β
You don't love someone for their looks, or their clothes, or for their fancy car, but because they sing a song only you can hear.
β
β
Oscar Wilde
β
Sometimes you have to be apart from people you love, but that doesn't make you love them any less. Sometimes you love them more.
β
β
Nicholas Sparks (The Last Song)
β
Every heart sings a song, incomplete, until another heart whispers back. Those who wish to sing always find a song. At the touch of a lover, everyone becomes a poet.
β
β
Plato
β
You are the answer to every prayer I've offered. You are a song, a dream, a whisper, and I don't know how I could have lived without you for as long as I have.
β
β
Nicholas Sparks (The Notebook (The Notebook, #1))
β
you have to love something before you can hate it.
β
β
Nicholas Sparks (The Last Song)
β
He is half of my soul, as the poets say.
β
β
Madeline Miller (The Song of Achilles)
β
In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.
β
β
Madeline Miller (The Song of Achilles)
β
Deep in the meadow, hidden far away
A cloak of leaves, a moonbeam ray
Forget your woes and let your troubles lay
And when it's morning again, they'll wash away
Here it's safe, here it's warm
Here the daisies guard you from every harm
Here your dreams are sweet and tomorrow brings them true
Here is the place where I love you.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
β
I want
To do with you what spring does with the cherry trees.
β
β
Pablo Neruda (Twenty Love Poems and a Song of Despair)
β
Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that youβve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you canβt wait to tell them about it, knowing they will share in your excitement. They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever. Memories of your childhood come back and are so clear and vivid itβs like being young again. Colours seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didnβt exist at all. A phone call or two during the day helps to get you through a long dayβs work and always brings a smile to your face. In their presence, thereβs no need for continuous conversation, but you find youβre quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon. You open your heart knowing that thereβs a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure thatβs so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.
β
β
Bob Marley
β
Tonight I can write the saddest lines
I loved her, and sometimes she loved me too.
β
β
Pablo Neruda (Twenty Love Poems and a Song of Despair)
β
You know, when it works, love is pretty amazing. It's not overrated. There's a reason for all those songs.
β
β
Sarah Dessen (This Lullaby)
β
When he died, all things soft and beautiful and bright would be buried with him.
β
β
Madeline Miller (The Song of Achilles)
β
I told you. You don't love someone because of their looks or their clothes or their car. You love them because they sing a song only your heart can understand.
β
β
L.J. Smith
β
Life, he realize, was much like a song. In the beginning there is mystery, in the end there is confirmation, but it's in the middle where all the emotion resides to make the whole thing worthwhile.
β
β
Nicholas Sparks (The Last Song)
β
The things we love destroy us every time, lad. Remember that.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
You don't love a girl because of beauty. You love her because she sings a song only you can understand.
β
β
L.J. Smith (Secret Vampire (Night World, #1))
β
That is β your friend?"
"Philtatos," Achilles replied, sharply. Most beloved.
β
β
Madeline Miller (The Song of Achilles)
β
And all the books you've read have been read by other people. And all the songs you've loved have been heard by other people. And that girl that's pretty to you is pretty to other people. and that if you looked at these facts when you were happy, you would feel great because you are describing 'unity.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms . . . or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I just want to break that song into pieces and love them all to death.
β
β
Rainbow Rowell (Eleanor & Park)
β
You're like a song that I heard when I was a little kid but forgot I knew until I heard it again.
β
β
Maggie Stiefvater (Lament: The Faerie Queen's Deception (Books of Faerie, #1))
β
And I thought about how many people have loved those songs. And how many people got through a lot of bad times because of those songs. And how many people enjoyed good times with those songs. And how much those songs really mean. I think it would be great to have written one of those songs. I bet if I wrote one of them, I would be very proud. I hope the people who wrote those songs are happy. I hope they feel it's enough. I really do because they've made me happy. And I'm only one person.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Wherever you will go,
I will let you down,
But this lullaby goes on.
β
β
Sarah Dessen (This Lullaby)
β
He stared at her, knowing with certainty that he was falling in love. He pulled her close and kissed her beneath a blanket of stars, wondering how on earth he'd been lucky enough to find her.
β
β
Nicholas Sparks (The Last Song)
β
Please Mia," he implores. "Don't make me write a song.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
We reached for each other, and I thought of how many nights I had lain awake loving him in silence.
β
β
Madeline Miller (The Song of Achilles)
β
Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.
β
β
Madeline Miller (The Song of Achilles)
β
I am no longer in love with her, that's certain, but maybe I love her. Love is so short, forgetting is so long.
