Loyalty Gangster Quotes

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Was it loyalty that created power? Or was loyalty only a symptom, offered when the circumstances were favorable and taken away when the tides turned? It helped that Lord Cai and Lord Montagov were men. Juliette wasn’t naive. Their every messenger, every errand runner, every lower-tiered but fiercely loyal gangster was male. Most of the Scarlet Gang feared and revered Juliette now,
Chloe Gong (These Violent Delights (These Violent Delights, #1))
For a long while I have believed – this is perhaps my version of Sir Darius Xerxes Cama’s belief in a fourth function of outsideness – that in every generation there are a few souls, call them lucky or cursed, who are simply born not belonging, who come into the world semi-detached, if you like, without strong affiliation to family or location or nation or race; that there may even be millions, billions of such souls, as many non-belongers as belongers, perhaps; that, in sum, the phenomenon may be as “natural” a manifestation of human nature as its opposite, but one that has been mostly frustrated, throughout human history, by lack of opportunity. And not only by that: for those who value stability, who fear transience, uncertainly, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers’ seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celebrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or a movie theater, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveler, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
Salman Rushdie (The Ground Beneath Her Feet)
...for those who value stability, who fear transience, uncertainty, change, have erected a powerful system of stigmas and taboos against rootlessness, that disruptive, anti-social force, so that we mostly conform, we pretend to be motivated by loyalties and solidarities we do not really feel, we hide our secret identities beneath the false skins of those identities which bear the belongers' seal of approval. But the truth leaks out in our dreams; alone in our beds (because we are all alone at night, even if we do not sleep by ourselves), we soar, we fly, we flee. And in the waking dreams our societies permit, in our myths, our arts, our songs, we celbrate the non-belongers, the different ones, the outlaws, the freaks. What we forbid ourselves we pay good money to watch, in a playhouse or movie theatre, or to read about between the secret covers of a book. Our libraries, our palaces of entertainment tell the truth. The tramp, the assassin, the rebel, the thief, the mutant, the outcast, the delinquent, the devil, the sinner, the traveller, the gangster, the runner, the mask: if we did not recognize in them our least-fulfilled needs, we would not invent them over and over again, in every place, in every language, in every time.
Salman Rushdie (The Ground Beneath Her Feet)
That’s why I like you, he would say. You’re unpredictable. You have no code. Really, Henry—and he would give a hearty guffaw—you’re essentially treacherous. If we ever make a new world you’ll have no place in it. You don’t seem to understand what it means to give and take. You’re an intellectual hobo… At times I don’t understand you at all. You’re always gay and affable, almost sociable, and yet … well, you have no loyalties. I try to be friends with you … we were friends once, you remember … but you’ve changed … you’re hard inside … you’re untouchable. God, you think I’m hard … I’m just cocky, pugnacious, full of spirits. You’re the one who’s hard. You’re a gangster, do you know that? He chuckled. Yes, Henry, that’s what you are—you’re a spiritual gangster. I don’t trust you.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
The groups in different areas that were affiliated with us knew one thing for sure, and that is that they could trust and respect the base. When you look at it, people want to know they have someone in their corner for the worst. Scrooge, former leader of the Rebellion Raiders street gang that once boasted of having some ten thousand members
Drexel Deal (The Fight of My Life is Wrapped Up in My Father (The Fight of My Life is Wrapped in My Father Book 1))
I believe that enjoying your work with all your heart is the only truly subversive position left to take as a creative person these days. It’s such a gangster move, because hardly anybody ever dares to speak of creative enjoyment aloud, for fear of not being taken seriously as an artist. So say it. Be the weirdo who dares to enjoy. Best of all, though, by saying that you delight in your work, you will draw inspiration near. Inspiration will be grateful to hear those words coming out of your mouth, because inspiration—like all of us—appreciates being appreciated. Inspiration will overhear your pleasure, and it will send ideas to your door as a reward for your enthusiasm and your loyalty. More ideas than you could ever use. Enough ideas for ten lifetimes.
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
Lloyd could see the loyalty that she had for him and he knew she was down for him for real. “Listen,
Leo Sullivan (Keisha & Trigga 2 : A Gangster Love Story (Keisha & Trigga : A Gangster Love Story))
Trigga clenched his jaw together and, in a matter of seconds, all of the emotion, loyalty, brotherly love and regard that he had for Mase was erased. Mase was no longer family to him, he was his enemy and also, along with Lloyd, he was his next mission.
Leo Sullivan (Keisha & Trigga 2 : A Gangster Love Story (Keisha & Trigga : A Gangster Love Story))
Thinking Lloyd was going to be hers forever, Keisha had hesitantly got the tattoo after Lloyd suggested she do something to prove her loyalty to him. Instantly, she’d regretted it, but there was no going back once it was done.               “Lloyd!
Leo Sullivan (Keisha & Trigga : A Gangster Love Story)
Keisha wasn’t his girlfriend so he didn’t have any loyalties to her.
Leo Sullivan (Keisha & Trigga 2 : A Gangster Love Story (Keisha & Trigga : A Gangster Love Story))
Broadly speaking, there seem to be two methods for developing combat forces-for successfully cajoling or coercing collections of men into engaging in the violent, profane, sacrificial, uncertain, masochistic, and essentially absurd enterprise known as war. The two methods lead to two kinds of warfare, and the distinction can be an important one. Intuitively, it might seem that the easiest (and cheapest) method for recruiting combatants would be to...enlist those who revel in violence and routinely seek it our or who regularly employ it to enrich themselves, or both. We have in civilian life a name for such people-criminals...Violent conflicts in which people like that dominate can be called criminal warfare, a form in which combatants are induced to wreak violence primarily for the fun and material profit they derive from the experience. Criminal armies seem to arise from a couple of processes. Sometimes criminals-robbers, brigands, freebooters, highwaymen, hooligans, thugs, bandits, pirates, gangsters, outlaws-organize or join together in gangs or bands or mafias. When such organizations become big enough, they can look and act a lot like full-blown armies. Or criminal armies can be formed when a ruler needs combatants to prosecute a war and concludes that the employment or impressment of criminals and thugs is the most sensible and direct method for accomplishing this. In this case, criminals and thugs essentially act as mercenaries. It happens, however, that criminals and thugs tend to be undesirable warriors....To begin with, they are often difficult to control. They can be troublemakers: unruly, disobedient, and mutinous, often committing unauthorized crimes while on (or off) duty that can be detrimental or even destructive of military enterprise.... Most importantly, criminals can be disinclined to stand and fight when things become dangerous, and they often simply desert when whim and opportunity coincide. Ordinary crime, after all, preys on the weak-on little old ladies rather than on husky athletes-and criminals often make willing and able executioners of defenseless people. However, if the cops show up they are given to flight. The motto for the criminal, after all, is not a variation of "Semper fi," "All for one and one for all," "Duty, honor, country," "Banzai," or "Remember Pearl Harbor," but "Take the money and run."... These problems with the employment of criminals as combatants have historically led to efforts to recruit ordinary men as combatants-people who, unlike criminals and thugs, commit violence at no other time in their lives.... The result has been the development of disciplined warfare in which men primarily inflict violence not for fun and profit but because their training and indoctrination have instilled in them a need to follow orders; to observe a carefully contrived and tendentious code of honer; to seek glory and reputation in combat; to love, honor, or fear their officers; to believe in a cause; to fear the shame, humiliation, or costs of surrender; or, in particular, to be loyal to, and to deserve the loyalty of, their fellow combatants.
John Mueller