Machine Gun Quotes

We've searched our database for all the quotes and captions related to Machine Gun. Here they are! All 100 of them:

You're like a little girl demanding answers to questions during a covert operation. Why is the sky blue, daddy? Can I ask that man with the machine gun where the bathroom is? If you don't stay quiet, I'm going to have to dump you.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
Ninth graders with machine guns: its hard to make that a happy story.
Michael Grant (Gone (Gone, #1))
You can't kill us all, human.' He was right. I raised the machine gun a little. 'True, but who's going to be first in line?
Laurell K. Hamilton (The Killing Dance (Anita Blake, Vampire Hunter, #6))
You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion. ... The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you.
Philip Roth (American Pastoral)
It's safe to assume that by 2085 guns will be sold in vending machines but you won't be able to smoke anywhere in America.
David Sedaris (When You Are Engulfed in Flames)
Bombardment, barrage, curtain-fire, mines, gas, tanks, machine-guns, hand-grenades - words, words, but they hold the horror of the world.
Erich Maria Remarque (All Quiet on the Western Front)
There is only one place to write and that is alone at a typewriter. The writer who has to go into the streets is a writer who does not know the streets. . . when you leave your typewriter you leave your machine gun and the rats come pouring through.
Charles Bukowski (Notes of a Dirty Old Man)
Sam had a DVD in his hand. He said, "Yesterday I sent Edilio to the power plant to get two things. First, a cache of automatic weapons from the guardhouse. "Machine guns?" "Yeah. Not just for us to have, but to make sure the other side doesn't get them." "Now we have an arms race," Astrid said. Her tone seemed to irritate Sam. "You want me to leave them for Caine?" "I wasn't criticizing, just... you know. Ninth graders with machine guns; it's hard to make that a happy story." Sam relented. He even grinned. "Yeah. The phrase 'ninth graders with machine guns' isn't exactly followed by 'have a nice day'.
Michael Grant (Gone (Gone, #1))
And then the Necromancers pulled out their sub-atomic machine guns.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
In case you haven't noticed, as the result of a shamelessly rigged election in Florida, in which thousands of African Americans were arbitrarily disenfranchised, we now present ourselves to the rest of the world as proud, grinning, jut-jawed, pitiless war-lovers with appalling powerful weaponry - who stand unopposed. In case you haven't noticed, we are now as feared and hated all over the world as the Nazi's once were. And with good reason. In case you haven't noticed, our unelected leaders have dehumanized millions and millions of human beings simply because of their religion and race. We wound 'em and kill 'em and torture 'em and imprison 'em all we want. Piece of cake. In case you haven't noticed, we also dehumanize our own soldiers, not because of their religion or race, but because of their low social class. Send 'em anywhere. Make 'em do anything. Piece of cake. The O'Reilly Factor. So I am a man without a country, except for the librarians and a Chicago paper called "In These Times." Before we attacked Iraq, the majestic "New York Times" guaranteed there were weapons of destruction there. Albert Einstein and Mark Twain gave up on the human race at the end of their lives, even though Twain hadn't even seen the First World War. War is now a form of TV entertainment, and what made the First World War so particularly entertaining were two American inventions, barbed wire and the machine gun. Shrapnel was invented by an Englishman of the same name. Don't you wish you could have something named after you? Like my distinct betters Einstein and Twain, I now give up on people too. I am a veteran of the Second World War and I have to say this is the not the first time I surrendered to a pitiless war machine. My last words? "Life is no way to treat an animal, not even a mouse." Napalm came from Harvard. Veritas! Our president is a Christian? So was Adolf Hitler. What can be said to our young people, now that psychopathic personalities, which is to say persons without consciences, without senses of pity or shame, have taken all the money in the treasuries of our government and corporations and made it all their own?
Kurt Vonnegut Jr. (A Man Without a Country)
You could fire a machine gun randomly through the pages of Lord of the Rings and never hit any women.
Neil Gaiman
Ngo Diem was heard to say, “I want a repressive machine controlling the whole of the country of South Vietnam from Saigon to the remotest villages. You shall apply massacres, torture, deportations, and mass imprisonment while conducting constant raids. You shall make the population so fearful of this government that no-one shall ever dare to become a revolutionary or any other kind of outlaw!” (A Gracious Enemy & After the War Volume Two)
Michael G. Kramer
Look at that! The entire Australian kit dates from the 1940s and the uniforms are falling apart at the seams, the fucking boots you have issued to us are the same and everything is rotten. As for bloody weapons, we are issued with the Owen sub-machine gun. While the gun is still a very good weapon, the 9mm ammunition it uses is old WW2 stock and its propellants have deteriorated to the point where I doubt if the round will penetrate the back-pack of a fleeing Noggie!
Michael G. Kramer (A Gracious Enemy)
I know it’s stupid to not own a gun yet have so many triggers, but in some other world gigantic seashells hold humans to their ears and listen to the echo of machines.
Jeffrey McDaniel
Yeah, but you don’t need a machine gun to kill a fly.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
The need is not really for more brains, the need is now for a gentler, a more tolerant people than those who won for us against the ice, the tiger and the bear. The hand that hefted the ax, out of some old blind allegiance to the past fondles the machine gun as lovingly. It is a habit man will have to break to survive, but the roots go very deep.
Loren Eiseley (The Immense Journey)
Maybe it was a Patty Hearst thing. Stockholm syndrome or whatever it's called when you're being held against your will but then you become sucked in and fall in love. Or if not exactly love, you fall into something you can't see out of. 'I can't shoot a machine gun' becomes 'Hey, this hardly has any kick-back!
Augusten Burroughs (Running with Scissors)
What a strange world it was when a girl who wanted to go to school had to defy militants with machine guns - as well as her own family.
Malala Yousafzai (I Am Malala: How One Girl Stood Up for Education and Changed the World (Young Readers Edition))
How many times did someone have to run in front of a machine gun before it became an act of cowardice?
Michael Herr (Dispatches)
I could understand the moon leaning across a bar on skid row and asking for a drink, but I couldn't understand anything about myself, I was murdered, I was shit, I was a tentful of dogs, I was poppies mowed down by machine-gun fire I was a hotshot wasp in a web I was less and less and still reaching for something, and I thought of her corny remark a night or so ago: You have wounded eyes.
