Lush Green Quotes

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I've never really thought about it before, but it's a miracle how many kinds of light there are in the world, how many skies: the pale brightness of spring, when it feels like the hole world's blushing; the lush, bright boldness of a July noon; purple storm skies and a green queasiness just before lightning strikes and crazy multicolored sunsets that look like someone's acid trip.
Lauren Oliver (Before I Fall)
I was drinking in the surroundings: air so crisp you could snap it with your fingers and greens in every lush shade imaginable offset by autumnal flashes of red and yellow.
Wendy Delsol (Stork (Stork, #1))
The streets of Prague were a fantasia scarcely touched by the twenty-first century—or the twentieth or nineteenth, for that matter. It was a city of alchemists and dreamers, its medieval cobbles once trod by golems, mystics, invading armies. Tall houses glowed goldenrod and carmine and eggshell blue, embellished with Rococo plasterwork and capped in roofs of uniform red. Baroque cupolas were the soft green of antique copper, and Gothic steeples stood ready to impale fallen angels. The wind carried the memory of magic, revolution, violins, and the cobbled lanes meandered like creeks. Thugs wore Motzart wigs and pushed chamber music on street corners, and marionettes hung in windows, making the whole city seem like a theater with unseen puppeteers crouched behind velvet.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
If time could run backward, like a film in reverse, we would see this mess reassemble itself into lush green hills and moss-covered ledges of limestone. The streams would run back up the hills to the springs and the salt would stay glittering in underground rooms.
Robin Wall Kimmerer (Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants)
A JEWELRY STORE NAMED INDIA If you hold this Dazzling emerald Up to the sky, It will shine a billion Beautiful miracles Painted from the tears Of the Most High. Plucked from the lush gardens Of a yellowish-green paradise, Look inside this hypnotic gem And a kaleidoscope of Titillating, Soul-raising Sights and colors Will tease and seduce Your eyes and mind. Tell me, sir. Have you ever heard A peacock sing? Hold your ear To this mystical stone And you will hear Sacred hymns flowing To the vibrations Of the perfumed Wind.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
all the while, i hoped my books would spill their exquisite words   over the lush green carpet so i could collect them one by one   & savor them like berries inside my mouth
Amanda Lovelace (The Princess Saves Herself in This One (Women Are Some Kind of Magic, #1))
Watch, how the sun slowly rises from behind my ear new lines, new countries spring up in my palms my rough hair become swaying silk and all the leaves in my body become lusher than fruits.
Sanober Khan (A Thousand Flamingos)
Instead of wooden floors, she found lush green grass under her feet. Instead of a ceiling, she saw a hazy blue sky. And instead of walls, she saw a silver stream through the trees. The day was halcyon. It looked like someone's memory of a perfect day.
Tiffany Reisz (The Red (The Godwicks, #1))
God, but the coast here was painfully beautiful, the dark lush greens of the fir trees piercing his brain, the half-raging sky and sea, the surge of salt water against the rocks twinned to the urgent wash of blood through his arteries as he waited for her to kill him or hear him out. Seditious thoughts: there would be nothing too terrible about dying out here, about becoming part of all of this.
Jeff VanderMeer (Authority (Southern Reach, #2))
When we were entirely alone in this lush green world, Morgan pulled me gently to him, tipped up my chin and kissed me on the lips. He kissed me, he kissed me, he kissed me . . .
Jacqueline Wilson (Opal Plumstead)
Over everything—up through the wreckage of the city, in gutters, along the riverbanks, tangled among tiles and tin roofing, climbing on charred tree trunks—was a blanket of fresh, vivid, lush, optimistic green; the verdancy rose even from the foundations of ruined houses. Weeds already hid the ashes, and wild flowers were in bloom among the city’s bones. The bomb had not only left the underground organs of the plants intact; it had stimulated them.
John Hersey (Hiroshima)
Every way I turned the lush green peaks towered over me. Had it been winter or spring, they would have been iron gray or dappled with pink and white dogwood, sarvis, and redbud, but always they would be there, the mountains, their heights rounded by the elements like relics worn smooth by the hands of reverent pilgrims.
Denise Giardina (Storming Heaven)
Perverse times have come The mystery of the Beloved to reveal Crows have begun to hunt hawks, Sparrows have vanquished falcons. Horse browse on rubbish, Donkeys graze on lush green. No love is lost between relatives, Be they younger or older uncles. There is no accord between fathers and sons, nor any between mothers and daughters. The truthful ones are being pushed about, the tricksters are seated close by, the front-liners have become wretched, the backbenchers sit on carpets. Those in taters have turned into Kings, The Kings have taken to begging. Oh Bullah, comes the command from the Lord, who can ever alter His decree? Perverse times have come, The mystery of the beloved to reveal
Bullhe Shāh
Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling their eagerness to be wild and perfect for a moment, before they are nothing, forever?
Mary Oliver (New and Selected Poems, Volume One)
the way the dew sparkled as if a careless hand had spilled a thousand translucent gemstones on the lush green blades
Nalini Singh (Archangel's Legion (Guild Hunter, #6))
Spring. Blooms break forth from the startled earth. The sky laughs. The trees, abashed, dress themselves in verdant green. And the heavens are lush with starts. Redeem the time, the stars sing down. Redeem the dream. And the boy waking in the land of broken rocks, the dry land wet with spring rain, waking in the place where two dreams cross--the dream where seeds grow into trees of gold and the dream of the box that he cannot open.
Rick Yancey (The Isle of Blood (The Monstrumologist, #3))
You might live on top of the biggest toxic waste dump on the planet, but if you never dig, then all you ever know is that your grass is green and your garden is lush.
Jodi Picoult (Leaving Time)
God has blessed the vale of Kashmir with grace and grandeur. It is a land of lush green meadows, crystal clear springs and lakes, the majestic rivers and streams, the snow white and roaring cataracts, sweet waters, high snow-covered peaks make it a perfect archetype of the promised land of God.
Tarif Naaz (SHEIKH MOHAMMAD ABDULLAH : A VICTIM OF BETRAYAL)
If Daddy was a color, he would be a forest green—thick, lush, calm, whispering refreshing wisdom only few could hear. If Michael was a color, he would be bark brown—cocoa, mocha, chocolate, the color of earth. Quiet, supportive, but strong. A softness that love grows from. Together, they are the tree I lean on when I’m weary. The tree I swing from. The tree of life when surrounded by death.
Tiffany D. Jackson (Monday's Not Coming)
Villages have an unmistakable charm. There is a subtle magic found in villages. The earthiness, greenery, and fragrance of flowers, plants, fruits, and vegetables growing in the field is breathtakingly inimitable. Sitting in the lush green fields, while gazing at the wide blue sky, amidst the farm animals and the simple houses in the background, is a joie de vivre.
Avijeet Das
This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers and they open — pools of lace, white and pink — and all day the black ants climb over them, boring their deep and mysterious holes into the curls, craving the sweet sap, taking it away to their dark, underground cities — and all day under the shifty wind, as in a dance to the great wedding, the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary, blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?
Mary Oliver
I can still see it, lush and green and wild, in some tiny way enchanted, like Oberon's wood, or Prospero's island. There are things they don't tell you about such magical places—that they're as dangerous as they are beautiful.
M.L. Rio (If We Were Villains)
When his flock thronged into the midnight service, there was wonder on every face at the newly hung greens and the softly flickering candles on each windowsill. To the simple beauty of the historic church was added fresh, green hope, the lush scent of flowers in winter, and candle flame that cast its flickering shadows over the congregation like a shawl.
Jan Karon (These High, Green Hills (Mitford Years, #3))
Standing in front of the white picket fence, I stared at the multitude of champagne roses weaving their hunter green vines gracefully through and around the fence. Soft hints of pink hues whispered from the centers of the blooms. Their petals covered the lush ground and rolled in a lazy dance with the warm summer breeze...
Leah P Lozano (Immortalis: The Guardian)
My hush is lush. It’s drunk on its own greenness, just as I’m drunk on my blue silence. What would you say if I asked you to turquoise?
