Low Class Woman Quotes

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Even though Liz might have been at the bottom of our class in P&E, she is the best person I've ever seen at getting me out of bed, which is saying something, considering the woman who raised me. Macey was asleep in her headphones, so Liz felt free to yell, "We're doing this for you!" as she pulled on my left leg and Bex went in search of breakfast. Liz put her foot against the mattress for leverage as she tugged. "Come on, Cam. GET. UP. " "No!" I said, burrowing deeper into the covers. "Five more minutes. " Then she grabbed my hair, which is totally a low blow, since everyone knows I'm tender-headed. "He's a honeypot. " "He'll still be one in an hour, " I pleaded. Then Liz dropped down beside me. She leaned close. She whispered, "Tell Suzie she's a lucky cat. " I threw the covers aside. "I'm up!
Ally Carter (I'd Tell You I Love You, But Then I'd Have to Kill You (Gallagher Girls, #1))
The only thing you should have to do is find work you love to do. And I can't imagine living without having loved a person. A man, in my case. It could be a woman, but whatever. I think, what I always tell kids when they get out of class and ask, 'What should I do now?' I always say, 'Keep a low overhead. You're not going to make a lot of money.' And the next thing I say: 'Don't live with a person who doesn't respect your work.' That's the most important thing—that's more important than the money thing. I think those two things are very valuable pieces of information.
Grace Paley
I’m very worried about the depiction of women on the screen. It’s gotten worse than ever and it’s related to their being either high- or low-class concubines, and the only question is when or where they will go to bed, with whom, and how many. There’s nothing to do with the dreams of women, or of woman as the dream, nothing to do with the quirky part of her, the wonder of her.
John Cassavetes
That sassy low classy, but dress real cheap-fly-n-fancy, with a chip on her shoulder -- she's just a bitterly wounded dove, wanting to be sieged by love.
T.F. Hodge (From Within I Rise: Spiritual Triumph over Death and Conscious Encounters With the Divine Presence)
A final depressing point about inequality and violence. As we’ve seen, a rat being shocked activates a stress response. But a rat being shocked who can then bite the hell out of another rat has less of a stress response. Likewise with baboons—if you are low ranking, a reliable way to reduce glucocorticoid secretion is to displace aggression onto those even lower in the pecking order. It’s something similar here—despite the conservative nightmare of class warfare, of the poor rising up to slaughter the wealthy, when inequality fuels violence, it is mostly the poor preying on the poor. This point is made with a great metaphor for the consequences of societal inequality.41 The frequency of “air rage”—a passenger majorly, disruptively, dangerously losing it over something on a flight—has been increasing. Turns out there’s a substantial predictor of it: if the plane has a first-class section, there’s almost a fourfold increase in the odds of a coach passenger having air rage. Force coach passengers to walk through first class when boarding, and you more than double the chances further. Nothing like starting a flight by being reminded of where you fit into the class hierarchy. And completing the parallel with violent crime, when air rage is boosted in coach by reminders of inequality, the result is not a crazed coach passenger sprinting into first class to shout Marxist slogans. It’s the guy being awful to the old woman sitting next to him, or to the flight attendant.*
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
If an aristocrat became bankrupt he looked to the sunshine of royal providence [...] but when the nobility sank too low to qualify for royal notice, they became fraudsters, trading on the display of rank: the man would become a card-sharper or gigolo, while the woman sold herself. Actual work would have been unthinkable. It would have offended against the ancient order of things, which assigned that role to the middle classes and the peasantry. This concept is difficult to connect with our modern view of the world, but its very absurdity follows directly from the fact that everything in its old order was so firm and wonderful - with everything in its eternally appointed place and moving in fixed circles like the stars. There was no changing your lot in life at will: it was assigned to you forever, by birth. If you fell below your appointed station, you couldn't just swap it for another - you simply plummeted into the void.
Antal Szerb (The Queen's Necklace)
It was in a swampy village on the lagoon river behind the Turner Peninsula that Pollock's first encounter with the Porroh man occurred. The women of that country are famous for their good looks - they are Gallinas with a dash of European blood that dates from the days of Vasco da Gama and the English slave-traders, and the Porroh man, too, was possibly inspired by a faint Caucasian taint in his composition. (It's a curious thing to think that some of us may have distant cousins eating men on Sherboro Island or raiding with the Sofas.) At any rate, the Porroh man stabbed the woman to the heart as though he had been a mere low-class Italian, and very narrowly missed Pollock. But Pollock, using his revolver to parry the lightning stab which was aimed at his deltoid muscle, sent the iron dagger flying, and, firing, hit the man in the hand. He fired again and missed, knocking a sudden window out of the wall of the hut. The Porroh man stooped in the doorway, glancing under his arm at Pollock. Pollock caught a glimpse of his inverted face in the sunlight, and then the Englishman was alone, sick and trembling with the excitement of the affair, in the twilight of the place. It had all happened in less time than it takes to read about it. ("Pollock And The Porroh Man")
H.G. Wells (Great Tales of Horror and the Supernatural)
We think we value mothers in America, but we don’t. We may revere motherhood, the hazy abstraction, the cream-of-wheat-with-a-halo ideal, but a mother is just a kind of woman, after all, and women are trouble and not so valuable. Low-income mothers drag down the country—why’d they have kids if they couldn’t support them? Middle-class mothers are boring frumps. Elite ones are obsessed sanctimommies: Don’t they know how annoying they are, with their yoga, their catfights over diapers and breastfeeding, their designer strollers that take up half the sidewalk so that people with important places to go have to take several extra steps?
