knees tembled. My teeth chattered in my mouth. He grabbed me and kissed me. The kiss sent a wave of heat from my lips all the way to my toes. Curran's eyes laughed. "For luck," he whispered, his breath a hot cloud on my ear. I broke free and wiped my mouth on the back of my hand. "When we're done with the upir," I growled, "I'll give you that fight you've been wanting." "Much better," Curran said. "If you lovebirds are done," Nick said. "Get out of my way.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Her body faded away so far, she almost lost her connection to it. Utter blackness enveloped her, shutting off all warmth. All light. All love. All support. All hope. She was pinned, alone, naked, and freezing before a beast so terrifying she struggled to avert her gaze but could not. Horns arose from the top of what had to be a head. Fangs protruded obscenely from a frowning hole that must have been a mouth. Unsheathed claws threatened instant evisceration. Horrifying eyes. Two cesspits of black fury in which red flames churned like burning blood. They bore down on Helen, intensifying the pressure on her to the point of agony. Inside her head a message played over and over. You are helpless. Helen’s fragmented thoughts spun wildly. What to do? How to stop this nightmare? The wretched voice roared again, like nails clashing against slate. “Give me the stone! Now!
Candace L. Talmadge (Stoneslayer: Book One Scandal)
It's alright" said a dreamy voice from beside Harry as Ron vanished into the coach's dark interior. "You're not going mad or anything. I can see them too." "Can you?" said Harry desperately, turning to Luna. He could see the bat-winged horses reflected in her wide, silvery eyes. "Oh yes," said Luna, "I've been able to see them since my first year here. They've always pulled the carriages. Don't worry. You're just as sane as I am." Smiling faintly, she climbed into the musty interior of the carriage after Ron. Not altogether reassured, Harry followed her.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
A little present from my run-in with a sword. Or should I say from when the sword had a run-in with me?” His eyes lit up. “Want to see the scar? It’s cool.” He started pulling his shirt out of his pants. “Janco,” Ari warned. “We’re not supposed to be fraternizing with the Sitians.” “But she’s not Sitian. Right, Yelena? You haven’t gone south on us, have you?” Janco’s voice held mock horror. “Because if you have I can’t give you your present.” I took my switchblade out, showing the inscription to Janco. “What about ‘Sieges weathered, fight together, friends forever’? Does that change if I become an official southerner?” Janco rubbed the hair on his chin, considering. “No,” Ari said. “You could change into a goat and it would still apply.
Maria V. Snyder (Magic Study (Study, #2))
Lord James did not know whether to feel proud of his daughter or throttle her. He had managed to collar her quietly among the guests at the Shinar manor, and they were alone together in the Lord Steward’s library. He ordered her to a sofa in front of a ceiling-high bookcase. Helen heard the same hard quality in his voice that she had perceived the first time they spoke together. She swallowed hard. He was not in a mood to be trifled with or flouted. “You dress and behave modestly enough, Lieutenant,” he said. “But your language earlier today was utterly appalling. You sounded like a Lesser Shore whore, not a proper young woman, or a professional healer. I simply won’t have it.” “Two out of three is a start, Lord —” He brought the back of his hand down across her face. She leapt to her feet, not wounded so much as angry. “Is force your answer for everything, Lord Protector?” “Are sarcasm and insubordination yours, Lieutenant?
Candace L. Talmadge (Stoneslayer: Book One Scandal)
This was middle school, the age of miracles, the time when kids shot up three inches over the summer, when breasts bloomed from nothing, when voices dipped and dove. Our first flaws were emerging, but they were being corrected. Blurry vision could be fixed invisibly with the magic of the contact lens. Crooked teeth were pulled straight with braces. Spotty skin could be chemically cleared. Some girls were turning beautiful. A few boys were growing tall.
