M Ed Quotes

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I can believe things that are true and things that aren't true and I can believe things where nobody knows if they're true or not. I can believe in Santa Claus and the Easter Bunny and the Beatles and Marilyn Monroe and Elvis and Mister Ed. Listen - I believe that people are perfectable, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkled lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone's ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theaters from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we'll all be wiped out by the common cold like martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind's destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it's aerodynamically impossible for a bumble bee to fly, that light is a wave and a particle, that there's a cat in a box somewhere who's alive and dead at the same time (although if they don't ever open the box to feed it it'll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn't even know that I'm alive. I believe in an empty and godless universe of causal chaos, background noise, and sheer blind luck. I believe that anyone who says sex is overrated just hasn't done it properly. I believe that anyone who claims to know what's going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman's right to choose, a baby's right to live, that while all human life is sacred there's nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, that life is a cruel joke, and that life is what happens when you're alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods (American Gods, #1))
I'm telling you why we broke up, Ed. I'm writing this letter, the whole truth of why it happened. And the truth is that I goddamn loved you so much.
Daniel Handler (Why We Broke Up)
They say I'm up and coming like I'm fucking in an elevator.
Ed Sheeran
He slowed down a bit more. "Gaia, how do you know these things?" She shrugged. "I'm smart." "And modest, too." "Modesty is a waste of time," she pronounced. "I'll keep that in mind.
Francine Pascal (Fearless (Fearless, #1))
My full name's Ed Kennedy. I'm nineteen. I'm an underage cab driver. I'm typical of many of the young men you see in this suburban outpost of the city -- not a whole lot of prospects or possibility. That aside, I read more books than I should, and I'm decidedly crap at sex and doing my taxes. Nice to meet you.
Markus Zusak (I Am the Messenger)
Water....I'm thirsty not dirty.
David Eddings
But it’s December now, and the sky is bright, and it’s clear to me. I’m telling you why we broke up, Ed. I’m writing it in this letter, the whole truth of why it happened. And the truth is that I goddamn loved you so much.
Daniel Handler (Why We Broke Up)
Quote taken from Chapter 1: "The police should be in it, not us. We’re out of here.” Bill did an about-face to retrace their route to the door. Piper whipped out a hand and snagged him by the shirttail. Her tone returned to crisp and decisive. “Slow down, Roadrunner. I’m not ready to leave. We’ve got work to do.” Incredulous, he stared gape-mouthed at her. “You'd better explain,” he said. She wiggled her nose. “I’m growing nosier by the second about the circumstances surrounding Anna’s murder.
Ed Lynskey (The Corpse Wore Gingham (Piper & Bill Robins, #1))
Do you know why hurricanes have names instead of numbers? To keep the killing personal. No one cares about a bunch of people killed by a number. '200 Dead as Number Three Slams Ashore' is not nearly as interesting a headline as 'Charlie kills 200.' Death is much more satisfying and entertaining if you personalize it. Me, I'm still waitin' for Hurricane Ed. Old Ed wouldn't hurt ya, would he? Sounds kinda friendly. 'Hell no, we ain't evacuatin'. Ed's comin'!
George Carlin (Brain Droppings)
h e l l  i s  e m p t y a n d  a l l  t h e  d e v i l s  a r e  h e r e
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Look at me! I'm big! I'm strong! I'm a superior example of froghood and capable of protecting us both!
E.D. Baker (The Frog Princess (The Tales of the Frog Princess, #1))
As long as I know that my motives are good, I'm Seldom very concerned with the opinions of others. -Mandorallen, Baron of Vo Mandor.
David Eddings (Queen of Sorcery (The Belgariad #2))
And the truth is that I'm not, Ed, is what I wanted to tell you. I'm not arty like everyone says who doesn't know me, I don't paint, I can't draw, I play no instrument, I can't sing. I'm not in plays, I wanted to say, I don't write poems. I can't dance except tipsy at dances. I'm not athletic, I'm not a goth or a cheerleader, I'm not treasurer or co-captain. I'm not gay and out and proud, I'm not that kid from Sri Lanka, not a triplet, a prep, a drunk, a genius, a hippie, a Christian, a slut, not even one of those super-Jewish girls with a yarmulke gang wishing everyone a happy Sukkoth. I'm not anything, this is what I realized ... I like movies, everyone knows I do -- I love them -- but I will never be in charge of one because my ideas are stupid and wrong in my head. There's nothing different about that, nothing fascinating, interesting, worth looking at.
Daniel Handler (Why We Broke Up)
Anyone not paranoid in this world must be crazy. . . . Speaking of paranoia, it's true that I do not know exactly who my enemies are. But that of course is exactly why I'm paranoid.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
We're living in momentous times, Garion. The events of a thousand years and more have all focused on these very days. The world, I'm told, is like that. Centuries pass when nothing happens, and then in a few short years events of such tremendous importance take place that the world is never the same again." I think that if I had my choice, I'd prefer one of those quiet centuries," Garion said glumly. Oh, no," Silk said, his lips drawing back in a ferretlike grin. "Now's the time to be alive - to see it all happen, to be a part of it. That makes the blood race, and each breath is an adventure.
David Eddings (Pawn of Prophecy (The Belgariad, #1))
My friend and business partner, Gerald Peyton was 12 minutes late to the funeral. I’d reminded him it started at 2 p.m. “Yeah, yeah, Frank,” he said. “I’ll be there. Just be sure you make it.” Well, here I sat on my thumbs, and he was the no-show. He stopped at a bar and got sloshed, I thought.
Ed Lynskey (Death Car (P.I. Frank Johnson Mystery #7))
I don't ever want to be perfect, Cause I'm a singer that you Never want to see shirtless
Ed Sheeran
Have you ever noticed that? We base our assessment of the intelligence of others almost entirely on how closely their thinking matches our own. I'm sure that there are people out there who violently disagree with me on most things, and I'm broad-minded enough to conceded that they might possibly not be completely idiots, but I much prefer the company of people who agree with me. You might want to think about that.
David Eddings (Belgarath the Sorcerer)
When you know that something's going to happen, you'll start trying to see signs of its approach in just about everything. Always try to remember that most of the things that happen in this world aren't signs. They happen because they happen, and their only real significance lies in normal cause and effect. You'll drive yourself crazy if you start trying to pry the meaning out of every gust of wind or rain squall. I'm not denying that there might actually be a few signs that you won't want to miss. Knowing the difference is the tricky part.
David Eddings (Belgarath the Sorcerer)
Misty Sendaria," Silk said ironically. "Sometimes I'm amazed that the entire kingdom doesn't rust shut.
David Eddings (Pawn of Prophecy (The Belgariad, #1))
You're a cynic," Urgit accused. Silk shook his head. "No, Your Majesty. I'm a realist.
David Eddings (Demon Lord of Karanda (The Malloreon, #3))
I'm hungry, Garion, and I don't think well when I'm hungry." "That might explain a lot," Beldin noted blandly. "We should have fed you more often when you were younger." "You can be terribly offensive sometimes, do you know that?" "Why, yes, as a matter of fact I do.