Katha Pollitt (Pro: Reclaiming Abortion Rights)
But the period I studied -- the rollicking eighteenth century engraved by Hogarth -- was the one that saw the birth of America, of women's rights, and of the novel. The novel started as a low-class form, fit only to be read by serving maids, and it is the only literary form where women have distinguished themselves so early and with such excellence that even the rampant misogyny of literary history cannot erase them. Ever wonder about women and the novel? Women, like any underclass, depend for their survival on self-definition. The novel permitted this -- and pages could still be hidden under the embroidery hoop. From the writer's mind to the reader's there was only the intervention of printing presses. You could stay at home, yet send your book abroad to London -- the perfect situation for women. In a world where women are still the second sex, many still dream of becoming writers so they can work at home, make their own hours, nurse the baby. Writing still seems to fit into the interstices of a woman's life. Through the medium of words, we have hopes of changing our class. Perhaps the pen will not always be equated with the penis. In a world of computers, our swift fingers may yet win us the world. One of these days we'll have class. And so we write as feverishly as only the dispossessed can. We write to come into our own, to build our houses and plant our gardens, to give ourselves names and histories, inventing ourselves as we go along.
Erica Jong (Fear of Fifty: A Midlife Memoir)
During my college years I knew a man who, before professing faith in Christ, was a notorious womanizer. James’s pattern was to seduce a woman and, once he had sex with her, lose interest and move on. When he embraced Christianity he quickly renounced his sexual escapades. He became active in Christian ministry. However, his deep idol did not change. In every class or study, James was argumentative and dominating. In every meeting he had to be the leader, even if he was not designated to be so. He was abrasive and harsh with skeptics when talking to them about his new-found faith. Eventually it became clear that his meaning and value had not shifted to Christ, but was still based in having power over others. That is what made him feel alive. The reason James wanted to have sex with those women was not because he was attracted to them, but because he was seeking the power of knowing he could sleep with them if he wanted to. Once he achieved that power, he lost interest in them. The reason he wanted to be in Christian ministry was not because he was attracted to serving God and others, but to the power of knowing he was right, that he had the truth. His power idol took a sexual form, and then a religious one. It hid itself well. Idols of power, then, are not only for the powerful. You can pursue power in small, petty ways, by becoming a local neighborhood bully or a low-level bureaucrat who bosses around the few people in his field of authority. Power idolatry is all around us.
Timothy J. Keller (Counterfeit Gods: The Empty Promises of Money, Sex, and Power, and the Only Hope that Matters)
At first glance, professionalism tries to convince you it’s a neutral word, merely meant to signify a collection of behaviors, clothing, and norms “appropriate” for the workplace. We just ask that everyone be professional, the cis white men will say, smiles on their faces, as if they’re not asking for much. We try to maintain a professional office environment. But never has a word in the English language been so loaded with racism, sexism, heteronormativity, or trans exclusion. Whenever someone is telling you to “be professional,” they’re really saying, “be more like me.” If you’re black, “being professional” can often mean speaking differently, avoiding black cultural references, or not wearing natural hair. If you’re not American, “being professional” can mean abandoning your cultural dress for Western business clothes. If you’re not Christian, “being professional” can mean potentially removing your hijab to fit in, sitting by while your officemates ignore your need for kosher or halal food, sucking up the fact that your office puts up a giant Christmas tree every year. If you’re low-income or working class, “being professional” can mean spending money you don’t have on work clothes—“dressing nicely” for a job that may not pay enough for you to really afford to do so. If you’re a woman, “being professional” can mean navigating a veritable minefield of double standards. Show some skin, but don’t be a slut. Wear heels, but not too high, and not too low, either. Wear form-fitting clothes, but not too form-fitting. We offer maternity leave, but don’t “interrupt your career” by taking it. And if you’re trans like me, “being professional” can mean putting your identity away unless it conforms to dominant gender norms.
