Macon Quotes

We've searched our database for all the quotes and captions related to Macon. Here they are! All 87 of them:

Are you insinuatin' that my daughter is a liar?" "Oh, no, not at all. I'm saying your daughter is a liar. Surely you can appreciate the difference.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
It's not easy to be Light when you've been Dark. It's almost too much to ask anyone. -Macon Ravenwood
Margaret Stohl (Beautiful Darkness (Caster Chronicles, #2))
Macon: “It’s true. And if that doesn’t work, use the Jedi Mind Trick. But only if you really have to.” Halley: “The what?” Macon: “The Jedi Mind Trick.” He looked at me. “Didn’t you ever see Star Wars?
Sarah Dessen (Someone Like You)
Macon Ethan I lay my head down on his chest and cried because had lived because he had died a dry ocean, a desert of emotion happysad darklight sorrowjoy swept over me, under me i could hear the sound but i could not understand the words and then i realized the sound was me, breaking in one moment i was feeling everything and i was feeling nothing i was shattered, i was saved, i lost everthing, i was given everything else something in me died, something in me was born, i only knew the girl was gone whoever i was now, i would never be her again this is the way the world ends not with a bang but a whimper claim yourself claim yourself claim yourself claim gratitude fury love despair hope hate first green is gold but nothing green can stay dont try nothing green can stay -Lena Duchannes
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
If you go to Atlanta, the first question people ask you is, "What's your business?" In Macon they ask, "Where do you go to church?" In Augusta they ask your grandmother's maiden name. But in Savannah the first question people ask you is "What would you like to drink?
John Berendt (Midnight in the Garden of Good and Evil)
The right thing and the easy thing are never the same. No one knew that better than Macon.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
These things are difficulties, not impossibilities. -- Macon
Margaret Stohl (Beautiful Redemption (Caster Chronicles, #4))
Arelia looked up at Macon. "It's not the house that protects her. It's the boy. I've never seen anything like it. No Caster can come between them.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
And you couldn’t control who you loved, even if you wanted to. That had been Genevieve’s problem with Ethan Carter Wate. It had been Uncle Macon’s problem with Lila, Link’s with Ridley. Probably even Ridley’s with Link. Love was how all these knots started to unravel in the first place.
Kami Garcia (Beautiful Redemption (Caster Chronicles, #4))
Macon, wet from the raindrops for the first time.
Kami Garcia
Lord Macon:"Went for a wee nightly run. Needed peace and quiet. Needed air in my fur. Needed fields under my paws. Needed, oh I canna -hic- explain...needed the company of hegehogs." Professor Lyall:"And did you find it?" Lord Macon:"Find what? No hedgehogs. Stupid hedgehogs.
Gail Carriger (Blameless (Parasol Protectorate, #3))
I wasn’t ready to think about the other yet: that it wasn’t that I wasn’t right for Macon, but that maybe he wasn’t right for me. There was a difference. Even for someone who things didn’t come easy for, someone like me.
Sarah Dessen
No man should live where he can hear his neighbor's dog bark.
Nathaniel Macon
We have a saying: If you go to Atlanta, the first question people ask you is, ‘What’s your business?’ In Macon they ask, ‘Where do you go to church?’ In Augusta they ask your grandmother’s maiden name. But in Savannah the first question people ask you is ‘What would you like to drink?
John Berendt (Midnight in the Garden of Good and Evil)
Lord Macon deposited his wife into a chair and then knelt next to her, clutching one of her hands. "Tell me truthfully - how are you feeling?" Alexia took a breath. "Truthfully? I sometimes wonder if I, like Madame Lefoux, should affect masculine dress." "Gracious me, why?" "You mean aside from the issue of greater mobility?" "My love, I don't think that's currently the result of your clothing." "Indeed, I mean after the baby." "I still don't see why should want to." "Oh no? I dare you to spend a week in a corset, long skirts and a bustle." "How do you know I haven't?
Gail Carriger (Heartless (Parasol Protectorate, #4))
But then Macon smiled at me. "Just be yourself, Foster. That's the best thing in the world.
Joan Bauer (Close to Famous)
I watched for her hair to curl, the telltale Caster breeze. It didn't move. This wasn't Caster magic she was working. It was another kind altogether. She couldn't charm her way out from under Macon's watch. She would have to resort to older magic, stronger magic, the kind that had worked best on Macon from the time she first moved to Ravenwood. Plain old love.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
I'm going to love you, Macon Saint. So long and so hard you're not going to remember what it feels like to be without love.
Kristen Callihan (Dear Enemy)
It was something I couldn't put my finger on or define clearly, but a whole mishmash of words and incidents, all rolling quickly and building, like a snowball down a hill, to gather strength and bulk to flatten me. It wasn't what they said, or even just the looks they exchanged when they asked me how school was that day and I just mumbled fine with my mouth full, glancing wistfully over at Scarlett's, where I was sure she was eating alone, in front of the TV, without having to answer to anyone. There had been a time, once, when my mother would have been the first I'd tell about Macon Faulkner, and what P.E. had become to me. But now I only saw her rigid neck, the tight, thin line of her lips as she sat across from me, reminding me to do my homework, no I couldn't go to Scarlett's it was a school night, don't forget to do the dishes and take the trash out. All she'd said to me for years. Only now they all seemed loaded with something else, something that fell between us on the table, blocking any further conversation.
Sarah Dessen (Someone Like You)
What is that, Shakespeare?" "Betty Crocker, a fascinating woman.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
They both smiled—Link at the memory of all the pie in his past, Macon at the thought of all the pie in his future.
Kami Garcia (Dream Dark (Caster Chronicles, #2.5))
What did Ethan care? _He_ had no trouble navigating. This was because he’d lived all his life in one house, was Macon’s theory; while a person who’d been moved around a great deal never acquired a fixed point of reference but wandered forever in a fog — adrift upon the planet, helpless, praying that just by luck he might stumble across his destination.
