Magazine Dreams Quotes

Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to." [MovieMaker Magazine #53 - Winter, January 22, 2004 ]

Go into yourself. Find out the reason that commands you to write; see whether it has spread its roots into the very depths of your heart; confess to yourself whether you would have to die if you were forbidden to write. This most of all: ask yourself in the most silent hour of your night: must I write? Dig into yourself for a deep answer. And if this answer rings out in assent, if you meet this solemn question with a strong, simple “I must,” then build your life in accordance with this necessity; your whole life, even into its humblest and most indifferent hour, must become a sign and witness to this impulse. Then come close to Nature. Then, as if no one had ever tried before, try to say what you see and feel and love and lose... ...Describe your sorrows and desires, the thoughts that pass through your mind and your belief in some kind of beauty - describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don’t blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is not poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world’s sounds – wouldn’t you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attentions to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. - And if out of this turning-within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it.

I thank everyone I don't love. They don't cause me heartache they don't make me write long letters they don't disturb my dreams I don't await them anxiously I don't read their horoscopes in magazines I don't dial their numbers I don't think of them. I thank them a lot they don't turn my life upside down.

If you are a woman, if you're a person of colour, if you are gay, lesbian, bisexual, transgender, if you are a person of size, if you are a person od intelligence, if you are a person of integrity, then you are considered a minority in this world. And it's going to be really hard to find messages of self-love and support anywhere. Especially women's and gay men's culture. It's all about how you have to look a certain way or else you're worthless. You know when you look in the mirror and you think 'oh, I'm so fat, I'm so old, I'm so ugly', don't you know, that's not your authentic self? But that is billions upon billions of dollars of advertising, magazines, movies, billboards, all geared to make you feel shitty about yourself so that you will take your hard earned money and spend it at the mall on some turn-around creme that doesn't turn around shit. When you don't have self-esteem you will hesitate before you do anything in your life. You will hesitate to go for the job you really wanna go for, you will hesitate to ask for a raise, you will hesitate to call yourself an American, you will hesitate to report a rape, you will hesitate to defend yourself when you are discriminated against because of your race, your sexuality, your size, your gender. You will hesitate to vote, you will hesitate to dream. For us to have self-esteem is truly an act of revolution and our revolution is long overdue.

Create a guidebook of creative dreams You can use a blank book or just blank paper clipped together. Put photographs or scraps from magazines in that represent your creative dreams. Draw, scribble, or paint in between the images. Make a list of creative dreams you've thought of or admire in others.

Over and over again, stories in women's magazines insist that women can know fulfillment only at the moment of giving birth to a child. They deny the years when she can no longer look forward to giving birth, even if she repeats the act over and over again. In the feminine mystique, there is no other way for a woman to dream of creation or of the future. There is no other way she can even dream about herself, except as her children's mother, her husband's wife.

Her bedroom walls are covered with magazine pictures, so that the walls don't end at the walls. They go outward, to a dream of somewhere else.

Beauty isn't what you see on TV or in magazine ads or even necessarily in art galleries. It's a lot deeper and a lot simpler than that. It's realizing the goodness of things, it's leaving the world a little better than it was before you got here. It's appreciating the inspiration of the world around you and trying to inspire others.

You go through life thinking there's so much you need. Your favorite jeans and sweater. The jacket with the faux-fur lining to keep you warm. Your phone and your music and your favorite books. Mascara. Irish breakfast tea and cappuccinos from Trouble Coffee. You need your yearbooks, every stiffly posed school-dance photo, the notes your friends slipped into your locker. You need the camera you got for your sixteenth birthday and the flowers you dried. You need your notebooks full of the things you learned and don't want to forget. You need your bedspread, white with black diamonds. You need your pillow - it fits the way you sleep. You need magazines promising self-improvement. You need your running shoes and your sandals and your boots. Your grade report from the semester you got straight As. Your prom dress, your shiny earrings, your pendants on delicate chains. You need your underwear, your light-colored bras and your black ones. The dream catcher hanging above your bed. The dozens and dozens of shells in glass jars... You think you need all of it. Until you leave with only your phone, your wallet, and a picture of your mother.

I went to the library. I looked at the magazines, at the pictures in them. One day I went to the bookshelves, and pulled out a book. It was Winesburg, Ohio.. I sat at a long mahogany table and began to read. All at once my world turned over. The sky fell in. The book held me. The tears came. My heart beat fast. I read until my eyes burned. I took the book home. I read another Anderson. I read and I read, and I was heartsick and lonely and in love with a book, many books, until it came naturally, and I sat there with a pencil and a long tablet, and tried to write, until I felt I could not go on because the words would not come as they did in Anderson, they only came like drops of blood from my heart.

Everyone who’s ever been jealous because it’s my face in the magazines and not theirs. Every person who can’t believe or accept that someone can reach my level of success without being a total prick. Trust me, it’s not the lies that hurt people. It’s the willingness of everyone else to believe them. And then there are those who come out of the woodwork to back your accuser because it gives them the spotlight for three seconds. They can’t stand the fact that you’ve risen above your past and that they have no excuse for never rising above theirs. In their minds, you need to be taken down a notch and they need to be raised a few, off the lies they tell about you. Because in the end, they know you, they’ve seen the real you, and by backing your accusers, they make other people think that maybe they were close to you – at least that’s what they claim. It’s a sick world and I’m disgusted with it. (Aiden)

I don't think the dreams die - I think that people give up. I think it gets too hard." - Tyler Perry

Permanence, I once copied down from a magazine, is what we all want when we can love and can be loved; change is what we want when we cannot.

While National Geographic magazine had given me a taste of the world, the three-dimensional details of this moment - the tickle of the rain drops, the suck sound of my feet in the mud, the challenge of getting photographs of the monkeys, my immature urge to make the driver wait even longer because he was annoying - would feed me for years to come.

Oh, we women know things you don't know, you teachers, you readers and writers of books, we are the ones who wait around libraries when it's time to leave, or sit drinking coffee alone in the kitchen; we make crazy plans for marriage but have no man, we dream of stealing men, we are the ones who look slowly around when we get off a bus and can't even find what we are looking for, can't quite remember how we got there, we are always wondering what will come next, what terrible thing will come next. We are the ones who leaf through magazines with colored pictures and spend long heavy hours sunk in our bodies, thinking, remembering, dreaming, waiting for something to come to us and give a shape to so much pain.

Wanting can be done sitting on the couch with a bong in your hand and a travel magazine in your lap.     Deciding means jumping in all the way, doing whatever it takes, and going after your dreams with the tenacity of a dateless cheerleader a week before prom night. You

You can work for your dream company, you can run that company and you are capable of coming on the cover of Time magazine…nothing is impossible.

i have white dreams billboards magazines mighty praise accolades top 10 lists and top 10 hits so i climb dodge boulders earn blisters but even the top of the mountain is white

I'm going to tell you something that no magazine or novel or television show will ever let on. Love wears you down. We think of it as hearts and flowers and happily ever after but in real life, the things you have to do in the name of love kill you... You end up doing a thousand things in a day in the name of love that you wouldn't ask a dog to do. Sex is the most powerful weapon in your arsenal innocence is attractive in children, but it makes brittle, disappointed adults. Someone liking you is just the beginning; it always starts nicely but before you know it it's like Persephone being dragged into the Underworld. Romantic love is an illusion Hughie,. It can be manupulated, twisted, piled up like a bunch of fun-house mirrors. The very nature of it is deceptive. It promises closeness but the only thing is ever really reveals is the dreams and fears of the person with the obsessions. That's why it's so easy to control

For a girl, the fear of not being pretty is the fear of not being a valuable object, which is the fear of not being loved. It is a conflation that is instilled so early on and runs so deep that, even when you know it's a fear perpetrated by patriarchy, goaded by fashion magazines, and used to manipulate you into buying stuff, you still can't stop the way it affects you. Being a woke feminist doesn't mean you've overcome it, it just means you've learned to live with your perpetual self-loathing and your anger around it, too.

On Editors: "... The chief qualification of ninety-nine per cent of all editors is failure. They have failed as writers. Don't think they prefer the drudgery of the desk and the slavery to their circulation and to the business manager to the joy of writing. They have tried to write, and they have failed. And right there is the cursed paradox of it. Every portal to success in literature is guarded by those watch-dogs, the failures of literature. The editors, the sub-editors, associate editors, most of them, and the manuscript readers for the magazines and book-publishers, most of them, nearly all of them, are men who wanted to write and failed. And yet they, of all creatures under the sun the most unfit, are the very creatures who decide what shall and what shall not find its way into print–they, who have proved themselves not original, who have demonstrated that they lack the divine fire, sit in judgment upon originality and genius. And after them comes the reviewers, just so many more failures. Don't tell me that they have not dreamed the dream and attempted to write poetry and fiction; for they have, and they have failed. Why, the average review is more nauseating than cod-liver oil....

