Madwoman In The Attic Quotes

I wasn't just the madwoman in the attic--I was the attic itself. The past was all over me, all under me, all inside me.

Nothing in my life ever seemed to fade away or take its rightful place among the pantheon of experiences that constituted my eighteen years. It was all still with me, the storage space in my brain crammed with vivid memories, packed and piled like photographs and old dresses in my grandmother’s bureau. I wasn’t just the madwoman in the attic — I was the attic itself. The past was all over me, all under me, all inside me.

A life of feminine submission, of 'contemplative purity,' is a life of silence, a life that has no pen and no story, while a life of female rebellion, of 'significant action,' is a life that must be silenced, a life whose monstrous pen tells a terrible story.

Fanfiction is the madwoman in mainstream culture’s attic, but the attic won’t contain it forever. Writing and reading fanfiction isn’t just something you do; it’s a way of thinking critically about the media you consume, of being aware of all the implicit assumptions that a canonical work carries with it, and of considering the possibility that those assumptions might not be the only way things have to be.

lived a tragic existence as the madwoman in the attic;

I wasn't just the madwoman in the attic—I was the attic itself.

Mary Magdalene is the madwoman - angry mad - in Christianity’s attic. She was hidden there because of an open and not fully appreciated secret, and its implications, at Christianity’s core: that the male disciples fled and the women did not.

Mr. Nobley: "Then I must stay?" Miss Erstwhile: "Unless you want to risk me accusing you of ungentleman-like behavior at dinner, yes, I think you should stay. If I spend too much time alone today, I'm in real danger of doing a convincing impersonation of the madwoman in the attic." Mr. Nobley: He raised an eyebrow. "And how would that be different from-" Miss Esrtwhile: "Sit down Mr. Nobely", she said.

A life of feminine submission, of 'contemplative purity,' a life of silence, a life that has no pen and no story, while a life of female rebellion, of 'significant action,' is a life that must be silenced, a life whose monstrous pen tells a terrible story.

We call her “the madwoman in the attic,” and she’s the subject of the next, and last, chapter.

Turning fifty is an entirely different matter altogether. “At fifty, the madwoman in the attic breaks loose, stomps down the stairs, and sets fire to the house. She won’t be imprisoned anymore,

Whatever symbiosis existed between us was real, tangible, and now, without her presence I could feel the absence of it, as if she were an extension of my own person. She was, I realized, that awful, wretched part of me that should be locked away and boarded up forever - like Jane's madwoman in the attic. She was the unfiltered version, the rawness that no one should ever see. She was every wicked thought, every forbidden desire turned real and visceral.

His death, of course, is unbearable. His death is intolerable, unspeakable, unfair, insufferable; I agree; I learned it since the day I was born; terrible; his death is terrible; are you crazy; are you stupid; are you cruel? It's absurd; it's silly; unjustified; uncivilized; crazed; another madwoman, where's the attic? He didn't mean it; or he didn't do it, not really, or not fully, or not knowing, or not intending; he didn't understand; or he couldn't help it; or he won't again; certainly he will try not to; unless; well; he just can't help it; be patient; he needs help; sympathy; over time. Yes, her ass is grass but you can't expect miracles, it takes time, she wasn't perfect either you know; he needs time, education, help, support; yeah, she's dead meat; but you can't expect someone to change right away, overnight, besides she wasn't perfect, was she, he needs time, help, support, education; well, yeah, he was out of control; listen, she's lucky it wasn't worse, I'm not covering it up or saying what he did was right, but she's not perfect, believe me, and he had a terrible mother; yeah, I know, you had to scrape her off the ground; but you know, she wasn't perfect either, he's got a problem; he's human, he's got a problem. Oh, darling, no; he didn't have a problem before; now he's got a problem. I am on this earth to see that now he has a problem. It is very important for women to kill men; he's got a problem now.