Anne Tyler (The Accidental Tourist)
We’re not at all like the rest of Georgia. We have a saying: If you go to Atlanta, the first question people ask you is, ‘What’s your business?’ In Macon they ask, ‘Where do you go to church?’ In Augusta they ask your grandmother’s maiden name. But in Savannah the first question people ask you is ‘What would you like to drink?
John Berendt (Midnight in the Garden of Good and Evil)
Much of Macon's youth was ruled by connotations.
Anne Tyler
Countless people call me Saint. Only you call me Macon with that bitter honey voice.
Kristen Callihan (Dear Enemy)
I didn't know where they had taken his body, but I understood her impulse to be here. To be with him, even without him.
Kami Garcia (Beautiful Creatures (Caster Chronicles, #1))
seven. seven was when ethan had learned to ride a bicycle. macon was visited by one of those memories that dent the skin, that strain the muscles. he felt the seat of ethan's bike pressing into his hand--the curled-under edge at the rear that you hold onto when you're trying to keep a bicycle upright. he felt the sidewalk slapping against his soles as he ran. he felt himself let go, slow to a walk, stop with his hands on his hips to call out, "you've got her now! you've got her!" and ethan rode away from him, strong and proud and straight-backed, his hair picking up the light till he passed beneath and oak tree.
Anne Tyler (The Accidental Tourist)
Maybe Macon Ravenwood wasn’t the only town shut-in. I didn’t think our town was big enough for two Boo Radleys. But
Kami Garcia (Beautiful Creatures (Beautiful Creatures, #1))
You aren’t actually defending the Devil, are you?” Macon held up his hand. “Wait. What am I saying? He’s probably your mentor.
Kami Garcia (The Mortal Heart (Beautiful Creatures: The Untold Stories, #1))
He could feel it immediately when his shoulder snapped - the intense pain of his bones cracking. His skin tightened, as if it could no long hold whatever was lurking inside him. The breath was sucked from his lungs like he was being crushed. His vision began to blur, and he had the sensation he was falling, even though he could feel the rock tearing at his flesh as his body seized on the ground.
Kami Garcia (Beautiful Darkness (Caster Chronicles, #2))
Disaster followed disaster... the hero stuck in there, though. Macon had long ago noticed that all adventure movies had the same moral: Perseverance pays. Just once he'd like to see a hero like himself -- not a quitter, but a man who did face facts and give up gracefully when pushing on was foolish.
Anne Tyler (The Accidental Tourist)
Some thirteen-year-old with a sticker-covered guitar might right now be in a garage in Denton, Texas, or Peoria, Illinois, or Macon, Georgia, writing an album that could one day flip the world upside down.
Dan Ozzi (Sellout: The Major-Label Feeding Frenzy That Swept Punk, Emo, and Hardcore (1994–2007))
I must have wondered if the police were right, if the entire story was a figment of my imagination. This is the worst impact of severe trauma: the victim loses faith in the evidence of her own senses. And this is the great gift Paul Macone gave to me. He believed what I told the police back then. He believed me enough to try to solve the case, and he did. Perhaps because I've sought out evil in this world, attempting to understand and tame it, I am particularly moved by goodness. There is a light that animates an act of generosity, when a person is kind - not to call attention to his own goodness, or to make a pact with God, but just because he feels it's right. I see this light in Paul Macone. Still, his kindness is almost too much to bear. I feel shy around him, despite this conversation. I even feel shy writing this down.
Jessica Stern (Denial: A Memoir of Terror)
In that instant, your billboard careened ashore on a wall of water, cracking the back of my head. I reached for balance and touched what I thought was a puppy. Then you grabbed my finger. My God, I thought. It's a baby. I fainted dead away. That's how Macon found us the next day — me unconscious on half a billboard, you nestled in my arms, nursing on the pocket of my uniform. The half billboard said: "...Cafe...Proprietor." Our path seemed clear. I will always love your mother for letting you go, Soldier, and I will always love you for holding on. Love, the Colonel. PS: I apologize for naming you Moses. I didn't know you were a girl until it was too late.
Sheila Turnage (Three Times Lucky (Mo & Dale Mysteries, #1))
flossing his teeth. He couldn’t go to bed without flossing his teeth. For some reason, Sarah had found this irritating. If Macon were condemned to death, she’d said once, and they told him he’d be executed by firing squad at dawn, he would no doubt still insist on flossing the night before. Macon, after thinking it over, had agreed.
Anne Tyler (The Accidental Tourist)
I'd done cleaved myself to him right yonder under the trees, kneeling over that bloodroot flower. Looking at its red root sap, I was overcome with something that felt like the Holy Ghost. I seen all the generations that would come out of me and Macon. I seen our blood mixed up together, shining there in the gloomy light.
Amy Greene
he wrote a series of guidebooks for people forced to travel on business. Ridiculous, when you thought about it: Macon hated travel.
Anne Tyler (The Accidental Tourist)
Whey they started walking again, he slipped his hand into Macon's. Those cool little fingers were so distinct, so particular, so full of character. Macon tightened his grip and felt a pleasant kind of sorrow sweeping through him. Oh, his life had regained all its old perils. He was forced to worry once again about nuclear war and the future of the planet. He often had the same secret, guilty thought that had come to him after Ethan was born: From this time on I can never be completely happy. Not that he was before, of course.
Anne Tyler (The Accidental Tourist)
Make. Me. His answering grin is crafty. “Later.” “Later for what?” Karen demands in a snit. “To perform my other services.” I dab the corner of my mouth. Because fuck her. Macon chokes on a sip of his water. North, however, just laughs, a big booming sound. “I like her,” he says to a glowering Macon.
Kristen Callihan (Dear Enemy)
That fluffy white soaked in slave sweat and blood what made this city. Nowadays Macon warehouses still hold cotton, but for local factory mills and railroads. Watching these Klans shamble down the street, I’m reminded of bales of white, still soaked in colored folk sweat and blood, moving for the river.
