“
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
If I looked like him,” Tara said. “I’d want to have sex with myself. All the time.
”
”
Jill Shalvis (Simply Irresistible (Lucky Harbor, #1))
“
Fuck it... That's really the attitude that keeps a family together, it's not "we love each other", it's just "fuck it, man.
”
”
Louis C.K.
“
America used to live by the motto "Father Knows Best." Now we're lucky if "Father Knows He Has Children." We've become a nation of sperm donors and baby daddies.
”
”
Stephen Colbert (I Am America (And So Can You!))
“
They say money talks, but all mine ever says is 'good-bye sucker.
”
”
Jill Shalvis (Head Over Heels (Lucky Harbor, #3))
“
Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up.
"You got lucky," I said.
"I'm about to get lucky.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
Look," I whisper to Cat, "Shooting star! That's good luck."
She rolls her eyes. "It's a plane, you idiot," she says, and when I look again I can see that she's right. Typical.
”
”
Cathy Cassidy (Lucky Star)
“
Without the dark there isn’t light. Without the pain there is no relief. And I remind myself that I’m lucky to be able to feel such great sorrow, and also such great happiness. I can grab on to each moment of joy and live in those moments because I have seen the bright contrast from dark to light and back again. I am privileged to be able to recognize that the sound of laughter is a blessing and a song, and to realize that the bright hours spent with my family and friends are extraordinary treasures to be saved, because those same moments are a medicine, a balm. Those moments are a promise that life is worth fighting for, and that promise is what pulls me through when depression distorts reality and tries to convince me otherwise.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Two cannibals were eating a comedian, and one of them turns to the other and asks, 'Does this taste funny to you?
”
”
Nicholas Sparks
“
I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar (...)
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
Simon whispered to me, “But is everything okay?”
“No,” Tori said. “I kidnapped her and forced her to escape with me. I’ve been using her as a human shield against those guys with guns, and I was just about to strangle her and leave her body here to throw them off my trail. But then you showed up and foiled my evil plans. Lucky for you, though. You get to rescue poor little Chloe again and win her undying gratitude.”
“Undying gratitude?” Simon looked at me. “Cool. Does that come with eternal servitude? If so, I like my eggs sunnyside up.”
I smiled. “I’ll remember that.”
***
“Oh, right. You must be starving.” Simon reached into his pockets. “I can offer one bruised apple and one brown banana. Convenience stores aren’t the place to buy fruit, as I keep telling someone.”
“Better than these. For you, anyway, Simon.” Derek passed a bar to Tori.
“Because you aren’t supposed to have those, are you?” I said. “Which reminds me…” I took out the insulin. “Derek said it’s your backup.”
“So my dark secret is out.”
“I didn’t know it was a secret.”
“Not really. Just not something I advertise.”
...
“Backup?” Tori said. “You mean he didn’t need that?”
“Apparently not,” I murmured.
Simon looked from her to me, confused, then understanding. “You guys thought…”
“That if you didn’t get your medicine in the next twenty-four hours, you’d be dead?” I said. “Not exactly, but close. You know, the old ‘upping the ante with a fatal disease that needs medication’ twist. Apparently, it still works.”
“Kind of a letdown, then, huh?”
“No kidding. Here we were, expecting to find you minutes from death. Look at you, not even gasping.”
“All right, then. Emergency medical situation, take two.”
He leaped to his feet, staggered, keeled over, then lifted his head weakly.
“Chloe? Is that you?” He coughed. “Do you have my insulin?”
I placed it in his outstretched hand.
“You saved my life,” he said. “How can I ever repay you?”
“Undying servitude sounds good. I like my eggs scrambled.”
He held up a piece of fruit. “Would you settle for a bruised apple?”
I laughed.
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
You couldn't be romantic if your life depended on it." "You know what's lucky? Most bad guys don't ask you to be romantic on command, so that probably won't matter.
”
”
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
“
Stupid Romanian bloodsucker. He was lucky I hadn't bestowed another exalted scar on his imperial body.
”
”
Beth Fantaskey (Jessica's Guide to Dating on the Dark Side (Jessica, #1))
“
Funny, transformative events were not always scheduled and not always expected. Yeah, sure, your change turned you into a male. And when you went through the mating ceremony, you were part of a whole. No longer just yourself. And the deaths and the births around you made you view the world differently.
But every once in a while, from out of the blue, someone reaches the quiet place where you spend your private time and changes the way you see yourself. If you’re lucky it’s your mate…the transformation reminds you once again that you are absolutely, positively with the right person: because what they say doesn’t touch you because of who they are to you, but because of the content of their message.
”
”
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
“
Funny how when life was that simple, you never really realized how lucky you were.
”
”
Jenny Downham (You Against Me)
“
You know, I was gutting this loser the other day, and I thought, It’d be more fun fighting that little dhampir. I wonder if she’s recovered yet. And here you are.”
“Lucky me,” I said.
Scarface grinned. “You know, I might even let you live. You’re funny.
”
”
Karen Chance (Fury's Kiss (Dorina Basarab, #3))
“
Okay, first of all, I didn’t sleep with you to make amends. I slept with you because I wanted to.”
He still didn’t say anything, and she pointed at him again. “And you know what? It was your own damn fault. It was those jeans you wear, and the tool belt. It was the size of your hammer!
”
”
Jill Shalvis (Once in a Lifetime (Lucky Harbor #9))
“
But some people have to get lucky just to live. And I never knew I could make anybody lucky.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
Who says you only get one? If you're lucky, you will meet The One, The Two, The Three.....and so on.
Nesta
”
”
Cathy Hopkins (Mates, Dates, and Tempting Trouble (Mates, Dates, #8))
“
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
...
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
...
But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
...
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
No-hopers?” I say. “You know, you’re lucky I’m such a soulless shrew. Otherwise you might be at risk of quite possibly maybe hurting my feelings.
”
”
Amie Kaufman (Aurora Rising (The Aurora Cycle, #1))
“
Sometimes I feel like a funny-looking rock in the middle of the most beautiful clear ocean when I read the kinds of things you write to me. You love so much bigger than yourself, bigger than everything. I can’t believe how lucky I am to even witness it—to be the one who gets to have it, and so much of it, is beyond luck and feels like fate. Catholic God made me to be the person you write those things about. I’ll say five Hail Marys. Muchas gracias, Santa Maria.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
Fredrika Bimm, what do you think you're doing?"
"Freaking out. Losing my mind. Thinking about snapping your husband's spine. Squashing the urge to vomit. Wishing I had died at childbirth."
"Oh, you say that when you don't get a prize in your Lucky Charms.
”
”
MaryJanice Davidson (Sleeping with the Fishes (Fred the Mermaid, #1))
“
You’re brilliant and funny. You’re protective and caring. You shine so bright, Drew. Everything you do—how you think, the things you say, the way you move—it’s…blinding. I feel…lucky, just being close to you.
”
”
Emma Chase (Tangled (Tangled, #1))
“
It’s taboo to admit that you’re lonely. You can make jokes about it, of course. You can tell people that you spend most of your time with Netflix or that you haven’t left the house today and you might not even go outside tomorrow. Ha ha, funny. But rarely do you ever tell people about the true depths of your loneliness, about how you feel more and more alienated from your friends each passing day and you’re not sure how to fix it. It seems like everyone is just better at living than you are.
A part of you knew this was going to happen. Growing up, you just had this feeling that you wouldn’t transition well to adult life, that you’d fall right through the cracks. And look at you now. La di da, it’s happening.