David Eddings (Seeress of Kell (The Malloreon, #5))
Ed, "I hate deserts. There is nothing but sand *collapses* If there was some grass I could turn it into bread. I'm starving! Huh? Hey! Al' where'd you go? Al? Hey!" Al, "Down here! *Al's hand emerges from the sand beneath Ed and grabs Ed's leg*" Ed, "AHH!!" Al, "I sunk again. . ." (cut to later, after Ed dug Al out) Al, "I get full." Ed, "Full of what? *kicks Al and sand falls out of his chest plate and buries Ed*" Al, "Hahahaha. . .hahaha. . .haha. . . ha. . . *still laughing, inches away from Ed*" Ed, "*bursts out of sand and starts running after Al* Get back here!" Al, "What are you going to do?" Ed, "Nothing!" Al, "Than why are you chasing me?" Ed, "Stop and you'll find out!" Al, "I promise I won't get buried again!" Ed, "Not unless it's by me!" Al," Ed!" Ed, "Rrrrrrrrr!
Hiromu Arakawa (Fullmetal Alchemist, Vol. 1)
How do you plan to scare people tonight?" asked a hollow-voiced spector. "I'll wait until they sit down to supper, then scream whenever someone sticks his knife in his meat." I'll haunt the bedchambers," said another. "A bloody ax at midnight always gets a good reaction." A ghost with a purplish tinge to his aura spoke next. "I can top both of you. I'm going to dress like a guard and haunt the privy. I'll hide in the hole and when anyone sits down I'll wail, 'Who goes there? State your business!
E.D. Baker (Once Upon a Curse (The Tales of the Frog Princess, #3))
Any new corpses today?" "None yet." "Pity. I’m getting so I miss my morning coffee and corpse.
Ed McBain (Cop Hater (87th Precinct, #1))
And of all these things I’m sure of I’m not quite certain Of your love And you made me scream But then I made you cry When I left that little bird With its broken leg to die
Ed Sheeran
The best part of my life is gone, and what remains is whizzing past so quickly I feel like I'm Krazy-Glue'ed onto a mechanical bull of a time machine.
Douglas Coupland (The Gum Thief)
It's 4am again and I'm just getting started. People are boring and I want to burn with excitement or anger and bleed, bleed through my words. I want to get all fucked up and write real and raw and ugly and beautifully. I bet you're sleeping safe and calm, and you can stay there, it's safer there, and you wouldn't stand one night on this journey my mind wanders off to every night you close your eyes. I'll stay here one day and I will never come down. I promise I can fly before I hit the ground. It doesn't even hurt anymore. I swear, it doesn't hurt.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
Why do you persist in being so frivolous, Urgit?" "Why don't we just call it a symptom of my incipient madness?" "You're not going to go mad," she said firmly. "Of course I'm going to go mad, mother. I'm rather looking forward to it.
David Eddings (Demon Lord of Karanda (The Malloreon, #3))
Right now, I'd be willing to kiss Ed through a bag. So it's true what they say about teenage hormones. It seems I'm raging out of control. It's not very Jane Austen of me but it feels pretty good. The problem is, Ed's acting all Jane Austen on me and he won't stop talking. Shut up, I want to say. All talk and no action is really kind of frustrating.
Cath Crowley (Graffiti Moon)
All I'm saying is, where relationships are concerned, don't confuse length with strength.
Matt Dunn (The Ex-Boyfriend's Handbook (Ed & Dan, #1))
I'm truly amazed at you, Garion," Polgara said. "I didn't think you had the faintest idea of how to speak a civilized language." "Thank you," he said, "I think.
David Eddings (Seeress of Kell (The Malloreon, #5))
If you'd just try, I'm sure you'd be able to fly.
David Eddings (Queen of Sorcery (The Belgariad #2))
She's like cold coffee in the morning I'm drunk off last nights whisky and coke She'll make me shiver without warning And make me laugh as if I'm in on the joke
Ed Sheeran
I was reading an old text on the exploits of Belgarath the Sorcerer, and I –“ Senji stopped, going very pale, turned, and gaped at Garion’s grandfather. “It’s a terrible letdown, isn’t it?” Beldin said. “We always told him he ought to try to look more impressive.” “You’re in no position to talk,” the old man said. “You’re the one with the earthshaking reputation.” Beldin shrugged. “I’m just a flunky. I’m along for comic relief.” “You’re really enjoying this, aren’t you, Beldin?” “I haven’t had so much fun in years. Wait until I tell Pol.” “You keep your mouth shut, you hear me?” “Yes, O mighty Belgarath,” Beldin said mockingly.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
Fuuuuuuuuuuck." Kynan scrubbed his face. "I could use a double shot of whiskey right now." "I'm sure Flicka keeps hard liquor behind the bar." "Flicka?" "I don't want to say her name." "So you're calling her horse names?" Ky coked a dark eyebrow. "I can't wait to see how she reacts to Mr. Ed.
Larissa Ione (Immortal Rider (Lords of Deliverance, #2; Demonica, #7))
I'm sure that if Plato hadn't been against music with a strong sexual beat, Bloom would have kept quiet about rock-and-roll.
E.D. Hirsch Jr.
The world went insane before I did, I'm just adapting to the new reality.
Ed Brubaker (Kill or be Killed, Vol. 4)
Oh, well," Silk said wryly, "we might as well get it out into the open, I suppose. Gentlemen," he said, "I'm sure you all remember the Margravine Liselle, my fiancee." "Your fiancee?" Barak exclaimed in amazement. "We all have to settle down sometime." Silk shrugged. They all gathered around to congratulate him. Velvet, however, did not look pleased. "Was something the matter, dear?" Silk asked her, all innocence. "Don't you think you've forgotten something, Kheldar?" she asked acidly. "Not that I recall." "You neglected to ask me about this first." "Really? Did I actually forget that? You weren't planning to refuse, were you?" "Of course not." "Well, then --" "You haven't heard the last of this, Kheldar," she said ominously. "I seem to be getting off to a bad start here," he observed. "Very bad," she agreed.
David Eddings (Seeress of Kell (The Malloreon, #5))
Will you be ok if I'm not around? he asked. Sure, I said, but I didn't mean it. Ed was my brother but also sort of like my dad and my best friend too.
Sarah Crossan (Moonrise)
I doubt that my sense of personal freedom is any stronger than anybody else's. I'm happy to respect authority when it's genuine authority, based on moral or intellectual or even technical superiority. I'm eager to follow a hero if we can find one. But I tend to resist or evade any kind of authority based merely on the power to coerce. Government, for example. The Army tried to train us to salute the uniform, not the man. Failed. I will salute the man, maybe, if I think he's worthy of it, but I don't salute uniforms anymore.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
No parent should have to bury a child ... No mother should have to bury a son. Mothers are not meant to bury sons. It is not in the natural order of things. I buried my son. In a potter's field. In a field of Blood. In empty, acrid silence. There was no funeral. There were no mourners. His friends all absent. His father dead. His sisters refusing to attend. I discovered his body alone, I dug his grave alone, I placed him in a hole, and covered him with dirt and rock alone. I was not able to finish burying him before sundown, and I'm not sure if that affected his fate ... I begrudge God none of this. I do not curse him or bemoan my lot. And though my heart keeps beating only to keep breaking--I do not question why. I remember the morning my son was born as if it was yesterday. The moment the midwife placed him in my arms, I was infused with a love beyond all measure and understanding. I remember holding my son, and looking over at my own mother and saying, "Now I understand why the sun comes up at day and the stars come out at night. I understand why rain falls gently. Now I understand you, Mother" ... I loved my son every day of his life, and I will love him ferociously long after I've stopped breathing. I am a simple woman. I am not bright or learn-ed. I do not read. I do not write. My opinions are not solicited. My voice is not important ... On the day of my son's birth I was infused with a love beyond all measure and understanding ... The world tells me that God is in Heaven and that my son is in Hell. I tell the world the one true thing I know: If my son is in Hell, then there is no Heaven--because if my son sits in Hell, there is no God.