Charles Bukowski (The People Look Like Flowers at Last)
The Japanese fought to win - it was a savage, brutal, inhumane, exhausting and dirty business. Our commanders knew that if we were to win and survive, we must be trained realistically for it whether we liked it or not. In the post-war years, the U.S. Marine Corps came in for a great deal of undeserved criticism in my opinion, from well-meaning persons who did not comprehend the magnitude of stress and horror that combat can be. The technology that developed the rifle barrel, the machine gun and high explosive shells has turned war into prolonged, subhuman slaughter. Men must be trained realistically if they are to survive it without breaking, mentally and physically.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
The fake giggle is not that bad." My friend grunted in disagreement. "It sounds like Miss Piggy has a machine gun stuck in her throat.
Samantha Young (Down London Road (On Dublin Street, #2))
At the front window was something that looked like a machine gun with a cluster of barrels. “Rocket launcher?” he wondered aloud. “Nope, nope! Potatoes. Ella doesn't like potatoes.” “Ella! Where are the others?” “Roof. Ogre-watching. Ella doesn't like ogres. Potatoes.” Potatoes? Frank didn't understand until he swiveled the machine gun around. Its eight barrels were loaded with spuds. At the base of the gun, a basket was filled with more edible ammunition… “They have cannonballs,” Frank said, “and we have a potato gun.” “Starch,” Ella said thoughtfully. “Starch is bad for ogres.
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
He explained to Atro that he now understood why the army was organized as it was. It was indeed quite necessary. No rational form of organization would serve the purpose. He simply had not understood that the purpose was to enable men with machine guns to kill unarmed men and women easily and in great quantities when told to do so. Only he still could not see where courage, or manliness, or fitness entered in.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
LSD, yeah, the big parade – everybody's doin' it now. Take LSD, then you are a poet, an intellectual. What a sick mob. I am building a machine gun in my closet now to take out as many of them as I can before they get me.
Charles Bukowski
I'm not the kind of faggot who wants to put a rainbow sticker on a machine gun.
C.A. Conrad
Baseball happens to be a game of cumulative tension but football, basketball and hockey are played with hand grenades and machine guns.
John Leonard
The Easter Bunny could have come down the chimney armed with machine guns and opened fire on the house, and everyone would have been less surprised.
Kelly Oram (Cinder & Ella (Cinder & Ella, #1))
I know loving me isn’t easy – the all-night helicopter parties, the glow-in-the-dark haircuts, but when I look at you it’s like praying with my eyes. I know it’s stupid to not own a gun yet have so many triggers, but in some other world gigantic seashells hold humans to their ears and listen to the echo of machines.
Jeffrey McDaniel
Sarah drops her spent handgun and grabs some crazy-looking lightweight machine gun, the kind of thing I used to believe didn’t exist outside of action movies. “You know how to use that thing?” I ask. “They all work pretty much the same,” she replies. “You just point and click.
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
Under the Wildlife and Countryside Act, it is explicitly illegal in Britain to use a machine gun to kill a hedgehog.
John Lloyd (1,227 QI Facts to Blow Your Socks Off)
Destiny was a machine built over time, each choice that you made in life adding another gear, another conveyor belt, another assemblyman. Where you ended up was the product that was spit out at the end—and there was no going back for a redo. You couldn‟t take a peek at what you‟d manufactured and decide, Oh, wait, I wanted to make sewing machines instead of machine guns; let me go back to the beginning and start again. One shot. That was all you got.
J.R. Ward (Crave (Fallen Angels, #2))
He's got a laugh like a machine gun firing through velvet.
Libba Bray (Going Bovine)
Nobody has any rights unless they've got a machine gun.
Kent Anderson (Night Dogs (Hanson #2))
Q. Is it possible to build a jetpack using downward-firing machine guns? —Rob B A. I WAS SORT OF surprised to find that the answer was yes! But to really do it right, you’ll want to talk to the Russians.
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
Now, where did I leave my time-machine? Oh I know, next Wednesday.
Hugh Laurie (The Gun Seller)
You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the "brain" of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion empty of all perception, an astonishing farce of misperception. And yet what are we to do about this terribly significant business of "other people," which gets bled of the significance we think it has and takes on instead a significance that is ludicrous, so ill-equipped are we all to envision one another's interior workings and invisible aims? Is everyone to go off and lock the door and sit secluded like the lonely writers do, in a soundproof cell, summoning people out of words and then proposing that these word people are closer to the real thing than the real people that we mangle with our ignorance every day? The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that--well, lucky you.
Philip Roth (American Pastoral)
A doctor, a logician and a marine biologist had also just arrived, flown in at phenomenal expense from Maximegalon to try to reason with the lead singer who had locked himself in the bathroom with a bottle of pills and was refusing to come out till it could be proved conclusively to him that he wasn't a fish. The bass player was busy machine-gunning his bedroom and the drummer was nowhere on board. Frantic inquiries led to the discovery that he was standing on a beach on Santraginus V over a hundred light years away where, he claimed, he had been happy for over half an hour now and had found a small stone that would be his friend.
Douglas Adams (The Restaurant at the End of the Universe (The Hitchhiker's Guide to the Galaxy, #2))
I don’t know,” I said, exasperated. “What else do you have in your wacked-out world? Heat sensors? Mine fields? Dirigibles? Booby traps? Machine guns? Shrink rays? What?” “Aside from dirigibles, which are rather expensive and rare outside of trade routes, most of what you just said made no sense whatsoever,” he said, as delighted as a child hearing a foreign language for the first time. “But it all sounds very dangerous. And fun. Especially the part about the boobies.
Delilah S. Dawson (Wicked as They Come (Blud, #1))
I remember still how full of bad magic all those spearpoints to be put on the ends of rifles seemed to be. One was like a sharpened curtain rod. Another was triangular in cross-section, so that the wound it made wouldn't close up again and keep the blood and guts from falling out. Another one had sawteeth - so it could work its way through bone, I guess. I can remember thinking that war was so horrible that, at last, thank goodness, nobody could ever be fooled by romantic pictures and fiction and history into marching to war again. Nowadays, of course, you can buy a machine gun with a plastic bayonet for your little kid at the nearest toy boutique.
Kurt Vonnegut Jr. (Bluebeard)
We declare that the splendor of the world has been enriched by a new beauty: the beauty of speed. A racing automobile with its bonnet adorned with great tubes like serpents with explosive breath...a roaring motor car which seems to run on machine-gun fire, is more beautiful than the Victory of Samothrace.
