Lucy Movie Quotes

EVERY TIME I see a dog in a movie, I think the same thing: I want that dog. I see Skip or Lucy or Shiloh and for a moment I can’t even think about the movie’s plot. I can only think about the dog. I want to hold it, pet it, take it for walks, and tell it what a good dog it is. I want to love it, and I want it to love me. I have an empty space inside myself that can only be filled by a dog.

Era racchiusa in un firmamento di luci e sibili acuti che somigliava a un cielo pieno di meteore, proprio lì, a portata di mano.

the fact that we like Julie & Julia, only we just hate the Julie bits, the fact that why couldn’t they have just made a movie about Julia Child

Todd:I had him! His throat was there beneath my hand. No, I had him! His throat was there and now he'll never come again. Mrs. Lovett: Easy now, hush love hush I keep telling you, Whats your rush? Todd: When? Why did I wait? You told me to wait - Now he'll never come again. There's a hole in the world like a great black pit And it's filled with people who are filled with shit And the vermin of the world inhabit it. But not for long... They all deserve to die. Tell you why, Mrs. Lovett, tell you why. Because in all of the whole human race Mrs. Lovett, there are two kinds of men and only two There's the one staying put in his proper place And the one with his foot in the other one's face Look at me, Mrs Lovett, look at you. No, we all deserve to die Even you, Mrs Lovett, even I! Because the lives of the wicked should be made brief For the rest of us death will be a relief We all deserve to die. And I'll never see Johanna No I'll never hug my girl to me - finished! Alright! You sir, how about a shave? Come and visit your good friend Sweeney. You sir, too sir? Welcome to the grave. I will have vengenance. I will have salvation. Who sir, you sir? No ones in the chair, Come on! Come on! Sweeney's. waiting. I want you bleeders. You sir! Anybody! Gentlemen now don't be shy! Not one man, no, nor ten men. Nor a hundred can assuage me. I will have you! And I will get him back even as he gloats In the meantime I'll practice on less honorable throats. And my Lucy lies in ashes And I'll never see my girl again. But the work waits! I'm alive at last! And I'm full of joy! ps. love the movie the performance that Johnny Depp did was amazing and he sang amazing.

The two Lucys are going to go to the movies with Eli and I,” Robby said, “Great. And you have English teachers for parents.

Blonde movie stars in the 1950s seem to have been pretty much divided between breathy bombshells (Marilyn Monroe, Jayne Mansfield) and slim, elegant swans (Grace Kelly, Eva Marie Saint). Producers didn’t really know what to do with Judy Holliday, a brilliant, versatile actress who simply didn’t fit into any easy category. Though she left behind a handful of delightful films, one can’t help feeling a sense of waste that her gifts were not better handled by Hollywood (or, for that matter, by Broadway). Perhaps, like Lucille Ball, Judy Holliday would have blossomed with a really good sitcom; but, unlike Lucy, she never got one.

IT TAKES A certain amount of effort to be miserable and another kind of effort to be happy, and I was willing to do the work of happiness. I figured even if I couldn’t make Lucy deeply happy, I could very likely make her cheaply and immediately happy. I could provide the kind of happiness that would seem hollow if we had had the money or the time to stay in it too long. It was the same as carrying her. I couldn’t do it forever, but I could do it for a while. I booked Lucy a massage and had her eyelashes dyed. I took her for a pedicure. I bought her the best pâté I could find in Nashville along with Spaghetti-O’s and Hungry Jack biscuits and everything else I knew she liked. We went to a bad movie and then stayed for a second bad movie. I took her shopping and bought her whatever she wanted. And she was happy, and I was happy.

