Lynx Animal Quotes

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When I consider that the nobler animal have been exterminated here - the cougar, the panther, lynx, wolverine, wolf, bear, moose, dear, the beaver, the turkey and so forth and so forth, I cannot but feel as if I lived in a tamed and, as it were, emasculated country... Is it not a maimed and imperfect nature I am conversing with? As if I were to study a tribe of Indians that had lost all it's warriors...I take infinite pains to know all the phenomena of the spring, for instance, thinking that I have here the entire poem, and then, to my chagrin, I hear that it is but an imperfect copy that I possess and have read, that my ancestors have torn out many of the first leaves and grandest passages, and mutilated it in many places. I should not like to think that some demigod had come before me and picked out some of the best of the stars. I wish to know an entire heaven and an entire earth.
Henry David Thoreau (The Journal, 1837-1861)
My youngest brother killed a lynx yesterday,” Rose said. “Apparently it came into his territory and left some spray marks. He skinned it, smeared himself in its blood, and put its pelt on his shoulders like a cape. And that’s how he came dressed for breakfast.” Cerise drank some beer. “My sister kills small animals and hangs their corpses on a tree, because she thinks she is a monster and she’s convinced we’ll eventually banish her from the house. They’re her rations. Just in case.” Rose blinked. “I see. I think we’re going to get along just fine, don’t you?” “I think so, yes.
Ilona Andrews (Bayou Moon (The Edge, #2))
A sound of cornered animal fear and hate and surrender and defiance, that if you ever trailed a coon or cougar or lynx is like the last sound the treed and shot and falling animal makes as the dogs get him, when he finally doesn’t care about anything, but himself and his dying
Ken Kesey
Look, Pa, look!” Laura said. “A wolf!” Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him. “It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass. “A lynx?” said Ma. “Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move. “Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed. The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again. “Well, I’m beat!” Pa said. “So am I,” said Ma. “But did you have to wake the baby?
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
Look, Pa, look!” Laura said. “A wolf!” Pa did not seem to move quickly, but he did. In an instant he took his gun out of the wagon and was ready to fire at those green eyes. The eyes stopped coming. They were still in the dark, looking at him. “It can’t be a wolf. Unless it’s a mad wolf,” Pa said. Ma lifted Mary into the wagon. “And it’s not that,” said Pa. “Listen to the horses.” Pet and Patty were still biting off bits of grass. “A lynx?” said Ma. “Or a coyote?” Pa picked up a stick of wood; he shouted, and threw it. The green eyes went close to the ground, as if the animal crouched to spring. Pa held the gun ready. The creature did not move. “Don’t, Charles,” Ma said. But Pa slowly walked toward those eyes. And slowly along the ground the eyes crawled toward him. Laura could see the animal in the edge of the dark. It was a tawny animal and brindled. Then Pa shouted and Laura screamed. The next thing she knew she was trying to hug a jumping, panting, wriggling Jack, who lapped her face and hands with his warm wet tongue. She couldn’t hold him. He leaped and wriggled from her to Pa to Ma and back to her again. “Well, I’m beat!” Pa said. “So am I,” said Ma. “But did you have to wake the baby?” She rocked Carrie in her arms, hushing her. Jack was perfectly well. But soon he lay down close to Laura and sighed a long sigh. His eyes were red with tiredness, and all the under part of him was caked with mud. Ma gave him a cornmeal cake and he licked it and wagged politely, but he could not eat. He was too tired. “No telling how long he kept swimming,” Pa said. “Nor how far he was carried downstream before he landed.” And when at last he reached them, Laura called him a wolf, and Pa threatened to shoot him. But Jack knew they didn’t mean it. Laura asked him, “You knew we didn’t mean it, didn’t you, Jack?” Jack wagged his stump of a tail; he knew.
Laura Ingalls Wilder (Little House on the Prairie (Little House, #3))
And proceeded past Trevor Williams, former hunter, seated before the tremendous heap of all the animals he had dispatched in his time: hundreds of deer, thirty-two black bear, three bear cubs, innumerable coons, lynx, foxes, mink, chipmunks, wild turkeys, woodchucks, and cougars; scores of mice and rats, a positive tumble of snakes, hundreds of cows and calves, one pony (carriage-struck), twenty thousand or so insects, each of which he must briefly hold, with loving attention, for a period ranging from several hours to several months, depending on the quality of loving attention he could muster and the state of fear the beast happened to have been in at the time of its passing.