P. Djèlí Clark (Ring Shout)
he had developed a system that enabled him to sleep in clean sheets every night without the trouble of bed changing. He’d been proposing the system to Sarah for years, but she was so set in her ways. What he did was strip the mattress of all linens, replacing them with a giant sort of envelope made from one of the seven sheets he had folded and stitched together on the sewing machine. He thought of this invention as a Macon Leary Body Bag. A body bag required no tucking in, was unmussable, easily changeable, and the perfect weight for summer nights. In winter he would have to devise something warmer, but he couldn’t think of winter yet. He was barely making it from one day to the next as it was. At moments—while he was skidding
Anne Tyler (The Accidental Tourist)
Hello, Ethan.” “What the hell are you doing in my bedroom?” He seemed at a loss, for Macon, which just meant he didn’t have an immediate and charming explanation on the tip of his tongue. “It’s complicated.” “Well, uncomplicate it. Because you climbed in my window in the middle of the night, so either you’re some kind of vampire or some kind of perv, or both. Which is it?
Kami Garcia (Beautiful Creatures (Beautiful Creatures, #1))
At Randolph-Macon, Dodd promptly got himself into hot water. In 1902 he published an article in the Nation in which he attacked a successful campaign by the Grand Camp of Confederate Veterans to have Virginia ban a history textbook that the veterans deemed an affront to southern honor. Dodd charged that the veterans believed the only valid histories were those that held that the South “was altogether right in seceding from the Union.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
To Harlan, New York City was as chaotic and thrilling as the three-ringed circus that came through Macon each spring. No matter which direction his head spun, there was something new and exciting to behold: white men with long beards and black hats as tall as chimney stacks; poor people begging for money; rich people walking white poodles tethered to long leather leads; blind people tapping walking sticks; fat people munching soft, salted pretzels; and middle-of-the-road people like themselves.
Bernice L. McFadden (The Book of Harlan)
system that enabled him to sleep in clean sheets every night without the trouble of bed changing. He’d been proposing the system to Sarah for years, but she was so set in her ways. What he did was strip the mattress of all linens, replacing them with a giant sort of envelope made from one of the seven sheets he had folded and stitched together on the sewing machine. He thought of this invention as a Macon Leary Body Bag. A body bag required no tucking in, was unmussable, easily changeable, and the perfect weight for summer nights.
Anne Tyler (The Accidental Tourist)
Suenos. Dulces Suenos. He must be painting upstairs. I can feel it. I remember when his father was just a baby and I called her Mama for the first time and she became Mama for all of us; Mama de la casa and his father would wake up in the middle of the night and scream in his crib and nothing would make him stop, nada, and Mama would get so exhausted she would turn her back to me and cry in her pillow. I would smooth her hair-it was black, Basilio, as black as an olive-and I would turn on the radio (electricity, Basilio, in the middle of the night), to maybe calm the baby and listen to something besides the screaming. Mama liked the radio, Basilio, and we listened while your father cried-cantante negra, cantante de almas azules-and it made us feel a little better, helped us make it through. I had to get up early to catch the streetcar to the shipyard, but when the crying finally stopped sometimes the sun would be ready to pop and Mama's breathing would slow down and her shoulders would move like gentle waves, sleeping but still listening, like I can hear her now on this good bed, and Basilio-Mira, hombre, I will not tell you this again-if I moved very close and kissed her shoulders, she would turn to face me and we would have to be quiet Basilio, under the music, very, very quiet.... So this I want to know, Basilio. This, if you want to live on Macon Street for another minute. Can you paint an apple baked soft in the oven, an apple filled with cinnamon and raisins? Can you paint such a woman? Are you good enough yet with those brushes so that she will step out of your pictures to turn on the radio in the middle of the night? Will she visit an old man on his death bed? If you cannot do that, Basilio, there is no need for you to live here anymore.
Rafael Alvarez
Uncle Peter is one of our family,” she said, her voice shaking. “Good afternoon. Drive on, Peter.” Peter laid the whip on the horse so suddenly that the startled animal jumped forward and as the buggy jounced off, Scarlett heard the Maine woman say with puzzled accents: “Her family? You don’t suppose she meant a relative? He’s exceedingly black.” God damn them! They ought to be wiped off the face of the earth. If ever I get money enough, I’ll spit in all their faces! I’ll— She glanced at Peter and saw that a tear was trickling down his nose. Instantly a passion of tenderness, of grief for his humiliation swamped her, made her eyes sting. It was as though someone had been senselessly brutal to a child. Those women had hurt Uncle Peter—Peter who had been through the Mexican War with old Colonel Hamilton, Peter who had held his master in his arms when he died, who had raised Melly and Charles and looked after the feckless, foolish Pittypat, “pertecked” her when she refugeed, and “’quired” a horse to bring her back from Macon through a war-torn country after the surrender. And they said they wouldn’t trust niggers! “Peter,” she said, her voice breaking as she put her hand on his thin arm. “I’m ashamed of you for crying. What do you care? They aren’t anything but damned Yankees!
