Lunch Sorted Quotes

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My grandmother thinks it's really funny to put all sorts of things in our - my lunch. I never know what'll be inside: e.e. cummings, flower petals, a handful of buttons. She seems to have lost sight of the original purpose of the brown bag." - Lennie "Or maybe she thinks other forms of nourishment are more important." - Joe
Jandy Nelson (The Sky Is Everywhere)
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down, you dig, farting out the words. It was unlike anything I ever heard. Bubbly, thick, stagnant sound. A sound you could smell. This man worked for the carnival,you dig? And to start with it was like a novelty ventriloquist act. After a while, the ass started talking on its own. He would go in without anything prepared... and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teethlike... little raspy incurving hooks and started eating. He thought this was cute at first and built an act around it... but the asshole would eat its way through his pants and start talking on the street... shouting out it wanted equal rights. It would get drunk, too, and have crying jags. Nobody loved it. And it wanted to be kissed, same as any other mouth. Finally, it talked all the time, day and night. You could hear him for blocks, screaming at it to shut up... beating at it with his fists... and sticking candles up it, but... nothing did any good, and the asshole said to him... "It is you who will shut up in the end, not me... "because we don't need you around here anymore. I can talk and eat and shit." After that, he began waking up in the morning with transparentjelly... like a tadpole's tail all over his mouth. He would tear it off his mouth and the pieces would stick to his hands... like burning gasoline jelly and grow there. So, finally, his mouth sealed over... and the whole head... would have amputated spontaneously except for the eyes, you dig? That's the one thing that the asshole couldn't do was see. It needed the eyes. Nerve connections were blocked... and infiltrated and atrophied. So, the brain couldn't give orders anymore. It was trapped inside the skull... sealed off. For a while, you could see... the silent, helpless suffering of the brain behind the eyes. And then finally the brain must have died... because the eyes went out... and there was no more feeling in them than a crab's eye at the end of a stalk.
William S. Burroughs (Naked Lunch)
How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
Ryan O'Connell
She was wearing one of my pajama suits, and had the sleeves rolled up. When she laughed I wanted her again. A moment later she asked me if I loved her. I said that sort of question had no meaning, really; but I supposed I didn't. She looked sad for a bit, but when we were getting our lunch ready she brightened up and started laughing and when she laughs I always want to kiss her.
Albert Camus (The Stranger)
I followed suit, a little bit nervous, and very unaware of what I was supposed to do. I had that same sensation you get when you were new to a school and had no idea who anyone was in your lunch period. You’d take your lunch tray and sort of stand around for a moment looking for a good spot to take a seat but the entire time you’re searching, all you can feel is everyone’s eyes on you. That’s a shitty feeling.
Fisher Amelie (Greed (The Seven Deadly, #2))
I think there's a very strong Calvinistic bias against a free lunch. The idea that you could achieve a spiritual insight without suffering, soul-searching, flagellation, and that sort of thing, is abhorrent to people because they believe that the vision of these higher dimensions should be vouchsafed to the good, and probably to them only after death. It is alarming to people to think that they could take a substance like psilocybin or DMT and have these kinds of experiences.
Terence McKenna (The Archaic Revival)
You were in business making meth? Do you have any idea what that drug does to people?" We weren't givin' it away," Concise snaps. "If someone was fool enough to mess himself up, that was his problem." I shake my head, disgusted. "If you build it, they will come." If you build it," Concise says, "you cover your rent. If you build it, you pay off the loan sharks. If you build it, you put shoes on your kid's feet and food in his belly and maybe even show up every now and then with a toy that every other goddamn kid in the school already has." He looks up at me. "If you build it, maybe your son don't have to, when he grow up." It is amazing -- the secrets you can keep, even when you are living in close quarters. "You didn't tell me." Concise gets up and braces his hands against the upper bunk. "His mama OD'd. He lives with her sister, who can't always be bothered to take care of him. I try to send money so that I know he's eatin' breakfast and gettin' school lunch tickets. I got a little bank account for him, too. Jus' in case he don't want to be part of a street gang, you know? Jus' in case he want to be an astronaut or a football player or somethin'." He digs out a small notebook from his bunk. "I'm writin' him. A diary, like. So he know who his daddy is, by the time he learn to read." It is always easier to judge someone than to figure out what might have pushed him to the point where he might do something illegal or morally reprehensible, because he honestly believes he'll be better off. The police will dismiss Wilton Reynolds as a drug dealer and celebrate one more criminal permanently removed from society. A middle-class father who meets Concise on the street, with his tough talk and his shaved head, will steer clear of him, never guessing that he, to, has a little boy waiting for him at home. The people who read about me in the paper, stealing my daughter during a custody visit, will assume I am the worst sort of nightmare.
Jodi Picoult (Vanishing Acts)
Adults are not idiots often in books such as this one, the opposite impression is given. Adults in those stories will either (a) get captured, (b) disappear conspicuously when there is trouble, or (c) refuse to help. ( im not sure what authors have against adults, but everyone seems to hate them to an extent usually reserved for dogs and mothers. Why else make them out to make such idiots? "Ah look, the dark lord of evil has come to attack the castle! Annnd. ther's my lunch break. Have fun saving the word on your own kids") In the real world adults tend to get involved in everything whether you want them to or not. They won't disappear when the dark lord appears, though they may try to sue them. This discrepancy is yet another proof that most books are fantasies while this book is utterly true and invaluable. you see in this book, I will make it completely clear that adults are not idiots. they are however hairy Adults are like hairy kids who like to tell other what to do. Dispite what other books may claim they do have their uses, they can reach things on high shelves for instance... Regardless, i often wish that the two groups-adults and kids- could find a way to get along better. Some sort of treaty or something. The biggest problem is the adults have one of the most effective recruitment stratagies in the world. Give them enough time and they'll turn any kid into one of them.
Brandon Sanderson (Alcatraz Versus the Scrivener's Bones (Alcatraz, #2))
Everyone at school has their little group. Even the people nobody likes seem to tolerate each together enough to sit together at lunch. But I just sort of wander around by myself most of the time. It'd almost be better if I thought no one liked me, if I had some weird tick or social inadequacy that could easily explain my alienation, but it's not that easy. People talk to me at school and invite me to parties, but something's missing on the smaller scale. I don't belong to anybody. I don't have anyone who is mine.
Amy Reed (Crazy)
She's an Alchemist," continued Nathan. "Not a chauffeur. There's a big difference." Actually, there were days at Amberwood I doubted that. "Come, Miss Sage. If you've wasted your day driving my son here, the least I can do is buy you lunch." I shot a panicked look at Adrian. It wasn't panicked because I was afraid of being with Moroi. I'd long since gotten used to these sorts of situations. What I was unsure of was if Adrian really wanted me around for his family reunion. That hadn't been part of the plan. Also, I wasn't sure that I really wanted to be around for said reunion either. "Dad-" Adrian attempted. "I insist," said Nathan crisply. "Pay attention and learn common courtesy." He turned and began walking away, assuming we'd follow. We did. "Should I find a reason to leave?" I whispered to Adrian. "Not when he uses his 'I insist' voice," came the muttered response.
Richelle Mead (The Golden Lily (Bloodlines, #2))
Everyone at school has their little group. Even the people nobody likes seem to tolerate each other enough to sit together at lunch. But I just sort of wander around by myself most of the time. It'd almost be better if I thought no one liked me, if I had some weird tick or social inadequacy that could easily explain my alienation, but it's not that easy. People talk to me at school and invite me to parties, but something's missing on the smaller scale. I don't belong to anybody. I don't have anyone who is mine.
Amy Reed (Crazy)
The three of us exchanged glances but said nothing. After all, what was there to say? The truth was that hookers did take credit cards—or at least ours did! In fact, hookers were so much a part of the Stratton subculture that we classified them like publicly traded stocks: Blue Chips were considered the top-of-the-line hooker, zee crème de la crème. They were usually struggling young models or exceptionally beautiful college girls in desperate need of tuition or designer clothing, and for a few thousand dollars they would do almost anything imaginable, either to you or to each other. Next came the NASDAQs, who were one step down from the Blue Chips. They were priced between three and five hundred dollars and made you wear a condom unless you gave them a hefty tip, which I always did. Then came the Pink Sheet hookers, who were the lowest form of all, usually a streetwalker or the sort of low-class hooker who showed up in response to a desperate late-night phone call to a number in Screw magazine or the yellow pages. They usually cost a hundred dollars or less, and if you didn’t wear a condom, you’d get a penicillin shot the next day and then pray that your dick didn’t fall off. Anyway, the Blue Chips took credit cards, so what was wrong with writing them off on your taxes? After all, the IRS knew about this sort of stuff, didn’t they? In fact, back in the good old days, when getting blasted over lunch was considered normal corporate behavior, the IRS referred to these types of expenses as three-martini lunches! They even had an accounting term for it: It was called T and E, which stood for Travel and Entertainment. All I’d done was taken the small liberty of moving things to their logical conclusion, changing T and E to T and A: Tits and Ass!
Jordan Belfort (The Wolf of Wall Street)
Mrs Guinea answered my letter and invited me to lunch at her home. That was where I saw my first finger-bowl. The water had a few cherry blossoms floating in it, and I thought it must be some clear sort of Japanese after-dinner soup and ate every bit of it, including the crisp little blossoms. Mrs Guinea never said anything, and it was only much later, when I told a debutant I knew at college about dinner, that I learned what I had done.
Sylvia Plath (The Bell Jar)
I was four. _New and somewhat interesting_ applied to about ninety percent of my day, in everything from the development of a scab, to a cartoon I'd never seen, to an unexpected flavour of juice at lunch. It's difficult to assign value to discovery when you haven't sorted out the parameters of reality yet.
Becky Chambers (To Be Taught, If Fortunate)
Mr. Nord, bald and boring, sold equipment to hospitals and was gone a lot on overnight trips. Mrs. Nord wore eye shadow and headbands that matched her shell tops and Bermudas. For lunch she made us foods she’d seen in the pages of her women’s magazines: baked hot dogs coated in crushed Special K; English muffin pizzas; Telstar coolers (lemonade and club soda afloat with a toothpick-speared maraschino cherry—a sort of edible satellite that jabbed your lip as you drank).
