Magazine Model Quotes

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Hey, girls, you're beautiful. Don't look at those stupid magazines with sticklike models. Eat healthy and exercise. That's all. Don't let anyone tell you you're not good enough. You're good enough, you are too good. Love your family with all your heart and listen to it. You are gorgeous, whether you're a size 4 or 14. It doesn't matter what you look like on the outside, as long as you're a good person, as long as you respect others. I know it's been told hundreds of times before, but it's true. Hey, girls, you are beautiful.
Gerard Way
Even the models we see in magazines wish they could look like their own images.
Cheri K. Erdman
If by that you mean that I dislike celebrity magazines, prefer food to anorexia, refuse to watch TV shows about models, and hate the color pink, then yes. I am proud to be not really a girl.
John Green (Let It Snow: Three Holiday Romances)
I ate the roll, and forced down some more sparkling wine. When your eyes closed against the sun again, and I had nothing else to look at I glanced quickly at your chest, curious, really. I'd only seen chests like that in magazines. I wondered if that's how you'd got all your money . . . modeling. I looked down at my stomach. I grabbed at it, seeing how much fat I could lift up in a roll. "Don't worry," you said, one eye open again like a crocodile, watching me. "You're beautiful." You tipped your head back again "Beautiful," you murmured. "Perfect." "You wouldn't know. You're built like some sort of supermodel." I bit my lip, wishing I hadn't complimented you like that. "Or a stripper," I added. "Prostitute." "I wouldn't want you to think I'm repulsive," you said, half smiling. "Too late." You opened your other eye to squint at me. "Will you ever give me a break?
Lucy Christopher (Stolen (Stolen, #1))
Men who read it [beauty pornography] don't do so because they want women who look like that. The attraction of what they are holding is that it is not a woman, but a two-dimensional woman-shaped blank. The appeal of the material is not the fantasy that the model will come to life; it is precisely that she will not, ever. Her coming to life would ruin the vision. It is not about life. Ideal beauty is ideal because it does not exist; The action lies in the gap between desire and gratification. Women are not perfect beauties without distance. That space, in a consumer culture, is a lucrative one. The beauty myth moves for men as a mirage, its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion.
Naomi Wolf (The Beauty Myth)
She'd lost two more pounds. A picture of the models she'd cut out of the magazine flashed through Kessa's mind. And the winner is... seventy-three!
Steven Levenkron (The Best Little Girl in the World)
only thing cover model about Dallas was his resting bitch face that was too aggressive to be on the cover of anything other than a survival guide magazine. That
Mariana Zapata (Wait for It)
I had never thought I had much in common with anybody. I had no mother, no father, no roots, no biological similarities called sisters and brothers. And for a future I didn't want a split-level home with a station wagon, pastel refrigerator, and a houseful of blonde children evenly spaced through the years. I didn't want to walk into the pages of McCall's magazine and become the model housewife. I didn't even want a husband or any man for that matter. I wanted to go my own way. That's all I think I ever wanted, to go my own way and maybe find some love here and there. Love, but not the now and forever kind with chains around your vagina and a short circuit in your brain. I'd rather be alone.
Rita Mae Brown (Rubyfruit Jungle)
From the newsstands a dozen models smiled up at her from a dozen magazine covers, smiled in thin-faced, high-cheekboned agreement to Kessa's new discovery. They knew the secret too. They knew thin was good, thin was strong; thin was safe.
Steven Levenkron (The Best Little Girl in the World)
To see what they look like, women look at a mirror. To look like what they see, women read magazines.
Mokokoma Mokhonoana
I remembered a time we were going through magazines. There was this one model who looked icy to the touch, in total control. I told you that, and you said, “That’s what makes it a good photograph. You think you know what’s going on in her head. But the truth? No matter how good a photograph is, you can never tell what’s going on in the person’s mind. There’s no way to get from here” (you pointed to the room) “to there” (you pointed to her head).
David Levithan (Every You, Every Me)
the nameless maiden in the advertisement was like a thousand other clothing models he had seen in magazines—arched brows, big eyes, angular cheeks, pouting mouth, a fetching figure, and a haughty, revolted look, as though someone had just offered her a jellyfish to hold.
Herman Wouk (The Caine Mutiny)
There is a terrible truthfulness about photography. The ordinary academician gets hold of a pretty model, paints her as well as he can, calls her Juliet, and puts a nice verse Shakespeare underneath, and the picture is admired beyond measure. The photographer finds the same pretty girl, he dresses her up and photographs her, and calls her Juliet, but somehow it is no good – it is still Miss Wilkins, the model. It is too true to be Juliet. George Bernard Shaw Wilson’s Photographic Magazine, LVI, 1909
John Szarkowski (The Photographer's Eye)
Here was the real scandal of On Our Backs photography: We were women shooting other women — our names, faces, and bodies on the line — and we all brought our sexual agenda to the lens. Each pictorial was a memoir. That is quite the opposite of a fashion shoot at Vogue or Playboy, where the talent is a prop… When we began our magazine, female fashion and portrait models — all of them — were shot the same way kittens and puppies are photographed for holiday calendars: in fetching poses, with no intentions of their own.
Susie Bright (Big Sex Little Death: A Memoir)
In the waiting room, ladies in a picturesque group surrounded a table with magazines. They stood, sat, or half reclined in the poses they saw in the pictures and, studying the models, discussed styles.
Boris Pasternak (Doctor Zhivago)
Greg was very interested in cameras. He had an inexpensive automatic camera, which took okay snapshots. But he was saving his allowance in hopes of buying a really good camera with a lot of lenses. He loved looking at camera magazines, studying the different models, picking out the ones he wanted to buy.
R.L. Stine (Say Cheese and Die! (Goosebumps, #4))
Holmes, too, continued to embrace an exalted image of herself. In her acceptance speech at Glamour magazine’s Women of the Year Awards at Carnegie Hall, she held herself up as a role model for young women. “Do everything you can to be the best in science and math and engineering,” she urged them. “It’s that that our little girls will see when they start to think about who do they want to be when they grow up.
John Carreyrou (Bad Blood: Secrets and Lies in a Silicon Valley Startup)
The very power to make the photograph (to use the model, to tie her in that way) and the fact of the photograph (the fact that someone did use the model, did tie her in that way, that the photograph is published in a magazine and seen by millions of men who buy it specifically to see such photographs) evoke fear in the female observer unless she entirely dissociates herself from the photograph: refuses to believe or understand that real persons posed for it, refuses to see the bound person as a woman like herself.
Andrea Dworkin (Pornography: Men Possessing Women)
I can see where this is going, too. Of course, I can, because I am Alex as well. But I want to dress up in gorgeous clothes and strut up and down the runway like they do in the magazines, swishing my tail. I want to dress up with Amina and Julia and giggle and be girlfriends, arm in arm. I want to be beautiful. I want other people to think I am beautiful.
Alyssa Brugman (Alex As Well)
Other women in tennis—blond women with big boobs and long legs—often get modeling contracts at age seventeen. They show up on the cover of men’s magazines within a year or so of hitting the court for the first time. But not thicker women, like me. Or dark-skinned women like Carla Perez or Suze Carter. Not women who are British Chinese, like Nicki, or downright scary in their intensity like her either. Not the women who aren’t skinny and white and smiling. And yet, no matter what type of woman you are, we all still have one thing in common: Once we are deemed too old, it doesn’t matter who we used to be.