Margaret Mitchell (Gone with the Wind)
Maybe nostalgia is itself the problem. A Democrat I met in Macon during a conversation we had about the local enthusiasm for Trump told me that “people want to go back to Mayberry”, the setting of the beloved old Andy Griffith Show. (As it happens, the actual model for Mayberry, Mount Airy, a bedraggled town in North Carolina, has gone all in on the Trump revolution, as the Washington Post recently reported.) Maybe it’s also true, as my liberal friends believe, that what people in this part of the country secretly long to go back to are the days when the Klan was riding high or when Quantrill was terrorizing the people of neighboring Kansas, or when Dred Scott was losing his famous court case. For sure, there is a streak of that ugly sentiment in the Trump phenomenon. But I want to suggest something different: that the nostalgic urge does not necessarily have to be a reactionary one. There is nothing un-progressive about wanting your town to thrive, about recognizing that it isn’t thriving today, about figuring out that the mid-century, liberal way worked better. For me, at least, that is how nostalgia unfolds. When I drive around this part of the country, I always do so with a WPA guidebook in hand, the better to help me locate the architectural achievements of the Roosevelt years. I used to patronize a list of restaurants supposedly favored by Harry Truman (they are slowly disappearing). And these days, as I pass Trump sign after Trump sign, I wonder what has made so many of Truman’s people cast their lot with this blustering would-be caudillo. Maybe what I’m pining for is a liberal Magic Kingdom, a non-racist midwest where things function again. For a countryside dotted with small towns where the business district has reasonable job-creating businesses in it, taverns too. For a state where the giant chain stores haven’t succeeded in putting everyone out of business. For an economy where workers can form unions and buy new cars every couple of years, where farmers enjoy the protection of the laws, and where corporate management has not been permitted to use every trick available to them to drive down wages and play desperate cities off one against the other. Maybe it’s just an impossible utopia, a shimmering Mayberry dream. But somehow I don’t think so.
Thomas Frank (Rendezvous with Oblivion: Reports from a Sinking Society)
I seen the ring in that tangle of riches and it seemed to dark to be ruby. Might have been garnet, I still don't know for sure. It was like them blood-colored drops of bloodroot sap Macon showed me up on the mountain, a cluster of precious stones the shade of the love that was running all through me dark and deep.
Amy Greene
1932 Tuskegee Experiments, where poor black African American sharecroppers from Macon County, Alabama were allowed to go untreated for their syphilis so the effects could be studied.11
Carol Rutz (A Nation Betrayed: Secret Cold War Experiments Performed on our Children and Other Innocent People[Annotated])
Macon conducía. Sarah iba sentada a su lado, con la cabeza apoyada en la ventanilla lateral. A través de sus enmarañados rizos castaños se veían pedacitos de cielo nuboso. Macon llevaba puesto un traje de verano, su traje de viaje, mucho más práctico para viajar que los tejanos, decía él siempre. Los tejanos tenían esas costuras duras, acartonadas, y esos remaches. Sarah llevaba un albornoz playero, sin tirantes. Hubieran podido estar regresando de dos viajes completamente distintos.
Anonymous
Macon spent every spare moment with Lila Jane. Whether it was researching side by side in the Caster Library, walking her to class, or stealing a kiss, he wanted every single moment burned into his dark heart.
Kami Garcia
Nathaniel Macon of North Carolina was only one of many Republicans who in the early months of 1812 voted against all attempts to arm and prepare the navy, who opposed all efforts to beef up the War Department, who rejected all tax increases, and yet who in June 1812 voted for the war.
Gordon S. Wood (Empire of Liberty: A History of the Early Republic, 1789-1815)
Sending Mr. Macon a nod, Everett turned on his heel and strode down the hallway. Passing the curved staircase that was the centerpiece of the house, he was almost to the library when he noticed something that slowed his pace to a mere crawl. A priceless painting of a young lady—painted by none other than Bouguereau—seemed to have acquired a mustache placed inexpertly above the young lady’s lip. Leaning closer to the painting, he released a sigh when it quickly became evident that someone had, indeed, added his or her own touch to the masterpiece. Deciding that now was not the moment to spend dwelling on this particular situation, he tore his gaze from what was now a less-than-priceless painting and headed into the library.
Jen Turano (In Good Company (A Class of Their Own Book #2))
You know the mother of monsters?" "Echidna," Samantha said in a low voice. "I met her child. Chimera." Oh ho… Crwys glanced at Levi who looked very impressed. This was unexpected. "You met Chimera? Here in this world?" "I had to fight against him. Ran into his little fan club in Macon, Georgia.
Phaedra Weldon (Dragon Fire (The Eldritch Files #0.5))
A long time ago, I tried. More than once. She didn’t want to hear it. For a while, she wouldn’t even talk to Lily, which just about broke your grandmother’s heart. Slowly, they got back in touch over the phone. The occasional photograph. I never wanted to upset that delicate balance.” She watched him pull a bandana from his pocket. Sometimes Macon was so afraid of doing the wrong thing that it stopped him from doing the right thing. “At first I thought we’d patch it up. You were born and the years went by. Chicken came along. And then your dad’s cancer. It was so fast. And you lost him, Cat—you, and Chicken, and Amanda all lost him.” Macon wiped his eyes. “When I think about how close I got to never knowing you and Chicken—when I think about all the years I missed that I can never get back . . .” Cat’s eyes filled and the planks of the pier blurred. She willed herself not to blink. Macon cleared his throat, folding the bandana into a square. “I’ve spent years being sad and that’s enough. Now it’s time to make it right.” It wasn’t right yet, not to Cat. “You were wrong, you know. Having me was a good thing.” Macon looked surprised. “Well, of course, Cat. I know that. You can tell I know that now, right? Don’t hate the
Gillian McDunn (Caterpillar Summer)
Dolly Blount Lamar of Macon, Georgia, remembered as a little girl spending Sunday afternoons in the local graveyard with her father who “would read [her] the tombstone inscriptions and discourse on the dead with considerable pomp and oratory.”13
Gaines M. Foster (Ghosts of the Confederacy: Defeat, the Lost Cause, and the Emergence of the New South, 1865-1913)