Jarod Kintz (This Book is Not for Sale)
It was full of lazy late-afternoon shadows and an impossible green lushness such as could only be appreciated by someone freshly arrived
Bill Bryson (Notes From A Small Island: Journey Through Britain)
The mountains were gone, replaced by a lush green vale. A river flowed out of the mountains, twisting in great curves through the vale until it
John Gwynne (Malice (The Faithful and the Fallen, #1))
Cows wandered lush green slopes.
Ellen Read (When Jacarandas Bloom)
How lush and lusty the grass looks! how green! ANT. The ground indeed is tawny. SEB. With an eye of green in 't. ANT. He misses not much. SEB. No; he doth but mistake the truth totally.
William Shakespeare (The Tempest)
Thanks to the centrifugal pump, places like Nebraska, Kansas, Oklahoma, and Texas had thrown on the garments of fertility for a century, pretending to greenery and growth as they mined glacial water from ten-thousand-year-old aquifers. They'd played dress-up-in-green and pretended it could last forever. They'd pumped up the Ice Age and spread it across the land, and for a while they'd turned their dry lands lush. Cotton, wheat, corn, soybeans -- vast green acreages, all because someone could get a pump going. Those places had dreamed of being different from what they were. They'd had aspirations. And then the water ran out, and they fell back, realizing too late that their prosperity was borrowed, and there would be no more coming.
Paolo Bacigalupi (The Water Knife)
The day is early with birds beginning and the wren in a cloud piping like the child in the poem, drop thy pipe, thy happy pipe. And the place grows bean flower, pea-green lush of grass, swarm of insects dizzily hitting the high spots; dunny rosette creeping covering shawl ream in a knitted cosy of roses; ah the tipsy wee small hours of insects that jive upon the crippled grass blades and the face of the first flower alive.
Janet Frame (Owls Do Cry)
Quinnipeague in August was a lush green place where inchworms dangled from trees whose leaves were so full that the eaten parts were barely missed. Mornings meant 'thick o' fog' that caught on rooftops and dripped, blurring weathered gray shingles while barely muting the deep pink of rosa rugosa or the hydrangea's blue. Wood smoke filled the air on rainy days, pine sap on sunny ones, and wafting through it all was the briny smell of the sea.
Barbara Delinsky (Sweet Salt Air)
Nature is medicinal; the sun, large bodies of water, and deep breaths of fresh air. Healing is found in the mountains, amidst a forest, by fire, and water. I still recall how healing it was to be home, my parents' island, waking up to tropical sounds of morning; monkeys, tropical birds, and tropical animals discussing their days, feet in sand, and the glorious sound of tropical rain. Visuals of lush greens and vibrant flowers, nature calls us into ourselves, nature calls us home
Cheyanne Ratnam
The view from my window was of a sloping green field, dotted with a few muddy sheep; the same lush, safe, soggy world that nearly fifteen years earlier was all Lulu, Damien, and I had ever known. Until Dad had said, "We're going to Botswana." I felt profoundly homesick, for the first time in my life. Knowing I'd be back, I'd never minded leaving before. There was the comforting thought of returning.
Robyn Scott (Twenty Chickens for a Saddle)
There's something about being from Maine that you can never let hold of - the pointed firs and feathery pine trees, the wide open sky and stars and moon on a cold night, the ocean, which smells of this wonderful mix of saline and savory, and the colors - deep golds and reds and browns in the fall lit against a perfect blue sky; the lush, wet greens of summer and clean, white snow of winter piled against dark, stoic evergreens.
Caitlin Shetterly (Made for You and Me: Going West, Going Broke, Finding Home)
Look at this site - it is beautiful and deep. When we come here, we get ourselves lost in its beauty and vastness. Years of sorrow and pain lies in the depth of this lake. You do not know what was here 40-50 years back. Probably, a ditch full of stagnant water and mud breeding mosquitoes. Now here we have beautiful lake surrounded by lush green bushes and beautiful flowers. The place is beautiful today, so we come and enjoy its company, its presence. We do not think about its past or we do not to know what will happen here years later. We enjoy the beauty of its present.
Ravindra Shukla (A Maverick Heart: Between Love and Life)
I have a gift for you.” “Is it the firebird?” “Was that what you wanted? Should have told me sooner.” He reached into his pocket and placed something atop the wall. Light glinted off an emerald ring. The lush green stone at its center was bigger than my thumbnail and surrounded by stars of tiny diamonds. “Understatement is overrated,” I said on a shaky breath. “I love it when you quote me.” Nikolai tapped the ring. “Console yourself knowing that, should you ever punch me while wearing it, you’ll probably take my eye out. And I’d very much like you to. Wear it, that is. Not punch me.” “Where did you get this thing?” “My mother gave it to me before she left. It’s the Lantsov emerald. She was wearing it at my birthday dinner the night we were attacked. Curiously enough, that was not the worst birthday I’ve had.” “No?” “When I was ten, my parents hired a clown.
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
I’m starved for different light, a different sun, different sky. I’ve never really thought about it before, but it’s a miracle how many kinds of light there are in the world, how many skies: the pale brightness of spring, when it feels like the whole world is blushing; the lush, bright boldness of a July noon; purple storm skies and a green queasiness just before lightning strikes and crazy multicolored sunsets that look like someone’s acid trip. I
Lauren Oliver (Before I Fall)
Today, she is standing at the top of a mountain and appreciating the majestic panoramic view of mesmerizing Himalaya. As a kid, she used to look up in the sky and wish for wings to fly up to the mountains. And now after a long wait of many years, she is standing here and living her dream. It’s the moment when she can’t believe her eyes because what she always dreamed of has come alive. She looks with amazement as if she’s witnessing a miracle. It is the moment of her life. She just wants to feel it. There are beautiful clouds below her and there are snow clad mountain peaks emerging from those clouds. The white peaks shining in blue sky among white clouds look like glittering diamonds to her. The view of the large lush green meadow surrounded by mountains under blue sky with a rainbow circling the horizon has put her in a state of tranquility. As the sun starts drowning in the horizon, the sky begins to boast his mystical colours. The beautiful mix of pink, orange and red looks like creating a twilight saga. She opens her both arm and takes a deep breath to entwine with the nature. The glimmering rays of the moon are paying tribute to her by kissing her warm cheeks and her eyes twinkle in bright moon light. She raises her face towards the moon and senses the flood of memories which she wants to unleash. The cool breeze lifts her ruffled hair and blows her skirt up. She closes her eyes and breathes deep as if she wants to let her know that she is finally here and then she opens her eyes and finds herself on the same wheelchair inside a room with an empty wall in front of her eye. Tears rolls down from her eye but these are the tears of Joy because she is living her dreams today. The feelings comes to her mind while waiting for her daughter who is coming back home today after her first expedition of a high range mountain ~ AB
Ashish Bhardwaj
Along with the greening of May came the rain. Then the clouds disappeared and a soft pale lightness fell over the city, as if Kyoto had broken free of its tethers and lifted up toward the sun. The mornings were as dewy and verdant as a glass of iced green tea. The nights folded into pencil-gray darkness fragrant with white flowers. And everyone's mood seemed buoyant, happy, and carefree. When I wasn't teaching or studying tea kaiseki, I would ride my secondhand pistachio-green bicycle to favorite places to capture the fleeting lushness of Kyoto in a sketchbook. With a small box of Niji oil pastels, I would draw things that Zen pots had long ago described in words and I did not want to forget: a pond of yellow iris near a small Buddhist temple; a granite urn in a forest of bamboo; and a blue creek reflecting the beauty of heaven, carrying away a summer snowfall of pink blossoms. Sometimes, I would sit under the shade of a willow tree at the bottom of my street, doing nothing but listening to the call of cuckoos, while reading and munching on carrots and boiled egg halves smeared with mayonnaise and wrapped in crisp sheets of nori. Never before had such simple indulgences brought such immense pleasure.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
It’s almost impossible to save, really save, anything. If she didn’t have her trust fund, small though it is, well, they might be peering over the edge the way some couples their age were. Thank God for that quarterly check. And thank God for Daddy, even if he was a lush and spent more nights in bed with prostitutes than with mother. According to mother.