Taylor Jenkins Reid (Carrie Soto Is Back)
The three of us exchanged glances but said nothing. After all, what was there to say? The truth was that hookers did take credit cards—or at least ours did! In fact, hookers were so much a part of the Stratton subculture that we classified them like publicly traded stocks: Blue Chips were considered the top-of-the-line hooker, zee crème de la crème. They were usually struggling young models or exceptionally beautiful college girls in desperate need of tuition or designer clothing, and for a few thousand dollars they would do almost anything imaginable, either to you or to each other. Next came the NASDAQs, who were one step down from the Blue Chips. They were priced between three and five hundred dollars and made you wear a condom unless you gave them a hefty tip, which I always did. Then came the Pink Sheet hookers, who were the lowest form of all, usually a streetwalker or the sort of low-class hooker who showed up in response to a desperate late-night phone call to a number in Screw magazine or the yellow pages. They usually cost a hundred dollars or less, and if you didn’t wear a condom, you’d get a penicillin shot the next day and then pray that your dick didn’t fall off. Anyway, the Blue Chips took credit cards, so what was wrong with writing them off on your taxes? After all, the IRS knew about this sort of stuff, didn’t they? In fact, back in the good old days, when getting blasted over lunch was considered normal corporate behavior, the IRS referred to these types of expenses as three-martini lunches! They even had an accounting term for it: It was called T and E, which stood for Travel and Entertainment. All I’d done was taken the small liberty of moving things to their logical conclusion, changing T and E to T and A: Tits and Ass!
Jordan Belfort (The Wolf of Wall Street)
His abs looked as if he’d stolen them from a cover model from some male physique magazine. Then, last but not least, his cock. Nothing she’d ever read, or seen could have prepared her for that thing. It was probably considered a concealed weapon in the States.
Amelia Hutchins (A Demon's Dark Embrace (The Elite Guards, #1))
He had a face made for magazine covers. Could someone say GQ model? That razor sharp jaw and those angular features caught the light just right. If she’d had a camera she wouldn’t mind snapping a few pictures. And those lips…she stopped. She didn’t know him, and something told her she shouldn’t get to know him.
Kate Evangelista (Unreap My Heart (The Reaper Series #2))
I'm friends with a guy who is friends with a former Playboy model. So I guess you could say I'm 1 degree away from 212 degrees.
Ryan Lilly (Write like no one is reading)
When I got back to the apartment, the phone rang. It was Dad, who told me I should try to get work as a model. I told him he was being ridiculous and he said no, he’d just been at the barbershop and saw a GQ magazine with a guy on the cover who looked just like me. So I went to the newsstand and found a copy and the person on the cover was not a model but Gary Oldman.
David Sedaris (Theft by Finding: Diaries (1977-2002))
I didn't want to walk into the pages of McCall's magazine and become the model housewife. I didn't even want a husband or any man for that matter. I wanted to go my own way. That's all I think I ever wanted, to go my own way and maybe find some love here and there. Love, but not the now and forever kind with chains around your vagina and a short circuit in your brain. I'd rather be alone.
Rita Mae Brown (Rubyfruit Jungle)
But the revitalisation of glamour modelling has become the symptom of a wider change in our culture, in which the images and attitudes of soft pornography now come flooding in at young women from every side of the media: monthly magazines, weekly magazines, tabloid newspapers, music videos, reality television, and almost every aspect of the internet, from social networking sites to individual blogs.
Natasha Walter (Living Dolls: The Return of Sexism)
Of course I want to be a model. I want to paint my eyelids gold. I saw that on a magazine cover and it looked amazing-- turned the model into a sexy alien that everyone would look at but nobody dared touch.
Laurie Halse Anderson (Speak)
Things weren’t permanent, things could always fall apart, never get too comfortable, and even those you trust, those you trust as authority figures and role models, are liable to show themselves as illusions.
Michael Hastings (The Last Magazine)
Be calm, patient, and frank. Tell her that women in magazines aren’t the best role models, that people who judge everyone on their looks probably have terrible self-esteem issues. Tell her that what matters is not how thin someone is, but what her character is. And tell her what is great about her, what you like about her, what you hope for her.
Meg Meeker (Strong Fathers, Strong Daughters: 10 Secrets Every Father Should Know)
The tabloids wanted to know whether the dragon was receiving benefits. The gossip magazines claimed to have found a woman who was bearing the dragon's baby. The fashion magazines did spreads on draconian style. This apparently consisted of gaunt models with sunken eyes, swathed in clouds of chiffon and arranged in awkwardly erotic positions on piles of gold coins.
Zen Cho (Spirits Abroad)
No one shines more luridly on this faux-real stage than a woman. Whether it’s a modeling competition, a chance to compete for love, a weight-loss challenge, or a look into the lives of an aging magazine publisher’s harem, women are often the brightly polished trophies in the display case of reality television. The genre has developed a very successful formula for reducing women to an awkward series of stereotypes about low self-esteem, marital desperation, the inability to develop meaningful relationships with other women, and an obsession with an almost pornographic standard of beauty. When it comes to reality television, women, more often than not, work very hard at performing the part of woman, though their scripts are shamefully, shamefully warped.
Roxane Gay (Bad Feminist: Essays)
Even the media has a twisted image of reality. Magazines have photoshopped images of men and women models and celebrities on their covers. We are flooded with images of perfection and material things. Those influences can take over your mind, causing you to want to keep up with those celebrities on television and in magazines in any way possible. You cannot be happy if you constantly compete with others for public approval.
Tisha Marie Payton, MHR (Live Self-Sufficiently: The 12 Step Living Guide)
At a newsstand, Owen read a German newspaper while Vivie and I paged through the Hungarian fashion magazines, and discussed how the models looked less tormented than models in American magazines. “Maybe it’s like how, in cultures where everyone is starving, the standard of beauty is less skinny,” Vivie said. We both looked for a moment at the confident Hungarian women, each of whom knew tens of thousands of the words closest to Ivan.
Elif Batuman (The Idiot)
There are other models to explain Cygnus X-1 that do not include a black hole, but they are all rather far-fetched. A black hole seems to be the only really natural explanation of the observations. Despite this, I had a bet with Kip Thorne of the California Institute of Technology that in fact Cygnus X-1 does not contain a black hole! This was a form of insurance policy for me. I have done a lot of work on black holes, and it would all be wasted if it turned out that black holes do not exist. But in that case, I would have the consolation of winning my bet, which would bring me four years of the magazine Private Eye. In fact, although the situation with Cygnus X-1 has not changed much since we made the bet in 1975, there is now so much other observational evidence in favor of black holes that I have conceded the bet. I paid the specified penalty, which was a one-year subscription to Penthouse, to the outrage of Kip’s liberated wife.
Stephen Hawking (A Brief History of Time)
...Women have preserved this `baby look' for as long as possible so as to make the world continue to believe in the darling, sweet little girl she once was, and she relies on the protective instinct in man to make him take care of her. As with everything a woman undertakes on her own initiative, this whole maneuvre is as incredible as it is stupid. It is amazing, in fact, that it succeeds. It would appear very shortsighted to encourage such an ideal of beauty. For how can any woman hope to maintain it beyond the age of twenty-five? Despite every trick of the cosmetics industry, despite magazine advice against thinking or laughing (both tend to create wrinkles), her actual age will inevitably show'- through in the end. And what on earth is a man to do with a grown-up face when he has been manipulated into considering only helpless, appealing little girls to be creatures of beauty? What is a men to do with a woman when the smooth curves have become flabby tires of flesh, the skin slack and pallid, when the childish tones have grown shrill and the laughter sounds like neighing? What is to become of this shrew when her face no longer atones for her ceaseless inanities and when the cries of `Ooh' and Ah' begin to drive him out of his mind? This mummified `child' will never fire a man's erotic fantasy again. One might think her power broken at last. But no, she still manages to get her own way - and for two reasons. The first is obvious: she now has children, who enable her to continue feigning helplessness. As for the second - there are simply not enough young women to go around. It is a safe bet that, given the choice, man would trade in his grown-up child-wife for a younger model, but, as the ratio between the sexes is roughly equal, not every man can have a younger woman. And as he has to have a wife of some sort. he prefers to keep the one he already possesses. This is easy to prove. Given the choice, a man will always choose a younger woman.
