M Burr Quotes

We've searched our database for all the quotes and captions related to M Burr. Here they are! All 30 of them:

{BURR} Life doesn't discriminate between the sinners and the saints. It takes and it takes and it takes. And we keep living anyway. We rise and we fall and we break and we make our mistakes and if there's a reason I'm still alive when so many have died then I'm willing to-- wait for it.
Lin-Manuel Miranda
Don’t let the bow tie fool you, Stella. I’m not always nice,” he says, a deep burr in his voice. “When the situation calls for it, I can be downright rough.
Tessa Bailey (Window Shopping)
Past the flannel plains and blacktop graphs and skylines of canted rust, and past the tobacco-brown river overhung with weeping trees and coins of sunlight through them on the water downriver, to the place beyond the windbreak, where untilled fields simmer shrilly in the A.M. heat: shattercane, lamb's-quarter, cutgrass, sawbrier, nutgrass, jimsonweed, wild mint, dandelion, foxtail, muscadine, spinecabbage, goldenrod, creeping charlie, butter-print, nightshade, ragweed, wild oat, vetch, butcher grass, invaginate volunteer beans, all heads gently nodding in a morning breeze like a mother's soft hand on your cheek. An arrow of starlings fired from the windbreak's thatch. The glitter of dew that stays where it is and steams all day. A sunflower, four more, one bowed, and horses in the distance standing rigid and still as toys. All nodding. Electric sounds of insects at their business. Ale-colored sunshine and pale sky and whorls of cirrus so high they cast no shadow. Insects all business all the time. Quartz and chert and schist and chondrite iron scabs in granite. Very old land. Look around you. The horizon trembling, shapeless. We are all of us brothers. Some crows come overhead then, three or four, not a murder, on the wing, silent with intent, corn-bound for the pasture's wire beyond which one horse smells at the other's behind, the lead horse's tail obligingly lifted. Your shoes' brand incised in the dew. An alfalfa breeze. Socks' burrs. Dry scratching inside a culvert. Rusted wire and tilted posts more a symbol of restraint than a fence per se. NO HUNTING. The shush of the interstate off past the windbreak. The pasture's crows standing at angles, turning up patties to get at the worms underneath, the shapes of the worms incised in the overturned dung and baked by the sun all day until hardened, there to stay, tiny vacant lines in rows and inset curls that do not close because head never quite touches tail. Read these.
David Foster Wallace (The Pale King)
Severin frowned at the leafy green twigs shoved in a vase that Elle had brought him that day. She had run out of flowers, and resorted to clipping branches from bushes. He could see the flattened leaves the maddening girl had no doubt rubbed. She is like a burr—once she brushes you, she is difficult to dislodge. He
K.M. Shea (Beauty and the Beast (Timeless Fairy Tales, #1))
I'm saying that figuring out what's important in life and how to go about getting it is very difficult. Sometimes you get confused and you get tempted to just let other people make the rules. And some people are really happy to make the rules for other people. Adam Lyons, the man who runs the epiphany machine, is one of those people.
David Burr Gerrard (The Epiphany Machine)
I want to tell you I'm sorry,' he says, voice a low burr. 'Come home and kick me in the teeth if you need to, but then kiss me.
Christina Lauren (Roomies)
He couldn’t be— Oh, Lord. He was. He was going to kiss her. “Wait.” Panicked, Maddie put both hands on his chest, holding him off. “Your men, my servants … they could be watching us.” “I’m certain they’re watching us. That’s why we’re going to kiss.” “But I don’t know how. You know I don’t know how.” His lips quirked. “I know how.” Those three little words, spoken in that low, devastating Scottish burr, did absolutely nothing to ease Maddie’s concerns. Thankfully, she had a reprieve. He pulled back and peered at her hair. He looked like a boy marveling at clockwork, wondering how it all worked. After a few moments, she felt him grasp the pencil holding her chignon. With one long, slow tug, he eased it loose and cast it aside. It landed in the loch with a splash. His fingers sifted through her hair, teasing the locks free of their haphazard knot and arranging them about her shoulders. Tenderly. Like she’d always imagined a lover would. Sparks of sensation danced from her scalp to her toes. “That was my best drawing pencil,” she said. “It’s just a pencil.” “It came from London. I have a limited supply.” His thumb caressed her cheek. “It almost put out my eye. I’ve a limited supply of those, too. And it’s better this way.” “But—” Her breath caught. “Oh.” He bracketed her cheeks with his hands, tilting her face to his. Her pulse thundered in her ears. She stared at his mouth. A wave of inevitability washed over her. She whispered, “This is really happening, isn’t it?” In answer, he pressed his lips to hers.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
It sounds absolutely incredible, but for a moment Charles thought that she was in love with him, and had come out to tempt him. Charles believed in temptresses, who are indeed the strong man's necessary complement, and having no sense of humour, he could not purge himself of the thought by a smile. Margaret, who was engaged to his father, and his sister's wedding-guest, kept on her way without noticing him, and he admitted that he had wronged her on this point. But what was she doing? Why was she stumbling about amongst the rubble and catching her dress in brambles and burrs?
