“
You think, as you walk away from Le Cirque des Rêves and into the creeping dawn, that you felt more awake within the confines of the circus.
You are no longer quite certain which side of the fence is the dream.
”
”
Erin Morgenstern (The Night Circus)
“
The truth of course is that if people really were as happy as they look on the Internet, they wouldn’t spend so much damn time on the Internet, because no one who’s having a really good day spends half of it taking pictures of themselves. Anyone can nurture a myth about their life if they have enough manure, so if the grass looks greener on the other side of the fence, that’s probably because it’s full of shit.
”
”
Fredrik Backman (Anxious People)
“
If the grass is greener on the other side of the fence, you can bet the water bill is higher.
”
”
Debbie Macomber (Mrs. Miracle (Angelic Intervention #4))
“
The grass is not, in fact, always greener on the other side of the fence. No, not at all. Fences have nothing to do with it. The grass is greenest where it is watered. When crossing over fences, carry water with you and tend the grass wherever you may be.
”
”
Robert Fulghum
“
The unwelcome November rain had perversely stolen the day's last hour and pawned it with that ancient fence, the night.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
We're on the other side of the fence now, Lena,' she says, tiredly, as she passes. "Don't you get it? You can't tell me what to feel.
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
. . .only the victims and survivors can truly comprehend the awfulness of that time and place; the rest of us live on the other side of the fence, staring through from our own comfortable place, trying in our own clumsy ways to make sense of it all.
”
”
John Boyne (The Boy in the Striped Pajamas)
“
Anyone can nurture a myth about their life if they have enough manure, so if the grass looks greener on the other side of the fence, that’s probably because it’s full of shit.
”
”
Fredrik Backman (Anxious People)
“
[T]he problem was, some limits weren’t fences. Sometimes they were edges; with nothing on the other side.
”
”
MsKingBean89 (All the Young Dudes)
“
Alone of all the races on earth, they seem to be free from the 'Grass is Greener on the other side of the fence' syndrome, and roundly proclaim that Australia is, in fact, the other side of that fence.
”
”
Douglas Adams
“
The grass always seems greener on the other side of the fence. Many politicians promise green, green grass by blending niceties with delusion and by using alluring confidence tricks. They voice attractive tales and tell things, people like to hear. But the post-factual grassland often appears to be parched and barren. ("The grass was greener over there")
”
”
Erik Pevernagie
“
Whereas some dwell on the bright side of life, enjoying an exciting spectrum of contingencies, and get all the breaks, others live in the confined inner court of their being, cramped within the fence of their mind. Only imagination may arouse a spark of expectation, stir up resilience and create an equitable prospect.
”
”
Erik Pevernagie
“
What have they done to the earth?
What have they done to our fair sister?
Ravaged and plundered and ripped her and bit her
Stuck her with knives in the side of the dawn
And tied her with fences and dragged her down
”
”
Jim Morrison
“
One day soon, you’ll hear a car pull up to your curb, an engine cut out. You’ll hear footsteps coming up your front walk. Like they did for Edward Wayne Edwards, twenty-nine years after he killed Timothy Hack and Kelly Drew, in Sullivan, Wisconsin. Like they did for Kenneth Lee Hicks, thirty years after he killed Lori Billingsley, in Aloha, Oregon.
The doorbell rings.
No side gates are left open. You’re long past leaping over a fence. Take one of your hyper, gulping breaths. Clench your teeth. Inch timidly toward the insistent bell.
This is how it ends for you.
“You’ll be silent forever, and I’ll be gone in the dark,” you threatened a victim once.
Open the door. Show us your face.
Walk into the light.
”
”
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
“
When you build a fence around yourself, you'll wonder why people are afraid to approach you, because the pride in the fence is the cause of your blindness.
”
”
Michael Bassey Johnson
“
Life is not that simple. That is why it is called life. That word includes both lie and if. Time to figure out which side of the "half" fence you are on: Does your life include a lie or just one big if? There is nothing wrong with either to be honest, but it will make your Sundays longer.
”
”
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
“
The grass is not always greener on the other side of the fence. The grass is greenest where it is watered.
”
”
Robert Fulghum
“
Life is indeed colourful. We can feel in the pink one day, with our bank balances comfortably in the black, and the grass seemingly no greener on the other side of the fence. Then out of the blue, something tiresome happens that makes us see red, turn ashen white, even purple with rage. Maybe controlling our varying emotions is just 'colour management' by another name.
”
”
Alex Morritt (Impromptu Scribe)
“
I thought the Invalids were beasts; I thought they would rip me apart. But these people saved me, and gave me the softest place to sleep, and nursed me back to health, and haven't asked for anything in return.
The animals are on the other side of the fence: monsters wearing uniforms. They speak softly, and tell lies, and smile as they're slitting your throat.
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
Forever is the most dizzying word in the English language. The idea of staying in one place forever was like standing at the border of a foreign country, peering over the fence and trying to imagine what life might be like on the other side, and life on the other side was frankly unimaginable.
”
”
Emily St. John Mandel (Last Night in Montreal)
“
Can I ask you something? He added after a moment.
'yes,' said Shmuel.
Bruno thought about it. He wanted to phrase the question just right.
'why are there so many people on that side of the fence?' He asked. 'And what are you all doing there?
”
”
John Boyne (The Boy in the Striped Pajamas)
“
Power has always corrupted, my dear. Even the promise of power. It is a hard thing to look at through the fence for hundreds of years without wondering what it would be like on the other side.
”
”
Ally Carter (All Fall Down (Embassy Row, #1))
“
if the grass looks greener on the other side of the fence, that’s probably because it’s full of shit
”
”
Fredrik Backman (Anxious People)
“
If a man were to look over the fence on one side of his garden and observe that the neighbor on his left had laid his garden path round a central lawn; and were to look over the fence on the other side of his garden and observe that the neighbor on his right had laid his path down the middle of the lawn, and were then to lay his own garden path diagonally from one corner to the other, that man's soul would be lost. Originality is only to be praised when not prefaced by the look to right and left.