Esther Vilar (The Manipulated Man)
The modeling gig is paying off in major Martha points. They all want to be Heather's New Best Friend. But she asks me to go with her for the bathing suit shoot. I think she's afraid to screw up in front of them. Heather's mother drives us. She asks if I want to be a model. Heather says I am too shy. I look at her mother's eyes watching me in the rearview mirror and hide my mouth with my fingers. The scabs on my lips are especially gross in that little rectangle mirror. Of course I want to be a model. I want to paint my eyelids gold. I saw that on a magazine cover and it looked amazing - turned the model into a sexy alien that everyone would look at but nobody dared touch.
Laurie Halse Anderson (Speak)
We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Daniel opened a dresser drawer and pulled out a bell-sleeved shirt that was tiny enough to have fit Trixie when she was eight. Had she ever worn this in public? He sank down onto the floor, holding the shirt, wondering if all this had been his own fault. He'd forbidden Trixie to buy certain clothes, like the pants she had had on last night, in fact, and that she must have purchased and hidden from him. You saw outfits like those in fashion magazines, outfits so revealing they bordered on porn, in Daniel's opinion. Women glanced at those photo spreads and wished they looked that way, men glanced at them and wished for women who looked that way, and the sad reality was that most of those models were not women at all, but girls about Trixie's age.
Jodi Picoult (The Tenth Circle)
It was in Cleveland that Magic Slim became the most successful pornographic film producer in America. His training center was a key link in a human trafficking supply chain stretching from the former Soviet Republics in Eastern Europe to the United States. Trafficking accounts for an estimated $32 billion in annual trade with sex slavery and pornographic film production accounting for the greatest percentage. The girls arrived at Slim’s building young and naive, they left older and wiser. This was a classic value chain with each link making a contribution.  Slim’s trainers were the best, and it showed in the final product. Each class of girls was judged on the merits. The fast learners went on to advanced training. They learned proper etiquette, social skills and party games. They learned how to dress, apply makeup and discuss world events.  Best in-class were advertised in international style magazines with code words. These codes were known only to select clients and certain intermediaries approved by Slim. This elaborate distribution system was part of Slim’s business model, his clients paid an annual subscription fee for the on-line dictionary. The code words and descriptions were revised monthly.  An interested client would pay an access fee for further information that included a set of professional  photographs, a video and voice recordings of the model addressing the client by name.  Should the client accept, a detailed travel itinerary was submitted calling for first class travel and accommodation.  Slim required a letter of understanding spelling out terms and conditions and a 50% deposit. He didn’t like contracts, his word was his bond, everyone along the chain knew that. Slim's business was booming.
Nick Hahn
Mystery is good." He drummed his fingertips on my thigh. "Maybe.Maybe not. But I'll let it go. How about this: If I were to open the top drawer of your dresser, what would I find?" "Are we back to discussing my underwear again?" "Only in graphic detail..." He flicked my sore knee, but not where the bruise was. "I keep loose change and my oldest comic books in mine. Some people have journals or photographs or awards..." "Okay,okay." I sighed. "Underwear," I said. "Two ancient swimsuits, and a magazine file." "Of...?" "Pictures I've pulled out of magazines." "Yes,thank you. I gathered that. What's in it?" I squirmed a little and contemplated lying. Travel pix, shoes, hints on getting glue off of Ultrasuede... "Mostly pictures of models with short hair," I confessed finally. "It's sort of a goal of mine." Alex reached up and wrapped a strand around his finger. "I like your hair," he said quietly, "but I think you'd look great whatever you did with it.
Melissa Jensen (The Fine Art of Truth or Dare)
Bust magazine, back when it was a more outwardly feminist publication, used to ask each of their female interview subjects whether or not they identified as feminist. In 2005, the musician Björk said no, and that interview is still used in these online lists as of this year. Björk is a female artist often credited with being one of the most innovative and daring musicians of her generation, regardless of gender. She has collaborated with and supported women musicians, fashion designers, video directors. She has spoken frankly and openly in interviews about the difficulties of being a woman in a male-dominated industry. She has proven herself to be an exemplary human being and creator, and she is a tremendous role model for young aspiring musicians. If we understand that the problem feminists have with Björk has nothing to do with her actions and is only about her language and way of identifying herself, then we can recognize that this is about a feminist marketing campaign and not a philosophy. Compare
Jessa Crispin (Why I Am Not a Feminist: A Feminist Manifesto)
Our exploration into advertising and media is at its root a critique of the exploitative nature of capitalism and consumerism. Our economic systems shape how we see our bodies and the bodies of others, and they ultimately inform what we are compelled to do and buy based on that reflection. Profit-greedy industries work with media outlets to offer us a distorted perception of ourselves and then use that distorted self-image to sell us remedies for the distortion. Consider that the female body type portrayed in advertising as the “ideal” is possessed naturally by only 5 percent of American women. Whereas the average U.S. woman is five feet four inches tall and weighs 140 pounds, the average U.S. model is five feet eleven and weighs 117. Now consider a People magazine survey which reported that 80 percent of women respondents said images of women on television and in the movies made them feel insecure. Together, those statistics and those survey results illustrate a regenerative market of people who feel deficient based on the images they encounter every day, seemingly perfectly matched with advertisers and manufacturers who have just the products to sell them (us) to fix those imagined deficiencies.18
Sonya Renee Taylor (The Body Is Not an Apology: The Power of Radical Self-Love)
Lynum had plenty of information to share. The FBI's files on Mario Savio, the brilliant philosophy student who was the spokesman for the Free Speech Movement, were especially detailed. Savio had a debilitating stutter when speaking to people in small groups, but when standing before a crowd and condemning his administration's latest injustice he spoke with divine fire. His words had inspired students to stage what was the largest campus protest in American history. Newspapers and magazines depicted him as the archetypal "angry young man," and it was true that he embodied a student movement fueled by anger at injustice, impatience for change, and a burning desire for personal freedom. Hoover ordered his agents to gather intelligence they could use to ruin his reputation or otherwise "neutralize" him, impatiently ordering them to expedite their efforts. Hoover's agents had also compiled a bulging dossier on the man Savio saw as his enemy: Clark Kerr. As campus dissent mounted, Hoover came to blame the university president more than anyone else for not putting an end to it. Kerr had led UC to new academic heights, and he had played a key role in establishing the system that guaranteed all Californians access to higher education, a model adopted nationally and internationally. But in Hoover's eyes, Kerr confused academic freedom with academic license, coddled Communist faculty members, and failed to crack down on "young punks" like Savio. Hoover directed his agents to undermine the esteemed educator in myriad ways. He wanted Kerr removed from his post as university president. As he bluntly put it in a memo to his top aides, Kerr was "no good." Reagan listened intently to Lynum's presentation, but he wanted more--much more. He asked for additional information on Kerr, for reports on liberal members of the Board of Regents who might oppose his policies, and for intelligence reports about any upcoming student protests. Just the week before, he had proposed charging tuition for the first time in the university's history, setting off a new wave of protests up and down the state. He told Lynum he feared subversives and liberals would attempt to misrepresent his efforts to establish fiscal responsibility, and that he hoped the FBI would share information about any upcoming demonstrations against him, whether on campus or at his press conferences. It was Reagan's fear, according to Lynum's subsequent report, "that some of his press conferences could be stacked with 'left wingers' who might make an attempt to embarrass him and the state government." Lynum said he understood his concerns, but following Hoover's instructions he made no promises. Then he and Harter wished the ailing governor a speedy recovery, departed the mansion, slipped into their dark four-door Ford, and drove back to the San Francisco field office, where Lynum sent an urgent report to the director. The bedside meeting was extraordinary, but so was the relationship between Reagan and Hoover. It had begun decades earlier, when the actor became an informer in the FBI's investigation of Hollywood Communists. When Reagan was elected president of the Screen Actors Guild, he secretly continued to help the FBI purge fellow actors from the union's rolls. Reagan's informing proved helpful to the House Un-American Activities Committee as well, since the bureau covertly passed along information that could help HUAC hold the hearings that wracked Hollywood and led to the blacklisting and ruin of many people in the film industry. Reagan took great satisfaction from his work with the FBI, which gave him a sense of security and mission during a period when his marriage to Jane Wyman was failing, his acting career faltering, and his faith in the Democratic Party of his father crumbling. In the following years, Reagan and FBI officials courted each other through a series of confidential contacts. (7-8)