E.M. Forster (Howards End)
Well-wisher With the cold, wet walls around me and the courage finally pulled from guts like an impossibly-lodged burr, I drag my remaining fingers against the stone. I wish the sky would open up and swallow me whole and you partly. Fingernails flutter about, little angels! Bereft of heart. Now that you’ve gone and I’m left lacking both your body and love I myself held marble like statue or marble like meat? Fat and bone. The only thing tying me to anyone is borrowed books and the black clouds circle above like vultures, the rain whistles. A terrible tune.
Sonya Vatomsky (Salt Is For Curing)
I'm not interested in luxury but I'm interested in the quality of life that is led by people who are interested in luxury. Jean-Claude Ellena Perfumes are constructed to smell good on paper, not on skin, which is a perversion. Hay is, as literally as possible, the smell of liquid summer sunlight. This Marxist idea that the price of a thing is the price of its materials is false. A wonderfully odd combination of fresh plant and wool gabardine and clear wood, like opening a clean wardrobe to find a tropical fruit tree growing inside it. There are two great poles of perfumery, Latin and Anglo-Saxon. Seduction and hygiene. The Latin wants to seduce, he says: "See how sexy I am, I'm coming to you.". The American says: "See how clean I am, you can come to me." Jean-Claude Ellena
Chandler Burr (The Perfect Scent: A Year Inside the Perfume Industry in Paris and New York)
Come inside." Shelby tilted her head just enough to rest it briefly on his shoulder as they walked to the door. "I'm relying on your word that I'll walk out again in one piece at the end of the weekend." He only grinned. "I told you my stand on playing the mediator." "Thanks a lot." She glanced up at the door, noting the heavy brass crest that served as a door knocker. The MacGregor lion stared coolly at her with its Gaelic motto over its crowned head. "Your father isn't one to hide his light under a bushel,is he?" "Let's just say he has a strong sense of family pride." Alan lifted the knocker, then let it fall heavily against the thick door. Shelby imagined the sound would vibrate into every nook and cranny in the house. "The Clan MacGregor," Alan began in a low rolling burr, "is one of the few permitted to use the crown in their crest.Good blood. Strong stock.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
There were a few civilized details, like chairs that looked as though they had been purloined from more modern and elegant domiciles- a red velvet recliner, for instance, which would have been far more at home at Mr. Darling's club than in a cave. Wherever did that come from? Wendy wondered. But the rest of the furniture consisted primarily of things like barrels cut in half with moss for cushions, and the stumps of trees with hastily hammered-on backs. Enormous mushrooms made for tables. Some of the lanterns were fungus as well- softly glowing bluish-green "flowers" that spread in delicate clumps just below the ceiling. "John would just have a field day with those, I'm certain," Wendy said with a smile. One large barrel was placed under the end of a hollowed-out root to collect rainwater. There were shelves and nooks for the few possessions considered precious by the Lost Boys: piles of gold coins, interesting animal skeletons, shiny crystals, captivating burrs and seedpods. Also more strange detritus of the civilized world: a hinge, a pipe, a knob from a drawer, a spanner, and even a pocket watch.