A.C. Greene (The Highland Park Woman: A Collection of Short Stories)
Spring returns to my lonely chamber, Once more spring grass is lush and green. Some red plum blossoms are open, Others have yet to bloom. I grind tea bricks into fine jade powder In a pot carved with azure clouds, Still under the spell of the morning's dream, Till all of a sudden I am woken By a jug of spring. Flower shadows press at the double gate, Pale moonlight silvers the translucent curtains. A beautiful evening! Three times in two years We've missed the spring. Come back without further ado And let's enjoy our fill of this spring!
Li Qing Zhao
I am Itzapoca. Long ago the Mayans worshiped me as a god. Today I am forgotten, a stone head half-buried in the jungle. Yet I have endured for ages, far longer than any puny modern structure built from steel and concrete. Long before the era of hydraulic cranes, my followers lifted me to the top of this lush green slope where I sit looking down on the shining blue waters of the bay.
Carol Storm (Unexpected Dreams)
This is what curiosity gets you. You might live on top of the biggest toxic waste dump on the planet, but if you never dig, then all you ever know is that your grass is green and your garden is lush.
Jodi Picoult (Leaving Time)
They made their way to the dining room, where the air was blossom-scented and gilded with candlelight. The mammoth Jacobean table, with its legs and support rails carved like twisted rope, had been covered with pristine white linen. A row of broad silver baskets filled with billows of June roses rested on a long runner of frothy green maidenhair ferns. The walls had been lined with lush arrangements of palms, hydrangeas, azaleas and peonies, turning the room into an evening garden. Each place at the table had been set with glittering Irish crystal, Sèvres porcelain, and no fewer than twenty-four pieces of antique Georgian silver flatware per guest.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
I didn't mean to upset you, Ms. Hamilton," his gaze shifted back to her. "It's a beautiful sight and I thought you'd like to see it." She gasped in delight at the vista before her. Distant purple mountains framed lush green meadows speckled with brown dots of cattle. A silver river threaded through clumps of trees. In the middle of the valley, ranch buildings clustered around a large white house. Elizabeth inhaled crisp air into her lungs...
Debra Holland (Wild Montana Sky (Montana Sky, #1))
We resumed driving and cut along a dirt road through the prairie. Lush tall grasses spread as far as the eye could see, a rolling green vista that was disturbed only by a few small rusted oil pumps and by cattle grazing here and there.
David Grann (Killers of the Flower Moon: Adapted for Young Readers: The Osage Murders and the Birth of the FBI)
As the train rolled through the countryside, so lush and green, and into the sprawling suburbs of south London, I stared around at all the strangeness: the narrow little “terraced” houses all in rows of brick and chimneypots, the tiny back gardens with clotheslines and garden sheds, the little cars all on the wrong side of the road — it was all so delightfully foreign, and exotic. My first lesson that the rest of the world really was more different than I knew or imagined.
Neil Peart (Traveling Music: The Soundtrack to My Life and Times)
The one tree in Francie's yard was neither a pine nor a hemlock. It had pointed leaves which grew along green switches which radiated from the bough and made a tree which looked like a lot of opened green umbrellas. Some people called it the Tree of Heaven. No matter where its seed fell, it made a tree which struggled to reach the sky. It grew in boarded up lots and out of neglected rubbish heaps and it was the only tree that grew out of cement. It grew lushly, but only in the tenement districts.
Betty Smith
He was still a kid inside. His body had grown, stretched, towered, tanned its skin, hardened its muscle, darkened its tawny shock of long hair, tightened its lines around jaw and eyes, thickened fingers and knuckles, but the brain didn't feel as if it had grown in sympathy with the rest. It was still green, full of tall, lush oaks and elms in summer; a creek ran through it, and the kids climbed around on its convolutions shouting, "This way, gang - we'll take a short-cut and head them off at Dead Man's Gulch!
Ray Bradbury
We need to reform our funeral industry, introducing new practices that aren't so profit-oriented, and that do more to include the family. But we cannot begin to reform—or even question!-our death systems when we act like little Jean de Brébeufs, falsely convinced we have it right while all these "other people" are disrespectful and barbarous. This dismissive attitude can be found in places you'd never expect. Lonely Planet, the largest guidebook publisher in the world, included the idyllic Trunyan cemetery in their book on visiting Bali. In Trunyan, the villagers weave bamboo cages for their dead to decompose in, and then stack the skulls and bones out in the lush green landscape. Lonely Planet, instead of explaining the meaning behind these ancient customs, advised wise travelers to "skip the ghoulish spectacle.
Caitlin Doughty (From Here to Eternity: Traveling the World to Find the Good Death)
Pedaling down the maple lined drive, quicksilver temper ebbed, her resilient spirits were lifted with the beauty of the day. The valley was stirring with life. Small clusters of fragile violets and red clover dotted the rolling meadows. Lines of fresh laundry waved in the early breeze. The boundary of mountains was tooped by a winter's coat, not yet the soft, lush green it would be in a month's time, but patched with stark black trees and the intermittent color of pines. Clouds scudded thin and white across the sky, chased by the teasing wind which whispered of spring and fresh blossoms.
Nora Roberts (Where The Heart Is: From This Day / Her Mother's Keeper)
A great, spreading beech tree sheltered the entire backyard. Its beautiful, perfectly symmetrical canopy stretched from one fence line to the other, so dense that it tinted even the hottest summer day a lush green. Only the heaviest rain could penetrate the leaves. Blue had a satchelful of memories of standing by the massive, smooth trunk in the rain, hearing it hiss and tap and scatter across the canopy without ever reaching the ground. Standing under the beech tree, it felt like she was the beech, like the rain rolled off her leaves and off the bark, smooth as skin against her own. With
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
In wolf form, Ryan stalked through the woods, his hunger - and anger - mounting each second that passed. He'd just found out from Ana that Teresa had gone riding out to check the fence lines. By herself.... Panic hummed through him as he raced through a small patch of trees, lush and green now that it was spring.
Katie Reus (Protective Instinct (Moon Shifter, #5.5))
I see the last two millennia as laid out in columns, like a reverse ledger sheet. It's as if I'm standing at the top of the twenty-first century looking downwards to 2000. Future centuries float as a gauzy sheet stretching over to the left. I also see people, architecture and events laid out chronologically in the columns. When I think of the year 1805, I see Trafalgar, women in the clothes of that era, famous people who lived then, the building, etc. The sixth to tenth centuries are very green, the Middle Ages are dark with vibrant splashes of red and blue and the sixteenth and seventeenth centuries are brown with rich, lush colours in the furniture and clothing.
Claudia Hammond (Time Warped: Unlocking the Mysteries of Time Perception)
Madeline stood before him in a gown of rich, emerald-green silk. The low-cut bodice did miraculous things for her bosom, and the vibrant color made a striking contrast with her pale skin and dark hair. And her lips... something about the green brought out their richness. They looked like two lush slices of a ripened plum. His mouth watered.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
Few things are harder to visualise than that a cold snowbound landscape, so marrow-chillingly quiet and lifeless, will, within mere months, be green and lush and warm, quivering with all manner of life, from birds warbling and flying through the trees to swarms of insects hanging in scattered clusters in the air. Nothing in the winter landscape presages the scent of sun-warmed heather and moss, trees bursting with sap and thawed lakes ready for spring and summer, nothing presages the feeling of freedom that can come over you when the only white that can be seen is the clouds gliding across the blue sky above the blue water of the rivers gently flowing down to the sea, the perfect, smooth, cool surface, broken now and then by rocks, rapids and bathing bodies. It is not there, it does not exist, everything is white and still, and if the silence is broken it is by a cold wind or a lone crow caw-cawing. But it is coming ... it is coming... One evening in March the snow turns to rain, and the piles of snow collapse. One morning in April there are buds on the trees, and there is a trace of green in the yellow grass. Daffodils appear, white and blue anemones too. Then the warm air stands like a pillar among the trees on the slopes. On sunny inclines buds have burst, here and there cherry trees are in blossom. If you are sixteen years old all of this makes an impression, all of this leaves its mark, for this is the first spring you know is spring, with all your sense you know this is spring, and it is the last, for all coming springs pale in comparison with your first. If, moreover, you are in love, well, then ... then it is merely a question of holding on. Holding on to all the happiness, all the beauty, all the future that resides in everything.