Seth Rosenfeld (Subversives: The FBI's War on Student Radicals, and Reagan's Rise to Power)
How much do you know about each other?” was Father Johnson’s final question of the day. Marlboro Man and I looked at each other. We didn’t know everything yet; we couldn’t possibly. We just knew we wanted to be together. Was that not enough? “Well, I’ll speak for myself,” Marlboro Man said. “I feel like I know all I need to know in order to be sure I want to marry Ree.” He rested his hand on my knee, and my heart leapt. “And the rest…I figure we’ll just handle it as we go along.” His quiet confidence calmed me, and all I could think about anyway was how long it would take me to learn how to drive my new lawn mower. I’d never mowed a lawn before in my life. Did Marlboro Man know this? Maybe he should have started me out with a cheaper model. Just then Father Johnson stood up to bid us farewell until our session the following week. I picked up my purse form its spot next to my chair. “Thank you, Father Johnson,” I said, standing up. “Wait just a second,” he said, holding up his hands. “I need to give you a little assignment.” I’d almost made a clean getaway. “I want you both to show me how much you know about each other,” he began. “I want you both to make me a collage.” I looked at him for a moment. “A collage?” I asked. “Like, with magazine pictures and glue?” “That’s exactly right,” Father Johnson replied. “And it doesn’t have to be large or elaborate; just use a piece of legal-size paper as the backdrop. I want you to fill it with pictures that represent all the things you know about the other person. Bring it to your session next week, and we’ll look at them together.” This was an unexpected development.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
One guy brought his hands up like a boxer, pretty high, so I hit him in the gut, which was a better close-quarters blow anyway, a tight body shot, no extension required. The other guy crowded in like he was going for a bear hug, which would have been a reasonable move, but he didn’t get all the way there, because however crowded the quarters, there was always room for a head butt, which cracked in right on target, an inch of backswing, and a lot of fast-twitch muscle. He went down and I turned back to the guy I had hit in the gut and I popped a knee under his chin, and he went down, by which time we were about three seconds into it, and certainly noisy, but I wasn’t worried about Joey rushing in, partly because Joey couldn’t rush in, not through any kind of a normal doorway, and partly because even if he did, I wouldn’t worry about him immediately. Because I knew something about Joey. Bennett was doing OK. He had a thumb in his guy’s eye, and his other hand was crushing the guy’s throat. In the active sense of the word. His fingertips were right in behind the guy’s larynx, squeezing and tearing. They didn’t rule the world by being nice. That was for damn sure. I picked up the flashlight and waited until Bennett’s guy hit the deck, and then I searched the floor and under coats and came back with our original three handguns, plus four identical Browning High Power Model 1935s, from Joey’s guys. The Brownings were all recent, with the ambidextrous safeties. Up for safe, down for fire. They were all fully loaded. But their chambers were empty. We had been safer than I thought. We shared them around, one each, and I took the magazine out of the fourth and gave it to Nice to put in her pocket.
Lee Child (Personal (Jack Reacher, #19))
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
The point of a lot of advertising, as Mr. Wallace explained to us last year in American History & Politics, is to spark desire by creating a sense of inadequacy. Like, we look at some fashion model in a magazine and think, Whoa, I’m ugly and oddly plump next to her. I suck. She’s great. What can I buy to make myself suck less? Oh, that eye shadow she’s modeling. So the magazine photo makes us feel like crap and then we want something. And we’re used to that, because ads are such a huge part of our society. So then when a guy makes us feel bad (by going out with someone else or rejecting us), we respond by wanting something (him).
E.lockhart
In 1970 he was hailed on a Time magazine cover as the "Paul Revere of ecology." A year later he published The Closing Circle, an impassioned book that warned of the dangers of environmental pollution. In 1972 the Club of Rome, a loose association of scientists, technocrats, and politicians, produced The Limits to Growth. Employing computers to test economic models, the authors concluded that the world would self-destruct by the end of the century unless planners figured out ways to limit population and industrial growth and to expand supplies of food and energy.
James T. Patterson (Grand Expectations: The United States, 1945-1974 (Oxford History of the United States Book 10))
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The mask, he’d say, was something that you wore but was opposite to you; because it was not wholly real, it could withstand pain that you could not; because it was not wholly human, its beauty was not diminished by age or feeling. Father’s hands never smelled of the same thing twice; and fragrances hung in the house like sweet invaders, like opulent chains of memories that no longer belonged to anyone. We’d encounter his models on their way up or down the stairs, in the ordinary prettiness of their unmade-up daytime faces; it was always a shock to find them in the magazines a few months later, and see what Father had made from them. Louche, tomboy, prissy, gauche; Cleopatran, Regency, Berlin decadent; flappers and hippies and Arabian princesses—he mined their faces for stories and myths and desires old as history, or older, like seams of rare ore that lay buried in the earth of their youth. In the magazines, the faces of these transient girls had a power, a power that my father could summon and balance, like those old music hall acts that spun plates on sticks. They could call into being any age or emotion or state of mind; and everything around them would be transformed too, turned from diffuse, unwieldy life into a story, something with direction and significance. Looking out from the glossy pages, their faces seemed to promise everything; they promised that you could become anything; they promised that they would take you with them, that you could leave yourself behind.
Paul Murray
Elsewhere in the world, fashion magazines like Vogue and GQ use models for its covers and only occasionally feature actors.
Anonymous
Blitz to V-E Day. After the war was over, the novelist John Hersey invented a new kind of journalism, modelled on the techniques of fiction, in his report about the atomic-bomb attack on Hiroshima, which filled an entire issue of the magazine in the summer of 1946. That June, Ross wrote to Flanner, with a touch of rue, “Probably the magazine will never get back to where it was.” The war took The New Yorker out of the city and into the world.
Anonymous
Carl discreetly turned his head to the left and then the right to make sure Mom wasn’t within hearing range. “I tried to stick it in er ass once and she didn’t speak to me for a week,” he nearly whispered before belting out a slur of loose chuckles. “And gettin’ ‘er to do ya on top? Forget about it!” In ways, I morphed into Carl’s description of the ideal woman. Like Mom, physical beauty was my ultimate priority. I spent hours on end stripped naked, posing in front of my full length bedroom mirror at every angle so that each wrinkle, roll, and pinch of fat could receive sharp scrutiny before I strived for complete self annihilation. I made it a habit of studying every Teen magazine model and the skinniest cheerleaders in my middle school yearbook. I observed their arms, legs, and hips. I held their images against mine with a goal for my bones to protrude further and calves spread further apart when standing straight. However, I saw the way Carl bent his head down and lowered his voice when he spoke about Mom, as if it was our job to keep a feisty, barking puppy believing that it was our guard dog. “Ure mom can’t help she got half ure I-Q,” Carl would chuckle.