Wally Lamb (She's Come Undone)
It seems like I've only shut my eyes for a few minutes, but when I open them, I flinch at the sight of Haymitch sitting a couple of feet from my bed. Waiting. Possibly for several hours if the clck is right. I think about hollering for a witness, but I'm going to have to face him sooner or later. Haymitch leans forward and dangles something on a thin white wire in front of my nose. It's hard to focus on, but I'm pretty sur what it is. He drops it in to the sheets. "That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I'll have you fitted with this." He holds up some sort of metal headgear that I instantly name the head shackle. "It's alternative audio unit that locks around your skull and under your chin until it's opened with a key. And I'll have the only key. If for some reason you're clever enough to disable it" ---- Haymitch dumps the head shackle on the bed and whips out a tiny silver chip--- "I'll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day." Haymitch in my head full-time. Horrifying. "I'll keep the earpiece in," I mutter "Excuse me?" He says "I'll keep the earpiece in!" I say loud enough to wake half the hospital. "You sure? Because I'm equally happy with any of the three options," he tells me "I'm sure," I say. I scrunch up the earpiece protectivley in my fist and fling the head shakle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. "Anything else?" Haymitch rises to go. "While I was waiting. . . I ate your lunch." My eyes take in the empty stew bowl and tray on my bed table. "I'm going to report you," I mumble into my pillow. "You do that sweetheart." He goes out, safe in the knowledge that I'm not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Royce eyed Hadrian with a skeptical expression. “He’ll never manage the climb.” “Climb?” Hadrian asked. “The treasure room is at the top of the Crown Tower,” Arcadius explained. Even Hadrian had heard of that. Even farmers in Hintindar knew of the Crown Tower. Supposedly it was the leftover corner of some ancient but legendary castle. “I’m in good shape. A few stairs aren’t going to kill me.” “The tower is heavily guarded in every way, except against a person climbing up the outside,” Royce replied, his eyes fixed on the long fang he continued to twirl. “Isn’t that because … well, I’ve heard it’s sort of tall.” “The tallest surviving structure built by man,” Arcadius said. “Should I bring a lunch?” “Considering we’ll begin after dusk and climb all night, I’d suggest a late dinner,” Royce replied. “I was joking.” “I wasn’t. But I only ask one thing.” “What’s that?” “When you fall to your death, do so quietly.
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
I’m supposed to meet Ainsley for lunch and then...we’re hanging out.” He was silent for a moment and then shoved his hands into his pockets. “Cool.” His gaze flipped up and over me. I turned slightly, spying Hector’s car coming down the center aisle. “I’d like to meet her.” Wait. What? He wanted to meet Ainsley? Rider bit down on his lower lip. “So, you know, I’m sort of inviting myself along.” He really wanted to meet my best friend? His head tilted to the side. “And if you think that’s not cool, this is about to get real awkward.
Jennifer L. Armentrout (The Problem with Forever)
Take Lewis’s “argument from desire.” He basically argues that we experience desires that no experience in this world seems able to satisfy. And when we see these experiences through the lens of the Christian faith, we realise that this sort of experience is exactly what we would expect if Christianity is true.
Alister E. McGrath (If I Had Lunch with C. S. Lewis: Exploring the Ideas of C. S. Lewis on the Meaning of Life)
The truth is,” she said shakily, “that I am scared to death of being here.” “I know you are,” he said, sobering, “but I am the last person in the world you’ll ever have to fear.” His words and his tone made the quaking in her limbs, the hammering of her heart, begin again, and Elizabeth hastily drank a liberal amount of her wine, praying it would calm her rioting nerves. As if he saw her distress, he smoothly changed the topic. “Have you given any more thought to the injustice done Galileo?” She shook her head. “I must have sounded very silly last night, going on about how wrong it was to bring him up before the Inquisition. It was an absurd thing to discuss with anyone, especially a gentleman.” “I thought it was a refreshing alternative to the usual insipid trivialities.” “Did you really?” Elizabeth asked, her eyes searching his with a mixture of disbelief and hope, unaware that she was being neatly distracted from her woes and drawn into a discussion she’d find easier. “I did.” “I wish society felt that way.” He grinned sympathetically. “How long have you been required to hide the fact that you have a mind?” “Four weeks,” she admitted, chuckling at his phrasing. “You cannot imagine how awful it is to mouth platitudes to people when you’re longing to ask them about things they’ve seen and things they know. If they’re male, they wouldn’t tell you, of course, even if you did ask.” “What would they say?” he teased. “They would say,” she said wryly, “that the answer would be beyond a female’s comprehension-or that they fear offending my tender sensibilities.” “What sorts of questions have you been asking?” Her eyes lit up with a mixture of laughter and frustration. “I asked Sir Elston Greeley, who had just returned from extensive travels, if he had happened to journey to the colonies, and he said that he had. But when I asked him to describe to me how the natives looked and how they lived, he coughed and sputtered and told me it wasn’t at all ‘the thing’ to discuss ‘savages’ with a female, and that I’d swoon if he did.” “Their appearance and living habits depend upon their tribe,” Ian told her, beginning to answer her questions. “Some of the tribes are ‘savage’ by our standards, not theirs, and some of the tribes are peaceful by any standards…” Two hours flew by as Elizabeth asked him questions and listened in fascination to stories of places he had seen, and not once in all that time did he refuse to answer or treat her comments lightly. He spoke to her like an equal and seemed to enjoy it whenever she debated an opinion with him. They’d eaten lunch and returned to the sofa; she knew it was past time for her to leave, and yet she was loath to end their stolen afternoon.
Judith McNaught (Almost Heaven (Sequels, #3))
He glanced helplessly at Ruby, hoping for some help. She was a scribe and had more experience with dwarves than the six hours that Durham had acquired. He's assumed that, as a fellow human, she would make an effort to be some sort of cultural ambassador to help him survive past lunch. Ruby's current interpretation of being helpful seemed to be a silent smirk.
Jeffery Russell (The Dungeoneers (The Dungeoneers, #1))
O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy? Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question. O: It’s a rather ghettoized genre. P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre. O: It’s certainly regarded as less than serious fiction. P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy. Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that. (Pauses) That was a bloody good answer, though I say it myself.
Terry Pratchett
I had watched organics and fair trade explode into billion-dollar industries. But it was hard to say the world was becoming a better place for the marginal spending. In fact, it felt like it was becoming a more insulated one. I kept thinking of the medieval practice of simony, where the wealthy could pay money to be released from their sins. The grocery store felt like it was becoming a smug secular update. The seals and certifications acting like some sort of moral shield, allowing those of us with disposable income to pay extra for our salvation, and forcing everyone else to deal with the fact that on top of being poor, they were tacitly agreeing to harm the earth, pollute their children via their lunch boxes, and exploit their fellow man each time they made a purchase.
Benjamin Lorr (The Secret Life of Groceries: The Dark Miracle of the American Supermarket)
So if you’re dealing with a nonperforming employee, particularly on issues related to work ethic, I suggest that you begin by asking three questions: Has this employee received a written job description? Have you published some sort of general, written policy that outlines requirements for practical work issues like starting time, lunch breaks, stopping times, making or receiving personal phone calls, etc.? Does this person understand how you like to receive reports?
Patrick Morley (A Man's Guide to Work: 12 Ways to Honor God on the Job)
Everyone at school has their little group. Even the people nobody likes seem to tolerate each other enough to sit together at lunch. But I just sort of wander around by myself most of the time. It's almost be better if I thought no one liked me, if I had some weird tick or social inadequacy that cold easily explain my alienation but it's not that easy. People talk to me at school and invite me to parties, but something's missing on the smaller scale. I don't belong to anybody. I don't have anyone who is mine.
Amy Reed (Crazy)
He will lunch with you at your flat tomorrow at one-thirty. Please remember that he drinks no wine, strongly disapproves of smoking, and can only eat the simplest food, owing to an impaired digestion. Do not offer him coffee, for he considers it the root of half the nerve-trouble in the world." "I should think a dog-biscuit and a glass of water would about meet the case, what?" "Bertie!" "Oh, all right. Merely persiflage." "Now it is precisely that sort of idiotic remark that would be calculated to arouse Sir Roderick's worst suspicions.
P.G. Wodehouse
Well,Anna.It's Matt or the minivan. I'm not making the choice for you." I choose my ex.We used to be good friends,so I'm sort of looking forward to seeing him again. And maybe Cherrie isn't as bad as I remember.Except she is. She totally is. After only five minutes in her company,I cannot fathom how Bridge stands sitting with her at lunch every day.She turns to look at me in the backseat,and her hair swishes in a vitamin-enriched, shampoo-commercial curtain. "So.How are the guys in Paris?" I shrug. "Parisian." "Ha ha.You're funny." Her lifeless laugh is one of her lesser attributes.What does Matt see in her? "No one special?" Matt smiles and glances at me through the rearview mirror. I'm not sure why,but I forgot that he has brown eyes.Why do they make some people look amazing and others completely average? It's the same with brown hair. Statistically speaking, St. Clair and Matt are quite similar. Eyes: Brown. Hair: Brown. Race: Caucasian. There's a significant difference in height,but still. It's like comparing a gourmet truffle to a Mr. Goodbar. I think about the gourmet truffle. And his girlfriend. "Not exactly.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
But if my father could stand up to schoolmasters and if he inherited some of his own father's gifts as a teacher, he himself could never have become one. He could teach and loved teaching. He could radiate enthusiasm, but he could never impose discipline. He could never have taught a dull subject to a dull boy, never have said: "Do this because I say so." Enthusiasm spread knowledge sideways, among equals. Discipline forced it downwards from above. My father's relationships were always between equals, however old or young, distinguished or undistinguished the other person. Once, when I was quite little, he came up to the nursery while I was having my lunch. And while he was talking I paused between mouthfuls, resting my hands on the table, knife and fork pointing upwards. "You oughtn't really to sit like that," he said, gently. "Why not?" I asked, surprised. "Well..." He hunted around for a reason he could give. Because it's considered bad manners? Because you mustn't? Because... "Well," he said, looking in the direction my fork was pointing, "Suppose somebody suddenly fell through the ceiling. They might land on your fork and that would be very painful." "I see," I said, though I didn't really. It seemed such an unlikely thing to happen, such a funny reason for holding your knife and fork flat when you were not using them... But funny reason or not, it seems I have remembered it. In the same sort of way I learned about the nesting habits of starlings. I had been given a bird book for Easter (Easter 1934: I still have the book) and with its help I had made my first discovery. "There's a blackbird's nest in the hole under the tiles just outside the drawing-room window," I announced proudly. "I've just seen the blackbird fly in." "I think it's probably really a starling," said my father. "No, it's a blackbird," I said firmly, hating to be wrong, hating being corrected. "Well," said my father, realizing how I felt but at the same time unable to allow an inaccuracy to get away with it, "Perhaps it's a blackbird visiting a starling." A blackbird visiting a starling. Someone falling through the ceiling. He could never bear to be dogmatic, never bring himself to say (in effect): This is so because I say it is, and I am older than you and must know better. How much easier, how much nicer to escape into the world of fantasy in which he felt himself so happily at home.
Christopher Milne (The Enchanted Places)
When I wake up in the mornings I say ‘Thy will be done’ in prayer, and though I mean it to a point, my daytimer is already full. Barring something strange, I know where breakfast, lunch, and dinner are coming from. I know who I’m meeting with, where we’re going, and what we’ll talk about. There’s not much uncertainty in any part of my day. But out here …” I said, pausing to look around, “out here, ‘Thy will be done’ might mean we don’t eat, or we get jumped, or we get sick, or whatever.” “Yeah, sort of different, huh,” Sam said. “It’s like trust means something different when you don’t feel in control.