β
β
Pablo Neruda (Twenty Love Poems and a Song of Despair)
β
I have done it," she says. At first I do not understand. But then I see the tomb, and the marks she has made on the stone. A C H I L L E S, it reads. And beside it, P A T R O C L U S.
"Go," she says. "He waits for you."
In the darkness, two shadows, reaching through the hopeless, heavy dusk. Their hands meet, and light spills in a flood like a hundred golden urns pouring out of the sun.
β
β
Madeline Miller (The Song of Achilles)
β
For I have known them all already, known them allβ
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons.
β
β
T.S. Eliot (T. S. Eliot Reading: The Love Song of J. Alfred Prufrock and Others (Caedmon1045))
β
He was ordinary in a world that loved the extraordinary.
β
β
Nicholas Sparks (The Last Song)
β
I had no illusions about love anymore. It came, it went, it left casualties or it didn't. People weren't meant to be together forever, regardless of what the songs say.
β
β
Sarah Dessen
β
The story of life is quicker than the wink of an eye, the story of love is hello and goodbye...until we meet again
β
β
Jimi Hendrix
β
You should date a girl who reads.
Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve.
Find a girl who reads. Youβll know that she does because she will always have an unread book in her bag. Sheβs the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? Thatβs the reader. They can never resist smelling the pages, especially when they are yellow and worn.
Sheβs the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because sheβs kind of engrossed already. Lost in a world of the authorβs making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book.
Buy her another cup of coffee.
Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyceβs Ulysses sheβs just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice.
Itβs easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, sheβs going to try to make her life a little like her favorite book. It will never be your fault if she does.
She has to give it a shot somehow.
Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world.
Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two.
Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series.
If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. Sheβll talk as if the characters in the book are real, because for a while, they always are.
You will propose on a hot air balloon. Or during a rock concert. Or very casually next time sheβs sick. Over Skype.
You will smile so hard you will wonder why your heart hasnβt burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots.
Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then youβre better off alone. If you want the world and the worlds beyond it, date a girl who reads.
Or better yet, date a girl who writes.
β
β
Rosemarie Urquico
β
I will never leave him. It will be this, always, for as long as he will let me.
β
β
Madeline Miller (The Song of Achilles)
β
you're an expert at sorry and keeping the lines blurry
β
β
Taylor Swift
β
Would you destroy Something perfect in order to make it beautiful?
β
β
Gerard Way
β
When we die, we will turn into songs, and we will hear each other and remember each other.
β
β
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
β
It was at that age
that poetry came in search of me.
β
β
Pablo Neruda (Twenty Love Poems and a Song of Despair)
β
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.
β
β
W.H. Auden (Collected Poems)
β
The things I do for love.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
Close your eyes and I'll kiss you, Tomorrow I'll miss you.
β
β
Paul McCartney
β
One of the remarkable things about love is that, despite very irritating people writing poems and songs about how pleasant it is, it really is quite pleasant.
β
β
Lemony Snicket (Horseradish: Bitter Truths You Can't Avoid)
β
Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
If they substituted the word 'Lust' for 'Love' in the popular songs it would come nearer the truth.
β
β
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
β
I fell for her in summer, my lovely summer girl,
From summer she is made, my lovely summer girl,
Iβd love to spend a winter with my lovely summer girl,
But Iβm never warm enough for my lovely summer girl,
Itβs summer when she smiles, Iβm laughing like a child,
Itβs the summer of our lives; weβll contain it for a while
She holds the heat, the breeze of summer in the circle of her hand
Iβd be happy with this summer if itβs all we ever had.
β
β
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
β
I rose too high, loved too hard, dared too much. I tried to grasp a star, overreached, and fell.
β
β
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
β
I have stolen princesses back from sleeping barrow kings. I burned down the town of Trebon. I have spent the night with Felurian and left with both my sanity and my life. I was expelled from the University at a younger age than most people are allowed in. I tread paths by moonlight that others fear to speak of during day. I have talked to gods, loved women, and written songs that make the minstrels weep. You may have heard of me.
β
β
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
β
You can't own a human being. You can't lose what you don't own. Suppose you did own him. Could you really love somebody who was absolutely nobody without you? You really want somebody like that? Somebody who falls apart when you walk out the door? You don't, do you? And neither does he. You're turning over your whole life to him. Your whole life, girl. And if it means so little to you that you can just give it away, hand it to him, then why should it mean any more to him? He can't value you more than you value yourself.
β
β
Toni Morrison (Song of Solomon)
β
Love is not a habit, a commitment, or a debt. It isn't what romantic songs tell us it is - love simply is.