Liz Braswell (Straight On Till Morning)
Po behen pothuaj tri jave nga shetitja e nje Majit, por bashke me keto po behen edhe tri jave nga pershendetja tallese dhe e fundit e Poles. Mendoj, mendoj dhe habitem me vete: A me te vertete me ka dashuruar Pola? Atehere cfare dreq eshte kjo dashuri rinie? Une po! Kam dashuri, d.m.th., gezohem kur gezohen te tjeret dhe deshperohem, kur deshperohen ata. Mirepo, kete fare gezimi e deshperimi e ndiej edhe per cdo njeri te larget, madje edhe per Polen e per te gjithe. . ., por asnje nuk dua te kem pa pa perpara. . . I dua, por malli s’me merr! E shoh njerine si njeri per t’u pare, por jo per t’u adhuruar. Njeriu, qe do te adhurohet — qe do te dashurohet, desha te them — prej te gjitheve a prej nje njeriu s’eshte lindur ende. . ., por as qe ka per t’u lindur ndonje i tille! Pra, po them te drejten, se une e doja dhe e dua me gjithe zemer Polen, por me nje dashuri familjare, ashtu si i dua dhe motrat e mia. Sa here qe ka rene puna per te kercyer dance me te a te fjalosesha per ndonje gje, gjithnje e nderoja si njeri, pa anuar mendja per keq. E them kete, sepse ta dashurosh tjetrin ose tjetren per nje pune shtazore, atehere humbet cdo qellim njerezor dhe pastaj eshte e kote te dashurosh! Por ja qe doli ne shesh: -Te dua! - me tha si pa gje te keqe. - Fort mire! Me do? Edhe une te dua! U mbarua puna. Mirpo: - Pse nuk me dorezohesh? Ja kete mister nuk mund ta zgjidh. Per te dashuruar si moter a si njeri e kam dashuruar, por per ta dashuruar si kafshe, as qe me ka shkuar mendja. Por Pola me paska dashur per burre te saj. . . per jeten e saj! Ne qofte se ishte ndonje tjeter ne vendin tim, kete gje do ta quante si dashuri rinie; mirepo une nuk e quaj, dhe as qe kam pse ta quaj ashtu. Po, mik, nuk e quaj: mbasi u njohem mire me Polen, ajo eshte sjelle me shume miqesi me mua, aq sa me se fundi pati guximin perpara familjes se saj te me jepte nje dhurate. Por kjo s’ka ndonje rendesi, mbasi dhurata nuk eshte gje tjeter, vecse nje shprehje adhurimi njerezor, nje pasterti zemre per njeri-tjetrin. Me vone miqesia u kthye jo ne dashuri familjare, por ne dashuri hice, ne dashuri te rreme, se brenda saj fshihej: “Te me dorrezohesh!”. Ajo e mendonte jeten, te ardhmen e saj te siguruar fare mire me mua; vec kesaj, nga qe jam i pashem dhe terheqes, ajo donte te mertohej me mua. Thurr e c’thur enderra lumturie, enderra martese. Shiko tani se ku qendronte dashuria e Poles: tek e ardhmja e saj: eshte i mire dhe nuk do vuaj: pra: ka dashuri! Kete “te me dorezohesh!”, e mbajti te mbyllur ne zemren e saj shume muaj, me shprese, se do t’ia thoja une me pare. Mirpo, kur pa, se s’ia varja veshin fare per kete pune, atehere u detyrua te ma thote vete kete gje. Por, fatkeqesi per te! - Pse nuk me dorezohesh? . . . - Pse nuk mund. . . pse kam tjeter! - Keto fjale te mia i rane si bombe. E po atehere? Atehere gjithe shpresa e saj e bukur u varros sa pa lindur dhe pastaj, duke mos ditur se si ta mbronte veten, filloi te qaje: qante zemra e saj me lejen e arsyes per lumturine e enderruar, qe i vdiq. Puna e saj eshte porsi nje vdekje. Kur vdes njeriu, qajme pse pa ate na cenohet disi rruga e jetes. Keshtu pra, Pola, nuk qau dashurine time, por kujtimin e lumturise se saj! Dhe me se fundi iku! Sikur te me dashuronte me te vertete, Pola, edhe kur ia tregova lajmin e fejeses, ajo duhej te me dashuronte ashtu sikurse e dua une, me gjithe qe jam i lidhur me Aferditen. Mirepo, ajo jo, me dashuronte deri sa e shihte se po shkonte mbare interesi i saj, por kur e pa se ai ngeci atehere ngeci dhe dashuria e saj.