Maggie Georgiana Young (Just Another Number)
In October 2009, Time magazine devoted an entire issue to “The State of the American Woman.” One writer pointed out that, ironically, as women have gained more education, more economic independence, more power, and more freedom, they have become less and less happy. According to evidence gathered by numerous surveys, they are unhappier now than when the feminist movement set about to solve the problem of women’s unhappiness.7 Clearly, the new model of womanhood is even less fulfilling than the old one was. The solution isn’t to try to rewind the clock to the 1950s, and squeeze women back into that culture’s “Leave It to Beaver” stereotype. No. The solution—the biblical solution—is to embrace the Word of God, and ask Him to help us figure out how to live out His divine design in this culture. Truly “smart girls” know that the place to get more know-how, freedom, and joy is in a relationship with Christ—the One “in whom are hidden all the treasures of wisdom and knowledge” (Col. 2:3).
Mary A. Kassian (True Woman 101: Divine Design: An Eight-Week Study on Biblical Womanhood (True Woman))
There is a misperception about black women in society. When a black woman presents expectations to a man, she is seen as needy, bossy and a gold digger. When a woman who is not of African American descent expresses the same thing from a man, she is seen as a trophy wife. When a woman of European descent presents the same thing, she is viewed as a classy woman with standards. When a woman of European descent presents the same standards as a black woman, the Caucasian woman is credited for implementing rules of dating when she expects a man to pay for dinner or when she tells a man what she desires out of a relationship. The value of African American women is reduced not only by dominant culture and society, but by men, particularly African American men. The media, radio, music, television, newspapers and movies have devalued African American women when in reality African American women are honorable, respectable, classy, elegant, beautiful, educated and hardworking women. Dark skin women are viewed as angry, unattractive and uneducated within modern society. African American women are seen as loud, irate, insensitive and angry women as a result of labels from some African American men, media, movies and music. Television, magazines, social media, internet, videos and some music present Hispanic, Latino, White and Armenian women as trophy wives, idols and models while presenting African American women as mistresses, one night stands, casual sex, gold diggers and “baby mamas.” Latino and Dominican women are viewed as physically beautiful while Caucasian women are viewed as ideal and classy within media, music, music videos and movies. Media presents black women as bitter, scorned, ghetto, ratchet and promiscuous as if women of other races do not exhibit those characteristics. Women of other races are on television and the internet using profanity, fighting, engaging in sexual acts and cheating, however, there is an emphasis on African American women who exhibit those behaviors” (McEachern 85).
Jessica McEachern (Societal Perceptions)
Porter’s aerial palace, complete with twenty-six windows, a long exhaust pipe for steam sticking out the rear, and a giant American flag fluttering over the rudders, was designed to ride beneath an immense cigar-shaped dirigible. The engineering was lunacy, but Porter’s marketing was brilliant. He proposed dispensing entirely with the notorious jumping-off hassles along the Missouri River by launching his “aerial locomotive” from New York. The coast-to-coast trip, Porter’s calculations showed, could be made in just three days—five days if the prevailing headwinds were particularly bad that week. Porter aggressively advertised his “Air Line to California” in eastern newspapers and magazines. Amazingly, over two hundred suckers paid a subscription price of $50, which included three-course meals and wine, for the inaugural balloon hop to the gold fields. That winter, a large crowd gathered in a Long Island cornfield to watch Porter test a model of his airship. But the craft never left the ground because the steam engines were far too heavy for the balloon. The would-be Porter aeronauts, however, were the lucky ones—they never had to leave in the first place. The 125 paying passengers on the first Turner and Allen Pioneer Train were not so fortunate. The Turner and Allen expedition of 1849
Rinker Buck (The Oregon Trail: A New American Journey)
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Amazon (Kindle Paperwhite User's Guide)
Another thought abruptly occurred to her. “You promised me some ex-girlfriends at the Everglades Club, and Patty showed up. So how many of those actresses and models you’ve left strewn in your wake will be around?” His jaw twitched. “Some, probably. They can’t resist seeing me in my polo uniform. But how many former girlfriends must one have before they can said to be strewn?” “The exact number that you have,” she retorted. She’d seen photos of him with them, on the Internet, in every national rag, and even the more reputable magazines. And she knew there’d only been maybe half a dozen of them, though with the intensive coverage, the numbers seemed much higher than that. “Don’t worry, love. I won’t be paying attention to anyone but you, busily trapping thieves and killers and strewing them in your wake.” “Yeah, and don’t you forget that.
Suzanne Enoch (Don't Look Down (Samantha Jellicoe, #2))
When Hawks saw the teenage model Betty Joan Perske on a magazine cover, he wanted to do a screen test with her and Brennan, who explained what happened: I said, “Why don’t you get one of these guys to take it?” He says, “Well, you’d make her feel at ease.” I said, “Gee, Howard, I don’t know whether Goldwyn will let me do this.” And Bob McIntyre [Goldwyn’s casting director] called me up, and he had this deep voice, he said, “You can’t do that. We got to pay you.” I said, “Well, I’m going to do it for nothing. I’ll do it for Howard Hawks.” And so I did it. She really shook. If you ever get to talk to her, she’ll tell you how she shook.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
Twenty-nine was a very possible age to me. I still fully expected to win the cover model contest for Seventeen magazine, even though it was only open to girls sixteen- to nineteen-years-old. I just assumed they would bend the rules a bit for me.
Nadine Darling
I try to avoid investing in anything that sounds remotely cool. I didn’t buy BlackBook magazine, or invest in Ford Models or a downtown members-only club focused on music. If, on the other hand, the business, and the issue the business addresses, sounds so boring I want to put a gun in my mouth, then . . . bingo, I’ll invest.
Scott Galloway (The Algebra of Happiness: Notes on the Pursuit of Success, Love, and Meaning)
Dear women, I hope you have the urge to wake up today with a new mindset; Courageous enough to stare back at your reflection ; tearing up all those damn beauty standards of all the models you nonstop see on magazines or those Barbie dolls you keep scrolling on your Instagram home feeds, Fearless enough to have a voice , to take a stand , to say no , to hit back , and to defend your beliefs no matter what. I hope you have the urge to be whatever the hell you want to be no matter how much this stupid society has tried to force you to believe otherwise; Only because you are a WOMAN…
Samiha Totanji
She nods. She’s looking through some old People magazines that she wants to sell for a dime apiece. “So, Billy Joel’s getting married to a fashion model,” she is saying, flipping pages. “What can you expect from a guy who writes ‘I don’t want clever conversation’ and calls that a love song.” Pretty soon Eleanor has lost it and is singing “I don’t want clever conversation, I just want gigundo buzooms.” “Kip loves Billy Joel,” she adds. “The man’s got the taste of a can opener.” It’s every man for himself out here. I
Lorrie Moore (Anagrams)
Richard Nixon, then the vice president, highlighted a six-room model ranch house to the Soviet leader, Nikita Khrushchev. “Soviet propaganda had been telling Russians in advance that the ranch house they would see at the U.S. exhibition was no more typical of workers’ homes in the U.S. than the Taj Mahal was typical in India or Buckingham Palace in Britain,” according to a Time magazine story.
Conor Dougherty (Golden Gates: Fighting for Housing in America)
If you can write it then you can sell it & if you can sell it you can spin it!