”
”
Quentin Crisp (The Naked Civil Servant)
“
It's so unfair, I don't see whij I have to be stuck over here on this side of the fence where there's no one to talk to and no one to play with and you get to have dozens of friends are probably playing for hours every day, I'll have to speak to Father about it.
”
”
John Boyne (The Boy in the Striped Pajamas)
“
There is no monopoly of common sense
On either side of the political fence
We share the same biology
Regardless of ideology
Believe me when I say to you
I hope the Russians love their children too
[...]
There's no such thing as a winnable war
It's a lie we don't believe anymore ..."
(The Russians)
”
”
Sting (The Dream of the Blue Turtles)
“
She was thinking that the grass really could be greener on the other side of the fence. It depended on who wa standing in the grass. Maybe you had to go take a look
”
”
Lynne Rae Perkins
“
so if the grass looks greener on the other side of the fence, that's probably because it's full of shit.
”
”
Fredrik Backman (Anxious People)
“
Against all odds, we made it to the top of the fence. Getting over to the other side was much more difficult, and I had to do a fair amount of acrobatics to help Adrian make the transition while keeping myself steady. Finally, I wrangled him into the correct position to climb down.
"Good," I said. "Now just reverse what you did before, one hand down in front of the-"
Something slipped, either his hand or foot, and Adrian plummeted to the ground. It wasn't that long of a drop, and his height helped a little- not that he was in any shape to actually use his legs and land on his feet. I winced.
"Or you can just take the short way down," I said.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
the grass wasn’t greener on the other side of the fence; it was greener where it was watered.
”
”
Debbie Macomber (Back on Blossom Street (A Blossom Street Novel Book 4))
“
On either side the wild roses, their pink dewy faces turned to the sun, tumbled over the fences, sprawled on the ground and filled the air with their pure summery smell.
”
”
Betty MacDonald (Nancy and Plum)
“
You are no longer quite certain which side of the fence is a dream.
”
”
Erin Morgenstern (The Night Circus)
“
Even if the grass is greener on the other side of the fence, keep to your own side; it's where you belong. There you can plant your own grass and tend to it.
”
”
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
“
Strauss again brought up my need to speak and wrtie simply and directly so that people will understand me. He reminds me that language is sometimes a barrier instead of a pathway. Ironic to find myself on the other side of the intellectual fence.
”
”
Daniel Keyes (Flowers for Algernon)
“
Your daddy is standing in a swimming pool out a little bit from the edge. You are, let’s say, three years old and standing on the edge of the pool. Daddy holds out his arms to you and says, “Jump, I’ll catch you. I promise.” Now, how do you make your daddy look good at that moment? Answer: trust him and jump. Have faith in him and jump. That makes him look strong and wise and loving. But if you won’t jump, if you shake your head and run away from the edge, you make your daddy look bad. It looks like you are saying, “he can’t catch me” or “he won’t catch me” or “it’s not a good idea to do what he tells me to do.” And all three of those make your dad look bad.
But you don’t want to make God look bad. So you trust him. Then you make him look good–which he really is. And that is what we mean when we say, “Faith glorifies God” or “Faith gives God glory.” It makes him look as good as he really is. So trusting God is really important.
And the harder it seems for him to fulfill his promise, the better he looks when you trust him. Suppose that you are at the deep end of a pool by the diving board. You are four years old and can’t swim, and your daddy is at the other end of the pool. Suddenly a big, mean dog crawls under the fence and shows his teeth and growls at you and starts coming toward you to bite you. You crawl up on the diving board and walk toward the end to get away from him. The dog puts his front paws up on the diving board. Just then, your daddy sees what’s happening and calls out, “Johnny, jump in the water. I’ll get you.”
Now, you have never jumped from one meter high and you can’t swim and your daddy is not underneath you and this water is way over your head. How do you make your daddy look good in that moment? You jump. And almost as soon as you hit the water, you feel his hands under your arms and he treads water holding you safely while someone chases the dog away. Then he takes you to the side of the pool.
We give glory to God when we trust him to do what he has promised to do–especially when all human possibilities are exhausted. Faith glorifies God. That is why God planned for faith to be the way we are justified.
”
”
John Piper
“
How often ... do we pass by a need, a life that could be changed with the smallest bit of effort? And it's not that we don't care but that we're driving so fast, all we see are the fence posts flashing by on the side of the highway?
Maybe the first step in changing the world is in slowing down and looking through the fences.
”
”
Lisa Wingate (Firefly Island (Moses Lake, #3))
“
Best day of my life hasn't happened yet. But I know it. I see it every day. The best day of my life is the day I buy my mom a huge fucking house. And not just like out in the woods, but in the middle of Mountain Brook, with all the Weekday Warriors' parents. With all y'all's parents. And I'm not buying it with a mortgage either. I'm buying it with cash money, and I am driving my mom there, and I'm going to open her side of the car door and she'll get
out and look at this house—this house is like picket fence and two stories and everything, you know—and I'm going to hand her the keys to her house and I'll say, 'Thanks.' Man, she helped fill out my application to this place. And she let me come here, and that's no easy thing when you come from where we do, to let your son go away to school. So that's the best day of my life.
”
”
John Green (Looking for Alaska)
“
Someday somebody's going to come along and knock this old fence down.
”
”
Jacqueline Woodson (The Other Side)
“
So you see, it all depends on which side of the fence you're looking from.
”
”
Ellen Marie Wiseman (The Life She Was Given)
“
They claim this mother of ours, the earth, for their own and fence their neighbors away; they deface her with their buildings and their refuse. That nation is like a spring freshet that overruns its banks and destroys all who are in its path. We cannot dwell side by side.
”
”
Sitting Bull
“
No map to help us find the tranquil flat lands, clearings calm, fields without mean fences. Rolling down the other side of life our compass is the sureness of ourselves. Time may make us rugged, ragged round the edges, but know and understand that love is still the safest place to land.
”
”
Rod McKuen
“
If it wasn’t for the fact that Bruno was nowhere near as skinny as the boys on his side of the fence, and not quite so pale either, it would have been difficult to tell them apart. It was almost (Shmuel thought) as if they were all exactly the same really.