β
β
Paulo Coelho
β
The best fantasy is written in the language of dreams. It is alive as dreams are alive, more real than real ... for a moment at least ... that long magic moment before we wake.
Fantasy is silver and scarlet, indigo and azure, obsidian veined with gold and lapis lazuli. Reality is plywood and plastic, done up in mud brown and olive drab. Fantasy tastes of habaneros and honey, cinnamon and cloves, rare red meat and wines as sweet as summer. Reality is beans and tofu, and ashes at the end. Reality is the strip malls of Burbank, the smokestacks of Cleveland, a parking garage in Newark. Fantasy is the towers of Minas Tirith, the ancient stones of Gormenghast, the halls of Camelot. Fantasy flies on the wings of Icarus, reality on Southwest Airlines. Why do our dreams become so much smaller when they finally come true?
We read fantasy to find the colors again, I think. To taste strong spices and hear the songs the sirens sang. There is something old and true in fantasy that speaks to something deep within us, to the child who dreamt that one day he would hunt the forests of the night, and feast beneath the hollow hills, and find a love to last forever somewhere south of Oz and north of Shangri-La.
They can keep their heaven. When I die, I'd sooner go to middle Earth.
β
β
George R.R. Martin
β
I crossed a thousand leagues to come to you, and lost the best part of me along the way. Don't tell me to leave.
β
β
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
β
Have you no more memories?"
I am made of memories.
"Speak, then.
β
β
Madeline Miller (The Song of Achilles)
β
For the first time in my life I saw the truth as it is set into song by so many poets, proclaimed as the final wisdom by so many thinkers. The truth - that Love is the ultimate and highest goal to which man can aspire. Then I grasped the meaning of the greatest secret that human poetry and human thought and belief have to impart: The salvation of man is through love and in love.
β
β
Viktor E. Frankl (Manβs Search for Meaning)
β
I've been burdened with blame trapped in the past for too long, I'm moving on
β
β
Rascal Flatts
β
Love is a combination of care, commitment, knowledge, responsibility, respect and trust.
β
β
bell hooks (Communion: The Female Search for Love (Love Song to the Nation, #2))
β
So many vows... they make you swear and swear. Defend the king. Obey the king. Keep his secrets. Do his bidding. Your life for his. But obey your father. Love your sister. Protect the innocent. Defend the weak. Respect the gods. Obey the laws. Itβs too much. No matter what you do, youβre forsaking one vow or the other.
β
β
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
β
Love is fragile. And we're not always its best caretakers. We just muddle through and do the best we can. And hope this fragile thing survives against all odds.
β
β
Nicholas Sparks (The Last Song)
β
A story about family, first loves, second chances, and the moments in life that leads you back home
β
β
Nicholas Sparks (The Last Song)
β
I do not think I ever opened a book in my life which had not something to say upon woman's inconstancy. Songs and proverbs, all talk of woman's fickleness. But perhaps you will say, these were all written by men."
"Perhaps I shall. Yes, yes, if you please, no reference to examples in books. Men have had every advantage of us in telling their own story. Education has been theirs in so much higher a degree; the pen has been in their hands. I will not allow books to prove anything.
β
β
Jane Austen (Persuasion)
β
Who writes your name in letters of smoke among the stars of the south?
Oh let me remember you as you were before you existed.
β
β
Pablo Neruda (Twenty Love Poems and a Song of Despair)
β
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
β
β
T.S. Eliot (The Love Song of J. Alfred Prufrock)
β
Itβs the same with people who say, βWhatever doesnβt kill you makes you stronger.β Even people who say this must realize that the exact opposite is true. What doesnβt kill you maims you, cripples you, leaves you weak, makes you whiny and full of yourself at the same time. The more pain, the more pompous you get. Whatever doesnβt kill you makes you incredibly annoying.
β
β
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
β
I love you more than songs can say, but I can't keep running after yesterday...
β
β
John Mayer (John Mayer - Battle Studies (Play It Like It Is Guitar))
β
I don't let nobody see me wishin' he was mine
β
β
Taylor Swift
β
Heβs like a song she canβt get out of her head. Hard as she tries, the melody of their meeting runs through her mind on an endless loop, each time as surprisingly sweet as the last, like a lullaby, like a hymn, and she doesnβt think she could ever get tired of hearing it.
β
β
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
β
But, my God, it's so beautiful when the boy smiles
β
β
Anna Nalick
β
And now," Eric yelled into his mircophone, "we're going to sing a new song-one we just wrote. This one's for my girlfriend. We've been going out for three weeks, and, damn, our love is true. We're gonna be together forever, baby. This one's called 'Bang You Like a Drum.