Stephen Adly Guirgis (The Last Days of Judas Iscariot)
I'm nothing, not a single thing. The only particle I had, the only tiny thing raising me up, is that I was Ed Slaterton's girlfriend, loved by you for like ten secs, and who cares, so what, and not anymore so how embarrassing for me.
Daniel Handler (Why We Broke Up)
I hate and fear violence myself, have always avoided barroom brawls, and tho' I'm a bit of a gun-nut, and a member of the NRA, I never shoot at anything but beer cans and mule deer. (In season.) And seldom hit either, except by accident.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
You’re not her Though I try to see you differently I tow the line You see, I’m searching for what used to be mine And I saw your eyes And I saw Alice staring back at me So I will try to find another one who suited me as well as her
Ed Sheeran
I'm not looking to fix you," she said, staring straight into his eyes. "I'm here to love you.
Mazey Eddings (The Plus One (A Brush with Love, #3))
And of all these things I’m sure of I’m not quite certain Of your love And you made me scream But then I made you cry When I left that little bird With its broken leg to die
Ed Sheeran
I'm dumping the whole box back into your life Ed, every item of you and me. I'm dumping this box on your porch, Ed, but it's you, Ed, who is getting dumped.
Daniel Handler (Why We Broke Up)
And what if I need something?' 'Find it yourself.' Connor tsk-ed. 'Where did all the niceties go?' 'You're not a guest. You're family. Find your own fucking towels.
M.A. Grant (Red Moon (The Sinclair Pack #1))
On the way back to the office- I get a cab, on expenses, naturally- I decide that I could quite like Ed. Maybe I could even fancy him, and maybe the fact that I'm not thinking about him that much when I'm not with him is a good thing, maybe it means this is a proper relationship, not just lust, or the equivalent to a teenage crush. Because quite frankly I'm sick of falling madly in love and spending twenty-four hours a day thinking about them and crying with misery when they don't phone. I'm sick of being the kind of girl who, when they say jump, says how high. I'm sick of always, always being the one to fall in love and get hurt. And maybe this is how it should be, getting on with my life and not putting all my energies into a relationship.
Jane Green (Mr Maybe)
There was a sudden, shocking sound that echoed through Garion's head like an explosion. "What was that?" Zakath exclaimed. "You heard it, too?" Garion was amazed. "You shouldn't have been able to hear it!" "It shook the earth, Garion. Look there." Zakath pointed off toward the north where a huge pillar of fire was soaring up toward the murky, starless sky. "What is it?" "Aunt Pol did something. She's never that clumsy..." Belgarath and Beldin were both pale and shaken, and even Durnik seemed awed. "She hasn't done anything that noisy since she was about sixteen," Beldin said,m blinking in astonishment. He looked suspiciously at Durnik. "Have you gone and got her pregnant?
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
I tend to flood and freeze up if I’m feeling overwhelmed. When this happens, it’s usually because I feel like the world is crashing down and all is lost. One trick I’ve learned is to force myself to make a list of what’s actually wrong. Usually, soon into making the list, I find I can group most of the issues into two or three larger all-encompassing problems. So it’s really not all that bad. Having a finite list of problems is much better than having an illogical feeling that everything is wrong.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
I'd really like to go with you, Agachak. Truly I would...but I just can't." "I don't understand. Why not?" "I'm not allowed to leave home. My mother'd punish me something awful if I did..." "But you're the king." "That doesn't change a thing. I still do what mother says. She tells everybody that I'm the best boy ever when it comes to that." Agachak resisted a powerful urge to change this half-wit into a toad or perhaps a jellyfish.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
Why do some trees stay green while others change their color?” “Certain trees need to show off, dear. I’m sure that my big brother could explain why it happens. Dahlaine loves to explain things, and he can be very tedious about it. I prefer simpler answers. The trees are sad because summer’s almost over.
David Eddings (Crystal Gorge (The Dreamers, #3))
When my sons told me about what they'd found, I went to the priests of Belar and had them examine the auguries. This is the year to go. The ice up there won't be as thick again for years and years. Then they cast my own auguries, and from what they say, this could be the most fortunate year in my whole life." "Do you actually believe that superstitious nonsense?" I demanded. "Are you so gullible that you think that somebody can foretell the future by fondling a pile of sheep guts?" He looked a little injured. "This was important, Belgarath. I certainly wouldn't trust sheep's entrails for something like this." "I'm glad to hear that." "We used a horse instead. Horse guts never lie.
David Eddings (Belgarath the Sorcerer)
It sometimes seemed to Alex that the whole universe was against him. Getting away from FLamingo Bay had almost killed him. It had been an exhausting struggle against time, the elements, and Drevin's firepower. And now he was going back. It was the CIA agent, Ed Shulsky, who had made it happen. Alex, you know the place. I need you to tell me where they're holding Tamara. You can give me a layout of the island. Anyway, we don't have much time. You saw for yourself. The rocket is on its way, and if what you've told me is true-" It is." Alex felt a spurt of annoyance. Why should the American doubt, even for a moment, what he said? Was it perhaps because he was only fourteen? Shulsky noticed his reaction. "I'm sorry. That was out of line. But this plan of his, Ark Angel...Washington..." He shook his head. "It's beyond anything we could have imagined. And that's why we have to take him out. Right now. We don't have time to drop you off." But you're too late," Alex argued. "Gabriel 7 has gone. What are going to do? Shoot it down?
Anthony Horowitz (Ark Angel (Alex Rider #6))
Paper or razor blade, never give up And just remember just to hold out more A couple years ago I couldn't just control that thought You'd find me buskin' on the street When it was cold outdoors And now I'm sweating on the stage With the sold out tours Writing love songs for the sake of it Never to make a hit
Ed Sheeran
I’m telling you why we broke up, Ed..... And the truth is that I goddamn loved you so much.
Daniel Handler
There's one near Hoover Street Station. A picture of me, grass growing out of my heart while I'm talking to her. She looked at the wall but she didn't see us.
Cath Crowley (Graffiti Moon)
When a book lies unopened it might contain anything in the world, anything imaginable. It therefore, in that pregnant moment before opening, contains everything. Every possibility, both perfect and putrid. Surely such mysteries are the most enticing things...grant[ed] us in this mortal mere...Unknown and therefore infinite.