Jacob Tobia (Sissy: A Coming-of-Gender Story)
Throughout history, white women have chosen racial solidarity with white men over gender solidarity with women of color in an attempt to gain access to the fruits of capitalist triumph. An alternative to that erroneous path is to choose solidarity with other women, other mothers in particular: to seek the resonances between our lives so that we may begin to repair the gaps. Erich Fromm wrote 'Important and radical changes are necessary if love is to become a social and not highly individualistic, marginal phenomenon.' I asked Erin Spahr of the Perinatal Mood Disorders clinic at Johns Hopkins what her strategies were for low-income women of color versus upper-middle-class white women. She responded that in all cases, she tried to validate the woman's experience. She tried to provide a sense of safety, to help the woman discover her own fears o that she could be present emotionally for her child. She listened. This is a form of love- a space between people, for confessions and hopes and flaws, and for the seed of solidarity to germinate.
Sarah Menkedick (Ordinary Insanity: Fear and the Silent Crisis of Motherhood in America)
Early in the boob-emerging years, I had no boobs, and I was touchy about it. Remember in middle school algebra class, you’d type 55378008 on your calculator, turn it upside down, and hand it to the flat-chested girl across the aisle? I was that girl, you bi-yotch. I would have died twice if any of the boys had mentioned my booblets. Last year, I thought my boobs had progressed quite nicely. And I progressed from the one-piece into a tankini. But I wasn’t quite ready for any more exposure. I didn’t want the boys to treat me like a girl. Now I did. So today I’d worn a cute little bikini. Over that, I still wore Adam’s cutoff jeans. Amazingly, they looked sexy, riding low on my hips, when I traded the football T-shirt for a pink tank that ended above my belly button and hugged my figure. I even had a little cleavage. I was so proud. Sean was going to love it. Mrs. Vader stared at my chest, perplexed. Finally she said, “Oh, I get it. You’re trying to look hot.” “Thank you!” Mission accomplished. “Here’s a hint. Close your legs.” I snapped my thighs together on the stool. People always scolded me for sitting like a boy. Then I slid off the stool and stomped to the door in a huff. “Where do you want me?” She’d turned back to the computer. “You’ve got gas.” Oh, goody. I headed out the office door, toward the front dock to man the gas pumps. This meant at some point during the day, one of the boys would look around the marina office and ask, “Who has gas?” and another boy would answer, “Lori has gas.” If I were really lucky, Sean would be in on the joke. The office door squeaked open behind me. “Lori,” Mrs. Vader called. “Did you want to talk?” Noooooooo. Nothing like that. I’d only gone into her office and tried to start a conversation. Mrs. Vader had three sons. She didn’t know how to talk to a girl. My mother had died in a boating accident alone on the lake when I was four. I didn’t know how to talk to a woman. Any convo between Mrs. Vader and me was doomed from the start. “No, why?” I asked without turning around. I’d been galloping down the wooden steps, but now I stepped very carefully, looking down, as if I needed to examine every footfall so I wouldn’t trip. “Watch out around the boys,” she warned me. I raised my hand and wiggled my fingers, toodle-dee-doo, dismissing her. Those boys were harmless. Those boys had better watch out for me.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Jesus Christ is a Man come to save men. In Him the divine nature is married to our human nature, and wherever human nature exists there is the raw material out of which He makes followers and saints. Our Lord recognizes no classes, high or low, rich or poor, old or young, man or woman; all are human and all are alike in Him. His invitation is to all mankind.
A.W. Tozer (Man: The Dwelling Place of God: What it Means to Have Christ Living in You)
Some people smoked when they were upset, some did yoga, or drank, or paced, or picked fights, or counted to one hundred. Georgia cooked. As a small girl growing up in Massachusetts, she'd spent most of her time in her grandmother's kitchen, watching wide-eyed as Grammy kneaded the dough for her famous pumpernickel bread, sliced up parsnips and turnips for her world-class pot roast, or, if she was feeling exotic, butterflied shrimp for her delicious Thai basil seafood. A big-boned woman of solid peasant stock, as she herself used to say, Grammy moved around the cramped kitchen with grace and efficiency, her curly gray hair twisted into a low bun. Humming pop songs from the forties, her cheeks a pleasing pink, she turned out dish after fabulous dish from the cranky Tappan stove she refused to replace. Those times with Grammy were the happiest Georgia could remember. It had been almost a year since she died, and not a day passed that Georgia didn't miss her. She pulled out half a dozen eggs, sliced supermarket Swiss and some bacon from the double-width Sub-Zero. A quick scan of the spice rack yielded a lifetime supply of Old Bay seasoning, three different kinds of peppercorns, and 'sel de mer' from France's Brittany coast. People's pantries were as perplexing as their lives.
Jenny Nelson (Georgia's Kitchen)
It was too much for the Georgians to bear. They had left Macon as heroes and expected to return triumphant, captives in hand. Instead, they had been the ones chased, ridiculed, spat upon, hunted down by law, man, woman, and child. Not only would street boys take aim at them with spoiled eggs and other garbage, but Boston's higher society mocked them for being uneducated, low class, trash, as it it were they, and not the ones they were there to capture, who dwelled at the bottom of the world.