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
Invite Wonder What if you bowed before every dandelion you met and wrote love letters to squirrels and pigeons who crossed your path? What if scrubbing the dishes became an act of single reverence for the gift of being washed clean, and what if the rhythmic percussion of chopping carrots became the drumbeat of your dance? What if you stepped into the shower each morning only to be baptized anew and sent forth to serve the grocery bagger, the bank teller, and the bus driver through simple kindness? And what if the things that make your heart dizzy with delight were no longer stuffed into the basement of your being and allowed out to play in the lush and green fields? There are two ways to live in this world: As if everything were enchanted or nothing at all.
Christine Valters Paintner (The Soul of a Pilgrim: Eight Practices for the Journey Within)
She wandered around Sally's garden, sipping coffee, stopping to admire the grevillea and talk to the chickens. As the warmth of the sun unknotted the tension in her spine, Alice noticed a lush alley of potted tropical plants alongside the house: monstera, bird of paradise, agave, staghorns and ferns. Alice was filled with a sense of wonder; it was a garden within a garden, so meticulous and well-tended in contrast to the wild beauty surrounding it. The sumptuous blends of greens. The varying, glossy foliage.
Holly Ringland (The Lost Flowers of Alice Hart)
Letters blend to give rise to words  Like colors pave way for the birth of million shades! Evanescence reminisces sepia! Memory takes back to black and white! Music pops hot pink! Dance rocks wine red! Marvelous is miraculous as the indigo! Magnificent is magnanimous like Russian red! Splendid is classy like arctic blue! Resplendent inspires like  strawberry pink! Flamboyance is flowery like fuchsia! Flawless is perfect like flamingo! Extraordinary stands out like lime yellow! Peculiar is unique like cyan! Pleasant pleases like periwinkle! Soothing soothes like lemonade! Opulent glitters gold! Spectacular shimmers silver! Nice is as mild as dulce de leche! Attractive dazzles onyx! Powerful is headstrong like tangerine! Puissance stupefies like scarlet red! Mellifluence is dissolving, like lavender! Sonorous sounds magenta! Lovely cutely blushes! Sweet is peachy! Richness is wealthy like lush green! Poverty is brown as in flower wilt! Candid is frank as candy red! Altruism is selfless like parmesan! But, BEAUTY IS IRIDESCENT! Which
Sivaranjini Senthilvel (Poesy passel!: Painted by an 18 year old's word palette...)
The Sydney of this time was a different place to the honeymoon city I'd visited with Damien. That one was the crescent of the bridge, the rolling waves beneath the ferry, the shaded streets in The Rocks where we'd bought touristy postcards to send home. Everywhere was so lush, everything blue and green. This Sydney was more or less the space between Campsie and Dulwich Hill. Suburban streets, 7-Eleven hot chocolate, stream, car fumes, perc in my nose and throat, light dancing across the scratched Perspex of train window.
Jennifer Down (Bodies of Light)
her breast seemed unbearable, and a ragged sigh did not ease the pain. Though the view could have been appeasing, she yearned to have the lush green lawns of Belle Chêne in sight and to know within her mind that she was Ashton’s beloved, no matter what name she bore. Her chin lifted, and her heart quickened as she detected a man on horseback riding at a full canter toward the house. For a moment she held her breath, wanting it to be Ashton, but all the while knowing it could not be. She fell further into despondency as the rider came nearer. The man’s body was too thick, and he rode without the skill of the other man. Recognizing Malcolm Sinclair, she waited with quaking heart as he dismounted and came into the house. Eons seemed to pass before she heard the scrape of his boot against the stairs. His footsteps came down the hall, pausing before each door as if he searched for her in the other rooms. A rising panic took hold of her as he drew near, and she cast her gaze about for someplace to hide, but she forced herself to remain where she was, knowing that reality had to be dealt with and that
Kathleen E. Woodiwiss (Come Love a Stranger)
It is a Sunday morning early in the May of 1889. The weather is clear and warm. There has been rain, and the littlest streams are brimming and shining. The spring is at its height. The grass of the yard and the pastures is lush, the green of it so new that it gleams in the sun. The trees are heavily leafed, their new growth still tender, unblemished. And the whole country lies beneath an intricate tapestry of bird song. He is on his way to church - one of the pilgrimages that he occasionally makes in uneasy compensation for the extravagances of Saturday night.
Wendell Berry (The Memory of Old Jack (Port William))
Her. Her. Her. Future breezes implore me to stay. But I'm no future. I'm no past. Only ever contemporary of this path. I'll sacrifice everything for all her seasons give from losing. She, I sigh from The Mountain top. By her now. My only role. And for that freedom, spread my polar chill, reaching even the warmest times, a warning upon the back of every life that would by harming Hailey's play, ever wayward around this vegetative rush of orbit & twine, awaken among these cascading cliffs of bellicose ice me. And my Vengeance. At once. The Justice of my awful loss set free upon this crowded land. An old terror violent for the glee of ends. But to those who would tend her, harrowed by such Beauty & Fleeting Presence to do more, my cool cries will kiss their gentle foreheads and my tears will kiss their tender cheeks, and then if the Love of their Kindness, which only Kindness ever finds, spills my ear, for a while I might slip down and play amidst her canopies of gold. Solitude. Hailey's bare feet. And all her patience now assumes. Garland of Spring's Sacred Bloom. By you, ever sixteen, this World's preserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so dangerously resumes. I'll destroy no World so long it keeps turning with flurry & gush, petals & stems bending and lush, and allways our hushes returning anew. Everyone betrays the Dream but who cares for it? O Hailey no, I could never walk away from you. - Haloes! Haleskarth! Contraband! I can walk away from anything. Everyone loves the Dream but I kill it. Bald Eagles soar over me: —Reveille Rebel! I jump free this weel. On fire. Blaze a breeze. I'll devastate the World. \\ Samsara! Samarra! Grand! I can walk away from anything. Everyone loves the Dream but I kill it. Atlas Mountain Cedars gush over me: —Up Boogaloo! I leap free this spring. On fire. How my hair curls. I'll destroy the World. - Him. Him. Him. Future winds imploring me to stay. But I'm no tomorrow. I'm no yesterday. Only ever contemporary of this way. I will sacrifice everything for all his seasons miss of soaring. He, I sigh from The Mountain top. By him now. My only role. And for that freedom, spread my polar chill, reaching even the warmest climes, a warning upon the back of every life that would by harming Sam's play, ever wayward around this animal streak of orbit & wind, awaken among these cataracts of belligerent ice me. And my Justice. At once. The Vengeance of my awful loss set free upon this crowded land. An old terror violent for the delirium of ends. But to those who would protect him, frightened by such Beauty & Savage Presence to do more, my cool cries will kiss their tender foreheads and my tears will kiss their gentle cheeks, and then if the Kindness of their Love, which only Loving ever binds, spills my ear, for a while I might slip down and play among his foals so green. My barrenness. Sam's solitude. And all his patience now presumes. Luster of Spring's Sacred Brood. By you, ever sixteen, this World's reserved. By you, this World has everything left to lose. And I, your sentry of ice, shall allways protect what your Joy so terrifyingly elects. I'll destroy no World so long it keeps turning with scurry & blush, fledgling & charms beading with dews, and allways our rush returning renewed. Everyone betrays the Dream but who cares for it? O Sam no, I could never walk away from you.