Your mother, your father, your grandparents: they all look at you like you’re some prized jewel and they tell you over and over again just how lucky you are to be young and have your whole life ahead of you. “Getting old ain’t for sissies,” your father tells you wearily.
You wish they’d stop saying these things to you because all it does is fill you with guilt and panic. All it does is remind you of how much you’re not taking advantage of your youth.
You want to kiss all kinds of different people, you want to wake up in a stranger’s bed maybe once or twice just to see if it feels good to feel nothing, you want to have a group of friends that feels like a tribe, a bonafide family. You want to go from one place to the next constantly and have your weekends feel like one long epic day. You want to dance to stupid music in your stupid room and have a nice job that doesn’t get in the way of living your life too much. You want to be less scared, less anxious, and more willing. Because if you’re closed off now, you can only imagine what you’ll be like later.
Every day you vow to change some aspect of your life and every day you fail. At this point, you’re starting to question your own power as a human being. As of right now, your fears have you beat. They’re the ones that are holding your twenties hostage.
Stop thinking that everyone is having more sex than you, that everyone has more friends than you, that everyone out is having more fun than you. Not because it’s not true (it might be!) but because that kind of thinking leaves you frozen. You’ve already spent enough time feeling like you’re stuck, like you’re watching your life fall through you like a fast dissolve and you’re unable to hold on to anything.
I don’t know if you ever get better. I don’t know if a person can just wake up one day and decide to be an active participant in their life. I’d like to think so. I’d like to think that people get better each and every day but that’s not really true. People get worse and it’s their stories that end up getting forgotten because we can’t stand an unhappy ending. The sick have to get better. Our normalcy depends upon it.
You have to value yourself. You have to want great things for your life. This sort of shit doesn’t happen overnight but it can and will happen if you want it.
Do you want it bad enough? Does the fear of being filled with regret in your thirties trump your fear of living today?
We shall see.
”
”
Ryan O'Connell
“
Quirky, funny, happy-go-lucky dead inside Dexter. No longer Dexter with the knife, Dexter the Avenger. Not until next time.
”
”
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
“
Well, you're a lucky man," Will said, as Nathan began to steer him out. "She certainly gives a good bed bath.
”
”
Jojo Moyes (Me Before You (Me Before You, #1))
“
Well, I'm glad you're so amused," I said, running my fingers across the railing.
Maxon hopped up to sit on the railing, looking very relaxed. "You're always amusing. Get used to it."
Hmm. He was almost being funny.
"So...about what you said...," he started tentatively.
"Which part? The part about me calling you names or fighting with my mom or saying food was my motivation?" I rolled my eyes.
He laughed once. "The part about me being good..."
"Oh. What about it?" Those few sentences suddenly seemed more embarrassing than anything else I'd said. I ducked my head down and twisted a piece of my dress.
"I appreciate you making things look authentic, but you didn't need to go that far."
My head snapped up. How could he think that?
"Maxon, that wasn't for the sake of the show. If you had asked me a month ago what my honest opinion of you was, it would have been very different. But now I know you, and I know the truth, and you are everything I said you were. And more."
He was quiet, but there was a small smile on his face.
"Thank you," he finally said.
"Anytime."
Maxon cleared his throat. "He'll be lucky, too." He got down from his makeshift seat and walked to my side of the balcony.
"Huh?"
"Your boyfriend. When he comes to his senses and begs you to take him back," Maxon said matter-of-factly.
I had to laugh. No such thing would happen in y world.
"he's not my boyfriend anymore. And he made it pretty clear he was gone with me." Even I could hear the tiny bit of hope in my voice.
"Not possible. He'll have seen you on TV by now and fallen for you all over again. Though, in my opinion, you're still much too good for the dog." Maxon spoke almost as if he was bored, like he'd seen this happen a million times.
"Speaking of which!" he said a bit louder. "If you don't want me to be in love with you, you're going to have to stop looking so lovely. First thing tomorrow I'm having your maids sew some potato sacks together for you."
I hit his arm. "Shut up, Maxon."
"I'm not kidding. You're too beautiful for your own good. Once you leave, we'll have to send some of the guards with you. You'll never survive on your own, poor thing." He said all this with mock pity.
"I can't help it." I sighed. "One can never help being born into perfection." I fanned my face as if being so pretty was exhausting.
"No, I don't suppose you can help it.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
If you're lucky, in some point in the future when you're in need of guidance or perhaps moral support, you may cross paths with a suitable mentor. Even luckier, you'll realize you had one in your life all along and you'll gain a new appreciation for how you benefited from that relationship. The luckiest relationship of all, of course, is a combination of the two. You've had help all along, and as the path widens or narrows, whatever the case may be, new and powerful influences will enter your life and aid your progress. In my experience, a mentor doesn't necessarily tell you what to do, but more importantly: tells you what they did or might do, then trusts you to draw your own conclusions and act accordingly. If you succeed, they'll take one step back and if you fail, they'll take one step closer. Whatever it is they teach you, pass it on.
”
”
Michael J. Fox (A Funny Thing Happened on the Way to the Future...)
“
Mallory dropped her head to the steering wheel. "Look, I'm mad at you, okay? This isn't about me. I know my painful memories are relative. My life is good. I'm lucky. This isn't about how poor little Mallory has had it so hard. I'm not falling apart or anything."
He stroked a hand down her back. "Of course you're not. You're just holding the steering wheel up with your head for a minute, that's all.
”
”
Jill Shalvis (Lucky in Love (Lucky Harbor, #4))
“
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
I do, Augustus.
I do.
”
”
John Green (The Fault in Our Stars)
“
We're all on our own, aren't we? That's what it boils down to.
We come into this world on our own- in Hawaii, as I did, or New York, or China, or Africa or Montana- and we leave it in the same way, on our own, wherever we happen to be at the time- in a plane, in our beds, in a car, in a space shuttle, or in a field of flowers.
And between those times, we try to connect along the way with others who are also on their own.
If we're lucky, we have a mother who reads to us.
We have a teacher or two along the way who make us feel special.
We have dogs who do the stupid dog tricks we teach them and who lie on our bed when we're not looking, because it smells like us, and so we pretend not to notice the paw prints on the bedspread.
We have friends who lend us their favorite books.
Maybe we have children, and grandchildren, and funny mailmen and eccentric great-aunts, and uncles who can pull pennies out of their ears.
All of them teach us stuff. They teach us about combustion engines and the major products of Bolivia, and what poems are not boring, and how to be kind to each other, and how to laugh, and when the vigil is in our hands, and when we have to make the best of things even though it's hard sometimes.
Looking back together, telling our stories to one another, we learn how to be on our own.
”
”
Lois Lowry
“
But I love her. That’s the funny part of it. I love them all, and they don’t give a hoot about me. Maybe that’s why I call when I’m not going to be home. Because I care. Nobody else does. You don’t know how lucky you are to be loved.
”
”
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
“
Right. Put Some coffee on while I think about this. I'm in dire need"
Merrick gave him a look. "You can't work the stove, can you?"
"I'm the eighth Earl Crane and the twelfth Viscount Fortunegate. I don't have to work the stove."
"Two extra names and you can't lift your arms any more. Bloody lucky they didn't make you a duke too or you'd forget how to brush your own teeth.
