Luna Moth Quotes

Terry remembered a summer two or three years ago when there had been a plague of luna moths (...) One night Ghost has mused aloud that to the bats, the moths' blood must taste like crème de la menthe.

She grabbed her briefcase and took a step toward him. “You don’t have a last name?” “Everyone has a last name.” His hand hovered in the air, waiting. He was forcing her to cross the marble floor to meet him, and like a Luna moth drawn to a midnight moon, she drifted toward him. When she reached him, she took his hand and looked up into his face. “Is it Jones? Smith? Or Brown?” His lips twitched. “None of the above.” “And you won’t tell me?” “It’s not necessary information.” She tilted her head, studying his angular features. “You don’t look like an Adrian.” His smile broadened. “Imagine that.” “More like a Carlos, or a Juan, or a Diego.” “Those are Hispanic names.” “Aren’t you Hispanic?” “I’m anything you want me to be.

All of the dissatisfactions he had felt in his practice of the art form he had stumbled across within a week of his arrival in America, the cheap conventions, the low expectations among publishers, readers, parents, and educators, the spatial constraints that he had been struggling against in the pages of Luna Moth, seemed capable of being completely overcome, exceeded, and escaped. The Amazing Cavalieri was going to break free, forever, of the nine little boxes.

Last-Minute Message For a Time Capsule I have to tell you this, whoever you are: that on one summer morning here, the ocean pounded in on tumbledown breakers, a south wind, bustling along the shore, whipped the froth into little rainbows, and a reckless gull swept down the beach as if to fly were everything it needed. I thought of your hovering saucers, looking for clues, and I wanted to write this down, so it wouldn't be lost forever - - that once upon a time we had meadows here, and astonishing things, swans and frogs and luna moths and blue skies that could stagger your heart. We could have had them still, and welcomed you to earth, but we also had the righteous ones who worshipped the True Faith, and Holy War. When you go home to your shining galaxy, say that what you learned from this dead and barren place is to beware the righteous ones.

Luna moths have no mouths or stomachs. They do not eat, and only live about one week. Where to Find It As soon as the female comes out of the cocoon in April or June, she searches for a tree with leaves her offspring can eat. Many different trees could be food for her caterpillars. So you may find her on walnut, hickory, oak, birch, alder, sweet gum or persimmon trees.

What It Looks Like If you spot the spectacular luna moth, don't try to catch it. It is an endangered species. The luna moth has very long tails. Its color is a glowing green, but it also has touches of purple, brown, yellow, white and gray. From wingtip to wingtip, it is a little shorter than your hand length. You may see it just beneath a streetlight, waggling its wings, as if dancing. When its long, dangling tails sway in the breeze, it looks like a little lunar-green

You could use a moth like that as a symbol in a novel, but it was trite, wasn’t it? The old moth-to-the-flame image had been used and used again. It was the stuff of amateur poetry. And she, having so little experience crafting a story, would be the most in danger of falling into trite approaches. If she wrote a novel, it probably would be about her father. And the male Luna moth would haunt its pages. Everyone would recognize the work as that of a first novelist. “She wrote about herself through the lens of her father.” The really good novelists, Laura thought, put their fathers, and maybe their mothers too, deeper into the stories. Which, she suddenly thought, might redeem Melville just the littlest bit.

He had become aware of the eyes of the Daylight Folk on him. Hopeful, expectant, suspicious or dazed, they watched him from the parapet and from the crenellations of the Natural History Museum, their wings spread like banners against the sky. And now he could see the Midnight Folk, too, drawn by whatever mystery had been at work on these rooftops: Atlas, and Luna, and Diamondback, and Cinnabar. For a moment, Cinnabar stood aloof on the parapet. Then Brimstone held out his hand to her, and she went to join him. My people, Tom thought to himself, and put up his hand to cover a smile. It was ridiculous, of course, and yet it felt so natural. As natural as being in love. As natural as flying. Spider pulled at the silver thread again. Between his fingers, Tom now saw an intricate cat's cradle of light that seemed to extend in multiple directions. 'With this, you can go anywhere,' said Spider, lifting the cradle of light. 'You could stay here, in London Before. You could go back to the London you know. Or you could reclaim your Kingdom, and lead your people home. Your choice.' He passed the cat's cradle over Tom's head. As it touched him, the net of light settled over Tom's shoulders, becoming a kind of mantle: golden, soft as spider silk, light as woven thistledown. He made the same gesture over Charissa, and she too was draped in gossamer. And with the mantle came a scent of green woods and of summertime; of distant spices, unnamed blooms, and blackberries, and honeycomb.