Karen Thompson Walker (The Age of Miracles)
Kaz had rescued her from that hopelessness, and their lives had been a series of rescues ever since, a string of debts that they never tallied as they saved each other again and again. Lying in the dark, she realized that for all her doubts, she’d believed he would rescue her once more, that he would put aside his greed and his demons and come for her. Now she wasn’t so sure. Because it was not just the sense in the words she’d spoken that had stilled Van Eck’s hand but the truth he’d heard in her voice. He’ll never trade if you break me. She could not pretend those words had been conjured by strategy or even animal cunning. The magic they’d worked had been born of belief. An ugly enchantment.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You saved me,'" said Seneca softly. "You took a direct hit, and you survived because of your gift." Jake was slightly startled when she spoke. Seneca’s voice had changed. It was airy and light. Her spunky, deep voice was gone, as were her golden-blonde locks. Her hair was completely white, with silver streaks highlighting it throughout. He had noticed the beginnings of the change before they teleported. The transformation was now complete. Her eyes were a brilliant, majestic blue with flecks of silver that caught the light. She had approached quietly, and her presence made them all listen intently. Seneca was the Druid of the true prophecy. 
C. Toni Graham (Crossroads and the Dominion of Four (Crossroads, #2))
He poked his finger into my chest again. “Well, I have something to tell you: don’t let the sun set on you in this county, because…” I grabbed his wrist and yanked him forward, tripping him with my foot. He went down back first and I caught him by his throat, three feet above the ground, lifted him up a bit and bent down to his face. My eyes glowed with murderous red. My voice turned rough with an animal growl. “Listen well, because I won’t be repeating myself, you racist prick. If you make any trouble for me or my people, I’ll hunt you down like the pig you are and carve a second mouth across your gut. They’ll find you hanging by your own intestines. The next time you hear something laugh and howl in the night, hug your family, because you won’t see the sunrise.” I opened my fingers. He crashed on the ground, his face white as a sheet. He scrambled backward, rolled to his feet, and took off. The three shapeshifters stared at me, openmouthed. “That’s how you intimidate people. No witnesses and not a mark on him. Get your asses to the car.
Ilona Andrews (Gunmetal Magic (Kate Daniels, #5.5; World of Kate Daniels, #6 & #6.5; Andrea Nash, #1))
When did they stop putting toys in cereal boxes? When I was little, I remember wandering the cereal aisle (which surely is as American a phenomenon as fireworks on the Fourth of July) and picking my breakfast food based on what the reward was: a Frisbee with the Trix rabbit's face emblazoned on the front. Holographic stickers with the Lucky Charms leprechaun. A mystery decoder wheel. I could suffer through raisin bran for a month if it meant I got a magic ring at the end. I cannot admit this out loud. In the first place, we are expected to be supermoms these days, instead of admitting that we have flaws. It is tempting to believe that all mothers wake up feeling fresh every morning, never raise their voices, only cook with organic food, and are equally at ease with the CEO and the PTA. Here's a secret: those mothers don't exist. Most of us-even if we'd never confess-are suffering through the raisin bran in the hopes of a glimpse of that magic ring. I look very good on paper. I have a family, and I write a newspaper column. In real life, I have to pick superglue out of the carpet, rarely remember to defrost for dinner, and plan to have BECAUSE I SAID SO engraved on my tombstone. Real mothers wonder why experts who write for Parents and Good Housekeeping-and, dare I say it, the Burlington Free Press-seem to have their acts together all the time when they themselves can barely keep their heads above the stormy seas of parenthood. Real mothers don't just listen with humble embarrassment to the elderly lady who offers unsolicited advice in the checkout line when a child is throwing a tantrum. We take the child, dump him in the lady's car, and say, "Great. Maybe YOU can do a better job." Real mothers know that it's okay to eat cold pizza for breakfast. Real mothers admit it is easier to fail at this job than to succeed. If parenting is the box of raisin bran, then real mothers know the ratio of flakes to fun is severely imbalanced. For every moment that your child confides in you, or tells you he loves you, or does something unprompted to protect his brother that you happen to witness, there are many more moments of chaos, error, and self-doubt. Real mothers may not speak the heresy, but they sometimes secretly wish they'd chosen something for breakfast other than this endless cereal. Real mothers worry that other mothers will find that magic ring, whereas they'll be looking and looking for ages. Rest easy, real mothers. The very fact that you worry about being a good mom means that you already are one.