Filippo Tommaso Marinetti
Infants were tossed up in the air and used as the targets for machine guns
Elie Wiesel
Lee threw down the tripod, and Trip dropped the FN MAG machine gun onto it...Lee hunkered down behind the big weapon. Holly handed me an RPG. The heavy tube was reassuring in my hands. Everyone dug down into the ditch, prepared to fight. Nervous but competent. Scared but professional. We were ready to put some smack down. Not bad for an accountant, a librarian, a schoolteacher, and a stripper.
Larry Correia (Monster Hunter International (Monster Hunter International, #1))
My feeling toward Republicans is like my feeling about sharks: of course they're stupid and vicious. It's in their nature to be mindless, ravening killing machines. It's nothing personal. They don't know any better. Pretty much the only thing you can do about them is stay out of their waters and, if you're unlucky enough to meet with one, shoot it through its rudimentary brain with a spear gun.
Tim Kreider (Twilight of the Assholes (The Chronicles of the Era of Darkness 2005-2009))
My heart is one part predator And one part saint! Most of it is crazy And a little bit too sane It falls for all But beats for none It’s one part broken Still shoots like a machine gun!
Jaishree Garg
I’m now writing out of rage — and I feel a kind of Nietzschean elation. It’s tonic. I roar with laughter. I want to denounce everybody, tell everybody off. I go to my typewriter as I might go to my machine gun. But I’m safe. I don’t have to face the consequences of ‘real’ aggressivity. I’m sending out colis piégés ['booby-trapped packages'] to the world.
Susan Sontag (As Consciousness is Harnessed to Flesh: Journals and Notebooks, 1964-1980)
But unlike thunder, this didn’t stop. It went on and on, machine-gun style, as if Zeus had loaded his bolts into an M60 with an inexhaustible ammo crate.
Mike Mullin (Ashfall (Ashfall, #1))
...symptoms: an unreasonable belief that everyone around him was crazy, a homicidal impulse to machine-gun strangers, retrospective falsification, an unfounded suspicion that people hated him and were conspiring to kill him.
Joseph Heller (Catch-22)
We establish no religion in this country, we command no worship, we mandate no belief. Nor will we ever. Church and state are, and must remain, separate." -- Ronald Reagan "I do not believe in taking away the right of the citizen for sporting, for hunting and so forth, or for home defense. But I do believe that an AK-47, a machine gun, is not a sporting weapon or needed for defense of a home.” -- Ronald Reagan
Ronald Reagan
And when you play this song, hold your head high, motherfucker, don't ever look down, be comfortable with who you are, our flaws are what makes us perfect
Machine Gun Kelly
Wolves ate even mighty hunters, for there was no honor or code among predators, and everyone's guts steam the same way when torn open on a cold night.
Warren Ellis (Gun Machine)
Oskar knew people would catch that trolley anyhow. Doors closed, no stops, machine guns on walls—it wouldn’t matter. Humans were incurable that way. People would try to get off it, someone’s loyal Polish maid with a parcel of sausage. And people would try to get on, some fast-moving athletic young man like Leopold Pfefferberg with a pocketful of diamonds or Occupation złoty or a message in code for the partisans. People responded to any slim chance, even if it was an outside one, its doors locked shut, moving fast between mute walls.
Thomas Keneally (Schindler’s List)
Nell's husband has short-man syndrome. Eddie is one of those deadly dull people who is so upbeat that I suspect he would subconsciously like to go through the neighborhood, house by house, with a machine gun. He seems oblivious to the effect that his long, rambling monologues have on people - he doesn't notice the blank faces, the fingers flexing like those of people buried alive, the ocular tics. You could write down his words verbatim, show them to him, and he'd probably say, 'I know someone just like that!' Then he'd tell you about that person until your teeth hurt. His hostage-taking is passive-aggressive.
Anne Lamott (Grace (Eventually): Thoughts on Faith)
The rain was still crashing down, angrily machine-gunning the large windows; it poured through the gutters up in the tower and funneled along the flat roof, sounding like footsteps on the ceiling.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
I made a mental note to familiarize Fabian with modern artillery so he'd be able to give better descriptions. "Machine guns?" I asked, miming holding one and making a series of rapid staccato noises. Bones's mouth twitched, but he dipped his head so I wouldn't see his clear amusement over my "GI Jane does Pictionary" imitation.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
Exposure to nature - cold, heat, water - is the most dehumanizing way to die. Violence is passionate and real - the final moments as you struggle for your life, firing a gun or wrestling a mugger or screaming for help, your heart pumps loudly and your body tingles with energy; you are alert and awake and, for that brief moment, more alive and human than you've ever been before. Not so with nature. At the mercy of the elements the opposite happens: your body slows, your thoughts grow sluggish, and you realize just how mechanical you really are. Your body is a machine, full of tubes and valves and motors, of electrical signals and hydraulic pumps, and they function properly only within a certain range of conditions. As temperatures drop, your machine breaks down. Cells begin to freeze and shatter; muscles use more energy to do less; blood flows too slowly, and to the wrong places. Your sense fade, your core temperature plummets, and your brain fires random signals that your body is too weak to interpret or follow. In that stat you are no longer a human being, you are a malfunction - an engine without oil, grinding itself to pieces in its last futile effort to complete its last meaningless task.
Dan Wells (I Am Not a Serial Killer (John Cleaver, #1))
I’ll leave you guys to get acquainted. Somebody show Leo to dinner when it’s time?” “I got it,” one of the girls said. Nyssa, Leo remembered. She wore camo pants, a tank top that showed off her buff arms, and a red bandanna over her mop of dark hair. Except for the smiley-face Band-Aid on her chin, she looked like one of those female action heroes, like any second she was going to grab a machine gun and start mowing down evil aliens. “Cool,” Leo said. “I always wanted a sister who could beat me up.
Rick Riordan
It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. Keep calm, they said on television. Everything is under control.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
I guess that's how they were able to do it, in the way they did it, all at once, without anyone knowing beforehand. If there had still been portable money, it would have been more difficult. It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics at the time. I was stunned. Everyone was, I know that. It was hard to believe, the entire government gone like that. How did they get in, how did it happen? That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed home at night, watching television, looking for some direction. There wasn't even an enemy you could put your finger on.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
In our time, political speech and writing are largely the defense of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness. Defenseless villages are bombarded from the air, the inhabitants driven out into the countryside, the cattle machine-gunned, the huts set on fire with incendiary bullets: this is called pacification. Millions of peasants are robbed of their farms and sent trudging along the roads with no more than they can carry: this is called transfer of population or rectification of frontiers. People are imprisoned for years without trial, or shot in the back of the neck or sent to die of scurvy in Arctic lumber camps: this is called elimination of unreliable elements.
