“
I wish to God,” said Gideon with mild exasperation, “that you’d talk—just once—in prose like other people.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
I would give you my soul in a blackberry pie; and a knife to cut it with.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Today,’ said Lymond, ‘if you must know, I don’t like living at all. But that’s just immaturity boggling at the sad face of failure. Tomorrow I’ll be bright as a bedbug again.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Repressively, Lymond himself answered. “I dislike being discussed as if I were a disease. Nobody ‘got’ me,” he said.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
It was one of the occasions when Lymond asleep wrecked the peace of mind of more people than Lymond awake.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
I have learned,’ said Lymond, ‘that kindness without love is no kindness.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
I despised men who accepted their fate. I shaped mine twenty times and had it broken twenty times in my hands.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Lymond's behaviour, as always, went to the limits of polite usage and then hurtled off into space.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
Kate viewed him suspiciously. “I don’t see why I should abandon my entertainment because of your conscience.”
“It isn’t quite conscience so much as horrified admiration,” said Lymond.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Man is a being of varied, manifold and inconstant nature. And woman, by God, is a match for him.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
To the men exposed to his rule Lymond never appeared ill: he was never tired; he was never worried, or pained, or disappointed, or passionately angry. If he rested, he did so alone; if he slept, he took good care to sleep apart. “—I sometimes doubt if he’s human,” said Will, speaking his thought aloud. “It’s probably all done with wheels.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
You choose to play God, and the Deity points out that the post is already adequately filled. During an outburst of besotted philanthropy he had redeemed Lymond, but Lymond quite simply was not prepared to be rescued; and least of all by his brother.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
If you can repress for a moment your spinster-like longing to meddle in my affairs,’ said Lymond cuttingly, from the door, ‘I am waiting to go.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
If I can’t be personal, I don’t want to argue,” said his hostess categorically. “I may be missing your points, but you’re much too busy dodging mine.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
And if there’s no trouble, you’ll make it,’ offered Will Scott, his eyes bright, his cheeks red. ‘No. At the moment,’ affirmed Lymond grimly, ‘I am having truck with nothing less than total calamity.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
The coast's a jungle of Moors, Turks, Jews, renegades from all over Europe, sitting in palaces built from the sale of Christian slaves. There are twenty thousand men, women and children in the bagnios of Algiers alone. I am not going to make it twenty thousand and one because your mother didn't allow you to keep rabbits, or whatever is at the root of your unshakable fixation."
"I had weasels instead," said Philippa shortly.
"Good God," said Lymond, looking at her. "That explains a lot.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Jerott, for God’s sake! Are you doing this for a wager?’ said Lymond, his patience gone at last. ‘What does anyone want out of life? What kind of freak do you suppose I am? I miss books and good verse and decent talk. I miss women, to speak to, not to rape; and children, and men creating things instead of destroying them. And from the time I wake until the time I find I can’t go to sleep there is the void—the bloody void where there was no music today and none yesterday and no prospect of any tomorrow, or tomorrow, or next God-damned year.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
And habits are hell's own substitute for good intentions. Habits are the ruin of ambition, of initiative, of imagination. They're the curse of marriage and the after-bane of death.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Then Lymond’s voice, the chill gone, said, ‘Don’t be an ass, Jerott? You know I can’t do without you.’ It was an obvious answer. But it was also something Jerott had never had from Lymond before: an apology and an appeal both at once.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
I must apologize for these damned entrances,’ said Francis Crawford of Lymond. ‘I feel Tom here never knows if he should send for a bishop or start a round of applause.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
And the English army, wheeling, started south at a gallop over the hill pass into Ettrick, followed by twenty men and eight hundred sheep in steel helmets.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Depose him,’ said Will Scott, astonished.
‘The Grand Master’s holy office terminates with his life.’
‘And can nobody think of an answer to that?’ said Will Scott.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Lymond surveyed the grinning audience with an air of gentle discovery. “Is there no work to be done? Or perhaps it’s a holiday?
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
You haven’t enough artillery, have you?’
‘Against you or the Germans?’ said Lymond.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
What’s wrong? Has Francis been rude? Then you must try to overlook it. I know you wouldn’t think so, but he is thoroughly upset by Tom Erskine’s death; and when Francis is troubled he doesn’t show it, he just goes and makes life wretched for somebody.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Talk to me, Richard. It isn’t difficult. Move the teeth and agitate the tongue. Tell me news of the family. Am I superseded yet? Oh, Richard, a blush!