Jodi Picoult (House Rules)
Marie Caroline Jensen, will you marry me?” he asked suddenly, looking right into my eyes. I bit my lip, trying to decide how long to drag it out. Maybe a little longer…he’d used the “b” word, I should probably make him suffer. I looked away, refusing to meet his eyes as he stopped laughing and grew still. “Marie?” he asked, his voice suddenly strained. “Oh fuck, don’t do this to me, please. I—” “Yes,” I said, catching his eye and smirking. “I’ll marry your big, dumb ass but only because you said the magic word.” “Fuck? You’re right, that is a magic word. Let’s test it out.
Joanna Wylde (Reaper's Property (Reapers MC, #1))
Don’t pretend, Cambridge,” he said. “You know my beautiful speech has made you see me in a whole new and even more attractive light. You totally think I’m secretly deep now. And you are right. It is true. I have deeps.” He slid even lower on the sofa, his eyes falling almost completely closed. “Maybe,” he added, his voice almost too casual, “this revelation will lead you to make the sensible decision, and go for me.” “And wouldn’t that be a magical thirty-six hours,” Kami said. “Before you died of exhaustion.
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
A moment later, Helen had returned; she was walking slowly now, and carefully, her hand on the back of a thin boy with a mop of wavy brown hair. He couldn’t have been older than twelve, and Clary recognized him immediately. Helen, her hand firmly clamped around the wrist of a younger boy whose hands were covered with blue wax. He must have been playing with the tapers in the huge candelabras that decorated the sides of the nave. He looked about twelve, with an impish grin and the same wavy, bitter-chocolate hair as his sister. Jules, Helen had called him. Her little brother. The impish grin was gone now. He looked tired and dirty and frightened. Skinny wrists stuck out of the cuffs of a white mourning jacket whose sleeves were too long for him. In his arms he was carrying a little boy, probably not more than two years old, with the same wavy brown hair that he had; it seemed to be a family trait. The rest of his family wore the same borrowed mourning clothes: following Julian was a brunette girl about ten, her hand firmly clasped in the hold of a boy the same age: the boy had a sheet of tangled black hair that nearly obscured his face. Fraternal twins, Clary guessed. After them came a girl who might have been eight or nine, her face round and very pale between brown braids. The misery on their faces cut at Clary’s heart. She thought of her power with runes, wishing that she could create one that would soften the blow of loss. Mourning runes existed, but only to honor the dead, in the same way that love runes existed, like wedding rings, to symbolize the bond of love. You couldn’t make someone love you with a rune, and you couldn’t assuage grief with it, either. So much magic, Clary thought, and nothing to mend a broken heart. “Julian Blackthorn,” said Jia Penhallow, and her voice was gentle. “Step forward, please.” Julian swallowed and handed the little boy he was holding over to his sister. He stepped forward, his eyes darting around the room. He was clearly scouring the crowd for someone. His shoulders had just begun to slump when another figure darted out onto the stage. A girl, also about twelve, with a tangle of blond hair that hung down around her shoulders: she wore jeans and a t-shirt that didn’t quite fit, and her head was down, as if she couldn’t bear so many people looking at her. It was clear that she didn’t want to be there — on the stage or perhaps even in Idris — but the moment he saw her, Julian seemed to relax. The terrified look vanished from his expression as she moved to stand next to him, her face ducked down and away from the crowd. “Julian,” said Jia, in the same gentle voice, “would you do something for us? Would you take up the Mortal Sword?
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
Where were you? What happened?” I carved a chunk out of another lizard’s face. “I just took the kids to fight some ghouls,” Curran said. Oh, so it was fine, then . . . Wait. “You did what?” He kicked a lizard. It flew into the others like a cannonball. “I called Jim before we left the house to talk about ghouls, and he said they found some in the MARTA tunnels. So I grabbed the kids and did a little hunting.” I would kill him. “Just so I get it right, Jim calls you and says, ‘Hey, we found a horde of ghouls in the MARTA tunnels,’ and your first thought was, ‘Great, I’ll take the kids’?” “They had fun.” A careful note crept into his voice. Curran saw the shark fin in the water but wasn’t sure where the bite would be coming from. “You even took the dog.” Grendel chose that moment to try to shove past me. I shoved him back into the Guild and he began running back and forth behind us, growling. “He had fun, too. Look at him. He’s still excited.