If you’ve ever taken an economics course you know that markets are supposed to be based on informed consumers making rational choices. I don’t have to tell you, that’s not what’s done. If advertisers lived by market principles then some enterprise, say, General Motors, would put on a brief announcement of their products and their properties, along with comments by Consumer Reports magazine so you could make a judgment about it. That’s not what an ad for a car is—an ad for a car is a football hero, an actress, the car doing some crazy thing like going up a mountain or something. If you’ve ever turned on your television set, you know that hundreds of millions of dollars are spent to try to create uninformed consumers who will make irrational choices—that’s what advertising is.

I sometimes feel there’s a bravery, even nobility, to people who leave their own country for some other dream. It makes you so vulnerable. There is a bit of my own expatriate heart that’s frozen, not here, not there, a lonely thing.

Our brain is a circuit board with neurons and terminals ready to be wired. We are born free, then programmed to obey our parents, to tell the truth, pass exams, pursue and achieve, love and propagate, age and fade unfulfilled and uncertain what it has all been for. We swallow the operating system with our mother's milk and sleepwalk into the forest of consumer illusion craving shoes, houses, cars, magazines, experiences that endorse our preconceived dreams and opinions. We grow into our parents. We becomes clones, robots, matchstick men thinking and saying the same, feeling the same, behaving the same, appreciating in books and films and art shows those things we already recognize and understand.

She had no need in her heart for either book or magazine. She had her own way of escape, her own passage into contentment: her rosary. That string of white beads, the tiny links worn in a dozen places and held together by strands of white thread which in turn broke regularly, was, bead for bead, her quiet flight out of the world. Hail Mary, full of grace, the Lord is with thee. And Maria began to climb. Bead for bead, life and living fell away. Hail Mary, Hail Mary. Dream without sleep encompassed her. Passion without flesh lulled her. Love without death crooned the melody of belief. She was away: she was free; she was no longer Maria, American or Italian, poor or rich, with or without electric washing machines and vacuum cleaners; here was the land of all-possessing. Hail Mary, Hail Mary, over and over, a thousand and a hundred thousand times, prayer upon prayer, the sleep of the body, the escape of the mind, the death of memory, the slipping away of pain, the deep silent reverie of belief. Hail Mary and Hail Mary. It was for this that she lived.

Why do you think there aren’t rules to how sex will work? You didn’t want to talk to me about what you wanted. You pushed me into the room so I wouldn’t turn on the light because you knew damn well I would push back on that, didn’t you?” She stayed where she was. “Yes. I don’t want you to see me. I don’t look like one of those girls in a magazine.” He groaned, the sound coming from deep in his chest. “Those girls in the magazines are airbrushed and way too thin. The camera adds pounds so those girls are so skinny I wouldn’t be able to fuck them for fear I would break them. I want a woman, Avery, not some tiny freaking thing whose waistline only proves she doesn’t eat. I want a woman who can take me. I want a woman I can hold on to. So bend over because I want to see your ass. I want to look at it because I’ve been dreaming about it for days. It’s hot and round and so fucking juicy I can’t stand it. Get me hot, Avery. Show me your ass.

I can’t disgrace the great woman buried somewhere beneath the drugs, the naked outbursts on stage, behind the tongue-wagging, rebellious teen artist... to the tormented woman performer. There is a human being inside. And even with her vices, I’m pretty sure she has a great story she’s been dying to whisper. A girl screaming for everyone to look beyond the magazine covers and tabloid stories. A story I want to listen to—all night.

For half an hour they poked about in a happy dusty dream, through the junk and broken furniture and ornaments. It was like reading the story of somebody’s life, Jane thought, as she gazed at the tiny matchstick masts of the ship sailing motionless forever in the green glass bottle. All these things had been used once, had been part of every day in the house below. Someone has slept on the bed, anxiously watched the minutes on the clock, pounced joyfully on each magazine as it arrived. But those people were long dead, or gone away, and now the oddments of their lives were piled up here, forgotten. She found herself feeling rather sad.

I went for a drink at the Algonquin with Wallace Shawn, the editor of The New Yorker’s son, who I have been told wants to write. I loved his creaky voice and twinkly, creased-up eyes. He’s like a small, anxious hippo, so full of quotable insights. “America has no memory,” he explained. “Nothing LEADS to anything in New York.

Somewhere in this world there exists an exceptional philosopher named Florie Rotondo. The other day I came across one of her ruminations printed in a magazine devoted to the writings of schoolchildren. It said: “If I could do anything, I would go to the middle of our planet, Earth, and seek uranium, rubies, and gold. I'd look for Unspoiled Monsters. Then I'd move to the country. --Florie Rotondo, age 8.” Florie, honey, I know just what you mean – even if you don’t: how could you, age eight?

You will never look like the girl in the magazine; the girl in the magazine doesn't even look like the girl in the magazine. Don't try to achieve your dream body; you can't have that, it's not real, that's why it's called a dream body. Instead, try to achieve your real body, which is the one you already have. Congrats, you did it. Always love yourself, even if deep down you're not truly happy and want to change things for the better. Just say fuck it and have some wine. And if that doesn't work then just actually whine.

In America, success in one field seems to make people think you can do anything. Maybe I will be offered a job as a brain surgeon next.

As Senator Daniel Patrick Moynihan put it when asked to define the eighties, we “borrowed a trillion dollars from the foreigners and used the money to throw a big party.

Carl Spielvogel and his wife, Barbaralee Diamonstein (seriously, you can’t make it up), looked as if they had been married forever but it transpired it was only three years.

So, what do you go for in a girl?” He crows, lifting a lager to his lips Gestures where his mate sits Downs his glass “He prefers tits I prefer ass. What do you go for in a girl?” I don’t feel comfortable The air left the room a long time ago All eyes are on me Well, if you must know I want a girl who reads Yeah. Reads. I’m not trying to call you a chauvinist Cos I know you’re not alone in this but… I want a girl who reads Who needs the written word & uses the added vocabulary She gleans from novels and poetry To hold lively conversation In a range of social situations I want a girl who reads Who’s heart bleeds at the words of Graham Greene Or even Heat magazine Who’ll tie back her hair while reading Jane Eyre And goes cover to cover with each water stones three for two offer but I want a girl who doesn’t stop there I want a girl who reads Who feeds her addiction for fiction With unusual poems and plays That she hunts out in crooked bookshops for days and days and days She’ll sit addicted at breakfast, soaking up the back of the cornflakes box And the information she gets from what she reads makes her a total fox Cos she’s interesting & unique & her theories make me go weak at the knees I want a girl who reads A girl who’s eyes will analyze The menu over dinner Who’ll use what she learns to kick my ass in arguments so she always ends the winner But she’ll still be sweet and she’ll still be flirty Cos she loves the classics and the classics are dirty So late at night she’d always have me in a stupor As she paraphrases the raunchier moments from the works of Jilly Cooper See, some guys prefer asses Some prefer tits And I’m not saying that I don’t like those bits But what’s more important What supersedes Is a girl with passion, wit and dreams So I’d like a girl who reads.

I have spent my life 'dreaming' of becoming a writer. I co-wrote 2 books & I write articles for a magazine. Guess what?? I am a writer...dream accomplished! Everything after that is just business!!

Faced with the prospect of a black depression, Highsmith once again retreated into fantasy, dreaming about an affair with the actress Anne Meacham, whose picture she had seen in a magazine publicising her role in the Tennessee Williams' play, In the Bar of a Tokyo Hotel. After the disasters of recent years, she reckoned that the safest option was to escape into romantic imagination. She reviewed her failures over the past five years and concluded that 'the moral is: stay alone. Any idea of any close relationship should be imaginary, like any story I am writing. This way no harm is done to me or to any other person'.

I watch with awe as some women reclaim things like beauty and sexuality as their own, both lasting much longer than a magazine tells them it does. I also marvel at women who can mute shame to let a dream take shape.