Vanny Goodfella (Grown Ass Pinups Magazine: Operation Fresh Start)
I believe change is coming though! I was over the moon to see Forbes launch their 50 over 50 list. It’s a platform designed to highlight women breaking age and gender stereotypes; to act as advocates and role models for other retirees around the world. It’s fantastic and I want to see more!
Sheila Holt (Trust is the New Currency: How to build trust, attract the right partners and create wealth through business and investments)
Whenever I looked at myself in the mirror, I always saw a morbidly obese reflection, while in truth I was achingly underweight. My obsession of looking good corresponded to wanting to look the way skinny models looked in television ads and fashion magazines, the personification of being attractive as described by the world around me.
Insha Juneja (Imperfect Mortals : A Collection of Short Stories)
He selected an AR-15 rifle and a Benelli M1014 12-gauge combat shotgun and propped them in the corner to take along. Cody packed a gear bag with two .45 ACP 1911 Colts with extra magazines, night vision goggles, body armor, .223 rounds for the AR-15 and 12-gauge buck for the shotgun, binoculars, rope, handcuffs and flex-ties, a pair of radios, and several cell phones. While he was bent over buckling a holster with a 9MM Model 26 “Baby” Glock to his ankle, the door was pushed open.
C.J. Box (The Highway (Highway Quartet #2))
But almost all the models in magazines are white.
Katherine Webber (Wing Jones)
I looked at her silky hair and perfect skin. She kind of looked like one of those models on teenybopper magazines. Yeah,
Marcus Emerson (Diary of a Sixth Grade Ninja (Diary of a 6th Grade Ninja, #1))
What Kate wore, whether on the street or the red carpet was much cooler to them than what she modelled. Her paparazzi photos were becoming indistinguishable from her editorials.
Maureen Callahan (Champagne Supernovas: Kate Moss, Marc Jacobs, Alexander McQueen, and the '90s Renegades Who Remade Fashion)
From the same Badiou piece: Strange is the rage reserved by so many feminist ladies for the few girls wearing the hijab. They have begged poor president Chirac… to crack down on them in the name of the Law. Meanwhile the prostituted female body is everywhere. The most humiliating pornography is universally sold. Advice on sexually exposing bodies lavishes teen magazines day in and day out. A single explanation: a girl must show what she’s got to sell. She’s got to show her goods. She’s got to indicate that, henceforth, the circulation of women abides by the generalized model, and not by restricted exchange. Too bad for bearded fathers and elder brothers! Long live the planetary market! The generalized model is the top fashion model. It used to be taken for granted that an intangible female right is to only have to get undressed in front of the person of her choosing. But no. It is vital to hint at undressing at every instant. Whoever covers up what she puts on the market is not a loyal merchant. Let’s argue the following, then, a pretty strange point: the law on the hijab is a pure capitalist law. It orders femininity to be exposed. In other words, having the female body circulate according to the market paradigm is obligatory. For teenagers, i.e. the teeming center of the entire subjective universe, the law bans any holding back.16
Nina Power (One Dimensional Woman)
She's been scouted by Ford and Elite- real New York agencies. Micah, the agent for Elite- a tall black guy in silver eyeliner- said that Felice was "heart-stopping." Everyone says that Felice looks like Elizabeth Taylor- all pleased with themselves, as if she were hearing this for the first time. It used to bug Felice: she pictured that squat, henlike woman in her wig and jewels, holding hands with Michael Jackson. But one day, Duffy brought over an old movie magazine while Felice and Berry lounged at their cafe table. He opened it and jabbed at the photo. "There. Look. You kids really are morons. You really don't know anything, do you? 'That's' Elizabeth Taylor." Berry craned over the page. "Wow, you really kind of do. Look at her. You guys could be related." A little nearsighted, Felice held the magazine closer, startled to see the resemblance- the straight brow bone, glimmering eyes, the fine jaw; only Felice's straight hair was self-hacked below the shoulders and Liz's hair was a sable bob, thick as a paintbrush. She finally realized what a compliment this comparison was.
Diana Abu-Jaber (Birds of Paradise)
The weapon was one of the variants of the standard SAS sniper rifle, the British-made Accuracy International PM — Precision Marksman — or L96A1. Designed for covert operations, the rifle Dekker had chosen was the AWS, or Arctic Warfare Suppressed, model. The name was a hangover from the days when the manufacturer produced a modified version for the Swedish armed forces, a move which spawned several different models generically known as the AW range. The stainless-steel barrel was fitted with an integrated suppressor which reduced the sound of a shot to about that of a standard .22 rifle. It was a comparatively short-range weapon, because of the subsonic ammunition, effective only to about three hundred yards in contrast to other versions and calibres of the rifle, some of which were accurate at up to a mile. Both the stock, its green polymer side panels already attached, and the barrel were a tight fit in the case, each lying diagonally across its interior. He pulled them both out, fitted and secured the barrel, and lowered the bipod legs mounted at the fore-end of the machined-aluminium chassis to support it, while he completed the assembly. Then he took a five-round magazine out of the recess in the briefcase, along with an oblong cardboard box containing twenty rounds of 7.62 x 51-millimetre rifle ammunition.
James Barrington (Manhunt (Paul Richter, #6))
No bloody option. You any good with a rifle?’ ‘Not as good as you are. But I can drive.’ ‘You might have to, then,’ Dekker said tightly. ‘Let’s put some distance between us and them. While I do that, get that rifle assembled, just in case we have to shoot our way out of this.’ Richter unsnapped the catches on the case Dekker had laid on the floor in front of the rear seats, and took out the weapons’ component parts. He’d never seen this particular model before, but he was familiar with rifles from his military career. Within a couple of minutes he’d assembled the rifle, attached the telescopic sight, and loaded a full magazine of subsonic 7.62-millimetre ammunition. ‘Mean piece of kit,’ he remarked. ‘Ideal tool for the job,’ Dekker said, ‘and that’s the point.
James Barrington (Manhunt (Paul Richter, #6))
I am a reporter on climate change. I have been following the topic for New Scientist magazine in the UK and others for twenty years now. And when I talk to climate scientists during their coffee breaks and at their private conferences—as I have done extensively both before and after completing this book—I hear them warn that the current accepted predictions could be much too optimistic; that their statistical models of climate, sophisticated though they undoubtedly are, badly underestimate the forces of change; that we could be close to triggering sudden lurches in the world’s climate. Hence the subtitle of the book: Why Scientists Fear Tipping Points in Climate Change.
Fred Pearce (With Speed and Violence: Why Scientists Fear Tipping Points in Climate Change)
With my new hat, I spoke and moved differently, I became a different person—the way models in magazines apparently became different people with different essences when they changed outfits. Maybe fashion didn’t just change how you were seen, maybe it could actually change who you were. The self was an endless burden, like a giant piece of luggage you were forced to haul around. But what if there was a way to remove the burden? What if you could just erase the self you had, as though it were a drawing in pencil, and start over?
David Adjmi (Lot Six)
The thing was gone in an instant, crashing through the underbrush, but it wasn’t alone. Others just like it, though not as large, bounded off through the trees. Standing there, marveling at the speed and grace of the beasts, Andrew had felt a blinding urge to run off with them.
Vincent H. O'Neil (Lovecraftiana: The Magazine of Eldritch Horror (Omnibus Book 3))
You’re on your way, my man. Keep going.
Vincent H. O'Neil (Lovecraftiana: The Magazine of Eldritch Horror (Omnibus Book 3))
I was lost, and didn’t even know it. But I’m all right now.