Ilona Andrews (Magic Shifts (Kate Daniels, #8))
While I thus cogitate in disquiet and perplexity, half submerged in dark waters of a well in an Arabian oasis, I suddenly hear a voice from the background of my memory, the voice of an old Kurdish nomad: If water stands motionless in a pool it grows stale and muddy, but when it moves and flows it becomes clear: so, too, man in his wanderings. Whereupon, as if by magic, all disquiet leaves me. I begin to look upon myself with distant eyes, as you might look at the pages of a book to read a story from them; and I begin to understand that my life could not have taken a different course. For when I ask myself, 'What is the sum total of my life?' somthing in me seems to answer, 'You have set out to exchange one world for another-to gain a new world for yourself in exchange for an old one which you never really possessed.' And I know with startling clarity that such an undertaking might indeed take an entire lifetime.
Muhammad Asad
You ain’t know nothing,” a man scoffed. “How I’m supposed to trust some junkie Churchwitch-” The words sliced through her like razor-sharp fangs. Her face flooded with shame, so hot she imagined it steamed in the icy air. At least it wasn’t difficult to identify the speaker. All she had to do was look for the man with Terrible’s fist locked around his neck. “Ain’t think I hear you right,” Terrible said in a calm, quiet voice. “Wanna louden up?” The man shook his head His eyes bulged. He looked like a bug, with his hands clenching into tiny useless fists. “You sure? You got else to say, you best say it now, instead of later. Now we got us watchers. Later might not be true, dig?” The man dug.
Stacia Kane (Unholy Magic (Downside Ghosts, #2))
Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.
Elizabeth Gilbert (Big Magic: How to Live a Creative Life, and Let Go of Your Fear)
I'll tell you a story, I whispered. It always helped me sleep as a child. He nodded, folding his hands over his lap, and closed his eyes. There once was a girl, clever and good, who tarried in shadow in the depths of the wood. There also was a King, a shepherd by his crook, who reigned over magic and wrote the old book. The two were together, so the two- I couldn't go on. Elspeth. No. I'm not ready. Not yet. Finish the story, dear one. My voice shook. The two were together- Together. So the two were the same. The girl, he whispered, honey and oil and silk. The King... We said the final words together, our voices echoing, listless, through the dark. A final note. An eternal farewell. And the monster they became.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
I stood up angrily. “Look, I’m done talking to you tonight. Will you let me out of this dream? I’m not telling you where I am. And I’m not interested in hearing about how wonderful Avery is and how much better than me she is.” “Avery would never act like a little brat,” he said. “She wouldn’t get so offended that someone actually cares enough to check on her. She wouldn’t deny me the chance to learn more about my magic because she was paranoid someone would ruin her crazy attempt to get over her boyfriend’s death." “Don’t talk to me about being a brat,” I shot back. “You’re as selfish and self-centered as usual. It’s always about you—even this dream is. You hold me against my will, whether I want it or not, because it amuses you.” “Fine,” he said, voice cold. “I’ll end this. And I’ll end everything between us. I won’t be coming back.” “Good. I hope you mean it this time.” His green eyes were the last thing I saw before I woke up in my own bed. I sat up, gasping. My heart felt like it was breaking, and I almost thought I might cry. Adrian was right—I had been a brat. I’d lashed out at him when it wasn’t really deserved. And yet . . . I hadn’t been able to help it. I missed Lissa. I even kind of missed Adrian. And now someone else was taking my place, someone who wouldn’t just walk away like I had. I won’t be coming back. And for the first time ever, I had a feeling he really wouldn’t be.