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
I prize freedom of the mind above freedom of the body.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
My son took many years to learn the simple truth. You cannot love any one person adequately until you have made friends with the rest of the human race also. Adult love demands qualities which cannot be learned living in a vacuum of resentment.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
He regards boredom, I observe, as the One and Mighty Enemy of his soul. And will succeed in conquering it, I am sure—if he survives the experience.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
It seems to me,’ said Philippa prosaically, ‘that on the whole we run more risks with Mr Crawford’s protection than without it.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
And deep within him, missing its accustomed tread, his heart paused, and gave one single stroke, as if on an anvil.
”
”
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
“
To save our friends’ nerves, I suggest we meet on a plane of brutal courtesy. It need not interfere with our mutual distrust.”
-Francis Crawford of Lymond
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
So small a spirit, to lodge such sorrows as mankind has brought you. Live … live.… Wait for me, new, frightened soul. And though the world should reel to a puny death, and the wolves are appointed our godfathers, I will not fail you, ever.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Philippa, enviously, wished she could do the same, and then decided she would rather be interesting and sensitive.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Where are the links of the chain ... joining us to the past?
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
We have reached the open sea, with some charts; and the firmament.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
Intentions, yours or anyone else's, don't matter; they never matter and never excuse.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Philippa Somerville, standing back a little, did not withdraw her arm. In her white face, a shadow of motherly irritation appeared. ‘Has no one here any sense? Be quiet and sit down. The world will look after itself for a night, without your hand on the rim.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Go away and bleed to death,’ said his onetime saviour sharply. ‘On behalf of the female sex I feel I may cheer every lesion.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
My dear, my dear,’ said Kate, but to herself. ‘I would give you my soul in a blackberry pie; and a knife to cut it with.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
For an hour, blended with all she could offer, something noble had been created which had nothing to do with the physical world. And from the turn of his throat, the warmth of his hair, the strong, slender sinews of his hands, something further; which had. Though she combed the earth and searched through the smoke of the galaxies there was no being she wanted but this, who was not and should not be for Philippa Somerville.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
So she was on her own, Kate thought, and instilled all the friendly helpfulness she could into her next question. “Excuse me, but are you the bad company young Mr. Scott has got into?
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
‘I’m fairly bursting tae ken how ye guessed I spoke Scots?’ Lymond looked up. Superficial pain, withstood or ignored for quite a long time, had made his eyes heavy, but they were brimming with laughter. ‘Well, God,’ he said. ‘In the water, you were roaring your head off at a bloody bull elephant called Hughie.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
It doesn’t do my self-esteem much good though, does it?’
‘Your self-esteem has had a lifetime of steady attention,’ said Philippa abstractedly.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
The darts which make me suffer are my own.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Violence in nature is one thing, but among civilized mankind, what excuse is there?
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Oh, well. Everyone else has suave, cosmopolitan sheep: why not us? The Millers at Hepple have a ewe that’s been to Kelso three times, and they’ve never been farther than Ford in their lives.” Kate peered absently into the farm pond, and clucked again. “Thoughtless creatures. They’ve forgotten the fish.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
A Scott, having got his bride pregnant, was apt to file her as completed business for eight months at a time.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
The crossroads may not be of your own seeking, but at least the road you choose will be your own.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
It was a tragic and annihilating war, in which intellect fought naked with intellect, and the blows fell not upon the mind but upon the soul.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Tant que je vive, mon cueur ne changera
Pour nulle vivante, tant soit elle bonne ou sage
Forte et puissante, riche de hault lignaige
Mon chois est fait, aultrene se fera
***
Long as I live, my heart will never vary
For no one else, however fair or good
Brave, resolute, or rich, of gentle blood
My choice is made, and I will have no other.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
She got in, as she had persuaded Jerott Blyth to bring her half across France, by force of logic, a kind of flat-chested innocence and the doggedness of a flower-pecker attacking a strangling fig.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Disdainful of fur and fretful, privately, about the cost of his buttons, Jerott Blyth sat like the born horseman he was, and watched discreetly for trouble.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
The war between England and Scotland was in its eighth year and there had been no raid for ten days: it had seemed possible to get married in peace.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Not to every young girl is it given to enter the harem of the Sultan of Turkey and return to her homeland a virgin.