Airplane Dream #13' told the story, more or less, of a dream Rosa had had about the end of the world. There were no human beings left but her, and she had found herself flying in a pink seaplane to an island inhabited by sentient lemurs. There seemed to be a lot more to it -- there was a kind of graphic "sound track" constructed around images relating to Peter Tchaikovsky and his works, and of course abundant food imagery -- but this was, as far as Joe could tell, the gist. The story was told entirely through collage, with pictures clipped from magazines and books. There were pictures from anatomy texts, an exploded musculature of the human leg, a pictorial explanation of peristalsis. She had found an old history of India, and many of the lemurs of her dream-apocalypse had the heads and calm, horizontal gazes of Hindu princes and goddesses. A seafood cookbook, rich with color photographs of boiled crustacea and poached whole fish with jellied stares, had been throughly mined. Sometimes she inscribed text across the pictures, none of which made a good deal of sense to him; a few pages consisted almost entirely of her brambly writing, illuminated, as it were, with collage. There were some penciled-in cartoonish marginalia like the creatures found loitering at the edges of pages in medieval books.

She'd fall back asleep dreaming of hurricanes whipping the palm trees around her childhood home, trying to run from the Godzilla-sized beast that rushed to devour her. But her feet were stuck in invisible cement. As she struggled to scream, she'd startle awake and feel the staccato beats of her heart thumping double-time. Only then would she remember: she brought him into this world. - The Monster In Her Bedroom, Havok Magazine, Issue 1.1

Music is reflection of self We just explain it, and then we get our checks in the mail It's fucked up, ain't it? How we can come from practically nothin To bein able to have any f*ckin thing that we wanted That's why we sing for these kids who don't have a thing Except for a dream and a f*ckin rap magazine Who post pin-up pictures on they walls all day long Idolize they favorite rappers and know all they songs Or for anyone who's ever been through shit in they lives So they sit and they cry, at night, wishin they'd die Til they throw on a rap record and they sit and they vibe We're nothin to you, but we're the f*ckin sh*t in they eyes That's why we seize the moment Try to freeze it and own it, squeeze it and hold it Cause we consider these minutes golden And maybe they'll admit it when we're gone Just let our spirits live on Through our lyrics that you hear in our songs, and we can…

Writers, naturally, dream of becoming authors. Authors dream of writing a bestseller. Bestselling authors want to write more bestsellers. And everyone hopes for big prizes. Why? Because we believe in magic." Publisher's Weekly magazine, Dec. 12, 2011

We came back [from Mars]," Pris said, "because nobody should have to live there. It wasn't conceived for habitation, at least not within the last billion years. It's so old. You feel it in the stones, the terrible old age. Anyhow, at first I got drugs from Roy; I lived for that new synthetic pain-killer, that silenizine. And then I met Horst Hartman, who at that time ran a stamp store, rare postage stamps; there's so much time on your hands that you've got to have a hobby, something you can pore over endlessly. And Horst got me interested in pre-colonial fiction." "You mean old books?" "Stories written before space travel but about space travel." "How could there have been stories about space travel before - " "The writers," Pris said, "made it up." "Based on what?" "On imagination. A lot of times they turned out wrong [...] Anyhow, there's a fortune to be made in smuggling pre-colonial fiction, the old magazines and books and films, to Mars. Nothing is as exciting. To read about cities and huge industrial enterprises, and really successful colonization. You can imagine what it might have been like. What Mars ought to be like. Canals." "Canals?" Dimly, he remembered reading about that; in the olden days they had believed in canals on Mars. "Crisscrossing the planet," Pris said. "And beings from other stars. With infinite wisdom. And stories about Earth, set in our time and even later. Where there's no radioactive dust." [...] "Did you bring any of that pre-colonial reading material back with you?" It occurred to him that he ought to try some. "It's worthless, here, because here on Earth the craze never caught on. Anyhow there's plenty here, in the libraries; that's where we get all of ours - stolen from libraries here on Earth and shot by autorocket to Mars. You're out at night humbling across the open space, and all of a sudden you see a flare, and there's a rocket, cracked open, with old pre-colonial fiction magazines spilling out everywhere. A fortune. But of course you read them before you sell them." She warmed to her topic. "Of all -

Certainly Gloria Steinem doesn’t seem very full of crusading zeal anymore. I caught sight of her willowy figure and aviator glasses at the party. In a group of other women who surrounded her I heard her say, “We must become the men we wanted to marry.” I loved that.

I have often perplexed myself over what I saw in Nelle Snyder's aged face at that moment. It was no look of paranoia. It was a look of waiting. Perpetual waiting. That look was to come back to me sixteen years later when I heard Rose's narration at the end of James Cameron's Titanic, with its line about survivors "waiting for an absolution that never came." Yet the waiting I saw in Nelle Snyder's face seemed larger even than a waiting for absolution. It seemed vaster even than Titanic herself. Call it the waiting of the Mother of all Perished Vessels. Or of a Ship of Honeymoon Dreams perchance, with a passenger list spanning all humanity, that once proudly sailed but was lost, aeons ago, and sank to a dark, unreachable abode where nothing whatsoever can be grasped about her except her perplexing power still to haunt us.

Meanwhile, an article in the September issue of the popular McClure’s Magazine written by Simon Newcomb, a distinguished astronomer and professor at Johns Hopkins University, dismissed the dream of flight as no more than a myth. And were such a machine devised, he asked, what useful purpose could it possibly serve?

It’s the same bargain we’ve been making for centuries, one way or another: give up your life in order to keep living. Give him your saltwater skin; give him your voice; give him your thousand stories. Give up your body and live forever rooted to the bank of the Big Sandy, dreaming and watching. Do what you can to stay alive.

saturday i'll wake up in central london stretched out lil low on serotonin cus last night was extra'd out place both knees on the ground then ask God what he talking bout before i night i had a dream, Gyllenhaal on a mountaintop holding crown power couple propaganda phamplet black panther kiss him on the mouth God himself breathing in and out last on two stone tablets with ten commandments and a flower and white panther you and me could run the jungles sleeping free on the tree branches no light pollution look how slow all the life is moving once you get your heart racing today if i survive i'll let my feet leave the ground levitations and revelations take me up in your rapture now

It didn't matter, in the end, that married life wasn't my dream. It was Cosmopolitan magazine's. It belonged to the patriarchy and society. I was grieving the idea of a life that had never been mine, but still, I grieved. Cultural norms are like lead in our drinking water--you can be aware of their presence, but that doesn't make you any less sick.

That's why we sing for these kids who don't have a thing, except for a dream and a fuckin rap magazine; Who post pin-up pictures on they walls all day long, idolize they favorite rappers and know all they songs; Or for anyone who's ever been through shit in they lives, so they sit and they cry, at night, wishin they'd die; Til they throw on a rap record and they sit and they vibe; We're nothin to you, but we're the fuckin shit in they eyes; That's why we seize the moment; Try to freeze it and own it, squeeze it and hold it, cause we consider these minutes golden; And maybe they'll admit it when we're gone; Just let our spirits live on, through our lyrics that you hear in our songs... [Sing for the Moment]

Why can’t a musician try to make a cinematic “state of the nation” poem told through dream imagery and pop music? They may fail miserably or they may fluke a masterpiece, but at least they tried to push their creativity. As Howard Devoto, of the bands Buzzcocks and Magazine, put it: “Pretentiousness is interesting. At least you’re making an effort. Your ambition has to outstrip your ability at some point.

tear. Short and nebbishy, he had a charmingly awkward persona that concealed a big ambition: to establish Condé Nast as the most prestigious magazine company in the world. Within a year of his father’s death in 1979, Si, in rapid succession, bought the most important publishing house in America, Random House, whose imprints included Alfred A. Knopf, the prestige literary house; oversaw the successful start-up of a pioneering health and fitness magazine, Self; and bought and revamped Gentleman’s Quarterly, better known as GQ. And he was always on the lookout for more. Si was the aesthete in the Newhouse family. He combined an eye for business opportunity with a passion for art, design, and high gloss. Intellectually insecure, he relied on the self-confident baron of taste and flair he had inherited from his father’s circle: Alexander Liberman, Condé Nast’s editorial director. Liberman—Russian-born, like Alexey Brodovitch, his

I am sitting across from the Wall Street investor and CEO of CBS, Larry Tisch. He is somewhat more charming than the fleshy gargoyle face would suggest. And he was, I must say, very good humored when he asked me to reach up to the overhead compartment to get down his jacket and I tipped it upside down so all his money and pens and credit cards rained down on his bald head, and he had to grovel around under the seat and retrieve them. I was tempted to hang on to his Amex.

a poem called “The Night Before Doom”: “ ’Twas the night before Doom, / and all through the house, / I had set up my multi-playing networks, / each with a mouse. / The networks were strung, / with extra special care / in hopes that Doom, / soon would be there.” The publisher of a computer magazine had a darker vision he printed in an editorial called “A Parent’s Nightmare Before Christmas”: “By the time your kids are tucked in and dreaming of sugar plums, they may have seen the latest in sensational computer games . . . Doom.