”
”
K.J. Charles (Flight of Magpies (A Charm of Magpies, #3))
“
Understanding America for the Non-American Black: Thoughts on the Special White Friend
One great gift for the Zipped-Up Negro is The White Friend Who Gets It. Sadly, this is not as common as one would wish, but some are lucky to have that white friend who you don’t need to explain shit to. By all means, put this friend to work. Such friends not only get it, but also have great bullshit-detectors and so they totally understand that they can say stuff that you can’t. So there is, in much of America, a stealthy little notion lying in the hearts of many: that white people earned their place at jobs and schools while black people got in because they were black. But in fact, since the beginning of America, white people have been getting jobs because they were white. Many whites with the same qualifications but Negro skin would not have the jobs they have. But don’t ever say this publicly. Let your white friend say it. If you make the mistake of saying this, you will be accused of a curiosity called “playing the race card.” Nobody quite knows what this means.
When my father was in school in my NAB (Non American Black) country, many American Blacks could not vote or go to good schools. The reason? Their skin color. Skin color alone was the problem. Today, many Americans say that skin color cannot be part of the solution. Otherwise it is referred to as a curiosity called “reverse racism.” Have your white friend point out how the American Black deal is kind of like you’ve been unjustly imprisoned for many years, then all of a sudden you’re set free, but you get no bus fare. And, by the way, you and the guy who imprisoned you are now automatically equal. If the “slavery was so long ago” thing comes up, have your white friend say that lots of white folks are still inheriting money that their families made a hundred years ago. So if that legacy lives, why not the legacy of slavery? And have your white friend say how funny it is, that American pollsters ask white and black people if racism is over. White people in general say it is over and black people in general say it is not. Funny indeed. More suggestions for what you should have your white friend say? Please post away. And here’s to all the white friends who get it.
”
”
Chimamanda Ngozi Adichie (Americanah)
“
She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her.
”
”
John Green (The Fault in Our Stars)
“
Aaron’s mouth dropped open when he entered the “room;” it was more like a huge open loft … no walls, huge floor to ceiling windows, shiny hardwood floors … perfect for a studio. He had no idea how Jake had acquired such a huge space in Manhattan.
As if reading his mind, Alyson leaned over and whispered, “He bought the place next door and tore down the walls.”
“Perfect,” replied Aaron, “and did he happen to find a treasure chest hidden in one of the walls as well?”
“What do you mean?”
“I mean, how the holy hell does he afford this place? He looks like he’s twelve.”
“He’s twenty-two, and he happens to be quite successful.”
“At twenty-fucking-two?”
“He was born with talent?” Alyson said questioningly.
“He’s a lucky wanker who blew the right people?” suggested Aaron.
Alyson tried to scowl but grinned instead, “A child prodigy?”
“A deal with the devil?”
“Naturally gifted?”
“An indulgent sugar daddy?”
“How about ‘c) All of the above’?” asked a third voice from behind the partition at the far corner of the studio.
”
”
Giselle Ellis (Take My Picture)
“
You know what you are, Sam Brody?" she whispered, wrapping her arms around his neck. "A big, fat tease." They both knew there wasn't an ounce of fat on him. They also both knew exactly what she meant.
”
”
Jill Shalvis (It's in His Kiss (Lucky Harbor, #10))
“
I don’t want to talk about it,” she said. Once again he was close. Too close. So damn close. “At all,” she added, hearing with some alarm that her voice had softened. Everything had softened, at just his proximity. “Ever,” she whispered, and found her gaze locked on his mouth.
He had a really great mouth.
“I don’t want to talk, either,” that mouth said very seriously. And then he lowered his head and kissed her.
”
”
Jill Shalvis (Once in a Lifetime (Lucky Harbor #9))
“
You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to lover her.
”
”
John Green (The Fault in Our Stars)
“
I have also heard and read various accounts of why they [Sheldon Leonard and Carl Reiner] liked me. My favorites? I wasn't too good-looking, I walked a little funny, and I was basically kind of average and ordinary. I guess my lack of perfection turned out to be a winning hand. Let that be a lesson for future generations.
”
”
Dick Van Dyke (My Lucky Life in and Out of Show Business)
“
She had no idea how long they kissed—and kissed—but she didn’t think about stopping until she ran out of air. Breathing hard, she slowly opened her eyes and stared directly into his.
They’d heated. Darkened. And something else. He wasn’t looking so relaxed now. In fact, he was looking the opposite of relaxed. He looked…feral.
And she was his prey.
”
”
Jill Shalvis (Once in a Lifetime (Lucky Harbor #9))
“
I don’t want to talk about it,” she said. Once again he was close. Too close. So damn close. “At all,” she added, hearing with some alarm that her voice had softened. Everything had softened, at just his proximity. “Ever,” she whispered, and found her gaze locked on his mouth.
He had a really great mouth.
”
”
Jill Shalvis (Once in a Lifetime (Lucky Harbor #9))
“
Ali was a lucky, lucky girl having those two big hot men at her disposal. Not that Roslyn wasn't content with her one surly man, but still...two. Some people were enjoying their apocalypse a little too much.
”
”
Kylie Scott (Skin (Flesh, #2))
“
Responding to a moderator at the Sydney Writers Festival in 2008 (video), about the Spanish words in his book:
When all of us are communicating and talking when we’re out in the world, we’ll be lucky if we can understand 20 percent of what people say to us. A whole range of clues, of words, of languages escape us. I mean we’re not perfect, we’re not gods. But on top of that people mis-speak, sometimes you mis-hear, sometimes you don’t have attention, sometimes people use words you don’t know. Sometimes people use languages you don’t know. On a daily basis, human beings are very comfortable with a large component of communication, which is incomprehensibility, incomprehension. We tend to be comfortable with it. But for an immigrant, it becomes very different. What most of us consider normative comprehension an immigrant fears that they’re not getting it because of their lack of mastery in the language.
And what’s a normal component in communication, incomprehension, in some ways for an immigrant becomes a source of deep anxiety because you’re not sure if it’s just incomprehension or your own failures. My sense of writing a book where there is an enormous amount of language that perhaps everyone doesn’t have access to was less to communicate the experience of the immigrant than to communicate the experience that for an immigrant causes much discomfort but that is normative for people. which is that we tend to not understand, not grasp a large part of the language around us. What’s funny is, will Ramona accept incomprehension in our everyday lives and will greet that in a book with enormous fury. In other words what we’re comfortable with out in the outside world, we do not want to encounter in our books.
So I’m constantly, people have come to me and asked me… is this, are you trying to lock out your non-Dominican reader, you know? And I’m like, no? I assume any gaps in a story and words people don’t understand, whether it’s the nerdish stuff, whether it’s the Elvish, whether it’s the character going on about Dungeons and Dragons, whether it’s the Dominican Spanish, whether it’s the sort of high level graduate language, I assume if people don’t get it that this is not an attempt for the writer to be aggressive. This is an attempt for the writer to encourage the reader to build community, to go out and ask somebody else. For me, words that you can’t understand in a book aren’t there to torture or remind people that they don’t know. I always felt they were to remind people that part of the experience of reading has always been collective. You learn to read with someone else. Yeah you may currently practice it in a solitary fashion, but reading is a collective enterprise. And what the unintelligible in a book does is to remind you how our whole, lives we’ve always needed someone else to help us with reading.
”
”
Junot Díaz
“
Ah,' said Fudge, who looked thoroughly disconcerted. 'Dumbledore. Yes. You - er - got our - er - message that the time and - er - place of the hearing had been changed, then?'
'I must have missed it,' said Dumbledore cheerfully. 'However, due to a lucky mistake I arrived at the Ministry three hours early, so no harm done.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Cabel flicks his fingers at her, spraying her with water. Grinning. "Sure. I think I'm pretty lucky. I bet blind people have great sex. I'll even wear a blindfold so it's fair." He bumps his hips lightly against hers.