”
”
John Boyne (The Boy in the Striped Pyjamas)
“
Pam," Issy attempted, voice high with fear. "I can tell you, from this side of the fence..you really need to calm down."
"I will shoot you in the face if you say one more word to me," I fumed.
"So noted."
"I am so glad that I am an only child," Coalhouse remarked quietly.
”
”
Lia Habel (Dearly, Departed (Gone With the Respiration, #1))
“
That was torture--being able to see, and smell, and hear, and being trapped in a cage. Like standing on the wrong side of the fence, only a few feet from freedom, and knowing you'll never cross it. Yeah. Like that.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
The greener grass is getting more water. Water the grass on your side of the fence and stop looking over at what's on the other side
”
”
Terri D.
“
We always have reason to rejoice and never have reason to complain.
”
”
Stephen Altrogge (The Greener Grass Conspiracy: Finding Contentment on Your Side of the Fence)
“
But the truth is, we never really know what goes on, on the other side of the fence, behind those closed doors. Instead of looking over the fence, we should really be keeping our eyes fixed firmly on our side and cherishing the grass that we have—bald patches and all—just a little bit more.
”
”
B.A. Paris (Behind Closed Doors)
“
Before we had our becoming here, we existed There, men other than now; we were pure souls. Intelligence inbound with the entire of reality, not fenced off, integral to that All. [...] Then it was as if One voice sounded. One word was uttered and from every side an ear attended and received and there was an effective hearing; now we are become a dual thing, no longer that which we were at first, dormant, and in a sense no longer present.
”
”
Plotinus (The Enneads)
“
The grass beyond your fence is always greener, but don't jump the fence to see whether it is actually so. Enjoy it! If it is greener on the other side of the fence, enjoy it. Why destroy things by jumping the fence and finding out that it is worse than your own grass?
”
”
Osho (Joy: The Happiness That Comes from Within (Insights for a New Way of Living))
“
Some people have a warped idea of living the Christian life. Seeing talented, successful Christians, they attempt to imitate them. For them, the grass on the other side of the fence is always greener. But when they discover that their own gifts are different or their contributions are more modest (or even invisible), they collapse in discouragement and overlook genuine opportunities that are open to them. They have forgotten that they are here to serve Christ, not themselves.
”
”
Billy Graham (Hope for Each Day: Words of Wisdom and Faith (A 365-Day Devotional))
“
Good fences make good neighbors, and these were apparently good enough that they had not felt the need for razor wire at the top. I crested the fence, threw myself into the yard beyond, fell, rolled to my feet, and ran with the expectation of being garroted by a taut clothesline.
I heard panting, looked down, and saw a gold retriever running at my side, ears flapping. The dog glanced up at me tongue rolling, grinning, as though jazzed by the prospect of an unscheduled play session.
”
”
Dean Koontz (Odd Hours (Odd Thomas, #4))
“
It is no disparagement to the garden to say it will not fence and weed itself, nor prune its own fruit trees, nor roll and cut its own lawns...It will remain a garden only if someone does all these things to it...If you want to see the difference between [the garden's] contribution and the gardener's, put the commonest weed it grows side by side with his hoes rakes, shears, and a packet of weed killer; you have put beauty, energy, and fecundity beside dead, steril things. Just so, our 'decency and common sense' show grey and deathlike beside the geniality of love.
”
”
C.S. Lewis (Four Loves)
“
The King and Queen did the best they could. They hired the most superior tutors and governesses to teach Cimorene all the things a princess ought to know— dancing, embroidery, drawing, and etiquette. There was a great deal of etiquette, from the proper way to curtsy before a visiting prince to how loudly it was permissible to scream when being carried off by a giant. (...)
Cimorene found it all very dull, but she pressed her lips together and learned it anyway. When she couldn’t stand it any longer, she would go down to the castle armory and bully the armsmaster into giving her a fencing lesson. As she got older, she found her regular lessons more and more boring. Consequently, the fencing lessons became more and more frequent.
When she was twelve, her father found out.
“Fencing is not proper behavior for a princess,” he told her in the gentle-but-firm tone recommended by the court philosopher.
Cimorene tilted her head to one side. “Why not?”
“It’s ... well, it’s simply not done.”
Cimorene considered. “Aren’t I a princess?”
“Yes, of course you are, my dear,” said her father with relief. He had been bracing himself for a storm of tears, which was the way his other daughters reacted to reprimands.
“Well, I fence,” Cimorene said with the air of one delivering an unshakable argument. “So it is too done by a princess.
”
”
Patricia C. Wrede (Dealing with Dragons (Enchanted Forest Chronicles, #1))
“
Our hearts are raging idol factories.
”
”
Stephen Altrogge (The Greener Grass Conspiracy: Finding Contentment on Your Side of the Fence)
“
Behold, the Spring has come; the earth has received the embraces of the sun and we shall soon see the results of that love!
Every seed is awakened and so has all animal life. It is through this mysterious power that we too have our being, and we therefore yield to our neighbors, even our animal neighbors, the same right as ourselves, to inhabit this land.
Yet, hear me, people, we have now to deal with another race – small and feeble when our fathers first met them but now great and overbearing. Strangely enough they have a mind to till the soil and the love of possession is a disease with them. These people have made many rules that the rich may break but the poor may not. They take their tithes from the poor and weak to support the rich and those who rule.
They claim this mother of ours, the earth, for their own and fence their neighbors away; they deface her with their buildings and their refuse. The nation is like a spring freshet that overruns its banks and destroys all that are in its path.
We cannot dwell side by side. Only seven years ago we made a treaty by which we were assured that the buffalo country should be left to us forever. Now they threaten to take that away from us. My brothers, shall we submit or shall we say to them: 'First kill me before you take possession of my land
”
”
Sitting Bull
“
She sticks her hand through the fence and wiggles her fingers on the other side. Her fingers are in el norte. She spits through the fence. Only to leave a piece of herself there on American dirt.
”
”
Jeanine Cummins (American Dirt)
“
But sometimes, even though the life you have is good, you’re haunted by a sense that on the other side of the fence that marks off the life you’re living is a greater place that God is preparing for you.