George Orwell (A Collection of Essays)
I never answered your question, if I’d ever thought about being human. Once. I was on a track in the andes, and a hummingbird flew up to me and just hovered there staring at me. Its tiny heart was pattering like a machine gun… And I thought, ‘what a thing, you know, to have to work that hard every day just to stay alive, to be constantly on the verge of death, and how satisfying every day must be that it survived…’ And that was the only time I thought about being human.
Klaus Mikaelson
I was used to shooting beer cans off the back of an old washing machine, or at things that ran away from me that I intended to eat—not things that ran toward me with the intent of eating me. I’d found that to be a significant difference.
Lisa Shearin (The Grendel Affair (SPI Files, #1))
Lying in a foxhole sweating out an enemy artillery or mortar barrage or waiting to dash across open ground under machine-gun or artillery fire defied any concept of time.
Eugene B. Sledge (With the Old Breed: At Peleliu and Okinawa)
The tank, the submarine, the torpedo, the machine-gun, even the rifle and the hand grenade are still in use.
George Orwell (1984)
Swords, Lances, arrows, machine guns, and even high explosives have had far less power over the fates of nations than the typhus louse, the plague flea, and the yellow-fever mosquito. Civilizations have retreated from the plasmodium of malaria, and armies have crumbled into rabbles under the onslaught of cholera spirilla, or of dysentery and typhoid bacilli. Huge areas have bee devastated by the trypanosome that travels on the wings of the tsetse fly, and generations have been harassed by the syphilis of a courtier. War and conquest and that herd existence which is an accompaniment of what we call civilization have merely set the stage for these more powerful agents of human tragedy.
Hans Zinsser (Rats, Lice and History (Social Science Classics Series))
Marlowe's the name. The guy you've been trying to follow around for a couple of days." "I ain't following anybody, doc." "This jalopy is. Maybe you can't control it. Have it your own way. I'm now going to eat breakfast in the coffee shop across the street: orange juice, bacon and eggs, toast, honey, three or four cups of coffee, and a toothpick. I am then going up to my office, which is on the seventh floor of the building right opposite you. If you have anything that's worrying you beyond endurance, drop up and chew it over. I'll only be oiling my machine gun.
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
I’m not scared, though. Norman has kind of thick glasses, and I bet he couldn’t actually hit anything, even with a machine-gun, which even a lunatic like Norman is allowed to buy in this country thanks to our totally unrestrictive gun laws, which Michael Moscovitz says in his webzine will ultimately result in the demise of democracy as we know it.
Meg Cabot (The Princess Diaries (The Princess Diaries, #1))
Srinagar is a medieval city dying in a modern war. It is empty streets, locked shops, angry soldiers and boys with stones. It is several thousand military bunkers, four golf courses, and three book-shops. It is wily politicians repeating their lies about war and peace to television cameras and small crowds gathered by the promise of an elusive job or a daily fee of a few hundred rupees. It is stopping at sidewalks and traffic lights when the convoys of rulers and their patrons in armored cars, secured by machine guns, rumble on broken roads. It is staring back or looking away, resigned. Srinagar is never winning and never being defeated.
Basharat Peer (Curfewed Night)
If, for instance, you put in a Malay officer who's very religious and who has family ties in Malaysia in charge of a machine gun unit, that's a very tricky business. We've got to know his background... I'm saying these things because they are real, and if I don't think that, and I think even if today the Prime Minister doesn't think carefully about this, I and my family could have a tragedy.
Lee Kuan Yew
Have you ever wondered why the keys on a typewriter are arranged in that particular order?” “No, I haven’t.” “We call it the QWERTY keyboard, because that’s the order of the letters on the first row of keys. I once wondered why it was like that, and I found the answer. The first machine was invented by Christopher Sholes, in 1873, to improve on calligraphy, but there was a problem: If a person typed very fast, the keys got stuck together and stopped the machine from working. Then Sholes designed the QWERTY keyboard, a keyboard that would oblige typists to type more slowly. ” “I don’t believe it.” “But it’s true. It so happened that Remington—which made sewing machines as well as guns at the time—used the QWERTY keyboard for its first typewriters. That meant that more people were forced to learn that particular system, and more companies started to make those keyboards, until it became the only available model. To repeat: The keyboard on typewriters and computers was designed so that people would type more slowly, not more quickly, do you understand? If you changed the letters around, you wouldn’t find anyone to buy your product.” When she saw a keyboard for the first time, Mari had wondered why the letters weren’t in alphabetical order, but she had then promptly forgotten about it. She assumed it was simply the best layout for people to type quickly.
Paulo Coelho (Veronika Decides to Die)
I partnered you with Jim all those years ago because you were complimentary kinds of crazy. You kept each other in check. I need you to not crawl back inside your own skull and watch the world with binoculars from deep cover.
Warren Ellis (Gun Machine)
The way to have good ideas is to get close to killing yourself. It’s like weightlifting. When you lift slightly more than you can handle, you get stronger. In life, when the gun is to your head, you either figure it out, or you die.
Claudia Azula Altucher (Become An Idea Machine: Because Ideas Are The Currency Of The 21st Century)
A joke I used to repeat in those days was: Why be happy when you can be interesting? I knew how to be interesting. There was power in being a spectacle, even a miserable spectacle. The punch and the line. Interesting: sentences like serrated blades, laughter like machine-gun rounds, a drink in one hand, a borrowed cigarette in the other. If you could draw enough glances, any room could orbit around you.
Saeed Jones (How We Fight For Our Lives)
The Ministry of Love was the really frightening one. There were no windows in it at all. Winston had never been inside the Ministry of Love, nor within half a kilometer of it. It was a place impossible to enter except on official business, and then only by penetrating through a maze of barbed-wire entanglements, steel doors, and hidden machine-guns nests. Even the streets leading up to its outer barriers were roamed by gorilla-faced guards in black uniforms, armed with jointed truncheons
George Orwell (1984)
He could not believe that any of them might actually hit somebody. If one did, what a nowhere way to go: killed by accident; slain not as an individual but by sheer statistical probability, by the calculated chance of searching fire, even as he himself might be at any moment. Mathematics! Mathematics! Algebra! Geometry! When 1st and 3d Squads came diving and tumbling back over the tiny crest, Bell was content to throw himself prone, press his cheek to the earth, shut his eyes, and lie there. God, oh, God! Why am I here? Why am I here? After a moment's thought, he decided he better change it to: why are we here. That way, no agency of retribution could exact payment from him for being selfish.