I was hoping—er—thinking—” He went crimson from his neck to his hairline. “Would you dance with me, Miss Emma?” She smiled and offered her hand. “I’d like that very much,” she said, hoping her face didn’t show the ravages of her earlier crying fit. Nathaniel cleared his throat and marshalled Emma awkwardly into a waltz. It seemed strange that, only three years before, she’d been his age. “If Steven or Macon is mean to you,” he ventured boldly, “you just come and tell me. I’ll give ’em what-for.” Resisting an urge to kiss his cheek, because she knew it would embarrass him too much, Emma nodded solemnly. “I’ll do that,” she promised, both amused and touched that Nathaniel was willing to do battle with such formidable opponents for her sake. Nathaniel’s handsome young face was dark with conviction and his palm was moist against Emma’s. “I know you think I’m just a kid, but I’m strong, Miss Emma. I won’t let anybody hurt you.” “Thank you,” Emma said, and she meant it. After
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
If you don’t take me with you,” she said, “I will follow you to New Orleans, and if you don’t believe me, just wait and see. I won’t be left behind, Steven.” A muscle in his jaw bunched in suppressed anger; Steven knew Emma meant what she said. “All right, then, we’ll compromise. We’ll be married when we get to Spokane. That’ll give you some protection against Macon, but remember this, Emma—if they hang me, don’t wait around for the funeral. Macon wasn’t bluffing—the minute the life goes out of me, he’ll take you to bed, whether you want to go or not.” Emma
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
I’ll stand by you, no matter what happens.” To her surprise and hurt, Steven shook his head. “No. You’re going to Whitneyville, not Louisiana. Until I’ve cleared my name, I won’t have anything to offer you. Besides, what if I’m convicted, and I’m not there to protect you from Macon?” A chill travelled down Emma’s spine, for she knew Steven could just as easily hang as be acquitted, given the fact that his adversary was Macon, a determined man bent on revenge. “If you don’t take me with you,” she said, “I will follow you to New Orleans, and if you don’t believe me, just wait and see. I won’t be left behind, Steven.” A muscle in his jaw bunched in suppressed anger; Steven knew Emma meant what she said. “All right, then, we’ll compromise. We’ll be married when we get to Spokane. That’ll give you some protection against Macon, but remember this, Emma—if they hang me, don’t wait around for the funeral. Macon wasn’t bluffing—the minute the life goes out of me, he’ll take you to bed, whether you want to go or not.” Emma was bruised inside. She was in love, really and truly in love, for the first time in her life. And her marriage might last no longer than a murder trial. Her eyes filled with tears. She embraced Steven even more tightly and looked up into his face. “There’ll be no funeral, Mr. Fairfax,” she said fiercely. “At least, not for forty or fifty years.” He kissed her forehead. “Promise me you’ll leave New Orleans the same day, if the verdict goes against us. I have to know that you won’t even go back to Fairhaven for your things, Emma. Do I have your word?” She nodded, albeit grudgingly. “We’re going to win,” she insisted. “I’m staking everything on that,” Steven replied. And then he kissed Emma thoroughly, and she wanted him to make love to her, right there where they stood.
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
What did he say to you?” he demanded, when they were alone in Chloe’s study, with the doors closed. Emma rubbed her eyes. “Who?” she replied, stalling. Steven only looked at her, his expression wry, his jawline tight. A headache pounded at the base of her skull and she sighed, wishing she could go to her room and lie down with a cold cloth on her head. They both knew Steven was talking about Macon, but Emma didn’t dare admit the man had threatened her again. Steven would get furious, maybe violent, and he might insist on leaving her in Whitneyville until the trial was over, or sending her to Chicago. “He only wanted to dance,” she said, avoiding her husband’s eyes. Steven caught her chin in a rough but painless grasp. “Once and for all, Emma,” he breathed, “don’t lie to me. I won’t tolerate it, not even from you.” Tears gathered in Emma’s lashes. “He said—he said he’d have to teach me n-not to spread my l-legs for killers, once you were gone.” Steven’s face contorted with rage, and he whirled away from Emma and stormed toward the door. She ran after him and caught hold of his arm. “One murder trial is enough,” she cried. “Please, Steven—let it pass!” She watched as a variety of ferocious emotions moved across his face. Finally, Steven shoved the splayed fingers of his right hand through his hair and said, “I want to kill him.” He folded that same hand into a fist and slammed it against the wall. “I want to kill him.” “I know,” Emma said gently. “But it wouldn’t be worth sacrificing all the years ahead, Steven.” He drew her close and held her, and his lips moved in her hair. “When I’m acquitted of killing Mary, the first thing I’m going to do is make love to you. The second thing is beat the hell out of Macon.” Emma smiled up at him. “When I get through with you,” she promised, full of bravado and hope, “you won’t have the strength to beat the hell out of anybody.” Steven chuckled hoarsely. “Is that so?” he retorted. “Well, maybe I’d better take you upstairs right now, Mrs. Fairfax, and find out if you’re bluffing.” “You’ll just have to wait until evening, Mr. Fairfax,” Emma responded airily. “I intend to enjoy our wedding party.” “That was exactly what I had in mind.” Steven grinned. Emma laughed and shook her head, her fears lost again, at least temporarily, in the boundless love she bore this man. Joellen
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
The moment he stepped outside, Macon materialized out of the darkness, as quickly as if he’d been a part of it. “Just making sure you don’t decide to take to your heels again,” Steven’s half-brother remarked as they walked along the wooden sidewalk. “I’m not going to do that and you know it,” Steven responded, never looking at Macon. “You just want to make me as miserable as you possibly can.” “You don’t know the meaning of the word misery,” Macon answered blithely. “But you will when you’re behind bars and I’m bedding that luscious little wife of yours. She’ll claim not to like it at first, probably, but I’ve dealt with her kind before. They tell you they’re not interested, but when you throw them down on a mattress, they’re breathing hard and spreading their thighs for you in a minute. And how they carry on when they come.” Steven lost the battle to control his rage and gripped Macon by the lapels of his coat, flinging him hard against the outside wall of the newspaper office. He followed that with a solid punch to Macon’s solar plexus. Macon made a sound that was half gasp and half laughter, clutching his middle and struggling to catch his breath. “Your mother was just like her,” he choked out. “She was a hot little whore who liked playing games with rich men.” Steven’s hand knotted into a fist again, but this time he held himself in check, realizing that Macon wanted to be struck. He got some kind of perverse pleasure out of it. Filled with contempt, Steven turned to walk away. “You’ll be swinging at the end of a rope by this time next month,” Macon called after him. “And nine months after that Emma will be sweating in childbirth, bearing the first of my bastards!” Steven’s hand flexed over the butt of his pistol, but he didn’t draw. He just kept walking, pretending he hadn’t heard. But
