Lush Green Grass Quotes

We've searched our database for all the quotes and captions related to Lush Green Grass. Here they are! All 36 of them:

Instead of wooden floors, she found lush green grass under her feet. Instead of a ceiling, she saw a hazy blue sky. And instead of walls, she saw a silver stream through the trees. The day was halcyon. It looked like someone's memory of a perfect day.
Tiffany Reisz (The Red (The Godwicks, #1))
Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling their eagerness to be wild and perfect for a moment, before they are nothing, forever?
Mary Oliver (New and Selected Poems, Volume One)
You might live on top of the biggest toxic waste dump on the planet, but if you never dig, then all you ever know is that your grass is green and your garden is lush.
Jodi Picoult (Leaving Time)
This morning the green fists of the peonies are getting ready to break my heart as the sun rises, as the sun strokes them with his old, buttery fingers and they open — pools of lace, white and pink — and all day the black ants climb over them, boring their deep and mysterious holes into the curls, craving the sweet sap, taking it away to their dark, underground cities — and all day under the shifty wind, as in a dance to the great wedding, the flowers bend their bright bodies, and tip their fragrance to the air, and rise, their red stems holding all that dampness and recklessness gladly and lightly, and there it is again — beauty the brave, the exemplary, blazing open. Do you love this world? Do you cherish your humble and silky life? Do you adore the green grass, with its terror beneath? Do you also hurry, half-dressed and barefoot, into the garden, and softly, and exclaiming of their dearness, fill your arms with the white and pink flowers, with their honeyed heaviness, their lush trembling, their eagerness to be wild and perfect for a moment, before they are nothing, forever?
Mary Oliver
How lush and lusty the grass looks! how green! ANT. The ground indeed is tawny. SEB. With an eye of green in 't. ANT. He misses not much. SEB. No; he doth but mistake the truth totally.
William Shakespeare (The Tempest)
The day is early with birds beginning and the wren in a cloud piping like the child in the poem, drop thy pipe, thy happy pipe. And the place grows bean flower, pea-green lush of grass, swarm of insects dizzily hitting the high spots; dunny rosette creeping covering shawl ream in a knitted cosy of roses; ah the tipsy wee small hours of insects that jive upon the crippled grass blades and the face of the first flower alive.
Janet Frame (Owls Do Cry)
Spring returns to my lonely chamber, Once more spring grass is lush and green. Some red plum blossoms are open, Others have yet to bloom. I grind tea bricks into fine jade powder In a pot carved with azure clouds, Still under the spell of the morning's dream, Till all of a sudden I am woken By a jug of spring. Flower shadows press at the double gate, Pale moonlight silvers the translucent curtains. A beautiful evening! Three times in two years We've missed the spring. Come back without further ado And let's enjoy our fill of this spring!
Li Qing Zhao
This is what curiosity gets you. You might live on top of the biggest toxic waste dump on the planet, but if you never dig, then all you ever know is that your grass is green and your garden is lush.
Jodi Picoult (Leaving Time)
We resumed driving and cut along a dirt road through the prairie. Lush tall grasses spread as far as the eye could see, a rolling green vista that was disturbed only by a few small rusted oil pumps and by cattle grazing here and there.
David Grann (Killers of the Flower Moon: Adapted for Young Readers: The Osage Murders and the Birth of the FBI)
Few things are harder to visualise than that a cold snowbound landscape, so marrow-chillingly quiet and lifeless, will, within mere months, be green and lush and warm, quivering with all manner of life, from birds warbling and flying through the trees to swarms of insects hanging in scattered clusters in the air. Nothing in the winter landscape presages the scent of sun-warmed heather and moss, trees bursting with sap and thawed lakes ready for spring and summer, nothing presages the feeling of freedom that can come over you when the only white that can be seen is the clouds gliding across the blue sky above the blue water of the rivers gently flowing down to the sea, the perfect, smooth, cool surface, broken now and then by rocks, rapids and bathing bodies. It is not there, it does not exist, everything is white and still, and if the silence is broken it is by a cold wind or a lone crow caw-cawing. But it is coming ... it is coming... One evening in March the snow turns to rain, and the piles of snow collapse. One morning in April there are buds on the trees, and there is a trace of green in the yellow grass. Daffodils appear, white and blue anemones too. Then the warm air stands like a pillar among the trees on the slopes. On sunny inclines buds have burst, here and there cherry trees are in blossom. If you are sixteen years old all of this makes an impression, all of this leaves its mark, for this is the first spring you know is spring, with all your sense you know this is spring, and it is the last, for all coming springs pale in comparison with your first. If, moreover, you are in love, well, then ... then it is merely a question of holding on. Holding on to all the happiness, all the beauty, all the future that resides in everything.