Richelle Mead (Blood Promise (Vampire Academy, #4))
So Oz finally became home; the imagined world became the actual world, as it does for us all, because the truth is that once we have left our childhood places and started out to make our own lives, armed only with what we have and are, we understand that the real secret of the ruby slippers is not that "there's no place like home," but rather that there is no longer such a place as home: except, of course, for the homes we make, or the homes that are made for us, in Oz, which is anywhere and everywhere, except the place from which we began. In the place from which I began, after all, I watched the film from the child's - Dorothy's point of view. I experienced, with her, the frustration of being brushed aside by Uncle Henry and Auntie Em, busy with their dull grown-up counting. Like all adults, they couldn't focus on what was really important to Dorothy: namely, the threat to Toto. I ran away with Dorothy and then ran back. Even the shock of discovering that the Wizard was a humbug was a shock I felt as a child, a shock to the child's faith in adults. Perhaps, too, I felt something deeper, something I couldn't articulate; perhaps some half-formed suspicion about grown-ups was being confirmed. Now, as I look at the movie again, I have become the fallible adult. Now I am a member of the tribe of imperfect parents who cannot listen to their children's voices. I, who no longer have a father, have become a father instead, and now it is my fate to be unable to satisfy the longings of a child. This is the last and most terrible lesson of the film: that there is one final, unexpected rite of passage. In the end, ceasing to be children, we all become magicians without magic, exposed conjurers, with only our simply humanity to get us through. We are the humbugs now.
Salman Rushdie (Step Across This Line: Collected Nonfiction 1992-2002)
So whenever that brittle voice of dissatisfaction emerges within me, I can say "Ah, my ego! There you are, old friend!" It's the same thing when I'm being criticized and I notice myself reaching with outrage, heartache, or defensiveness. It's just my ego, flaring up and testing its power. In such circumstances, I have learned to watch my heated emotions carefully, but I try not to take them too seriously, because I know that it's merely my ego that has been wounded--never my soul It is merely my ego that wants revenge, or to win the biggest prize. It is merely my ego that wants to start a Twitter war against a hater, or to sulk at an insult or to quit in righteous indignation because I didn't get the outcome I wanted. "At such times, I can always steady my life one more by returning to my soul. I ask it, "And what is it that you want, dear one?" "The answer is always the same: "More wonder, please." "As long as I'm still moving in that direction---toward wonder--then I know I will always be fine in my soul, which is where it counts. And since creativity is still the most effective way for me to access wonder, I choose it.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Each person held aloft a single lit candle—the city’s traditional way to express its appreciation for that year’s peace prize winner. It was a magical sight, as if a pool of stars had descended from the sky; and as Michelle and I leaned out to wave, the night air brisk on our cheeks, the crowd cheering wildly, I couldn’t help but think about the daily fighting that continued to consume Iraq and Afghanistan and all the cruelty and suffering and injustice that my administration had barely even begun to deal with. The idea that I, or any one person, could bring order to such chaos seemed laughable; on some level, the crowds below were cheering an illusion. And yet, in the flickering of those candles, I saw something else. I saw an expression of the spirit of millions of people around the world: the U.S. soldier manning a post in Kandahar, the mother in Iran teaching her daughter to read, the Russian pro-democracy activist mustering his courage for an upcoming demonstration—all those who refused to give up on the idea that life could be better, and that whatever the risks and hardships, they had a role to play. Whatever you do won’t be enough, I heard their voices say. Try anyway.
Barack Obama (A Promised Land)
It is love. I will have to run or hide. The walls of its prison rise up, as in a twisted dream. The beautiful mask has changed, but as always it is the one. Of what use are my talismans: the literary exercises, the vague erudition, the knowledge of words used by the harsh North to sing its seas and swords, the temperate friendship, the galleries of the Library, the common things, the habits, the young love of my mother, the militant shadow of my dead, the timeless night, the taste of dreams? Being with you or being without you is the measure of my time. Now the pitcher breaks about the spring, now the man arises to the sound of birds, now those that watch at the windows have gone dark, but the darkness has brought no peace. It, I know, is love: the anxiety and the relief at hearing your voice, the expectation and the memory, the horror of living in succession. It is love with its mythologies, with its tiny useless magics. There exists a corner that I dare not cross. Now the armies confine me, the hordes. (This room is unreal; she has not seen it.) The name of a woman gives me away. A woman hurts me in all of my body.