Catherynne M. Valente (The Habitation of the Blessed (A Dirge for Prester John, #1))
I often wonder what she's thinking," says Ed, still gazing up at her. "That's quite an intriguing expression she has." "I often wonder that myself," chimes in Malcolm Gledhill eagerly. "She seems to have such a look of serenity and happiness...Obviously, from what you've said, she has a certain emotional connection with the painter Malory...I often wonder if he was reading her poetry as he painted..." "What an idiot this man is," says Sadie scathingly in my ear. "It's obvious I what I'm thinking. I'm looking at Stephan and I'm thinking, I want to jump his bones." "She wanted to jump his bones," I say to Malcolm Gledhill. Ed shoots me a disbelieving look, then bursts into laughter.
Sophie Kinsella (Twenties Girl)
Zakath stared at the floor. 'I suddenly feel very helpless,' he admitted, 'and I don't like the feeling. I've been rather effectively dethroned, you know. This morning I was the Emperor of the largest nation on earth; this afternoon, I'm going to be a vagabond.' You might find it refreshing,' Silk told him lightly. Shut up, Kheldar,' Zakath said almost absently. He looked back at Polgara. 'You know something rather peculiar?' What's that?' Even if I hadn't given my word, I'd still have to go to Kell. It's almost like a compulsion. I feel as if I'm being driven, and my driver is a blindfolded girl who's hardly more than a child.' There are rewards,' she told him. Such as what?' Who knows? Happiness, perhaps.' He laughed ironically. 'Happiness has never been a driving ambition of mine, Lady Polgara, not for a long time now.' You may have to accept it anyway,' She smiled. 'We aren't allowed to choose our rewards any more than we are our tasks. Those decisions are made for us.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
NO MUSE IS GOOD MUSE To be an Artist you need talent, as well as a wife who washes the socks and the children, and returns phone calls and library books and types. In other words, the reason there are so many more Men Geniuses than Women Geniuses is not Genius. It is because Hemingway never joined the P.T.A. And Arthur Rubinstein ignored Halloween. Do you think Portnoy's creator sits through children's theater matinees--on Saturdays? Or that Norman Mailer faced 'driver's ed' failure, chicken pox or chipped teeth? Fitzgerald's night was so tender because the fender his teen-ager dented happened when Papa was at a story conference. Since Picasso does the painting, Mrs. Picasso did the toilet training. And if Saul Bellow, National Book Award winner, invited thirty-three for Thanksgiving Day dinner, I'll bet he had help. I'm sure Henry Moore was never a Cub Scout leader, and Leonard Bernstein never instructed a tricycler On becoming a bicycler just before he conducted. Tell me again my anatomy is not necessarily my destiny, tell me my hang-up is a personal and not a universal quandary, and I'll tell you no muse is a good muse unless she also helps with the laundry.
Rochelle Distelheim
Ironically, this physically weak feeling signifies that I’m actually getting stronger. I know from my past that I will ultimately feel strong if I just sit with the feeling and experience it.
Jenni Schaefer (Goodbye Ed, Hello Me: Recover from Your Eating Disorder and Fall in Love with Life)
Your extensive travels must have been fatiguing," Zakath said in that same flat tone, "particularly for the ladies. I'll see to it that your return journey to Mal Zeth is made in easy stages." "Your Majesty is very kind, but we're not going back to Mal Zeth." "You're wrong, Belgarion. You are going back to Mal Zeth." "Sorry, I've got a pressing engagement elsewhere." "I'll convey your regrets to Zandramas when I see her." "I'm sure she'd be overjoyed to hear that I'm not coming." "Not for very long, she won't. I fully intent to have her burned as a witch." "Good luck, your Majesty, but I don't think you'll find that she's very combustible.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
But who am I if I'm not Janie the bulimic? Bulimia has become so much a part of me that I can't remember what it felt like not to purge. It's been this secret that I have hidden from my parents and my friends (well, except for Nancy) and the rest of the world. It's the way I can let off the pressure of always feeling like I'm not smart enough, I'm not thin enough, not pretty enough, not funny enough, just plain not enough enough.
Sarah Darer Littman (Purge)
Anyone can change the world and everyone should try.
Chantal Wiebe, M.Ed
Then welcome, you poor things! I'm so gald you're here! I never get to talk to anyone except when I'm working, and then I'm supposed to say things like, 'Woe is me' and 'Beware' and 'Uncle Rupert is going to die.' And then they look at me like I have two heads, which I don't because I'm not a troll , and they always say, 'Oh, no, the banshee is here!' Do you know how that makes me feel? Every time I show up, people run screaming and warn everybody else that I'm around. Believe me, I've thought about staying home and sleeping late, but I can't because I care about people. Without me to warn them, people would die unexpectedly, and then where would their relatives be? When I tell them, they have time to make arrangments, say good-bye...you know-important things. I'm actually a very nice person; it's just that no one gives me a chance to prove it.
E.D. Baker (The Frog Princess (The Tales of the Frog Princess, #1))
...I can't abide snakes." "I don't even think of her as a snake." "Ce'Nedra," he said patiently, "she's long and skinny, she wriggles, she doesn't have any arms or legs, and she's poisonous. By definition, she's a snake." "...I'm bitterly disappointed in you, Prince Kheldar. She's a sweet, loving, brave little creature, and you're insulting her." He looked at her for a moment, then rose to his feet and bowed floridly to the earthenware bottle. "I'm dreadfully sorry, dear Zith," he apologized. "I can't think what came over me. Can you possible find it in your cold little green heart to forgive me?" Zith hissed at him, a hiss ending in a curious grunt. "She says to leave her alone," Sadi told him. "Can you really understand what she's saying?" "In a general sort of way, yes. Snakes have a very limited vocabulary, so it's not all that difficult to pick up a few phrases here and there." The eunuch frowned. "She's been swearing a great deal lately, though, and that's not like her. She's usually a very ladylike little snake." "I can't believe I'm actually involved in this conversation," Silk said, shaking his head and going off down the hall toward the back of the house.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
What I’m trying to say, Garion,’ Durnik continued seriously, ‘is that you can’t go through life being afraid of what you are. If you do that, sooner or later somebody will come along who’ll misunderstand, and you’ll have to do something to show him that it’s not him that you’re afraid of.
David Eddings (Castle of Wizardry (The Belgariad, #4))
The queen sighed. "What am I going to do with all of you now!" "You're going to let us continue our journey," Belgarath replied calmly. "We'll argue about it, of course, but in the end that's the way it'll turn out." She stared at him. "You did ask, after all. I'm sure you feel better now that you know.
David Eddings (Castle of Wizardry (The Belgariad #4))
I'd like to see North America become a dry, sunny, sandy region inhabited mainly by lizards, buzzards and a modest human population - about 25 million would be plenty - of pastoralists and prospectors (prospecting for truth), gathering once a year in the ruins of ancient, mysterious cities for great ceremonies of music, art, dance, poetry, joy, faith and renewal. That's my dream of the American future. Like most such dreams, it will probably come true. That is why I'm still an optimist.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
As recently as 1975, a basic American psychiatry textbook estimated that the frequency of all forms of incest as one case per million. [James Henderson, "Incest", in A. M. Freedman, H.I. Kaplan and B.J. Sadock, eds., Comprehensive Textbook of Psychiatry, 2nd ed. 1975 p. 1532.]