Sterjo Spasse (Why?!(Pse?!))
If it were any of the other Sharpes, he wouldn’t balk. But the idea of spending serveral hours in her company was both intoxicating and terrifying. “If you don’t let me go along,” she continued, “I’ll just follow you. He scowled at her. She probably would; the woman was as stubborn as she was beautiful. “And don’t think you can outride me, either,” she added. “Halstead Hall has a very good stable, and lady Bell is one of our swiftest mounts.” “Lady Bell?” he said sarcastically. “Not Crack Shot or Pistol?” She glared over at him. “Lady Bell was my favorite doll when I was a girl, the last one Mama gave me before she died. I used to play with it whenever I wanted to remember her. The doll got so ragged that I threw her away when I outgrew her.” Her voice lowered. “I regretted that later, but by then it was too late.” The idea of her playing with a doll to remember her late mother made his throat tighten and his heart falter. “Fine,” he bit out. “You can go with me to High Wycombe.” Surprise turned her cheeks rosy. “Oh, thank you, Jackson! You won’t regret it, I promise you!” “I already regret it,” he grumbled. “And you must do as I say. None of your going off half-cocked, do you hear?” “I never go off half-cocked!” “No, you just walk around with a pistol packed full of powder, thinking you can hold men at bay with it.” She tossed her head. “You’ll never let me forget that, will you?” “Not as long as we both shall live.” The minute the words left his lips, he could have kicked himself. They sounded too much like a vow, one he’d give anything for the right to make. Fortunately, she didn’t seem to have noticed. Instead, she was squirming and shimmying about on her saddle. “Are you all right?” he asked. “I’ve got a burr caught in my stocking that keeps rubbing against my leg. I’m just trying to work it out. Don’t mind me.” His mouth went dry at her mention of stockings. It brought yesterday’s encounter vividly into his mind, how he’d lifted her skirts to reach the smooth expanse of calf encased in silk. How he’d run his hands up her thighs as his mouth had tasted- God save him. He couldn’t be thinking about such things while riding. He shifted uncomfortably in the saddle as they reached the road and settled into a comfortable pace. The road was busy at this early hour. The local farmers were driving their carts to market or town, and laborers were headed for the fields. To Jackson’s relief, that made it easy not to talk. Conversaing with her was bound to be difficult, especially if she started consulting him about her suitors.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
No other supporting player won three Academy Awards, and you would be hard-pressed to name another character actor whose performances frequently overwhelmed those of ostensible leads like Joel McCrea and Barbara Stanwyck in Banjo on My Knee. “We’re supporting you. Be nice to us,” McCrea and Stanwyck joked with Brennan. Those stars had the fights of their lives trying to stay on equal terms with old Walter. Sure, other character actors have had their star turns—especially in television, which gave Ward Bond in Wagon Train, Raymond Burr in Perry Mason, and Harry Morgan in M.A.S.H. their respective moments of fame—but no character actor other than Brennan dominated the Hollywood century of popular entertainment, or attained the iconic status he achieved. To follow Brennan—beginning with his career as a seven-dollar-a-day extra—is to learn all you need to know about Hollywood and its mythologizing of the American dream. Walter Brennan became an archetype, not a stereotype.
Carl Rollyson (A Real American Character: The Life of Walter Brennan (Hollywood Legends))
I'll admit that I'm not fond of children. They stick to you like burrs, and tearing them off is cumbersome. I don't dislike them. I simply prefer them not to be around.
Rabih Alameddine (An Unnecessary Woman)
Because ye willna accept me for who I am! I can only be the Duchess of Nottingham now, not permitted to wear wool or speak with a burr or believe what I have spent my whole life believing. I canna turn around without your oldest friend lecturing me on superstition or you calling me daft for believing in curses " His usually gut reaction beckoned--- spin away, refuse to engage in what he deemed a ridiculous argument. But a quiet Stay resonated within him, and this time he didn't think he was misunderstanding. He shoved his hands in his pockets to anchor himself. " I love to hear you speak. I care very little what you wear, so long as you have what you need and are happy in it." She snorted. " Your society disagrees " "Yes, they do. And you can either conform to their expectations or defy them. Whatever your choice, I will stand beside you. But it is the other that really bothers you, and that is my fault. My failing. Your opinions and beliefs are worth no less than mine.