And lastly were the single women. They would run the gamut from somewhat pretty to somewhat plain, dreadful, incurable diseases that had relegated them to lives of obscurity and boredom. They were hardly unattractive, each having something special to offer, but their figures and faces were more real than the latest Hollywood celebrity gracing the magazine cover at their local supermarket checkout. Outcasts in a non-substantive culture which worshipped only facade, they were hoping for the romance found in the pages of the Harlequins and Harold Robbins novels they read in their bedrooms, a pint of ice cream at their side. Their bedroom was their sanctuary, a place where they could dream of being taken and loved, worshipped and lusted after. If they were lucky, they would take home from Cozumel a sweet memory they would make last a lifetime. Evidence that they had lived. If they were unlucky, they would cross paths with a swarthy local Lothario or worse, a butch cruising for the vulnerable. The unsafe mix of inexperience and loneliness would lead them to acts so shameful and degrading they would never be able to enjoy the innocence of another Harlequin.

Ringrazio tutti coloro che non amo perché non mi fanno venire il mal di testa non mi fanno scrivere lunghe lettere non agitano i miei sogni non li attendo con ansia non leggo i loro oroscopi sul giornale non compongo il loro numero di telefono non li penso. Li ringrazio molto non mi mettono in subbuglio la vita”. "I thank everyone I don't love. They don't cause me heartache they don't make me write long letters they don't disturb my dreams I don't await them anxiously I don't read their horoscopes in magazines I don't dial their numbers I don't think of them. I thank them a lot they don't turn my life upside down.

Your task instead is to think about how you would like your life to be. Make a list of everything, big and small, that you wish for. Success, money, love, a new hobby, ten children . . . Look for pictures in magazines, cut them out, and stick them on some posterboard. Then hang it up where you can easily see it. This is your “vision board.” Lay your tracks into the future. The images will help your subconscious make all your dreams come true! Because: “If one does not know to which port one is sailing, no wind is favorable.” (Seneca). And another: “Wishes are things that we can make come true.” (Johann Wolfgang Goethe).

Kings of a bakery? The very suggestion was laughable. How easy it was to assume that elsewhere was infinitely better than where you stood. Sometimes at night, she dreamed of the TEXAS, U.S.A. magazine advertisement, envisioning a land with row upon row of fat loaves laden with jeweled fruits; bread cubes sodden with thick lamb stew; sugar-dusted sweet breads, ginger-spiced cookies, and fat wedges of chocolate cake soaked in Kirschwasser. She’d awake with cold drool down her chin. Regardless of the family’s lack of resources, one of Papa’s famous Black Forest cakes had miraculously prevailed. Dressed in a layer of bittersweet chocolate shavings

Sleep” If sleep is truce, as it is sometimes said, a pure time for the mind to rest and heal, why, when they suddenly wake you, do you feel that they have stolen everything you had? Why is it so sad to be awake at dawn? It strips us of a gift so strange, so deep, it can be remembered only in half-sleep, moments of drowsiness that gild and adorn. The waking mind with dreams, which may well be but broken images of the night’s treasure, a timeless world that has no name or measure and breaks up in the mirrors of the day. Who will you be tonight, in the dark thrall of sleep, when you have slipped across its wall? Jorge Luis Borges, Poetry Magazine (June 1993)

To the man standing on the corner holding the sign that said “God hates gays.” I’ve never seen, exactly who it is that you paperclip your knees, meld your hands together and pray to But I think I know what he looks like: I bet your God is about 5’10”. I bet he weighs 185. Probably stands the way a high school diploma does when it’s next to a GED. I bet your god has a mullet. I bet he wears flannel shirts with no sleeves, a fanny pack and says words like “getrdun.” I bet your god—I bet your god—I bet your god watches FOX news, Dog the Bounty Hunter, voted for John McCain, and loves Bill O’Reilly. I bet your god lives in Arizona. I bet his high school served racism in the cafeteria and offered “hate speech” as a second language. I bet he has a swastika inside of his throat, and racial slurs tattooed to his tongue just to make intolerance more comfortable in his mouth. I bet he has a burning cross as a middle finger and Jim Crow underneath his nails. Your god is a confederate flags wet dream conceived on a day when the sky decided to slice her own wrists, I bet your god has a drinking problem. I bet he sees the bottom of the shot glass more often than his own children. I bet he pours whiskey on his dreams until they taste like good ideas, Probably cusses like an electric guitar with Tourette’s plugged into an ocean. I bet he yells like a schizophrenic nail gun, damaging all things that care about him enough to get close. I bet there are angels in Heaven with black eyes and broken halos who claimed they fell down the stairs. I bet your god would’ve made Eve without a mouth and taught her how to spread her legs like a magazine that she will never ever ever be pretty enough to be in. Sooner or later you will realize that you are praying to your own shadow, that you are standing in front of mirrors and are worshipping your own reflection. Your God stole my god’s identity and I bet he’s buying pieces of heaven on eBay. So next time you bend your knees, next time you bow your head I want you to tell your god— that my god is looking for him.

Pet raccoons, birth defects, hybrid corn, and a massive typhus outbreak: the first season was padded with distractions. It ended with a log-splitting competition, showing off Landon’s pectoral muscles to advantage. His chest would become a primary visual motif, as the television Charles Ingalls frequently found cause to remove his shirt, baring a clean-shaven and well-oiled expanse. As for Pa’s beard, Landon sloughed that off as well, a publicity release solemnly announcing that he “just did not look good” with facial hair.78 When Landon had starred as Little Joe Cartwright in Bonanza, his hindquarters had been a staple of the teen fan magazine Tiger Beat, so he wore no underwear under Pa’s tight trousers.79

Sassy had worked in El Paso, Texas as a waitress in a small café, a toll-booth cashier in Houston, Texas, posed nude for magazine photos in Reno, Nevada and even was a ski instructor in Granby, Colorado for a few years. Sassy was always looking. She was looking for something that she couldn’t find. Sassy wanted to go where the road led. She walked past other people’s dreams and security and followed the twisting snake through deserts and mountains, big cities and cow towns. Sassy was on a quest and she didn’t even know it. She would take her small earnings and saddle-up, following fate or hope or desire into new horizons with new promises--a skinny green-eyed girl carrying a backpack full of her life, down the roads of America.

Today I bought my first issue of Modern Bride Magazine, the November issue. I have it right here. I ordered a year's subscriptioin, using the 1800 number and not the business reply mail card. Your Dream Dress (It's Here!) 50 Romantic Honeymoons - From Sweet to Sexy 12 Reception Hints You Can't Overlook 6 Real Bridal Makeovers with Expert Tips for You I discover that holding the magazine makes me anxious. I put it down. I am wondering if there is a way to make me over and, if so, will I be able to be made back. It strikes me that I am going to have to have a wedding. And it is going to have to be perfect, according to this magazine. There are 12 reception hints I can't overlook. And that's just the tip of the bayonet. My gut feeling is, My GOD, haven't I done enough?

He attempted to distract his thoughts from the events that were overwhelming him by going over his papers. These were the sum total of his literary output over the last fifteen years. In the early days he had harbored an inflated idea as to the merit of his work and had even enjoyed publication in magazines that nobody read. It was only later that he discovered he preferred to write for himself alone and not for the dubious pleasure of seeing his strange works in print. He liked to dream over them, writing only when inspiration came to him, which was infrequently, and the half-formed pieces and the false starts were either destroyed or subsumed into longer writings—of which there were few. He enjoyed destroying the work that did not satisfy him. Sometimes he even wondered if he actually wrote just so he could obliterate the results.

Then just when I thought I was going to really break down for a good cry, I remembered a large bag of pistachio nuts in the back of the pantry. I don't know what made me think of them. I had hidden them beneath several packages of dried pasta. Sam liked pistachio nuts. I bought them for a cake recipe I had seen in Gourmet. I stood up like a sleepwalker, my hands empty of sheets or shoes. I would take care of all this once the cake was in the oven. The recipe was from several months ago. I didn't remember which issue. I would find it. I would bake a cake. My father liked exotic things. On the rare occasions we went out to dinner together over the years, he always wanted us to go to some little Ethiopian restaurant down a back alley or he would say he had to have Mongolian food. He would like this cake. It was Iranian. There was a full tablespoon of cardamom sifted in with the flour, and I could imagine that it would make the cake taste nearly peppered, which would serve to balance out all the salt. I stood in the kitchen, reading the magazine while the sharp husks of the nuts bit into the pads of my fingers. I rolled the nut meat between my palms until the bright spring green of the pistachios shone in my hands, a fist full of emeralds. I would grind the nuts into powder without letting them turn to paste. I would butter the parchment paper and line the bottom of the pan. It was the steps, the clear and simple rules baking, that soothed me. My father would love this cake, and my mother would find this cake interesting, and Sam wouldn't be crazy about it but he'd be hungry and have a slice anyway. Maybe I could convince Camille it wasn't a cake at all. Maybe I could bring them all together, or at least that's what I dreamed about while I measured out the oil.