Karl Ove Knausgård (Min kamp 2 (Min kamp, #2))
It is a Sunday morning early in the May of 1889. The weather is clear and warm. There has been rain, and the littlest streams are brimming and shining. The spring is at its height. The grass of the yard and the pastures is lush, the green of it so new that it gleams in the sun. The trees are heavily leafed, their new growth still tender, unblemished. And the whole country lies beneath an intricate tapestry of bird song. He is on his way to church - one of the pilgrimages that he occasionally makes in uneasy compensation for the extravagances of Saturday night.
Wendell Berry (The Memory of Old Jack (Port William))
But Eugene was untroubled by thought of a goal. He was mad with such ecstasy as he had never known. He was a centaur, moon-eyed and wild of name, torn apart with hunger for the golden world. He became at times almost incapable of coherent speech. While talking with people, he would whinny suddenly into their startled faces, and leap away, his face contorted with an idiot joy. He would hurl himself squealing through the streets and along the paths, touched with the ecstasy of a thousand unspoken desires. The world lay before him for his picking—full of opulent cities, golden vintages, glorious triumphs, lovely women, full of a thousand unmet and magnificent possibilities. Nothing was dull or tarnished. The strange enchanted coasts were unvisited. He was young and he could never die. He went back to Pulpit Hill for two or three days of delightful loneliness in the deserted college. He prowled through the empty campus at midnight under the great moons of the late rich Spring; he breathed the thousand rich odours of tree and grass and flower, of the opulent and seductive South; and he felt a delicious sadness when he thought of his departure, and saw there in the moon the thousand phantom shapes of the boys he had known who would come no more. He still loitered, although his baggage had been packed for days. With a desperate pain, he faced departure from that Arcadian wilderness where he had known so much joy. At night he roamed the deserted campus, talking quietly until morning with a handful of students who lingered strangely, as he did, among the ghostly buildings, among the phantoms of lost boys. He could not face a final departure. He said he would return early in autumn for a few days, and at least once a year thereafter. Then one hot morning, on sudden impulse, he left. As the car that was taking him to Exeter roared down the winding street, under the hot green leafiness of June, he heard, as from the sea-depth of a dream, far-faint, the mellow booming of the campus bell. And suddenly it seemed to him that all the beaten walks were thudding with the footfalls of lost boys, himself among them, running for their class. Then, as he listened, the far bell died away, and the phantom runners thudded into oblivion. The car roared up across the lip of the hill, and drove steeply down into the hot parched countryside below. As the lost world faded from his sight, Eugene gave a great cry of pain and sadness, for he knew that the elfin door had closed behind him, and that he would never come back again. He saw the vast rich body of the hills, lush with billowing greenery, ripe-bosomed, dappled by far-floating cloudshadows. But it was, he knew, the end. Far-forested, the horn-note wound. He was wild with the hunger for release: the vast champaign of earth stretched out for him its limitless seduction. It was the end, the end. It was the beginning of the voyage, the quest of new lands. Gant was dead. Gant was living, death-in-life. In
Thomas Wolfe (Look Homeward, Angel)
Benny Blue dragon was lying in the sunshine. He had just finished eating his dinner. He was feeling very full. Well you would after three helpings of corned beef and caterpillar stew, not to mention the broccoli and the rather smelly blue cheese. He was settling himself down very comfortably on the lush, fresh smelling, green grass. A doze after dinner is always welcome. As Benny Blue was dropping off into his dragon-like slumber, he felt a little discomfort, and it was somewhere at the end of his very long tail. He twitched his tail, and settled back down. There it was again. Benny Blue flicked his tail harder. Whatever was irritating him would have to stop now – except it didn't. Benny Blue was getting cross. Nothing should come between a dragon and his after dinner nap.