James Jones (The Thin Red Line)
My theme is memory, that winged host that soared about me one grey morning of war-time. These memories, which are my life--for we possess nothing certainly except the past--were always with me. Like the pigeons of St. Mark's, theywere everywhere, under my feet, singly, in pairs, in little honey-voiced congregations, nodding, strutting, winking, rolling the tender feathers of their necks, perching sometimes, if I stood still, on my shoulder or pecking a broken biscuit from between my lips; until, suddenly, the noon gun boomed and in a moment, with a flutter and sweep of wings, the pavement was bare and the whole sky above dark with a tumult of fowl. Thus it was that morning. These memories are the memorials and pledges of the vital hours of a lifetime. These hours of afflatus in the human spirit, the springs of art, are, in their mystery, akin to the epochs of history, when a race which for centuries has lived content, unknown, behind its own frontiers, digging, eating, sleeping, begetting, doing what was requisite for survival and nothing else, will, for a generation or two, stupefy the world; commit all manner of crimes, perhaps; follow the wildest chimeras, go down in the end in agony, but leave behind a record of new heights scaled and new rewards won for all mankind; the vision fades, the soul sickens, and the routine of survival starts again. The human soul enjoys these rare, classic periods, but, apart from them, we are seldom single or unique; we keep company in this world with a hoard of abstractions and reflections and counterfeits of ourselves -- the sensual man, the economic man, the man of reason, the beast, the machine and the sleep-walker, and heaven knows what besides, all in our own image, indistinguishable from ourselves to the outward eye. We get borne along, out of sight in the press, unresisting, till we get the chance to drop behind unnoticed, or to dodge down a side street, pause, breathe freely and take our bearings, or to push ahead, out-distance our shadows, lead them a dance, so that when at length they catch up with us, they look at one another askance, knowing we have a secret we shall never share.
Evelyn Waugh (Brideshead Revisited)
Ever since I was a child my only thought or insight into apocalypse, disaster or war has been that I myself have no “survival instinct,” nor any strong desire to survive, especially if what lies on the other side of survival is just me. A book like The Road is as incomprehensible to me as a Norse myth cycle in the original language. Suicide would hold out its quiet hand to me on the first day—the first hour. And not the courageous suicide of self-slaughter, but simply the passive death that occurs if you stay under the bed as they march up the stairs, or lie down in the cornfield as the plane fitted with machine guns heads your way.
Zadie Smith (Intimations: Six Essays)
Tallow walked into Bat and Scarly's office to find Bat slumped on a chair with his head on the workbench, turned away from the door, while Scarly softly sharpened on old straight razor on a worn strop, watching her partner intently. "I don't think he needs his eyebrows, do you? I mean, they don't serve an immediate function or anything," she whispered.
Warren Ellis (Gun Machine)
I have been corrupted as much as anyone else by the vast number of menial services which our society has grown to expect and depend on. We should do for ourselves or let the machines do for us, the glorious technology that is supposed to be the new light of the world. We are like a man who has bought a great amount of equipment for a camping trip, who has the canoe and the tent and the fishing lines and the axe and the guns, the mackinaw and the blankets, but who now, when all the preparations and the provisions are piled expertly together, is suddenly too timid to set out on the journey but remains where he was yesterday and the day before and the day before that, looking suspiciously through the white lace curtains at the clear sky he distrusts. Our great technology is a God-given chance for adventure and for progress which we are afraid to attempt. Our ideas and our ideals remain exactly what they were and where they were three centuries ago. No. I beg your pardon. It is no longer safe for a man to even declare them!
Tennessee Williams
We got no jobs, no money, no power, no nothin', nothin' to live for 'cept vice and indulgence. That's how they control us. But it's falling apart. What we got is our land and our machines, our families and our ability to protect it all, to keep them alive. We got our hands. Ones who'll survive will be the ones can live from the land. Can wield a gun. Those folks'll fight for what little they've got. They'll surprise the criminals with their own savagery. Man, woman, and child will be tested. Others'll be too weak and scared. Uneducated in common sense. Won't know what's happened. But believe me, war is coming.
Frank Bill (Donnybrook)
There is a cop who is both prowler and father: he comes from your block, grew up with your brothers, had certain ideals. You hardly know him in his boots and silver badge, on horseback, one hand touching his gun. You hardly know him but you have to get to know him: he has access to machinery that could kill you. He and his stallion clop like warlords among the trash, his ideals stand in the air, a frozen cloud from between his unsmiling lips. And so, when the time comes, you have to turn to him, the maniac’s sperm still greasing your thighs, your mind whirling like crazy. You have to confess to him, you are guilty of the crime of having been forced. And you see his blue eyes, the blue eyes of all the family whom you used to know, grow narrow and glisten, his hand types out the details and he wants them all but the hysteria in your voice pleases him best. You hardly know him but now he thinks he knows you: he has taken down you worst moment on a machine and filed it in a file. He knows, or thinks he knows, how much you imagined; he knows, or thinks he knows, what you secretly wanted. He has access to machinery that could get you put away; and if, in the sickening light of the precinct, and if, in the sickening light of the precinct, your details sound like a portrait of your confessor, will you swallow, will you deny them, will you lie your way home?
Adrienne Rich (Diving Into the Wreck)
If I see a man armed only with a sword attack a group of machine guns, I shall consider his act to be absurd. But it is so solely by virtue of the disproportion between his intention and the reality he will encounter, of the contradiction I notice between his true strength and the aim he has in view. Likewise we shall deem a verdict absurd when we contrast it with the verdict the facts apparently dictated. And, similarly, a demonstration by the absurd is achieved by comparing the consequences of such a reasoning with the logical reality one wants to set up. In all these cases, from the simplest to the most complex, the magnitude of the absurdity will be in direct ratio to the distance between the two terms of my comparison. There are absurd marriages, challenges, rancors, silences, wars, and even peace treaties. For each of them the absurdity springs from a comparison. I am thus justified in saying that the feeling of absurdity does not spring from the mere scrutiny of a fact or an impression, but that it bursts from the comparison between a bare fact and a certain reality, between an action and the world that transcends it.