Mark Z. Danielewski (Only Revolutions)
Greenery Juniper, Oracle Oak and Hop Tree, California Buckeye, and Elderberry. Pacific Dogwood and the pale green Eucalyptus, Quaking Aspen and Flannelbush. raw, sprouting, lush green love green with envy green with youth green with early spring olive, emerald, avocado, greenlight ready, set, GO! greenhouse, greenbelts, ocean kelp, cucumber, lizard, lime and forest green, spruce, teal, and putting green. green-eyed, verdant, grassy, immature green and leafy green half-formed tender, pleasant, alluring temperate freshly sawed vigorous not ripe yet promising greenbriar, greenbug, green dragon greenshanks running along the ocean's edge greenlings swimming greenlets singing greengage plums green thumbs greenhorns and greenflies- how on earth amid sage swells kelly hillsides and swirls of firs did I ever find that green of hers? holly, drake, and brewster green, pistachio, shamrock, serpentine terre verde, Brunswick, tourmaline, lotus, jade, and spinach green: start to finish lowlands to highs no field, no forest, no leaf, no blade can catch the light or trap the shade; no earthly tones will ever rise to match the green enchantment of her eyes.
Nancy Boutilier (On the Eighth Day Adam Slept Alone: New Poems)
Boney freckled knees pressed into bits of bark and stone, refusing to feel any more pain. Her faded t-shirt hugged her protruding ribs as she held on, hunched in silence. A lone tear followed the lumpy tracks down her cheek, jumped from her quivering jaw onto a thirsty browned leaf with a thunderous plop. Then the screen door squeaked open and she took flight. Crispy twigs snapped beneath her bare feet as she ran deeper and deeper into the woods behind the house. She heard him rumbling and calling her name, his voice fueling her tired muscles to go faster, to survive. He knew her path by now. He was ready for the hunt. The clanging unbuckled belt boomed in her ears as he gained on her. The woods were thin this time of year, not much to hide behind. If she couldn’t outrun him, up she would go. Young trees teased her in this direction, so she moved east towards the evergreens. Hunger and hurt left her no choice, she had to stop running soon. She grabbed the first tree with a branch low enough to reach, and up she went. The pine trees were taller here, older, but the branches were too far apart for her to reach. She chose the wrong tree. His footsteps pounded close by. She stood as tall as her little legs could, her bloodied fingers reaching, stretching, to no avail. A cry of defeat slipped from her lips, a knowing laugh barked from his. She would pay for this dearly. She didn’t know whether the price was more than she could bear. Her eyes closed, her next breath came out as Please, and an inky hand reached down from the lush needles above, wound its many fingers around hers, and pulled her up. Another hand, then another, grabbing her arms, her legs, firmly but gently, pulling her up, up, up. The rush of green pine needles and black limbs blurred together, then a flash of cobalt blue fluttered by, heading down. She looked beyond her dangling bare feet to see a flock of peculiar birds settle on the branches below her, their glossy feathers flickered at once and changed to the same greens and grays of the tree they perched upon, camouflaging her ascension. Her father’s footsteps below came to a stomping end, and she knew he was listening for her. Tracking her, trapping her, like he did the other beasts of the forest. He called her name once, twice. The third time’s tone not quite as friendly. The familiar slide–click sound of him readying his gun made her flinch before he had his chance to shoot at the sky. A warning. He wasn’t done with her. His feet crunched in circles around the tree, eventually heading back home. Finally, she exhaled and looked up. Dozens of golden-eyed creatures surrounded her from above. Covered in indigo pelts, with long limbs tipped with mint-colored claws, they seemed to move as one, like a heartbeat. As if they shared a pulse, a train of thought, a common sense. “Thank you,” she whispered, and the beasts moved in a wave to carefully place her on a thick branch.
Kim Bongiorno (Part of My World: Short Stories)
COMMITMENT is like rain in Oregon. You wake up every morning and there it is. It cups your house in its liquid hands and fills your gutters to overflowing. It makes green things grow tall and lush, rivers run deep and invincible. On sunny days it seeps up through petals and pine needles, roots and aqueducts. Other days, it makes mud too thick for walking, and you cannot leave the house. You pace the house, restless and lonely. Then you smell its perfume in a dry, empty room and part the curtains, watch it finger the window with long, slow rivulets. From 'A Compendium of Miniatures
Tiffany Lee Brown
One cool morning—a rainstorm had swept through the night before; now the City of Angels sparkled like Eden itself—he was walking between soundstages in Culver City, carrying a cardboard cup of coffee, nodding to this glorious creature (dressed as a harem girl), then that glorious creature (a cowgirl), then that glorious creature (a secretary?)—they all smiled at him—when he ran into, of all people, an old pal of his from the Major Bowes days, a red-haired pianist who’d bounced around the Midwest in the 1930s, Lyle Henderson (Crosby would soon nickname him Skitch). Henderson was strolling with a creature much more glorious, if possible, than the three Sinatra had just encountered. She was tall, dark haired, with sleepy green eyes, killer cheekbones, and absurdly lush lips, lips he couldn’t stop staring at. Frankie! Henderson said, as they shook hands. His old chum was doing all right these days. Sinatra smiled, not at Henderson. The glorious creature smiled back bashfully, but with a teasing hint of directness in her dark eyes. The pianist—he was doing rehearsal duty at the studio—then got to say the six words that someone had to say, sometime, but that he and he alone got to say for the first time in history on this sparkling morning: Frank Sinatra, this is Ava Gardner.
James Kaplan (Frank: The Voice)
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)
Cendrillon specialized in seafood, so we had four fish stations: one for poaching, one for roasting, one for sautéing, and one for sauce. I was the chef de partie for the latter two, which also included making our restaurant's signature soups. O'Shea planned his menu seasonally- depending on what was available at the market. It was fall, my favorite time of the year, bursting with all the savory ingredients I craved like a culinary hedonist, the ingredients that turned my light on. All those varieties of beautiful squashes and root vegetables- the explosion of colors, the ochre yellows, lush greens, vivid reds, and a kaleidoscope of oranges- were just a few of the ingredients that fueled my cooking fantasies. In the summer, on those hot cooking days and nights in New York with rivulets of thick sweat coating my forehead, I'd fantasize about what we'd create in the fall, closing my eyes and cooking in my head. Soon, the waitstaff would arrive to taste tonight's specials, which would be followed by our family meal. I eyed the board on the wall and licked my lips. The amuse-bouche consisted of a pan-seared foie gras served with caramelized pears; the entrée, a boar carpaccio with eggplant caviar, apples, and ginger; the two plats principaux, a cognac-flambéed seared sea scallop and shrimp plate served with deep-fried goat cheese and garnished with licorice-perfumed fennel leaves, which fell under my responsibility, and the chief's version of a beef Wellington served with a celeriac mash, baby carrots, and thin French green beans.
Samantha Verant (The Secret French Recipes of Sophie Valroux (Sophie Valroux #1))
I still cherish my childhood memories of the sun opening the dusky eyelids of the west and the misty mornings against the backdrop of of Kgalatlou Mountain. The green prime of summer, twingling leaves of acacia yrees of Manthakge Plains, pure clear sky, the smooth plough fields and lush green meadows. In winter, that green carpet will be replaced by drearily looking land like a dim picture of the drowned past, all signs of life and feeling gone out of it, with the plough fields scorched and naked, the streams of Manyane silent, and the grass of the meadows looking like burned powder.  I still remember and cherish the touch of autumn nights and the ruddy moon leaning over Madibong. When I think about this, a sorrowful silent tear always roll down my cheek, I become sad and gripped by grief because of what has now become of the land of my forefathers. I have known and cherished its distinguished  rocks, fauna, and flora since I could stand and walk. I know its mountain slopes, plains, its rocks, and bushes like the veins and knuckles at the back of my hand. The ever changing beauty of Leolo Mountains, from the aloes of Segodi Boulders to the lilies of Legaletlweng; the imposing Letheleding Boulders towering over Manyane Dale. The interesting contrast of granite ingenious sedimentary rocks of Leolo Mountains and the red sand rock of Seolwane Mountain, the red sandy soil of Leruleng, the dark clay soil of Marakane and the red fertile loom soil of Sehalbeng Plains. The Magnetite rocks Ga - Sethadi and the shale rocks of Malatjane.