You say you know these streets pretty well? The city knows you better than any living person because it has seen you when you are alone. It saw you steeling yourself for the job interview, slowly walking home after the late date, tripping over nonexistent impediments on the sidewalk. It saw you wince when the single frigid drop fell from the air-conditioner 12 stories up and zapped you. It saw the bewilderment on your face as you stepped out of the stolen matinee, incredulous that there was still daylight after such a long movie. It saw you half-running up the street after you got the keys to your first apartment. It saw all that. Remembers too. Consider what all your old apartments would say if they got together to swap stories. They could piece together the starts and finishes of your relationships, complain about your wardrobe and musical tastes, gossip about who you are after midnight. 7J says, ''So that's what happened to Lucy; I knew it would never work out.'' You picked up yoga, you put down yoga, you tried various cures. You tried on selves and got rid of them, and this makes your old rooms wistful: why must things change? 3R says: ''Saxophone, you say? I knew him when he played guitar.'' Cherish your old apartments and pause for a moment when you pass them. Pay tribute, for they are the caretakers of your reinventions.

In the ad, this better version of me is sitting in her apartment watching TV, just like I am now, only her apartment is obviously much nicer than mine. For authenticity they even have a pizza box open on the table, even though this girl only eats seven almonds a week. Her world is black and white, which seems intended as a signal for depression but actually makes her look like she's in a cool French movie...

The only way to conquer Barbara Stanwyck was to kill her, if she didn’t kill you first. Lynn Bari wanted any husband that wasn’t hers. Jane Russell’s body promised paradise but her eyes said, “Oh, please!” Claire Trevor was semi-sweet in Westerns and super-sour in moderns. Ida Lupino treated men like used-up cigarette butts. Gloria Grahame was oversexed evil with an added fey touch—a different mouth for every role. Ann Sheridan and Joan Blondell slung stale hash to fresh customers. Ann Dvorak rattled everyone’s rafters, including her own. Adele Jergens was the ultimate gun moll, handy when the shooting started. Marie Windsor just wanted them dead. Lucille Ball, pre–Lucy, was smart of mouth and warm as nails. Mercedes McCambridge, the voice of Satan, used consonants like Cagney used bullets. Marilyn Maxwell seemed approachable enough, depending on her mood swings. And Jean Hagen stole the greatest movie musical ever made by being the ultimate bitch. These wonderwomen proved that a woman’s only place was not in the kitchen. We ain’t talkin’ Loretta Young here.

I know somewhere deep within my brain that when a woman finds herself on the receiving end of a gallant kiss, she should let herself just be kissed. Isn't that how it always works in movies? But I'm unable to play the part. Nothing can stop my hands from reaching up and tangling themselves in Max's hair, my arms from pulling me to him and him to me, closer than we already were. As though I've never been kissed before. As though I'm devouring him. As though we're the last two people left on the planet and kissing is the one thing that can keep us alive.

Anne and I took a train in one day to meet Jamesy Black, a guy she had known in Glasgow. He was a fellow student of hers at the art school and had married an impossibly glamorous American fashion model named Lucy. They lived on Avenue B between Ninth and Tenth streets, which, during the early and mid-1980s, was one of the more dangerous neighborhoods in New York City. We met Jamesy at the Odessa, that wonderful café on Avenue A. I had never been to the East Village before. I thought I’d died and gone to punk-rock heaven. There were Goths and junkies and rockers everywhere, mixed in with the scary street-life people. The whole neighborhood seemed alive with a tangible, cinematic danger. Everywhere I looked was a movie set—there

Lucy saw the delighted expressions of the guests and knew they looked like something out an Austen movie. Well, at least Jem did. She giggled a little and cleared her throat. “Something funny?” he murmured out of the corner of his mouth. “Just thinking how you’re just like Captain Wentworth and I’m just like Tina Turner.

Can you believe she’s never seen The Usual Suspects?” Liza scoffed. “Liza!” “Relax. We’re just shooting real guns in the house, not watching R-rated movies.