We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.

He was fat. He was not very good looking. He didn’t play up to the press. But he tried. Boy did he try. I could still see him stretching from first to third on a single to center and belly-whopping into the bag, invariably safe. I related to Thurman. I had been a catcher in Little League, I was chunky, I played tough, and I too was pretty ugly. I always took Thurm’s side in arguments, and somehow I could feel what he was going through in that Yankee dugout, sensing his fear and dislike for Reggie (Jackson). I understood Thurman Munson’s terribly private ordeal, trying to simply play ball without wanting to be on the cover of a magazine, avoiding the fanfare in a town that breathes glamour and ignores dedication. His death signifies to me how difficult life really is, how hard it is to do what you want, to love and maintain your family and still do your job. The American dream drags onward….

Describe all these with heartfelt, silent, humble sincerity and, when you express yourself, use the Things around you, the images from your dreams, and the objects that you remember. If your everyday life seems poor, don't blame it; blame yourself; admit to yourself that you are not enough of a poet to call forth its riches; because for the creator there is no poverty and no poor, indifferent place. And even if you found yourself in some prison, whose walls let in none of the world's sound - wouldn't you still have your childhood, that jewel beyond all price, that treasure house of memories? Turn your attention to it. Try to raise up the sunken feelings of this enormous past; your personality will grow stronger, your solitude will expand and become a place where you can live in the twilight, where the noise of other people passes by, far in the distance. And if out of , this turning within, out of this immersion in your own world, poems come, then you will not think of asking anyone whether they are good or not. Nor will you try to interest magazines in these works: for you will see them as your dear natural possession, a piece of your life, a voice from it. A work of art is good if it has arisen out of necessity. That is the only way one can judge it. So, dear Sir, I can't give you any advice but this: to go into yourself and see how deep the place is from which your life flows; at its source you will find the answer to, the question of whether you must create. Accept that answer, just as it is given to you, without trying to interpret it. Perhaps you will discover that you are called to be an artist. Then take that destiny upon yourself, and bear it, its burden and its greatness, without ever asking what reward might come from outside. For the creator must be a world for himself and must find everything in himself and in Nature, to whom his whole life is devoted.

She had no need in her heart for either book or magazine. She had her own way of escape, her own passage into contentment: her rosary. That string of white beads, the tiny links worn in a dozen places and held together by strands of white thread which in turn broke regularly, was, bead for bead, her quiet flight out of the world. Hail Mary, full of grace, the Lord is with thee. And Maria began to climb. Bead for bead, life and living fell away. Hail Mary, Hail Mary. Dream without sleep encompassed her. Passion without flesh lulled her. Love without death crooned the memory of belief. She was away: she was free; she was no longer Maria, American or Italian, poor or rich, with or without electric washing machines and vacuum cleaners; here was the land of all-possessing. Hail Mary, Hail Mary, over and over, a thousand and a hundred thousand times, prayer upon prayer, the sleep of the body, the escape of the mind, the death of memory, the slipping away of pain, the deep silent reverie of belief. Hail Mary and Hail Mary. It was for this that she lived.

We kept our fingers crossed and eagerly scanned the newspapers and magazines for news of an engagement between Diana and Charles. Then, late in the morning of February 24, I answered the telephone in my bedroom and heard the voice of a friend in London… “Mary, it’s Dena. Your girl made it!” I knew she meant that Diana’s engagement to Prince Charles had just been announced. I gave a big shout and literally jumped for joy, banging my head on the low dormer ceiling. I couldn’t have been prouder of Diana if I’d been her mother. I was so happy for her I could have burst! I knew how desperately she had wished for this outcome. The past fall, she had told me that she would “simply die” if the romance didn’t work out. How wonderful that her dream had come true. Almost immediately, a mischievous picture popped into my mind of the future and royal Diana, scheduled for an official day of handshaking, ribbon cutting, or tree planting and wishing she could have a friend call to cancel those tedious engagements. As Princess of Wales, she would not be able to cancel on short notice, if at all, as she had when she was baby-sitting for me. I wondered how the lively, spontaneous, and very young Diana would adjust to her official duties. I felt a bit sorry for her as I dimly realized how rigid and structured her new life might be.

The only traveler with real soul I've ever met was an office boy who worked in a company where I was at one time employed. This young lad collected brochures on different cities, countries and travel companies; he had maps, some torn out of newspapers, others begged from one place or another; he cut out pictures of landscapes, engravings of exotic costumes, paintings of boats and ships from various journals and magazines. He would visit travel agencies on behalf of some real or hypothetical company, possibly the actual one in which he worked, and ask for brochures on Italy or India, brochures giving details of sailings between Portugal and Australia. He was not only the greatest traveler I've ever known (because he was truest), he was also one of the happiest people I have had the good fortune to meet. I'm sorry not to know what has become of him, though, to be honest, I'm not really sorry, I only feel that I should be. I'm not really sorry because today, ten or more years on from that brief period in which i knew him, he must be a grown man, stolidly, reliably fulfilling his duties, married perhaps, someone's breadwinner - in other words, one of the living dead. By now he may even have traveled in his body, he who knew so well how to travel in his soul. A sudden memory assails me: he knew exactly which trains one had to catch to ho from Paris to Bucharest; which trains one took to cross England; and in his garbled pronunciation of the strange names hung the bright certainty of the greatness of his soul. Now he probably lives like a dead man, but perhaps one day, when he's old, he'll remember that to dream of Bordeaux is not only better, but truer, than actually to arrive in Bordeaux

We said that if you don't quench those flames at once, they will spread all over the world; you thought we were maniacs. At present we have the mania of trying to tell you about the killing, by hot steam, mass-electrocution and live burial of the total Jewish population of Europe. So far three million have died. It is the greatest mass-killing in recorded history; and it goes on daily, hourly, as regularly as the ticking of your watch. I have photographs before me on the desk while I am writing this, and that accounts for my emotion and bitterness. People died to smuggle them out of Poland; they thought it was worth while. The facts have been published in pamphlets, White Books, newspapers, magazines and what not. But the other day I met one of the best-known American journalists over here. He told me that in the course of some recent public opinion survey nine out of ten average American citizens, when asked whether they believed that the Nazis commit atrocities, answered that it was all propaganda lies, and that they didn't believe a word of it. As to this country, I have been lecturing now for three years to the troops and their attitude is the same. They don't believe in concentration camps, they don't believe in the starved children of Greece, in the shot hostages of France, in the mass-graves of Poland; they have never heard of Lidice, Treblinka or Belzec; you can convince them for an hour, then they shake themselves, their mental self-defence begins to work and in a week the shrug of incredulity has returned like a reflex temporarily weakened by a shock. Clearly all this is becoming a mania with me and my like. Clearly we must suffer from some morbid obsession, whereas the others are healthy and normal. But the characteristic symptom of maniacs is that they lose contact with reality and live in a phantasy world. So, perhaps, it is the other way round: perhaps it is we, the screamers, who react in a sound and healthy way to the reality which surrounds us, whereas you are the neurotics who totter about in a screened phantasy world because you lack the faculty to face the facts. Were it not so, this war would have been avoided, and those murdered within sight of your day-dreaming eyes would still be alive.

The lack of attention to Moses’s sons here and elsewhere in the Torah—essentially nothing is said about them—needs to be explained. And the explanation is probably this: They did not amount to much. This raises the interesting issue of the difficulty many children of great people face in leading successful and satisfying lives. In a book about Moses, ‘Overcoming Life’s Disappointments’, Rabbi Harold Kushner writes about this: Sometimes the father casts so large a shadow that he makes it hard for his children to find the sunshine they need to grow and flourish. Sometimes, the father’s achievements are so intimidating that the child just gives up any hope of equaling him. But mostly, I suspect, it takes so much of a man’s [the father’s] time and energy to be a great man—great in some ways but not in all—that he has too little time left to be a father. As the South African leader Nelson Mandela’s daughter was quoted as saying to him, ‘You are the father of all our people but you never had time to be a father to me.’ Kushner relates a remarkable story he read in a magazine geared toward clergy, a fictional account of a pastor in a mid-sized church who had a dream one night in which a voice said to him, ‘There are fifty teenagers in your church, and you have the ability to lead forty-nine of them to God and lose out on only one.’ Energized by the dream, the minister throws all his energy into youth work, organizing special classes and trips for the church’s teens. He eventually develops a national reputation in his denomination for his work with young people. ‘And then one night he discovers his sixteen-year-old son has been arrested for dealing drugs. The boy turned bitterly against the church and its teachings, resenting his father for having had time for every sixteen-year-old in town except him, and the father never noticed. His son was the fiftieth teenager, the one who got away.’ Of course, this was not necessarily true of Moses’s children, but the silence of the Torah concerning his children (which is not the case with the children of Abraham, Isaac, Jacob, and Aaron) serves as an important reminder to parents who have achieved success to be sure to make time for their children. They need to try to ensure their children feel they occupy a special place in their parents’ hearts and no matter how pressing the parent’s responsibilities he or she will always find time for them.