Pekwa Nicholas Mohlala
Benny Blue dragon was lying in the sunshine. He had just finished eating his dinner. He was feeling very full. Well you would after three helpings of corned beef and caterpillar stew, not to mention the broccoli and the rather smelly blue cheese. He was settling himself down very comfortably on the lush, fresh smelling, green grass. A doze after dinner is always welcome. As Benny Blue was dropping off into his dragon-like slumber, he felt a little discomfort, and it was somewhere at the end of his very long tail. He twitched his tail, and settled back down. There it was again. Benny Blue flicked his tail harder. Whatever was irritating him would have to stop now – except it didn't. Benny Blue was getting cross. Nothing should come between a dragon and his after dinner nap.
Ann Perry (The Dragon Sanctuary)
As I walked, I became aware of the strong odor of peonies and jasmine. I inhaled deeply to draw in the lovely bouquet. The scent was from the fresh flowers of a lush garden. The path opened into a courtyard, a tangle of peonies and jasmine framing the entrance, blooming in spectacular fashion. Silky petals brushed against my skin. The tension building in my neck and shoulders melted away as I entered a fairyland. The rustle of the night breeze joined the familiar voice of Teresa Teng echoing from invisible speakers. Beneath my feet, a path of moss-covered stones led to a circular platform surrounded by a large, shallow pond. The night garden was bursting with a palette of muted greens, starlit ivories, and sparkling golds: the verdant lichen and waxy lily pads in the pond, the snowy white peonies and jasmine flowers, and the metallic tones of the fireflies suspended in the air, the square-holed coins lining the floor of the pond, and the special golden three-legged creatures resting on the floating fronds. I knew these creatures from my childhood. The feng shui symbol of prosperity, Jin Chan was transformed into a golden toad for stealing the peaches of immortality. Jin Chan's three legs represented heave, earth, and humanity. Statues of him graced every Chinese home I had ever been in, for fortune was a visitor always in demand. Ma-ma had placed one near the stairs leading to the front door. The pond before me held eight fabled toads, each biting on a coin. If not for the subtle rise and fall of their vocal sacs, I would have thought them statues.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
Lucian's thick, long finger slid into me, and I groaned----a pained sound. "That's it," he rasped, fingering me with agonizingly slow pushes. "Fuck, that's it." I gasped, my head light, my thighs clamping around his hand, as though I could hold in the sensation. "Spread your legs a little wider, honey. Let me in. Good girl." He cupped my neck with his free hand, his forehead pressed to mine. "One day soon, I'm going to work myself into this tight sweet honey box, fuck you for hours." My thighs trembled, heat swimming me as my lower belly clenched. "Lucian." I wiggled my hips. He added another finger, fucking them up into me at an angle that had me keening in pleasure. "Right here, Em. Right here is where I'm aching to be." I wanted him there so badly. My body moved with him, rocking against his hand. "Right here is where I'll worship." He kissed me gently, a simple meeting of mouths, as his thumb snaked out and found my clit. He pressed down, rougher now that I was worked up and at the edge. Just how I liked. White-hot head sparked and lit, and I came in a rushing wave that had me straining against him. "Say my name." He rubbed my slippery sex, fingers deep inside me. "Lucian." I sobbed. "Lucian." His grip on my nape was warm, reassuring as he kissed me. "That's my girl," he said as I came down from my high, my body trembling. "My girl." My focus came back as he slipped free from my panties. He lifted his hand to his mouth and, holding my eyes with his crystalline-green eyes, sucked his wet fingers clean. A wicked smile curved his lush mouth as his voice rolled over me like warm honey. "Delicious.
Kristen Callihan (Make It Sweet)
John scrambled up and down the terraces and banks, hunting out the secret breaks in the thickets or crawling through hollows woven from sharp-spined stems. Blackberries lured him into sun-pricked chambers. Old byways closed and new ones opened, drifts of nettles surging forward then dying back. The sun beat down until the grass on the green parched. But on the high slopes the rank stems sprang up as lush as ever. Springs ran beneath the turf, his mother told him. Enough water to fill a river. Together they pulled peppery watercress from the edges of marshy puddles and grubbed up tiny sweet carrots, dark purple under the dusty earth. Clover petals yielded honey-beads and jellylike mallow seeds savored of nuts. Tiny strawberries sheltered under ragged leaves and sweet blackberries swelled behind palisades of finger-pricking thorns.
Lawrence Norfolk (John Saturnall's Feast)
In order to explain what that was, I must start by describing the encounter between myself and the sun. In fact, this experience occurred on two occasions. It often happens that, long before the decisive meeting with a person from whom only death can thereafter part one, there is a brief brush elsewhere with that same person occurring with almost total unawareness on both sides. So it was with my encounter with the sun. My first—unconscious—encounter was in the summer of the defeat, in the year 1945. A relentless sun blazed down on the lush grass of that summer that lay on the borderline between the war and the postwar period—a borderline, in fact, that was nothing more than a line of barbed wire entanglements, half broken down, half buried in the summer weeds, tilting in all directions. I walked in the sun’s rays, but had no clear understanding of the meaning they held for me. Finespun and impartial, the summer sunlight poured down prodigally on all creation alike. The war ended, yet the deep green weeds were lit exactly as before by the merciless light of noon, a clearly perceived hallucination stirring in a slight breeze; brushing the tips of the leaves with my fingers, I was astonished that they did not vanish at my touch. That same sun, as the days turned to months and the months to years, had become associated with a pervasive corruption and destruction. In part, it was the way it gleamed so encouragingly on the wings of planes leaving on missions, on forests of bayonets, on the badges of military caps, on the embroidery of military banners; but still more, far more, it was the way it glistened on the blood flowing ceaselessly from the flesh, and on the silver bodies of flies clustering on wounds. Holding sway over corruption, leading youth in droves to its death in tropical seas and countrysides, the sun lorded it over that vast rusty-red ruin that stretched away to the distant horizon.
Yukio Mishima (Sun & Steel)
The one tree in Francie’s yard was neither a pine nor a hemlock. It had pointed leaves which grew along green switches which radiated from the bough and made a tree which looked like a lot of opened green umbrellas. Some people called it the Tree of Heaven. No matter where its seed fell, it made a tree which struggled to reach the sky. It grew in boarded-up lots and out of neglected rubbish heaps and it was the only tree that grew out of cement. It grew lushly, but only in the tenements districts. You took a walk on a Sunday afternoon and came to a nice neighborhood, very refined. You saw a small one of these trees through the iron gate leading to someone’s yard and you knew that soon that section of Brooklyn would get to be a tenement district. The tree knew. It came there first. Afterwards, poor foreigners seeped in and the quiet old brownstone houses were hacked up into flats, feather beds were pushed out on the window sills to air and the Tree of Heaven flourished. That was the kind of tree it was. It liked poor people. That
Betty Smith (A Tree Grows in Brooklyn)
No healthy young man could fail to be stirred and set off-kilter by Aline, who, at the age of seventeen, had become the loveliest girl on God's green earth. At the moment Aline was already dressed for bed, wearing a nightgown made of intricately tucked and ruffled white cotton. As she moved across the room, the lamplight silhouetted the generous curves of her breasts and hips through the thin fabric, and slid over the shining sable locks of her hair. Aline's looks were the kind that caused the heart to stop and the breath to catch. Her coloring alone would have given even a homely woman the appearance of great beauty. But her features were fine and perfect, and perpetually lit with the radiance of unchecked emotion. And as if all that hadn't been quite enough, nature had added one last flourish, a tiny black mark that flirted with the corner of her mouth. McKenna had fantasized endlessly about kissing that tantalizing spot, and following it to the lush curves of her lips. Kissing and kissing her, until she was weak and shivering in his arms.
Lisa Kleypas (Again the Magic (Wallflowers, #0))
She gazed out at the seductive vista. The countryside was dressed in its prettiest May garb- everything budding or blooming or bursting out in the exuberance of late spring. For Laura, the landscape at thirteen hundred feet up a Welsh mountain was the perfect mix of reassuringly tamed and excitingly wild. In front of the house were lush, high meadows filled with sheep, the lambs plump from their mother's grass-rich milk. Their creamy little shapes bright and clean against the background of pea green. A stream tumbled down the hillside, disappearing into the dense oak woods at the far end of the fields, the ocher trunks fuzzy with moss. On either side of the narrow valley, the land rose steeply to meet the open mountain on the other side of the fence. Here young bracken was springing up sharp and tough to claim the hills for another season. Beyond, in the distance, more mountains rose and fell as far as the eye could see. Laura undid the latch and pushed open the window. She closed her eyes. A warm sigh of the wind carried the scent of hawthorn blossom from the hedgerow.