Roseanna M. White (The Reluctant Duchess (Ladies of the Manor, #2))
This here is Miz Nellie Ward," Dane started. "Until about an hour ago, she was the owner of one of the finest brothels in Dodge City.” He smiled at the woman and continued. “The place burned to the ground and all her girls left to work for another house.” “What the hell is this about, Marshal?” Mindy said. “If you think I’m going to work for Nellie you’re crazy.” She nodded at the woman. “No offense, Nellie. It’s just that I ain’t got a hankering for spending my time flat on my back. That about killed my mama.” “None taken,” Nellie said, her lips twitching. “Although that’s not why Nellie is here, missy, you might not be so quick to dismiss a job,” the marshal said. “Stuart stopped me on the way over here so I could tell you to turn in your dress, cause you’ve been fired.” “Well, hell. Ain’t that like a man? Takes the mayor’s side in this, without even hearing what really happened.” “Forget it, girl. What I have to say to you—” his eyes swept over the other three women behind bars. “All of you—is I have a proposal.” He paused, making sure he had all their attention. “Nellie’s place burned down, and she has nowhere to go. All of you are a burr under my saddle. I can’t have women in my jail, but none of you have a job or a place to stay.” He took off his hat and ran his fingers through his hair. “So, this is the deal. There’s a wagon train right now at Fort Dodge from Independence that’s headed to Santa Fe, New Mexico territory. Now I happen to know there are plenty of men down that way looking for wives.” One of the women gasped. “Marshal, surely you’re not suggesting . . .” “Yes, ma’am I am suggesting. You gals will either get on that wagon train with Nellie here as your chaperone or wait until the circuit judge comes around when he sobers up. He’ll be so blasted hung over, he’s liable to send y’all off to the state prison.” “That’s outrageous. You can’t force us to marry strangers.” Another young, pretty girl clutched the cell bars, her knuckles white. “No, ma’am, you’re probably right. I can’t do that. But what I can do is leave you sitting here until old Judge Bailey makes his appearance. Sometimes we don’t see him for six months.” “I’m willing.” The girl curled up on her cot said, her voice barely above a whisper. From Prisoners of Love: Nellie, A Christmas to Remember
Callie Hutton
A campervan? Like the one my dad has? They’re tiny!” “Our model was bigger than average. But I’m guessing we crammed more stuff into ours than your father does.” He shut the window with a screech. “I suppose the people matter too,” Mina mused. “There’s no house big enough if you share it with an arsehole.
Shelley Burr (Wake)
Burr let it be known that perhaps he would accept the presidency.
David M. Rubenstein (The American Story: Conversations with Master Historians (Gift for History Buffs))
[Me picturing Bill Burr playing watson in the shining}: "I tell you, this whole place is gonna go sky high someday, and I just hope that fat fucks here to ride the rocket. Me, I'm just as mean as a snake with shingles.
Stephen King
By now, it’s obvious that I’m uncontrollable. I smoke, and I drink, and I lose myself in laudanum. I have sinned. I will sin again. I’ve fucked. I’ve taken pleasure in another man. If Leo wants me tonight, I will let him fuck into me until he’s spent, because I enjoy it. I’ve enjoyed myself, writhing beneath him—and my brother is dead. And people my age are dying. And this place wills it so.
Lucien Burr (The Teras Trials (The Teras Threat #1))
Once more I have the familiar feeling of having to fly, of standing on a window sill (in a burr.ing house? ) with no possibility of escape unless I am suddenly able to fly. At the same time I know for sure that it is no use flinging myself into the street, suicide is an illusion. This means that I must fly in the confidence that the void itself will bear me up, that is to say a leap without wings, a leap into nothingness, into an unlived life, into guilt by omission, into emptiness as the only reality which belongs to me, which can bear me up .
Max Frisch (I'm Not Stiller)
Burr was talking about justice. "When I get to run the world," he announced comfortably to the steaming lake, "I'm going to hold the Nuremberg Trials Part Two. I'm going to get all the arms dealers and shit scientists, and all the smooth salesmen who push the crazies one step further than they thought of going, because it's good for business, and all the lying politicians and the lawyers and accountants and bankers, and I'm going to put them in the dock to answer for their lives. And you know what they'll say? 'If we hadn't done it someone else would have.' And you know what I'll say? I'll say, 'Oh, I see. And if you hadn't raped the girl some other fellow would have raped her. And that's your justification for rape. Noted.' Then I'd napalm the lot of them. Fizz.