Judith Lewis Herman (Father-Daughter Incest (with a new Afterword))
Ed looks at me like he wishes I'd disappear and if I had the choice I'd grant that wish; I'd turn into smoke and blow away. I want to sit on the other side of the table from him so he doesn't think I'm interested, but there's no room on the other side so I sit as far away from him as I can and try to have an out-of-body experience. This couldn't get more awkward if we all tried. "How about we get some air?" Leo asks Jazz, and they walk outside. Daisy follows them and Dylan follows her. Okay, it could get more awkward if we all tried.
Cath Crowley (Graffiti Moon)
But, Ed! Say! Are you going to let him get away with it?" "Am I going to let him get away with it!" said Mr. Cootes, annoyed by the foolish question. "Wake me up in the night and ask me!" "But what are you going to do?" "Do!" said Mr. Cootes. "Do! I'll tell you what I'm going to..." He paused, and the stern resolve that shone in his face seemed to flicker. "Say, what the hell am I going do?" he went on somewhat weakly.
P.G. Wodehouse (Leave It to Psmith (Psmith, #4 ; Blandings Castle, #2))
So I was a stone in the sea. Gravity gave up on keeping me above the surface. I did not try to swim and so I sank to the bottom with no will to turn back. ”I’m tired,” I told him. ”I’m done”. But he wouldn’t let me and he held me up even on his hardest days and he was a lighthouse when all I saw was darkness.
Charlotte Eriksson
But, if ADHD has made me an expert in anything, it’s avoidance, and I am pretending not to see my problems like a champ. Sure, the problems nag and gnaw at the back of my mind, slowly devouring me until I’m nothing but a flesh bag of subconscious anxiety, but it’s better than actively sending myself into a meltdown by imagining literally every single rancid potential outcome.
Mazey Eddings (Tilly in Technicolor)
Me, I'm living under a sword too, as Jack may have told you. An old wino's disease, which could lay me in the grave most anytime. Not that I mind too much; I've done everything I ever wanted to do. But ... as you know, one would like to continue doing the good things over and over again, so long as there's pleasure in it.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I’m a firm believer in the chaotic nature of the creative process needing to be chaotic. If we put too much structure on it, we will kill it. So there’s a fine balance between providing some structure and safety—financial and emotional—but also letting it get messy and stay messy for a while. To do that, you need to assess each situation to see what’s called for. And then you need to become what’s called for.
Ed Catmull (Creativity, Inc.: Overcoming the Unseen Forces That Stand in the Way of True Inspiration)
The Hierarch of Rak Urga drew himself up. “This is not a request, Urgit. I’m not asking you.” “Good. Because I’m not going.” “I command you to go.” “I don’t think so.” “Do you realize to whom you’re talking?” “Perfectly, old boy. You’re the same tiresome old Grolim who’s been boring me to tears ever since I inherited the throne from that fellow who used to chew on the carpets back in Rak Goska. Listen carefully, Agachak. I’ll use short words and simple sentences so I don’t confuse you. I am not going to Mallorea. I’ve never had any intention of going to Mallorea. There’s nothing I want to see in Mallorea. There’s nothing I want to do there. I most definitely do not intend to put myself anywhere near Kal Zakath, and he’s gone back to Mal Zeth. Not only that, they have demons in Mallorea. Have you ever seen a demon, Agachak?” “Once or twice,” the Hierarch replied sullenly. “Are you’re still going to Mallorea? Agachak, you’re as crazy as Taur Urgas was.
David Eddings (Sorceress of Darshiva (The Malloreon, #4))
I wouldn't do that," Silk advised. "Thinking about it isn't going to help, and it's only going to make you nervous." "Nervouser," Garion corrected. "I'm already nervous." "Is there such a word as "'nervouser'?" Silk asked Belgarath curiously. "There is now," Belgarath replied. "Garion just invented it." "I wish I could invent a word," Silk said admiringly to Garion.
David Eddings (Enchanters' End Game (The Belgariad #5))
And then I got to thinking about how, if someone met me for the first time now, they would need to know about Uncle Ed and my parents in order to understand me. Sometimes it feels as though I’m defined by all the people I’ve lost , like one of those negative-space pictures, where what’s not there is just as important as what is.
Claire Wong (The Runaway)
Yesterday it was sun outside. The sky was blue and people were lying under blooming cherry trees in the park. It was Friday, so records were released, that people have been working on for years. Friends around me find success and level up, do fancy photo shoots and get featured on big, white, movie screens. There were parties and lovers, hand in hand, laughing perfectly loud, but I walked numbly through the park, round and round, 40 times for 4 hours just wanting to make it through the day. There's a weight that inhabits my chest some times. Like a lock in my throat, making it hard to breathe. A little less air got through and the sky was so blue I couldn’t look at it because it made me sad, swelling tears in my eyes and they dripped quietly on the floor as I got on with my day. I tried to keep my focus, ticked off the to-do list, did my chores. Packed orders, wrote emails, paid bills and rewrote stories, but the panic kept growing, exploding in my chest. Tears falling on the desk tick tick tick me not making a sound and some days I just don't know what to do. Where to go or who to see and I try to be gentle, soft and kind, but anxiety eats you up and I just want to be fine. This is not beautiful. This is not useful. You can not do anything with it and it tries to control you, throw you off your balance and lovely ways but you can not let it. I cleaned up. Took myself for a walk. Tried to keep my eyes on the sky. Stayed away from the alcohol, stayed away from the destructive tools we learn to use. the smoking and the starving, the running, the madness, thinking it will help but it only feeds the fire and I don't want to hurt myself anymore. I made it through and today I woke up, lighter and proud because I'm still here. There are flowers growing outside my window. The coffee is warm, the air is pure. In a few hours I'll be on a train on my way to sing for people who invited me to come, to sing, for them. My own songs, that I created. Me—little me. From nowhere at all. And I have people around that I like and can laugh with, and it's spring again. It will always be spring again. And there will always be a new day.
Charlotte Eriksson
Love thou thy dream All base love scorning, Love thou the wind And here take warning That dreams alone can truly be, For 'tis in dream I come to thee. Ezra Pound, The Song trad. Ungaretti: Ama il tuo sogno Ama il tuo sogno Ogni inferiore amore disprezzando, Il vento ama Ed accorgiti qui Che i sogni solo possono veramente essere, Perciò in sogno a raggiungerti m’avvio.