Vincent H. O'Neil (Lovecraftiana: The Magazine of Eldritch Horror (Omnibus Book 3))
He’s not like his brother and sister. No sense of accountability. His mother and I molded him into something useful, and he tried to throw it away as soon as he was out of the house.
Vincent H. O'Neil (Lovecraftiana: The Magazine of Eldritch Horror (Omnibus Book 3))
But before we, too, abdicate, let us speculate on the following scenario: if every magazine that denounces ageism made a point of using models with graying hair and crow's feet; if every personnel who complains of the prejudice against older men hired one; if every middle-aged man who ran a personals ad requested a woman his own age, rather than one a minimum of five years younger; if every woman took her cosmetic budget for the year and sent it to Emily's List, that alien entity called "society" might start to look more malleable.
Elizabeth Haiken (Venus Envy: A History of Cosmetic Surgery)
Beautiful people were led to think their beauty needed to go somewhere. On a person’s phone. In a magazine. Outwards. Why do anything with it? Maybe all the models on runways loved it, but maybe most just walked in because they fit inside the doors. Here was a pretty man who did not share himself and very much could have. It was rare to meet someone with that kind of jaw, sweet eyes, and those arms, who did not fall into modeling or influencing. There was magic in this. Lorenzo inadvertently alchemized his reserve into a valuable currency: the only time someone could see his beauty was if they were in the same room he was in or if they heard about it from someone who was there. Lorenzo had planted a kind of beauty in the world not captured by a camera, but a beauty that passed through and could only ever be run into.
Kristian Ventura (A Happy Ghost)
The AR-57, also known as the AR Five Seven, is available as either an upper receiver for the AR-15/M16 rifle or a complete rifle, firing 5.7×28mm rounds from standard FN P90 magazines. It was designed by AR57 LLC and[3] was produced by AR57 of Kent, Washington, United States. The AR-57 PDW upper is a new design on AR-15/M16 rifles, blending the AR-15/M16 lower with a lightweight, monolithic upper receiver system chambered in FN 5.7×28mm. This model is also sold as a complete rifle, supplied with two 50-round P90 magazines.[1] The magazines mount horizontally on top of the front handguard, with brass ejecting through the magazine well. Hollow AR-15 magazines can be used to catch spent casings. Unlike the standard AR-15 configuration which uses a gas-tube system , the AR-57 cycles via straight blowback.[6] A fully automatic version exists and was marketed as a competitor to the P90 and other personal defense weapons.[7] Manufactured by the eponymous AR57 LLC, and chambered in 5.7x28mm, this upper is less powerful than the standard 5.56mm version, but it has certain tangible advantages, including reduced muzzle blast, a high practical rate of fire, nonexistent recoil, and the ability to use folding stocks. Since the buffer is located within the receiver, folding stocks may also be used for compact storage or carry. To load, place the base plate of a standard FN P90 magazine into the recess on the front of the upper, then press the feed lip side down on the catch located above and slightly back of the bolt. To charge, pull on the right-side nonreciprocating handle and release. The right-side charging hand placement makes it accessible for operation by the strong hand. Since it only has to be operated once every 50 shots, the time penalty for moving the hand off the pistol grip isn’t too great. Empties will eject downward through the nominal magazine well. Some people use a 20-round magazine body with the feed lips, spring and follower removed to act as a brass catcher. The magazine has no provision for activating the bolt lock when empty, but the bolt can be locked open using the catch on the lower. The upper runs very cleanly and reliably, requiring no maintenance after the first 500 shots. The AR57 comes with a medium fluted barrel, reasonable for a varmint rifle but excessive for a defensive carbine. Burning around six grains per shot, 5.7x28mm runs much cooler than 5.56mm, which burns four or more times as much. That yields much reduced muzzle blast and far greater heat endurance, of course at the cost of a roughly 40 percent slower bullet.
ssecurearmsllc
Ch 7: Read Blogs, Periodicals, and Other Web Content for Free on the Kindle Amazon might prefer that you get all your Kindle blogs and periodicals for a price in the Kindle Store, and those Kindle editions are tough to match when it comes to elegant formatting and the convenience of having new issues and posts pushed wirelessly to your Kindle in real time. However, there are a number of increasingly user-friendly ways to enjoy newspapers, magazines, and blogs free of charge on a Kindle, and we'll break them down and show you how in this chapter and the next. Here are the basic approaches: •     You can use your Kindle's web browser to read any of millions of blogs and online periodical editions directly from the web. •     You can use any of several RSS feed services such as Google Reader to read content summaries on your Kindle and then click through to content that interests you. •     You can use Instapaper to flag, sort, and organize interesting articles as you surf the web and send them individually or in digest form to your Kindle. •     You can set up Calibre to fetch the latest issues of newspapers, magazines and blogs and transfer them directly to your Kindle via an easy-to-use Calibre-to-Kindle USB connection. All of these feature are better than ever on the latest generation Kindle 3G and Kindle Wi-Fi models for the following reasons: •     Both models come with wi-fi, which is must faster than 3G for any activities other than reading an ebook or listening to an audio file. •     These latest generation Kindle 3G and Kindle Wi-Fi models both come with the Kindle's relatively new WebKit web browser based on the same platform that powers the Safari web browser. It's still a bit slow, but it is miles ahead of the previous Kindle web browser. •     These latest generation Kindle 3G and Kindle Wi-Fi models feature the new eInk Pearl display that renders 50 percent better contrast than previous Kindle displays, which is especially important when viewing web content formatted for a larger color screen. •     These latest generation Kindle 3G and Kindle Wi-Fi models provide other features to enhance web page viewing and reading, including Article Mode (a Menu selection while viewing any web page on these Kindles) and several different "zoom" options using the "Aa" font key or the Menu. Reading
Stephen Windwalker (Kindle free for all: how to get millions of free kindle books and other free content)
The challenge was that many would-be naturals found little support in traditional places for beauty advice, including beauty magazines (even ones catering to Black women) and professional stylists. Often, even mothers and grandmothers were of no help; the hair care that many Black women learned from their fore-mothers was solely focused on “fixing” or “taming” natural hair, not on celebrating its innate qualities. Many Black women had not seen or managed their natural texture in decades. Black beauty magazines such as Essence continued to mostly feature models with straightened hair. And, until the recent renaissance, education for beauticians included little to no training about the care of natural Black hair. Stylists were tested only on their ability to handle straightened Black tresses.33
Tamara Winfrey Harris (The Sisters Are Alright: Changing the Broken Narrative of Black Women in America)
But here’s the thing, I’ve dated three guys in my adult years: an actor, a model, and then my last boyfriend was a singer, too. They were all men that magazines and tabloids drooled over, saying they were some of the sexiest and most successful men out there. And yet, I never once experienced as strong of an attraction to any of them like I have to Noah Walker.
Sarah Adams (When in Rome (When in Rome, #1))
In an op-ed in Inc. magazine, Thomas Goetz explains the difficulties that Iodine and other startups in the United States have had in their efforts to revolutionize health care: Unlike so many other industries, health care has proved allergic to upstarts that would emerge, uncork a radically new model, and push the incumbents aside. There are many reasons for this, but most boil down to “health care is different.” It’s highly regulated, which makes rapid transformation difficult. The incumbents are massive enterprises with multiple services, so challenging them is nearly impossible. It isn’t a market-driven industry that responds to better, cheaper, faster. You can’t price-shop. The government is the biggest customer. All the incentives are misaligned.
Vivek Wadhwa (The Driver in the Driverless Car: How Your Technology Choices Create the Future)
Very funny, Kristy. Hilarious. I have stolen a man’s suitcase with a murder victim inside it, the mob is about to close in, I’m making my European debut looking like a cover model for Parenting magazine, and you’re making fun of me!