”
”
Steven Furtick (Greater: Dream bigger. Start smaller. Ignite God's Vision for Your Life)
“
When you have an interior life, it certainly doesn’t matter what side of the prison fence you’re on. . . I’ve already died a thousand times in a thousand concentration camps. I know everything. There is no new information to trouble me. One way or another, I already know everything. And yet, I find this life beautiful and rich in meaning. At every moment.
”
”
Etty Hillesum (An Interrupted Life: The Diaries, 1941-1943; and Letters from Westerbork)
“
The problem is that everything is relative. Happiness is based on expectations and we have the internet now. A whole world constantly asking us, "But is your life as perfect as this? Well, how about now? Is it as perfect as this? If it isn't, change it!!" The truth of course is, that if people really were as happy as they look on the internet, they wouldn't spend so much damn time on the internet. Because no one who's having a really good day spends half of it taking pictures of themselves. Anyone can nurture a myth about their life if they have enough manure. So, if the grass looks greener on the other side of the fence, that's probably because it's full of shit.
”
”
Frederik Backman
“
The crystal trees among them were hung with glass-like trellises of moss. The air was markedly cooler, as if everything was sheathed in ice, but a ceaseless play of light poured through the canopy overhead. The process of crystallization was more advanced. The fences along the road were so encrusted that they formed a continuous palisade, a white frost at least six inches thick on either side of the palings. The few houses between the trees glistened like wedding cakes, white roofs and chimneys transformed into exotic miniarets and baroque domes. On a law of green glass spurs, a child’s tricycle gleamed like a Faberge gem, the wheels starred into brilliant jasper crowns.
”
”
J.G. Ballard (The Crystal World)
“
The problem, kid," Shorty said, "is there is no one on either side of the fence keeping measurements about what you do. God is an idea, and the devil is us.
”
”
Joe R. Lansdale
“
If the grass is greener on the other side of the fence, chances are it’s getting better care.
”
”
Frank Sonnenberg (Soul Food: Change Your Thinking, Change Your Life)
“
Is the grass really greener on the other side of the fence? No. The grass is greener where you water it.
”
”
Melissa Michaels (Love the Home You Have: Simple Ways to…Embrace Your Style *Get Organized *Delight in Where You Are)
“
Does God love me? Yes, absolutely. But he doesn't exist for me.
”
”
Stephen Altrogge (The Greener Grass Conspiracy: Finding Contentment on Your Side of the Fence)
“
Our goal isn't contentment in and of itself. We're not after a mystical state of Zen. Our goal is to be content for the glory and honor of God.
”
”
Stephen Altrogge (The Greener Grass Conspiracy: Finding Contentment on Your Side of the Fence)
“
God didn't save his son one stroke of misery. He won't withhold any good thing from you.
”
”
Stephen Altrogge (The Greener Grass Conspiracy: Finding Contentment on Your Side of the Fence)
“
The old adage tells us that “the grass is always greener on the other side of the fence,” but the math tells us why: the unknown has a chance of being better, even if we actually expect it to be no different, or if it’s just as likely to be worse.
”
”
Brian Christian (Algorithms to Live By: The Computer Science of Human Decisions)
“
We need God to give us a holy obsession with bringing him glory and increasing his reputation. I can't manufacture love for God on my own. I love my life too much. I count my life as too precious. I need God to help me love his honor above everything else.
”
”
Stephen Altrogge (The Greener Grass Conspiracy: Finding Contentment on Your Side of the Fence)
“
He could understand that the creatures, the fish and the owls, should feed and frolic at moon-rise, at moon-down and at south-moon-over, for these were all plain marks to go by, direct and visible. He marvelled, padding on bare feet past the slat-fence of the clearing, that the moon was so strong that when it lay the other side of the earth, the creatures felt it and stirred by the hour it struck. The moon was far away, unseen, and it had power to move them.
”
”
Marjorie Kinnan Rawlings (South Moon Under)
“
The truth, of course, is that if people really were as happy as they look on the Internet, they wouldn’t spend so much damn time on the Internet, because no one who’s having a really good day spends half of it taking pictures of themselves. Anyone can nurture a myth about their life if they have enough manure, so if the grass looks greener on the other side of the fence, that’s probably because it’s full of shit. Not that that really makes much difference, because now we’ve learned that every day needs to be special. Every day.
”
”
Fredrik Backman (Anxious People)
“
Within my heart a garden grows,
wild with violets and fragrant rose.
Bright daffodils line the narrow path,
my footsteps silent as I pass.
Sweet tulips nod their heads in rest;
I kneel in prayer to seek God's best.
For round my garden a fence stands firm
to guard my heart so I can learn
who should enter, and who should wait
on the other side of my locked gate.
I clasp the key around my neck
and wonder if the time is yet.
If I unlocked the gate today, would you come in? Or run away?
”
”
Robin Jones Gunn (Christy Miller Collection, Vol. 4 (Christy Miller, #10-12))
“
Almost sixty years ago, just after midnight, a few feet from the river where they danced, a wonder of modern engineering occurred: overnight, the Berlin Wall arose. It was the night of August 15, 1961. Berliners awoke on the sixteenth to this marvel, more of a fence at first, concrete posts driven into the streets and festooned with barbed wire. They knew trouble would come but expected it in degrees. Life so often arrives all of a sudden. And who knows which side you will find yourself on?
”
”
Andrew Sean Greer (Less)
“
I have never been back to the Ozarks. All I have left are my dreams and memories, but if God is willing, some day I’d like to go back—back to those beautiful hills. I’d like to walk again on trails I walked in my boyhood days. Once again I’d like to face a mountain breeze and smell the wonderful scent of the redbuds, and papaws, and the dogwoods. With my hands I’d like to caress the cool white bark of a sycamore. I’d like to take a walk far back in the flinty hills and search for a souvenir, an old double-bitted ax stuck deep in the side of a white oak tree. I know the handle has long since rotted away with time. Perhaps the rusty frame of a coal-oil lantern still hangs there on the blade. I’d like to see the old home place, the barn and the rail fences. I’d like to pause under the beautiful red oaks where my sisters and I played in our childhood. I’d like to walk up the hillside to the graves of my dogs. I’m sure the red fern has grown and has completely covered the two little mounds. I know it is still there, hiding its secret beneath those long, red leaves, but it wouldn’t be hidden from me for part of my life is buried there, too. Yes, I know it is still there, for in my heart I believe the legend of the sacred red fern.