”
”
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
“
… Jerott?’ Two steps away, Jerott stood perfectly still.
‘I hear you.’
‘You sound like a schoolmaster,’ said Lymond’s voice at his ear, with a trace of its usual lightness. ‘It doesn’t matter. Go on.’ Jerott did not move.
‘What were you going to say?’
‘Something regrettable. I’ll say it; and then we can both forget it,’ said Lymond. ‘You put up with a lot, you know. More than you should. More than other people can be expected to do.… I find I need a sheet anchor against Gabriel. However much I try—don’t let me turn you against me.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Versatility is one of the few human traits which are universally intolerable. You may be good at Greek and good at painting and be popular. You may be good at Greek and good at sport, and be wildly popular. But try all three and you’re a mountebank. Nothing arouses suspicion quicker than genuine, all-round proficiency.”
Kate thought. “It needs an extra gift for human relationships, of course; but that can be developed. It’s got to be, because stultified talent is surely the ultimate crime against mankind. Tell your paragons to develop it: with all those gifts it’s only right they should have one hurdle to cross.”
“But that kind of thing needs co-operation from the other side,” said Lymond pleasantly. “No. Like Paris, they have three choices.” And he struck a gently derisive chord between each. “To be accomplished but ingratiating. To be accomplished but resented. Or to hide behind the more outré of their pursuits and be considered erratic but harmless.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
[Robin Stewart] was your man. True for you, you had withdrawn the crutch from his sight, but still it should have been there in your hand, ready for him. For you are a leader-don't you know it? I don't, surely, need to tell you?-And that is what leadership means. It means fortifying the fainthearted and giving them the two sides of your tongue while you are at it. It means suffering weak love and schooling it till it matures. It means giving up you privicies, your follies and your leasure. It means you can love nothing and no one too much, or you are no longer a leader, you are led.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
I never expect anything,’ said Marthe. ‘It provides a level, low-pitched existence with no disappointments.’
‘I’m all for a level, low-pitched existence,’ said Philippa. ‘And when you see your way back to one, for heaven’s sake don’t forget to tell me.’ At which Marthe, surprisingly, laughed aloud.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
He’d heard of this woman. The Dame de Doubtance, they called her: a madwoman and a caster of horoscopes. Gaultier gave her house-room and men and women came to her from all the known world and had their futures foretold—if she felt like it. She had given some help once to Lymond, on her own severe terms, because of a distant link, it was said, with his family. Plainly, a crazy old harridan. But if she was going to tell Lymond he ought to find a nice girl and marry her, Jerott wanted very much to be there.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Perfectly prepared to be an eavesdropper but unwilling to look like one, Philippa backed quickly towards the door and collided, hard, with an unseen person striding forward equally fast into the room. There was a hiss, more than echoed by herself as the breath was struck from her body. Then two cool, friendly hands held and steadied her, one on her shoulder and one on her flat waist, and a low voice said, ‘Admirable Philippa. I always enter my battlefields in reverse, too. But my own battlefields, my little friend. Not other people’s.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
You might, without my crediting it, fall deeply in love and forever, with some warped hunchback whelped in the gutter. I should equally stop you from taking him.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
Lucent and delicate, Drama entered, mincing like a cat.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
I could see you drop dead this minute from paralysis of the brain cells and burst into uninhibited applause.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Lion-hearted; her tremors braced with virtue, Philippa trotted on.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Habits are the ruin of ambition, of initiative, of imagination.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
Did I ever tell you,’ said Lymond pausing on the afterthought, on his way to the flap, ‘that that aunt of mine once hatched an egg?’ He paused, deep in thought, and walked slowly to the door before turning again. His lordship of Aubigny, staring after the vanishing form of his brother, received the full splendour of Lymond’s smile. ‘It was a cuckoo,’ said Francis Crawford prosaically, and followed Lennox out.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
Though whether the mass murder of strangers for one’s principles ranks higher in virtue than attacking one’s neighbours for the hell of it is a point I’m glad I don’t have to settle.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Leaving him was less like leaving even the most simple of her friends in Flaw Valleys, and more like losing unfinished a manuscript, beautiful, absorbing and difficult, which she had long wanted to read.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