Ann M. Martin (Baby-sitters' European Vacation (The Baby-Sitters Club Super Special, #15))
Who were we to tell Roz to stick with teaching - that she was already living her best life? But it was dismal to imagine the Brownswood kids going to school and not being taught by Mrs. Gill anymore. Mrs. Gill, who sent Em home every week with essays covered in glowing comments, which in turn made Em glow. Mrs. Gill, who'd bullied and enlightened me, restored my confidence and made me feel that anything was possible. Teachers like her and Sarah Boleyn were precious, should be feted and put in magazines like Hollywood stars. Maybe then they wouldn't want to do other things.
Beth Morrey (Delphine Jones Takes a Chance)
Continued scholarly research reveals just how many women, queer or nonbinary individuals, and people of color perceive very real barriers to their participation in wilderness activities. Recent survey participants list a variety of reasons for these barriers, including outdoor recreation’s continued emphasis on physical strength and technical expertise, sexist and exclusionary programming, and a fear for one’s personal safety while in the wilderness. A recent study of advertisements in outdoor magazines found that while women were present in 46 percent of ads, the majority of them appeared in passive roles, such as sitting around a fire with friends or holding outdoor gear rather than using it. Only the smallest percentage of these women were depicted alone and actively engaged in any kind of athletic pursuit while in the wilderness. Of all the women in the ads, a full 91 percent were white. No known trans or nonbinary models were used.
Kathryn Miles (Trailed: One Woman's Quest to Solve the Shenandoah Murders)
It’s one thing to battle oppression from the outside, but what do you do when the ideas that are attacking you are your own? As with all forms of oppression, sizeism doesn't exist in a vacuum. It interacts with and impacts other forms of oppression, including ableism. For those of us with disabilities where extra weight can make moving around that much harder, the threat of losing what mobility we have can loom over our heads. Ableism tells us that we must walk and become as “independent” as possible; sizeism blackmails us into making sure we stay that way. They both reinforce the man-made idea of an ideal body, one that everyone should aspire to have. Both feed into the capitalist idea that we must pull ourselves up by our own bootstraps, that we must fend for ourselves, that we must not be a burden on anyone else. The two work in tandem with sexism as well – a female body should be Barbie doll skinny, sleek and sophisticated, and anything else is just gross. Our culture's standard definition of beautiful depends on preconceived notions about how the perfect body should be, notions that rely on various forms of oppression to legitimize them. A model body should ideally be white or white-passing, slim and nondisabled. Is it any wonder we don’t see fat, visibly disabled people of color posing on the covers of fashion magazines?" -Cara Liebowitz, "Palsy Skinny: A Mixed Up, Muddled Journey into Size and Disability," Criptiques, 2014.
Cara Liebowitz
You’re fine, Luscious.” “Lucian. Gramma. It’s Lucian.” She eyed him. “I can’t say I like you strutting around Missouri in blue jeans and a black t-shirt like some model out of a magazine.
Lucian Bane (White Knight Dom Academy: The Beginning (White Knight Dom Academy, #1))
Toned muscles and a chiseled jawline were accentuated by precision cut light brown hair that was tousled just so; he looked like he walked off a magazine cover, modeling designer pajamas. Carter was no slouch himself in the looks department, but Alaric's visual perfection, coupled with his genuine personality, and the fact he was now banging the only woman Carter had ever loved, iced the cake of his inferiority complex.
Stacy Buck (Users I: My Angels Have Demons (Users: A Superhero Novel, #1))
Excited at the opportunity to witness a professional fashion shoot, especially one for a major fashion magazine, I replied enthusiastically, "Yes! We'd love to come. Do we get to go on one of the parade boats?" Mario laughed. "Correct! Vogue Italia has commissioned a float especially for this fashion photography session. We have three female models on location and I thought, if Andy is agreeable, he could be an accompanying male model. I
Young (Initiation (A Harem Boy's Saga Book 1))
A tent was set up as a make shift changing room for the models to do their preparation. Hair and make-up were done within this 12' x 12' fabric enclosure which sprouted electrical cords for hair dryers and electric rollers, necessities for “bouffant” hairdos. I was mesmerized while watching different colored eye shadows, face powders and lipsticks painted onto the females. Seeing glamorous pictures in a glossy magazine was one thing but witnessing first-hand how it was applied was quite another. The hours of preparation that went into preparation for each model included in a photograph stunned me.
Young (Initiation (A Harem Boy's Saga Book 1))
his peers have expressed considerably more skepticism. “There is nothing Tesla [can] do that we cannot also do,” Fiat Chrysler CEO Sergio Marchionne said in June 2016. Two years earlier, he had asked customers not to buy the Fiat 500e electric car, because the company lost $14,000 on the sale of each one. Fiat would sell the minimum number of electric cars needed to meet government mandates and “not one more,” he said. In April 2016, Marchionne continued that theme in an interview on the sidelines of his company’s annual meeting, this time responding to the price of the Model 3. If Musk could show him that the car would be profitable at the $35,000 price tag, Marchionne said, “I will copy the formula, add the Italian design flair, and get it to the market within twelve months.” The German automakers have been even more dismissive. In November 2015, Edzard Reuter, the former CEO of Daimler, called Tesla a “joke” and Musk a “pretender,” suggesting in an interview with a German newspaper that Tesla didn’t stand up to serious comparison with “the great car companies of Germany.” Daimler, BMW, and Volkswagen were slow to accept that Tesla could one day challenge their market dominance. “German carmakers have been in denial that electric vehicles can create an emotional appeal to customers,” Arndt Ellinghorst, an automotive analyst at Evercore ISI, told the Los Angeles Times in April 2016. “Many still believe that Tesla is a sideshow catering to a niche product to some tree-hugging Californians and eccentric US hedge fund managers.” GM wasn’t quite so blasé. In 2013, then CEO Dan Akerson established a team within the company to study Tesla, based on the belief that it could be a big disrupter. GM’s Chevrolet Volt, a hybrid sedan that could drive about forty miles in full electric mode, had won Motor Trend’s 2011 Car of the Year, but GM was looking further into the future. At the 2015 Detroit auto show, it unveiled a concept of the Chevy Bolt, a two-hundred-mile electric car that would retail for $30,000 (after a $7,500 rebate from the US government). It was seen as a direct response to Tesla and new CEO Mary Barra’s biggest risk since she took over in 2014. Wired magazine celebrated the Bolt’s impending arrival with a February 2016 cover story about how GM had beaten Tesla “in the race to build a true electric car for the masses
Hamish McKenzie (Insane Mode: How Elon Musk's Tesla Sparked an Electric Revolution to End the Age of Oil)
She’d eaten on the plane, but it was hours ago. Truth be told, Devyn was a healthy, big girl; she needed sustenance more than the thin models one saw on the covers of magazines.
Roxy Wilson (Fur-Ever Yours (The Protectors , #1))
Fashion models today are so different from the women buying the clothes. That has not always been the case. If you look at issues of ‘Vogue’ or other fashion magazines from the 1950s, you’ll see models in possession of womanly (albeit spectacular) bodies and expressive, mature faces. Star models typically were over thirty, and they had curves. They just looked like extraglamorous versions of the women buying the dresses. It almost seems shocking now, when models are all in their teens and look as though they’re playing dress up. In 2011 there was a cover of French ‘Vogue’ featuring a ten-year-old model. Ten years old! Did she look ten? No, she looked twenty-five! What does that say to young people? I worry about the pressure this puts on teenagers and tweens.
Tim Gunn (Tim Gunn's Fashion Bible)