”
”
Wilson Rawls (Where the Red Fern Grows)
“
Between the roof of the shed and the big plant that hangs over the fence from the house next door I could see the constellation Orion. People say that Orion is called Orion because Orion was a hunter and the constellation looks like a hunter with a club and a bow and arrow, like this:
But this is really silly because it is just stars, and you could join up the dots in any way you wanted, and you could make it look like a lady with an umbrella who is waving, or the coffeemaker which Mrs. Shears has, which is from Italy, with a handle and steam coming out, or like a dinosaur.
And there aren't any lines in space, so you could join bits of Orion to bits of Lepus or Taurus or Gemini and say that they were a constellation called the Bunch of Grapes or Jesus or the Bicycle (except that they didn't have bicycles in Roman and Greek times, which was when they called Orion Orion). And anyway, Orion is not a hunter or a coffeemaker or a dinosaur. It is just Betelgeuse and Bellatrix and Alnilam and Rigel and 17 other stars I don't know the names of. And they are nuclear explosions billions of miles away. And that is the truth.
I stayed awake until 5:47. That was the last time I looked at my watch before I fell asleep. It has a luminous face and lights up if you press a button, so I could read it in the dark. I was cold and I was frightened Father might come out and find me. But I felt safer in the garden because I was hidden. I looked at the sky a lot. I like looking up at the sky in the garden at night. In summer I sometimes come outside at night with my torch and my planisphere, which is two circles of plastic with a pin through the middle. And on the bottom is a map of the sky and on top is an aperture which is an opening shaped in a parabola and you turn it round to see a map of the sky that you can see on that day of the year from the latitude 51.5° north, which is the latitude that Swindon is on, because the largest bit of the sky is always on the other side of the earth.
And when you look at the sky you know you are looking at stars which are hundreds and thousands of light-years away from you. And some of the stars don't even exist anymore because their light has taken so long to get to us that they are already dead, or they have exploded and collapsed into red dwarfs. And that makes you seem very small, and if you have difficult things in your life it is nice to think that they are what is called negligible, which means that they are so small you don't have to take them into account when you are calculating something.
I didn't sleep very well because of the cold and because the ground was very bumpy and pointy underneath me and because Toby was scratching in his cage a lot. But when I woke up properly it was dawn and the sky was all orange and blue and purple and I could hear birds singing, which is called the Dawn Chorus. And I stayed where I was for another 2 hours and 32 minutes, and then I heard Father come into the garden and call out, "Christopher...? Christopher...?
”
”
Mark Haddon (The Curious Incident of the Dog in the Night-Time)
“
The trees and shrubs rear white arms to the sky on every side; and where were walls and fences, we see forms stretching in frolic gambols across the dusky landscape, as if Nature had strewn her fresh designs over the fields by night as models for man's art.
”
”
Henry David Thoreau
“
There is a tree. At the downhill edge of a long, narrow field in the western foothills of the La Sal Mountains -- southeastern Utah. A particular tree. A juniper. Large for its species -- maybe twenty feet tall and two feet in diameter. For perhaps three hundred years this tree has stood its ground. Flourishing in good seasons, and holding on in bad times. "Beautiful" is not a word that comes to mind when one first sees it. No naturalist would photograph it as exemplary of its kind. Twisted by wind, split and charred by lightning, scarred by brushfires, chewed on by insects, and pecked by birds. Human beings have stripped long strings of bark from its trunk, stapled barbed wire to it in using it as a corner post for a fence line, and nailed signs on it on three sides: NO HUNTING; NO TRESPASSING; PLEASE CLOSE THE GATE. In commandeering this tree as a corner stake for claims of rights and property, miners and ranchers have hacked signs and symbols in its bark, and left Day-Glo orange survey tape tied to its branches. Now it serves as one side of a gate between an alfalfa field and open range. No matter what, in drought, flood heat and cold, it has continued. There is rot and death in it near the ground. But at the greening tips of its upper branches and in its berrylike seed cones, there is yet the outreach of life.
I respect this old juniper tree. For its age, yes. And for its steadfastness in taking whatever is thrown at it. That it has been useful in a practical way beyond itself counts for much, as well. Most of all, I admire its capacity for self-healing beyond all accidents and assaults. There is a will in it -- toward continuing to be, come what may.
”
”
Robert Fulghum (Uh-oh: Some Observations from Both Sides of the Refrigerator Door)
“
My job is to make something happen in a space barely larger than the span of your hand, behind your eyes, distilled out of all that I have carried, from friends, from teachers, people met on planes, people I have only seen in my mind, every favorite book, until it meets and distills from you, the reader, something out of the everything it finds in you. All of this meets along the edge of a sentence like this one, as if the sentence is a fence, with you on one side and me on the other. When the writing works best, I feel like I could poke one of these words out of place and find the writer's eye there, looking through to me.
”
”
Alexander Chee (How to Write an Autobiographical Novel)
“
The days of sitting on the fence and not opposing social justice warrior censorship because you don't agree with everything that (insert controversial figure) says are gone. It's shit or bust. It's free speech or no speech and it's time to pick a side. —Paul Joseph Watson
”
”
Vox Day (SJWs Always Lie: Taking Down the Thought Police (The Laws of Social Justice Book 1))
“
I’d play you at the five. If you were mine, you’d be at the center of my life. August’s words filter through tiny gaps in the barbed-wire fence surrounding my heart. That could be my place. Instinctively, I know August would put me at the center, but one could argue I was Caleb’s center, too. A dark, twisted center with the sides closing in and choking, but the center nonetheless.