”
”
Lisa McMann (Gone (Wake, #3))
“
Bang! The end of his little finger, now, and three more pieces of the rest. His middle finger was down to the knuckle, almost. Severard stared, his eyes with with horror, his breath coming short, fast gasps. Shock, amazement, stunned terror. Glokta leaned down to his ear. 'I hope you weren't planning to take up the violin, Severard. You'll be lucky if you can play a fucking gong by the time we're done here.
”
”
Joe Abercrombie (Last Argument of Kings (The First Law, #3))
“
No sticky till I no longer feel icky, you feel me?
”
”
Ethan Day (Second Time Lucky (A Middleton Romance #2))
“
I was lucky that I was born bigger and faster than the average Joe, and play a game that people are stupid enough to pay millions of dollars to watch.
”
”
Winfred Tubbs
“
She was smart like that, and lucky like that, and people loved the hell out of her. They didn’t love the hell out of me; they ran the hell away from me. It wasn’t like I was a bad person or anything, I just … had a lot of accidents. I didn’t mean accidents like I ate glue and then peed myself on a regular basis. I just tripped more than usual, and accidently set things on fire more than what would be considered ‘normal’. I got kicked out of the village school only one moon-cycle before graduation for accidently making one of the teachers bald. How do you accidently make someone bald? That’s a good question. All you really need is a bucket of warm tar to accidently toss onto the back of their head. How do you get a bucket of warm tar? You don’t go looking for it or anything—or at least I didn’t. It was just sitting on the road outside the school and I thought I should carry it inside to ask what it was.
”
”
Jaymin Eve (Trickery (Curse of the Gods, #1))
“
Even Dad likes it," said Caddy, and her father agreed that he did. In a way. Being a broad-minded, tolerant, artistic sort of person. Or so people told him...
"Oh, yes?" said Saffron, rolling her eyes.
"Yes," said Bill, sounding a little bit peeved. "So you thank your lucky stars, my girl, because in some families you would have come home to very big trouble! A nose stud! At your age! If you come down with blood poisoning, don't blame me!
”
”
Hilary McKay (Saffy's Angel (Casson Family, #1))
“
Shayna wasn't so lucky. She waved as she passed her. "Looking good, Mrs. Mancuso."
No. She wasn't. Mrs. Mancuso's neck skin dragged a path between the tulips. "Go to church and get some morals, hussy!
”
”
Cecy Robson (A Cursed Embrace (Weird Girls, #2))
“
Bryce explained everything again, and Hunt couldn't keep himself from tugging her closer. When she finished, Ruhn echoed Hunt's words. "We got lucky tonight. You got lucky tonight."
Bryce winked at Hunt. "And I plan to get lucky again."
"Gross," Ruhn said as Declan snickered.
”
”
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
“
And it's funny because it was my grandpa who painted it shut (window) in the first place, and he had a whole storage shed full of just about every tool you could imagine. He was one of those guys who thought he could fix anything, but it never worked out quite as well as he planned. He was more of a visionary than a nuts -and bolts kind of guy.
”
”
Nicholas Sparks (The Lucky One)
“
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her.
”
”
John Green (The Fault in Our Stars)
“
She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
For the most part, each day listed a different rendition of "Justin ate well" and "Justin took a great nap". Every now and then they noted Justin doing unusual things, like biting. I was embarrassed to read "Justin is biting his friends again" or "Justin did better with biting and only bit one boy". Other than that, though, my son was a pretty happy-go-lucky kid.
”
”
Pattie Mallette (Nowhere But Up: The Story of Justin Bieber's Mom)
“
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten.
”
”
John Green (The Fault in Our Stars)
“
She's so beautiful. You don't get tired of looking at her. You never worry if she's smarter than you, 'cause you know she is. She's funny without ever being mean. I love her. God, I love her, I'm so lucky to love her, Van Houten.
”
”
John Green (The Fault in Our Stars)
“
God, could that dopey girl dance. Buddy Singer and his stinking band was playing 'Just One of Those Things' and even they couldn't ruin it entirely. It's a swell song. I didn't try any trick stuff while we danced--I hate a guy that does a lot of show-off tricky stuff on the dance floor--but I was moving her around plenty, and she stayed with me. The funny thing is, I thought she was enjoying it, too, till all of a sudden she came out with this very dumb remark. "I and my girl friends saw Peter Lorre last night," she said. "The movie actor. In person. He was buyin' a newspaper. He's cute."
"You're lucky," I told her. "You're really lucky. You know that?" She was really a moron. But what a dancer.
”
”
J.D. Salinger (The Catcher in the Rye)
“
I love fortune readings! because when I get in troubles, if the reading says that I am in a lucky day, I can think my troubles are just some kind of mistakes, and if the reading says that I am in the unlucky day, I can think that my troubles are just because of my bad luck. Either ways, I can know the reason of my troubles.
”
”
Hiroko Sakai
“
Suzanne glanced over at her, eyebrow raised. “Is there an anaconda?” she asked, like it had suddenly occurred to her she could be totally wrong.
Tamara should only be so lucky. “No, there’s no anaconda, I can promise you that.” Not even a garden snake.
”
”
Erin McCarthy (Flat-Out Sexy (Fast Track, #1))
“
I thanked the lucky stars for my great metabolism, because Karsen had showed me pictures of her mom once and it was scary the transformation she underwent after popping three kids out. She went from a small, dainty beauty to a giant pineapple blob of a body.
”
”
Holly Hood (Ink (Ink, #1))
“
The room they had reached served as an impromptu drug-lounge in which a hundred naked addicts engaged in communal sex. One of them drew nearer and spontaneously relieved himself all over Aurora’s shoes.
‘You’re welcome,’ the addict said proudly, buttoning up his soiled jeans and walking away like a champ.
A nearby woman saw the whole thing and smirked. ‘You’re one lucky lady, you know that?’ she smiled toothlessly. The remnants of today’s orgy were still visible in her mouth. ‘I wouldn’t piss on you if you were on fire.
”
”
Louise Blackwick (5 Stars)
“
You got somebody in your corner, you lucky ... and blessed. And when you get that, you gotta know it, stand by it, and treat it with care. To nurture it. To build on it.
”
”
James Earl Hardy (B-Boy Blues: A Seriously Sexy, Fiercely Funny, Black-on-Black Love Story)
“
It’s so simple at the beginning. You meet someone gorgeous and smart and funny. Somebody who’s better than you—you both know it, at least on some level. You fall in love with them. But you fall even more in love with their idea of you. You feel lucky. Because you are lucky. Then time passes. You both change too much. You stay too much the same. The truth worms its way out, and the horizon grows dark. Eventually all you’re left with is somebody who sees you for who you really are. And sooner or later, they hold up a mirror and you’re forced to see for yourself.
”
”
Kimberly McCreight (A Good Marriage)
“
It pisses me off that you allow something so trivial to define such a huge part of you. I can’t make you pretty in this book, because that would be an insult. You’re fucking beautiful. And you’re funny. And the only times I’m not completely enamored by you are the moments you’re feeling sorry for yourself. Because I don’t know if you’ve realized this yet, but you’re alive, Fallon. And every time you look in the mirror, you don’t have the right to hate what you see. Because you survived when a lot of people don’t get that lucky. So from now on when you think about your scars, you aren’t allowed to resent them. You’re going to embrace them, because you’re lucky to be on this earth to see them. And any guy you allow to touch your scars better thank you for that privilege.