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Touch her,” he vowed in a low voice, “and I’ll feed you to the gators, piece by piece.” Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Macon grinned as a white-haired man with pale, bushy eyebrows approached. He was wearing a light-colored suit, like most of the men around him, and there was a black string tie at his throat. His blue eyes were gentle as they moved from Steven’s face to Emma’s, and he extended a hand to her. “Hello, Emma,” he said simply. Emma’s gaze shifted to Steven as he was led away roughly, and tears gathered on her lashes, blinding her. She wanted to scream that he was innocent, but she knew that would only make bad matters worse. While a smug Macon watched Steven disappear, the old man smiled at Emma and offered her his handkerchief. “Since my grandson hasn’t troubled himself to introduce us,” he said, with a sour glance at Macon, “I’ll do the honors. I’m Cyrus Fairfax, and now that you’ve joined the family I consider myself your granddaddy.” Emma dried her eyes and squared her shoulders. She would be no use to Steven if she crumpled into a heap of self-pity and despair. “I’m Emma,” she said, even though she realized he already knew that. “And my husband didn’t kill anyone.” “I tend to agree with you,” Cyrus replied, laying his hand lightly on the small of Emma’s back and steering her toward the steps of the platform. “While we’re waiting for the rest of the world to come around to our way of thinking, we’ll get to know each other.” Emma’s gratitude was almost as overwhelming as her despondency. If it hadn’t been for Cyrus’s appearance at the station, she would have been left alone with Macon. And that was a prospect she certainly didn’t relish. Linking
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Obviously enjoying her dilemma, Macon made a point of reiterating his plan to make Emma his paramour. “We’ll begin the evening of his funeral, I think,” he said, grinning as furious color rose in Emma’s face. “You’ll need consoling.” Emma was fairly quaking with rage, but she kept her smile in place and replied, “I’d sooner be a swamp rat’s mistress than yours!” Macon threw back his head and laughed at that, and it made Emma fume to realize the people around them probably thought the exchange was an affectionate one. “Your spirit only makes you more appealing,” he said presently. “I’ll break it, I assure you, if Steven’s hanging doesn’t do it first.” Saliva gathered in Emma’s mouth, but she didn’t quite have the nerve to spit in Macon’s face. “It might not be Steven who hangs,” she blurted out on some wild and ill-advised instinct. “Perhaps the real murderer will be brought to justice.” Catching her implication, Macon went pale with fury and lapsed into a stony silence. When
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
What will you do if Steven’s convicted?” was his question. At first, Emma couldn’t face the thought. Then she allowed the nightmare to take root in her mind and answered. “I’d go away—maybe to Chicago or New York—and try to make a life for myself.” “You wouldn’t stay at Fairhaven?” Cyrus asked and, for all of it, he sounded surprised. Even a little wounded. She told him about Macon’s repeated threats and felt his arm stiffen around her shoulders. “I’d protect you,” he said after a long time. Then with a sigh he added, “But, of course, I’m an old man.” Emma caught one of his hands in both of hers and squeezed it. “I can’t tell you how much your kindness has meant to me. You’ve been so good to Steven—many men would have refused to acknowledge him, let alone take his side in a murder case.” Cyrus smiled sadly. “He’s got my blood flowing in his veins.” Emma frowned. “Why does Macon hate Steven so much?” He sighed. “Because he knows Steven’s a better man than he is. And that makes Macon damn dangerous.” Emma
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
She awakened with a start to find Macon standing at the foot of the bed, watching her with a grin stretched across his face. His finger and thumb still lingered on her big toe. Stunned, she scooted toward the headboard, as if it could lend her some protection, her eyes wide. Steven’s .45 was in the drawer of the nightstand on his side of the bed. She inched in that direction. “What are you doing here?” she croaked. Macon dragged his eyes over her lush figure, her sleep-rumpled underthings made of the thinnest lawn, and smiled. “You might say I’ve come to admire the spoils. It won’t be long now, Emma, dear. Things are going very badly for Steven. Soon you’ll be giving me fine, redheaded sons. Of course, I won’t be able to keep you here at Fairhaven—that would be indiscreet. We’ll have to get you a place in town.” Emma tried to shield her breasts with one arm as she moved nearer and nearer the side of the bed. “You’re vile, Macon Fairfax, and I’d sooner die than let you touch me. Now, get out of here before I scream!” “You can scream all you want,” he chuckled, spreading his hands wide of his lithe body. “There’s nobody here but the servants, and they wouldn’t dream of interfering, believe me.” Emma swallowed hard. She couldn’t be sure whether he was bluffing; after all, this was Macon’s house as well as Cyrus’s. If he gave instructions, they were probably obeyed. “Get out,” she said again. Her hand was on the knob of the nightstand drawer, but she knew she wasn’t going to have time to get the pistol out and aim it before Macon was on her. He was too close, and his eyes showed that he knew exactly what she meant to do. “It won’t be so bad, Emma,” he coaxed, his voice a syrupy croon by then. “I know how to make you happy, and you’re in just the right place for me to prove it.” “Don’t touch me,” Emma breathed, shrinking back against the headboard, her eyes wide with horror. “Steven will kill you if you touch me!” “You wouldn’t tell him.” Macon was standing over her by then, looking down into her face. She could see a vein pulsing at his right temple as he set his jaw for a moment. “You’d keep it to yourself