”
”
Kennedy Ryan (Long Shot (Hoops, #1))
“
The pit was roughly rectangular, somewhat longer than it was wide, and muddy around the edges where the last wet loads had been hauled out. Loose piles of dirt, spilled from the hide, were strewn on the trampled grass within the triangular area defined by the two walls of brush coming together at the muddy hole. Through a gap where the pit separated the two fences, the river could be seen, reflecting the glowing eastern sky. On the other side of the rippling water, the steep southern wall of the valley loomed darkly; only near the top were its contours distinguishable.
”
”
Jean M. Auel (The Valley of Horses (Earth's Children, #2))
“
My life is hard. No one would rob me of that. The clothes I am wearing came out of a knotted up black plastic trash bag from a resale shop downtown. And not the downtown where shiny cars wink at you in the sunlight. If a car winks at you in this area it’s being driven by a person you would be best to avoid.
My side of downtown is crumbling and skirted by chain link fences.
--Rocky Evans
”
”
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
“
The step through the gates that takes you from painted grounf to bare grass feels heavy.
You think, as you walk away from Le Cirque des Reves and into the creeping dawn, that you felt more awake within the confines of the circus.
You are no longer quite certain which side of the fence is the dream.
”
”
Erin Morgenstern (The Night Circus)
“
The step through the gates that takes you from painted ground to bare grass feels heavy.
You think, as you walk away from Le Cirque des Reves and into the creeping dawn, that you felt more awake within the confines of the circus.
You are no longer quite certain which side of the fence is the dream.
”
”
Erin Morgenstern (The Night Circus)
“
Under the glass porte-cochère of a theatre Amory stood, watching the first great drops of rain splatter down and flatten to dark stains on the sidewalk. The air became grey and opalescent; a solitary light suddenly outlined a window over the way; then another light; then a hundred more danced and glimmered into vision. Under his feet a thick, iron-studded skylight turned yellow; in the street the lamps of the taxicabs sent out glistening sheens along the already black pavement. The unwelcome November rain had perversely stolen the day’s last hour and pawned it with that ancient fence, the night.
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Being one of the world’s best at anything is a funny sort of situation. It’s a bit like walking along a fence top between two very deep pits. On the one side is overconfidence, on the other self-doubt. A misstep in either direction can set you up for a fall into ruin. And lying to yourself is one of the easiest missteps to make.
”
”
Kelly McCullough (Broken Blade (Fallen Blade, #1))
“
It was like hundreds of roads he'd driven over - no different - a stretch of tar, lusterless, scaley, humping toward the center. On both sides were telephone poles, tilted this way and that, up a little, down...
Billboards - down farther an increasing clutter of them. Some road signs. A tottering barn in a waste field, the Mail Pouch ad half weathered away. Other fields. A large wood - almost leafless now - the bare branches netting darkly against the sky. Then down, where the road curved away, a big white farmhouse, trees on the lawn, neat fences - and above it all, way up, a television aerial, struck by the sun, shooting out bars of glare like neon. ("Thompson")
”
”
George A. Zorn (Shock!)
“
I have that old sinking feeling. I've been overly available, sickeningly sweet and forever enabling all in the name of being 'liked.' I've compromised myself. I've suffered fools, idiots and dullards. I've gone on far too many dates with men because I felt guilty that they liked me more than I liked them. I've fallen deeply and madly I'm love with men I've never met just because I thought they looked 'deep.' I've built whole futures with men I hardly knew; I've planned weddings and named invisible children based on a side glance. I've made chemistry where there was none. I've forced intimacy while building higher Walls. I've been alone in a two year relationship. I've faked more orgasms than I can count while being comfortable with no affection at all.
I realise I have to make a decision right here and now. Do I go back to the sliver of a person I was before or do I, despite whatever bullshit happened tonight, hold on to this... This authenticity? If I go back to the the way I was before tonight, I'll have to compromise myself, follow rules with men who have none, hold my tongue, be quiet and laugh at shitty jokes. I have to never be challenged, yet be called challenging when I have an opinion or, really, speak at all. I'll never be torched by someone and get goosebumps again. I'll never be outside of myself. I'll never let go. I'll never lose myself. I'll never know what real love is - both for someone else and for me. I'll look back on this life and wish I could do it all over again. I finally see the consequences of that life. The path more travelled only led to someone else's life: an idealised, saturated world of White picket fences and gingham tablecloths. A life where the real me is locked away. Sure i had a plus-one but at what price? No. No matter how awkward and painful this gets, I can't go back.
”
”
Liza Palmer (More Like Her)
“
What happened next played itself out like a terrible drama with two spectators. Lee and I stayed on our side of the fence, like an audience. Of course if the bull had wanted to smash through the fence he could have done so any time, but luckily nearly all cattle live and die without learning that. It's like school, most students go from kindergarten to Year 12 without noticing that they could do a fair amount of damage if they wanted to. They stay inside the fence.
”
”
John Marsden (Circle of Flight (The Ellie Chronicles, #3))
“
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in
which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what
being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's
quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies
designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs,
those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
”
”
Salman Rushdie (Fury)
“
For a moment I am jealous: He has grown up here, fearless, happy. Perhaps he will never even know about the world on the other side of the fence, the real world. For him there will be no such thing.
But there will also be no medicine for him when he is sick, and never enough food to go around, and winters so cold the mornings are like a punch in the gut. And someday-unless the resistance succeeds and takes the country back-the planes and the fires will find him. Someday the eye will turn in this direction, like a laser beam, consuming everything in its path. Someday all the Wilds will be razed, and we will be left with a concrete landscape, a land of pretty houses and trim gardens and planned parks and forests, and a world that works as smoothly as a clock, neatly wound: a world of metal and gears, and people going tick-tick-tick to their deaths.
”
”
Lauren Oliver (Pandemonium (Delirium, #2))
“
Once upon a time there was a garden, surrounded on all sides by a great, high fence. In that garden, an old demon ruled over thousands upon thousands of slaves. But the surprising thing was that the only sound ever to be heard within those high walls was the sound of merry laughter. Hahaha and hohoho, all year round-because of the laughing magic which the old demon had used on his slaves. "Why did he use such magic on them? To conceal his evil mistreatment of them, of course, and also to create a deception, saying, 'This is how happy the people in our garden are.' And that's also why he put the fences up, so that the people in other gardens couldn't see over or come in. So, well, think about it. Where in the world might you find such a garden, such a den of evil magic, where cries of pain and sadness were wrenched from the mouths of its people and distorted into laughter?