George Saunders (Lincoln in the Bardo)
That was the night he got up and went to the boys' division; perhaps he was looking for his history in the big room where all the boys slept, but what he found instead was Dr. Larch kissing every boy a late good night. Homer imagined then that Dr. Larch had kissed him like that, when he'd been small; Homer could not have imagined how those kisses, even now, were still kisses meant for him. They were kisses seeking Homer Wells. That was the same night that he saw the lynx on the barren, unplanted hillside—glazed with snow that had thawed and then refrozen into a thick crust. Homer had stepped outside for just a minute; after witnessing the kisses, he desired the bracing air. It was a Canada lynx—a dark, gunmetal gray against the lighter gray of the moonlit snow, its wildcat stench so strong Homer gagged to srnell the thing. Its wildcat sense was keen enough to keep it treading within a single leap's distance of the safety of the woods. The lynx was crossing the brow of the hill when it began to slide; its claws couldn't grip the crust of the snow, and the hill had suddenly grown steeper. The cat moved from the dull moonlight into the sharper light from Nurse Angela's office window; it could not help its sideways descent. It traveled closer to the orphanage than it would ever have chosen to come, its ferocious death smell clashing with the freezing cold. The lynx's helplessness on the ice had rendered its expression both terrified; and resigned; both madness and fatalism were caught in the cat's fierce, yellow eyes and in its involuntary, spitting cough as it slid on, actually bumping against the hospital before its claws could find a purchase on the crusted snow. It spit its rage at Homer Wells, as if Homer had caused its unwilling descent. Its breath had frozen on its chin whiskers and its tufted ears were beaded with ice. The panicked animal tried to dash up the hill; it was less than halfway up when it began to slide down again, drawn toward the orphanage against its will. When it set out from the bottom of the hill a second time, the lynx was panting; it ran diagonally uphill, slipping but catching itself, and slipping again, finally escaping into the softer snow in the woods— nowhere near where it had meant to go; yet the lynx would accept any route of escape from the dark hospital. Homer Wells, staring into the woods after the departed lynx, did not imagine that he would ever leave St. Cloud's more easily.
John Irving (The Cider House Rules)
Wynter's Pass was a picturesque region in the north of Vohlfhein, where the Bleak Hills eventually collapsed into the Frozen Sea. From the back of Mr. Buckles, who had been on a slow trot since sunrise, Monch watched the light glisten off of the frozen branches of the evergreens. As the sun warmed the frozen ground, sending the evening's frost into retreat, Monch absorbed the splendor of it all and wondered how expensive the local real estate must be around here. He then contemplated attempting to find an agent that would represent his interests well. "This land is such a spectacular wonder," the Lion of Ahriman declared. "It would be very much sought after if they could just do something about the bears, the White Orts, the wolves, the bloodthirsty cannibals, the snow manapés, the frost wizards, the northern bandit gangs, the dire lynxes, the similarly sounding but not related pygmy bloodthirsty cannibals, the demon possessed yaks, the dead-soul animated trees, the..." Monch paused for a moment. "It just occurred to me that this land is really not safe at all. It seems almost everything in it wants to kill me," the Templar admitted.
D.F. Monk (Tales of Yhore: The Chronicles of Monch)
Miraculously, some animals survived at the zoo and many escaped across the bridge, entering Old Town while the capital burned. People brave enough to stand by their windows, or unlucky enough to be outside, watched a biblical hallucination unfolding as the zoo emptied into Warsaw's streets. Seals waddled along the banks of the Vistula, camels and llamas wandered down alleyways, hooves skidding on cobblestone, ostriches and antelope trotted beside foxes and wolves, anteaters called out hatchee, hatchee as they scuttled over bricks. Locals saw blurs of fur and hide bolting past factories and apartment houses, racing to outlying fields of oats, buckwheat, and flax, scrambling into creeks, hiding in stairwells and sheds. Submerged in their wallows, the hippos, otters, and beavers survived. Somehow the bears, bison, Przywalski horses, camels, zebras, lynxes, peacocks and other birds, monkeys, and reptiles survived, too.
Diane Ackerman (The Zookeeper's Wife: A War Story)
From the same twelfth-century bestiary, we learn that the hedgehog is covered with spikes and curls itself into a ball for protection; that the fox is a 'fraudulent and ingenious animal' that plays dead in order to catch its prey; that cranes move about in military formation; that the serpent called 'basilisk' can with the power of its glance; that the lynx's urine turns into a precious stone; that lions are compassionate and courageous, and that the eyebrows and manes offer a clue to their disposition. Finally, many (but not all) entries go on to draw a moral or make a theological point on the basis of the animal description. The hedgehog is an example of prudence, the crane of courtesy and responsibility. The fox is employed as a type of the devil, who entices carnal man through fraudulent behavior. And the male lion, breathing life into its stillborn offspring after three days, represents God the Father raising Christ from the dead.
David C. Lindberg (The Beginnings of Western Science: The European Scientific Tradition in Philosophical, Religious, and Institutional Context, 600 B.C. to A.D. 1450)
I told such a man the other day that I had got a Canada lynx here in Concord, and his instant question was, “Have you got the reward for him?” What reward? Why, the ten dollars which the State offers. As long as I saw him he neither said nor thought anything about the lynx, but only about this reward. “Yes,” said he, “this State offers ten dollars reward.” You might have inferred that ten dollars was something rarer in his neighborhood than a lynx even, and he was anxious to see it on that account. I have thought that a lynx was a bright-eyed, four-legged, furry beast of the cat kind, very current, indeed, though its natural gait is by leaps. But he knew it to be a draught drawn by the cashier of the wildcat bank on the State treasury, payable at sight. Then I reflected that the first money was of leather, or a whole creature (whence pecunia, from pecus, a herd), and, since leather was at first furry, I easily understood the connection between a lynx and ten dollars, and found that all money was traceable right back to the original wildcat bank.