It was a piece of advice only, and aimed at myself as much, I suppose, as at you.—For those of easy tongues, she said. Remember, some live all their lives without discovering this truth; that the noblest and most terrible power we possess is the power we have, each of us, over the chance-met, the stranger, the passer-by outside your life and your kin. Speak, she said, as you would write: as if your words were letters of lead, graven there for all time, for which you must take the consequences. And take the consequences.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
Don’t you think you should retire again? The first retiral seems to have got mislaid.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
And as he followed after the Irishwoman, Margaret Erskine, most levelheaded of women, picked up a Palissy vase, looked at it earnestly and smashed it clean on the floor.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
I do admire efficiency,’ said Marthe. ‘But how tedious it can be in excess.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Speak, she said, as you would write: as if your words were letters of lead, graven there for all time, for which you must take the consequences. And take the consequences.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
Subject to intelligence, nothing is incalculable.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
..when two friends discuss money, the third friend should invariably be asleep.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
And at thirty-eight a brilliant exponent of arms and a knight of the great fighting and religious Order of St John, the Chevalier de Villegagnon had absolutely no use for common sense himself, but respected it in the laity.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
There was a silence. 'You didn't as,' said Jerott at length. 'But I would have forgone even the body for the sake of the mind. And I would have claimed neither body nor mind, had I discovered a soul.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
I’ve wed his two empty boots.’ ‘That you havena,’ said Janet, Lady of Buccleuch, lowering her voice not at all in the presence of two hundred twittering Scott relations as they gazed after their vanishing husbands. ‘They aye remember their boots. It’s their empty nightgowns that get fair monotonous.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
There was a silence. Then: ‘What you are saying,’ said Philippa slowly, ‘is that the child Khaireddin would be better unfound?’ The Dame de Doubtance said nothing. ‘Or are you saying,’ pursued Philippa, inimical from the reedy brown crown of her head to her mud-caked cloth stockings, ‘that you and I and Lymond and Lymond’s mother and Lymond’s brother and Graham Malett would be better off if he weren’t discovered?’
‘Now that,’ said the Dame de Doubtance with satisfaction, ‘is precisely what I was saying.’
‘How can I find him?’ said Philippa.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
He can make you want to knock him down, if he feels like it, by simply saying “good morning”. He possibly said simply “good morning” to Lord Culter. The difference was that, being his brother, Culter hit him.
”
”
Dorothy Dunnett (The Ringed Castle (The Lymond Chronicles, #5))
“
Lymond said softly, ‘That is the only thing you may not say to me. . . . Kate, superb Kate: I will not be mothered.’
‘Mothered!’ Kate’s small, undistinguished face was black with annoyance. ‘I would sooner mother a vampire. I am merely trying to point out what your browbeaten theorists at St Mary’s ought surely to have mentioned in passing. Health is a weapon of war. Unless you obtain adequate rest, first your judgement will go, and then every other qualification you may have to command, and either way, the forces of light will have a field-day in the end.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
Philippa allowed polite regret to inform every muscle. ‘Whatever day it occurs,’ she said, ‘I feel I have a previous engagement.’
‘May I congratulate you,’ he said agreeably, ‘on your evident popularity.’
‘Anything I can do,’ Philippa said, ‘to save you from the exhaustions of pluralism.
”
”
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
“
Lymond said quietly, ‘You had good reason to hate me. I always understood that. I don’t know why you should think differently now, but take care. Don’t build up another false image. I may be the picturesque sufferer now, but when I have the whip-hold, I shall behave quite as crudely, or worse. I have no pretty faults. Only, sometimes, a purpose.’ He paused, and said, ‘Est conformis precedenti. I owe the Somervilles rather a lot already.’ Philippa’s unwinking brown gaze flickered shiftily at the Latin and then steadied.
'I should have told you before. You don’t mind?’
‘If you had told me before, you might not have decided to have me for a friend. I don’t mind,’ said Francis Crawford and told, for once, the bare truth.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
It won’t be long,’ said Philippa cheerfully, her mother’s ring in her voice. ‘You know what Bess says. There’s nothing in this world a drop of aqua-vitæ in a sheep’s bladder won’t cure. Stop the Somervilles with a knife! It needs artillery.’ And she blew her nose hard.