Mike Yankoski (Under the Overpass: A Journey of Faith on the Streets of America)
Forget the Bush family, they are the most negligible family in the country. They are unintelligent, they are reasonably decorative, they are obedient to the great economic powers. Nixon said something interesting to Murray Kempton about Bush senior when he became President. Murray and Nixon used to have lunch, and when Murray said, “Well, what is this Bush like?” Nixon said, “Oh, nothing, nothing there, just a lightweight. He’s the sort of person you appoint to things, like the U.N., the CIA. But that Barbara Bush, she’s really something; she’s really vindictive!”—which was the highest complement that Nixon could deliver.
Gore Vidal (I Told You So: Gore Vidal Talks Politics)
We're all so happy you're feeling better, Miss McIntosh. Looks like you still have a good bump on your noggin, though," she says in her childlike voice. Since there is no bump on my noggin, I take a little offense but decide to drop it. "Thanks, Mrs. Poindexter. It looks worse than it feels. Just a little tender." "Yeah, I'd say the door got the worst of it," he says beside me. Galen signs himself in on the unexcused tardy sheet below my name. When his arm brushes against mine, it feels like my blood's turned into boiling water. I turn to face him. My dreams really do not do him justice. Long black lashes, flawless olive skin, cut jaw like an Italian model, lips like-for the love of God, have some dignity, nitwit. He just made fun of you. I cross my arms and lift my chin. "You would know," I say. He grins, yanks my backpack from me, and walks out. Trying to ignore the waft of his scent as the door shuts, I look to Mrs. Poindexter, who giggles, shrugs, and pretends to sort some papers. The message is clear: He's your problem, but what a great problem to have. Has he charmed he sense out of the staff here, too? If he started stealing kids' lunch money, would they also giggle at that? I growl through clenched teeth and stomp out of the office. Galen is waiting for me right outside the door, and I almost barrel into him. He chuckles and catches my arm. "This is becoming a habit for you, I think." After I'm steady-after Galen steadies me, that is-I poke my finger into his chest and back him against the wall, which only makes him grin wider. "You...are...irritating...me," I tell him. "I noticed. I'll work on it." "You can start by giving me my backpack." "Nope." "Nope?" "Right-nope. I'm carrying it for you. It's the least I can do." "Well, can't argue with that, can I?" I reach around for it, but he moves to block me. "Galen, I don't want you to carry it. Now knock it off. I'm late for class." "I'm late for it too, remember?" Oh, that's right. I've let him distract me from my agenda. "Actually, I need to go back to the office." "No problem. I'll wait for you here, then I'll walk you to class." I pinch the bridge of my nose. "That's the thing. I'm changing my schedule. I won't be in your class anymore, so you really should just go. You're seriously violating Rule Numero Uno." He crosses his arms. "Why are you changing your schedule? Is it because of me?" "No." "Liar." "Sort of." "Emma-" "Look, I don't want you to take this personally. It's just that...well, something bad happens every time I'm around you." He raises a brow. "Are you sure it's me? I mean, from where I stood, it looked like your flip-flops-" "What were we arguing about anyway? We were arguing, right?" "You...you don't remember?" I shake my head. "Dr. Morton said I might have some short-term memory loss. I do remember being mad at you, though." He looks at me like I'm a criminal. "You're saying you don't remember anything I said. Anything you said." The way I cross my arms reminds me of my mother. "That's what I'm saying, yes." "You swear?" "If you're not going to tell me, then give me my backpack. I have a concussion, not broken arms. I'm not helpless." His smile could land him a cover shoot for any magazine in the country. "We were arguing about which beach you wanted me to take you to. We were going swimming after school." "Liar." With a capital L. Swimming-drowning-falls on my to-do list somewhere below giving birth to porcupines. "Oh, wait. You're right. We were arguing about when the Titanic actually sank. We had already agreed to go to my house to swim.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
I feed Volnay, who eats in her unusual way, delicately removing one piece of kibble at a time from her bowl, placing it on the little rug that serves as her dining room, and then eating it before going back in for a second piece of kibble. It takes her the better part of thirty minutes to finish her bowl. I'm sure if she had thumbs, she'd be patting her chin with a linen napkin after every morsel. When she finishes, she hits the water bowl. Silently. No one can figure out how she drinks, she sort of purses her lips and sucks, none of that slurping and splashing that accompany most dogs' drinking. She is a stealth drinker. When she finishes, she heads to her little bed in the corner of the kitchen to groom her fur a bit. Lovely girl.
Stacey Ballis (Out to Lunch)
As it is there isn't a single thing isn't an opportunity for some 'alert' person, including practically everybody by the 'greed', that, they are 'alive', therefore. Etc. That, in fact, there are 'conditions'. Gravelly Hill or any sort of situation for improvement, when the Earth was properly regarded as a 'garden tenement messuage orchard and if this is nostalgia let you take a breath of April showers let's us reason how is the dampness in your nasal passage -- but I have had lunch in this 'pasture' (B. Ellery to George Girdler Smith 'gentleman' 1799, for £150) overlooking 'the town' sitting there like the Memphite lord of all Creation with my back -- with Dogtown over the Crown of gravelly hill It is not bad to be pissed off
Charles Olson (The Maximus Poems)
My sexual exploits with my neighborhood playmates continued. I lived a busy homosexual childhood, somehow managing to avoid venereal disease through all my toddler years. By first grade I was sexually active with many friends. In fact, a small group of us regularly met in the grammar school lavatory to perform fellatio on one another. A typical week’s schedule would be Aaron and Michael on Monday during lunch; Michael and Johnny on Tuesday after school; Fred and Timmy at noon Wednesday; Aaron and Timmy after school on Thursday. None of us ever got caught, but we never worried about it anyway. We all understood that what we were doing was not to be discussed freely with adults but we viewed it as a fun sort of confidential activity. None of us had any guilty feelings about it; we figured everyone did it. Why shouldn’t they?
Aaron Fricke (Reflections of a Rock Lobster: A Story about Growing Up Gay)
The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that’s really real uncomfortable and they get embarrassed. It’s like there’s some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn’t happy. The worst-feeling thing that happened today was at lunch when Michael Pemulis told Mario he had an idea for setting up a Dial-a-Prayer telephone service for atheists in which the atheist dials the number and the line just rings and rings and no one answers. It was a joke and a good one, and Mario got it; what was unpleasant was that Mario was the only one at the big table whose laugh was a happy laugh; everybody else sort of looked down like they were laughing at somebody with a disability. The whole issue was far above Mario’s head…
David Foster Wallace (Infinite Jest)
Who might this young man be?” In an instant I sorted through every possibly explanation for Sage’s presence, but judging by the way Mom was looking at him, I knew she already had it in her head that he was a romantic prospect, and she’d go on believing that even if I said he was purely a homeschool friend. And if she thought I was interested in him, no political luncheon would stop her from sitting us down and grilling Sage in front of everyone so she could dig up any deal breakers before I had to find them out the hard way. She’d probably even encourage her guests to join in, and I knew they’d be happy to do it-I’d seen it happen to Rayna. The problem was, I couldn’t spend all day hanging out at Mom’s lunch. I needed to go through Dad’s things, and I wanted to finish before the Israeli minister and his Secret Service protection left the house open for any not-so-welcome visitors to return. “This is Larry Steczynski! You can call him Sage. He’s my new boyfriend!” Rayna suddenly chirped, threading her arm through Sage’s and giving him a squeeze. To his credit, Sage looked only slightly surprised. Just one more thing to add to the long list of reasons I love Rayna. She knew exactly what I’d been thinking and had found the one answer that would leave me completely off the hook. “Really!” Mom said meaningfully. “Then we should talk.” She turned to the group and asked, “Gentleman?” Without hesitation, all the senators and the Israeli minister agreed that the next topic of their agenda should clearly be a debate of Sage’s merits and pitfalls as a partner to Rayna. As Mom took Sage and Rayna’s hands and led them to the couch, two senators gladly moved aside to give them space. Sage shot me a look so plaintive I almost laughed out loud.
Hilary Duff (Elixir (Elixir, #1))
presumably made the counter-suggestion (you know how one can never quite overhear what He says to them?) that this was more important than lunch. At least I think that must have been His line for when I said ‘Quite. In fact much too important to tackle at the end of a morning,’ the patient brightened up considerably; and by the time I had added ‘Much better come back after lunch and go into it with a fresh mind,’ he was already half way to the door. Once he was in the street the battle was won. I showed him a newsboy shouting the midday paper, and a No. 73 bus going past, and before he reached the bottom of the steps I had got into him an unalterable conviction that, whatever odd ideas might come into a man’s head when he was shut up alone with his books, a healthy dose of ‘real life’ (by which he meant the bus and the newsboy) was enough to show him that all ‘that sort of thing’ just couldn’t be true. He knew he’d had a narrow escape
C.S. Lewis (The Screwtape Letters)
office, with its water coolers and soda machines and soft, quiet carpet. While temping there are breaks, and lunch, and one can bring a Walkman if one so desires, can take a fifteen-minute break, walk around, read— It’s bliss. The temp doesn’t have to pretend that he cares about their company, and they don’t have to pretend that they owe him anything. And finally, just when the job, like almost any job would, becomes too boring to continue, when the temp has learned anything he could have learned, and has milked it for the $18/hr and whatever kitsch value it may have had, when to continue anymore would be a sort of death and would show a terrible lack of respect for his valuable time—usually after three or four days—then, neatly enough, the assignment is over. Perfect. In her sunglasses and new Jeep, Beth picks Toph up from school, and he spends the afternoon at her little place, sharing her futon, the two of them studying side by side, until I get home. At that point, Beth and I do our best to fight about something vital and lasting— “You said six o’ clock.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
Ask a random kid today if she wants to be popular and she'll tell you no, even if the truth is that if she was in a desert dying of thirst and had the choice between a glass of water and instant popularity, she'd probably choose the latter. See, you can't admit to wanting it, because that makes you less cool. To be truly popular, it has to look like it's something you are, when in reality, it's what you make yourself. I wonder if any works harder at anything than kids do at being popular. I mean, even air-traffic controllers and the president of the United States take vacations, but look at your average high school student and you'll see someone who's putting in time twenty-four hours a day, for the entire length of the school year. So how do you crack the inner sanctum? Well, here's the catch: it's not up to you. What's important is what everyone else thinks of how you dress, what you eat for lunch, what shows you TiVo, what music is on your iPod. I've always sort of wondered though: If everyone else's opinion is what matters, then do you ever really have one of your own?
Jodi Picoult (Nineteen Minutes)
The reason [James Clerk] Maxwell's Demon cannot exist is that it does take resources to perform an act of discrimination. We imagine computation is free, but it never is. The very act of choosing which particle is cold or hot itself becomes an energy drain and a source of waste heat. The principle is also known as "no free lunch." We do our best to implement Maxwell's Demon whenever we manipulate reality with our technologies, but we can never do so perfectly; we certainly can't get ahead of the game, which is known as entropy. All the air conditioners in a city emit heat that makes the city hotter overall. While you can implement what seems to be a Maxwell's Demon if you don't look too far or too closely, in the big picture you always lose more than you gain. Every bit in a computer is a wannabe Maxwell's Demon, separating the state of "one" from the state of "zero" for a while, at a cost. A computer on a network can also act like a wannabe demon if it tries to sort data from networked people into one or the other side of some imaginary door, while pretending there is no cost or risk involved.