β
β
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
β
The only position that leaves me with no cognitive dissonance is atheism. It is not a creed. Death is certain, replacing both the siren-song of Paradise and the dread of Hell. Life on this earth, with all its mystery and beauty and pain, is then to be lived far more intensely: we stumble and get up, we are sad, confident, insecure, feel loneliness and joy and love. There is nothing more; but I want nothing more.
β
β
Ayaan Hirsi Ali (Infidel)
β
Iβm stuck babysitting turtle eggs while a volleyball player slash grease monkey slash aquarium volunteer tries to hit on me.β
Iβm not hitting on you,β he protested.
No?β
Believe me, youβd know if I was hitting on you. You wouldnβt be able to stop yourself from succumbing to my charms.
β
β
Nicholas Sparks (The Last Song)
β
You know the reason The Beatles made it so big?...'I Wanna Hold Your Hand.' First single. Fucking brilliant. Perhaps the most fucking brilliant song ever written. Because they nailed it. That's what everyone wants. Not 24/7 hot wet sex. Not a marriage that lasts a hundred years. Not a Porsche...or a million-dollar crib. No. They wanna hold your hand. They have such a feeling that they can't hide. Every single successful song of the past fifty years can be traced back to 'I Wanna Hold Your Hand.' And every single successful love story has those unbearable and unbearably exciting moments of hand-holding.
β
β
David Levithan (Nick & Norah's Infinite Playlist)
β
I thought of all the others who had tried to tie her to the ground and failed. So I resisted showing her the songs and poems I had written, knowing that too much truth can ruin a thing. And if that meant she wasn't entirely mine, what of it? I would be the one she could always return to without fear of recrimination or question. So I did not try to win her and contented myself with playing a beautiful game. But there was always a part of me that hoped for more, and so there was a part of me that was always a fool.
β
β
Patrick Rothfuss (The Wise Manβs Fear (The Kingkiller Chronicle, #2))
β
To me, βFEARLESSβ is not the absence of fear. Itβs not being completely unafraid. To me, FEARLESS is having fears. FEARLESS is having doubts. Lots of them. To me, FEARLESS is living in spite of those things that scare you to death. FEARLESS is falling madly in love again, even though youβve been hurt before. FEARLESS is walking into your freshmen year of high school at fifteen. FEARLESS is getting back up and fighting for what you want over and over againβ¦ even though every time youβve tried before, youβve lost. Itβs FEARLESS to have faith that someday things will change. FEARLESS is having the courage to say goodbye to someone who only hurts you, even if you canβt breathe without them. I think itβs FEARLESS to fall for your best friend, even though heβs in love with someone else. And when someone apologizes to you enough times for things theyβll never stop doing, I think itβs FEARLESS to stop believing them. Itβs FEARLESS to say βyouβre NOT sorryβ, and walk away. I think loving someone despite what people think is FEARLESS. I think allowing yourself to cry on the bathroom floor is FEARLESS. Letting go is FEARLESS. Then, moving on and being alrightβ¦ThatβsFEARLESS too. But no matter what love throws at you, you have to believe in it. You have to believe in love stories and prince charmings and happily ever after. Thatβs why I write these songs. Because I think love is FEARLESS.
β
β
Taylor Swift
β
And I'll dance with you in Vienna,
I'll be wearing a river's disguise.
The hyacinth wild on my shoulder
my mouth on the dew of your thighs.
And I'll bury my soul in a scrapbook,
with the photographs there and the moss.
And I'll yield to the flood of your beauty,
my cheap violin and my cross.
β
β
Leonard Cohen (Stranger Music: Selected Poems and Songs)
β
By the Angel, Bridgetβs depressing,β said Henry, setting down his newspaper directly on his plate and causing the edge to soak through with egg yolk. Charlotte opened her mouth as if to object, and closed it again. βItβs all heartbreak, death and unrequited love.β
βWell, that is what most songs are about,β said Will. βRequited love is nice, but it doesnβt make much of a ballad.
β
β
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
β
Love is the bane of honor, the death of duty. What is honor compared to a woman's love? What is duty against the feel of a newborn son in your arms ... or the memory of a brother's smile? Wind and words. Wind and words. We are only human, and the gods have fashioned us for love. That is our great glory, and our great tragedy.
β
β
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
β
I found myself grinning until my cheeks hurt, my scalp prickling till I thought it might lift off my head. My tongue ran away from me, giddy with freedom. This, and this, and this, I said to him. I did not have to fear that I spoke too much. I did not have to worry that I was too slender, or too slow. This and this and this! I taught him how to skip stones, and he taught me how to carve wood. I could feel every nerve in my body, every brush of air against my skin.