”
”
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
“
To pass over grief, they say, the Italian sleeps; the Frenchman sings; the German drinks; the Spaniard laments, and the Englishman goes to plays. What then does the Scot?’ To Jerott’s mind sprang, unbidden, a picture of the sword Archie Abernethy was trying to clean at this moment below.
‘This one,’ he said, ‘kills.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Nobody ever,” said the Dowager sorrowfully, “credits me with normal thought processes. When a mysterious man creates a royal scandal on the banks of the Lake of Menteith with the keenest ears in Scotland strolling utterly oblivious—by her own account—in the locality, I begin to wonder. I also wonder when a delicately reared child sends a court into fits with a riddle which I invented myself.
”
”
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
“
So: ‘Why did you laugh?’ demanded Philippa, and shook Jerott’s hand off her arm.
‘Oh, that?’ said Lymond. ‘But, my dear child, the picture was irresistible. Daddy, afflicted but purposeful, ransacking the souks of the Levant for one of his bastards, with an unchaperoned North Country schoolgirl aged—what? twelve? thirteen?—to help change its napkins when the happy meeting takes place.… A gallant thought, Philippa,’ said Lymond kindly, sitting down at the table. ‘And a touching faith in mankind. But truly, all the grown-up ladies and gentlemen would laugh themselves into bloody fluxes over the spectacle. Have some whatever-it-is.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
Philippa’s letter, from an afflicted conscience, was not very much longer. … if I don’t look for him, no one else will. You know I’m sorry. But I couldn’t leave that little thing to wither away by itself Don’t be sad. We’re all going to come back. And you can teach him Two Legs and I Wot a Tree, and save him the top of the milk for his blackberry pie. He’ll never know, if we’re quick, that nobody wanted him.… Which had, Kate considered as she scrubbed off her tears, a ring of unlikely confidence about it, as well as rather a shaky understanding of the diet of one-year-old babies.
”
”
Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
“
When you ran that roof race with me you started with one stocking marked, a loose row of bullion on your hoqueton, and your hair needing a cut. Your manners, social and personal, derive directly from the bakehouse; your living quarters, any time I have seen them, have been untidy and ill-cleaned. In the swordplay just now you cut consistently to the left, a habit so remarkable that you must have been warned time and again; and you cannot parry a coup de Jarnac. I tried you with the same feint for it three times tonight.... These are professional matters, Robin. To succeed as you want, you have to be precise; you have to have polish; you have to carry polish and precision in everything you do. You have no time to sigh over seigneuries and begrudge other people their gifts. Lack of genius never held anyone back,' said Lymond. 'Only time wasted on resentment and daydreaming can do that. You never did work with your whole brain and your whole body at being an Archer; and you ended neither soldier nor seigneur, but a dried-out huddle of grudges strung cheek to cheek on a withy.
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Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
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I don't like this war. I don't like the cold-blooded scheming at the beginning and the carnage at the end and the grumbling and the jealousies and the pettishness in the middle. I hate the lack of gallantry and grace; the self-seeking; the destruction of valuable people and things. I believe in danger and endeavor as a form of tempering but I reject it if this is the only shape it can take.
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Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
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I am telling you now that you did right with Robin Stewart and I am telling you that the error you made came later, when you took no heed of his call. It was too late then, I know it. But he should have been in your mind. He was your man. True for you, you had withdrawn the crutch from his sight, but still it should have been there in your hand, ready for him. For you are a leader—don’t you know it? I don’t, surely, need to tell you?—And that is what leadership means. It means fortifying the fainthearted and giving them the two sides of your tongue while you are at it. It means suffering weak love and schooling it till it matures. It means giving up your privacies, your follies and your leisure. It means you can love nothing and no one too much, or you are no longer a leader, you are the led.
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Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
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Jerott’s eyes and Philippa’s met. ‘When I meet my friend,’ said Jerott Blyth carefully, ‘there is likely to be a detonation which will take the snow off Mont Blanc. I advise you to seek other auspices. Philippa, I think we should go down below.’
‘To swim?’ said that unprepossessing child guilelessly. ‘I can stand on my head.’
‘Oh, Christ,’ said Jerott morosely. ‘Why in hell did you come?’ The brown eyes within the damp, dun-coloured hair inspected him narrowly.
‘Because you need a woman,’ said Philippa finally. ‘And I’m the nearest thing to it that you’re likely to get. It was very short notice.