Ann Perry (The Dragon Sanctuary)
John scrambled up and down the terraces and banks, hunting out the secret breaks in the thickets or crawling through hollows woven from sharp-spined stems. Blackberries lured him into sun-pricked chambers. Old byways closed and new ones opened, drifts of nettles surging forward then dying back. The sun beat down until the grass on the green parched. But on the high slopes the rank stems sprang up as lush as ever. Springs ran beneath the turf, his mother told him. Enough water to fill a river. Together they pulled peppery watercress from the edges of marshy puddles and grubbed up tiny sweet carrots, dark purple under the dusty earth. Clover petals yielded honey-beads and jellylike mallow seeds savored of nuts. Tiny strawberries sheltered under ragged leaves and sweet blackberries swelled behind palisades of finger-pricking thorns.
Lawrence Norfolk (John Saturnall's Feast)
She gazed out at the seductive vista. The countryside was dressed in its prettiest May garb- everything budding or blooming or bursting out in the exuberance of late spring. For Laura, the landscape at thirteen hundred feet up a Welsh mountain was the perfect mix of reassuringly tamed and excitingly wild. In front of the house were lush, high meadows filled with sheep, the lambs plump from their mother's grass-rich milk. Their creamy little shapes bright and clean against the background of pea green. A stream tumbled down the hillside, disappearing into the dense oak woods at the far end of the fields, the ocher trunks fuzzy with moss. On either side of the narrow valley, the land rose steeply to meet the open mountain on the other side of the fence. Here young bracken was springing up sharp and tough to claim the hills for another season. Beyond, in the distance, more mountains rose and fell as far as the eye could see. Laura undid the latch and pushed open the window. She closed her eyes. A warm sigh of the wind carried the scent of hawthorn blossom from the hedgerow.
Paula Brackston (Lamp Black, Wolf Grey)
Even though the wreckage had been described to her, and though she was still in pain, the sight horrified and amazed her, and there was something she noticed about it that particularly gave her the creeps. Over everything—up through the wreckage of the city, in gutters, along the riverbanks, tangled among tiles and tin roofing, climbing on charred tree trunks—was a blanket of fresh, vivid, lush, optimistic green; the verdancy rose even from the foundations of ruined houses. Weeds already hid the ashes, and wild flowers were in bloom among the city’s bones. The bomb had not only left the underground organs of plants intact; it had stimulated them. Everywhere were bluets and Spanish bayonets, goose-foot, morning glories and day lilies, the hairy-fruited bean, purslane and clotbur and sesame and panic grass and feverfew. Especially in a circle at the center, sickle senna grew in extraordinary regeneration, not only standing among the charred remnants of the same plant but pushing up in new places, among bricks and through cracks in the asphalt. It actually seemed as if a load of sickle-senna seed had been dropped along with the bomb.
The New Yorker (The 40s: The Story of a Decade (New Yorker: The Story of a Decade))
I still cherish my childhood memories of the sun opening the dusky eyelids of the west and the misty mornings against the backdrop of of Kgalatlou Mountain. The green prime of summer, twingling leaves of acacia yrees of Manthakge Plains, pure clear sky, the smooth plough fields and lush green meadows. In winter, that green carpet will be replaced by drearily looking land like a dim picture of the drowned past, all signs of life and feeling gone out of it, with the plough fields scorched and naked, the streams of Manyane silent, and the grass of the meadows looking like burned powder.  I still remember and cherish the touch of autumn nights and the ruddy moon leaning over Madibong. When I think about this, a sorrowful silent tear always roll down my cheek, I become sad and gripped by grief because of what has now become of the land of my forefathers. I have known and cherished its distinguished  rocks, fauna, and flora since I could stand and walk. I know its mountain slopes, plains, its rocks, and bushes like the veins and knuckles at the back of my hand. The ever changing beauty of Leolo Mountains, from the aloes of Segodi Boulders to the lilies of Legaletlweng; the imposing Letheleding Boulders towering over Manyane Dale. The interesting contrast of granite ingenious sedimentary rocks of Leolo Mountains and the red sand rock of Seolwane Mountain, the red sandy soil of Leruleng, the dark clay soil of Marakane and the red fertile loom soil of Sehalbeng Plains. The Magnetite rocks Ga - Sethadi and the shale rocks of Malatjane.