Henry David Thoreau (The Journal, 1837-1861)
The vultures came in shifts, sentinels to the requiem. The topmost ridges were first to welcome the daylight. A falcon swooped through the valley, scattering its benediction. I was mesmerized by the sentry duty of the carrion birds. They watched to see that all was well on earth: that death took its allotted share of animals and in return left provisions. Below, on the steep slopes that chamfered the gorge, the yaks grazed. Lying in the long grasses, cold, calm and watchful, Léo studied every crag through his binoculars. I was less conscientious. Patience has its limits, and I had come to the end of mine when we reached the canyon. I was busy assigning each animal a rung on the social ladder of the kingdom. The snow leopard was the regent; her status reinforced by her invisibility. She reigned, and therefore had no need to show herself. The prowling wolves were knavish princes; the yaks, richer burghers, warmly attired; the lynxes were musketeers; the foxes country squires; the blue sheep and the wild donkeys were the general populace. The raptors represented the priests, hieratic masters of the heavens and of death. These clerics in plumed livery were not against the idea that things might bode ill for us.
Sylvain Tesson (The Art of Patience: Seeking the Snow Leopard in Tibet)
Nostrils flared, ears pricked, Gabriel asks me if people can mate with animals. I say it hardly ever happens. He frowns, fur and skin and hooves and slits and pricks and teeth and tails whirling in his brain. You could do it, he says, not wanting a single orifice of the universe to be closed to him. We talk about elephants and parakeets, until we are rolling on the floor, laughing like hyenas. Too late, I remember love—I backtrack and try to slip it in, but that is not what he means. Seven years old, he is into hydraulics, pulleys, doors which fly open in the side of the body, entrances, exits. Flushed, panting, hot for physics, he thinks about lynxes, eagles, pythons, mosquitoes, girls, casting a glittering eye of use over creation, wanting to know exactly how the world was made to receive him.
Sharon Olds
The boys and Lark disappeared into the trees. “My youngest brother killed a lynx yesterday,” Rose said. “Apparently it came into his territory and left some spray marks. He skinned it, smeared himself in its blood, and put its pelt on his shoulders like a cape. And that’s how he came dressed for breakfast.” Cerise drank some beer. “My sister kills small animals and hangs their corpses on a tree, because she thinks she is a monster and she’s convinced we’ll eventually banish her from the house. They’re her rations. Just in case.” Rose blinked. “I see. I think we’re going to get along just fine, don’t you?” “I think so, yes.
Ilona Andrews (Bayou Moon (The Edge, #2))
What each of Goya’s monstrous animals really is, is a thought, a thought that can assail us when we are exhausted and depleted. Often, these night-time thoughts are an internalization of the most awful messages we’ve ever heard from other people (probably those we grew up around): you are no good, you disgust me, don’t you dare to outsmart me. The owl with outstretched wings might be shrieking: you will never achieve anything. The furry beaked bat might be hissing: your desires are revolting. The lynx-like thing at the bottom looks on with judgementalness: I’m so disappointed in what you’ve become. During the day, when we feel so-called monsters hovering as we talk to a colleague or have dinner with friends, we can fend the animals off with rational arguments: of course, we’ve done nothing wrong, there is no reason to keep apologizing, we have the right to exist. But at night, we can forget all our weapons of self-defense: why are we still alive, why haven’t we given up yet? We don’t know what to answer anymore.
The School of Life
To make a forty-inch fur coat it takes between thirty and two hundred chinchilla, or sixty mink, fifty sables, fifty muskrats, forty-five opossums, forty raccoons, thirty-five rabbits, twenty foxes, twenty otters, eighteen lynx, sixteen coyotes, fifteen beavers, or eight seals.
Karen Dawn (Thanking the Monkey: Rethinking the Way We Treat Animals)
And proceeded past Trevor Williams, former hunter, seated before the tremendous heap of all the animals he had dispatched in his time: hundreds of deer, thirty-two black bear, three bear cubs, innumerable coons, lynx, foxes, mink, chipmunks, wild turkeys, woodchucks, and cougars; scores of mice and rats, a positive tumble of snakes, hundreds of cows and calves, one pony (carriage-struck), twenty thousand or so insects, each of which he must briefly hold, with loving attention, for a period ranging from several hours to several months, depending on the quality of loving attention he could muster and the state of fear the beast happened to have been in at the time of its passing. Being thus held (the product of time and loving attention and being found sufficient, that is), that particular creature would heave up, then drive or fly or squirm away, diminishing Mr. Williams heap by one.
George Saunders (Lincoln in the Bardo)
loud: for a son who was a hunter, for a daughter who would look after her parents when they were old, for an easy birth. The animals knew the goodness of that place. Caribou, lynx, bear came to drink. Muskrats made their lodges along the banks of the outlet rivers that flowed to the North Sea. In summers there were birds—mergansers, grebes, loons. In winter, the lake was a fine place to catch blackfish,
Sue Harrison (The Storyteller Trilogy: Song of the River, Cry of the Wind, and Call Down the Stars)