β
β
Madeline Miller (The Song of Achilles)
β
Why do I read?
I just can't help myself.
I read to learn and to grow, to laugh
and to be motivated.
I read to understand things I've never
been exposed to.
I read when I'm crabby, when I've just
said monumentally dumb things to the
people I love.
I read for strength to help me when I
feel broken, discouraged, and afraid.
I read when I'm angry at the whole
world.
I read when everything is going right.
I read to find hope.
I read because I'm made up not just of
skin and bones, of sights, feelings,
and a deep need for chocolate, but I'm
also made up of words.
Words describe my thoughts and what's
hidden in my heart.
Words are alive--when I've found a
story that I love, I read it again and
again, like playing a favorite song
over and over.
Reading isn't passive--I enter the
story with the characters, breathe
their air, feel their frustrations,
scream at them to stop when they're
about to do something stupid, cry with
them, laugh with them.
Reading for me, is spending time with a
friend.
A book is a friend.
You can never have too many.
β
β
Gary Paulsen (Shelf Life: Stories by the Book)
β
But if you love and must needs have desires, let these be your desires:
To melt and be like a running brook that sings its melody to the night.
To know the pain of too much tenderness.
To be wounded by your own understanding of love;
And to bleed willingly and joyfully.
To wake at dawn with a winged heart and give thanks for another day of loving;
To rest at noon hour and meditate love's ecstasy;
To return home at eventide with gratitude;
And then to sleep with a prayer for the beloved in your heart and a song of praise on your lips.
β
β
Kahlil Gibran
β
Funeral Blues
Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.
Let aeroplanes circle moaning overhead
Scribbling on the sky the message He is Dead,
Put crΓͺpe bows round the white necks of the public doves,
Let the traffic policemen wear black cotton gloves.
He was my North, my South, my East and West,
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last for ever: I was wrong.
The stars are not wanted now; put out every one,
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.
β
β
W.H. Auden (Another Time)
β
Chiron had said once that nations were the most foolish of mortal inventions. βNo man is worth more than another, wherever he is from.β
βBut what if he is your friend?β Achilles had asked him, feet kicked up on the wall of the rose-quartz cave. βOr your brother? Should you treat him the same as a stranger?β
βYou ask a question that philosophers argue over,β Chiron had said. βHe is worth more to you, perhaps. But the stranger is someone elseβs friend and brother. So which life is more important?β
We had been silent. We were fourteen, and these things were too hard for us. Now that we are twenty-seven, they still feel too hard.
He is half of my soul, as the poets say. He will be dead soon, and his honor is all that will remain. It is his child, his dearest self. Should I reproach him for it? I have saved Briseis. I cannot save them all.
I know, now, how I would answer Chiron. I would say: there is no answer. Whichever you choose, you are wrong.
β
β
Madeline Miller (The Song of Achilles)
β
I write a lot of songs about love and I think thatβs because to me love seems like this huge complicated thing. But it seems like every once in a while, two people get it figured out, two people get it right. And so I think the rest of us, we walk around daydreaming about what that might be like. To find that one great love, where all of a sudden everything that seemed to be so complicated, became simple. And everything that used to seem so wrong all of a sudden seemed right because you were with the person who made you feel fearless.
β
β
Taylor Swift
β
But isn't that what love is, Clarissa? Ownership? 'I am my beloved's and my beloved is mine,' as the Song of Songs goes."
"No. And don't quote the Bible at me. I don't think you get it...It's not just that someone belongs to you, it's that you give yourself to them. I doubt you've ever given anything to anyone. Except maybe nightmares."
"To give yourself to someone?" The thin smile didn't waver. "As you've given yourself to Jonathan?"
"What?"
"You think I haven't seen the way you two look at each other? The way he says your name? You may not think I can feel, but that doesn't mean I can't see feelings in others.
β
β
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
β
Unending Love
I seem to have loved you in numberless forms, numberless times...
In life after life, in age after age, forever.
My spellbound heart has made and remade the necklace of songs,
That you take as a gift, wear round your neck in your many forms,
In life after life, in age after age, forever.
Whenever I hear old chronicles of love, it's age old pain,
It's ancient tale of being apart or together.
As I stare on and on into the past, in the end you emerge,
Clad in the light of a pole-star, piercing the darkness of time.
You become an image of what is remembered forever.
You and I have floated here on the stream that brings from the fount.
At the heart of time, love of one for another.
We have played along side millions of lovers,
Shared in the same shy sweetness of meeting,
the distressful tears of farewell,
Old love but in shapes that renew and renew forever.
Today it is heaped at your feet, it has found its end in you
The love of all man's days both past and forever:
Universal joy, universal sorrow, universal life.