Mr. Nobley had entered the room before he noticed her. He groaned. “And here you are. Miss Erstwhile. You are infuriating and irritating, and yet I find myself looking for you. I would be grateful if you would send me away and make me swear to never return.” “You shouldn’t have told me that’s what you want, Mr. Nobley, because now you’re not going to get it.” “Then I must stay?” “Unless you want to risk me accusing you of ungentleman-like behavior at dinner, yes, I think you should stay. If I spend too much time alone today, I’m in real danger of doing a convincing impersonation of the madwoman in the attic.” He raised an eyebrow. “And how would that be different from--” “Sit down, Mr. Nobley,” she said. He sat in a chair on the opposite side of a small table. The chair creaked as he settled himself. She didn’t look at him, watching instead the rain on the window and the silvery shadows the wet light made of the room. She spent several moments in silence before she realized that it might be awkward, that conversation at such a time was obligatory. Now she could feel his gaze on her face and longed to crack the silence like the spine of a book, but she had nothing to say anymore. She’d lost all her thoughts in paint and rain. “You are reading Sterne,” he said at last. “May I?” He gestured to the book, and she handed it to him. Jane was remembering a scene from the film of Mansfield Park when suitor Henry Crawford read to Frances O-Connor’s character so sweetly, the sound created a passionate tension, the words themselves becoming his courtship. Jane glanced at Mr. Nobley’s somber face, and away again as his eyes flicked from the page to her. He began to read from the top. His voice was soft, melodious, strong, a man who could speak in a crowd and have people listen, but also a man who could persuade a child to sleep with a bedtime story. “The man who first transplanted the grape of Burgundy to the Cape of Good Hope (observe he was a Dutchman) never dreamt of drinking the same wine at the Cape, the same grape produced upon the French mountains--he was too phlegmatic for that--but undoubtedly he expected to drink some sort of vinous liquor; but whether good, bad, or indifferent--he knew enough of this world to know, that it did not depend upon his choice…” Mr. Nobley was trying very hard not to smile. His lips were tight; his voice scraped a couple of times. Jane laughed at him, and then he did smile. It gave her a little thwack of pleasure as though someone had flicked a finger against her heart. “Not very, er…” he said. “Interesting?” “I imagine not.” “But you read it well,” she said. He raised his brows. “Did I? Well, that is something.” They sat in silence a few moments, chuckling intermittently. Mr. Nobley began to read again suddenly, “Mynheer might possibly overset both in his new vineyard,” having to stop to laugh again. Aunt Saffronia walked by and peered into the dim room as she passed, her presence reminding Jane that this tryst might be forbidden by the Rules. Mr. Nobley returned to himself. “Excuse me,” he said, rising. “I have trespassed on you long enough.

Blood stink and blood sweat, teeth unhappy in your shoulder, my hair ripe, clothes tumbled and wet. The madwoman in the attic groans down to me, your fingers in my mouth, your nails bitten sweet and salty-metallic. I groan up to her, my mouth at her ear, another voice in the clear air. I think of Highsmith’s snails, the silver trails they leave on the tablecloth between us. A canyon behind the house, murder house and happy. Sleep drunk and blood drunk, you man, you husband. The night in my mouth a fricative waiting to be born, a downpouring of silence that goes on and on

Mr.Nobley had entered the room before he noticed her. He groaned. "And here you are. Miss Erstwhile. You are infuriating and irritating, and yet I find myself looking for you. I would be grateful if you would send me away and make me swear to never return." "You shouldn't have told me that's what you want, Mr. Nobley, because now you're not going to get it." "Then must I stay?" "Unless you want to risk me accusing you of ungentlemanlike behavior at dinner, yes, I think you should stay. If I spend too much time alone today, I'm in real danger of doing a convincing impersonation of the madwoman in the attic." He raised an eyebrow. "And how would that be different from--" "Sit down, Mr. Nobley," she said.

I knew I was supposed to have sympathy for the main character, the orphaned Jane, who was near my age and all but friendless and whose name I took for myself on the nights I wandered off on my own. Yet it was the madwoman locked in the attic who held my interest and compassion.

She’d been convinced when Senara left to be a governess that she’d come home married to her employer, like any proper Jane Eyre would do. Except that her employer was quite married already, and his wife was no madwoman locked in an attic and soon to die.