Jones, along with the US military attaché in Indonesia, took Subandrio’s advice. He emphasized to Washington that the United States should support the Indonesian military as a more effective, long-term anticommunist strategy. The country of Indonesia couldn’t be simply broken into pieces to slow down the advance of global socialism, so this was a way that the US could work within existing conditions. This strategic shift would begin soon, and would prove very fruitful. But behind the scenes, the CIA boys dreamed up wild schemes. On the softer side, a CIA front called the Congress for Cultural Freedom, which funded literary magazines and fine arts around the world, published and distributed books in Indonesia, such as George Orwell’s Animal Farm and the famous anticommunist collection The God That Failed.33 And the CIA discussed simply murdering Sukarno. The Agency went so far as to identify the “asset” who would kill him, according to Richard M. Bissell, Wisner’s successor as deputy director for plans.34 Instead, the CIA hired pornographic actors, including a very rough Sukarno look-alike, and produced an adult film in a bizarre attempt to destroy his reputation. The Agency boys knew that Sukarno routinely engaged in extramarital affairs. But everyone in Indonesia also knew it. Indonesian elites didn’t shy away from Sukarno’s activities the way the Washington press corps protected philanderers like JFK. Some of Sukarno’s supporters viewed his promiscuity as a sign of his power and masculinity. Others, like Sumiyati and members of the Gerwani Women’s Movement, viewed it as an embarrassing defect. But the CIA thought this was their big chance to expose him. So they got a Hollywood film crew together.35 They wanted to spread the rumor that Sukarno had slept with a beautiful blond flight attendant who worked for the KGB, and was therefore both immoral and compromised. To play the president, the filmmakers (that is, Bing Crosby and his brother Larry) hired a “Hispanic-looking” actor, and put him in heavy makeup to make him look a little more Indonesian. They also wanted him bald, since exposing Sukarno—who always wore a hat—as such might further embarrass him. The idea was to destroy the genuine affection that young Sakono, and Francisca, and millions of other Indonesians, felt for the Founding Father of their country. The thing was never released—not because this was immoral or a bad idea, but because the team couldn’t put together a convincing enough film.36

Charles’s childhood coincided with America’s first great depression, the Panic of 1837, which lasted a Biblical seven years. A newspaper out of Albany, the Knickerbocker, reported in 1837 that “there never was a time like this,” with “rumor after rumor of riot, insurrection, and tumult.”26 Banks collapsed, and unemployment climbed to 25 percent. Factories along the eastern seaboard were shuttered, and soup kitchens opened in major cities. Two out of three New Yorkers were said to be without means of support. Eight states defaulted on loans. In his literary magazine, Horace Greeley made the first of his famous entreaties to pull up stakes: “Fly, scatter through the country, go to the Great West, anything rather than remain here.”27

The Eclipse ofAchievement In a society in which the dream of success has been drained of any meaning beyond itself, men have nothing against which to measure their achievements except the achievements of others. Self-approval depends on public recognition and acclaim, and the quality of this approval has undergone important changes in its own right. The good opinion of friends and neighbors, which formerly informed a man that he had lived a useful life, rested on appreciation of his accomplishments. Today men seek the kind of approval that applauds not their actions but their personal attributes. They wish to be not so much esteemed as admired. They crave not fame but the glamour and excitement of celebrity. They want to be envied rather than respected. Pride and acquisitiveness, the sins of an ascendant capitalism, have given way to vanity. Most Americans would still define success as riches, fame, and power, but their actions show that they have little interest in the substance of these attainments. What a man does matters less than the fact that he has "made it." Whereas fame depends on the performance of notable deeds acclaimed in biography and works of history, celebrity-the reward of those who project a vivid or pleasing exterior or have otherwise attracted attention to themselves-is acclaimed in the news media, in gossip columns, on talk shows, in magazines devoted to "personalities." Accordingly it is evanescent, like news itself, which loses its interest when it loses its novelty. Worldly success has always carried with it a certain poignancy, an awareness that "you can't take it with you"; but in our time, when success is so largely a function of youth, glamour, and novelty, glory is more fleeting than ever, and those who win the attention of the public worry incessantly about losing it.

At the time your book was written, the full story of the monarch migration was unknown to humanity." "When did they find it out?" Preston asked. The answer, to Dellarobia's astonishment, was within Ovid's lifetime. He had been just a bit older than Preston when the discovery was announced in the National Geographic, in 1976. A Canadian scientist chased the mystery his whole life, devising a tag that would stick to butterfly wings, recruiting volunteers to help track them, losing the trail many times. And then one winter's day, as an old man on shaky legs, he climbed a mountain in Michoacan to see what must have looked like his dream of heaven... Ovid could still quote passages of the article from memory: They carpeted the ground in their tremulous legions. He said he remembered exactly where he was when he read that article, and how he felt. "Where were you?" "Outside the post office, sitting on a lobster crate. I spent a lot of Saturdays there. My mother let me read the magazines before they went to their subscribers. I was so excited by the photos in that article, I ran all the way down Crown Street, all the way to West End and out a sandy road called Fortuna to the sea. I must have picked up a stick somewhere, because I remember jumping up and whacking every branch I passed, leaving a trail of flying leaves. When I got to the sea I didn't know what to do, so I threw the stick in Perseverance Bay and ran back. It was the happiest day of my life." Dellarobia wanted, of course, to know why. "Why," he repeated, thinking about it. "It was just like any schoolboy. I thought everything in the world was already discovered. Already in my books. A lot of dead stuff that put me to sleep. That was the day I understood the world is still living.

She pointed to a sundress with bright yellow lemons on it. "That's cute. I love lemons." Ay, Dios mio! Carolina cringed. She sounded like a fool. It was like Baby's "I carried a watermelon" line in Dirty Dancing. Why was she so awkward? "You'd look stunning in that." Enrique signaled to a woman who worked there. A saleswoman walked over to them from the back of the shop. She quickly and professionally assessed Carolina's body and then picked one of the bright dresses off the rack. "This should fit you. Shall I put it in a room for you, miss?" "Sure." Carolina followed her right to the dressing room. The dark hair on her arms stood at full attention and her heart raced. Nerves and anticipation swirled through her--- this whole day seemed like a fantasy, but it was tough for her to just live in the moment. She undressed and slipped the dress over her head. The soft fabric caressed her body, accentuating her curves. She stared at her figure in the mirror. She looked... sexy. Carolina had never seen herself as sensual, but in this dress, in the soft, warm glow of the dressing room lights, she was a knockout. The saleswoman had also placed some bright red pumps in the room. Carolina loved high heels and never had a problem walking in them, because she had spent so many years dancing with the Ballet Folklórico. Carolina's eyes practically bugged out of her head when she saw their bottoms, and she stroked the red soles--- they were Louboutins, an identifying detail she knew about from Blanca's endless fashion magazines. Blanca dreamed of owning a pair one day. She would be so jealous. Luckily, they were the same size, so Carolina would let Blanca borrow them. There was only one problem with Carolina's outfit--- her underwear didn't work with the dress. Her broad, wide bra elastics showed under the thin spaghetti straps, and her panties were too dark. She leaned out of the curtain. "Ma'am." The saleslady walked back over to her. "Can I get you something else?" "Yes. A bra and some panties." Carolina told the lady her sizes, and the lady went around the corner, returning later with an adorable matching yellow lace bra and thong. A thong. Her face crinkled. "Do you have anything with, uh, fuller coverage?" "Of course, dear. But not in the yellow. Do you want to match the bra?" Carolina did want to match the bra. It was such a cute set. She exhaled, stepping out of her comfort zone and into the lingerie. She again looked at herself in the mirror. She practically couldn't recognize herself--- a gorgeous young woman on a romantic day trip with a man whom she really liked.