John Le Carré (The Night Manager)
Nocturne Where are you now, my poems, my sleepwalkers? No mumbles tonight? Where are you, thirst, fever, humming tedium? The sodium streetlights burr outside my window, steadfast, unreachable, little astonishments lighting the way uphill. Where are you now, when I need you most? It’s late. I’m old. Come soon, you feral cats among the dahlias.
W.S. Di Piero
She took a deep breath, ready to start by being honest with herself. “Kyle . . . I think I screwed up.” She held up a hand, qualifying this. “Partially. Tall, Dark, and Smoldering deserves a lot of the blame. At least half. Maybe two-thirds. Of course, he’s probably sulking right now, thinking that I’m the only one who’s wrong here. He’s kind of frustrating that way. He gets under your skin, like a tick, or a burr, or a thorn, or . . .” She looked to her brother for help. “What else gets under your skin?” “Scabies?” he suggested. “Scabies? This is what you come up with?” Kyle stared at her as if she was losing it. “I have no idea what you’re talking about, Jordo. But I’ll say this, if you think you screwed up, there’s only one question—the same one you asked me five months ago: Can you fix it?” Jordan sighed. “I’m trying.” Her brother’s gaze was firm. “Try harder.” She glared at him. “Okay.” Then after a moment, she nodded in concession. “Okay.
Julie James (A Lot like Love (FBI/US Attorney, #2))
Miles didn’t move. This wasn’t part of the plan. “What is it?” said Barkin. “The plans to your next big prank?” Miles tried to look calm. “No,” said Miles. “Principal Barkin,” said Niles, “it’s just a party invitation!” “A party invitation?” Principal Barkin’s nostrils flared. Niles put his hand over his mouth and directed a loud whisper toward Miles. “It’s fine. Show it to him.” Miles had no choice now. He gave up the invitation. Principal Barkin slowly put on a pair of reading glasses and peered at the paper. “Interesting. Very interesting. Cody Burr-Tyler, eh?” He snapped his gaze back to Miles. “Well, well, well,” he said. “Well, well, well.” Barkin folded the invitation and put it in his shirt pocket. “Well.” “Well?” said Miles. Principal Barkin stared at Miles for four whole seconds. Then he pointed to a sign on the wall. Miles exhaled. He turned, feeling flustered, and walked down the hallway in the wrong direction. Niles called after him. “No, it’s this way, Miles! We need to go this way!” Miles turned around and followed Niles toward Room 22. “Miles!” Principal Barkin shouted after him. “Remember: I’m on to you.” Barkin pointed at another sign on the wall. This sign hadn’t been there
Mac Barnett (The Terrible Two)
Oh, really, Johnny. You’ll be calling yourself a gentleman next.’ She finished putting on the cufflinks and began to struggle with his collar. Johnny grinned and attempted a West Country burr. He liked to play at being the humble servant to her corrupting mistress of the house. ‘I ain’t no gentleman, right and proper. Just a humble civil servant true enough, but I’m the best you’ll ever get.’ ‘That blatantly isn’t true, is it, Johnny?’ Libby smiled patiently.
Alan Bardos (The Assassins)
Burr, oi’m pow’ful ’ungry, give oi a scone, missus!” “No no, you nasty rough mole, one is quite sufficient!” “Hurr, then give oi summ zoop, marm.” “Soup? Lack a season, the ruffian will eat us out of house and burrow. Go away and be off with you, you gluttonous beast!
Brian Jacques (Martin the Warrior: A Tale from Redwall (Redwall, #6))
FORT LARAMIE, western drama. BROADCAST HISTORY: Jan. 22–Oct. 28, 1956, CBS. 30m, Sundays at 5:30. CAST: Raymond Burr as Lee Quince, captain of cavalry at Fort Laramie, on the Wyoming frontier. Vic Perrin as Sgt. Gorce. Harry Bartell as Lt. Seiberts. Jack Moyles as Maj. Daggett.
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)