because he wouldn’t have a chance in hell of winning this case if he assaulted me in a fit of rage—would he?” Emma’s heart was thundering against her ribs and she was sure she was going to throw up. She tried to move away from Macon, but he reached out and grasped her hard by the hair. “Please,” she whispered. He indulged in a small, tight smile. “Don’t humiliate yourself by begging, darling. It won’t save you. Keep your pleas for those last delicious moments before pleasure overtakes you.” Bile rushed into the back of Emma’s throat. “Let me go.” He pressed her flat against the mattress, his hand still entangled in her hair. She gazed up at him in terror, unable to speak at all. The crash of the door against the inside wall startled them both. Emma’s eyes swung to the doorway, and so did Macon’s. Nathaniel was standing there, still dressed in the suit he’d worn to Steven’s trial, his tie loose, his Fairfax eyes riveted on his cousin’s face. In his shaking hand was a derringer, aimed directly at Macon’s middle. “Let her go,” he said furiously. Macon released Emma, but only to shrug out of his coat and hang it casually over the bedpost. “Get out of here, Nathaniel,” he said, sounding as unconcerned as if he were about to open a book or pour himself a drink. “This is business for a man, not a boy.” Emma was breathing hard, her eyes fixed on Nathaniel, pleading with him. With everything in her, she longed to dive for the other side of the bed and run for her life, but she knew she wouldn’t escape Macon. Not without Nathaniel’s help. “I won’t let you hurt her,” the boy said with quiet determination. The derringer, wavering before, was steady now. Macon
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
He smiled and kissed the tip of her nose, one hand resting lightly on her naked hip. “It’s time this old house saw some joy again, don’t you think?” Emma nodded. “Your father and Macon’s mother—were they happy?” Steven shrugged. “All I really remember about my father is that he always gave me rock candy when he visited, and that he adored my mother. It doesn’t seem likely that he’d have kept a mistress if he loved the woman he married.” “What about Cyrus and his wife, Louella?” He grinned. “My guess would be they were happy. Granddaddy gets a certain light in his eyes when he talks about Louella, and he told me once that he’d never been unfaithful to her.” Emma wet her lips with the tip of her tongue, her eyes wide and weary as she looked at her husband. “Would you ever take a mistress?” He kissed her, his tongue sweeping her lips once, awakening her needs in spite of all that had happened that day. “Never,” he said with such quiet certainty that Emma was greatly comforted. “I get everything I need from you.” She
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
Do I have your word?” Steven demanded. “You know you do,” Cyrus replied. “Macon won’t lay a hand on her. What did she say when you told her you didn’t want to be her husband anymore?” Steven shoved a hand through his hair, ashamed of the memory. “She said she didn’t believe me—called me a liar.” Cyrus chuckled ruefully. “Then you started moving your things out of the house. You’re a fool if I’ve ever seen one, Steven Fairfax. Now you go find that brave little wife of yours and you make up to her, or you’ll have me to answer to.” Steven
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
These gigantic, silver vehicles were the USS Akron ZRS-4 and the USS Macon ZRS-5 dirigibles. These monsters roamed the skies over America for just five years, being based at the Naval Air Stations at Sunnydale and North Island California.
William Mills Tompkins (Selected by Extraterrestrials: My life in the top secret world of UFOs, think-tanks, and Nordic secretaries)
Everybody seems to be asleep about what is going on right under our noses. That is, everybody but those farmers who have wakened up on mornings recently to find every Negro over 21 on his place gone— to Cleveland, to Pittsburgh, to Chicago, to Indianapolis.… And while our very solvency is being sucked out beneath us, we go about our affairs as usual. — EDITORIAL, The Macon Telegraph, SEPTEMBER 1916 SELMA,
Isabel Wilkerson (The Warmth of Other Suns: The Epic Story of America's Great Migration)
Some instinct told Steven who the ladies’ man was even before Chloe spoke. “You’ve been so curious about Mr. Fairfax, Fulton,” she said, in an idle tone. “Here he is.” The banker. Steven got to his feet, not as a gesture of courtesy, but so the man couldn’t look down on him. “Fulton Whitney,” the banker said by way of introduction. His tone was grudging. Steven didn’t put out his hand, or speak. He was wondering what kind of polecat would cozy up to a woman like Emma, then spend a sunny April morning rolling in the sheets with a couple of floozies. Whitney cleared his throat and shifted awkwardly on his feet, while Chloe left the sofa where she’d been sitting, her fan still fluttering. “I’d better see how things are going downstairs,” she said, and then she was gone. “So you’ll be leaving now, I suppose,” the banker said, breaking the strained silence. “I don’t imagine a man like you cares to stay in one place too long.” Steven folded his arms. “Until just a few minutes ago, I figured on riding out,” he answered. “Now I’m not so sure.” Color blossomed in Whitney’s pasty cheeks. “What possible reason could you have to stay?” “Just one. Her name is Emma.” The banker stared at him with undisguised contempt, and Steven figured he must look pretty seedy, all things considered. It had been days since he’d shaved, and two months since he’d had a haircut. “You aren’t good enough to lick her shoes.” Steven indulged in a slow, obnoxious smile. “Let me understand this,” he drawled. “I’m not good enough for Emma, but you, her fiancé, just crawled out of bed with two whores?” Again, Whitney’s face flooded with blustery color. “I don’t have to explain anything to you,” he rasped. And then he started to walk away. Steven was possessed of a rage nobody but Macon had been able to arouse in him before. He grasped the banker by the arm, whirled him around, and threw his fist into the middle of the bastard’s face. Fulton gave a startled yelp as he struck the wall, then slowly slid down it, one hand to his bleeding mouth. “Now,” Steven said calmly, “we know exactly where we stand, you and I.
Linda Lael Miller (Emma And The Outlaw (Orphan Train, #2))
During this time Jefferson Davis made a speech in Macon, Georgia, which was reported in the papers of the South, and soon became known to the whole country, disclosing the plans of the enemy, thus enabling General Sherman to fully meet them. He exhibited the weakness of supposing that an army that had been beaten and fearfully decimated in a vain attempt at the defensive, could successfully undertake the offensive against the army that had so often defeated it.