The memories of all loves merging with this one love of ours -
And the songs of every poet past and forever.
β
β
Rabindranath Tagore (Selected Poems)
β
Of course, we can't visit every place or meet every person or do every job, yet most of what we'd feel in any life is still available. We don't have to play every game to know what winning feels like. We don't have to hear every piece of music in the world to understand music. We don't have to have tried every variety of grape from every vineyard to know the pleasure of wine. Love and laughter and fear and pain are universal currencies. We just have to close our eyes and savour the taste of the drink in front of us and listen to the song as it plays. We are as completely and utterly alive as we are in any other life and have access to the same emotional spectrum.
β
β
Matt Haig (The Midnight Library)
β
Tell me about the dream where we pull the bodies out of the lake
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββand dress them in warm clothes again.
ββββββββββHow it was late, and no one could sleep, the horses running
until they forget that they are horses.
ββββββββββββββββββββItβs not like a tree where the roots have to end somewhere,
ββββββββββitβs more like a song on a policemanβs radio,
ββββββββββββββββββββββββββββββhow we rolled up the carpet so we could dance, and the days
were bright red, and every time we kissed there was another apple
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββto slice into pieces.
Look at the light through the windowpane. That means itβs noon, that means
ββββββββββwe're inconsolable.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me how all this, and love too, will ruin us.
These, our bodies, possessed by light.
ββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββββTell me weβll never get used to it.
β
β
Richard Siken (Crush)
β
I will go,β he said. βI will go to Troy.β
The rosy gleam of his lip, the fevered green of his eyes. There was not a line anywhere on his face, nothing creased or graying; all crisp. He was spring, golden and bright. Envious death would drink his blood, and grow young again.
He was watching me, his eyes as deep as earth.
βWill you come with me?β he asked.
The never-ending ache of love and sorrow. Perhaps in some other life I could have refused, could have torn my hair and screamed, and made him face his choice alone. But not in this one. He would sail to Troy and I would follow, even into death. βYes,β I whispered. βYes.β
Relief broke in his face, and he reached for me. I let him hold me, let him press us length to length so close that nothing might fit between us.
Tears came, and fell. Above us, the constellations spun and the moon paced her weary course. We lay stricken and sleepless as the hours passed.
β
β
Madeline Miller (The Song of Achilles)
β
1. Iβm lonely so I do lonely things
2. Loving you was like going to war; I never came back the same.
3. You hate women, just like your father and his father, so it runs in your blood.
4. I was wandering the derelict car park of your heart looking for a ride home.
5. Youβre a ghost town Iβm too patriotic to leave.
6. I stay because youβre the beginning of the dream I want to remember.
7. I didnβt call him back because he likes his girls voiceless.
8. Itβs not that he wants to be a liar; itβs just that he doesnβt know the truth.
9. I couldnβt love you, you were a small war.
10. We covered the smell of loss with jokes.
11. I didnβt want to fail at love like our parents.
12. You made the nomad in me build a house and stay.
13. Iβm not a dog.
14. We were trying to prove our blood wrong.
15. I was still lonely so I did even lonelier things.
16. Yes, Iβm insecure, but so was my mother and her mother.
17. No, he loves me he just makes me cry a lot.
18. He knows all of my secrets and still wants to kiss me.
19. You were too cruel to love for a long time.
20. It just didnβt work out.
21. My dad walked out one afternoon and never came back.
22. I canβt sleep because I can still taste him in my mouth.
23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home.
24. The women in my family die waiting.
25. Because I didnβt want to die waiting for you.
26. I had to leave, I felt lonely when he held me.
27. Youβre the song I rewind until I know all the words and I feel sick.
28. He sent me a text that said βI love you so bad.β
29. His heart wasnβt as beautiful as his smile
30. We emotionally manipulated one another until we thought it was love.
31. Forgive me, I was lonely so I chose you.
32. Iβm a lover without a lover.
33. Iβm lovely and lonely.
34. I belong deeply to myself .
β
β
Warsan Shire
β
I donβt know if I will have the time to write any more letters, because I might be too busy trying to participate. So, if this does end up being the last letter, I just want you to know that I was in a bad place before I started high school, and you helped me. Even if you didnβt know what I was talking about, or know someone whoβs gone through it, you made me not feel alone. Because I know there are people who say all these things donβt happen. And there are people who forget what itβs like to be sixteen when they turn seventeen. I know these will all be stories some day, and our pictures will become old photographs. We all become somebodyβs mom or dad. But right now, these moments are not stories. This is happening. I am here, and I am looking at her. And she is so beautiful. I can see it. This one moment when you know youβre not a sad story. You are alive. And you stand up and see the lights on the buildings and everything that makes you wonder. And youβre listening to that song, and that drive with the people who you love most in this world. And in this moment, I swear, we are infinite.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
River Song: Use the stabilisers!