Paula Brackston (Lamp Black, Wolf Grey)
Even though the wreckage had been described to her, and though she was still in pain, the sight horrified and amazed her, and there was something she noticed about it that particularly gave her the creeps. Over everything—up through the wreckage of the city, in gutters, along the riverbanks, tangled among tiles and tin roofing, climbing on charred tree trunks—was a blanket of fresh, vivid, lush, optimistic green; the verdancy rose even from the foundations of ruined houses. Weeds already hid the ashes, and wild flowers were in bloom among the city’s bones. The bomb had not only left the underground organs of plants intact; it had stimulated them. Everywhere were bluets and Spanish bayonets, goose-foot, morning glories and day lilies, the hairy-fruited bean, purslane and clotbur and sesame and panic grass and feverfew. Especially in a circle at the center, sickle senna grew in extraordinary regeneration, not only standing among the charred remnants of the same plant but pushing up in new places, among bricks and through cracks in the asphalt. It actually seemed as if a load of sickle-senna seed had been dropped along with the bomb.
The New Yorker (The 40s: The Story of a Decade (New Yorker: The Story of a Decade))
Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.
Laura Brooks (Greek Isles (Timeless Places))
University Hospital, Boston The trees on the hospital lawn are lush and thriving. They too are getting the best of care, like you, and the anonymous many, in the clean rooms high above this city, where day and night the doctors keep arriving, where intricate machines chart with cool devotion the murmur of the blood, the slow patching-up of bone, the despair of the mind. When I come to visit and we walk out into the light of a summer day, we sit under the trees- buckeyes, as sycamore and one black walnut brooding high over a hedge of lilacs as old as the red-brick building behind them, the original hospital built before the Civil War. We sit on the law together, holding hands while you tell me: you are better. How many young men, I wonder, came here, wheeled on cots off the slow trains from th red and hideous battlefields to lie all summer in the small and stuffy chambers while doctors did what they could, longing for tools still unimagined, medicines still unfound, wisdoms still unguessed at, and how many died staring at the leaves of the trees, blind to the terrible effort around them to keep them alive? I look into your eyes which are sometimes green and sometimes gray, and sometimes full of humor, but often not, and tell myself, you are better, because my life without you would be a place of parched and broken trees. Later, walking the corridors down to the street, I turn and step inside an emty room. Yesterday someone was here with a gasping face. Now the bed is made all new, the machines have been rolled away. The silence continues, deep and neutral, as I stand there, loving you.
Mary Oliver (New and Selected Poems, Volume One)
The cuisine of Northern Iran, overlooked and underrated, is unlike most Persian food in that it's unfussy and lighthearted as the people from that region. The fertile seaside villages of Mazandaran and Rasht, where Soli grew up before moving to the congested capital, were lush with orchards and rice fields. His father had cultivated citrus trees and the family was raised on the fruits and grains they harvested. Alone in the kitchen, without Zod's supervision, he found himself turning to the wholesome food of his childhood, not only for the comfort the simple compositions offered, but because it was what he knew so well as he set about preparing a homecoming feast for Zod's only son. He pulled two kilos of fava beans from the freezer. Gathered last May, shucked and peeled on a quiet afternoon, they defrosted in a colander for a layered frittata his mother used to make with fistfuls of dill and sprinkled with sea salt. One flat of pale green figs and a bushel of new harvest walnuts were tied to the back of his scooter, along with two crates of pomegranates- half to squeeze for fresh morning juice and the other to split and seed for rice-and-meatball soup. Three fat chickens pecked in the yard, unaware of their destiny as he sharpened his cleaver. Tomorrow they would braise in a rich, tangy stew with sour red plums, their hearts and livers skewered and grilled, then wrapped in sheets of lavash with bouquets of tarragon and mint. Basmati rice soaked in salted water to be steamed with green garlic and mounds of finely chopped parsley and cilantro, then served with a whole roasted, eight kilo white fish stuffed with barberries, pistachios, and lime. On the farthest burner, whole bitter oranges bobbed in blossom syrup, to accompany rice pudding, next to a simmering pot of figs studded with cardamom pods for preserves.
Donia Bijan (The Last Days of Café Leila)
My darling son: depression at your age is more common than you might think. I remember it very strongly in Minneapolis, Minnesota, when I was about twenty-six and felt like killing myself. I think the winter, the cold, the lack of sunshine, for us tropical creatures, is a trigger. And to tell you the truth, the idea that you might soon unpack your bags here, having chucked in all your European plans, makes your mother and me as happy as could be. You have more than earned the equivalent of any university 'degree' and you have used your time so well to educate yourself culturally and personally that if university bores you, it is only natural. Whatever you do from here on in, whether you write or don't write, whether you get a degree or not, whether you work for your mother, or at El Mundo, or at La Ines, or teaching at a high school, or giving lectures like Estanislao Zuleta, or as a psychoanalyst to your parents, sisters and relatives, or simply being Hector Abad Faciolince, will be fine. What matters is that you don't stop being what you have been up till now, a person, who simply by virtue of being the way you are, not for what you write or don't write, or for being brilliant or prominent, but just for being the way you are, has earned the affection, the respect, the acceptance, the trust, the love, of the vast majority of those who know you. So we want to keep seeing you in this way, not as a future great author, or journalist or communicator or professor or poet, but as the son, brother, relative, friend, humanist, who understands others and does not aspire to be understood. It does not matter what people think of you, and gaudy decoration doesn't matter, for those of us who know you are. For goodness' sake, dear Quinquin, how can you think 'we support you (...) because 'that boy could go far'? You have already gone very far, further than all our dreams, better than everything we imagined for any of our children. You should know very well that your mother's and my ambitions are not for glory, or for money, or even for happiness, that word that sounds so pretty but is attained so infrequently and for such short intervals (and maybe for that very reason is so valued), for all our children, but that they might at least achieve well-being, that more solid, more durable, more possible, more attainable word. We have often talked of the anguish of Carlos Castro Saavedra, Manuel Meija Vallejo, Rodrigo Arenas Betancourt, and so many quasi-geniuses we know. Or Sabato or Rulfo, or even Garcia Marquez. That does not matter. Remember Goethe: 'All theory (I would add, and all art), dear friend, is grey, but only the golden tree of life springs ever green.' What we want for you is to 'live'. And living means many better things than being famous, gaining qualifications or winning prizes. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. I think I too had boundless political ambitions when I was young and that's why I wasn't happy. Only now, when all that has passed, have I felt really happy. And part of that happiness is Cecilia, you, and all my children and grandchildren. Only the memory of Marta Cecilia tarnishes it. I believe things are that simple, after having gone round and round in circles, complicating them so much. We should do away with this love for things as ethereal as fame, glory, success... Well, my Quinquin, now you know what I think of you and your future. There's no need for you to worry. You are doing just fine and you'll do better, and when you get to my age or your grandfather's age and you can enjoy the scenery around La Ines that I intend to leave to all of you, with the sunshine, heat and lush greenery, and you'll see I was right. Don't stay there longer than you feel you can. If you want to come back I'll welcome you with open arms. And if you regret it and want to go back again, we can buy you another return flight. A kiss from your father.