Jaron Lanier (Who Owns the Future?)
The problem was that this sort of training took weeks, if not months—and we still had to go through the door in the meantime. We tried to do the exercises. We gave it our best shot. Or to be honest, we gave it our best shot for a while. But it was exhausting, for us and for Oliver. He was so finely attuned to the various stages Jude and I had for getting ready to leave that as soon as we tried to decouple one cue from his “they are leaving me” anxiety, picking up our keys, for example, Oliver would figure out another, such as making our lunches or putting on our work clothes. He may have been dysfunctional and disturbed, but he wasn’t stupid. Sometimes I stored my computer bag in our building’s shared hallway because even the sight of it would make Oliver start vigilantly watching for our departure, panting heavily and pacing. He also reacted to the sight of suitcases. And the putting on of shoes. And the opening of the coat closet. Possibly, if Jude and I had left for work naked, through a window, with no lunches, no keys, no bags, no shoes, and at odd hours, we could have avoided triggering Oliver’s anxiety.
Laurel Braitman (Animal Madness: How Anxious Dogs, Compulsive Parrots, and Elephants in Recovery Help Us Understand Ourselves)
On the doorstep Adele met Tony Limpsfield. She hurried him into her motor, and told the chauffeur not to drive on. "News!" she said. "Lucia's going to have a lover." "No!" said Tony in the Riseholme manner "But I tell you she is. He's with her now." "They won't want me then," said Tony. "And yet she asked me to come at half-past five." "Nonsense, my dear. They will want you, both of them. . . . Oh Tony, don't you see? It's a stunt." Tony assumed the rapt expression of Luciaphils receiving intelligence. "Tell me all about it," he said. "I'm sure I'm right," said she. "Her poppet came in just now, and she held his hand as women do, and made him draw his chair up to her, and said he scolded her. I'm not sure that he knows yet. But I saw that he guessed something was up. I wonder if he's clever enough to do it properly. . . . I wish she had chosen you, Tony, you'd have done it perfectly. They have got--don't you understand?--to have the appearance of being lovers, everyone must think they are lovers, while all the time there's nothing at all of any sort in it. It's a stunt: it's a play: it's a glory." "But perhaps there is something in it," said Tony. "I really think I had better not go in." "Tony, trust me. Lucia has no more idea of keeping a real lover than of keeping a chimpanzee. She's as chaste as snow, a kiss would scorch her. Besides, she hasn't time. She asked Stephen there in order to show him to me, and to show him to you. It's the most wonderful plan; and it's wonderful of me to have understood it so quickly. You must go in: there's nothing private of any kind: indeed, she thirsts for publicity." Her confidence inspired confidence, and Tony was naturally consumed with curiosity. He got out, told Adele's chauffeur to drive on, and went upstairs. Stephen was no longer sitting in the chair next to Lucia, but on the sofa at the other side of the tea-table. This rather looked as if Adele was right: it was consistent anyhow with their being lovers in public, but certainly not lovers in private. "Dear Lord Tony," said Lucia--this appellation was a halfway house between Lord Limpsfield and Tony, and she left out the "Lord" except to him--"how nice of you to drop in. You have just missed Adele. Stephen, you know Lord Limpsfield?" Lucia gave him his tea, and presently getting up, reseated herself negligently on the sofa beside Stephen. She was a shade too close at first, and edged slightly away. "Wonderful play of Tchekov's the other day," she said. "Such a strange, unhappy atmosphere. We came out, didn't we, Stephen, feeling as if we had been in some remote dream. I saw you there, Lord Tony, with Adele who had been lunching with me." Tony knew that: was not that the birthday of the Luciaphils?
E.F. Benson (Lucia in London (Lucia, #3))
Do we know the future somehow, even before it happens? Are things just coincidences, or unconscious expressions from some sort or pre-knowledge of what will happen to us? I mentioned earlier that Chris had been thinking about getting rid of his truck; the truck turned out to be somehow related to the crazed motive for the crime, at least according to what the murderer told his sister. I mentioned Chris saying, out of the blue, that he thought Chad would take a bullet for him. He thought about giving up dipping, as if feeling that he should do something to keep his life going longer. Those can certainly be explained as coincidences, as can other things: The day before he was killed, Chad had lunch with his parents, something that he did rarely. When he was leaving, he walked down to his vehicle, then suddenly turned back and gave them another big, heartfelt hug: their lasting memory of him, I would guess. Maybe they aren’t coincidences; maybe God grants us some moments of pre-knowledge. I don’t know. Maybe God puts things on our hearts and gives us a little push. Or it’s possible those of us left behind simply remember what we want to be significant when we experience loss. I do know I am glad Chris and I had that Christmas. I’m comforted by the weeks right before he died where our marriage reached a state of near perfection. And I’m glad that I have so many good moments from our days to remember.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
The twice-tolling clock, the Count explained, had been commissioned by his father from the venerable firm of Breguet. Establishing their shop in Paris in 1775, the Breguets were quickly known the world over not only for the precision of their chronometers (that is, the accuracy of their clocks), but for the elaborate means by which their clocks could signal the passage of time. They had clocks that played a few measures of Mozart at the end of the hour. They had clocks that chimed not only at the hour but at the half and the quarter. They had clocks that displayed the phases of the moon, the progress of the seasons, and the cycle of the tides. But when the Count’s father visited their shop in 1882, he posed a very different sort of challenge for the firm: a clock that tolled only twice a day. “Why would he do so?” asked the Count (in anticipation of his young listener’s favorite interrogative). Quite simply, the Count’s father had believed that while a man should attend closely to life, he should not attend too closely to the clock. A student of both the Stoics and Montaigne, the Count’s father believed that our Creator had set aside the morning hours for industry. That is, if a man woke no later than six, engaged in a light repast, and then applied himself without interruption, by the hour of noon he should have accomplished a full day’s labor. Thus, in his father’s view, the toll of twelve was a moment of reckoning. When the noon bell sounded, the diligent man could take pride in having made good use of the morning and sit down to his lunch with a clear conscience. But when it sounded for the frivolous man—the man who had squandered his morning in bed, or on breakfast with three papers, or on idle chatter in the sitting room—he had no choice but to ask for his Lord’s forgiveness.
Amor Towles (A Gentleman in Moscow)
So, Cameron," Steph continued, "auditions for the school play are next week. You should come. We need more males of the species to try out." "Not my thing," Cameron said. "okay, so you don't want to be onstage. You could be backstage." "With Jenna," Gil said helpfully. "She's the stage manager-" Ethan talked over Gil. "But if it's not our thing," he said, "it's not your thing. You don't even have to have a thing if you don't want." "Right," Katy said, "no thing required." Cameron didn't respond, didn't even act like anyone was waiting for him to say anything. He just ate his lunch, scooping spaghetti onto a piece of bread and folding the bread over into a sort of sandwich before putting it in his mouth. I was fascinated by the most mundane little details of him-how he held his paper napkin in his left hand while he ate with his right, the space he took up when both his elbows were on the table. I was suddenly aware that I'd been staring at him, and everyone else at the table was staring at me. They were all done with their lunches. I wondered how much time had passed. "Um," Katy said to me, "are you all right?" Steph caught my eye and smiled slowly. "Oh,yeah." I concentrated on my half sandwich trying to think of something witty to say, but I was in total Jennifer Harris territory now, spacing out and forgetting how to make simple conversation. Cameron picked up his empty tray. "Nice to meet you all. See you later." He lifted a finger toward me. "Bye, Jennifer." We watched him leave, then Gil said, "How come he calls you Jennifer?" I crumpled up my lunch bag. "because that used to be my name." "Really?" Ethan said. "I didn't know that." "I changed it a long time ago." "He's shy," Steph said, still watching the spot where Cameron had been sitting. Katy smirked. "Not with Jenna." Ethan surprised me by coming to Cameron's defense. "That's because they've known each other forever. I'd be nervous, too, if I were meeting all you retards for the first time." "Good point," Junior Dave said.
Sara Zarr (Sweethearts)
And, so, what was it that elevated Rubi from dictator's son-in-law to movie star's husband to the sort of man who might capture the hand of the world's wealthiest heiress? Well, there was his native charm. People who knew him, even if only casually, even if they were predisposed to be suspicious or resentful of him, came away liking him. He picked up checks; he had courtly manners; he kept the party gay and lively; he was attentive to women but made men feel at ease; he was smoothly quick to rise from his chair when introduced, to open doors, to light a lady's cigarette ("I have the fastest cigarette lighter in the house," he once boasted): the quintessential chivalrous gent of manners. The encomia, if bland, were universal. "He's a very nice guy," swore gossip columnist Earl Wilson, who stayed with Rubi in Paris. ""I'm fond of him," said John Perona, owner of New York's El Morocco. "Rubi's got a nice personality and is completely masculine," attested a New York clubgoer. "He has a lot of men friends, which, I suppose, is unusual. Aly Khan, for instance, has few male friends. But everyone I know thinks Rubi is a good guy." "He is one of the nicest guys I know," declared that famed chum of famed playboys Peter Lawford. "A really charming man- witty, fun to be with, and a he-man." There were a few tricks to his trade. A society photographer judged him with a professional eye thus: "He can meet you for a minute and a month later remember you very well." An author who played polo with him put it this way: "He had a trick that never failed. When he spoke with someone, whether man or woman, it seemed as if the rest of the world had lost all interest for him. He could hang on the words of a woman or man who spoke only banalities as if the very future of the world- and his future, especially- depended on those words." But there was something deeper to his charm, something irresistible in particular when he turned it on women. It didn't reveal itself in photos, and not every woman was susceptible to it, but it was palpable and, when it worked, unforgettable. Hollywood dirt doyenne Hedda Hoppe declared, "A friend says he has the most perfect manners she has ever encountered. He wraps his charm around your shoulders like a Russian sable coat." Gossip columnist Shelia Graham was chary when invited to bring her eleven-year-old daughter to a lunch with Rubi in London, and her wariness was transmitted to the girl, who wiped her hand off on her dress after Rubi kissed it in a formal greeting; by the end of lunch, he had won the child over with his enthusiastic, spontaneous manner, full of compliments but never cloying. "All done effortlessly," Graham marveled. "He was probably a charming baby, I am sure that women rushed to coo over him in the cradle." Elsa Maxwell, yet another gossip, but also a society gadabout and hostess who claimed a key role in at least one of Rubi's famous liaisons, put it thus: "You expect Rubi to be a very dangerous young man who personifies the wolf. Instead, you meet someone who is so unbelievably charming and thoughtful that you are put off-guard before you know it." But charm would only take a man so far. Rubi was becoming and international legend not because he could fascinate a young girl but because he could intoxicate sophisticated women. p124
Shawn Levy (The Last Playboy: The High Life of Porfirio Rubirosa)
I’m having my lunch when I hear a familiar hoarse shout, ‘Oy Tony!’ I whip round, damaging my neck further, to see Michael Gambon in the lunch queue. … Gambon tells me the story of Olivier auditioning him at the Old Vic in 1962. His audition speech was from Richard III. ‘See, Tone, I was thick as two short planks then and I didn’t know he’d had a rather notable success in the part. I was just shitting myself about meeting the Great Man. He sussed how green I was and started farting around.’ As reported by Gambon, their conversation went like this: Olivier: ‘What are you going to do for me?’ Gambon: ‘Richard the Third.’ Olivier: ‘Is that so. Which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘Yes, I understand that, but which part?’ Gambon: ‘Richard the Third.’ Olivier: ‘But which character? Catesby? Ratcliffe? Buckingham’s a good part …’ Gambon: ‘Oh I see, beg your pardon, no, Richard the Third.’ Olivier: ‘What, the King? Richard?’ Gambon: ‘ — the Third, yeah.’ Olivier: “You’ve got a fucking cheek, haven’t you?’ Gambon: ‘Beg your pardon?’ Olivier: ‘Never mind, which part are you going to do?’ Gambon: ‘Richard the Third.’ Olivier: ‘Don’t start that again. Which speech?’ Gambon: ‘Oh I see, beg your pardon, “Was every woman in this humour woo’d.”‘ Olivier: ‘Right. Whenever you’re ready.’ Gambon: ‘ “Was ever woman in this humour woo’d –” ‘ Olivier: ‘Wait. Stop. You’re too close. Go further away. I need to see the whole shape, get the full perspective.’ Gambon: ‘Oh I see, beg your pardon …’ Gambon continues, ‘So I go over to the far end of the room, Tone, thinking that I’ve already made an almighty tit of myself, so how do I save the day? Well I see this pillar and I decide to swing round it and start the speech with a sort of dramatic punch. But as I do this my ring catches on a screw and half my sodding hand gets left behind. I think to myself, “Now I mustn’t let this throw me since he’s already got me down as a bit of an arsehole”, so I plough on … “Was ever woman in this humour woo’d –”‘ Olivier: ‘Wait. Stop. What’s the blood?’ Gambon: ‘Nothing, nothing, just a little gash, I do beg your pardon …’ A nurse had to be called and he suffered the indignity of being given first aid with the greatest actor in the world passing the bandages. At last it was done. Gambon: ‘Shall I start again?’ Olivier: ‘No. I think I’ve got a fair idea how you’re going to do it. You’d better get along now. We’ll let you know.’ Gambon went back to the engineering factory in Islington where he was working. At four that afternoon he was bent over his lathe, working as best as he could with a heavily bandaged hand, when he was called to the phone. It was the Old Vic. ‘It’s not easy talking on the phone, Tone. One, there’s the noise of the machinery. Two, I have to keep my voice down ’cause I’m cockney at work and posh with theatre people. But they offer me a job, spear-carrying, starting immediately. I go back to my work-bench, heart beating in my chest, pack my tool-case, start to go. The foreman comes up, says, “Oy, where you off to?” “I’ve got bad news,” I say, “I’ve got to go.” He says, “Why are you taking your tool box?” I say, “I can’t tell you, it’s very bad news, might need it.” And I never went back there, Tone. Home on the bus, heart still thumping away. A whole new world ahead. We tend to forget what it felt like in the beginning.
Antony Sher (Year of the King: An Actor's Diary and Sketchbook)
I've told you, there's no point keeping those. They're not tax-deductible,' my dad thundered. 'I think you'll find they are,' raged my mum like some sort of feral animal (a badger with TB perhaps). 'They're not. You only get VAT back on lunches outside of a 50-mile radius from your place of residence. You effing bitch,' he seemed to add, with his eyes, I imagined.
Alan Partridge
But, sadly, our manly struggle to conform to the slave-like work rhythms of present-day custom has led to the nap being replaced by that costly and damaging drink, coffee. As paracetamol is to the cold, so coffee is to the nap: a way of riding it out, a sort of competition with one’s own body, a civil war. When we feel tired after lunch, the socially acceptable solution is to dose up on coffee and ride out the tiredness, rather than simply take a nap. The coffee may produce a temporary perking of the senses, but irritability will follow, not to mention a sleep debt later in the day. You cannot win the battle against sleep. Don’t fight, surrender!
Tom Hodgkinson (How to Be Idle: A Loafer's Manifesto)
Every month she opened the alleys for a fete. Beer and beef, oysters, pints of ice cream, brandy, a cake riddled with cherries, pies of all sorts (pork, treacle, kidney), more beer. Each fete lasted the entire day, was serially every kind of gathering: in the morning, a party for children, then a ladies' lunch, then a tea, cocktails, then (as the day began to unravel) a light supper, a frolic, a soiree, a carousal, a blowout, a dance, and as people began to drink themselves sober, a conversation, an optimistic repentance, a vow for greatness, love.
Elizabeth McCracken (Bowlaway)
Thank you for captaining your own lunch date,” he told her with a smile. “My pleasure,” she said, smiling back. If she’d thought it would be at all awkward or tense, returning to reality, it wasn’t. But they were still out on the docks, still in their own bubble. She was quite certain it would burst soon enough, so she took their last few moments and enjoyed them while she could. “Oh, no,” he said, his smile spreading to a grin as he winked. “The pleasure was all mine. Well, maybe not all mine.” She might have blushed a little. “True enough,” she said, nudging at his shoulder as delight spread across his face when he realized her cheeks were a bit pink. “You’re a wonder, Kerry McCrae,” he said, dipping his head, kissing each warm cheek, her nose, then her mouth. The first kisses were sweet, the last one utterly carnal. He did that to her. Made her feel cherished one moment and utterly desirable the next. She might have been breathing just a bit unevenly when he lifted his head, a gleam of an entirely different sort in his eyes now.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
Volnay is prancing, head up proudly; her squat little bowlegs producing a smooth gait that would make the dog show people preen. She carries herself like a supermodel. Weiner dog or no, she is a fairly perfect specimen of her breed. And I know I'm supposed to be all about the rescue mutts, and I give money to PAWS every year, but there is something about having a dog with a pedigree that makes me smile. Her AKC name is The Lady Volnay of Cote de Beaune. The French would call her a jolie laide, "beautiful ugly," like those people whose slightly off features, sort of unattractive and unconventional on their own, come together to make someone who is compelling, striking, and handsome in a unique way. I'm always so proud that I'm her person.
Stacey Ballis (Out to Lunch)
The Castleteria was bustling with activity as students ate lunch. Hagatha, the lunch lady, was an expert at fixing meals for all sorts of palates and all sizes of stomachs. Porridge was always on the menu, as were curds and whey. The day's lunch special was cheeseburgers, grilled by dragon fire, with a helping of enormous green beans, provided by the giants.
Suzanne Selfors (Next Top Villain (Ever After High: A School Story, #1))
effect are base lies, I'll have you and your friend know! However—" he yawned again "—I've been up all day and so, purely coincidentally, I do find myself just a bit sleepy at the moment. The which being so, I think I should take myself off to bed. I'll see you all in the morning." "Good night, Alistair," she said, and smiled as he sketched a salute and disappeared into the night with a chuckle. "You two are really close, aren't you?" Benson observed quietly after McKeon had vanished. Honor raised an eyebrow at her, and the blond captain shrugged. "Not like me and Henri, I know. But the way you look out for each other—" "We go back a long way," Honor replied with another of her half-smiles, and bent to rest her chin companionably on the top of Nimitz's head. "I guess it's sort of a habit to watch out for each other by now, but Alistair seems to get stuck with more of that than I do, bless him." "I know. Henri and I made the hike back to your shuttles with you, remember?" Benson said dryly. "I was impressed by the comprehensiveness of his vocabulary. I don't think he repeated himself more than twice." "He probably wouldn't have been so mad if I hadn't snuck off without mentioning it to him," Honor said, and her right cheek dimpled while her good eye gleamed in memory. "Of course, he wouldn't have let me leave him behind if I had mentioned it to him, either. Sometimes I think he just doesn't understand the chain of command at all!" "Ha!" Ramirez' laugh rumbled around the hut like rolling thunder. "From what I've seen of you so far, that's a case of the pot calling the kettle black, Dame Honor!" "Nonsense. I always respect the chain of command!" Honor protested with a chuckle. "Indeed?" It was Benson's turn to shake her head. "I've heard about your antics at—Hancock Station, was it called?" She laughed out loud at Honor's startled expression. "Your people are proud of you, Honor. They like to talk, and to be honest, Henri and I encouraged them to. We needed to get a feel for you, if we were going to trust you with our lives." She shrugged. "It didn't take us long to make our minds up once they started opening up with us." Honor felt her face heat and looked down at Nimitz, rolling him gently over on his back to stroke his belly fur. She concentrated on that with great intensity for the next several seconds, then looked back up once her blush had cooled. "You don't want to believe everything you hear," she said with commendable composure. "Sometimes people exaggerate a bit." "No doubt," Ramirez agreed, tacitly letting her off the hook, and she gave him a grateful half-smile. "In the meantime, though," Benson said, accepting the change of subject, "the loss of the shuttle beacon does make me more anxious about Lunch Basket." "Me, too," Honor admitted. "It cuts our operational safety margin in half, and we still don't know when we'll finally get a chance to try it." She grimaced. "They really aren't cooperating very well, are they?" "I'm sure it's only because they don't know what we're planning," Ramirez told her wryly. "They're much too courteous to be this difficult if they had any idea how inconvenient for us it is." "Right. Sure!" Honor snorted, and all three of them chuckled. Yet there was an undeniable edge of worry behind the humor, and she leaned back in her chair, stroking Nimitz rhythmically, while she thought. The key to her plan was the combination of the food supply runs from Styx and the Peeps' lousy communications security. Her analysts had been right about the schedule on which the Peeps operated; they made a whole clutch of supply runs in a relatively short period—usually about three days—once per month. Given
David Weber (Echoes of Honor (Honor Harrington, #8))
Mario'd fallen in love with the first Madame Psychosis programs because he felt like he was listening to someone sad read out loud from yellow letters she'd taken out of a shoebox on a rainy p.m., stuff about heartbreak and people you loved dying and U.S. woe, stuff that was real. It is increasingly hard to find valid art that is about stuff that is real in this way. The older Mario gets, the more confused he gets about the fact that everyone at E.T.A. over the age of about Kent Blott finds stuff that's really real uncomfortable and they get embarrassed. It's like there's some rule that real stuff can only get mentioned if everybody rolls their eyes or laughs in a way that isn't happy. The worstfeeling thing that happened today was at lunch when Michael Pemulis told Mario he had an idea for setting up a Dial-a-Prayer telephone service for atheists in which the atheist dials the number and the line just rings and rings and no one answers. It was a joke and a good one, and Mario got it; what was unpleasant was that Mario was the only one at the big table whose laugh was a happy laugh; everybody else sort of looked down like they were laughing at somebody with a disability. The whole issue was far above Mario's head, and he was unable to understand Lyle's replies when he tried to bring the confusion up. And Hal was for once no help, because Hal seemed even more uncomfortable and embarrassed than the fellows at lunch, and when Mario brought up real stuff Hal called him Booboo and acted like he'd wet himself and Hal was going to be very patient about helping him change.
David Foster Wallace (Infinite Jest)
One school is changing the rules, giving kids a “happy meal” of a different sort. This lunch doesn’t come in a box printed with puzzles, but rather from a garden planted by the kids themselves. Alice Waters, a major proponent of the organic food movement who is credited with developing California Cuisine, piloted the Edible Schoolyard. Waters started the program in 1994 in Berkeley, an outgrowth of the Chez Panisse Foundation, at the Martin Luther King Jr. Middle School.* Students turned the school’s parking lot into a garden, or an “edible schoolyard.” Teachers and students cleared the land and developed a garden to teach kids about the entire process of how food comes from the earth to their plates. Kids don’t just eat the food; they experience it. And they start to choose it over unhealthy food.
Sally Hogshead (Fascinate: Unlocking the Secret Triggers of Influence, Persuasion, and Captivation)
After lunch four of us have our picture taken. Regn, myself, Fernus, and Sharon. I grip my brown lunch bag in hand, Fernus holds her soda can, Regn makes a funny expression. But what strikes me about this photograph is the shadow. We are standing in Group Reservations, the sun streaming in from above, through the skylight, and directly behind my head a giant starred reflection is cast on the wall. It is cast there as a pointed halo of sorts. I am next to Regn, she wears her sunglasses though we are still indoors. My face looks so young, my eyes do not betray any weariness. The pain is gradual. The pain is two years and more ahead. Is the star the crest of my youth? Does it suggest what I’ve always known—that something more, something far greater was in store for me? Looking back and all that’s come to pass, I can tell you yes. With a full and tired heart, I can tell you yes. I am not inclined to whimsy or overly-superstitious; however, there are signs and sometimes they must be noticed or you are a fool to dismiss them. I knew from an early age I was different. I saw the world from a distance. I was born to suffer and endure, but in so doing, if I succeeded, I was born for distinction. It was not conceit, but the knowing of Self and sometimes the frustration, the tedious ache of patience, rendered me doubtful.
Wheston Chancellor Grove (Who Has Known Heights)
They were together constantly, for lunch, for dinner, and nearly every evening— always in a sort of breathless hush, as if they feared that any minute the spell would break and drop them out of this paradise of rose and flame. But the spell became a trance, seemed to increase from day to day; they began to talk of marrying in July—in June. All life was transmitted into terms of their love, all experience, all desires, all ambitions, were nullified—their senses of humor crawled into corners to sleep; their former love-affairs seemed faintly laughable and scarcely regretted juvenalia. For
F. Scott Fitzgerald (This Side of Paradise)
After a couple of days, James spotted something strange about the food they were eating. "It's an odd thing," he remarked to Jumbo, "but every single meal seems to contain at least one dish that's red, green and white. Yesterday it was that wonderful salad- tomatoes, basil and that white mozzarella stuff. Today it was some sort of herby green paste on white pasta, with tomatoes on the side." Jumbo screwed up his face. "What's so odd about that?" "They're the colors of the Italian flag." "So they are." Jumbo thought some more. "Probably a coincidence, though. After all, they eat a lot of tomatoes, so the red's there from the start." "Probably," James agreed. But later that afternoon he made an excuse to drop by the kitchen, and peer over Livia's shoulder at what she was preparing for dinner. "What are these?" he asked casually. "Pomodori ripieni con formaggio caprino ed erba cipollina," she said tersely. "Tomatoes stuffed with goat's cheese and chives." Ignoring the fact that his mouth was watering, he said, "They're the same colors as your flag." Livia affected to notice this for the first time. "So they are. How strange." "As one of the dishes at lunch. In fact, every meal you've cooked us has had something similar.
Anthony Capella (The Wedding Officer: A Novel of Culinary Seduction)
1. Sit comfortably. It’s best to have your spine reasonably straight, which may help prevent an involuntary nap. If you want to sit cross-legged on the floor, go for it. If not, just sit in a chair, as I do. You can close your eyes or, if you prefer, you can leave them open and adjust your gaze to a neutral point on the ground. 2. Bring your full attention to the feeling of your breath coming in and out. Pick a spot where it’s most prominent: your chest, your belly, or your nostrils. You’re not thinking about your breath, you’re just feeling the raw data of the physical sensations. To help maintain focus, you can make a quiet mental note on the in-breath and out-breath, like in and out. 3. The third step is the key. As soon as you try to do this, your mind is almost certainly going to mutiny. You’ll start having all sorts of random thoughts, such as: What’s for lunch? Do I need a haircut? What was Casper the Friendly Ghost before he died? Who was the Susan after whom they named the lazy Susan, and how did she feel about it? No big deal. This is totally normal. The whole game is simply to notice when you are distracted, and begin again. And again. And again.
Jeff Warren (Meditation for Fidgety Skeptics: A 10% Happier How-To Book)
I met my agent, Sol Leon, for lunch at the commissary, and talked through my concerns. He asked the obvious questions: What kind of films did I want to make? Where did I see myself going in terms of movies? What sort of scripts should he look for? “I’ve thought about this,” I said, “and I’m pretty clear on it. I only want to make movies that my children can see.” “Only kids’ movies?” he asked. “Not kids’ movies,” I clarified. “I want to make movies that I can see with my kids and not feel uncomfortable.
Dick Van Dyke (My Lucky Life in and Out of Show Business)
What Death Is Whenever the weather is half-decent, my dad and his motorcycle are one—cruising up the back roads into the Virginia hills in search of a lunch spot with the best fried chicken. And, on certain warm weekends, for twenty minutes or so around town, my dad and his motorcycle and Benny are one. Freddy has no interest in the bike—he has hated the noise since he was a baby—but Benny has the bug, the need for speed as he and my dad like to say, giving each other five. My broken skeleton and I stay home these days. It’s not like me to allow something so reckless as my kid on a motorcycle. Of course they wear helmets and my Dad is a paragon of safety, but this is objectively not a prudent idea—or possibly even a legal one. It’s something else completely: perilous and fantastic. I think of the five-point harness booster seat in my car and wonder at the incredible contortions that logic can do. I love watching Benny’s arms wrapped firm at my dad’s waist. Benny tells me his favorite part about it is that he likes to holler really loudly when they are going fast. “I scream whooooo-eeeeeeee up into the air and it makes me feel good!” My dad tells me that one time, on one of their more ambitious outings—about fifteen minutes in to a smooth ride just outside town—he could feel Benny’s arms start to slacken their grip. And he could feel the helmet resting on his back. Benny was falling asleep. “Come on, Benny—stay with me!” he said, jostling his torso gently to try to wake him up without startling him. Benny woke up. “You can’t do that again,” my dad said as they waited at a red light. “It’s not safe. You have to stay awake so you can hold on.” “But it sure felt good,” said Benny, who was able to hold it together the rest of the way home. I think of this feeling sometimes—and I can imagine that sort of letting go: warm, dangerous, seductive. What if this is what death is: The engine beneath you steady; those that hold you strong; the sun warm? I think maybe it wouldn’t be so bad to fall into that, to loosen the grip at the waist, let gravity and fate take over—like a thought so good you can’t stop having it.
Nina Riggs (The Bright Hour: A Memoir of Living and Dying)
Haymitch leans forward and dangles something on a thin white wire in front of my nose. It’s hard to focus on, but I’m pretty sure what it is. He drops it to the sheets. “That is your earpiece. I will give you exactly one more chance to wear it. If you remove it from your ear again, I’ll have you fitted with this.” He holds up some sort of metal headgear that I instantly name the head shackle. “It’s an alternative audio unit that locks around your skull and under your chin until it’s opened with a key. And I’ll have the only key. If for some reason you’re clever enough to disable it”— Haymitch dumps the head shackle on the bed and whips out a tiny silver chip —“I’ll authorize them to surgically implant this transmitter into your ear so that I may speak to you twenty-four hours a day.” Haymitch in my head full-time. Horrifying. “I’ll keep the earpiece in,” I mutter. “Excuse me?” he says. “I’ll keep the earpiece in!” I say, loud enough to wake up half the hospital. “You sure? Because I’m equally happy with any of the three options,” he tells me. “I’m sure,” I say. I scrunch up the earpiece wire protectively in my fist and fling the head shackle back in his face with my free hand, but he catches it easily. Probably was expecting me to throw it. “Anything else?” Haymitch rises to go. “While I was waiting . . . I ate your lunch.” My eyes take in the empty stew bowl and tray on my bed table. “I’m going to report you,” I mumble into my pillow. “You do that, sweetheart.” He goes out, safe in the knowledge that I’m not the reporting kind.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
She was quiet for a long time before she answered me. “Josh, if you knew that being with me would take away the one thing I’ve always wanted, would you do it?” I understood her reasoning. I did. But it didn’t make it easier. “What if it were me who couldn’t have kids?” I asked. “Would you leave me?” She sighed. “Josh, it’s different.” “How? How is it different?” “Because you’re worth it. You’re worth any flaw you might have. I’m not.” I moved her away from me so I could look her in the eye. “You don’t think you’re worth it? Are you kidding me?” Her exhausted eyes just stared back at me, empty. “I’m not worth it. I’m a mess. I’m irritable and impatient. I’m bossy and demanding. And I have all these health issues. I can’t give you babies. I’m not worth it, Josh. I’m not. Another woman would be so much easier.” “I don’t want an easy woman. I want you.” I shook my head. “Don’t you get it? You are perfect to me. I feel like a better man just knowing that I can do anything for you—make you lunch, make you laugh, take you dancing. These things feel like a privilege to me. All those things that you think are flaws are what I love about you. Look at me.” I tipped her chin up. “I’m miserable. I’m so fucking miserable without you.” She started to cry again, and I pulled her back in and held her. This was the longest talk we’d had about this. I don’t know if she was just too tired and sick to shut me down, or if she just didn’t have anywhere to run to, stuck in my truck like she was, but it made me feel hopeful that she was at least talking to me about it. I nuzzled into her hair, breathed her in. “I don’t want any of it without you.” She shook her head against my chest. “I wish I could love you less. Maybe if I did, I could stomach taking this dream from you. But I don’t know how to even begin letting someone give up something like that for me. I would feel like apologizing every day of my life.” I took a deep breath. “You have no idea how much I wish I could go back and never put that shit in your head.” Her fingers opened and closed on my chest. I felt happy. Just sitting there in my truck in a Burger King parking lot, I felt more peace than I’d felt in weeks just because she was there with me, touching me, talking to me, telling me she loved me. And then that joy drained away when I remembered that this wasn’t going to last. She was going to leave again, and Brandon was still gone. But it was this temporary reprieve that told me that with her by my side, I could get through anything. I could navigate the worst days of my life as long as she stayed by me. If only she’d let me get her through the worst days of hers. She spoke against my chest. “You know you’re the only man I’ve ever cried over?” I laughed a little. “I saw you cry over Tyler. More than once.” She shook her head. “No. That was always about you. Because I was so in love with you and I knew I couldn’t be with you. You turned me into some sort of crazy person.” She lifted her head and looked at me. “I’m so proud to know you, Josh. And I feel so lucky to have been loved by someone like you.” She was crying, and I couldn’t keep my own eyes dry anymore. I just couldn’t. And I didn’t care if she saw me cry. I’d lost the two people I needed most in this life, and I’d never be ashamed for grieving over either one of them. I let the tears well, and she leaned in and kissed me. The gasp when she touched me and the tightness of her lips told me she was trying not to break down. She held my cheeks in her hands, and we kissed and held each other like we were saying goodbye—lovers about to be separated by an ocean or a war, desperate, and too grieved to let go. But she didn’t have to let me go. And she would anyway.
Abby Jimenez
Though it sounds like a paradox, fast troubleshooting can also be part of the Slow Fix. That’s because in the real world there is often no time for mea culpas, unhurried reflection, or forensic analysis of every last detail. Sometimes problem solving is survival of the fastest. When our ancestors stumbled across a hungry predator, they either came up with an instant exit strategy or ended up as lunch. In the impatient, on-demand twenty-first century, we are constantly under pressure to supply off-the-cuff solutions. This can lead to the sort of quick-fix bungling we have already encountered in this book. But not always. Under the right conditions, tackling problems at high speed can actually work to our advantage.
Carl Honoré (The Slow Fix: Solve Problems, Work Smarter, and Live Better In a World Addicted to Speed)
As it is there isn't a single thing isn't an opportunity for some 'alert' person, including practically everybody by the 'greed', that, they are 'alive', therefore. Etc. That, in fact, there are 'conditions'. Gravelly Hill or any sort of situation for improvement, when the Earth was properly regarded as a 'garden tenement messuage orchard and if this is nostalgia let you take a breath of April showers let's us reason how is the dampness in your nasal passage -- but I have had lunch in this 'pasture' (B. Ellery to George Girdler Smith 'gentleman' 1799, for £ 150) overlooking 'the town' sitting there like the Memphite lord of all Creation ... It is not bad to be pissed off
Charles Olson
You are it, Mollie,” he whispered. “You are exactly the sort of woman I have always wanted to find. The city can burn to the ground, but you don’t lose your head. You are passion and intelligence and beauty, and I love you to the bottom of my soul.” Mollie’s breath froze in her lungs. She wasn’t ready for this. Zack was a wild, unpredictable force of nature, while she lived in an orderly world of ticking watches and production schedules. She wasn’t ready for this, but there was no stopping Zack. “I want you out of that church and into someplace safe,” he said. “I want to marry you, Mollie. Say yes.” She couldn’t even draw a breath. Her life had been swept up into a whirlwind, smashed into pieces, and then reassembled into a wild and exciting world with which she had no experience. She risked a glance at his face. “You know this terrifies me, right?” His gaze did not waver; it only became more tender as he caressed the side of her face. “I’m betting you’ll brave it out.” She wanted to, but this wild, impulsive urge was frightening. She needed time to process the disordered jumble of feelings that were so unfamiliar to her. “I need to get back to the workshop and see about getting diamond powder.” He cocked a brow at her. “I lay my soul at your feet and you want to talk about buying supplies?” He smiled as he leaned down to touch his forehead to hers again. “I want to marry you, Mollie. Say yes. Say yes, and we’ll be one for the ages.” “I can’t. Not yet.” “When I get back from New York.” “Not then either. Zack, I’m not impulsive. You can’t rush me into something like this.” Zack winked down at her. “How about I rush you into lunch, then?” If he took offense at her refusal to budge on the proposal, he gave no sign of it as he strode down the street, whistling in good humor.
Elizabeth Camden (Into the Whirlwind)
Very much as I expected," Mason said cautiously."And do you want to do something that is for the best interests of your client?" "Very much. " "If," the voice said, "you will adhere to the bargain I outlined to you, you should be able to score another triumph over the prosecution, have the defendant released and have the case thrown out of court."Both my son and I are in a position to testify, if necessary, that when we entered that unit the man was lying on the floor breathing heavily and we thought he was drunk. And I will testify that I was the one who made the phone call to the manager of the motel. " "Suppose I simply subpoena you and put you on the stand?" Mason asked. She laughed and said, "Come, come, Mr.Mason, you're a veteran attorney. You could hardly commit a booboo of that sort. Think of what it would mean if I should state the man was alive and well when I left. " "And your price?" Mason asked."You know my price.Complete, utter silence about matters which will affect my property status and my social status.Good-by, Mr.Mason. " The receiver clicked at the other end of the line. Della Street raised inquiring eyebrows. Mason said, "Paul, you're going to have to pick up lunch somewhere along the line. I want you to go out to the Restawhile Motel. I want you to take a stop watch. I want you to get the manager to walk rapidly from the switchboard, out the front door, down to Unit to. I want you to have her open the door, walk inside, turn around, walk back, pick up the telephone, call police headquarters and ask what time it is. See how long it takes and report to me. " "Okay," Drake said."What time do you want me back here?" 171
Anonymous
To suggest that one’s belly, body hair or tattoo is ‘distasteful’ and should therefore be covered in the name of etiquette is the very worst sort of body fascism. If your children are traumatised by the sight of a fat person in a bikini, a bit of cellulite or a caesarean scar, then may I tentatively suggest that you aren’t raising them correctly. If seeing someone hairy wearing something skimpy renders you ‘unable to eat your lunch’ then I’m afraid my diagnosis is the problem is with your brain, not their body.
Natasha Devon
Journal Entry – April 17, 2013/May 10, 2013 Hollow. Numb. Empty. Nothingness. Are these feelings? Or are they just words in the English language? I ask these questions, because these words best describe how I feel right now as I sit here in my hospital room. The waiting game. My mind and thoughts swishing around my head, and my eyes burn feeling as if I am going to cry at any moment. Breakfast has come and gone. Vitals have been taken. And the five to ten minute check in with my assigned morning nurse has occurred. It has been three hours since I woke up, and I have twelve to thirteen hours to survive before I can go to sleep for the night. My day will be made up of one education group, lunch, dinner, and the remainder of the day and evening doing nothing but laying on the bed curled up in a ball depressed waiting for the time to pass looking at the clock hanging on the wall periodically wishing the time would move faster… on the flip side…a few days later…Writing in an attempt to keep my mind and head out of the skies. My heart feels as though it will beat outside of my chest, and my brain is on its own axis within my skull. I feel like I am on top of the world. I feel like I could do anything. I feel like I could write forever. I feel like my mind is on the spin cycle of a washing machine. Or, like I am hooked onto a pair of windshield wipers stuck on a speed mode. Although, my brain has spun faster than this and I feel that the meds are keeping the jerks at bay, I still feel that all too familiar whirling feeling. It is indescribable. It is hard to pinpoint. Some of it must be anxiety. Some of it must be that I am locked up like a caged animal ready to pounce. Then again, some of it must be nature. My brain misfiring and backfiring and causing itself to spin in every which direction at all sorts of speeds none of which are consistent or in the same direction. Inconsistency. Slow, fast, in between. A complete blur. I have trouble tracking. I have trouble focusing. I have trouble remembering…My mind is obsessing. I try to stop my mind from racing. I try to stop my eyes from darting across the page. I try to stop my legs from jittering. To no avail. It all starts again. My internal engine drives the show. It is as if I have a compulsion to move and dart and jerk. It is uncomfortable. My thoughts are scattered. My thoughts do not make sense. I find I have to edit my own thoughts or at least dig through the mess. I must navigate the thoughts to find the ones that fit together all in time before the memory loses focus and the tracking loses hold and “poof” the statement or thought is gone forever. Frustrating. I am intelligent. I feel stupid. My mind is in 5th gear and climbing at an unprecedented rate of speed. It is magical and amazing, but terrifying and exhausting. How to remain “normal” – is it possible? Is there a possibility of the insanity to stop? Is it possible for the cycle of speed to come to an end? I like the productivity, but the wreckage is too much to take. I just want a break. I want to be normal. I don’t want to be manic.
Justin Schleifer (Fractures)
Did you fall off a tree when you were a kid?” I ask. “Get pushed off a bridge?” “What?” he asks, momentarily distracted. “No, why?” “I don’t know,” I shrug. “I just thought that might be why you’re afraid of heights.” “Always the writer,” he softly laughs. “Nothing as dramatic as that. I just don’t like them, never have.” “But there has to be a reason,” I say. “I mean, no one is really comfortable with heights, but to beafraid of them− something had to have happened.” “Did you ever get attacked by a herd of spiders when you were a kid?” he asks, raising one of his eyebrows in my direction. “Because I seem to remember finding you on a chair not too long ago, calling me and screaming that I have to come over because a daddy long legs was ‘eyeing you for lunch’.” “That’s different,” I say, sitting up a little straighter.
Emily Harper (My Sort-of, Kind-of Hero)
Dad wasn’t in,” Hannah explained after eleven seconds, sounding a little out of breath. “So I figured I’d join you. You don’t mind, James, do you? I’d hate to be the sort of girlfriend who doesn’t let her boyfriend spend time with his friends.” James smiled politely, still looking at his tea. It was cold already. Maybe he should get another. “No, I don’t mind.” As if he could say anything else. He glanced at the couple. Hannah was snuggled up against Ryan, her head on his shoulder, her slim hand on his chest. James smiled again and stood up. “I was leaving, anyway.” Ryan dragged his eyes from his girlfriend long enough to frown at him. “You’re leaving already? But I just got here.” “My lunch break is almost over,” James said. Because I drove for forty fucking minutes to meet you for lunch. And you were late, because making out with her was more important to you, and now she’s taking you away again. He bit his tongue, hating this bitterness he couldn’t help but feel. It wasn’t him. It wasn’t. “That’s a shame,” Hannah said, looking at Ryan with hearts in her eyes. But Ryan was looking at James, an unhappy set to his mouth. “Don’t think our conversation is over.” James rolled his eyes with a smile and a sigh. “Let it go, mate. Seriously, you’re like a dog with a bone. It’s not an attractive personality trait. Hannah, tell him.
Alessandra Hazard (Just a Bit Confusing (Straight Guys #5))
A few hours later I realize the quarterly meeting is still dull, but it’s moving in the right direction. It’s only been three months since the last meeting, but Gabe’s already implemented a few changes to make it more useful for everyone. We don’t have any surveys to fill out today—thank goodness—so I’m taking my usual notes and following along. Even Preston is awake and paying attention. Sort of. “I have to pee, Sandy. I’m not gonna make it till the lunch break,” Preston whispers. He’s been fidgeting for ten minutes. I wish he’d just go already. “So go,” I say in a low whisper. “We’re not captives.” “You know I hate doing the walk of shame during a meeting,” he whispers disdainfully. I shake my head. “For the hundredth time, that is not what ‘walk of shame’ means.” “No one should be ashamed of getting it on with a hot stranger, Sandy. That is not shameworthy.” He shakes his head in disgust. “People should high-five in the morning and go home with their heads held high.” “What do you suggest it be called then? If we as a society should be proud of our one-night stands we need to have a term for it.” “I’m trying to get ‘walk of satisfaction’ to catch on, but it’s hard to make something go viral.” “Uh-huh
Jana Aston (Fling (Cafe, #2.5))
Piers Morgan Piers Morgan is a British journalist best known for his editorial work for the Daily Mirror from 1995 through 2004. He is also a successful author and television personality whose recent credits include a recurring role as a judge on NBC’s America’s Got Talent. A controversial member of the tabloid press during Diana’s lifetime, Piers Morgan established a uniquely close relationship with the Princess during the 1990s. The conversation moved swiftly to the latest edition of “Have I Got News for You.” “Oh, Mummy, it was hilarious,” laughed William. “They had a photo of Mrs. Parker Bowles and a horse’s head and asked what the difference was. The answer was that there isn’t any!” Diana absolutely exploded with laughter. We talked about which was the hottest photo to get. “Charles and Camilla is still the really big one,” I said, “followed by you and a new man, and now, of course, William with his first girlfriend.” He groaned. So did Diana. Our “big ones” are the most intimate parts of their personal lives. It was a weird moment. I am the enemy, really, but we were getting on well and sort of developing a better understanding of each other as we went along. Lunch was turning out to be basically a series of front-page exclusive stories--none of which I was allowed to publish, although I did joke that “I would save it for my book”--a statement that caused Diana to fix me with a stare, and demand to know if I was carrying a tape recorder. “No,” I replied, truthfully. “Are you?” We both laughed, neither quite knowing what the answer really was. The lunch was one of the most exhilarating, fascinating, and exasperating two hours of my life. I was allowed to ask Diana literally anything I liked, which surprised me, given William’s presence. But he was clearly in the loop on most of her bizarre world and, in particular, the various men who came into it from time to time. The News of the World had, during my editorship, broken the Will Carling, Oliver Hoare, and James Hewitt scoops, so I had a special interest in those. So, unsurprisingly, did Diana. She was still raging about Julia Carling: “She’s milking it for all she’s worth, that woman. Honestly. I haven’t seen Will since June ’95. He’s not the man in black you lot keep going on about. I’m not saying who that is, and you will never guess, but it’s not Will.” William interjected: “I keep a photo of Julia Carling on my dartboard at Eton.” That was torture. That was three fantastic scoops in thirty seconds. Diana urged me to tell William the story of what we did to Hewitt in the Mirror after he spilled the beans in the ghastly Anna Pasternak book. I dutifully recounted how we hired a white horse, dressed a Mirror reporter in full armor, and charged Hewitt’s home to confront him on allegations of treason with regard to his sleeping with the wife of a future king--an offense still punishable by death. Diana exploded again. “It was hysterical. I have never laughed so much.” She clearly had no time for Hewitt, despite her “I adored him” TV confessional.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, from Those Who Knew Her Best)
Na estrada, liguei o rádio e, por sorte, tocava Mozart. A vida pode ser boa em certos momentos, mas, ás vezes, isso depende de nós.
Charles Bukowski (The Captain is Out to Lunch and the Sailors Have Taken Over the Ship)
I have a kind of farewell lunch with Burnett in Carmarthen. A greasy spoon café just up behind the police station. The sort of place where the laminated menus stick slightly to the tables. Where lasagne represents the most adventurous meal choice.
Harry Bingham (The Dead House (Fiona Griffiths, #5))
Once my life was organized and I had a routine for my work, I discovered, first of all, that nearly everything was taken care of at any given point in time. Secondly, if something was not already taken care of, I knew the exact time in the future when it would be. Examples of the latter: If the floor is dirty, this does not bother me because I know that tomorrow is Thursday and on Thursdays the floors get mopped. If there are emails in my inbox, this does not concern me, because I know that I always deal with emails immediately after lunch is completed, leaving my inbox free of messages. When everything in your life has a place—both physical objects and time commitments—you will suddenly discover that your life is virtually worry-free because you have set everything on automatic. All you have to do is continue the process, and everything will continue to flow.
Gillian Perkins (Sorted: Freedom Through Structure)
The site on which the Cité stands has been occupied for 2 500 years and it commands a view of a countryside that has witnessed the most terrible Middle Age atrocities. Muslims massacred people who did not believe in Mohammed; Catholics slaughtered people who didn’t believe in Christ and then they fell upon even those who did. In nearby Béziers, Catholics murdered non-Catholics and, on a productive day, if everybody skipped lunch, they were able to kill up to 20 000 people. When they reported to the Pope’s emissary that they found they had, by mistake, killed Catholics he told them to carry on because God would sort them out at the other end.
James Clarke (Blazing Bicycle Saddles)
One afternoon Walter brought Izzy to the house for lunch and, pointing to me, he said to Izzy, “He’s one of your tribe.” Dobkins lifted his head to look at me and after a few seconds said, “I don’t see it.” “The mother’s a Jew,” Walter answered, as if he were describing the breeding of a mongrel dog. “Then you are a Jew,” Izzy said, and sort of blessed me with his salami sandwich.
John William Tuohy (No Time to Say Goodbye: A Memoir of a Life in Foster Care)
Two days ago, I was lunching at the Writers Union with the eminent historian Tomashevski. That's the sort of man you should know. Respected, charming, hasn't produced a piece of work in ten years. He has a system, which he explained to me. First, he submits an outline for a biography to the Academy to be absolutely sure his approach is consistent with Party policy. A crucial first step, as you'll see later. Now, the person he studies is always an important figure - that is, someone from Moscow - hence Tomashevski must do his Russian research close to home for two years. But this historical character also traveled, yes, lived for some years in Paris or London; hence Tomashevski must do the same, apply for and receive permission for foreign residence. Four years have passed. The Academy and the Party are rubbing their hands in anticipation of this seminal study of the important figure by the eminent Tomashevski. And now Tomashevski must retire to the solitude of a dacha outside Moscow to tend his garden and creatively brood over his cartons of research. Two more years pass in seminal thought. And just as Tomashevski is about to commit himself to paper, he checks with the Academy again only to learn that Party policy has totally about-faced; his hero is a traitor, and with regrets all around, Tomashevski must sacrifice his years of labor for the greater good. Naturally, they are only too happy to urge Tomashevski to start a new project, to plow under his grief with fresh labor. Tomashevski is now studying a very important historical figure who lived for some time in the South of France. He says there is always a bright future for Soviet historians, and I believe him.
Martin Cruz Smith (Gorky Park (Arkady Renko, #1))
I think it must've been because of Bobby that Rusty came around at first. Rusty was a scrawny, rat-faced dandy of a kid who acquired his nickname by virtue of his rust-coloured hair. I mentioned Bobby was beautiful in a way that even guys who went around with girls noticed and Rusty was not the sort to go around with girls at all and so was even more likely to pay his respects to Bobby's beauty.
Suzanne Rindell (Three-Martini Lunch)
that I wasn’t going to make it into the club that day by not getting all my spelling words right. At the time I couldn’t see the humor in it, but now I think about it, I guess it was sort of funny. “Right grade fivey wivies, the last lesson before lunch is a super spelling bee. Everyone gets one word and they need to get it right,” he said. Yuk! I hate spelling. Mom always makes me do these sight words before I’m allowed to go outside and wrestle Fletch, my next door
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
Everyone at school has their little group. Even the people nobody likes seem to tolerate each other enough to sit together at lunch. But I just sort of wander around by myself most of the time. It'd almost be better if I thought no one liked me, if I had some weird tick or social inadequacy that could easily explain my alienation, but it's not that easy. People talk to me at school and invite me to parties, but something's missing on the smaller scale. I don't belong to anybody. I don't have anyone who is mine
Amy Reed (Crazy)
Mrs. Guinea answered my letter and invited me to lunch at her home. That was where I saw my first fingerbowl. The water had a few cherry blossoms floating in it, and I thought it must be some clear sort of Japanese after-dinner soup and ate every bit of it, including the crisp little blossoms. Mrs. Guinea never said anything, and it was only much later, when I told a debutante I knew at college about the dinner, that I learned what I had done.
Sylvia Plath (The Bell Jar)
Besides, hikers are all bright windbreakers and cellophane-wrapped lunches and earnestness, not the sort to callously litter the landscape they’ve come to enjoy.
Lucy Foley (The Hunting Party)
The plan – mine and Andrea’s – had been to sort our lives out so we didn’t have to go back to Ibiza that summer. But one lunch break I felt this intense bleakness inside me as if a cloud had passed over my soul. I literally couldn’t stomach another hour phoning people who didn’t want to be phoned. So I left the job. Just walked out. I was a failure. A quitter. I had nothing at all on the horizon. I was sliding down, becoming vulnerable to an illness that was waiting in the wings. But I didn’t realise it. Or didn’t care. I was just thinking of escape.
Matt Haig (Reasons to Stay Alive)
And they went further and further from her, being attached to her by a thin thread (since they had lunched with her) which would stretch and stretch, get thinner and thinner as they walked across London; as if one's friends were attached to one's body, after lunching with them, by a thin thread, which (as she dozed there) became hazy with the sound of bells, striking the hour or ringing to service, as a single spider's thread is blot- ted with rain-drops, and, burdened, sags down. So she slept. And Richard Dalloway and Hugh Whitbread hesitated at the corner of Conduit Street at the very moment that Millicent Bruton, lying on the sofa, let the thread snap; snored. Contrary winds buffeted at the street corner. They looked in at a shop window; they did not wish to buy or to talk but to part, only with contrary winds buffeting the street corner, with some sort of lapse in the tides of the body, two forces meeting in a swirl, morning and afternoon, they paused.
Virginia Woolf
Não há nada que impeça um homem de escrever, a não ser que ele impeça a si mesmo. Se um homem quer realmente escrever, ele o fará. A rejeição e o ridículo apenas lhe darão mais força. E quanto mais for reprimido, mais forte ele se torna, como uma massa de água forçando um dique. Não há perdas em escrever; faz seus dedos do pé rirem enquanto você dorme; faz você andar como um tigre; ilumina seus olhos e coloca você frente a frente com a Morte. Você vai morrer como um lutador, será reverenciado no inferno. A sorte da palavra. Vá com ela, mande-a. Seja o Palhaço nas Trevas. É engraçado. É engraçado. Mais uma linha...
Charles Bukowski (The Captain is Out to Lunch and the Sailors Have Taken Over the Ship)
Yesterday she had been wondering about deer and their antlers: Somebody must understand, but she did not, how the antlers knew, each successive year, that they must grow more points or branches than the previous year, the old pair having been shed after the rutting season. Was it some sort of hormone, which didn't get broken down but just accumulated season after season in the maturing stag? All she knew about antlers was that the blood supply was in the velvet. It was said that squirrels ate fallen antlers for the calcium and other minerals. That was why you didn't find them all over the place in these Brookline woods. Probably tasted a little salty, crunchy like the bones of quail. Perhaps she should get her mother to serve platters of thin-sliced antlers at the wedding lunch tomorrow, as hors d'oeuvres. If antlers were nutritious, perhaps horn was beneficial after all, rhinoceros horn, for example. Except that horn was keratin- like toenails, not bone- like skull.
Grace Dane Mazur (The Garden Party)