The Doctor: It doesn't have stabilisers!
River Song: The blue switches!
The Doctor: The blue ones don't do anything, they're just... blue!
River Song: Yes they're blue: they're the blue stabilisers! [presses the button and the TARDIS indeed stabilises] See?
The Doctor: Yeah? Well, it's boring now, isn't it? They're boring-ers! They're blue... boring-ers!
Amy: Doctor, how come she can fly the TARDIS?
The Doctor: You call that flying the TARDIS? [scoffs] Ha!
River Song: Okay, I've mapped the probability vectors, done a foldback on the temporal isometry, charted the ship to its destination and... [presses a button, the cloister bell clangs] parked us right alongside.
The Doctor: Parked us? But we haven't landed!
River Song: Of course we've landed; I just landed her.
The Doctor: But it didn't make the noise.
River Song: What noise?
The Doctor: You know, the... [does an impression of the TARDIS materialisation sound]
River Song: It's not supposed to make that noise. You leave the brakes on.
The Doctor: Yes, well, it's a brilliant noise. I love that noise.
β
β
Steven Moffat
β
Love the quick profit, the annual raise,
vacation with pay. Want more
of everything ready-made. Be afraid
to know your neighbors and to die.
And you will have a window in your head.
Not even your future will be a mystery
any more. Your mind will be punched in a card
and shut away in a little drawer.
When they want you to buy something
they will call you. When they want you
to die for profit they will let you know.
So, friends, every day do something
that wonβt compute. Love the Lord.
Love the world. Work for nothing.
Take all that you have and be poor.
Love someone who does not deserve it.
Denounce the government and embrace
the flag. Hope to live in that free
republic for which it stands.
Give your approval to all you cannot
understand. Praise ignorance, for what man
has not encountered he has not destroyed.
Ask the questions that have no answers.
Invest in the millenium. Plant sequoias.
Say that your main crop is the forest
that you did not plant,
that you will not live to harvest.
Say that the leaves are harvested
when they have rotted into the mold.
Call that profit. Prophesy such returns.
Put your faith in the two inches of humus
that will build under the trees
every thousand years.
Listen to carrion β put your ear
close, and hear the faint chattering
of the songs that are to come.
Expect the end of the world. Laugh.
Laughter is immeasurable. Be joyful
though you have considered all the facts.
So long as women do not go cheap
for power, please women more than men.
Ask yourself: Will this satisfy
a woman satisfied to bear a child?
Will this disturb the sleep
of a woman near to giving birth?
Go with your love to the fields.
Lie down in the shade. Rest your head
in her lap. Swear allegiance
to what is nighest your thoughts.
As soon as the generals and the politicos
can predict the motions of your mind,
lose it. Leave it as a sign
to mark the false trail, the way
you didnβt go.
Be like the fox
who makes more tracks than necessary,
some in the wrong direction.
Practice resurrection.
β
β
Wendell Berry
β
She loved all the wolves behind her house, but she loved one of them most of all.
And this one loved her back. He loved her back so hard that even the things that weren't special about her became special: the way she tapped her pencil on her teeth, the off-key songs she sang in the shower, how when she kissed him he knew it meant for ever.
Hers was a memory made up of snapshots: being dragged through the snow by a pack of wolves, first kiss tasting of oranges, saying goodbye behind a cracked windshield.
A life made up of promises of what could be: the possibilities contained in a stack of college applications, the thrill of sleeping under a strange roof, the future that lay in Sam's smile.
It was a life I didn't want to leave behind.
It was a life I didn't want to forget.
I wasn't done with it yet. There was so much more to say.
β
β
Maggie Stiefvater (Linger (The Wolves of Mercy Falls, #2))
β
I want you to tell me about every person youβve ever been in love with.
Tell me why you loved them,
then tell me why they loved you.
Tell me about a day in your life you didnβt think youβd live through.
Tell me what the word home means to you
and tell me in a way that Iβll know your motherβs name
just by the way you describe your bedroom
when you were eight.
See, I want to know the first time you felt the weight of hate,
and if that day still trembles beneath your bones.
Do you prefer to play in puddles of rain
or bounce in the bellies of snow?
And if you were to build a snowman,
would you rip two branches from a tree to build your snowman arms
or would leave your snowman armless
for the sake of being harmless to the tree?