”
”
Bandi (The Accusation: Forbidden Stories from Inside North Korea)
“
The twin aspects of genius, the passive and the active, are possessed by the fully realized artist; they also form the necessary equipment of the Adept. Yet in very few people are these twin aspects manifested. Nearly everyone has a capacity for the passive aspect, which involves some sort of appreciation of aesthetic values. There are few people totally unresponsive to the beauties of nature, and none at all that is not responsive to its ferocious manifestations.Fewer are able to respond profoundly to the beauty of natural phenomena, and fewer still to so-called works of art. It takes a degree of genius to respond to such manifestations the whole time. Artists in this category are among the saints, some of whom thrilled with rapture at the constant awareness of the total unity, harmony, and beauty of things.
Such were Boehme, Ramakrishna, etc. Some yogis are immersed in an unsullied and vibrant bliss derived from the incessant contemplation of this 'world-bewitching maya'4-the breath-taking wonder of the great and glamorous illusion which surrounds us.
On the other side of the fence, on the side of active or creative genius, there are yet fewer. Active or creative genius means nothing less than the ability to translate the wonder or the terror of the great lfla (the great play of life) in terms of visual, tactile, audible, olfactory, or some other sensual presentation of phenomena.
But there is a third aspect of genius which is yet more rare. It is the ability to open the door of the theatre and admit the influences from outside, from the swarming gulfs beyond the grasp of the mind, and accessible only to the magical entity whose fantastic feelers can snare the most fugitive impulses as they flash through the holes in space, the kinks in time, to be reflected in the magic mirror of the artist's mind.
”
”
Kenneth Grant (Outside the Circles Of Time)
“
And I'm afraid it really is a jungle too," pursued the Consul, "in fact I expect Rousseau to come riding out of it at any moment on a tiger." "What's that?" Mr Quincey said, frowning in a manner that might have meant: And God never drinks before breakfast either.
"On a tiger," the Consul repeated.
The other gazed at him a moment with the cold sardonic eye of the material world. "I expect so," he said sourly. "Plenty tigers. Plenty elephants too... Might I ask you if the next time you inspect your jungle you'd mind being sick on your own side of the fence?
”
”
Malcolm Lowry (Under the Volcano)
“
This book is not the memoir of a contented man. It's not the poignant reflections of a white-haired guru who has finally figured out the secret to contentment. It's more like sweaty, bloody, hastily scribbled notes from a battlefield. I'm still struggling to escape the sinister fingers on this conspiracy. I'm still waging war against the discontentment that rages in my life. I can see contentment in the distance, like a hazy oasis, but I have to pick my way through a minefield to get there. I'm not the contented man God wants me to be, but I'm fighting to get there. I'm writing this book the hope that you'll join me in the fight.
”
”
Stephen Altrogge (The Greener Grass Conspiracy: Finding Contentment on Your Side of the Fence)
“
Hamish Alexander-Harrington knew his wife as only two humans who had both been adopted by a pair
of mated treecats ever could. He'd seen her deal with joy and with sorrow, with happiness and with fury,
with fear, and even with despair. Yet in all the years since their very first meeting at Yeltsin's Star, he
suddenly realized, he had never actually met the woman the newsies called "the Salamander." It wasn't his
fault, a corner of his brain told him, because he'd never been in the right place to meet her. Never at the
right time. He'd never had the chance to stand by her side as she took a wounded heavy cruiser on an
unflinching deathride into the broadside of the battlecruiser waiting to kill it, sailing to her own death, and
her crew's, to protect a planet full of strangers while the rich beauty of Hammerwell's "Salute to Spring"
spilled from her ship's com system. He hadn't stood beside her on the dew-soaked grass of the Landing
City duelling grounds, with a pistol in her hand and vengeance in her heart as she faced the man who'd
bought the murder of her first great love. Just as he hadn't stood on the floor of Steadholders' Hall when
she faced a man with thirty times her fencing experience across the razor-edged steel of their swords,
with the ghosts of Reverend Julius Hanks, the butchered children of Mueller Steading, and her own
murdered steaders at her back.
But now, as he looked into the unyielding flint of his wife's beloved, almond eyes, he knew he'd met the
Salamander at last. And he recognized her as only another warrior could. Yet he also knew in that
moment that for all his own imposing record of victory in battle, he was not and never had been her
equal. As a tactician and a strategist, yes. Even as a fleet commander. But not as the very embodiment of
devastation. Not as the Salamander. Because for all the compassion and gentleness which were so much
a part of her, there was something else inside Honor Alexander-Harrington, as well. Something he himself
had never had. She'd told him, once, that her own temper frightened her. That she sometimes thought she
could have been a monster under the wrong set of circumstances.
And now, as he realized he'd finally met the monster, his heart twisted with sympathy and love, for at last
he understood what she'd been trying to tell him. Understood why she'd bound it with the chains of duty,
and love, of compassion and honor, of pity, because, in a way, she'd been right. Under the wrong
circumstances, she could have been the most terrifying person he had ever met.
In fact, at this moment, she was .
It was a merciless something, her "monster"—something that went far beyond military talent, or skills, or
even courage. Those things, he knew without conceit, he, too, possessed in plenty. But not that deeply
personal something at the core of her, as unstoppable as Juggernaut, merciless and colder than space
itself, that no sane human being would ever willingly rouse. In that instant her husband knew, with an icy
shiver which somehow, perversely, only made him love her even more deeply, that as he gazed into those
agate-hard eyes, he looked into the gates of Hell itself. And whatever anyone else might think, he knew
now that there was no fire in Hell. There was only the handmaiden of death, and ice, and purpose, and a
determination which would not— couldnot—relent or rest.