Imran Khan, known as a selected Prime Minister of Pakistan, has not discussed and gained a vote of confidence in the Parliament and Senate of Pakistan before taking the consequence and risky step of opening the border of Kartarpur between Pakistan and India for the Sikh community. As a fact, it was and is a dream and agenda of the followers of the false prophet Mirza Ghulam Ahmad Qadiyani, who always wished for that to happen. A prominent literary figure and editor of the weekly magazine Chatan, Aga Shurash Kashmiri, wrote and warned about such a suicidal conspiracy in a 1960 article published in his magazine. Not only that, but the Qadiyani movement also preferred to gain the power to establish the Qadiyani rule as the Qadiyani State of Pakistan. Pakistan is in a phase of collapse.

When I was growing up in the late 1950s and early ’60s, there was very little in the way of literate adventure writing. Periodicals that catered to our adolescent dreams of travel and adventure clearly held us in contempt. Feature articles in magazines that might be called Man’s Testicle carried illustrations of tough, unshaven guys dragging terrified women in artfully torn blouses through jungles, caves, or submarine corridors; through hordes of menacing bikers, lions, and hippopotami. The stories bore the same relation to the truth that professional wrestling bears to sport, which is to say, they were larger-than-life contrivances of an artfully absurd nature aimed, it seemed, at lonely bachelor lip-readers, drinkers of cheap beer, violence-prone psychotics, and semiliterate Walter Mitty types whose vision of true love involved the rescue of some distressed damsel about to be ravaged by bikers, lions, or hippopotami.

Excuse me, madam.” He wasn’t used to approaching women by himself, let alone well-dressed white women. He saw apprehension flash across her face. Maybe she thought he was trying to sell magazines or candy bars, but he steeled himself. He explained that he was building a robot for an underwater contest sponsored by NASA, and his robot was leaking. He wanted to soak up the water with tampons but didn’t know which ones to buy. “Could you help me buy the most best tampons?” The woman broke into a big smile and led him to feminine hygiene. She handed him a box of o.b. ultra-absorbency. “These don’t have an applicator, so they’ll be easier to fit inside your robot.” He stared at the ground, mumbled his thanks, and headed quickly for the checkout. “I hope you win,” she called out, laughing.

Yet it seems possible that one can make too much of the hardships of the soldiers at Gallipoli, or rather there is a danger of seeing these hardships out of their right context. With the mere cataloguing of the Army’s miseries a sense of dreariness is transmitted, and this is a false impression; at this stage life on the peninsula was anything but dreary. It was ghastly but it was not yet petty or monotonous. There can be no fair comparison with the relatively comfortable lives of the soldiers in the second world war, or even with the lives of these men themselves before they enlisted. Gallipoli swallowed them up and made conditions of its own. With marvellous rapidity the men removed themselves to another plane of existence, the past receded, the future barely existed, and they lived as never before upon the moment, released from the normal weight of human ambitions and regrets. ‘It was in some ways,’ Herbert says, ‘a curiously happy time.’ It is a strange remark, but one feels one understands it very well. The men had no cinemas, no music, no radios, no ‘entertainment’ of any kind, and they never met women or children as the soldiers did behind the lines in France. Yet the very absence of these pleasures created another scale of values. They had a sharp and enormous appetite for the smallest things. Bathing in the sea became an inexpressible joy. To get away from the flies, to wash the dust from one’s eyes and mouth, to feel cool again: this was a heightening of sensation which, for the moment, went beyond their dreams of home. The brewing of tea in the evening, the sharing out of a parcel, a cake or a bar of chocolate, the long talks in the starlight talking of what they would do ‘when it was all over’—all these things took on an almost mystical emphasis of a kind that became familiar enough in the western desert of Egypt in the second world war, or indeed on any distant front in any war. There were no pin-up girls; no erotic magazines reached them—they were lucky if they even saw a newspaper from home that was under a month old—and there were no nurses or Ensa troupes. Perhaps because of this the sexual instinct seems to have been held in abeyance for the time, or rather it was absorbed in the minutiae of their intensely friendly life, the generous feelings created by the danger all around them. There was very little vice; ordinary crimes became lost in the innocence of the crime of war itself. Certainly there was no possibility of drunkenness,22 and gambling was not much more than an anaemic pastime in a world where money was the least of things. They craved not soft beds and hot baths but mosquito nets and salt water soap.

In a widely read New York Times column published in November 2002, the conservative journalist William Safire blasted the program as an affront to civil liberties and a dangerous turn toward tyranny. In dire language, Safire warned that such a system would start to ingest every purchase, prescription, magazine subscription, bank deposit—even students’ grades. Safire dubbed it “the supersnoop’s dream”—an “Orwellian scenario” playing out in real time.

A bit playful and a little ironic – as if to emphasise how small yet prominent the Swedish scene was – they had started calling their trio Swedish House Mafia. In the summer they travelled to Ibiza, the party island in the Mediterranean that Filip already knew was the kingdom of heaven and played the clubs there. The pictures on the blog showed Sebastian Ingrosso with a sizeable drink in his hand at the legendary spot Pacha, where they performed with the star David Guetta. Steve Angello sat with a sunhat on the beach and read about himself in the music magazine Mixmag. The dream life.

exactly that. It was a dazzling idea—the ideal experiment—the kind researchers dream about, but would not dare to conduct because disrupting human lives is a dangerous endeavor with unforeseen consequences. In 1993, about fifteen years since the project ended, Dr. Peter Neubauer agreed to be interviewed by New Yorker magazine staff writer Lawrence Wright who was researching an article on nature-nurture questions.39 Neubauer boasted that the prospective design of his study was “unique,” elevating it above the other reared-apart twin projects that had relied on the recollections of adults. When I met Neubauer at his home in 2004 he expressed similar satisfaction that his team “was there at the birth.” And he was open about his attempts to persuade another adoption agency to place twins apart.40 His study ended when the twins turned twelve, but if controversies over his work had not been played out so publicly it may have lasted longer.

My baby is four years old. I know that calling her a baby is really only a matter of semantics now. It’s true, she still sucks her thumb; I have a hard time discouraging this habit. John and I are finally confident that we already enjoy our full complement of children, so the crib is in the crawlspace, awaiting nieces, nephews, or future grandchildren. I cried when I took it down, removing the screws so slowly and feeling the maple pieces come apart in my hands. Before I dismantled it, I spent long vigils lingering in Annie’s darkened room, just watching her sleep, the length of her curled up small. What seems like permanence, the tide of daily life coming in and going out, over and over, is actually quite finite. It is hard to grasp this thought even as I ride the wave of this moment, but I will try. This time of tucking into bed and wiping up spilled milk is a brief interlude. Quick math proves it. Let me take eleven years - my oldest girl’s age - as an arbitrary endpoint to mothering as I know it now. Mary, for instance, reads her own stories. To her already I am becoming somewhat obsolete. That leaves me roughly 2.373 days, the six and half years until Annie’s eleventh birthday, to do this job. Now that is a big number, but not nearly as big as forever, which is how the current moment often seems. So I tuck Annie in every night. I check on Peter and Tommy, touch their crew-cut heads as they dream in their Star Wars pajamas, my twin boys who still need me. I steal into Mary’s room, awash with pink roses, and turn out the light she has left on, her fingers still curled around the pages of her book. She sleeps in the bed that was mine when I was a child. Who will she grow up to be? Who will I grow up to be? I think to myself, Be careful what you wish for. The solitude I have lost, the time and space I wish for myself, will come soon enough. I don’t want to be surprised by its return. Old English may be a dead language, but scholars still manage to find meaning and poetry in its fragments. And it is no small consolation that my lost letters still manage, after a thousand years, to find their way to an essay like this one. They have become part of my story, one I have only begun to write. - Essay 'Mother Tongue' from Brain, Child Magazine, Winter 2009

The popular press skews male as well. According to the Annenberg Public Policy Center, only 3 percent of the top positions in mainstream media are held by women. And bylines in the nation’s top intellectual and political magazines are heavily male. Meanwhile, according to the Columbia Journalism Review, in an analysis of eleven magazines published between October 2003 and May 2005, male-to-female byline ratios ranged from thirteen to one at the National Review to seven to one at Harper’s. When we become aware of just how many of the media stories we ingest are from a man’s point of view, it becomes much easier to understand why we struggle to believe that we as women can dream—and therefore dreaming does require that we dare.

He devised his own con games. He placed ads in newspapers offering a color picture of the President for a dollar. When he received a dollar, he sent his victim a postage stamp with a picture of the President on it. He put announcements in magazines warning the public that there were only sixty days left to send in five dollars, that after that it would be too late. The ad did not specify what the five dollars would buy, but the money poured in.