Albert Camus (The Myth of Sisyphus)
Suppose we were planning to impose a dictatorial regime upon the American people—the following preparations would be essential: 1. Concentrate the populace in megalopolitan masses so that they can be kept under close surveillance and where, in case of trouble, they can be bombed, burned, gassed or machine-gunned with a minimum of expense and waste. 2. Mechanize agriculture to the highest degree of refinement, thus forcing most of the scattered farm and ranching population into the cities. Such a policy is desirable because farmers, woodsmen, cowboys, Indians, fishermen and other relatively self-sufficient types are difficult to manage unless displaced from their natural environment. 3. Restrict the possession of firearms to the police and the regular military organizations. 4. Encourage or at least fail to discourage population growth. Large masses of people are more easily manipulated and dominated than scattered individuals. 5. Continue military conscription. Nothing excels military training for creating in young men an attitude of prompt, cheerful obedience to officially constituted authority. 6. Divert attention from deep conflicts within the society by engaging in foreign wars; make support of these wars a test of loyalty, thereby exposing and isolating potential opposition to the new order. 7. Overlay the nation with a finely reticulated network of communications, airlines and interstate autobahns. 8. Raze the wilderness. Dam the rivers, flood the canyons, drain the swamps, log the forests, strip-mine the hills, bulldoze the mountains, irrigate the deserts and improve the national parks into national parking lots. Idle speculations, feeble and hopeless protest. It was all foreseen nearly half a century ago by the most cold-eyed and clear-eyed of our national poets, on California’s shore, at the end of the open road. Shine, perishing republic.
Edward Abbey (Desert Solitaire)
To begin with, there is the frightful debauchery of taste that has already been effected by a century of mechanisation. This is almost too obvious and too generally admitted to need pointing out. But as a single instance, take taste in its narrowest sense - the taste for decent food. In the highly mechanical countries, thanks to tinned food, cold storage, synthetic flavouring matters, etc., the palate it almost a dead organ. As you can see by looking at any greengrocer’s shop, what the majority of English people mean by an apple is a lump of highly-coloured cotton wool from America or Australia; they will devour these things, apparently with pleasure, and let the English apples rot under the trees. It is the shiny, standardized, machine-made look of the American apple that appeals to them; the superior taste of the English apple is something they simply do not notice. Or look at the factory-made, foil wrapped cheeses and ‘blended’ butter in an grocer’s; look at the hideous rows of tins which usurp more and more of the space in any food-shop, even a dairy; look at a sixpenny Swiss roll or a twopenny ice-cream; look at the filthy chemical by-product that people will pour down their throats under the name of beer. Wherever you look you will see some slick machine-made article triumphing over the old-fashioned article that still tastes of something other than sawdust. And what applies to food applies also to furniture, houses, clothes, books, amusements and everything else that makes up our environment. These are now millions of people, and they are increasing every year, to whom the blaring of a radio is not only a more acceptable but a more normal background to their thoughts than the lowing of cattle or the song of birds. The mechanisation of the world could never proceed very far while taste, even the taste-buds of the tongue, remained uncorrupted, because in that case most of the products of the machine would be simply unwanted. In a healthy world there would be no demand for tinned food, aspirins, gramophones, gas-pipe chairs, machine guns, daily newspapers, telephones, motor-cars, etc. etc.; and on the other hand there would be a constant demand for the things the machine cannot produce. But meanwhile the machine is here, and its corrupting effects are almost irresistible. One inveighs against it, but one goes on using it. Even a bare-arse savage, given the change, will learn the vices of civilisation within a few months. Mechanisation leads to the decay of taste, the decay of taste leads to demand for machine-made articles and hence to more mechanisation, and so a vicious circle is established.
George Orwell (The Road to Wigan Pier)
Where's the elevator?" Mike asked, sheathing his weapon. Tallow felt a little better telling Mike there wasn't an elevator and watching his face. But then Mike picked up the dolly, boxes and all, with one hand, took the kit bag from Sophie with the other, and started jogging up the stairs with"Third floor, right?" "There," said Scarly, "goes a man who has names for all his muscles." "I was just thinking that," Tallow said. "Serious gym rat." "No, I mean he's named all his muscles. That's a man who calls one of his muscles Steve.
Warren Ellis (Gun Machine)
I guess that's how they were able to do it, in the way they did, all at once, without anyone knowing beforehand. If there had still been portable money, it would have been more difficult. "It was after the catastrophe, when they shot the president and machine-gunned the Congress and the army declared a state of emergency. They blamed it on the Islamic fanatics, at the time. "Keep calm, they said on television. Everything is under control. "I was stunned. Everyone was, I know that. It was hard to believe. The entire government, gone like that. How did they get in, how did it happen? "That was when they suspended the Constitution. They said it would be temporary. There wasn't even any rioting in the streets. People stayed at home at night, watching television, looking for some direction. There wasn't even an enemy you could point your finger at. ... "Newspapers were censored and some were closed down, for security reasons they said. The roadblocks began to appear, and Identipasses. Everyone approved of that, since it was obvious you couldn't be too careful.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
Now, up until this point in my life, I’d shared that old theory that sex was like pizza. Even when it’s bad, it’s still pretty good. I now hated pizza. For several reasons. This was the worst kind of sex. This was machine-gun style: fast, fast, fast. This was thirty seconds on the tits, sixty seconds on something that was about an inch above where he should have been, and then in. And out. And in. And out. And in. And out. But at least it was over quick, right? Hell, no. This horribleness went on for months. Well, no. But for almost thirty minutes. Of in. And out. And in. And out. My poor hoohah felt like it had been sandblasted.
Alice Clayton (Wallbanger (Cocktail, #1))
Sign O' The Times Oh yeah In France a skinny man Died of a big disease with a little name By chance his girlfriend came across a needle And soon she did the same At home there are seventeen-year-old boys And their idea of fun Is being in a gang called The Disciples High on crack, totin' a machine gun Time, time Hurricane Annie ripped the ceiling of a church And killed everyone inside U turn on the telly and every other story Is tellin' U somebody died Sister killed her baby cuz she could afford 2 feed it And we're sending people 2 the moon In September my cousin tried reefer 4 the very first time Now he's doing horse, it's June Times, times It's silly, no? When a rocket ship explodes And everybody still wants 2 fly Some say a man ain't happy Unless a man truly dies Oh why Time, time Baby make a speech, Star Wars fly Neighbors just shine it on But if a night falls and a bomb falls Will anybody see the dawn Time, times It's silly, no? When a rocket blows And everybody still wants 2 fly Some say a man ain't happy, truly Until a man truly dies Oh why, oh why, Sign O the Times Time, time Sign O the Times mess with your mind Hurry before it's 2 late Let's fall in love, get married, have a baby We'll call him Nate... if it's a boy Time, time Time, time
Prince
Twelve years ago, when I was 10, I played at being a soldier. I walked up the brook behind our house in Bronxville to a junglelike, overgrown field and dug trenches down to water level with my friends. Then, pretending that we were doughboys in France, we assaulted one another with clods of clay and long, dry reeds. We went to the village hall and studied the rust rifles and machine guns that the Legion post had brought home from the First World War and imagined ourselves using them to fight Germans. But we never seriously thought that we would ever have to do it. The stories we heard later; the Depression veterans with their apple stands on sleety New York street corners; the horrible photographs of dead bodies and mutilated survivors; “Johnny Got His Gun” and the shrill college cries of the Veterans of Future Wars drove the small-boy craving for war so far from our minds that when it finally happened, it seemed absolutely unbelievable. If someone had told a small boy hurling mud balls that he would be throwing hand grenades twelve years later, he would probably have been laughed at. I have always been glad that I could not look into the future.