Ezra Pound
Well, Pip,’ said Joe, ‘be it so or be it son’t, you must be a scholar afore you can be a oncommon one, I should hope! The king upon his throne, with his crown upon his ed, can’t sit and write his acts of Parliament in print, without having begun, when he were a unpromoted Prince, with the alphabet – Ah!’ added Joe, with a shake of the head that was full of meaning. ‘and begun at A too, and worked his way to Z. And I know what that is to do, though I can’t say I’ve exactly done it.’ There was some hope in this piece of wisdom, and it rather encouraged me. ‘Whether common ones as to callings and earnings,’ pursued Joe reflectively, ‘mightn’t be the better of continuing for to keep company with common ones, instead of going out to play with oncommon ones – which reminds me to hope there were a flag, perhaps?’ ‘No, Joe.’ ‘(I’m sorry there weren’t a flag, Pip.) Whether that might be or mightn’t be, is a thing as can’t be looked into now, without putting your sister on the Rampage; and that’s a thing not to be thought of, as being done intentional. Lookee here, Pip, at what is said to you by a true friend. Which this to you the true friend say. If you can’t get to be oncommon through going straight, you’ll never get to do it through going crooked. So don’t tell no more on ‘em, Pip, and live well and die happy.’ Chapter 9
Charles Dickens (Great Expectations)
It was An­tho­ny Marston who dis­agreed with the ma­jor­ity. 'A bit un­sport­ing, what?' he said. 'Ought to fer­ret out the mys­tery be­fore we go. Whole thing's like a de­tec­tive sto­ry. Pos­itive­ly thrilling.' The judge said acid­ly: 'At my time of life, I have no de­sire for "thrills," as you call them.' An­tho­ny said with a grin: 'The le­gal life's narrow­ing! I'm all for crime! Here's to it.' He picked up his drink and drank it off at a gulp. Too quick­ly, per­haps. He choked -​ choked bad­ly. His face contort­ed, turned pur­ple. He gasped for breath -​ then slid down off his chair, the glass falling from his hand.
Agatha Christie (And Then There Were None)
BERNSTEIN: “I’ll read you the first few paragraphs.” (He got as far as the third. Mitchell responded, “JEEEEEEEEESUS” every few words.) MITCHELL: “All that crap, you’re putting it in the paper? It’s all been denied. Katie Graham’s gonna get her tit caught in a big fat wringer if that’s published. Good Christ! That’s the most sickening thing I ever heard.” BERNSTEIN: “Sir, I’d like to ask you a few questions about—” MITCHELL: “What time is it?” BERNSTEIN: “Eleven thirty. I’m sorry to call so late.” MITCHELL: “Eleven thirty. Eleven thirty when?” BERNSTEIN: “Eleven thirty at night.” MITCHELL: “Oh.” BERNSTEIN: “The committee has issued a statement about the story, but I’d like to ask you a few questions about the specifics of what the story contains.” MITCHELL: “Did the committee tell you to go ahead and publish that story? You fellows got a great ballgame going. As soon as you’re through paying Ed Williams* and the rest of those fellows, we’re going to do a story on all of you.
Carl Bernstein (All the President's Men)
So yes,” Sean gave me a pointed look, “I approve of it wholeheartedly. In fact, seduce her again.” I coughed, choking on nothing, and sputtered, “What? What did you say?” “I said seduce her. And do it now. She has more unresolved feelings for you than Jennifer has for Brad.” He paused, then added, “And do a good job. Do a great job.” I stared at him for several seconds, dumbfounded. “Of course I’ll do a great job.” Sean pointed at me accusingly. “I’m serious. Look up some moves or watch some videos, do whatever it takes to make sure she enjoys herself.” Now I was offended. “Fuck you, Sean. Of course she’ll enjoy herself. She’ll like it so much she’ll beg for-” “Hey.” My teammate narrowed his eyes, slicing his hand through the air. “I don’t need or want to know the specifics. I’m just saying, take good care of her. Take excellent care of her. Give her everything she needs. And don’t be selfish.” “I won’t be.” I shook my head with the denial, staring at Sean. Staring at him because . . . Did he just tell me to seduce his cousin?
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
In the past, my brain could only compute perfection or failure—nothing in between. So words like competent, acceptable, satisfactory, and good enough fell into the failure category. Even above average meant failure if I received an 88 out of 100 percent on an exam, I felt that I failed. The fact is most things in life are not absolutes and have components of both good and bad. I used to think in absolute terms a lot: all, every, or never. I would all of the food (that is, binge), and then I would restrict every meal and to never eat again. This type of thinking extended outside of the food arena as well: I had to get all of the answers right on a test; I had to be in every extracurricular activity […] The ‘if it’s not perfect, I quit’ approach to life is a treacherous way to live. […] I hadn’t established a baseline of competence: What gets the job done? What is good enough? Finding good enough takes trial and error. For those of us who are perfectionists, the error part of trial and error can stop us dead in our tracks. We would rather keep chasing perfection than risk possibly making a mistake. I was able to change my behavior only when the pain of perfectionism became greater than the pain of making an error. […] Today good enough means that I’m okay just the way I am. I play my position in the world. I catch the ball when it is thrown my way. I don’t always have to make the crowd go wild or get a standing ovation. It’s good enough to just catch the ball or even to do my best to catch it. Good enough means that I finally enjoy playing the game.
Jenni Schaefer (Goodbye Ed, Hello Me: Recover from Your Eating Disorder and Fall in Love with Life)
It's like a stomach ache after not eating for five days. The muscles are starting to eat themselves, and you couldn't care less. It's about holding on to every moment with every ounce of your being, every atom. It's about memorising every expression, the way your muscles work, the way you speak, how your voice sounds during every part of the day. It's about not feeling the goodbye in every kiss, in every hug, in every touch. It's about trying to keep your voice steady even with a knife to your throat. It's August and I'm tired of being strong. I never really was very brave. Throw me on sharp edges, I've never felt so destructive.
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
My job is not to worry about what everyone else thinks about me but to discover what I think. If I actually want to know what someone else thinks, my job is then to ask that person. More often than not, however, it isn’t important to know. It’s okay if people are mad at me, and it’s okay if people think I’m a complete idiot—as long as I’m doing my best. Just because certain people might have judgments about me, it does not mean they have authority over me. To truly form my own life, I had to ask questions like ‘What are my needs? And ‘What are my thoughts?’ I had to acknowledge both my strengths and my weaknesses. I had to form my own opinions based on my reality instead of someone else’s.
Jenni Schaefer (Goodbye Ed, Hello Me: Recover from Your Eating Disorder and Fall in Love with Life)
Maxine will sometimes compliment us on our hair or other aspects of our scruffy appearance. The next day, or even later the same day, she'll send an all-caps e-mail asking why a certain form is not on her desk. This will prompt a peppy reply, one barely stifling a howl of fear: Hey Maxine! The document you want was actually put in your in-box yesterday around lunchtime. I also e-mailed it to you and Russell. Let me know if you can't find it! Thanks! Laars P.S. I'm also attaching it again as a Word doc, just in case. There's so much wrong here: the fake-vague around lunchtime, the nonsensical Thanks, the quasi-casual postscript. The exclamation points look downright psychotic.