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Dorothy Dunnett (Pawn in Frankincense (The Lymond Chronicles, #4))
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Kate slid to her knees, pulling the child’s head to her breast, her mouth in its hair. “Pippa. Pippa, we’re awful fools. What Father means is that truly nothing we have ever done can harm us, and Mr. Crawford has mixed us up with someone else. But you know what unstable-looking parents you have. He doesn’t believe us, but he says he’ll believe you. It’s not very flattering,” said Kate, looking at her daughter with bright eyes, “but you seem to be the one in the family with an honest sort of face, and your father and I must just be thankful for it. Go over to him, darling. I’ll be behind you. And just speak,” she said with an edge like a razor. “Just speak as you would to the dog.
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Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
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Philippa Somerville was annoyed. To her friends the Nixons, who owned Liddel Keep, and with whom Kate had deposited her for one night, she had given an accurate description of Sir William Scott of Kincurd, his height, his skill, his status, and his general suitability as an escort for Philippa Somerville from Liddesdale to Midculter Castle. And the said William Scott had not turned up. She fumed all the morning of that fine first day of May, and by afternoon was driven to revealing her general dissatisfaction with Scotland, the boring nature of Joleta, her extreme dislike of one of the Crawfords and the variable and unreliable nature of the said William Scott. She agreed that the Dowager Lady Culter was adorable, and Mariotta nice, and that she liked the baby.
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Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
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This time, after a moment, he called her bluff.
“Perhaps Philippa and I should be thrown together a little more. She might become attached to me if she knew me better.” Kate, brightening visibly, ignored the gleam in his eye.
“That would make her sorry for you?”
“It might. The object of any sort of clinical study deserves compassion, don’t you think?”
“Snakes don’t,” said Katherine inconsequently. “I hate snakes.”
“And yet you feed them on honey cakes and forbid them to defend themselves.”
“Defencelessness is not a noted characteristic of serpents. Anyhow, I can’t have them lying rattling about the house. It gets on the nerves.”
“It does if you handle it by rattling back.
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Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
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Two mornings later, entering her daughter’s room, Kate was struck by the flatness of the bed, and then by the sight of a folded paper laid dead centre of the untenanted pillow. Unfolded, it proved to be a witty and delightfully-written apology from her daughter for upsetting the household, coupled with the information that, having some business of vital importance to transact north of the Border in the immediate future, she had taken the liberty of leaving for a few days without permission, as she just knew that Kate would make a fuss and stop her. She would be back directly with some heather, and Kate was not to worry and not to speak to any strange men. She had, Philippa concluded, taken Cheese-wame Henderson with her: thus becoming the only known fugitive to persuade her bodyguard to run away, too. It was a typical Somerville letter, and in other circumstances Kate no doubt would have been charmed by the spelling alone. As it was, she roused the neighbourhood for ten miles around, and there was no able-bodied Englishman within reach of Flaw Valleys who slept in his own bed that night or the next.
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Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
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Patriotism,” said Lymond, “like honesty is a luxury with a very high face value which is quickly pricing itself out of the spiritual market altogether.
[...] It is an emotion as well, and of course the emotion comes first. A child’s home and the ways of its life are sacrosanct, perfect, inviolate to the child. Add age; add security; add experience. In time we all admit our relatives and our neighbours, our fellow townsmen and even, perhaps, at last our fellow nationals to the threshold of tolerance. But the man living one inch beyond the boundary is an inveterate foe.
[...] Patriotism is a fine hothouse for maggots. It breeds intolerance; it forces a spindle-legged, spurious riot of colour.… A man of only moderate powers enjoys the special sanction of purpose, the sense of ceremony; the echo of mysterious, lost and royal things; a trace of the broad, plain childish virtues of myth and legend and ballad. He wants advancement—what simpler way is there? He’s tired of the little seasons and looks for movement and change and an edge of peril and excitement; he enjoys the flowering of small talents lost in the dry courses of daily life. For all these reasons, men at least once in their lives move the finger which will take them to battle for their country.…
“Patriotism,” said Lymond again. “It’s an opulent word, a mighty key to a royal Cloud-Cuckoo-Land. Patriotism; loyalty; a true conviction that of all the troubled and striving world, the soil of one’s fathers is noblest and best. A celestial competition for the best breed of man; a vehicle for shedding boredom and exercising surplus power or surplus talents or surplus money; an immature and bigoted intolerance which becomes the coin of barter in the markets of power—
[...] These are not patriots but martyrs, dying in cheerful self-interest as the Christians died in the pleasant conviction of grace, leaving their example by chance to brood beneath the water and rise, miraculously, to refresh the centuries. The cry is raised: Our land is glorious under the sun. I have a need to believe it, they say. It is a virtue to believe it; and therefore I shall wring from this unassuming clod a passion and a power and a selflessness that otherwise would be laid unquickened in the grave.