Pekwa Nicholas Mohlala
In order to explain what that was, I must start by describing the encounter between myself and the sun. In fact, this experience occurred on two occasions. It often happens that, long before the decisive meeting with a person from whom only death can thereafter part one, there is a brief brush elsewhere with that same person occurring with almost total unawareness on both sides. So it was with my encounter with the sun. My first—unconscious—encounter was in the summer of the defeat, in the year 1945. A relentless sun blazed down on the lush grass of that summer that lay on the borderline between the war and the postwar period—a borderline, in fact, that was nothing more than a line of barbed wire entanglements, half broken down, half buried in the summer weeds, tilting in all directions. I walked in the sun’s rays, but had no clear understanding of the meaning they held for me. Finespun and impartial, the summer sunlight poured down prodigally on all creation alike. The war ended, yet the deep green weeds were lit exactly as before by the merciless light of noon, a clearly perceived hallucination stirring in a slight breeze; brushing the tips of the leaves with my fingers, I was astonished that they did not vanish at my touch. That same sun, as the days turned to months and the months to years, had become associated with a pervasive corruption and destruction. In part, it was the way it gleamed so encouragingly on the wings of planes leaving on missions, on forests of bayonets, on the badges of military caps, on the embroidery of military banners; but still more, far more, it was the way it glistened on the blood flowing ceaselessly from the flesh, and on the silver bodies of flies clustering on wounds. Holding sway over corruption, leading youth in droves to its death in tropical seas and countrysides, the sun lorded it over that vast rusty-red ruin that stretched away to the distant horizon.
Yukio Mishima (Sun & Steel)
Each object inside the forest was adorned in vibrant lush, green dresses and auburn, brown suits as each tree trunk, branch and blade of grass stood to attention, positioned in the exact spot they'd been assigned to almost as if they seemed to wait for whatever might or might not actually happen next.
Jill Thrussell (Spectrum: Detour of Wrong (Glitches #5))
Whatever was carrying me dropped me again with an ungraceful thump, and I lay gasping and throat-sore on the earth—the warm earth, lush with soft green grass, though it silvered with frost in a circle around where the Staryk knelt.
Naomi Novik (Spinning Silver)
Tall, dark mountains arched upward in the distance, clouds casting shadows upon the rocky surfaces. Trees surrounded the area from every direction. Most of them were covered in lush, brilliant green leaves. Where there weren't trees, there were berry-speckled bushes, boulders ranging in various sizes, and a wide field of green grass that danced in the breeze. Although I had nearly drowned in its depths twice now, the most captivating piece of this scene was the vast lake. I
K.A. Poe (Hybrid (Nevermore, #2))
The undulating terrain was cloaked in lush abundance, the vineyards like garlands of deep green and yellow, orchards and farms sprouting here and there, hillocks of dry golden grass crowned by beautiful sun-gilt houses, barns and silos. And overhead was the bluest sky she'd ever seen, as bright and hard polished as marble. There was something about the landscape that caught at her emotions. It was both lush and intimidating, its beauty so abundant. Far from the bustle of the city, she was a complete stranger here, like Dorothy stepping out of her whirling house into the land of Oz. Farm stands overflowing with local produce marked the long driveways into farms with whimsical names- Almost Paradise, One Bad Apple, Toad Hollow. Boxes and bushels were displayed on long, weathered tables. Between the farms, brushy tangles of berries and towering old oak trees lined the roadway.
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles, #1))
He showed me how each wheel was stamped with the month and year, and then he cracked the first one open to reveal its pale cream-colored interior. He chipped off a hefty shard and handed it to me. I took a bite, and my mouth filled with the hopeful taste of fresh green grass and young field flowers welcoming the sun. "That's the spring cheese." Sal was cracking the next wheel, which was stamped with an autumn date; he chipped off a little piece. The color was deeper, almost golden, the texture heavier and nubbier. When I put the cheese in my mouth it was richer, and if I let it linger on my tongue I could taste the lush fields of late summer, just as the light begins to die. Sal sliced off a slab of winter cheese and put that into my mouth. It felt different on my tongue, smoother somehow, the flavor sharper. "It's like a different cheese." I was savoring it. I tasted again; there was a familiar flavor. "It tastes like hay!" "Yes!" Sal was openly delighted. "I knew you were going to be able to taste how different this cheese is! Most Americans don't even notice, but that cheese is so different that, back in the old days, it was sold under a different name. The Parmesan made from December to March, when the cows were in the barn, was called 'invernengo'- winter cheese- because the flavor is so distinct.
Ruth Reichl (Delicious!)
Andrew sifted through the photos: lush, sprawling gardens of herbs and flowers, others dotted with crabapple trees, woodbine, and hawthorn- not that he could name anything. Sorrel leaned over her shoulder and brushed against Andrew's hand. He shivered and pushed it away. For a moment he thought that the gardens in the pictures had come to life as Sorrel's scent drifted over him. She smelled of summer and sea with a whisper of something he couldn't name, familiar and strange at once. He didn't know that Patience Sparrow had concocted special cologne for Sorrel's trip. It was made of privet blossom, new green grass, lime, and the smallest hint of patchouli and had been the last she packed.