Ed Park (Personal Days)
The busybody (banned as sexist, demeaning to older women) who lives next door called my daughter a tomboy (banned as sexist) when she climbed the jungle (banned; replaced with "rain forest") gym. Then she had the nerve to call her an egghead and a bookworm (both banned as offensive; replaced with "intellectual") because she read fairy (banned because suggests homosexuality; replace with "elf") tales. I'm tired of the Language Police turning a deaf ear (banned as handicapism) to my complaints. I'm no Pollyanna (banned as sexist) and will not accept any lame (banned as offensive; replace with "walks with a cane") excuses at this time. If Alanis Morrissette can play God (banned) in Dogma (banned as ethnocentric; replace with "Doctrine" or "Belief"), why can't my daughter play stickball (banned as regional or ethnic bias) on boy's night out (banned as sexist)? Why can't she build a snowman (banned, replace with "snow person") without that fanatic (banned as ethnocentric; replace with "believer," "follower," or "adherent") next door telling her she's going to hell (banned; replaced with "heck" or "darn")? Do you really think this is what the Founding Fathers (banned as sexist; replace with "the Founders" or "the Framers") had in mind? That we can't even enjoy our Devil (banned)-ed ham sandwiches in peace? I say put a stop to this cult (banned as ethnocentric) of PC old wives' tales (banned as sexist; replace with "folk wisdom") and extremist (banned as ethnocentric; replace with "believer," "follower," or "adherent") conservative duffers (banned as demeaning to older men). As an heiress (banned as sexist; replace with "heir") to the first amendment, I feel that only a heretic (use with caution when comparing religions) would try to stop American vernacular from flourishing in all its inspirational (banned as patronizing when referring to a person with disabilities) splendor.
Denise Duhamel
Spleen Je suis comme le roi d'un pays pluvieux, Riche, mais impuissant, jeune et pourtant très vieux, Qui, de ses précepteurs méprisant les courbettes, S'ennuie avec ses chiens comme avec d'autres bêtes. Rien ne peut l'égayer, ni gibier, ni faucon, Ni son peuple mourant en face du balcon. Du bouffon favori la grotesque ballade Ne distrait plus le front de ce cruel malade; Son lit fleurdelisé se transforme en tombeau, Et les dames d'atour, pour qui tout prince est beau, Ne savent plus trouver d'impudique toilette Pour tirer un souris de ce jeune squelette. Le savant qui lui fait de l'or n'a jamais pu De son être extirper l'élément corrompu, Et dans ces bains de sang qui des Romains nous viennent, Et dont sur leurs vieux jours les puissants se souviennent, II n'a su réchauffer ce cadavre hébété Où coule au lieu de sang l'eau verte du Léthé // I'm like the king of a rain-country, rich but sterile, young but with an old wolf's itch, one who escapes his tutor's monologues, and kills the day in boredom with his dogs; nothing cheers him, darts, tennis, falconry, his people dying by the balcony; the bawdry of the pet hermaphrodite no longer gets him through a single night; his bed of fleur-de-lys becomes a tomb; even the ladies of the court, for whom all kings are beautiful, cannot put on shameful enough dresses for this skeleton; the scholar who makes his gold cannot invent washes to cleanse the poisoned element; even in baths of blood, Rome's legacy, our tyrants' solace in senility, he cannot warm up his shot corpse, whose food is syrup-green Lethean ooze, not blood. — Robert Lowell, from Marthiel & Jackson Matthews, eds., The Flowers of Evil (NY: New Directions, 1963)
Charles Baudelaire (Les Fleurs du Mal)
Haven't you heard of that madman who in the bright morning lit a lantern and ran around the marketplace crying incessantly, 'I'm looking for God! l'm looking for God!' Since many of those who did not believe in God were standing around together just then, he caused great laughter. Has he been lost, then? asked one. Did he lose his way like a child? asked another. Or is he hiding? Is he afraid of us? Has he gone to sea? Emigrated? - Thus they shouted and laughed, one interrupting the other. The madman jumped into their midst and pierced them with his eyes. 'Where is God?' he cried; 'I'll tel1 you! We have kil/ed him - you and I! Wc are all his murderers. But how did wc do this? How were we able to drink up the sea? Who gave us the spange to wipe away the entire horizon? What were we doing when we unchained this earth from its sun? Where is it moving to now? Where are we moving to? Away from all suns? Are wc not continually falling? And backwards, sidewards, forwards, in all directions? Is there still an up and a down? Aren't we straying as though through an infinite nothing? Isn't empty space breathing at us? Hasn't it got colder? Isn't night and more night coming again and again? Don't lanterns have to be lit in the morning? Do we still hear nothing of the noise of the grave-diggers who are burying God? Do we still smell nothing of the divine decomposition? - Gods, too, decompose! God is dead! God remains dead! And we have killed him! How can we console ourselves, the murderers of all murderers. The holiest and the mightiest thing the world has ever possessed has bled to death under our knives: who will wipe this blood from us? With what water could we clean ourselves? What festivals of atonement, what holy games will we have to invent for ourselves? Is the magnitude of this deed not too great for us? Do we not ourselves have to become gods merely to appear worthy of it?
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
Stamattina ho avuto un'illuminazione: è tutta colpa mia. Il mio errore pià grave è stato di non capire che il tempo passa. Il tempo passava e io ero fissa nell'atteggiamento della sposa ideale di un marito ideale. Invece di rianimare la nostra vita sessuale m'incantavo nel ricordo delle nostre notti di una volta. Mi immaginavo di aver conservato il mio viso e il mio corpo di trent'anni invece di curare il mio fisico. Ho lasciato atrofizzare la mia intelligenza; non mi coltivavo più; mi dicevo: 'più tardi, quando le bambine mi avranno lasciata'. Si, la giovane studentessa che Maurice sposò, che si appassionava agli avvenimenti, alle idee, ai libri, era ben diversa dalla donna di oggi, il cui universo è tutto in queste quattro mura. Ed è vero che avevo la tendenza a imprigionarvi Maurice. credevo che la sua famiglia dovesse bastargli, credevo di averlo tutto per me. In generale davo tutto per scontato, e questo deve averlo seccato, lui che cambia, che mette sempre in questione tutte le cose. La noia non perdona" -Una donna spezzata-
Simone de Beauvoir
I was starting to remember the whole problem now: I hate these fucking people [people at Tea Party rallies, ed]. It's never been just political, it's personal. I'm not convinced anyone in this country except the kinds of weenies who thought student council was important really cares about large versus small government or strict constructionalism versus judicial activism. The ostensible issues are just code words in an ugly snarl of class resentment, anti-intellectualism, old-school snobbery, racism, and who knows what else - grudges left over from the Civil War, the sixties, gym class. The Tea Party likes to cite a poll showing that their members are wealthier and better educated than te general populace, but to me they mostly looked like the same people I'd had to listen to in countless dive bars railing against "edjumicated idiots" and explaining exactly how Nostradamus predicted 9/11, the very people I and everyone I know fled our hometowns to get away from. So far all my interactions at the rally were only reinforcing my private theory - I suppose you might call it a prejudice - that liberals are the ones who went to college, moved to the nearest city where no one would call them a fag, and now only go back for holidays; conservatives are the ones who married their high school girlfriends, bought houses in their hometowns, and kept going to church and giving a shit who won the homecoming game. It's the divide between the Got Out and the Stayed Put. This theory also account for the different reactions of these two camps when the opposition party takes power, raising the specter of either fascist or socialist tyranny: the Got Outs always fantasize about fleeing the country for someplace more civilized - Canada, France, New Zealand; the Stayed Put just di further in, hunkering down in compounds, buying up canned goods and ammo.