Ilyon Woo (Master Slave Husband Wife: An Epic Journey from Slavery to Freedom)
At the next street-lamp, she sees a woman with painted lips and smudged eyes waiting in a doorway. A hansom cab drives up, stops, and a man in a tail coat and a shining silk top-hat gets out. Even though the woman in the doorway wears a low-cut evening gown that might once have belonged to a lady of the gentleman’s social class, the black-clad watcher does not think the gentleman is here to go dancing. She sees the prostitute’s haggard eyes, haunted with fear no matter how much her red-smeared lips smile. One like her was recently found dead a few streets away, slit wide open. Averting her gaze, the searcher in black walks on. An unshaven man lounging against a wall winks at her. “Missus, what yer doing all alone? Don’t yer want some company?” If he were a gentleman, he would not have spoken to her without being introduced. Ignoring him, she hastens past. She must speak to no one. She does not belong here. The knowledge does not trouble her, for she has never belonged anywhere. And in a sense she has always been alone. But her heart is not without pain as she scans the shadows, for she has no home now, she is a stranger in the world’s
Nancy Springer (The Case of the Missing Marquess (Enola Holmes, #1))
That coarse, vulgar, low-born woman, she thinks; braying all the time, not a whit of class about her, typical of her South Calcutta origins. Her voice is like a split bamboo. You can take the girl out of Behala, but you can’t take Behala …
Neel Mukherjee (The Lives of Others)
We may revere motherhood, the hazy abstraction, the cream-of-wheat-with-a-halo ideal, but a mother is just a kind of woman, after all, and women are trouble and not so valuable. Low-income mothers drag down the country—why'd they have kids if they couldn't support them? Middle-class mothers are boring frumps. Elite ones are obsessed sanctimommies.
Katha Pollitt
I once knew a woman in Chicago whose daughter had her whole academic life changed by labels. On entering grammar school, this girl seemingly scored low on an intelligence test and got assigned to a "slow learners" class. Due to the tracking system, the girl remained among the slow learners all through her eight years in that school. Then, entering high school, the girl took another intelligence test and scored in the top one per cent. She then got placed in an "accelerated" class and began showing the high intelligence which had remained dormant all through grammar school.
Robert Anton Wilson (Quantum Psychology: How Brain Software Programs You and Your World)
Then I ask you: Once, during Buddha's lifetime, a woman was sitting in samadhi—very deeply into samadhi. She didn't wake up, only samadhi, as if she were dead. The Bodhisattva Manjushri, who is a tenth-class Bodhisattva, the highest class, tried to wake her, but couldn't. Finally a first-class Bodhisattva appeared, walked around her three times, and hit her on the back. She woke up immediately. Why couldn't this great Bodhisattva bring her out of samadhi, while the low-class Bodhisattva could? If you understand this, you will have a true understanding of samadhi and enlightenment. Do you understand?” The student was silent. Soen-sa said, “You must understand this. There is another kong-an with the same meaning. An eminent teacher said, ‘If I kill my parents, I can repent to Buddha. But if I kill all Buddhas and eminent teachers, to whom can I repent?’” The student said, “Myself?” Another student called out from the back of the room, “Go drink tea!” Soen-sa said, “Who said that?” The student raised her hand. Soen-sa said, “Oh, very good! Wonderful! These two kong-ans are the same kong-an. If you understand this, you understand samadhi and enlightenment.
Stephen Mitchell (Dropping Ashes on the Buddha: The Teachings of Zen Master Seung Sahn)
and blotted it with special blotting papers. It occurred to her, not for the first time, that some music might be pleasant to listen to while she made her preparations, but the record player had broken decades ago and she had no wish for anything ugly and modern in the house. Finally, with a spritz of perfume, Josephine Desrosiers was ready to greet her nephew. She was spry for her age and she had no trouble with the stairs. She nearly hummed to herself as she descended, but stopped herself because she thought humming was a low-class pursuit. Her nephew, chewing on a fingernail, was
Nell Goddin (The Luckiest Woman Ever (Molly Sutton Mysteries #2))
The intellectual life as portrayed in this film has four key features: It is a form of the inner life of a person, a place of retreat and reflection. As such it is withdrawn from the world, where “the world” is understood in its (originally Platonic, later Christian) sense as the locus of competition and struggle for wealth, power, prestige, and status. It is a source of dignity—made obvious in this case by the contrast to Renée’s low status as an unattractive working-class woman without children and past childbearing age. It opens space for communion: it allows for profound connection between human beings.
Zena Hitz (Lost in Thought: The Hidden Pleasures of an Intellectual Life)