Héctor Abad Faciolince
He watched her pace toward him. She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?” “Yes,” he whispered. “I remember lying with you on the lawn of the imperial palace’s spring garden.” He shifted. Lamplight pulsed over his face. He shook his head. “I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.” “That didn’t happen.” “I kissed you.” She touched the hollow at the base of his neck. His pulse was wild. “Not then,” he said finally. “But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.” His heart slammed against her palm. “Yes.” “A carriage.” “Yes.” “A balcony.” Breath escaped him like a laugh. “Almost.” “I remember falling asleep in your bed when you weren’t here.” He pulled back slightly, searched her face. “That didn’t happen.” “Yes it did.” His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins. “The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.” His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.” “I never said?” “No.” She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it. He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth. She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down. Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)
Her motel room featured lush carpeting the color and texture of moss, and she thought the quilted floral bedspreads draped over the mattresses clashed with the moss quite well. All red and green and ancient like Freddy Kruger himself did the interior decorating circa 1984.
L.T. Vargus (Dead End Girl (Violet Darger, #1))
Aubrey curled back into the warm nest of blankets and closed her eyes with a sigh. She half-expected the Dream to stalk her again, but it didn’t. The only images that came to her were of a desert moon, swollen and glistening in a midnight sky; a bank of lush green moss by the edge of a river; and two naked bodies twined together in a passion as deep and raging as the river that flowed beside them. And once, for a fleeting moment, she thought she wakened to the faint scent of tobacco drifting through the open window. It wasn’t real, of course, and there had been no one standing there smoking a thin black cheroot, but the image lingered, and so did the taste of his name on her lips.
Marsha Canham (Under the Desert Moon)
Each object inside the forest was adorned in vibrant lush, green dresses and auburn, brown suits as each tree trunk, branch and blade of grass stood to attention, positioned in the exact spot they'd been assigned to almost as if they seemed to wait for whatever might or might not actually happen next.
Jill Thrussell (Spectrum: Detour of Wrong (Glitches #5))
The noises seemed to grow louder with each step Leah took as she walked, deeper into the lush green foliage that surrounded her and before long, the sounds vibrated extremely loudly through the air as they crescendoed and then suddenly erupted into a volcanic opera of growls as her body continued to tremble with fear.
Jill Thrussell (Spectrum: Detour of Wrong (Glitches #5))
This morning, outside Nordic Fisheries a couple of delivery guys are unloading lobsters and crabs by the case, pausing in between loads to sip coffee from Styrofoam cups. Across the street, on Penn Avenue, the green grocers are busy stacking crates of vegetables and fruits, arranging them into a still life to showcase their most beautiful produce: heads of red romaine, their tender spines heavy with the weight of lush, purple-tinged leaves; a basket of delicate mâche, dark green, almost black, and smelling like a hothouse garden; sugar pumpkins of burnished gold; new Brussels sprouts, their tender petals open like flowers. At this hour the world belongs to those noble souls who devote their lives to food. Cook, grocer, butcher, baker, sunrises are ours. It's a time to gather your materials, to prepare your mise en place, to breathe uninterrupted before the day begins.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
Whatever was carrying me dropped me again with an ungraceful thump, and I lay gasping and throat-sore on the earth—the warm earth, lush with soft green grass, though it silvered with frost in a circle around where the Staryk knelt.
Naomi Novik (Spinning Silver)
Her eyes remind him of the lush foliage.... Green like the crayon in the box that says green. Not forest green, not lime green, not mint, olive or sea green. Green.
Justin Titus (Senses and Bones)
They are neither happy nor unhappy. Their union is constructed upon indifference, in a way which is general and which they apprehend moment by moment, a union from which all preference is excluded. They are together, two trains which meet and pass, around them the landscape, sensuous and lushly green, is the same, they see it, they are not alone.
Marguerite Duras (The Ravishing of Lol Stein)
Tall, dark mountains arched upward in the distance, clouds casting shadows upon the rocky surfaces. Trees surrounded the area from every direction. Most of them were covered in lush, brilliant green leaves. Where there weren't trees, there were berry-speckled bushes, boulders ranging in various sizes, and a wide field of green grass that danced in the breeze. Although I had nearly drowned in its depths twice now, the most captivating piece of this scene was the vast lake. I
K.A. Poe (Hybrid (Nevermore, #2))
The undulating terrain was cloaked in lush abundance, the vineyards like garlands of deep green and yellow, orchards and farms sprouting here and there, hillocks of dry golden grass crowned by beautiful sun-gilt houses, barns and silos. And overhead was the bluest sky she'd ever seen, as bright and hard polished as marble. There was something about the landscape that caught at her emotions. It was both lush and intimidating, its beauty so abundant. Far from the bustle of the city, she was a complete stranger here, like Dorothy stepping out of her whirling house into the land of Oz. Farm stands overflowing with local produce marked the long driveways into farms with whimsical names- Almost Paradise, One Bad Apple, Toad Hollow. Boxes and bushels were displayed on long, weathered tables. Between the farms, brushy tangles of berries and towering old oak trees lined the roadway.
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
For 1000 years after the Crucifixion the apostles and their bold followers had fervently spread the message of Christ. Then some kind of indolence had set in. Why had the Great Commission stopped? Wouldn’t it be wonderful if he, William Carey, could go to some tropical island like Tahiti and convert the heathen? “Oh, Tahiti!” he enthused to his students, regaling them with the facts that lured him there. “Four hundred square miles of lush, green paradise. Cold weather and hot weather are unknown. Breadfruit, bananas and coconuts hang everywhere for the eating. Bays and lagoons are choked with fat, lazy fish. And most important, lads, there are thousands of pagans! Pagans! Oh, they are most fastidious. They bathe three times a day. They are polite, yet as ignorant of the ten commandments as beautiful tropical birds...
Sam Wellman (William Carey)
Perhaps they had tried to migrate in the past but had found either their winter habitat destroyed or the path so fragmented and fraught with danger that it made more sense—to these few birds—to ignore the tuggings of the stars and seasons and instead to try to carve out new lives, new ways of being, even in such a stark and severe landscape: or rather, in a stark and severe period—knowing that lushness and bounty were still retained with that landscape, that it was only a phase, that better days would come. That in fact (the snipe knowing these things with their blood, ten million years in the world) the austere times were the very thing, the very imbalance, that would summon the resurrection of that frozen richness within the soil—if indeed that richness, that magic, that hope, did still exist beneath the ice and snow. Spring would come like its own green fire, if only the injured ones could hold on. And
Lex Williford (The Scribner Anthology of Contemporary Short Fiction: 50 North American Stories Since 1970 (Touchstone Books (Paperback)))
In contrast, Bella Vista was lush and seductive, the landscape filled with colors from deep-green to submerged-gold. Gardeners, construction workers and farm workers swarmed the property. Isabel Johansen was in charge; that had been clear from the start. Yet when she'd shown him to Erik's room, she'd seemed vulnerable, uncertain. Some might regard the room as a mausoleum, filled with the depressing weight of things left behind by the departed. To Mac, it was a treasure trove. He was here to learn the story of this place, this family, and every detail, from the baseball card collection to the dog-eared books about faro places, would turn into clues for him. And holy crap, had Isabel looked different when she'd given him the nickel tour. Unlike the virago in the beekeeper's getup, the cleaned-up Isabel was a Roman goddess in a flowy outfit, sandals and curly dark hair.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
He showed me how each wheel was stamped with the month and year, and then he cracked the first one open to reveal its pale cream-colored interior. He chipped off a hefty shard and handed it to me. I took a bite, and my mouth filled with the hopeful taste of fresh green grass and young field flowers welcoming the sun. "That's the spring cheese." Sal was cracking the next wheel, which was stamped with an autumn date; he chipped off a little piece. The color was deeper, almost golden, the texture heavier and nubbier. When I put the cheese in my mouth it was richer, and if I let it linger on my tongue I could taste the lush fields of late summer, just as the light begins to die. Sal sliced off a slab of winter cheese and put that into my mouth. It felt different on my tongue, smoother somehow, the flavor sharper. "It's like a different cheese." I was savoring it. I tasted again; there was a familiar flavor. "It tastes like hay!" "Yes!" Sal was openly delighted. "I knew you were going to be able to taste how different this cheese is! Most Americans don't even notice, but that cheese is so different that, back in the old days, it was sold under a different name. The Parmesan made from December to March, when the cows were in the barn, was called 'invernengo'- winter cheese- because the flavor is so distinct.
Ruth Reichl (Delicious!)