Jorge Luis Borges
Go on," Kell told him without taking his eyes from Lila. " Get some rest." Hastra shifted. "I can't, sir," he said. "I'm to escort Miss Bard--" "I'll take that charge," cut in Kell. Hastra bit his lip and retreated several steps. Lila let her forehead come to rest against his, her face so close the features blurred. And yet, that fractured eye shone with frightening clarity. "You never told me," he whispered. "You never noticed," she answered. And then, "Alucard did." The blow landed, and Kell started to pull away when Lila's eyelids fluttered and she swayed dangerously. He braced her. "Come on," he said gently. "I have a room upstairs. Why don't we--" A sleepy flicker of amusement. "Trying to get me into bed?" Kell mustered a smile. "It's only fair. I've spent enough time in yours." "If I remember correctly," she said, her voice dreamy with fatigue, "you were on top of the bed the entire time." "And tied to it," observed Kell. Her words were soft at the edges. "Those were the days..." she said, right before she fell forward. It happened so fast Kell could do nothing but throw his arms around her. "Lila?" he asked, first gently, and then more urgently. "Lila?" She murmured against his front, something about sharp knives and soft corners, but didn't rouse, and Kell shot a glance at Hastra, who was still standing there, looking thoroughly embarrassed. "What have you done?" demanded Kell. "It was just a tonic, sir," he fumbled, "something for sleep." "You drugged her?" "It was Tieren's order," said Hastra, chastised. "He said she was mad and stubborn and no use to us dead." Hastra lowered his voice when he said this, mimicking Tieren's tone with startling accuracy. "And what do you plan to do when she wakes back up?" Hastra shrank back. "Apologize?" Kell made an exasperated sound as Lila nuzzled-- actually nuzzled-- his shoulder. "I suggest," he snapped at the young man, "you think of something better. Like an escape route." Hastra paled, and Kell swept Lila up into his arms, amazed at her lightness... Kell swept through the halls until he reached his room and lowered Lila onto the couch. Hastra handed him a blanket. "Shouldn't you take off her knives?" "There's not enough tonic in the world to risk it," said Kell.
Victoria E. Schwab (A Conjuring of Light (Shades of Magic, #3))
As observers of totalitarianism such as Victor Klemperer noticed, truth dies in four modes, all of which we have just witnessed. The first mode is the open hostility to verifiable reality, which takes the form of presenting inventions and lies as if they were facts. The president does this at a high rate and at a fast pace. One attempt during the 2016 campaign to track his utterances found that 78 percent of his factual claims were false. This proportion is so high that it makes the correct assertions seem like unintended oversights on the path toward total fiction. Demeaning the world as it is begins the creation of a fictional counterworld. The second mode is shamanistic incantation. As Klemperer noted, the fascist style depends upon “endless repetition,” designed to make the fictional plausible and the criminal desirable. The systematic use of nicknames such as “Lyin’ Ted” and “Crooked Hillary” displaced certain character traits that might more appropriately have been affixed to the president himself. Yet through blunt repetition over Twitter, our president managed the transformation of individuals into stereotypes that people then spoke aloud. At rallies, the repeated chants of “Build that wall” and “Lock her up” did not describe anything that the president had specific plans to do, but their very grandiosity established a connection between him and his audience. The next mode is magical thinking, or the open embrace of contradiction. The president’s campaign involved the promises of cutting taxes for everyone, eliminating the national debt, and increasing spending on both social policy and national defense. These promises mutually contradict. It is as if a farmer said he were taking an egg from the henhouse, boiling it whole and serving it to his wife, and also poaching it and serving it to his children, and then returning it to the hen unbroken, and then watching as the chick hatches. Accepting untruth of this radical kind requires a blatant abandonment of reason. Klemperer’s descriptions of losing friends in Germany in 1933 over the issue of magical thinking ring eerily true today. One of his former students implored him to “abandon yourself to your feelings, and you must always focus on the Führer’s greatness, rather than on the discomfort you are feeling at present.” Twelve years later, after all the atrocities, and at the end of a war that Germany had clearly lost, an amputated soldier told Klemperer that Hitler “has never lied yet. I believe in Hitler.” The final mode is misplaced faith. It involves the sort of self-deifying claims the president made when he said that “I alone can solve it” or “I am your voice.” When faith descends from heaven to earth in this way, no room remains for the small truths of our individual discernment and experience. What terrified Klemperer was the way that this transition seemed permanent. Once truth had become oracular rather than factual, evidence was irrelevant. At the end of the war a worker told Klemperer that “understanding is useless, you have to have faith. I believe in the Führer.
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)