[...] “And who shall say they are wrong?” said Lymond. “There are those who will always cleave to the living country, and who with their uprooted imaginations might well make of it an instrument for good. Is it quite beyond us in this land? Is there no one will take up this priceless thing and say, Here is a nation, with such a soul; with such talents; with these failings and this native worth? In what fashion can this one people be brought to live in full vigour and serenity, and who, in their compassion and wisdom, will take it and lead it into the path?
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Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
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Once, long ago, Francis Crawford had reduced her to terror and, the episode over, she had suffered to find that for Kate, apparently, no reason suggested itself against making that same Francis Crawford her friend. He was not Philippa’s friend. She had made that clear, and, to be fair, he had respected it. He had even, when you thought of it, curtailed his visits to Kate, although Kate’s studied lack of comment on this served only to make Philippa angrier. He had been nasty at Boghall. He had hit her at Liddel Keep. He had stopped her going anywhere for weeks. He had saved her life. That was indisputable. He had been effective over poor Trotty Luckup, while she had been pretty rude, and he hadn’t forced himself on her; and he had made her warm with his cloak. He had gone to Liddel Keep expressly to warn her, and when she had been pig-headed about leaving (Kate was right) he had done the only thing possible to make her. And then he had come to Flaw Valleys for nothing but to make sure of her safety, and he had been so tired that Kate had cried after he had gone. And then it had suddenly struck her, firmly and deeply in her shamefully flat chest, so that her heart thumped and her eyes filled with tears, that maybe she was wrong. Put together everything you knew of Francis Crawford. Put together what you had heard at Boghall and at Midculter, what you had seen at Flaw Valleys, and it all added up to one enormous, soul-crushing entity. She had been wrong. She did not understand him; she had never met anyone like him; she was only beginning to glimpse what Kate, poor maligned Kate, must have seen all these years under the talk. But the fact remained that he had gone out of his way to protect her, and she had put his life in jeopardy in return.
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Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
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The progress of Sybilla though a market was the progress of worker bee through a bower of intently propagating blossoms. Everything stuck. From the toy stall she bought two ivory dolls, a hen whistle, a rattle and a charming set of miniature bells for a child’s skirts: all were heroically received and borne by Tom, henceforth marked by a faint, distracted jingling. From the spice booth, set with delicious traps for the fat purse, she took cinnamon, figs, cumin seed and saffron, ginger, flower of gillyflower and crocus and—an afterthought—some brazil for dyeing her new wool. These were distributed between Christian and Tom. They listened to a balladmonger, paid him for all the verses of “When Tay’s Bank,” and bought a lengthy scroll containing a brand-new ballad which Tom Erskine read briefly and then discreetly lost. “No matter,” said the Dowager cheerfully, when told. “Dangerous quantity, music. Because it spouts sweet venom in their ears and makes their minds all effeminate, you know. We can’t have that.” He was never very sure whether she was laughing at him, but rather thought not. They pursued their course purposefully, and the Dowager bought a new set of playing cards, some thread, a boxful of ox feet, a quantity of silver lace and a pair of scissors. She was dissuaded from buying a channel stone, which Tom, no curling enthusiast, refused utterly to carry, and got a toothpick in its case instead. They watched acrobats, invested sixpence for an unconvincing mermaid and finally stumbled, flattened and hot, into a tavern, where Tom forcibly commandeered a private space for the two women and brought them refreshments. “Dear, dear,” said Lady Culter, seating herself among the mute sea of her parcels, like Arion among his fishes. “I’m afraid I’ve forgotten which are the squashy ones. Never mind. If we spread them out, they can’t take much hurt, I should think. Unless the ox feet … Oh. What a pity, Tom. But I’m sure it will clean off.
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Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))