David Kenyon Webster (Parachute Infantry: An American Paratrooper's Memoir of D-Day and the Fall of the Third Reich)
If you make a war if there are guns to be aimed if there are bullets to be fired if there are men to be killed they will not be us. They will not be us the guys who grow wheat and turn it into food the guys who make clothes and paper and houses and tiles the guys who build dams and power plants and string the long moaning high tension wires the guys who crack crude oil down into a dozen different parts who make light globes and sewing machines and shovels and automobiles and airplanes and tanks and guns oh no it will not be us who die. It will be you. It will be you—you who urge us on to battle you who incite us against ourselves you who would have one cobbler kill another cobbler you who would have one man who works kill another man who works you who would have one human being who wants only to live kill another human being who wants only to live. Remember this. Remember this well you people who plan for war. Remember this you patriots you fierce ones you spawners of hate you inventors of slogans. Remember this as you have never remembered anything else in your lives.
Dalton Trumbo (Johnny Got His Gun)
One of the first significant, substantial purchases I made after starting testosterone, was a Compact Colt .45 1991 A1 automatic pistol. It's just about the best penis substitute I've ever waved at a sex partner. I love my gun. Can I get an a-a-ay-men? You better fucking believe I lo-o-ove my gun. I love to take it apart and put it back together and admire...oh,you sexy little death-machine...I suppose I oughta feel guilty or something, loving and fetishizing to the point of anthropomorphizing it it. But I don't. I won't either-don't matter to me whether or not I'm supposed to keep this a dirty little secret. I got a dick and I can kill you with it. Yeah, baby, trip my trigger, why dontcha. Heh.
Allen James (GenderQueer: Voices From Beyond the Sexual Binary)
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
Atro had once explained to him how this was managed, how the sergeants could give the privates orders, how the lieutenants could give the privates and the sergeants orders, how the captains... and so on and so on up to the generals, who could give everyone else orders and need take them from none, except the commander in chief. Shevek had listened with incredulous disgust. "You call that organization?" he had inquired. "You even call it discipline? But it is neither. It is a coercive mechanism of extraordinary inefficiency--a kind of seventh-millennium steam engine! With such a rigid and fragile structure what could be done that was worth doing?" This had given Atro a chance to argue the worth of warfare as the breeder of courage and manliness and weeder-out of the unfit, but the very line of his argument had forced him to concede the effectiveness of guerrillas, organized from below, self-disciplined. "But that only works when the people think they're fighting for something of their own--you know, their homes, or some notion or other," the old man had said. Shevek had dropped the argument. He now continued it, in the darkening basement among the stacked crates of unlabeled chemicals. He explained to Atro that he now understood why the Army was organized as it was. It was indeed quite necessary. No rational form of organization would serve the purpose. He simply had not understood that the purpose was to enable men with machine guns to kill unarmed men and women easily and in great quantities when told to do so.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
A man is lying under machine-gun fire on a street in an embattled city. He looks at the pavement and sees a very amusing sight: the cobblestones are standing upright like the quills of a porcupine. The bullets hitting against their edges displace and tilt them. Such moments in the consciousness of a man judge all poets and philosophers. Let us suppose, too, that a certain poet was the hero of the literary cafes, and wherever he went was regarded with curiosity and awe. Yet his poems, recalled in such a moment, suddenly seem diseased and highbrow. The vision of the cobblestones is unquestionably real, and poetry based on an equally naked experience could survive triumphantly that judgment day of man’s illusions.
Czesław Miłosz (The Captive Mind)
...Not yet dry behind the ears, not old enough to buy a beer, but old enough to die for his country. He can recite to you the nomenclature of a machine gun or grenade launcher and use either one effectively if he must. He digs foxholes and latrines and can apply first aid like a professional. He can march until he is told to stop, or stop until he is told to march. He obeys orders instantly and without hesitation, but he is not without spirit or individual dignity. He is self-sufficient. ...He sometimes forgets to brush his teeth, but never to clean his rifle. He can cook his own meals, mend his own clothes, and fix his own hurts. If you're thirsty, he'll share his water with you; if you are hungry, food. He'll even split his ammunition with you in the midst of battle when you run low. He has learned to use his hands like weapons and weapons like they were his hands. He can save your life-or take it, because that is his job. He will often do twice the work of a civilian, draw half the pay, and still find ironic humor in it all. He has seen more suffering and death than he should have in his short lifetime. He has wept in public and in private, for friends who have fallen in combat and is unashamed. He feels every note of the National Anthem vibrate through his body while at rigid attention, while tempering the burning desire to "square-away" those around him who haven't bothered to stand, remove their hat, or even stop talking. ...Just as did his father, grandfather, and great-grandfather, he is paying the price for our freedom. Beardless or not, he is not a boy. He is the American Fighting Man that has kept this country free for over two hundred years. He has asked nothing in return, except our friendship and understanding. Remember him, always, for he has earned our respect and admiration with his blood. And now we have women over there in danger, doing their part in this tradition of going to war when our nation calls us to do so. As you go to bed tonight, remember this. A short lull, a little shade, and a picture of loved ones in their helmets.
Sarah Palin (America by Heart: Reflections on Family, Faith, and Flag)
You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do: Say NO! You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do: Say NO! You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do: Say NO! You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do: Say NO! You. Pilot in your aeroplane. If tomorrow they tell you you are to carry bombs over the cities, then there's only one thing to do: Say NO! You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do: Say NO! You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do: Say NO! For if you do not say NO - if YOU do not say no - mothers, then: then! In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish. The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track. The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs. In the fields beside rusted ploughs the corn will be flattened like a beaten army. Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities. The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY? will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered, the last animal scream of the last human animal - All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if - You do not say NO.
