Madrid Small Quotes

I am afraid I am going to drift into fiction, truthful but incomplete, for lack of some details which I cannot conjure up today and which might have enlightened us. This morning, the idea of the egg came again to my mind and I thought that I could use it as a crystal to look at Madrid in those days of July and August 1940—for why should it not enclose my own experiences as well as the past and future history of the Universe? The egg is the macrocosm and the microcosm, the dividing line between the Big and the Small which makes it impossible to see the whole. To possess a telescope without its other essential half—the microscope—seems to me a symbol of the darkest incomprehension. The task of the right eye is to peer into the telescope, while the left eye peers into the microscope.

the American Senate remained focused on domestic priorities and thwarted all expansionist projects. It kept the army small (25,000 men) and the navy weak. Until 1890, the American army ranked fourteenth in the world, after Bulgaria’s, and the American navy was smaller than Italy’s even though America’s industrial strength was thirteen times that of Italy. America did not participate in international conferences and was treated as a second-rank power. In 1880, when Turkey reduced its diplomatic establishment, it eliminated its embassies in Sweden, Belgium, the Netherlands, and the United States. At the same time, a German diplomat in Madrid offered to take a cut in salary rather than be posted to Washington.18

The year Alicia Gris arrived in Madrid, her mentor and puppet master Leandro Montalvo taught her that to keep your sanity, you must have a place in the world where you can lose yourself if necessary. That place, that last refuge, is a small annex of the soul, and when the world reverts to its absurd comedy, you can always run there, lock yourself in, and throw away the key.

But at least he had grasped one small aspect of poetry then: that it was something extremely personal, almost a gift one wrapped up for oneself alone; that it was foolish to expect everyone to respond to poetry in the same way, or even to respond at all. Not a gift, it was a beautiful burden. It was a melancholy art, and what it served for best was to provide life with a certain aptitude for sadness.

Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.

As much as London or Paris, and certainly more than Berlin or Madrid, Edinburgh was the epicenter of Aristotle’s Enlightenment. Small wonder, then, that it dubbed itself the Athens of the North.

English ships brought little or no gold, but did bring the produce of the new lands and took back to them the surplus goods produced by England’s shrewd and industrious citizens. Year by year Spain imported only bullion while the English exported and imported the goods by which men and nations live, and although that year English watchers must have envied the enormous fortune which Don Alfonso delivered to Madrid, had they been all-wise they would have realized that their small trading ships were bringing to England the more important treasure.

Attend a university if you possibly can. There is no content of knowledge that is not pertinent to the work you will want to do. But before you attend a university work at something for a while. Do anything. Get a job in a potato field; or work as a grease-monkey in an auto repair shop. But if you do work in a field do not fail to observe the look and the feel of earth and of all things that you handle — yes, even potatoes! Or, in the auto shop, the smell of oil and grease and burning rubber. Paint of course, but if you have to lay aside painting for a time, continue to draw. Listen well to all conversations and be instructed by them and take all seriousness seriously. Never look down upon anything or anyone as not worthy of notice. In college or out of college, read. And form opinions! Read Sophocles and Euripides and Dante and Proust. Read everything that you can find about art except the reviews. Read the Bible; read Hume; read Pogo. Read all kinds of poetry and know many poets and many artists. Go to and art school, or two, or three, or take art courses at night if necessary. And paint and paint and draw and draw. Know all that you can, both curricular and noncurricular — mathematics and physics and economics, logic and particularly history. Know at least two languages besides your own, but anyway, know French. Look at pictures and more pictures. Look at every kind of visual symbol, every kind of emblem; do not spurn signboards of furniture drawings of this style of art or that style of art. Do not be afraid to like paintings honestly or to dislike them honestly, but if you do dislike them retain an open mind. Do not dismiss any school of art, not the Pre-Raphaelites nor the Hudson River School nor the German Genre painters. Talk and talk and sit at cafés, and listen to everything, to Brahms, to Brubeck, to the Italian hour on the radio. Listen to preachers in small town churches and in big city churches. Listen to politicians in New England town meetings and to rabble-rousers in Alabama. Even draw them. And remember that you are trying to learn to think what you want to think, that you are trying to co-ordinate mind and hand and eye. Go to all sorts of museums and galleries and to the studios of artists. Go to Paris and Madrid and Rome and Ravenna and Padua. Stand alone in Sainte Chapelle, in the Sistine Chapel, in the Church of the Carmine in Florence. Draw and draw and paint and learn to work in many media; try lithography and aquatint and silk-screen. Know all that you can about art, and by all means have opinions. Never be afraid to become embroiled in art of life or politics; never be afraid to learn to draw or paint better than you already do; and never be afraid to undertake any kind of art at all, however exalted or however common, but do it with distinction.

History is a strange experience. The world is quite small now; but history is large and deep. Sometimes you can go much farther by sitting in your own home and reading a book of history, than by getting onto a ship or an airplane and traveling a thousand miles. When you go to Mexico City through space, you find it a sort of cross between modern Madrid and modern Chicago, with additions of its own; but if you go to Mexico City through history, back only 500 years, you will find it as distant as though it were on another planet: inhabited by cultivated barbarians, sensitive and cruel, highly organized and still in the Copper Age, a collection of startling, of unbelievable contrasts.

Megan was warming herself by the small fire she

I remember what I would remind the reader. I would remind the reader that I went to Spain in 1936, where I drove an ambulance during the siege of Madrid and elsewhere. I have married a number of women (two), loved a number of – other people – (twenty-two), written a number of slim volumes of modern Romantic poetry published by reputable small presses like Hyperbole, and sustained this old house in Cleaver Square where I have raised a fine garden (now dying), and also a daughter. And when I wish to go to the West End alone at night, to attend, let us say, a concert of classical music, Schubert perhaps, Death and the Maiden – I go. So let there be no more of this clucking and wheedling. Oh, Pa, are you sure? Or: Oh, Francis, is this really a good idea? Let me be clear. I am always sure, and it is always a good idea.

To safeguard the holiest symbol of their Catholic faith, the Toledo churchmen, escorted by a small cohort of armed nobles, had fled with the cathedral's high altar for a fortified place the Muslims would call Wadi al-Hijara ("river of stones")-Guadalajara-some three days' ride frim the capital and but a few miles from the village of Madrid.

Aerovías Cuba Internacional was a small, separately owned airline, sometimes confused with Aerovías Q or Cubana. Two months after its origin, the company attempted to expand its flights to Spain, naming it the “Route of Columbus,” Ruta de Colón. The Cuban-owned four-engine DC-4 carried the American registration N44567 and required five people in the cockpit to fly it. Flying the shared Havana-Madrid route, it crashed on February 6, 1947, at an altitude of 4,593 feet in the “Sierra de Gredos,” a mountain range in central Spain that is located in the Province of Ávila, approximately 100 miles west of Madrid. All 12 people aboard were instantly killed. It was shortly thereafter that Aerovías Cuba Internacional went out of business.

first couple of times they escaped unscathed, but the third one left Bon-pland with a bad if superficial wound. He began to wonder. Was it really necessary, they were just passing through after all, they were headed for Madrid, and it would be a lot quicker if they made straight there, dammit. Humboldt thought. No, he said, he was sorry. A hill whose height remained unknown was an insult to the intelligence and made him uneasy. Without continually establishing one's own position, how could one move forward? A riddle, no matter how small, could not be left by the side of the road.