Mac Curly Quotes

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I'll see you when you're done with your interrogation." "I am not going to interrogate anyone!" Jack grinned. "Of course not.You're just going to ask questions." He cast a glance at Perkins. "Lady Kincaid will be with our guest shortly." "Yes,my lord." The butler bowed and left. Fiona frowned at the steady beat of rain against the window. "Dougal will catch his death,riding in such a rain." Jack shrugged. "He made it; let him swim in it." He pressed a kiss to his wife's forehead. "I'll be curious to hear about this woman." Fiona absently nodded.If what Jack suspected wer true and Miss MacFarlane was the cause of Dougal's gloom, then woe betide the lady! Chin high, she swept into the entryway. Standing in the center of the hall was a woman with gray curly hair and freckles, broad as a barn and dressed as a servant. Fiona almost tripped over her own feet. Surely,this was not the sort of woman Dougal pursued? But perhaps...perhaps it was true love. Was that why Dougal had been so surly? Fiona gathered her scattered wits and put a polite smile on her face. "Miss MacFarlane? Welcome to-" A soft cough halted Fiona, and the woman before her pointed behind Fiona. She turned around and knew instantly that she was indeed facing the cause of Dougal's storms. Miss MacFarlane wasn't simply beautiful; the girl was breathtaking.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
In the center of the room Sarra the demon hung upside down by one leg, its arms bound behind its back, its suit scuffed-looking. Beneath it, crawling around an intricately scribed circle, a woman with short, curly red hair drew binding symbols with a gold stick. She looked up as I fanned away the smoke that was billowing up from the crack in the tile. "You're a Summoner. Hullo. I'm Noelle. Did you know that you have mismatched eyes?" I walked around the demon. It glared at me. "Yes, I know. Why do you have Sarra strung up by one leg?" She drew another symbol. It flared bright green as soon as the stick lifted from the circle. "It was getting a bit stroppy with me. The Hanged Man always teaches them a few manners. It's retaliating with the smoke. Are those spirits I saw yours, then?" "Yes, they are. There are four others as well. I hate to be a bother, but I'm in a bit of a hurry, what with Christian being held by this one's master and all, so if you could possibly just give me the abbreviated version of what's going on here, I'll be on my way to rescue him." She leaned back on her heels and sucked the tip of her gold stick. "Asmodeus, eh?" The demon snarled. A chunk of ceiling fell behind me. We both ignored it. It just never does to give a demon the satisfaction of knowing it's startled you. "It's a nasty bag of tricks, but I heard through the demonic grapevine that it was weakened and searching for a suitable sacrifice to regain its power," she added. "Well, it can't have Christian; he's mine. Back to the demon, if you don't mind…" She looked up at Sarra, still sucking the stick. "It's a pretty specimen, isn't it? I like the hair gel. Nice touch. The mustache is a bit much, though, don't you think? Makes it look so smarmy." "Um…" "I'm destroying it, so I suppose it really doesn't matter." I blinked and avoided two wine bottles as they flew out of a rack when the demon hissed at the Guardian.
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep-green to submerged-gold. Gardeners, construction workers and farm workers swarmed the property. Isabel Johansen was in charge; that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seemed vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about faro places, would turn into clues for him. And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
When Tess had told him about the book project, she hadn't mentioned hostile women and swarms of bees. In fact, she'd characterized it as a working vacation of sorts, a way for him to recover from his bum knee by soaking up the charms of Sonoma County. In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep green to sunburned-gold. Gardeners, construction workers swarmed the property. Isabel Johansen was in charge, that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seen vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about far-off places, would turn into clues for him. And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
Mrs. Campbell was round and cozy with sparkling brown eyes, curly brown hair, and rosy cheeks, but she wasn't beautiful. Mr. Campbell was tall and thin with merry blue eyes and stiff sandy hair, but he wasn't handsome. They were good and kind however, and oftentimes, goodness and kindness cast a glow over people that passes very well for beauty.
Betty MacDonald (Nancy and Plum)
The thought struck me, as I went about my daily ablutions, that Elliot had awfully nice hair for a man who’d take someone else’s ticket. It wasn’t long, but had a small curl to it that made you think about running your fingers through it. “Not that I have any intention of doing so ,” I told my reflection in the steam mirror. “Even if I was looking for a man, and I’m certainly not that stupid, he would be off the table. He’s friend to a rat bastard.” It was just a shame, too. How many bona fide lords does a girl meet? And how many of them have BBC voices, and nice faces, and curly hair that looks soft and silky and utterly gropeworthy?
Katie MacAlister (The Importance of Being Alice (Ainslie Brothers, #1))
Beyond the deprivations, degradations, and tortures these prisoners endured, each man often recounts how he got to the camps Weller visited. These conflicts, and all they implied, would have been instantly recognizable to the 1945 public. Many of the Dutch and the British, the Australians and Canadians, were taken in the defeats of Singapore (130,000), Java (32,000), and Hong Kong (14,000). Many of the Americans got captured on Guam or Wake; or in the Philippines (75,000), to then endure the Bataan death march, on which one in four died. Some built the Siam-Burma railroad, which claimed yet another 15,000 lives, same ratio. Nearly everywhere, in a hurry, the Japanese won and the Allies lost. The United States saw its navy smashed at Pearl Harbor and its Pacific air forces wiped out in Manila, just before MacArthur got himself safely out to Australia. This litany of early military disasters added up to astonishing numbers. In a mere six months the Japanese, at a cost of only 15,000 of their own men (deaths and casualties), took 320,000 Allied soldiers out of the war, either as deaths, casualties, or prisoners; over half these were Asiatic. White prisoners, about 140,000 total over the course of the conflict, became slave labor across the growing Japanese empire. (Asiatic prisoners were often turned loose, as good propaganda among the subjugated peoples.) Japan had not signed the 1929 Geneva Conventions regarding treatment of prisoners of war, and a Japanese soldier would sooner be killed than captured: thus every enemy soldier who surrendered was a coward, a cur, a thing. Any notion of “inhumane treatment” toward a surrendered Chinese, much less a white man, was incomprehensible. White men were the foe, so their role was to work, then die. Whether their deaths proved painful did not matter to the Japanese. Unlike the Nazi POW camps, there were few escape attempts, for it was obvious to any Allied POW in Asia that a white face was an immediate giveaway even had he succeeded, and the Japanese made it clear that they would execute ten men for every man who escaped. Statistically it was seven times healthier to be a POW under the Nazis than under the Japanese. By war’s end, one out of every three white prisoners had died as their captives—“starved to death, worked to death, beaten to death, dead of loathsome epidemic diseases that the Japanese would not treat,” as Daws puts it. Another year of war and there would have been no POWs still alive. (A Japan War Ministry directive of August 1944 iterated that “the aim is to annihilate them all, and not to leave any traces.”)
George Weller (First Into Nagasaki: The Censored Eyewitness Dispatches on Post-Atomic Japan and Its Prisoners of War)