Ellen Herrick (The Forbidden Garden)
By the time they had reached the woods, it was starting to get light. She led him to where, in the long, lush grass at the edge of the trees, a darker green circle twenty feet across stained the lighter green of the pasture. "Gambe secche. A fairy ring. This one is quite old---it gets a little bigger each year as the mycelium spreads out." "It's edible?" "No, but once the fairy ring's established, the prugnolo comes and shares the circle." As she spoke, she was rummaging in the wet grass, pushing it apart gently with her fingers. "See? This is the prugnolo---what the people here call San Giorgio." "Why's that?" "Because it first appears on the feast day of San Giorgio, of course." She twisted the mushroom deftly off its stalk and put it into her basket. "There'll be more, if you take a look.
Anthony Capella (The Food of Love)
little miffed about it. But you only need two out of three votes. Just do the best you can.” The Council didn’t know about her? Then why did Fitz say they’d been looking for her for twelve years? Before she could ask, they arrived at another clearing, and all coherent thoughts vanished. Dozens of squat, earth-toned creatures with huge gray eyes and bright green thumbs and teeth tended a garden that belonged in a fairy tale. Lush plants grew up and down and sideways and slantways. One of the females shuffled by in a dress woven from grass, carrying a basket filled with twinkling purple fruit. “What?” It was the only word Sophie could come up with.
Shannon Messenger (Keeper of the Lost Cities (Keeper of the Lost Cities, #1))
only sport known to have inspired an indignant left-wing poem. It was written by one Sarah Norcliffe Cleghorn in 1915. The golf links lie so near the mill That almost every day The laboring children can look out And see the men at play. Just show me an indignant left-wing poem about softball or bungee jumping. And our local mill has been converted to a shopping mall, so the kids are still there. Golf is also the only sport God is known to play. God and Saint Peter are out on Sunday morning. On the first hole God drives into a water hazard. The waters part and God chips onto the green. On the second hole God takes a tremendous whack and the ball lands ten feet from the pin. There’s an earthquake, one side of the green rises up, and the ball rolls into the cup. On the third hole God lands in a sand trap. He creates life. Single-cell organisms develop into fish and then amphibians. Amphibians crawl out of the ocean and evolve into reptiles, birds, and furry little mammals. One of those furry little mammals runs into the sand trap, grabs God’s ball in its mouth, scurries over, and drops it in the hole. Saint Peter looks at God and says, “You wanna play golf or you wanna fuck around?” And golf courses are beautiful. Many people think mature men have no appreciation for beauty except in immature women. This isn’t true, and, anyway, we’d rather be playing golf. A golf course is a perfect example of Republican male aesthetics—no fussy little flowers, no stupid ornamental shrubs, no exorbitant demands for alimony, just acre upon acre of lush green grass that somebody else has to mow. Truth, beauty, and even poetry are to be found in golf. Every man, when he steps up to the tee, feels, as Keats has it … Like stout Cortez when with eagle eyes He star’d at the Pacific—and all his men Look’d at each other with a wild surmise— Silent, upon a peak in Darien. That is, the men were silent. Cortez was saying, “I can get on in two, easy. A three-wood drive, a five-iron from the fairway, then a two-putt max. But if I hook it, shit, I’m in the drink.” EAT THE RICH
P.J. O'Rourke (Thrown Under the Omnibus: A Reader)
Past the old brick walls and lovely close-clipped hedges separating the different parts of the Italian gardens, the young people strolled to the rose arbors, scenes of a thousand thousand blossoms in the earlier part of the year. Retracing their steps back past the geranium beds, they walked on over the lush green grass to a sundial. Simultaneously and haltingly, as they made out the hewn words, they began to read aloud the quaint inscription cut from the gray stone: "Hours Fly, Flowers Die... New Days, New Ways, Love Stays." The spoken words, deep with meaning, seemed to ring reverberatingly for a moment over the old timepiece which had seen so many hours fly, and so many flowers die. Still facing the old sundial together, Allen slipped an arm about Laura and drew her close. "Stay Laura," he said suddenly. "Don't go. Stay and make a home with me . . . as they did. After all,--it's best." For a brief moment Laura rested her check against Allen's arm, felt the touch of something big and beyond her. In that fraction of a minute she had the sensation of being swept on to some new existence, in which she was greater than herself, larger than humanity. The feeling of a great contentment came upon her. In that brief space of time she seemed to have slipped into her place in the scheme of things. It was as though she were the center of all existence, the reason for a Great Plan.