”
”
Colleen Hoover (November 9)
“
But that’s not what I’m trying to tell you,” Violet said, her eyes taking on a slightly determined expression. “What I’m trying to say is that when you were born, and they put you into my arms—it’s strange, because for some reason I was so convinced you would look just like your father. I thought for certain I would look down and see his face, and it would be some sort of sign from heaven.”
Hyacinth’s breath caught as she watched her, and she wondered why her mother had never told her this story. And why she’d never asked.
“But you didn’t,” Violet continued. “You looked rather like me. And then—oh my, I remember this as if it were yesterday—you looked into my eyes, and you blinked. Twice.”
“Twice?” Hyacinth echoed, wondering why this was important.
“Twice.” Violet looked at her, her lips curving into a funny little smile. “I only remember it because you looked so deliberate. It was the strangest thing. You gave me a look as if to say, ‘I know exactly what I’m doing.’ ”
A little burst of air rushed past Hyacinth’s lips, and she realized it was a laugh. A small one, the kind that takes a body by surprise.
“And then you let out a wail,” Violet said, shaking her head. “My heavens, I thought you were going to shake the paint right off the walls. And I smiled. It was the first time since your father died that I smiled.”
Violet took a breath, then reached for her tea. Hyacinth watched as her mother composed herself, wanting desperately to ask her to continue, but somehow knowing the moment called for silence.
For a full minute Hyacinth waited, and then finally her mother said, softly, “And from that moment on, you were so dear to me. I love all my children, but you…” She looked up, her eyes catching Hyacinth’s. “You saved me.”
Something squeezed in Hyacinth’s chest. She couldn’t quite move, couldn’t quite breathe. She could only watch her mother’s face, listen to her words, and be so very, very grateful that she’d been lucky enough to be her child.
“In some ways I was a little too protective of you,” Violet said, her lips forming the tiniest of smiles, “and at the same time too lenient. You were so exuberant, so completely sure of who you were and how you fit into the world around you. You were a force of nature, and I didn’t want to clip your wings.”
“Thank you,” Hyacinth whispered, but the words were so soft, she wasn’t even sure she’d said them aloud.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
There are maybe two or three thousand people in the world as smart as us, little sister. Most of them are making a living somewhere. Teaching, the poor bastards, or doing research. Precious few of them are actually in positions of power.” “I guess we’re the lucky few.” “Funny as a one-legged rabbit, Val.” “Of which there are no doubt several in these woods.” “Hopping in neat little circles.
”
”
Orson Scott Card (Ender's Game (Ender's Saga, #1))
“
I arrived next to them right as she laughed at something he said. It rang through the air like silver bells, and the tic in my jaw pulsed harder. He didn’t deserve her laugh. “Something funny?” I asked, masking my ire with an expression of cool indifference. Surprise and wariness flared in Ava’s eyes at the sight of me. Good. She should be wary. She should be fucking home, safe and sound, instead of dancing with a manwhore like Colton and letting him put his hands all over her. “I was just telling her a joke.” Colton chuckled but shot me a warning look that said, Why are you cockblocking, man? He was lucky if all I did was cockblock. I was tempted to break every bone in his hand for touching her like that. “You mind? We’re in the middle of a dance.” “Actually, it’s my turn.” I maneuvered myself between them and pulled him off her with a little more force than necessary. Colton flinched. “You have to leave the gala early. Business calls.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
I need to go get ready to leave. Will you be okay?" I start making my way to the stairs, but Briston practically cries out for me to stop.
"Wait! You're just going to leave? What if, I don't know, what if the vampire gets all blood crazy and kills everyone in the neighborhood?"
"Well then, I'll count myself lucky I wasn't here.
”
”
Brandy Nacole (Broken Faith (Spiritual Discord, #1))
“
Ysabel probably shouldn't have giggled as he pulled himself from the pool, water streaming from him in thick rivulets. But really, what did he expect? Groping her while she drove, making her all hot and distracted. The jerk. He should count himself lucky. Most guys would've ended up splattered on the sidewalk. Maybe she didn't hate him after all.
Hair plastered to his skull, dripping like a big sea monster, he glowered at her. "You are an evil witch."
Fluffing her hair she smiled. "Why thank you. I try my best.
”
”
Eve Langlais (A Demon and His Witch (Welcome to Hell, #1))
“
It was freezing, but the cold effortlessly numbed my feet and aching hands. I walked quietly, barefoot, to the end of the block, leaving my shoes behind to remind me how to find my way home. I stood at the end of the street, catching snow in my mouth, and laughed softly to myself as I realized that without my insomnia and anxiety and pain I’d never have been awake to see the city that never sleeps asleep and blanketed up for winter. I smiled and felt silly, but in the best possible way. As I turned and looked back toward the hotel I noticed that my footprints leading out into the city were mismatched. One side was glistening, small and white. The other was misshapen from my limp and each heel was pooled with spots of bright red blood. It struck me as a metaphor for my life. One side light and magical. Always seeing the good. Lucky. The other side bloodied, stumbling. Never quite able to keep up. It was like the Jesus-beach-footprint-in-the-sand poem, except with less Jesus and more bleeding. It was my life, there in white and red. And I was grateful for it. “Um, miss?” It was the man from the front desk leaning tentatively out of the front door with a concerned look on his face. “Coming,” I said. I felt a bit foolish and considered trying to clarify but then thought better of it. There was no way to explain to this stranger how my mental illness had just gifted me with a magical moment. I realized it would have sounded a bit crazy, but that made sense. After all, I was a bit crazy. And I didn’t even have to pretend to be good at it. I was a damn natural.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Tedros turned away. 'I don't like being hurt.'
'Who is hurting you?'
'No one.' He swallowed. 'I'm okay.'
'You're lucky, then, because I fell quite hurt myself.'
He looked back at me. 'You do? Where are you hurt?'
'Here,' I said, my hand on my heart.
'Oh.' He nodded. 'Who hurt you?'
'Someone I loved very much,' I said.
Tedros nodded. 'Me too.' He sniffled and curled into a bean shape, his back against my knee. 'When does the hurt go away?'
'Once you make friends with it. Once you come to see the hurt not as something to fear or run away from, but as an important part of you. As important as love and hope and happiness. All of them are pieces of you heart, each as important as the other. But ignoring the hurt or pretending it's not there doesn't make it go away. It just means that you're not using all of your heart. Soon that piece might even dry up and break away. We don't want that. A strong king needs all of his heart. And the funny thing is, once you're bold enough to welcome the hurt, to give it a hug and face it unafraid... then suddenly, it's gone.
”
”
Soman Chainani (One True King (The School for Good and Evil: The Camelot Years, #3))
“
How long are you going to wait for this guy?”
I’m thrown by his sudden shift. “Ah . . . I don’t know.”
“Give me your keys.”
“What?”
“Give me your keys. I’m going to change your tire while we’re waiting.”
I fish in my purse and come up with a handful of keys. “You’re going to—”
“Stay in the car.” He grabs the keys and practically yanks them out of my fingers. Then he slams the door in my face.
I watch him in the path of his headlights, mystified. He opens my trunk, and, moments later, emerges with the spare tire. He lays it beside the car, then pulls something else from the darkened space. I’ve never changed a tire, so I have no idea what he’s doing. His movements are quick and efficient, though.
I shouldn’t be sitting here, just watching, but I can’t help myself. There’s something compelling about him. Dozens of cars have passed, but he was the only one to stop—and he’s helping me despite the fact that I’ve been less than kind to him all night.
He gets down on the pavement—on the wet pavement, in the rain—and slides something under the car. A hand brushes wet hair off his face.
I can’t sit here and watch him do this.
He doesn’t look at me when I approach. “I told you to wait in the car.”
“So you’re one of those guys? Thinks the ‘little woman’ should wait in the car?”
“When the little woman doesn’t know her tires are bald and her battery could barely power a stopwatch?” He attaches a steel bar to . . . something . . . and starts twisting it. “Yeah. I am.”
My pride flinches. “So what are you saying?” I ask, deadpan. “You don’t want my help?”
His smile is rueful. “You’re kind of funny when you’re not so busy being judgmental.”
“You’re lucky I’m not kicking you while you’re down there.”
He loses the smile but keeps his eyes on whatever he’s doing. “Try it, sister.
”
”
Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
“
The dead raccoon’s name was Rory. I fell in love with him the instant I saw him because he looked exactly like Rambo, the rescued, orphaned raccoon who lived in my bathtub when I was little. Rory hadn’t been lucky enough to be adopted by a small child who’d dress him up in small shorts sets and let him turn her sink into his own tiny waterfall. Instead, Rory had fallen in with a bad crowd and ended up as roadkill, but my friend Jeremy (a burgeoning taxidermist) saw great potential (and very few tire marks) on the cadaver and decided that Rory’s tiny spirit should live on in the most disturbingly joyous way possible.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
I think I've been very lucky. The readers who write to me say they like the characters and the sense of a real world, often one they don't otherwise know about. And usually there's a funny bit in there somewhere.
”
”
Sophie Weston
“
So that’s the secret,” the Beast Lord said.
I froze with the spoon halfway to my mouth. That was it. He had figured out what I was and now he was playing with me.
“You okay?” he asked. “Gone a bit pale there.”
In a moment he would drop the charade and rip me to pieces. If I was lucky. “Secret to what?”
“Secret to shutting you up,” he said. “I just have to beat you till you’re half-dead, then give you chicken soup and”—he raised his hands—“blessed silence.”
I went back to the soup. Ha-ha. Very funny.
“What did you think I meant?”
“I don’t know,” I mumbled. “The ways of the Beast Lord are a mystery to a humble merc like me.”
“You don’t do humble.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
It is a very funny thing that the sleepier you are, the longer you take about getting to bed; especially if you are lucky enough to have a fire in your room. Jill felt she couldn't even start undressing unless she sat down in front of the fire for a bit first. And once she had sat down, she didn't want to get up again. She had already said to herself about five times, 'I must go to bed', when she was startled by a tap on the window.
”
”
C.S. Lewis (The Silver Chair (Chronicles of Narnia, #4))
“
I laughed. “No, trust me, it’s a good thing. You’re cute and funny and talented too, and any girl would be lucky to date you.” “I sense a but coming,” he said wryly. “But—” “But she’s busy,” a smooth voice interrupted. “From tonight through the foreseeable future.” I turned, my pulse accelerating when I saw Alex standing less than five feet away. His gaze zeroed in on where I was still touching Jack’s arm. I pulled away, but it was too late. I could practically taste the danger pulsing in the air. Gone was the man who’d bared his soul onstage; in his place was the ruthless CEO who wouldn’t hesitate to crush his enemies into dust. “You’re the guy who performed tonight and is always waiting for Ava outside WYP.” Jack narrowed his eyes. “Who are you again?” “Someone who will rip your entrails out and strangle you with them if you don’t take your hands off her,” Alex said in a deceptively calm voice.
”
”
Ana Huang (Twisted Love (Twisted, #1))
“
It’s so simple at the beginning. You meet someone gorgeous and smart and funny. Somebody who’s better than you—you both know it, at least on some level. You fall in love with them. But you fall even more in love with their idea of you. You feel lucky. Because you are lucky. Then time passes. You both change too much. You stay too much the same. The truth worms its way out, and the horizon grows dark. Eventually all you’re left with is somebody who sees you for who you really are. And sooner or later, they hold up a mirror and you’re forced to see for yourself. And who the hell can live with that? So you do what you can to survive. You start looking for a fresh pair of eyes.
”
”
Kimberly McCreight (A Good Marriage)
“
So what are we watching, anyway?”
“Fast six.” I realized the polite thing to do would have been to ask if he liked the Fast & Furious
series, but if he didn’t, I couldn’t date him anyway.
“And if I haven’t seen one through five?”
“Then you’re basically un-American. Besides, what’s there to know? Fast cars, pretty girls, hot guys, stealin’ stuff in ways that could never happen… aaand you’re all caught up.”
His beautifully chocolate brown eyes went skyward. “Let me guess, you’re a Rock fan?”
“And Paul Walker, and Tyrese… the Asian guy, and a little Vin Diesel action doesn’t go amiss either. Any way you look, you win.”
“I haven’t liked the Rock since SmackDown.”
I pretended to clasp my hands in prayer and closed my eyes. “Let him keep his gay card, Lord, for he knows not what he says.”
He grinned. “You’re lucky you’re fine.”
“Am I?” I lifted my brows. A queen did need his compliments, after all.
”
”
S.E. Harmon (Stay with Me (The PI Guys, #1))
“
My cheeks are hot when he stalks right up to me, eyes narrowed. Pinched between his bloody fingers is a piece of scrap metal laced with seilgflùr from the blunderbuss—a shot that would have killed any other faery.
“Really?” he says.
“You were traipsing around in a low-visibility field while enemy fae are afoot,” I say defensively, hoping he can’t tell I’m blushing. “What is wrong with you?”
Aithinne snickers and Kiaran casts her a sharp glance. “It’s not funny.”
His sister tries to hold back a laugh, but doesn’t quite succeed. “I’m sorry,” she says. “But you just . . . I’ve never seen you look like such a complete mess.”
Kiaran studies her with a narrowed gaze. “And both of you look like you’ve gone three rounds with a roving band of feral cats. I’d say we’re even.”
“Even? Oh, please.” Aithinne ticks off each finger. “Thus far the Falconer and I escaped through a forest of spiked trees, fought off the mara, fled from Lonnrach’s soldiers, and defeated two mortair. You were shot by accident with some weapon composed of a wooden stick with a barrel on the end—”
“A blunderbuss,” I correct helpfully. Kiaran gives me a pointed look that says, Whose side are you on?
“—so I’d say I win this round.” She finishes with the sort of arrogant grin that makes it very clear that this must be an ongoing competition.
Sibling rivalry, it seems, is not just for humans.
If Kiaran’s glare is any indication, he’s contemplating about fifty different ways of killing his own sister. “Just remember,” I whisper to him, “murder is frowned upon in most societies.”
“Not mine,” Kiaran says shortly. “She’s lucky I love her.
”
”
Elizabeth May (The Vanishing Throne (The Falconer, #2))
“
What you don’t even realize now—what you will only come to understand in time, but lucky for you, I’m here to tell you—is you’re not going to give two shits about this band in a few years. In fact, I guarantee that this group that you admire so much and that you are putting all of your love and dedication and devotion into will be nothing more than an obsession you will be immensely embarrassed of having had. One day you’ll be in college, maybe you’ll be at a party, and someone will say, ‘Hey, do you remember The Ruperts? How shitty was their music?’ and you will have a moment of crisis: Do you admit your former love for them, or do you concede, because you know in your heart that this person is right? And guess what you’ll say? You’ll say, ‘Yeah, their music was utter. Putrid.Garbage.
”
”
Goldy Moldavsky (Kill the Boy Band)
“
So," said Silas. "Now there are only three of us."
"And a pig," said Kandar.
"Why?" asked Miss Lupescu, with a wolf-tongue, through wolf teeth. "Why the pig?"
"It's lucky," said Kandar.
Miss Lupescu growled, unconvinced.
"Did Haroun have a pig?" asked Kandar, simply.
”
”
Neil Gaiman (The Graveyard Book)
“
No matter what I tell you about vampires, you're going to be intrigued instead of horrified. Your kind always wants to be bitten or changed.'
'Not me,' Evangeline argued.
'But you're curious,' Jacks challenged.
'I'm curious about a lot of things. I'm curious about you, but I don't want you to bite me.'
The corner of Jacks' mouth twitched. 'I've already done that, Little Fox.'
His cold fingers found her wrist and slipped underneath the edge of her glove to stroke the last remaining broken heart scar. 'Lucky for you, no matter how many times I bite you, you'll never turn in to what I am. But sometimes all it takes from a vampire is one look, and you're theirs.
”
”
Stephanie Garber (Once Upon a Broken Heart (Once Upon a Broken Heart, #1))
“
He laughed with a mix of amusement and surprised appreciation. She couldn’t win. She had to know that. Yet still she fought. He hadn’t known there was a Summerlander alive still willing to confront him with such spirited defiance. Entire armies had fallen before him, yet this slight wisp of a girl dared to grapple, barehanded and defenseless, with the Winter King, a man who could slay with a glance.
He dodged a fist meant to break his nose and laughed again, enjoying himself for the first time in a very long while. How lucky for him so few of Verdan’s soldiers had possessed such raw, reckless courage! A thousand like her in their ranks, and the war might have ended quite differently.
His humor apparently didn’t sit well with her. She snarled and aimed another blow at his chin, which he blocked, as well as a vicious kick to his groin. He managed to block that, too—barely—but the hard toe of her boot still came close enough, with enough force, that his balls tingled from the near miss.
He quit laughing. There were some things a man just didn’t find funny.
”
”
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
“
It’s so funny you should say this, because if you were one of my students, you’d be wearing your pain like a badge of honor. This generation doesn’t hide anything from anyone. My class talks a lot about their traumas. And how their traumas inform their games. They, honest to God, think their traumas are the most interesting thing about them. I sound like I’m making fun, and I am a little, but I don’t mean to be. They’re so different from us, really. Their standards are higher; they call bullshit on so much of the sexism and racism that I, at least, just lived with. But that’s also made them kind of, well, humorless. I hate people who talk about generational differences like it’s an actual thing, and here I am, doing it. It doesn’t make sense. How alike were you to anyone we grew up with, you know?” “If their traumas are the most interesting things about them, how do they get over any of it?” Sam asked. “I don’t think they do. Or maybe they don’t have to, I don’t know.” Sadie paused. “Since I’ve been teaching, I keep thinking about how lucky we were,” she said. “We were lucky to be born when we were.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)
“
They were all waiting for a man. Men were going to scoop them up in a net and take them home and put them into an even smaller tank. Not all of them were waiting to find a man, because some of them had already found one, but it didn’t stop the waiting. A few were waiting for a man to make up his mind and fewer still, the lucky ones, were waiting for a man who’d already made up his mind to make enough money. Barbara
”
”
Nick Hornby (Funny Girl)
“
Our conversation starts out pretty normal. Matthew does most of the talking, as usual. He tells me about Wesley. He tells me everything. Well, almost everything. I was lucky enough to stop him before he got into the explicit details. Wesley also helped by nudging him with his shoulder. He even covered Matthew's mouth when the conversation took a sudden turn because the word package was used. Yeah, the conversation went from sweet and romantic to soft-core porn in about two seconds.
”
”
L. Arthur (The Rest is History)
“
ON THE A TRAIN
There were no seats to be had on the A train last night, but I had a good grip on the pole at the end of one of the seats and I was reading the beauty column of the Journal-American, which the man next to me was holding up in front of him. All of a sudden I felt a tap on my arm, and I looked down and there was a man beginning to stand up from the seat where he was sitting. "Would you like to sit down?" he said. Well, I said the first thing that came into my head, I was so surprised and pleased to be offered a seat in the subway. "Oh, thank you very much," I said, "but I am getting out at the next station." He sat back and that was that, but I felt all set up and I thought what a nice man he must be and I wondered what his wife was like and I thought how lucky she was to have such a polite husband, and then all of a sudden I realized that I wasn't getting out at the next station at all but the one after that, and I felt perfectly terrible. I decided to get out at the next station anyway, but then I thought, If I get out at the next station and wait around for the next train I'll miss my bus and they only go every hour and that will be silly. So I decided to brazen it out as best I could, and when the train was slowing up at the next station I stared at the man until I caught his eye and then I said, "I just remembered this isn't my station after all." Then I thought he would think I was asking him to stand up and give me his seat, so I said, "But I still don't want to sit down, because I'm getting off at the next station." I showed him by my expression that I thought it was all rather funny, and he smiled, more or less, and nodded, and lifted his hat and put it back on his head again and looked away. He was one of those small, rather glum or sad men who always look off into the distance after they have finished what they are saying, when they speak. I felt quite proud of my strong-mindedness at not getting off the train and missing my bus simply because of the fear of a little embarrassment, but just as the train was shutting its doors I peered out and there it was, 168th Street. "Oh dear!" I said. "That was my station and now I have missed the bus!" I was fit to be fled, and I had spoken quite loudly, and I felt extremely foolish, and I looked down, and the man who had offered me his seat was partly looking at me, and I said, "Now, isn't that silly? That was my station. A Hundred and Sixty-eighth Street is where I'm supposed to get off." I couldn't help laughing, it was all so awful, and he looked away, and the train fidgeted along to the next station, and I got off as quickly as I possibly could and tore over to the downtown platform and got a local to 168th, but of course I had missed my bus by a minute, or maybe two minutes. I felt very much at a loose end wandering around 168th Street, and I finally went into a rudely appointed but friendly bar and had a martini, warm but very soothing, which cost me only fifty cents. While I was sipping it, trying to make it last to exactly the moment that would get me a good place in the bus queue without having to stand too long in the cold, I wondered what I should have done about that man in the subway. After all, if I had taken his seat I probably would have got out at 168th Street, which would have meant that I would hardly have been sitting down before I would have been getting up again, and that would have seemed odd. And rather grasping of me. And he wouldn't have got his seat back, because some other grasping person would have slipped into it ahead of him when I got up. He seemed a retiring sort of man, not pushy at all. I hesitate to think of how he must have regretted offering me his seat. Sometimes it is very hard to know the right thing to do.
”
”
Maeve Brennan
“
your team is ranked first? congratulations and big deal. maintaining a top position is far easier than starting over from the gutters. kevin is doing that right now. he’s facing entirely new schools and learning to play with his less dominant hand. when he masters it, and he will, he’ll be better than you could ever have made him. do you know why? it’s not just his natural talent. it’s because he’s with us. there are only ten foxes this year. that’s one sub for every position. think about it. last night we played blackenridge. they have twenty-seven people on their roster. they can burn through players as fast as they want because they have a pile of replacements. we don’t have that luxury. we have to hold our ground on our own.”
“you didn’t hold your ground, you lost. your school is the laughingstock of the ncaa. you’re a team with no concept of teamwork.”
“lucky for you. if we were a unified front, you wouldn’t have a chance against us.”
“you cannot last and your unfounded arrogance is offensive to everyone who actually earned a spot in first class. everyone knows the only reason palmetto qualified for this division is because of your coach.”
“funny, i’m pretty sure that’s how edgar allan qualified.”
- neil & riko
”
”
Nora Sakavic (The Foxhole Court (All for the Game, #1))
“
They put me in jail. Holy shit. They put me in fucking jail. Call my mother and tell her I love her, call my father and tell him I can’t loan him any more money, call my grandmother and tell her she needs to stop day drinking. I am never getting out of this. All right, on the plus side, it’s not like I’m sitting in a city jail. It’s a hotel holding room, which basically means beige-colored carpet with beige walls and a beige futon. In Vegas, if they put you in beige, you are seriously fucked. No sequins or rhinestones anywhere means I must have done something abominable. Okay. I take three deep breaths, trying to achieve my zone neutrality. Or something. I don’t know! Okay, keep calm, Julia. Maybe they can help. Maybe they can help piece together whatever insane stuff you did last night. Or rather, the weird shit that your David Tennant personality did. On second thought, maybe talking about Doctor Who would be a very bad thing right now. The door opens, and Gray Suit— his name’s actually Todd, but I’m sticking with Gray Suit— enters and sits down in a chair opposite me. “Now Ms. Stevens—” “I’m not going to prison,” I blurt out. “I’m too soft. I watched Orange is the New Black. I don’t want to eat tampon sandwiches.” Gray Suit blinks slowly. “Okay. I’ll bear that in mind.” “Look, what the hell am I even doing here?” I snap. Great, Julia. Get snippy with the authorities. This’ll go down swimmingly. “What is happening?” Gray Suit sighs. “It’s about what you did last night, Ms. Stevens.
”
”
Lila Monroe (Get Lucky (Lucky in Love, #1))
“
For a moment, I thought I heard laughter, the click of one croquet ball striking another, a dog barking.
I stared at the empty yard, trying hard to see what Great-grandfather saw, but nothing shifted, nothing changed. If the Tylers were playing croquet, they were visible to him and him alone. The only dog in sight was Binky. Running across the lawn to meet him, I took the stick he carried and threw it as hard as I could. It sailed across the sky, and Binky dashed after it.
As the dog disappeared into the bushes, I looked up at the attic window and remembered the flash of white I’d seen the day I arrived--my first glimpse of Andrew. Funny to think I’d been scared. Nothing stirred in the attic now. No one watched, no one waited.
Deep in my pocket, I touched the red bull’s-eye, warm as blood and twice as lucky. The marbles were mine for keeps. They were safe, and so was Andrew.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
I cooked with so many of the greats: Tom Colicchio, Eric Ripert, Wylie Dufresne, Grant Achatz. Rick Bayless taught me not one but two amazing mole sauces, the whole time bemoaning that he never seemed to know what to cook for his teenage daughter. Jose Andres made me a classic Spanish tortilla, shocking me with the sheer volume of viridian olive oil he put into that simple dish of potatoes, onions, and eggs. Graham Elliot Bowles and I made gourmet Jell-O shots together, and ate leftover cheddar risotto with Cheez-Its crumbled on top right out of the pan.
Lucky for me, Maria still includes me in special evenings like this, usually giving me the option of joining the guests at table, or helping in the kitchen. I always choose the kitchen, because passing up the opportunity to see these chefs in action is something only an idiot would do. Susan Spicer flew up from New Orleans shortly after the BP oil spill to do an extraordinary menu of all Gulf seafood for a ten-thousand-dollar-a-plate fund-raising dinner Maria hosted to help the families of Gulf fishermen. Local geniuses Gil Langlois and Top Chef winner Stephanie Izard joined forces with Gale Gand for a seven-course dinner none of us will ever forget, due in no small part to Gil's hoisin oxtail with smoked Gouda mac 'n' cheese, Stephanie's roasted cauliflower with pine nuts and light-as-air chickpea fritters, and Gale's honey panna cotta with rhubarb compote and insane little chocolate cookies. Stephanie and I bonded over hair products, since we have the same thick brown curls with a tendency to frizz, and the general dumbness of boys, and ended up giggling over glasses of bourbon till nearly two in the morning. She is even more awesome, funny, sweet, and genuine in person than she was on her rock-star winning season on Bravo. Plus, her food is spectacular all day. I sort of wish she would go into food television and steal me from Patrick. Allen Sternweiler did a game menu with all local proteins he had hunted himself, including a pheasant breast over caramelized brussels sprouts and mushrooms that melted in your mouth (despite the occasional bit of buckshot). Michelle Bernstein came up from Miami and taught me her white gazpacho, which I have since made a gajillion times, as it is probably one of the world's perfect foods.
”
”
Stacey Ballis (Off the Menu)
“
Why, Dolly!" said Margaret, placidly kissing her. "Here's a surprise! How are the boys and the baby?" Boys and the baby were well, and in describing a great row that there had been at the Hilton Tennis Club, Dolly forgot her news. The wrong people had tried to get in. The rector, as representing the older inhabitants, had said—Charles had said—the tax-collector had said—Charles had regretted not saying—and she closed the description with, "But lucky you, with four courts of your own at Midhurst." "It will be very jolly," replied Margaret. "Are those the plans? Does it matter my seeing them?" "Of course not." "Charles has never seen the plans." "They have only just arrived. Here is the ground floor—no, that's rather difficult. Try the elevation, We are to have a good many gables and a picturesque sky-line." "What makes it smell so funny?" said Dolly, after a moment's inspection. She was incapable of understanding plans or maps. "I suppose the paper." "And WHICH way up is it?" "Just the ordinary way up. That's the sky-line and the part that smells strongest is the sky." "Well, ask me another. Margaret—oh—what was I going to say? How's Helen?" "Quite well." "Is she never coming back to England? Every one thinks it's awfully odd she doesn't." "So it is," said Margaret, trying to conceal her vexation. She was getting rather sore on this point. "Helen is odd, awfully.
”
”
E.M. Forster (Howards End)
“
Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error.
But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks?
… Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame.
So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.
”
”
Francis Spufford
“
It’s so funny you should say this, because if you were one of my students, you’d be wearing your pain like a badge of honor. This generation doesn’t hide anything from anyone. My class talks a lot about their traumas. And how their traumas inform their games. They, honest to God, think their traumas are the most interesting thing about them. I sound like I’m making fun, and I am a little, but I don’t mean to be. They’re so different from us, really. Their standards are higher; they call bullshit on so much of the sexism and racism that I, at least, just lived with. But that’s also made them kind of, well, humorless. I hate people who talk about generational differences like it’s an actual thing, and here I am, doing it. It doesn’t make sense. How alike were you to anyone we grew up with, you know?” “If their traumas are the most interesting things about them, how do they get over any of it?” Sam asked. “I don’t think they do. Or maybe they don’t have to, I don’t know.” Sadie paused. “Since I’ve been teaching, I keep thinking about how lucky we were,” she said. “We were lucky to be born when we were.” “How so?” “Well, if we’d been born a little bit earlier, we wouldn’t have been able to make our games so easily. Access to computers would have been harder. We would have been part of the generation who was putting floppy disks in Ziploc bags and driving the games to stores. And if we’d been born a little bit later, there would have been even greater access to the internet and certain tools, but honestly, the games got so much more complicated; the industry got so professional. We couldn’t have done as much as we did on our own. We could never have made a game that we could sell to a company like Opus on the resources we had. We wouldn’t have made Ichigo Japanese, because we would have worried about the fact that we weren’t Japanese. And I think, because of the internet, we would have been overwhelmed by how many people were trying to do the exact same things we were. We had so much freedom—creatively, technically. No one was watching us, and we weren’t even watching ourselves. What we had was our impossibly high standards, and your completely theoretical conviction that we could make a great game.
”
”
Gabrielle Zevin (Tomorrow, and Tomorrow, and Tomorrow)