Tim Kreider (We Learn Nothing)
I can believe things that are true and I can believe things that aren’t true and I can believe things where nobody knows if they’re true or not. I can believe in Santa Claus and the Easter Bunny and Marilyn Monroe and the Beatles and Elvis and Mister Ed. Listen—I believe that people are perfectible, that knowledge is infinite, that the world is run by secret banking cartels and is visited by aliens on a regular basis, nice ones that look like wrinkledy lemurs and bad ones who mutilate cattle and want our water and our women. I believe that the future sucks and I believe that the future rocks and I believe that one day White Buffalo Woman is going to come back and kick everyone’s ass. I believe that all men are just overgrown boys with deep problems communicating and that the decline in good sex in America is coincident with the decline in drive-in movie theatres from state to state. I believe that all politicians are unprincipled crooks and I still believe that they are better than the alternative. I believe that California is going to sink into the sea when the big one comes, while Florida is going to dissolve into madness and alligators and toxic waste. I believe that antibacterial soap is destroying our resistance to dirt and disease so that one day we’ll all be wiped out by the common cold like the Martians in War of the Worlds. I believe that the greatest poets of the last century were Edith Sitwell and Don Marquis, that jade is dried dragon sperm, and that thousands of years ago in a former life I was a one-armed Siberian shaman. I believe that mankind’s destiny lies in the stars. I believe that candy really did taste better when I was a kid, that it’s aerodynamically impossible for a bumblebee to fly, that light is a wave and a particle, that there’s a cat in a box somewhere who’s alive and dead at the same time (although if they don’t ever open the box to feed it it’ll eventually just be two different kinds of dead), and that there are stars in the universe billions of years older than the universe itself. I believe in a personal god who cares about me and worries and oversees everything I do. I believe in an impersonal god who set the universe in motion and went off to hang with her girlfriends and doesn’t even know that I’m alive. I believe in an empty and godless universe of causal chaos, background noise and sheer blind luck. I believe that anyone who says that sex is overrated just hasn’t done it properly. I believe that anyone who claims to know what’s going on will lie about the little things too. I believe in absolute honesty and sensible social lies. I believe in a woman’s right to choose, a baby’s right to live, that while all human life is sacred there’s nothing wrong with the death penalty if you can trust the legal system implicitly, and that no one but a moron would ever trust the legal system. I believe that life is a game, life is a cruel joke and that life is what happens when you’re alive and that you might as well lie back and enjoy it.
Neil Gaiman (American Gods)
Toyota wasn’t really worried that it would give away its “secret sauce.” Toyota’s competitive advantage rested firmly in its proprietary, complex, and often unspoken processes. In hindsight, Ernie Schaefer, a longtime GM manager who toured the Toyota plant, told NPR’s This American Life that he realized that there were no special secrets to see on the manufacturing floors. “You know, they never prohibited us from walking through the plant, understanding, even asking questions of some of their key people,” Schaefer said. “I’ve often puzzled over that, why they did that. And I think they recognized we were asking the wrong questions. We didn’t understand this bigger picture.” It’s no surprise, really. Processes are often hard to see—they’re a combination of both formal, defined, and documented steps and expectations and informal, habitual routines or ways of working that have evolved over time. But they matter profoundly. As MIT’s Edgar Schein has explored and discussed, processes are a critical part of the unspoken culture of an organization. 1 They enforce “this is what matters most to us.” Processes are intangible; they belong to the company. They emerge from hundreds and hundreds of small decisions about how to solve a problem. They’re critical to strategy, but they also can’t easily be copied. Pixar Animation Studios, too, has openly shared its creative process with the world. Pixar’s longtime president Ed Catmull has literally written the book on how the digital film company fosters collective creativity2—there are fixed processes about how a movie idea is generated, critiqued, improved, and perfected. Yet Pixar’s competitors have yet to equal Pixar’s successes. Like Toyota, Southern New Hampshire University has been open with would-be competitors, regularly offering tours and visits to other educational institutions. As President Paul LeBlanc sees it, competition is always possible from well-financed organizations with more powerful brand recognition. But those assets alone aren’t enough to give them a leg up. SNHU has taken years to craft and integrate the right experiences and processes for its students and they would be exceedingly difficult for a would-be competitor to copy. SNHU did not invent all its tactics for recruiting and serving its online students. It borrowed from some of the best practices of the for-profit educational sector. But what it’s done with laser focus is to ensure that all its processes—hundreds and hundreds of individual “this is how we do it” processes—focus specifically on how to best respond to the job students are hiring it for. “We think we have advantages by ‘owning’ these processes internally,” LeBlanc says, “and some of that is tied to our culture and passion for students.
Clayton M. Christensen (Competing Against Luck: The Story of Innovation and Customer Choice)
Sarah sits up and reaches over, plucking a string on my guitar. It’s propped against the nightstand on her side of the bed. “So . . . do you actually know how to play this thing?” “I do.” She lies down on her side, arm bent, resting her head in her hand, regarding me curiously. “You mean like, ‘Twinkle, Twinkle, Little Star,’ the ‘ABC’s,’ and such?” I roll my eyes. “You do realize that’s the same song, don’t you?” Her nose scrunches as she thinks about it, and her lips move as she silently sings the tunes in her head. It’s fucking adorable. Then she covers her face and laughs out loud. “Oh my God, I’m an imbecile!” “You shouldn’t be so hard on yourself, but if you say so.” She narrows her eyes. “Bully.” Then she sticks out her tongue. Big mistake. Because it’s soft and pink and very wet . . . and it makes me want to suck on it. And then that makes me think of other pink, soft, and wet places on her sweet-smelling body . . . and then I’m hard. Painfully, achingly hard. Thank God for thick bedcovers. If this innocent, blushing bird realized there was a hot, hard, raging boner in her bed, mere inches away from her, she would either pass out from all the blood rushing to her cheeks or hit the ceiling in shock—clinging to it by her fingernails like a petrified cat over water. “Well, you learn something new every day.” She chuckles. “But you really know how to play the guitar?” “You sound doubtful.” She shrugs. “A lot has been written about you, but I’ve never once heard that you play an instrument.” I lean in close and whisper, “It’s a secret. I’m good at a lot of things that no one knows about.” Her eyes roll again. “Let me guess—you’re fantastic in bed . . . but everybody knows that.” Then she makes like she’s playing the drums and does the sound effects for the punch-line rim shot. “Ba dumb ba, chhhh.” And I laugh hard—almost as hard as my cock is. “Shy, clever, a naughty sense of humor, and a total nutter. That’s a damn strange combo, Titebottum.” “Wait till you get to know me—I’m definitely one of a kind.” The funny thing is, I’m starting to think that’s absolutely true. I rub my hands together, then gesture to the guitar. “Anyway, pass it here. And name a musician. Any musician.” “Umm . . . Ed Sheeran.” I shake my head. “All the girls love Ed Sheeran.” “He’s a great singer. And he has the whole ginger thing going for him,” she teases. “If you were born a prince with red hair? Women everywhere would adore you.” “Women everywhere already adore me.” “If you were a ginger prince, there’d be more.” “All right, hush now smartarse-bottum. And listen.” Then I play “Thinking Out Loud.” About halfway through, I glance over at Sarah. She has the most beautiful smile, and I think something to myself that I’ve never thought in all my twenty-five years: this is how it feels to be Ed Sheeran.
Emma Chase (Royally Matched (Royally, #2))