Our elders say that ceremony is the way we can remember to remember. In the dance of the giveaway, remember that the earth is a gift that we must pass on, just as it came to us. When we forget, the dances we’ll need will be for mourning. For the passing of polar bears, the silence of cranes, for the death of rivers and the memory of snow. When I close my eyes and wait for my heartbeat to match the drum, I envision people recognizing, for perhaps the first time, the dazzling gifts of the world, seeing them with new eyes, just as they teeter on the cusp of undoing. Maybe just in time. Or maybe too late. Spread on the grass, green over brown, they will honor at last the giveaway from Mother Earth. Blankets of moss, robes of feathers, baskets of corn, and vials of healing herbs. Silver salmon, agate beaches, sand dunes. Thunderheads and snowdrifts, cords of wood and herds of elk. Tulips. Potatoes. Luna moths and snow geese. And berries. More than anything, I want to hear a great song of thanks rise on the wind. I think that song might save us. And then, as the drum begins, we will dance,

Wrackspurt got you?” asked Luna sympathetically, peering at Harry through her enormous colored spectacles. “I — what?” “A Wrackspurt . . . They’re invisible. They float in through your ears and make your brain go fuzzy,” she said. “I thought I felt one zooming around in here.” She flapped her hands at thin air, as though beating off large invisible moths. Harry and Neville caught each other’s eyes and hastily began to talk of Quidditch.

Wrackspurt got you?” asked Luna sympathetically, peering at Harry through her enormous colored spectacles. “I — what?” “A Wrackspurt . . . They’re invisible. They float in through your ears and make your brain go fuzzy,” she said. “I thought I felt one zooming around in here.” She flapped her hands at thin air, as though beating off large invisible moths.

Twice nightly they went flying with Mother to the long wet valley through the timber, and though at first they wearied before they had covered thrice the length of the Beaver ponds, their strength grew quickly, and the late Thunder Moon saw them nearly full grown, strong on the wing, and rejoicing in the power of flight. Oh what a joy it was, when the last streak of light was gone from the western world rim, to scramble to the hole and launch into the air – one, two, three- Mother, Brother, and Little Brother to go kiting, scooting, circling, sailing, diving, and soaring – with flutter, wheel, and downward plunge. Then sharp with huger they would dart for the big abounding game – great fat Luna moths, roaring June-bugs, luscious cecropias, and a thousand smaller gave were whizzing and flitting on every side, a plenteous feast for those of wings of speed.

Retired missionaries taught us Arts & Crafts each July at Bible Camp: how to glue the kidney, navy, and pinto bean into mosaics, and how to tool the stenciled butterfly on copper sheets they'd cut for us. At night, after hymns, they'd cut the lights and show us slides: wide-spread trees, studded with corsage; saved women tucking T-shirts into wrap-around batiks; a thatched church whitewashed in the equator's light. Above the hum of the projector I could hear the insects flick their heads against the wind screens, aiming for the brightness of that Africa. If Jesus knocks on your heart, be ready to say, "Send me, O Lord, send me," a teacher told us confidentially, doling out her baggies of dried corn. I bent my head, concentrating hard on my tweezers as I glued each colored kernel into a rooster for Mother's kitchen wall. But Jesus noticed me and started to knock. Already saved, I looked for signs to show me what else He would require. At rest hour, I closed my eyes and flipped my Bible open, slid my finger, ouija-like, down the page, and there was His command: Go and do ye likewise— Let the earth and all it contains hear— Every tree that does not bear good fruit is cut down and thrown into the fire—. Thursday night, at revival service, I held out through Trust and Obey, Standing on the Promises, Nothing But the Blood, but crumpled on Softly and Tenderly Jesus is Calling, promising God, cross my heart, I'd witness to Rhodesia. Down the makeshift aisle I walked with the other weeping girls and stood before the little bit of congregation left singing in their metal chairs. The bathhouse that night was silent, young Baptists moving from shower to sink with the stricken look of nuns. Inside a stall, I stripped, slipped my clothes outside the curtain, and turned for the faucet— but there, splayed on the shower's wall, was a luna moth, the eye of its wings fixed on me. It shimmered against the cement block: sherbet-green, plumed, a flamboyant verse lodged in a page of drab ink. I waved my hands to scare it out, but, blinkless, it stayed latched on. It let me move so close my breath stroked the fur on its animal back. One by one the showers cranked dry. The bathhouse door slammed a final time. I pulled my clothes back over my sweat, drew the curtain shut, and walked into a dark pricked by the lightening bugs' inscrutable morse.

She and Harriet Warner were worlds apart not only in looks, but also their place on earth–a monarch butterfly and a luna moth. Each had been dropped into lives that were polar opposites, traveling along different longitudes lines destined never to intersect.

My neck spasmed slightly as the kink of manipulation settled into my shoulders, heavy with burden. It was clear now. Why, all those years ago before he left, the man I had once trusted, the one I leaned on—my best friend—had fueled my interest in the luna moth. He knew my obsession with wings.