Wolfgang Borchert
When I hung up, Gabriel said, “Now you’re going out that—” “I’m not leaving you.” “Don’t be stupid. I have a gun.” He reached into his pocket and pulled out the .45. “Which will knock you on your ass if you try firing with a bad leg. Sit down before you fall.” “I’m—” “Sit down.” I walked to the door and peered out. If I strained, I could hear footsteps above. Anderson would search the other rooms first. Then he’d come down here. When I returned, Gabriel was still standing, leaning against the washing machine. Stubborn bastard. “So you’re staying with me?” he said. “Yep.” “You may not want to do that.” “Too bad.” “I wouldn’t stay for you.” “Probably not.” His mouth opened, as if he’d been prepared for me to disagree. He paused and then said, “I wouldn’t. You know I wouldn’t.” “Doesn’t matter. You’re my partner. I watch your back.
Kelley Armstrong (Omens (Cainsville, #1))
I wake with tears in my eyes. I wake to Jeanine’s scream of frustration. “What is it?” She grabs Peter’s gun out of his hand and stalks across the room, pressing the barrel to my forehead. My body stiffens, goes cold. She won’t shoot me. I am a problem she can’t solve. She won’t shoot me. “What is it that clues you in? Tell me. Tell me or I will kill you.” I slowly push myself up from the chair, coming to my feet, pushing my skin harder into the cold barrel. “You think I’m going to tell you?” I say. “You think I believe that you would kill me without figuring out the answer to this question?” “You stupid girl,” she says. “You think this is about you, and your abnormal brain? This is not about you. It is not about me. It is about keeping this city safe from the people who intend to plunge it into hell!” I summon the last of my strength and launch myself at her, clawing at whatever skin my fingernails find, digging in as hard as I can. She screams at the top of her lungs, a sound that turns my blood into fire. I punch her hard in the face. A pair of arms wrap around me, pulling me off her, and a fist meets my side. I groan, and lunge toward her, held at bay by Peter. “Pain can’t make me tell you. Truth serum can’t make me tell you. Simulations can’t make me tell you. I’m immune to all three.” Her nose is bleeding, and I see lines of fingernail scrapes in her cheeks, on the side of her throat, turning red with blossoming blood. She glares at me, pinching her nose closed, her hair disheveled, her free hand trembling. “You have failed. You can’t control me!” I scream, so loud it hurts my throat. I stop struggling and sag against Peter’s chest. “You will never be able to control me.” I laugh, mirthless, a mad laugh. I savor the scowl on her face, the hate in her eyes. She was like a machine; she was cold and emotionless, bound by logic alone. And I broke her. I broke her.
Veronica Roth
On September 16, in defiance of the cease-fire, Ariel Sharon’s army circled the refugee camps of Sabra and Shatila, where Fatima and Falasteen slept defenselessly without Yousef. Israeli soldiers set up checkpoints, barring the exit of refugees, and allowed their Lebanese Phalange allies into the camp. Israeli soldiers, perched on rooftops, watched through their binoculars during the day and at night lit the sky with flares to guide the path of the Phalange, who went from shelter to shelter in the refugee camps. Two days later, the first western journalists entered the camp and bore witness. Robert Fisk wrote of it in Pity the Nation: They were everywhere, in the road, the laneways, in the back yards and broken rooms, beneath crumpled masonry and across the top of garbage tips. When we had seen a hundred bodies, we stopped counting. Down every alleyway, there were corpses—women, young men, babies and grandparents—lying together in lazy and terrible profusion where they had been knifed or machine-gunned to death. Each corridor through the rubble produced more bodies. The patients at the Palestinian hospital had disappeared after gunmen ordered the doctors to leave. Everywhere, we found signs of hastily dug mass graves. Even while we were there, amid the evidence of such savagery, we could see the Israelis watching us. From the top of the tower block to the west, we could see them staring at us through field-glasses, scanning back and forth across the streets of corpses, the lenses of the binoculars sometimes flashing in the sun as their gaze ranged through the camp. Loren Jenkins [of the Washington Post] cursed a lot. Jenkins immediately realized that the Israeli defense minister would have to bear some responsibility for this horror. “Sharon!” he shouted. “That fucker [Ariel] Sharon! This is Deir Yassin all over again.
Susan Abulhawa (Mornings in Jenin)
One part of my life was given over to the service of destruction; it belonged to hate, to enmity, to killing. But life remained in me. And that in itself is enough, of itself almost a purpose and a way. I will work in myself and be ready; I will bestir my hands and my thoughts. I will not take myself very seriously, nor push on when sometimes I should like to be still. There are many things to be built and almost everything to repair; it is enough that I work to dig out again what was buried during the years of shells and machine guns. Not every one need be a pioneer; there is employment for feebler hands, lesser powers. It is there I mean to look for my place. Then the dead will be silenced and the past not pursue me any more; it will assist me instead. How simple it is—but how long it has taken to arrive there! And I might still be wandering in the wilderness, have fallen victim to the wire snares and the detonators, had Ludwig’s death not gone up before us like a rocket, lighting to us the way. We despaired when we saw how that great stream of feeling common to us all—that will to a new life shorn of follies, a life recaptured on the confines of death—did not sweep away before it all survived half-truth and self-interest, so to make a new course for itself, but instead of that merely trickled away in the marshes of forgetfulness, was lost among the bogs of fine phrases, and dribbled away along the ditches of social activities, of cares and occupations. But to-day I know that all life is perhaps only a getting ready, a ferment in the individual, in many cells, in many channels, each for himself; and if the cells and channels of a tree but take up and carry farther the onward urging sap, there will emerge at the last rustling and sunlit branches—crowns of leaves and freedom. I will begin. It will not be that consummation of which we dreamed in our youth and that we expected after the years out there. It will be a road like other roads, with stones and good stretches, with places torn up, with villages and fields—a road of toil. And I shall be alone. Perhaps sometimes I shall find some one to go with me a stage of the journey—but for all of it, probably no one. And I may often have to hump my pack still, when my shoulders are already weary; often hesitate at the crossways and boundaries; often have to leave something behind me, often stumble and fall. But I will get up again and not just lie there; I will go on and not look back. —Perhaps I shall never be really happy again; perhaps the war has destroyed that, and no doubt I shall always be a little inattentive and nowhere quite at home—but I shall probably never be wholly unhappy either—for something will always be there to sustain me, be it merely my own hands, or a tree, or the breathing earth. The
Erich Maria Remarque