I read an article in a magazine about his return to the top from a battle with drug addiction. The article mentioned that one of the things he likes to do is drive back to the small house he grew up in, sit slouched in his car so people can’t tell it’s him, and reminisce about a time when life was simpler. He says, “It may sound corny, but I’ll go by and try to remember how things were when we were in those houses. As time goes by, you might get content and forget things.” He’s concerned about losing that part of his life, that drive, now that he’s no longer invisible and connected to the same hunger.13 You might never be Eminem, but someday, I promise you, you will treasure and value this time when your dream job was just a dream. A time when you were invisible and able to make big mistakes without big embarrassment. A time when things were simple and the canvas wasn’t surrounded by thousands, even millions, of onlookers awaiting every brush stroke. I

PUBLISH YOUR BOOK TODAY The following is a direct quote from Amazon, and, if you are a real writer, it is one of the most fun things you will ever see in your life: This royalty payment notification is for Kindle Direct Publishing (KDP) sales recorded in the Kindle Store. Payment will be made to your bank account and should appear in your available balance within 2 to 5 business days after the Payment Date. Details of the payment will be available on the Payment Report after it has been processed by your bank. The email that the above is quoted from comes for you every month, along with notes about payments from the various Kindle Stores in which you are selling, and they make you feel terrific. What a knockout: there is my money, flowing in as receivables each and every month, like clockwork, from all around the globe and waiting for me in my personal bank account, sitting there to use as I see fit. The statements show up in your every month, along with those from all your stores. They are a bit longer than the above quote, but sit back, close your eyes and visualize how wonderful it will be to have money rolling into your bank electronically, eliminating the bother of dithering around with checks. Right now, as your read this, the opportunity to earn a solid living, even to make a fortune with your books is real world and readily available for you. The revenue stream is just sitting there; it’s waiting for you to get busy, to write books and to learn to use Amazon as an amazing marketing tool poised and ready for your decision to pursue your dream. The trick for getting hot at book marketing—so you can actually be in a place for fully enjoying your life as an author/publisher—is to believe in yourself: to move right on past all your previous confusion: discouraging feedback from peers, friends and family; all self-doubt and blaming games; rejection slips from agents, publishers and magazines; and yes, even the ego trip of your treasured writer’s block . . . .

I was used to hiding magazines inside my Bible so I’d have something to read during Father’s sermons. I never would have dreamed that someday I’d be doing it the other way around.

In late 2008, one of my business partners, Clayton Christensen offered his opinion that the recession would have an “unmitigated positive impact on innovation” because “when the tension is greatest and resources are most limited, people are actually a lot more open to rethinking the fundamental way they do business.” This theory is supported by the Kaufmann Foundation statistic that “51 percent of the Fortune 500 companies began during a recession or bear market or both.” Whether launching a business or pursuing a dream, there are many high-profile instances in which a lack of resources ultimately proved to be a boon, rather than a bane. If we dig a bit, each of us can uncover examples among friends and family, and ourselves. Would most children have as many opportunities as they do in sports, music, or other extracurricular activities without parents, mothers in particular, who are accomplished at bartering as a way to stretch limited family budgets? Would kids have as many chances to explore their interests if their parents weren’t so adept at arranging for carpooling, chaperoning, and borrowing, thus enabling their kids to participate? Without the constraints of time, money, and health, would the online retailer Shabby Apple exist? (For a reminder of how that business came to be, see chapter 5.) If my parents could have paid for college, would I have caught an early glimpse of corporate life during the Silicon Valley heyday? Would I have ever set foot on Wall Street had I not needed to work to put my husband through school? All of us have had the opportunity to bootstrap if we look hard enough. Men seem to know how to do this in the business world: 88 percent of the founders of Entrepreneur magazine’s Hot 500 were men. But I wonder if women aren’t better at bootstrapping than we think we are. Chronically under resourced (whether due to the gender pay gap or ceding our resources to conform to societal expectations), women continually feel the tension of having too little budget and too little time. Because of this tension, we are expert at rethinking how to get things done. Many of us know how to turn scarcity into opportunity.

Their hair in curlers and their heads wrapped in loud scarves, young mothers, fattish in trousers, lounge about in the speedwash, smoking cigarettes, eating candy, drinking pop, thumbing magazines, and screaming at their children above the whir and rumble of the machines. At the bank a young man freshly pressed is letting himself in with a key. Along the street, delicately teetering, many grandfathers move in a dream. During the murderous heat of the summer, they perch on window ledges, their feet dangling just inside the narrow shelf of shade the store has made, staring steadily into the street. Where their consciousness has gone I can’t say. It’s not in the eyes. Perhaps it’s diffuse, all temperature and skin, like an infant’s, though more mild. Near the corner there are several large overalled men employed in standing. A truck turns to be weighed on the scales at the Feed and Grain. Images drift on the drugstore window. The wind has blown the smell of cattle into town. Our eyes have been driven in like the eyes of the old men. And there’s no one to have mercy on us.

There were crooked photos on the wall of Della Lee as a child, with dark hair and eyes. Josey wondered when she started dyeing her hair blond. In one photo she was standing on top of a jungle gym. In another she was diving into the public pool from the high dive. She looked like she was daring the world to hurt her. Della Lee's bedroom at the end of the hall looked like something out of Josey's teenage dreams. Back then Josey had politely asked her mother if she could hang a poster or two, if she could have some colorful curtains or a bedspread with hearts on it. Her mother had responded with disappointment. Why would Josey ask for something else, as if what she had wasn't good enough? The heavy oak bed, the antique desk and the sueded chaise in Josey's room were all Very Nice Things. Josey obviously did not appreciate Very Nice Things. The walls in Della Lee's room were painted purple and there were sheet lavender curtains on the single window. A poster of a white Himalayan cat was taped on one wall, along with some pages torn out of fashion magazines. There was a white mirrored dresser that had makeup tubes and bottles littered across the surface. Some tote bags with names of cosmetic companies, like department store gifts with purchase, were stashed in the corner near the dresser.

he could not remember ever having seen a woman as beautiful. It was as though he had scattered a pile of dead, brittle leaves and uncovered a blue lotus in full bloom, radiant and hypnotic against the decay. But he felt no urge to move any closer to her. His fingers did not itch to touch her; his mouth, gone dry at the sight of her, did not seek the moisture of her lips. This woman, dressed in a tight, black skirt, a black, mesh-sleeved blouse, and studded choker around her throat, with teased, brown hair framing her light brown face, was like a vision granted to him by one of the gods he had read of in his books. A vision he saw in his soul—if, indeed, he had one—and not with his eyes. It was not lust that held him. No, something deep within him, something that he fought to put words to and could not, knew her. Some fragment of a dream . . . maybe some vague resemblance to a picture I’ve seen online, or in a magazine.

American culture is characterized by the 'denial of death,' an avoidance to see, think, or talk about death. This has been described as the 'pornography of death.' Death is an illicit topic. You're morbid for talking about death in polite conversation. In the fantasyland that is the American dream - where bright, shiny people sile at us with perfect teeth from screens, magazine covers, and worship stages - death is our dirty little secret.

American culture is characterized by the 'denial of death,' an avoidance to see, think, or talk about death. This has been described as the 'pornography of death.' Death is an illicit topic. You're morbid for talking about death in polite conversation. In the fantasyland that is the American dream - where bright, shiny people smile at us with perfect teeth from screens, magazine covers, and worship stages - death is our dirty little secret.

silhouettes of your imagination splashes of a picture on a magazine Is there a mind behind the face? if you met your dream, would you think their human heart could be erased? So you say you love an icon, a hero you’ve never met And when you saw them for a moment even on t.v. it’s their image you can’t forget Remember when you had me there? tell me, if you had me now Would you try to be more amusing or would you ask me if i was teasing when i hold you in my arms on the silver screen / you didn’t know i was real / and now-i’m just a dream- Burnt - Here

Met the geek of my dreams. --Dana Eades

Since the library has just opened for the day, there's no one else there and I have the elegant reading room all to myself. It's exactly like in the photo on in the magazine -- roomy and comfortable, with a high ceiling. Every once in a while a gentle breeze blows through the open window, the white curtains rustling softly in the air that has a hint of the sea. And I love the comfortable sofa. An upright piano stands in the corner, and the whole place makes me feel like I'm in some friend's home. As I relax on the sofa and gaze around the room a thought hits me: This is exactly the place I've been looking for forever. A little hideaway in some sinkhole somewhere. I'd always thought of it as a secret, imaginary place, and can barely believe that it actually exists.