Bess Streeter Aldrich (A White Bird Flying)
They knew what gunfire meant better than anyone. Some were crying by the time they reached the exit and stepped outside into the afternoon air. The sun was already descending in the sky, leaving shadows crawling across the valley floor. Not daring to look behind her, Khalia’s eyes fixed on her target, the emergency bunker. Across the expanse of lush green grass before her, the beckoning hillside seemed impossibly far away. A warning prickle began at her nape, as if someone had her in their sights and was taking aim at her. More shots erupted from the hills behind them. The lead group broke
Kaylea Cross (Titanium Security Series Box Set: Volume I (Titanium Security, #1-3))
The residence sat toward the back of the property, which sloped up across a masterfully landscaped yard shaded with maple and spruce trees, dotted with stone sculptures—fountains, birdbaths, angels—and not a leaf to be seen on the pockets of lush green grass. An engine turned over near the house. Letty stepped off the drive and crawled into a thicket of mountain laurel as a boxy Mercedes G-Class rolled past. Through the branches and tinted glass, she glimpsed Chase at the wheel, a young boy in a booster in the backseat. The car ride over had only intensified her nausea, and as the diesel engine faded away, she put her finger down her throat and retched in the leaves. She felt instantly better. Weaker. Less drunk. But better.
Blake Crouch (Good Behavior)
...how dawn started in the pine tops in the surrounding woods, light the color of butter freshly churned eventually rolling down to brighten the East Texas thicket, the rising sun making diamonds of the dewdrops on the lush green lawn of the back eight acres, where on any day of the week you might see a fawn poke its white-capped head out from the trees, eyes a glassy green, its black button nose sniffing at the same honey-sweet scent of wet grass and pine as you......
Attica Locke (Heaven, My Home (Highway 59 #2))
Don’t worry—we don’t blame you,” Livvy said when she noticed Amy’s frown. “No one should be held accountable for their ancestors’ mistakes, so long as they learn from them. And now that I’ve thoroughly overwhelmed you with difficult information, let me show you the best part of this room.” She crossed to the ornate silver wardrobe and pulled the doors open, shoving aside the fancy clothes hanging from the rack and knocking on the back. “It has a secret wardrobe passage?” Sophie asked as Livvy twisted a hidden knob and revealed a narrow doorway that led to a lush, airy conservatory lit with twinkling lights. Flowering vines draped across the crystal ceiling, and the walls dripped with blue papery flowers that smelled like vanilla and honeysuckle. Tendrils of jade-green grass covered the floor, and graceful trees had been scattered around the space, growing in giant crystal urns. “I thought your furry friends would love having their own private garden,” Livvy explained. “But like I said, you’re welcome to pick any room you—” “Are you kidding?” Amy interrupted. “I’m totally taking the Narnia room!
Shannon Messenger (Nightfall (Keeper of the Lost Cities, #6))
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The grass and the vines and the willow tree were all so lush and vividly green that he was slightly awed by them. Their location within an alcove of a cliff made all of it more remarkable. It was such an unexpected place for something so beautiful, like an oasis in the middle of a barren desert.
Katie Lynn Johnson (Amulet of Elusion (The Lost Amulet Chronicles, #1))
Were it not the case that life stretches out in a straight line, she might at some point become aware of having rounded a bend. Bringing, perhaps, the realisation that nothing of that past could now be glimpsed were she to cast a quick glance over her shoulder. This road might be covered not with snow or frost but with the soft tenacity of pale green spring grasses. A white butterfly stuttering forwards might snatch at her gaze, tug her a few paces further in the wake of those wingbeats, like a soul's fretful palpitations. She might become aware only then of the surrounding trees, their slow reanimation as though in thrall to something, giving off a strange stifling scent, flaring up into a still more lush proliferation, into thin air, towards the light
Han Kang (The White Book)
It wasn’t as if I’d grewn up in Los Angeles - I’d seen plenty of farms in my day. But never had I seen a place that made the tightness in my chest relax. The order in the rows of trees and the dark green of the lush grass beneath them soothed me like a hand brushing against my forehead.
Ann Patchett (Tom Lake)