The worst kind of marriage is the one that aims for happiness. Don’t tell me that every marriage should have that grand aspiration. A marriage reaching for happiness is like any average Joe wanting to make a cake as tall as Mount Everest and as colorful as a tropical island. And on top of that, to make it edible. I’m not saying it’s impossible. But tell me how many people can afford that kind of happiness? We can make do with a sloppy cake as long as it doesn’t topple over. Cracked, fine. A bit dense, no problem. Oversweetened, we can live with that. Underbaked, it won’t kill you. Once I watched a movie in which a woman baked a birthday cake for her husband. And then she thought it was not perfect, and she dumped it into the trash can. Oh, I laughed so hard someone had to shush me in the theater. But people can be stubborn. I shouldn’t have laughed at the woman in the movie. Lucy wanted her life to turn out like that perfect cake. It did not, so she dumped it, along with everything else. Katherine, perhaps your marriage to Andy will still have some hope: if you both can learn to love a lopsided cake.

Well, this is underwhelming,” said Sophia, looking around. “Where’s the confetti cannon?” “And the balloon drop?” added Erin. We all looked up at the ceiling. “Oh, there’s my pencil.” Sophia pointed to half a NO. 2 lodged in a ceiling tile. “Confetti and a balloon drop are messy. The mayor’s obviously bringing the keys to the city,” said Lucy. “Guys, I think this is it,” said Leila, gesturing around us with a frown. “So much for my chocolate fountain.” I didn’t respond. All their ideas were a little far-fetched. Clearly, Mrs. Clark was taking us on a shopping spree. My friends and I sat and watched other students file in. Each one glanced around, too, with disappointed expressions. When Mrs. Clark finally appeared, she turned off the lights and pressed a button to lower the projector screen at the front of the room. “Sweet! Movie time in coding club,” Bradley said.

Then we’ll just watch a movie with explosions quietly while you run your evil empire,” Nash said cheerfully.

Cause people in the movies had the world’s weight on their backs People in the movies had lives to defend But all I ever had was normal life as it is Classes and teenagers, it shouldn’t be so bad, yet I still roll down the deep end That’s why I say I wish something traumatic could happen to justify my sadness, like nothing ever feels real

For those who haven experienced it gender dysphoria is a hard thing to conceptualize. It may be dificult for them to understand that sex and gender are not identical propositions, and it is certainly hard for them to understand the urgency and totality of the need. Not understanding the why and the how will make people a bit frightened. Delicacy and the wish not to hurt may prevent them from articulating the sort of questions they actually want to ask: How did we not know that about you? Will you be dating men now? How do you feel about your dick? If not: Wasn't it taboo only yesterday? Doesn't it run contrary to nature? Isn't it something you'd see in sideshows? Isn't identity just a construct after all? In any case, most of the people in my life preferred to act as if nothing had happened. If we normally talked about movies or music or local gossip or animals, we'd carry on talking about movies or music or local gossip or animals. That was fine as far as it went, but after a while it made me feel a bit sexless and unappreciated. I was, after all, on a metaphysical journey that beggared anything they were likely to have experienced.

I know Nicky’s happy she’s alive, but that woman just paraphrased the plot of Overboard as an explanation for why she’s been missing for six years.” “Great movie,” Riley said, rubbing her head. “I thought it was just me who kept picturing Kurt Russell while she was talking.

The smell of paper is comforting and the books absorb the sound of the traffic outside. I feel like I'm back in the school library, taking refuge from the popular girls who'd tease me about how pale and strange I was. Familiar friends sit on these shelves, many boasting new jackets in the latest styles. I say hello and silently apologise to the few that are now wearing movie poster covers. No book deserves that.

thirty short films, plays and musicals as well as seven novels for Poolbeg Press, two of which were written under the pseudonym Emma Louise Jordan. Her latest signing with HarperImpulse (HarperCollins) saw the re-release of Crazy For You in 2013. Emma loves spending time with her partner (the talented artist and singer/songwriter Jim McKee) all things Nashville, romantic comedy movies, singalong nights with friends and family, red

Just a few days before, Jason had been part of the noisy street- scape, trying to talk to his aunt Joyce back in Shakopee, Minnesota. To avoid the blaring traffic and techno music, he’d ducked into a quiet construction site, phone pressed against his ear, eyes on his shoes. That was when a hard punch connected with his cheekbone. The phone went flying. Probably the worst text I’ve ever gotten was the one line, Jason’s been mugged. Accounting it later, he would say his military training must have kicked in. “Before I could think about it, I’d kicked the legs out from under one of the guys.” And that was when he said it. Jason uttered a phrase so outrageous, so utterly shameless, it can be used only once per life- time, and until then stored in a special box sternly labeled, In case of emergency, break glass. “It’s terrible; it’s right out of a Steven Seagal direct-to-VHS movie,” he admitted, as I coaxed the story out of him again. “Well, I mustered up my army drill sergeant voice and I barked, ‘Motherf*cker! You want a piece of me?’” Jason claims the second it came out of his mouth, he was already embarrassed. Embarrassed in front of what turned out to be teen boys, kids really, who clearly didn’t speak English. They ran off with his phone and Jason found his way back to Brian’s hospital room with a headache, a purple contusion, and a strong will to get his brother well—and the hell out of Asia.

Movie. What's my favorite kind of movie?” “Is there a point to this?” “Please, Lucy. What's my favorite movie?” “Horror. Why?” “No reason,” I sighed as I slouched back in the chair. “And would you stop that! Please? It's distracting,” she said as she slammed her hand down on top of mine to stop me from twirling my ring. I jerked my hand out from under hers so I could cross my arms over my chest. “What's with you today?” Her tone was saturated with distaste. “Nothing.” “Well, you're being awfully annoying for nothing to be wrong,” she retorted. “Go ahead, Josh. I'm listening now.” I could feel the cold emanating from her and flowing in my direction. It had been this way for a while I just didn't want to see it. Danny and Josh looked at me and then awkwardly focused on other things.

[Lucille Ball]'s such a TV icon it’s hard for some to separate the two Lucys—the gorgeous, snappy actress of film and the wacky, slapstick queen of television. On TV she was a middle-aged housewife, on film she was a dazzling beauty. The difficulty with her movie career wasn’t that she was bad or not up to the roles. Quite the contrary: They were rarely up to her.

For more than a century, US law and the media have concentrated their attention on financial donations to charitable nonprofits as the crux of giving. Books, magazines, movies, and radio shows celebrate and criticize wealthy philanthropists, encourage people to become “social entrepreneurs,” and profile well-intentioned software coders using “civic technology” to improve government services. These are interesting stories, but they ignore the sort of everyday situation chronicled at the start of this introduction. They also ignore century-old traditions of mutual aid, cooperation, and reciprocity, especially those that thrive in African American, Indigenous, and diasporic communities. They center nonprofits and charitable donations, even though people give much more than money.

I witnessed my life unfolding like someone who has awkwardly stumbled in after the movie has started. I sensed that something important had been revealed in the opening sequence, some essential knowledge everyone else was privy to that was being kept from me.

Cindy laughed. "I didn't think burgers and fries were on a hot guys' diet. Don't you have a movie to prep for?" "You think I'm hot?

He holds the TV clicker in his hand, like a ray gun. Zap. Zap. Zap. He can’t stop himself. Right at Lucy’s punchline, the Ricardos disappear and we’re watching basketball. Before I know which teams are playing, William Holden shows up in an old war movie. Just as I’m catching onto the plot, click—it’s a sitcom. I go into another room if I really want to watch something. Or I just read.” —Patty, Narberth, PA

wants to be a zombie, but finds that she can’t get bit to save her life.” Madison thought about that for a minute. “You are a strange man. But I mean that in a good way.” She looked up, seeing the surprise that she had arranged for him walking down the aisle toward his booth. With a little prodding, Spenser and Target had agreed to be zombies hanging around ExBoy’s booth. Target in particular was quite eager. But best of all, Crystal had agreed to try to get Toonie out of the house by bringing her to the convention, and Madison could see now that they were doing more than just attending. They, too, were walking toward them, made up as zombies. Crystal, her beautiful complexion drained to a deathly pallor, was dressed like a cheerleader with her little pleated skirt and sleeveless shell top in bloody tatters, carrying what Madison had thought was a dirtied pom-pom but now realized was a head with long bloody hair. Spenser wore a nurse’s old fashioned white uniform, with a little white hat attached to her blonde hair pinned up like Tippy Hedren’s in an Alfred Hitchcock movie. Choosing to keep her face its prettiest, she sported a bloody gouge on her left forearm. Instead of sensible nurse’s shoes, she wore high heels. The blood on her uniform

Lucy picked up the point. “I remember this one time when I was in the third grade? And Jesse Cantu decided that he liked me? But I didn’t like him? So he decided that I would fall in love with him if he rescued me from some kind of danger, because that’s what always happens in the movies? So one day he told me that there was a surprise waiting for me in the cupboard at the back of the classroom and all I had to do was go in at recess and open the cupboard door—” “And you believed him?” Benno interrupted, aghast. “Of course!” Lucy said indignantly. “Because I’m from Mississippi! Where we believe people! So anyway, when I opened the cupboard there was a whole mess of spiders in there and I know people say that spiders scuttle away when they see you coming, but these spiders jumped out at me like they were rabid or something and Jesse ran into the room to save me but I was screaming so much that the principal called 911!” She paused for breath. “And the only good thing that happened was that we all got out of school for the rest of the day.” There was a brief silence as everyone absorbed this. Finally Silvia muttered, “Men are pigs.” Giacomo sighed. “How old was this boy with the spiders?” he asked Lucy in a patient voice, as if they had all gone off the rails but were fortunate that he was there to put them right. She frowned, as if suspecting a trick, but finally answered, “Eight.” “As I thought! Far too young to realize what a mistake he was making,” he said triumphantly. “But I’m sure he learned from this sad experience, yes? He didn’t keep trying to attract women with spiders?” “Well, no, of course not,” Lucy said. “Jesse’s still real immature, but he’s not an idiot.” “There you are, then.” Giacomo leaned his chair back, teetering on the back two legs, looking pleased with himself. “Everyone makes mistakes in love. The point is to learn from them. For example, Jesse learned—” “What?” Kate scoffed. “That attacking a girl with spiders isn’t a good way to say ‘I love you’? That should have been obvious from the start.” “Well, yes.” He nodded, as if conceding the point, but then added. “Of course, all knowledge is useful.” “But not all knowledge is worth the cost.” “And what cost is that?” Giacomo’s deep brown eyes were alight with enjoyment. “Looking like a fool.” “Oh, that.” He folded his arms across his chest with the air of one who is about to win an argument. “That’s nothing to concern yourself with. After all, love makes fools of everyone, don’t you agree?” “No, I don’t.” Kate bit off each word. “I don’t agree at all.” “How astonishing,” he muttered. “In fact,” she said meaningfully, “I would say that love only makes fools of those who were fools to begin with.” She smiled at him, clearly pleased with her riposte. Giacomo let his chair fall back to the floor with a thump. “If the world was left to people like you,” he said in an accusing tone, “we’d all be computing love’s logic on computers and dissecting our hearts in a biology lab.” “If the world were left to people like me,” Kate said with conviction, “it would be a much better place to live.” “Oh, yes,” he said sarcastically. “Because it would be orderly. Sensible. And dull.” “Love doesn’t have to end in riots and disaster and, and, and . . . spider attacks!” she said hotly.

Food is central to travelling and is a vivid entryway into another culture, but we do not have to literally leave home to “travel”. Movies, books, postcards, memories all take us, emotionally if not physically, to other places.