"I'll miss them," she told him again, still with that dreadful softness, "but I won't forget. I'll never forget,
and one day— oneday, Hamish—we're going to find the people who did this, you and I. And when we
do, the only thing I'll ask of God is that He let them live long enough to know who's killing them.
”
”
David Weber (Mission of Honor (Honor Harrington, #12))
“
I was drawing near to the curve of the track; already the twelve hooves of those dead horses were visible in the distance, jutting towards the sky like the columns in the cathedral crypt at Stará Boleslav. I thought of Masha, and of how we met for the first time, when I was still with the track superintendent. He gave us two buckets of red paint and told us to paint the fence round the entire state workshops. Masha began by the railway track, just as I did. We stood facing each other with the tall wire fence between us, at our feet we each had a bucket of cinnabar paint, we each had a brush, and we stippled away with our brushes opposite each other and painted that fence, she from her side and I from mine.
There were four kilometres altogether of this fence; for five months we stood facing each other like this, and there wasn't anything we didn't say to each other, Masha and I, but always there was this fence between us. After we'd painted two kilometres of it, one day I'd done just as high as Masha's mouth with this red colour, and I told her that I loved her, and she, from her side, had painted just up to there, too, and she said that she loved me, too ... and she looked into my eyes, and, as this was in a ditch and among tall goosefoot plants, I put out my lips, and we kissed through the newly painted fence, and when we opened our eyes she had a sort of tiny red fence-pale striped across her mouth, and so had I, and we burst out laughing, and from that moment on we were happy.
”
”
Bohumil Hrabal (Closely Observed Trains)
“
Where is he?” Leo sat up, but his head felt like it was floating. They’d landed inside the compound. Something had happened on the way in—gunfire? “Seriously, Leo,” Jason said. “You could be hurt. You shouldn’t—” Leo pushed himself to his feet. Then he saw the wreckage. Festus must have dropped the big canary cages as he came over the fence, because they’d rolled in different directions and landed on their sides, perfectly undamaged. Festus hadn’t been so lucky. The dragon had disintegrated. His limbs were scattered across the lawn. His tail hung on the fence. The main section of his body had plowed a trench twenty feet wide and fifty feet long across the mansion’s yard before breaking apart. What remained of his hide was a charred, smoking pile of scraps. Only his neck and head were somewhat intact, resting across a row of frozen rosebushes like a pillow. “No,” Leo sobbed. He ran to the dragon’s head and stroked its snout. The dragon’s eyes flickered weakly. Oil leaked out of his ear. “You can’t go,” Leo pleaded. “You’re the best thing I ever fixed.” The dragon’s head whirred its gears, as if it were purring. Jason and Piper stood next to him, but Leo kept his eyes fixed on the dragon. He remembered what Hephaestus had said: That isn’t your fault, Leo. Nothing lasts forever, not even the best machines. His dad had been trying to warn him. “It’s not fair,” he said. The dragon clicked. Long creak. Two short clicks. Creak. Creak. Almost like a pattern…triggering an old memory in Leo’s mind. Leo realized Festus was trying to say something. He was using Morse code—just like Leo’s mom had taught him years ago. Leo
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
Meanwhile the thinking person, by intellect usually left-wing but by temperament often right-wing, hovers at the gate of the Socialist fold. He is no doubt aware that he ought to be a Socialist. But he observes first the dullness of individual Socialists, then the apparent flabbiness of Socialist ideals, and veers away. Till quite recently it was natural to veer towards indinerentism. Ten years ago, even five years ago, the typical literary gent wrote books on baroque architecture and had a soul above politics. But that attitude is becoming difficult and even unfashionable. The times are growing harsher, the issues are clearer, the belief that nothing will ever change (i.e. that your dividends will always be safe) is less prevalent. The fence on which the literary gent sits, once as comfortable as the plush cushion of a cathedral-stall, is now pinching his bottom intolerably; more and more he shows a disposition to drop off on one side or the other. It is interesting to notice how many of our leading writers, who a dozen years ago were art for art's saking for all they were worth and would have considered it too vulgar for words to even vote at a general election, are now taking a definite political standpoint; while most of the younger writers, at least those of them who are not mere footlers, have been 'political' from the start. I believe that when the pinch comes there is a terrible danger that the main movement of the intelligentsia will be towards Fascism. . . . That will also be the moment when every person with any brains or decency will know in his bones that he ought to be on the Socialist side. But he will not necessarily come there of his own accord; there are too many ancient prejudices standing in the way. He will have to be persuaded, and by methods that imply an understanding of his viewpoint. Socialists cannot afford to waste any more time in preaching to the converted. Their job now is to make Socialists as rapidly as possible; instead of which, all too often, they are making Fascists.
”
”
George Orwell (The Road to Wigan Pier)
“
I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him.
And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose. And I plunged both hands into the hot water, and watched the blood flow slowly ouf of me, and the water grew rosy, and yet al the time the pattern of the red blood flowing remained so clearly perceptible, as though someone was drawing out from my wrists a long, feathery red bandage, a film, dancing veil ... and presently I thickened there in the bath, as that red paint thickened when we were painting the fence all round the state workshops, until we had to thin it with turpentine - and my head sagged, and into my mouth flowed pink raspberryade, except that it tasted slightly salty .. and then those concentric circles in blue and violet, trailing feathery fronds like coloured spirals in motion ... and then there was a shadow stooping over me, and my face was brushed lightly by a chin overgrown with stubble. It was that bricklayer in the white clothes. He hoisted me out and landed me like a red fish with delicate red fins sprouting from its wrists. I laid my head on his smock, and I heard the hissing of lime as my wet face slaked it, and that smell was the last thing of which I was conscious.
”
”
Bohumil Hrabal (Closely Observed Trains)
“
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots.
The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic.
“Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself?
I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans.
“Hiding,” I replied, stepping into them and buttoning the waist.
“Well, c’mere,” he said softly.
My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door.
He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did.
“Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio.
“Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness.
“So,” Marlboro Man said. “What have you been doing all day?”
I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.”
“Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me.
He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors.
Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened.
And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor.
“R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched.
“Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug.
“Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him.
It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
”
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Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)