Ulysses S. Grant (Personal Memoirs of U.S. Grant: All Volumes)
It’s not like, Jo.” Macon turned back to her. “Like is something you feel when you’re in an eighth grade about the girl or boy in your pre-algebra class. I don’t like you. I want you.
Nicole Pyland (Macon's Heart (San Francisco, #2))
From excerpts I’d read in Philosophy 101 at Randolph-Macon, Marx was dead on, I thought, about the idiocy of rural life. I knew better than to quote Marx. I tuned out everyone on the home front.
Frances Mayes (Under Magnolia: A Southern Memoir)
Elise took a step toward the lobby. “Macon, you need to protect me.” Macon was sitting down with Big Tag and had that long overdue beer in his hand. “I already gave a leg for my country, Elise. I’m all out of protection for anyone I’m not actively fucking. Unfortunately, you’re up against the crazy lady I am screwing on a regular basis, so you’re on your own. Ally, you know we’re going to have a long talk after this is done, right?
Lexi Blake (Luscious (Topped, #1; Masters and Mercenaries, #8.2))
This is not Brussels or Moscow or Macon, Georgia. This is famine or flood. You can’t teach a thing until you’ve learned that. The tropics will intoxicate you with the sweetness of frangipani flowers and lay you down with the sting of a viper, with hardly room to breathe in between. It’s a great shock to souls gently reared in places of moderate clime, hope, and dread.
Barbara Kingsolver (The Poisonwood Bible)
She’ll fill your ear. She’s never really liked me. Whatever Tom’s problems, she’ll blame me if she can. Same with his brother. Macon was always coming after Tom for something—a loan, advice, good word in the department, you name it. If I hadn’t stepped in, he’d have sucked Tom dry. You can do me a favor: Take anything they say with a grain of salt.” The disgruntled are good. They’ll tell you anything, I thought. Once in the kitchen, Selma hung her fur coat on the back of a chair. I watched while she unloaded the groceries and put items away. I would have helped, but she waved aside the offer, saying it was quicker if she did it herself. The kitchen walls were painted bright yellow, the floor a spatter of seamless white-and-yellow linoleum. A chrome-and-yellow-plastic upholstered dinette set filled an alcove with a bump-out window crowded with . . . I peered closer . . . artificial plants. She indicated a seat across the table from hers as she folded the bag neatly and put it in a rack bulging with other grocery bags. She moved to the refrigerator and opened the door. “What do you take in your coffee? I’ve got hazelnut coffee creamer or a little half-and-half.” She took out a small carton and gave the pouring spout an experimental sniff. She made a face to herself and set the carton in the sink. “Black’s fine.” “You sure?
Sue Grafton (N is for Noose (Kinsey Millhone Alphabet series Book 14))
Give me your phone.” She handed him her phone, which he passed to Edward. “Password?” “Easy Ice,” she said, “lowercase, no space.” “That’s such a shit password, it’s not even a password.” “I’m a just normal fucking person, Macon.
William Gibson (The Peripheral (Jackpot #1))
It was too much for the Georgians to bear. They had left Macon as heroes and expected to return triumphant, captives in hand. Instead, they had been the ones chased, ridiculed, spat upon, hunted down by law, man, woman, and child. Not only would street boys take aim at them with spoiled eggs and other garbage, but Boston's higher society mocked them for being uneducated, low class, trash, as it it were they, and not the ones they were there to capture, who dwelled at the bottom of the world.
Ilyon Woo (Master Slave Husband Wife: An Epic Journey from Slavery to Freedom)
I can pretend all I want, but I don't trust Macon, and I haven't forgiven him, yet I still let him do what he did this morning. And I still want him. I'm a disgusting, pathetic cliché.
Brit Benson (The Love of My Next Life (Next Life, #1))
Seriously. I mean, I had saved Macon’s life, and even I didn’t have a Caster key to the Tunnels.
Kami Garcia (Dream Dark (Beautiful Creatures, #2.5))
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The Allman Brothers were from my hometown of Macon, Georgia, so requesting this song was a small lapse into provincialism. In 1972, the group’s guitarist, Duane Allman, had died when his motorcycle had crashed into the back of a peach truck. They subsequently named the album they had been working on, Eat A Peach. Its memorable lyrics, which came pouring out of Wisconsin’s machine at 9,000 feet in the California mountains, go as follows: Well, I’ve got to run to keep from hiding And I’m bound to keep on riding And I’ve got one more silver dollar But I’m not gonna’ let ‘em catch me, no Not gonna’ let ‘em catch the midnight rider. The song is a paen to freedom and independence, which, come to think about it, is kinda’ what the PCT is. And the God’s-honest-truth is that for the next two days this song carried me a total of fifty miles in an elevated state of morale.
Bill Walker (Skywalker: Highs and Lows on the Pacific Crest Trail)
Georgia’s grandest surviving railroad station; in 2002, it was purchased by the city of Macon and converted to a retail center. Over the northern archway, you can clearly see the words “Colored Waiting Room” carved into the building’s stone surface. Maconites I talked to said it was decided to leave the entryway unchanged as a reminder of a time when an entire race was treated as though they were animals. That wasn’t so long ago, but it was long enough that, to anyone born after 1960, it can seem like something that happened on another planet. My white students play and study with and date black students and vice versa, and to them, the idea of the one race grinding its boot into the face of the other is inconceivable. I envy them their innocence.
David K. Kirby (Little Richard: The Birth of Rock 'n' Roll)
On a change of wind the odor could be detected miles away; indeed it was reported that the people of Macon petitioned General Howell Cobb, the military governor of Georgia, for a removal of the prison located sixty miles away, lest an awful pestilence sweep over their country!
Charles River Editors (Andersonville Prison: The History of the Civil War’s Most Notorious Prison Camp)
There is a guy living in Macon, Georgia, whose name is Homer Simpson . . . and he works in a nuclear power plant! That poor guy. Having to live in Macon, Georgia.
Mike Reiss (Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons)