Italian Quotes

We've searched our database for all the quotes and captions related to Italian. Here they are! All 100 of them:

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I imagine hell like this: Italian punctuality, German humour and English wine.
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Peter Ustinov
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There is no greater sorrow Than to recall a happy time When miserable.
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Dante Alighieri
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Italians have a little joke, that the world is so hard a man must have two fathers to look after him, and that's why they have godfathers.
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Mario Puzo (The Godfather (The Godfather, #1))
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Colpo di fulmine. The thunderbolt, as Italians call it. When love strikes someone like lightning, so powerful and intense it can’t be denied. It’s beautiful and messy, cracking a chest open and spilling their soul out for the world to see. It turns a person inside out, and there’s no going back from it. Once the thunderbolt hits, your life is irrevocably changed.
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J.M. Darhower (Sempre (Sempre, #1))
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A forty-foot worm?" Will muttered to Jem as they moved through the Italian garden, their boots - thanks to a pair of Soundless runes - making no noise on the gravel. "Think of the size of the fish we could catch." Jem's lips twitched. "It's not funny, you know." "It is a bit.
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Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
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And then there was you. You changed everything I believed in. You know that line from Dante that I quoted to you in the park? 'L'amor che move il sole e l'altre stelle'?" Her lips curled a little at the sides as she looked up at him. "I still don't speak Italian." "It's a bit of the very last verse from Paradiso - Dante's Paradise. 'My will and my desire were turned by love, the love that moves the sun and the other stars.' Dante was trying to explain faith, I think, as an overpowering love, and maybe it's blasphemous, but that's how I think of the way I love you. You came into my life and suddenly I had one truth to hold on to - that I loved you, and you loved me.
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Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
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Happiness is German engineering, Italian cooking, and Belgian chocolate.
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Patricia Briggs (Moon Called (Mercy Thompson, #1))
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Life was better than he expected with his new Italian family inheritance, and it felt good to take a deep breath without fear of someone attacking him or his family.
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Carolyn M. Bowen (Legacy of Shadows: An International Crime Thriller (The Family Legacy Series Book 2))
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Tomatoes and oregano make it Italian; wine and tarragon make it French. Sour cream makes it Russian; lemon and cinnamon make it Greek. Soy sauce makes it Chinese; garlic makes it good.
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Alice May Brock
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Love, that moves the sun and the other stars
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Dante Alighieri (Paradiso (The Divine Comedy, #3))
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Italian men are like show poodles. Sometimes they look so good I want to applaud.
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Elizabeth Gilbert (Eat, Pray, Love)
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In this world . . . It's Heaven when: The French are chefs The British are police The Germans are engineers The Swiss are bankers And the Italians are lovers It's Hell when: The English are chefs The Germans are police The French are engineers The Swiss are lovers And the Italians are bankers.
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Hidekaz Himaruya (Hetalia: Axis Powers, Vol. 2 (Hetalia: Axis Powers, #2))
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I’m half Italian.” β€œWhich half?” the words were out before Tessa could stop them. Was she flirting with him? She never flirted with men. His lips curved in a slow, sexy smile that made her heart trip. β€œFrom the waist down.
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Pamela Clare (Hard Evidence (I-Team, #2))
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Each of us is a book waiting to be written, and that book, if written, results in a person explained.
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Thomas M. Cirignano (The Constant Outsider: Memoirs of a South Boston Mechanic)
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Imagine," she said, after registering, "a whole city of gorgeous Italian guys. They can say anything to me, and it'll be sexy." "You'll be so easy," Rashmi said. "Would you like-ah to order-ah the spa-ghe-tti? 'Oh, do me, Marco!
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Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
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The Mother of God. Good-looking. Well-dressed. A good person. Knows how to make the absolute best of a situation. And never uppity about any of it.
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Kathleen Zamboni McCormick (Dodging Satan: My Irish/Italian, Sometimes Awesome, But Mostly Creepy, Childhood)
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She's got a big belt around her hips. It has a shiny buckle with PRADA on it, which is Italian for insecure.
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Jennifer Donnelly (Revolution)
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Youth and what the Italians so prettily call stamina. The vigor, the fire, that enables you to love and create. When you've lost that, you've lost everything.
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Simone de Beauvoir (The Woman Destroyed)
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I have always hated crowds. I like deserts, prisons, and monasteries. I have discovered, too, that there are fewer idiots at 3000 meters above sea level than down below.
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Jean Giono (An Italian Journey (Marlboro Travel))
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An unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.
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Edith Wharton
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Amor, ch'al cor gentile ratto s'apprende prese costui de la bella persona che mi fu tolta; e 'l modo ancor m'offende. Amor, che a nullo amato amar perdona, Mi prese del costui piacer sì forte, Che, come vedi, ancor non m'abbandona..." "Love, which quickly arrests the gentle heart, Seized him with my beautiful form That was taken from me, in a manner which still grieves me. Love, which pardons no beloved from loving, took me so strongly with delight in him That, as you see, it still abandons me not...
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Dante Alighieri (Inferno)
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Nella vita: chi non risica, non rosica," he said finally, his voice quiet. "In life: nothing ventured, nothing gained. My mom used to tell us that. It's been a long time, but I can still hear her saying it.
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J.M. Darhower (Sempre (Sempre, #1))
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Oh no. I've just accidently paid a visit to the cakeshop of love. I haven't put back my Italian cakey, but I have accidentally picked up a Dave the Tart.
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Louise Rennison (Dancing in My Nuddy-Pants (Confessions of Georgia Nicolson, #4))
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You are the trip I did not take, you are the pearls I could not buy, you are my blue Italian lake, you are my piece of foreign sky. You are my Honolulu moon, you are the book I did not write, you are my heart's unuttered tune, you are a candle in my night. You are the flower beneath the snow, in my dark sky a bit of blue, answering disappointment's blow with "I am happy! I have you!
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Anne Campbell
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It isn't such a bad thing to always know that someone on the other side of the world cares about you.
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Laura Fraser (An Italian Affair)
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I have a good mind not to take Aloysius to Venice. I don't want him to meet a lot of horrid Italian bears and pick up bad habits.
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Evelyn Waugh (Brideshead Revisited)
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Hey, I just thought of something.” β€œWhat?” β€œWhen we’re together, we make one whole Italian.
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Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
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BELLADONNA, n. In Italian a beautiful lady; in English a deadly poison. A striking example of the essential identity of the two tongues.
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Ambrose Bierce (The Unabridged Devil's Dictionary)
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So... Italian gelato. Take the deliciousness of a regular ice-cream cone, times it by a million, then sprinkle it with crushed-up unicorn horns.
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Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
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Attraversiamo (meaning "Lets cross over" in Italian)
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Elizabeth Gilbert (Eat, Pray, Love)
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You’re fluent in Russian and that’s the best you could come up with?” Roma asked, flabbergasted. β€œWhat is a Montague? It sounds Italian.” β€œThere are Italian Communists!” β€œNot in Shanghai!
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Chloe Gong (These Violent Delights (These Violent Delights, #1))
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A Frenchman's self-assurance stems from his belief that he is mentally and physically irresistibly fascinating to both men and women. An Englishman's self-assurance is founded on his being a citizen of the best organized state in the world and on the fact that, as an Englishman, he always knows what to do, and that whatever he does as an Englishman is unquestionably correct. An Italian is self-assured because he is excitable and easily forgets. A Russian is self-assured simply because he knows nothing and does not want to know anything, since he does not believe in the possibility of knowing anything fully.
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Leo Tolstoy (War and Peace)
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No wonder. Puerto Rican, Italian and Cuban – the perfect ingredients for a hot, bossy, badass cocktail.
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Kristen Ashley (Mystery Man (Dream Man, #1))
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My father,” she admitted, β€œwas of Italian extraction. Unfortunately, not an affliction that can be cured.” She paused. β€œThough he did die.
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Gail Carriger (Soulless (Parasol Protectorate, #1))
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Fantasizing about an Italian hottie was far better than my normal dreams.
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Lisa Tawn Bergren (Waterfall (River of Time, #1))
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Mary’s supposed to be the opposite of Eve, but I bet she had childbirth pain just like everyone else.
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Kathleen Zamboni McCormick (Dodging Satan: My Irish/Italian, Sometimes Awesome, But Mostly Creepy, Childhood)
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I felt for the tormented whirlwinds Damned for their carnal sins Committed when they let their passions rule their reason.
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Dante Alighieri
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Indians are the Italians of Asia and vice versa. Every man in both countries is a singer when he is happy, and every woman is a dancer when she walks to the shop at the corner. For them, food is the music inside the body and music is the food inside the heart. Amore or Pyar makes every man a poet, a princess of peasant girl if only for second eyes of man and woman meets.
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Gregory David Roberts (Shantaram)
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The trouble with England, he thinks, is that it's so poor in gesture. We shall have to develop a hand signal for β€˜Back off, our prince is fucking this man's daughter.’ He is surprised that the Italians have not done it. Though perhaps they have, and he just never caught on.
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Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
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[...]Are both of you...?" "Manscaped?" Dante smiled. "I'm fucking Italian; I been mowing my lawn since I was thirteen.
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Damon Suede (Hot Head (Head, #1))
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The Japanese are easily influenced, Italian's are infectious, And German's are German's wherever they go.
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Hidekaz Himaruya
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Blessed art thou among women.” Who can’t relate to a line like that? It’s just saying you’re one holy chick and everyone, even God, is totally into you.
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Kathleen Zamboni McCormick (Dodging Satan: My Irish/Italian, Sometimes Awesome, But Mostly Creepy, Childhood)
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How do you say 'bring me sausage and eggs or I'll slit your throat' in Italian?" "Look it up in the phrase book.
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Regina Doman (Black as Night (A Fairy Tale Retold #2))
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You have to admit that anatomically, this ear business rivals my father’s fear that a bicycle seat could ruin your virginity
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Kathleen Zamboni McCormick (Dodging Satan: My Irish/Italian, Sometimes Awesome, But Mostly Creepy, Childhood)
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Italian cities have long been held up as ideals, not least by New Yorkers and Londoners enthralled by the ways their architecture gives beauty and meaning to everyday acts.
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Rebecca Solnit (Wanderlust: A History of Walking)
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Every last minute of my life has been preordained and I'm sick and tired of it. How this feels is I'm just another task in God's daily planner: the Italian Renaissance penciled in for right after the Dark Ages. ... The Information Age is scheduled immediately after the Industrial Revolution. Then the Postmodern Era, then the Four Horsemen of the Apocalypse. Famine. Check. Pestilence. Check. War. Check. Death. Check. And between the big events, the earthquakes and the tidal waves, God's got me squeezed in for a cameo appearance. Then maybe in thirty years, or maybe next year, God's daily planner has me finished.
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Chuck Palahniuk (Survivor)
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So you speak French?" Isabelle sighed. "I wish I spoke another language. But Hodge never thought we needed to learn anything but ancient Greek and Latin, and nobody speaks those." "I also speak Russian and Italian. And some Romanian," Sebastian said with a modest smile. "I could teach you some phrases-" "Romanian? That's impressive," said Jace. "Not many people speak it." "Do you?" Sebastian asked with interest. "Not really," Jace said with a smile so disarming Simon knew he was lying. "My Romanian is pretty much limited to useful phrases like, 'Are these snakes poisonous?' and 'But you look much too young to be a police officer.
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Cassandra Clare (City of Glass (The Mortal Instruments, #3))
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For the multiculturalist, white Anglo-Saxon Protestants are prohibited, Italians and Irish get a little respect, blacks are good, native Americans are even better. The further away we go, the more they deserve respect. This is a kind of inverted, patronising respect that puts everyone at a distance.
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Slavoj Ε½iΕΎek
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they’re teaching us that the real Catholic belief about Mary is that she got pregnant through her earβ€”that β€œJust as Eve listened to Satan and gave birth to sin, so Mary listened to Gabriel and became pregnant with the Son of God.
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Kathleen Zamboni McCormick (Dodging Satan: My Irish/Italian, Sometimes Awesome, But Mostly Creepy, Childhood)
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My grandma used to plant tomato seedlings in tin cans from tomato sauce & puree & crushed tomatoes she got from the Italian restaurant by her house, but she always soaked the labels off first. I don't want them to be anxious about the future, she said. It's not healthy.
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Brian Andreas
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I am alone, I am all alone, I am completely alone. Grasping this reality, I let go of my bag, drop to my knees and press my forehead against the floor. There, I offer up to the universe a fervent prayer of thanks. First in English. Then in Italian. And then - just to get the point across - in Sanskrit.
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Elizabeth Gilbert
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Melody is the essence of music. I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone and remember the old Italian proverb: Chi sa piΓΉ, meno saβ€”Who knows most, knows least.
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Wolfgang Amadeus Mozart
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She sang, of course, "M'ama!" and not "he loves me," since an unalterable and unquestioned law of the musical world required that the German text of French operas sung by Swedish artists should be translated into Italian for the clearer understanding of English-speaking audiences.
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Edith Wharton (The Age of Innocence)
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Miss Mitchell had a lovely voice, it was true, but Miss Mitchell speaking Italian was something celestial. Her ruby mouth opening and closing, the delicate way she almost sang the words, her tongue peeking out to wet her lips from time to time...Professor Emerson had to remind himself to close his mouth after it had dropped open.
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Sylvain Reynard (Gabriel's Inferno (Gabriel's Inferno, #1))
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Life for the Italians was what it was, no more and no less, an interlude between meals
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Abraham Verghese (Cutting for Stone)
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In Japanese and Italian, the response to ["How are you?"] is "I'm fine, and you?" In German it's answered with a sigh and a slight pause, followed by "Not so good.
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David Sedaris (Let's Explore Diabetes with Owls: Essays, Etc.)
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The school even had a Latin motto: Pergo et Perago, which sounded like the story of two Italian cannibals but which actually meant β€œI try and I achieve.
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Anthony Horowitz (Crocodile Tears (Alex Rider, #8))
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Without the presence of black people in America, European-Americans would not be "white"-- they would be Irish, Italians, Poles, Welsh, and other engaged in class, ethnic, and gender struggles over resources and identity. (p. 107-108)
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Cornel West (Race Matters)
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To God I speak Spanish, to women Italian, to men French, and to my horse - German.
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Charles V
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Because Mary, a female, is so important to Catholicism, you feel that no one should be disappointed by having a girl instead of a boy, or if they are, they might just discover one day what a big mistake they made. Mary showed the world that girls shouldn’t be underestimated.
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Kathleen Zamboni McCormick (Dodging Satan: My Irish/Italian, Sometimes Awesome, But Mostly Creepy, Childhood)
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It is necessity and not pleasure that compels us. [Italian: Necessita c'induce, e non diletto.]
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Dante Alighieri (Inferno)
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Italians give their city sexes, and they all agree that the sex for a particular city is quite correct, but none of them can explain why. I love that. London's middle-aged and male, respectably married but secretly gay.
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David Mitchell (Ghostwritten)
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Nothing can be compared to the new life that the discovery of another country provides for a thoughtful person. Although I am still the same I believe to have changed to the bones.
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Johann Wolfgang von Goethe (Italian Journey)
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Have you any idea how much my kingdom has swollen in this past century alone, how many subdivisions I've had to open?" I opened my mouth to respond, but Hades was on a roll now. More security ghouls," he moaned. "Traffic problems at the judgment pavilion. Double overtime for the staff. I used to be a rich god, Percy Jackson. I control all the precious metals under the earth. But my expenses!" Charon wants a pay raise," I blurted, just remembering the fact. As soon as I said it, I wished I could sew up my mouth. Don't get me started on Charon!" Hades yelled. "He's been impossible ever since he discovered Italian suits! Problems everywhere, and I've got to handle all of them personally. The commute time alone from the palace to the gates is enough to drive me insane! And the dead just keep arriving. No, godling. I need no help getting subjects! I did not ask for this war.
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Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
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She gave him a brief, mysterious smile. β€œYou were watching me. I felt you before I saw you.” So? This is a crime? he thought, determined not to retreat. Did you study cultural physiology? The eyes of Italian males are hardwired from birth to examine, observe, even caress, if you will, the female form. Any form. Some we glance at. Some we don’t really see, like our mothers and sisters. Some we ignore, and some we store as reference for the future. Got it?
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Vincent Panettiere (Shared Sorrows)
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Il bel far niente means 'the beauty of doing nothing'... [it] has always been a cherished Italian ideal. The beauty of doing nothing is the goal of all your work, the final accomplishment for which you are most highly congratulated. The more exquisitely and delightfully you can do nothing, the higher your life's achievement. You don't necessarily need to be rich in order to experience this, either.
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Elizabeth Gilbert (Eat, Pray, Love)
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It was a clear, starry night, dead calm. Whenever I see a sky like that, I wish I could write music
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Henning Mankell (Italian Shoes)
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To my taste, the men in Rome are ridiculously, hurtfully, stupidly beautiful. More beautiful even than Roman women, to be honest. Italian men are beautiful in the same way as French women, which is to say-- no detail spared in the quest for perfection. They’re like show poodles. Sometimes they look so good I want to applaud.
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Elizabeth Gilbert (Eat, Pray, Love)
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She would be a sparkling accent on his arm. She speaks flawless French and Italian, and has a limitless supply of charm when she wishes to dispense it. And'd she'll use him. She'll take, take more. If it was necessary, or if she simply had the whim, she'd toss him to the wolves to see who'd win." He finished the whiskey. "You, Lieutenant, are often crude, you are certainly rude, and have very little sense of how to be the wife--in public--of a man in Roarke's position. And you would do anything, no matter what the personal risk, to keep him from harm. She will never love him. You will never do anything but.
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J.D. Robb (Innocent in Death (In Death, #24))
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First of all, let's get one thing straight. Your Italy and our Italia are not the same thing. Italy is a soft drug peddled in predictable packages, such as hills in the sunset, olive groves, lemon trees, white wine, and raven-haired girls. Italia, on the other hand, is a maze. It's alluring, but complicated. It's the kind of place that can have you fuming and then purring in the space of a hundred meters, or in the course of ten minutes. Italy is the only workshop in the world that can turn out both Botticellis and Berlusconis.
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Beppe Severgnini (La Bella Figura: A Field Guide to the Italian Mind)
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There's a wonderful old Italian joke about a poor man who goes to church every day and prays before the statue of a great saint, begging, "Dear saint-please, please, please...give me the grace to win the lottery." This lament goes on for months. Finally the exasperated staue comes to life, looks down at the begging man and says in weary disgust, "My son-please, please, please...buy a ticket." Prayer is a realtionship; half the job is mine. If I want transformation, but can't even be bothered to articulate what, exactly, I'm ainming for, how will it ever occur? Half the benefit of prayer is in the asking itself, in the offering of a clearly posed and well-considered intention. If you don't have this, all your pleas and desires are boneless, floppy, inert; they swirl at your feet in a cold fog and never lift.
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Elizabeth Gilbert
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Jessica swallowed. "I think you had better stick to English." "But Italian is so moving," Dain said. "To ho voluto dal primo che ti vedi." I've wanted you from the first moment I saw you. "Mi tormenti ancora." You've tormented me ever since.
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Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
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I know you have not thought about it. Italians always act without thinking, it's the glory and the downfall of your civilisation. A German plans a month in advance what his bowel movements will be at Easter, and the British plan everything in retrospect, so it always looks as though everything occurred as they intended. The French plan everything whilst appearing to be having a party, and the Spanish...well, God knows. Anyway, Pelagia is Greek, that's my point.
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Louis de BerniΓ¨res (Corelli’s Mandolin)
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[She] knew there were women who worked successfully out of the home. They ran businesses, created empires and managed to raise happy, healthy, well-adjusted children who went on to graduate magna cum laude from Harvard or became world-renowned concert pianists. Possibly both. These women accomplished all this while cooking gourmet meals, furnishing their homes with Italian antiques, giving clever, intelligent interviews with Money magazine and People, and maintaining a brilliant marriage with an active enviable sex life and never tipping the scale at an ounce over their ideal weight... She knew those women were out there. If she'd had a gun, she'd have hunted every last one of them down and shot them like rabid dogs for the good of womankind.
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Nora Roberts (Birthright)
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History, memory is by definition fiction. Once an event is no longer present, but remembered, it is narrative. And we can choose the narratives we tellβ€”about our own lives, our own stories, our own relationships. We can choose the chapters we give meaning.
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Rebecca Serle (One Italian Summer)
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Diocesan exams are given at the end of March to students in Catholic schools throughout Massachusetts from the fourth to the twelfth grade. You have to answer four out of seven essay questions. A typical question goes something like this: Theologians speculate about whether Christ actually appeared to His disciples after He rose from the dead. Is the scripture clear on this? Discuss, with reference to the different gospels and their variations, and to different theological interpretations
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Kathleen Zamboni McCormick (Dodging Satan: My Irish/Italian, Sometimes Awesome, But Mostly Creepy, Childhood)
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Once the game is over, the King and the pawn go back in the same box.
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Italian proverb
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What got you here won't get you there.
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Rebecca Serle (One Italian Summer)
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The italian nanny was attempting to answer the teachers latest question when the moroccan student interupted, shouting "Excuse me, What is an easter?" it would seem that depsite having grown up in a muslim country, she would have heard it mentioned once or twice, but no. "I mean it," She said. " I have no idea what you people are talking about." The teacher called upon the rest of us to explain. The poles led the charge to the best of their ability. It is," said one, "a party for the little boy of god who call his self jesus and... oh shit." She faltered and her fellow country man came to her aid. He call his self Jesus and then he die one day on two... morsels of... lumber." The rest of the class jumped in, offering bits of information that would have given the pope an aneurysm. he die one day and then he go above of my head to live with your father." he weared of himself the long hair and after he die. the first day he come back here for to say hello to the peoples." he Nice the jesus." he make the good things, and on the easter we be sad because somebody makes him dead today.
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David Sedaris (Me Talk Pretty One Day)
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I wrote a huge number of letters that spring: one a week to Naoko, several to Reiko, and several more to Midori. I wrote letters in the classroom, I wrote letters at my desk at home with Seagull in my lap, I wrote letters at empty tables during my breaks at the Italian restaurant. It was as if I were writing letters to hold together the pieces of my crumbling life.
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Haruki Murakami (Norwegian Wood)
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It’s in English,” I call out as it comes into focus. β€œIt says β€˜Made in China.’” At first Sister Loretta thinks I must be wrong, but when she sees the words for herself, she explains to us that God anticipated that the Communists in China would create technology that makes medals, rosaries, and plastic figurines really cheaply, and He was ready to temporarily forgive them for not being a democracy and for being pagans if they were willing to sell these holy goods to us at a fantastic discount, which shows us that God, like everyone else, goes out of His way to get a good deal on something He really needs. Who doesn’t like a bargain?
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Kathleen Zamboni McCormick (Dodging Satan: My Irish/Italian, Sometimes Awesome, But Mostly Creepy, Childhood)
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So, the wooden stake through the heart thing is apparently a myth, but you can be killed by fire. Anything else?" "Should I be concerned that one of your first questions is how to kill me?" Her jaw dropped. "What? No! I didn't mean... I was just curious." He snorted. "Well you can remain so." "What about the sun?" she asked. "Extra toasty?" "I'm not going to burst into flames, but I avoid tanning beds." "Silver?" "Some of my favorite cufflinks." "Garlic?" "Please," he sneered. "I'm Italian.
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Elizabeth Hunter (A Hidden Fire (Elemental Mysteries, #1))
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Because the world is so corrupted, misspoken, unstable, exaggerated and unfair, one should trust only what one can experience with one's own senses, and THIS makes the senses stronger in Italy than anywhere in Europe. This is why, Barzini says, Italians will tolerate hideously incompetent generals, presidents, tyrants, professors, bureaucrats, journalists and captain of industry, but will never tolerate incompetent opera singers, conductors, ballerinas, courtesans, actors, film directors, cooks, tailors... In a world of disorder and disaster and fraud, sometimes only beauty can be trusted. Only artistic excellence is incorruptible. Pleasure cannot be bargained down. And sometimes the meal is the only currency that is real.
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Elizabeth Gilbert (Eat, Pray, Love)
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Dearest Charles-- I found a box of this paper at the back of a bureau so I must write to you as I am mourning for my lost innocence. It never looked like living. The doctors despaired of it from the start... I am never quite alone. Members of my family keep turning up and collecting luggage and going away again, but the white raspberries are ripe. I have a good mind not to take Aloysius to Venice. I don't want him to meet a lot of horrid Italian bears and pick up bad habits. Love or what you will. S.
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Evelyn Waugh (Brideshead Revisited)
β€œ
Watching Italians eat (especially men, I have to say) is a form of tourism the books don't tell you about. They close their eyes, raise their eyebrows into accent marks, and make sounds of acute appreciation. It's fairly sexy. Of course I don't know how these men behave at home, if they help with the cooking or are vain and boorish and mistreat their wives. I realized Mediterranean cultures have their issues. Fine, don't burst my bubble. I didn’t want to marry these guys, I just wanted to watch. (p. 247)
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Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
β€œ
He had been born in Mussolini’s Italy. He had survived decades in the time-warp reality of the Lotus Casino. He’d emerged in modern times disoriented and culture-shocked, arrived at Camp Half-Blood, and promptly lost his sister Bianca to a dangerous quest. He had wandered the Labyrinth in self-imposed exile, being tortured and brainwashed by a malevolent ghost. He’d overcome everyone’s distrust and emerged from the Battle of Manhattan as a hero. He’d been captured by giants during the rise of Gaea. He’d wandered Tartarus alone and somehow managed to come out alive. And through it all, he’d struggled with his upbringing as a conservative Catholic Italian male from the 1930s and finally learned to accept himself as a young gay man. Anyone who could survive all that had more resilience than Stygian iron.
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Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
β€œ
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
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Bob Dylan (Chronicles, Volume One)
β€œ
This is very American, too - the insecurity about whether we have earned our happiness. Planet Advertising in America orbits completely around the need to convince the uncertain consumer that yes, you have actually warranted a special treat. This Bud's for You! You Deserve a Break Today! Because You're Worth It! You've Come a Long Way, Baby! And the insecure consumer thinks, Yeah! Thanks! I AM gonna go buy a six-pack, damn it! Maybe even two six-packs! And then comes the reactionary binge. Followed by the remorse. Such advertising campaigns would probably not be as effective in the Italian culture, where people already know that they are entitled enjoyment in this life. The reply in Italy to "You Deserve a Break Today" would probably be, Yeah, no duh. That's why I'm planning on taking a break at noon, to go over to you house and sleep with your wife.
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Elizabeth Gilbert (Eat, Pray, Love)
β€œ
Her death the dividing mark: Before and After. And though it’s a bleak thing to admit all these years later, still I’ve never met anyone who made me feel loved the way she did. Everything came alive in her company; she cast a charmed theatrical light about her so that to see anything through her eyes was to see it in brighter colours than ordinary – I remember a few weeks before she died, eating a late supper with her in an Italian restaurant down in the Village, and how she grasped my sleeve at the sudden, almost painful loveliness of a birthday cake with lit candles being carried in procession from the kitchen, faint circle of light wavering in across the dark ceiling and then the cake set down to blaze amidst the family, beatifying an old lady’s face, smiles all round, waiters stepping away with their hands behind their backs – just an ordinary birthday dinner you might see anywhere in an inexpensive downtown restaurant, and I’m sure I wouldn’t even remember it had she not died so soon after, but I thought about it again and again after her death and indeed I’ll probably think about it all my life: that candlelit circle, a tableau vivant of the daily, commonplace happiness that was lost when I lost her
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Donna Tartt (The Goldfinch)
β€œ
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
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Gerard Nolst TrenitΓ© (Drop your Foreign Accent)
β€œ
The Time Around Scars: A girl whom I've not spoken to or shared coffee with for several years writes of an old scar. On her wrist it sleeps, smooth and white, the size of a leech. I gave it to her brandishing a new Italian penknife. Look, I said turning, and blood spat onto her shirt. My wife has scars like spread raindrops on knees and ankles, she talks of broken greenhouse panes and yet, apart from imagining red feet, (a nymph out of Chagall) I bring little to that scene. We remember the time around scars, they freeze irrelevant emotions and divide us from present friends. I remember this girl's face, the widening rise of surprise. And would she moving with lover or husband conceal or flaunt it, or keep it at her wrist a mysterious watch. And this scar I then remember is a medallion of no emotion. I would meet you now and I would wish this scar to have been given with all the love that never occurred between us.
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Michael Ondaatje
β€œ
You read Salinger in Italian? Molto chic’ β€˜I was told a good way to learn a language was to read translations of books you know by heart’ β€˜That’s interesting.’ But Isabelle wasn’t at all interested. She had just discovered a new expression. She savoured it amorously. From now on everything that once has been "sublime" – a film, a Worth gown, a Coromandel screen – would be "molto chic". Like those devotees of the increase-your-word-power column in the Reader’s Digest who stake their conversational reputation on the number of times in a single day they find room for "plethora" and "infelicity" and "quintessential", dropping these words the way other people drop names, she hated to let any amusing phrase go once it had caught her fancy.
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Gilbert Adair (The Dreamers)
β€œ
First is the danger of futility; the belief there is nothing one man or one woman can do against the enormous array of the world's ills β€” against misery and ignorance, injustice and violence. Yet many of the world's great movements, of thought and action, have flowed from the work of a single man. A young monk began the Protestant reformation, a young general extended an empire from Macedonia to the borders of the earth, and a young woman reclaimed the territory of France. It was a young Italian explorer who discovered the New World, and 32-year-old Thomas Jefferson who proclaimed that all men are created equal. "Give me a place to stand," said Archimedes, "and I will move the world." These men moved the world, and so can we all.
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Robert F. Kennedy
β€œ
Ho sceso, dandoti il braccio, almeno un milione di scale e ora che non ci sei è il vuoto ad ogni gradino. Anche così è stato breve il nostro lungo viaggio. Il mio dura tuttora, né più mi occorrono le coincidenze, le prenotazioni, le trappole, gli scorni di chi crede che la realtà sia quella che si vede. Ho sceso milioni di scale dandoti il braccio non già perché con quattr'occhi forse si vede di più. Con te le ho scese perché sapevo che di noi due le sole vere pupille, sebbene tanto offuscate, erano le tue.
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Eugenio Montale (Satura, 1962-1970: Poems (English and Italian Edition))
β€œ
The Indians are the Italians of Asia", Didier pronounced with a sage and mischievous grin. "It can be said, certainly, with equal justice, that the Italians are the Indians of Europe, but you do understand me, I think. There is so much Italian in the Indians, and so much Indians in the Italians. They are both people of the Madonna - they demand a goddess, even if the religion does not provide one. Every man in both countries is a singer when he is happy, and every woman is a dancer when she walks to the shop at the corner. For them, food is music inside the body, and music is food inside the heart. The Language of India and the language of Italy, they make every man a poet, and make something beautiful from every banalite. They are nations where love - amore, pyaar - makes a cavalier of a Borsalino on a street corner, and makes a princess of a peasant girl, if only for the second that her eyes meet yours.
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Gregory David Roberts (Shantaram)
β€œ
i hope you walk through the world knowing your value. I hope you find a passion--something you love, something that lights you up inside. I hope you find the peace and confidence it takes to trust where your path leads. Remember it is only yours. Others can wave and cheer, but no one can give you directions. They have not been where you are going. I hope you will understand someday that just because you become a mother doesn't mean you stop becoming a woman. And above all else, I hope you know that even if you can't see me, I am always with you.
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Rebecca Serle (One Italian Summer)
β€œ
I like how you call homosexuality an abomination." "I don't say homosexuality's an abomination, Mr. President, the bible does." "Yes it does. Leviticus-" "18:22" "Chapter in verse. I wanted to ask you a couple questions while I had you here. I'm interested in selling my youngest daughter into slavery as sanctioned in exodus 21:7. She's a Georgetown sophomore, speaks fluent Italian, always cleared the table when it was her turn. What would a good price for her be? While thinking about that can I ask another? My chief of staff, Leo Mcgary,insists on working on the sabbath. Exodus 35:2 clearly says he should be put to death. Am I morally obligated to kill him myself or is it ok to call the police? Here's one that's really important, cause we've got a lot of sports fans in this town. Touching the skin of a dead pig makes one unclean, Leviticus 11:7. If they promise to wear gloves, can the Washington Red Skins still play football? Can Notre Dame? Can West Point? does the whole town really have to be together to stone my brother John for planting different crops side by side? Can I burn my mother in a small family gathering for wearing garments made from two different threads?
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Aaron Sorkin
β€œ
Noi leggeveamo un giorno per diletto Di Lancialotto, come amor lo strinse; Soli eravamo e senza alcun sospetto Per piΓΉ fiate gli occhi ci sospinse Quella lettura, e scolorocci il viso; Ma solo un punto fu quel che ci vinse. Quando leggemmo il disiato riso Esser baciato da cotanto amante, Questi, che mai da me non fia diviso, La bocca mi baciΓ² tutto tremante. Galeotto fu il libro e chi lo scrisse: Quel giorno piΓΉ non vi leggemmo avante." ""We were reading one day, to pass the time, of Lancelot, how love had seized him. We were alone, and without any suspicion And time and time again our eyes would meet over that literature, and our faces paled, and yet one point alone won us. When we had read how the desired smile was kissed by so true a lover, This one, who never shall be parted from me, kissed my mouth, all a-tremble. Gallehault was the book and he who wrote it That day we read no further.
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Dante Alighieri
β€œ
We look back on history, and what do we see? Empires rising and falling; revolutions and counter-revolutions succeeding one another; wealth accumulating and wealth dispersed; one nation dominant and then another. As Shakespeare’s King Lear puts it, β€œthe rise and fall of great ones that ebb and flow with the moon.” In one lifetime I’ve seen my fellow countrymen ruling over a quarter of the world, and the great majority of them convinced – in the words of what is still a favorite song – that God has made them mighty and will make them mightier yet. I’ve heard a crazed Austrian announce the establishment of a German Reich that was to last for a thousand years; an Italian clown report that the calendar will begin again with his assumption of power; a murderous Georgian brigand in the Kremlin acclaimed by the intellectual elite as wiser than Solomon, more enlightened than Ashoka, more humane than Marcus Aurelius. I’ve seen America wealthier than all the rest of the world put together; and with the superiority of weaponry that would have enabled Americans, had they so wished, to outdo an Alexander or a Julius Caesar in the range and scale of conquest. All in one little lifetime – gone with the wind: England now part of an island off the coast of Europe, threatened with further dismemberment; Hitler and Mussolini seen as buffoons; Stalin a sinister name in the regime he helped to found and dominated totally for three decades; Americans haunted by fears of running out of the precious fluid that keeps their motorways roaring and the smog settling, by memories of a disastrous military campaign in Vietnam, and the windmills of Watergate. Can this really be what life is about – this worldwide soap opera going on from century to century, from era to era, as old discarded sets and props litter the earth? Surely not. Was it to provide a location for so repetitive and ribald a production as this that the universe was created and man, or homo sapiens as he likes to call himself – heaven knows why – came into existence? I can’t believe it. If this were all, then the cynics, the hedonists, and the suicides are right: the most we can hope for from life is amusement, gratification of our senses, and death. But it is not all.
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Malcolm Muggeridge
β€œ
An attachment grew up. What is an attachment? It is the most difficult of all the human interrelationships to explain, because it is the vaguest, the most impalpable. It has all the good points of love, and none of its drawbacks. No jealousy, no quarrels, no greed to possess, no fear of losing possession, no hatred (which is very much a part of love), no surge of passion and no hangover afterward. It never reaches the heights, and it never reaches the depths. As a rule it comes on subtly. As theirs did. As a rule the two involved are not even aware of it at first. As they were not. As a rule it only becomes noticeable when it is interrupted in some way, or broken off by circumstances. As theirs was. In other words, its presence only becomes known in its absence. It is only missed after it stops. While it is still going on, little thought is given to it, because little thought needs to be. It is pleasant to meet, it is pleasant to be together. To put your shopping packages down on a little wire-backed chair at a little table at a sidewalk cafe, and sit down and have a vermouth with someone who has been waiting there for you. And will be waiting there again tomorrow afternoon. Same time, same table, same sidewalk cafe. Or to watch Italian youth going through the gyrations of the latest dance craze in some inexpensive indigenous night-place-while you, who come from the country where the dance originated, only get up to do a sedate fox trot. It is even pleasant to part, because this simply means preparing the way for the next meeting. One long continuous being-together, even in a love affair, might make the thing wilt. In an attachment it would surely kill the thing off altogether. But to meet, to part, then to meet again in a few days, keeps the thing going, encourages it to flower. And yet it requires a certain amount of vanity, as love does; a desire to please, to look one's best, to elicit compliments. It inspires a certain amount of flirtation, for the two are of opposite sex. A wink of understanding over the rim of a raised glass, a low-voiced confidential aside about something and the smile of intimacy that answers it, a small impromptu gift - a necktie on the one part because of an accidental spill on the one he was wearing, or of a small bunch of flowers on the other part because of the color of the dress she has on. So it goes. And suddenly they part, and suddenly there's a void, and suddenly they discover they have had an attachment. Rome passed into the past, and became New York. Now, if they had never come together again, or only after a long time and in different circumstances, then the attachment would have faded and died. But if they suddenly do come together again - while the sharp sting of missing one another is still smarting - then the attachment will revive full force, full strength. But never again as merely an attachment. It has to go on from there, it has to build, to pick up speed. And sometimes it is so glad to be brought back again that it makes the mistake of thinking it is love. ("For The Rest Of Her Life")
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Cornell Woolrich (Angels of Darkness)