And if you would,
would you notice how that tree weeps for you
because your snowman has no arms to hug you
every time you kiss him on the cheek?
Do you kiss your friends on the cheek?
Do you sleep beside them when theyβre sad
even if it makes your lover mad?
Do you think that anger is a sincere emotion
or just the timid motion of a fragile heart trying to beat away its pain?
See, I wanna know what you think of your first name,
and if you often lie awake at night and imagine your motherβs joy
when she spoke it for the very first time.
I want you to tell me all the ways youβve been unkind.
Tell me all the ways youβve been cruel.
Tell me, knowing I often picture Gandhi at ten years old
beating up little boys at school.
If you were walking by a chemical plant
where smokestacks were filling the sky with dark black clouds
would you holler βPoison! Poison! Poison!β really loud
or would you whisper
βThat cloud looks like a fish,
and that cloud looks like a fairy!β
Do you believe that Mary was really a virgin?
Do you believe that Moses really parted the sea?
And if you donβt believe in miracles, tell me β
how would you explain the miracle of my life to me?
See, I wanna know if you believe in any god
or if you believe in many gods
or better yet
what gods believe in you.
And for all the times that youβve knelt before the temple of yourself,
have the prayers you asked come true?
And if they didnβt, did you feel denied?
And if you felt denied,
denied by who?
I wanna know what you see when you look in the mirror
on a day youβre feeling good.
I wanna know what you see when you look in the mirror
on a day youβre feeling bad.
I wanna know the first person who taught you your beauty
could ever be reflected on a lousy piece of glass.
If you ever reach enlightenment
will you remember how to laugh?
Have you ever been a song?
Would you think less of me
if I told you Iβve lived my entire life a little off-key?
And Iβm not nearly as smart as my poetry
I just plagiarize the thoughts of the people around me
who have learned the wisdom of silence.
Do you believe that concrete perpetuates violence?
And if you do β
I want you to tell me of a meadow
where my skateboard will soar.
See, I wanna know more than what you do for a living.
I wanna know how much of your life you spend just giving,
and if you love yourself enough to also receive sometimes.
I wanna know if you bleed sometimes
from other peopleβs wounds,
and if you dream sometimes
that this life is just a balloon β
that if you wanted to, you could pop,
but you never would
βcause youβd never want it to stop.
If a tree fell in the forest
and you were the only one there to hear β
if its fall to the ground didnβt make a sound,
would you panic in fear that you didnβt exist,
or would you bask in the bliss of your nothingness?
And lastly, let me ask you this:
If you and I went for a walk
and the entire walk, we didnβt talk β
do you think eventually, weβdβ¦ kiss?
No, wait.
Thatβs asking too much β
after all,
this is only our first date.
β
β
Andrea Gibson
β
I hope you feel better about yourself. I hope you feel alive. I hope that good things happen to you, and I hope that when the inevitable bad things happen you can handle them and learn a lesson and move on. I hope you know you're not alone and I hope you spend plenty of time with your family and/or friends and I hope you write more and get a seven-figure book deal. I hope next year no more celebrities die and I hope you get an iPhone if you want one. Or maybe a pony. I hope someone writes a song for you on Valentines Day that's a bit like Hey There Delilah, and I hope they have a good singing voice, or at least one better than mine. I hope that you accept yourself the way you are, and figure out that losing 20 pounds isn't going to magically make you love yourself. I hope you read a lot. I hope you don't have to almost die to figure out how valuable life is. I hope you find the perfect nail polish/digital camera/home/life partner. I hope you stop being jealous of others. I hope you feel good, about yourself and the people around you and the world. I hope you eat heaps of salt and vinegar chips because they're the best kind. I hope you accomplish all your hopes & dreams & aspirations and are blissfully happy & get married to Edward Cullen/George Clooney/Megan Fox/Angelina Jolie (delete whichever are inappropriate) & ride a pretty white horse into the sunset & I hope it's all sweet and wonderful because you deserve it because you did well this year in the face of sparkly vampires/great evil/low self-esteem.
β
β
Steph Bowe
β
Let us say in passing, to be blind and to be loved, is in fact--on this earth where nothing is complete--one of the most strangely exquisite forms of happiness. To have continually at your side a woman, a girl, a sister, a charming being, who is there because you need her, and because she cannot do without you, to know you are indispensable to someone necessary to you, to be able at all times to measure her affection by the degree of the presence that she gives you, and to say to yourself: She dedicates all her time to me, because I possess her whole love; to see the thought if not the face; to be sure of the fidelity of one being in a total eclipse of the world; to imagine the rustling of her dress as the rustling of wings; to hear her moving to and fro, going out, coming in, talking, singing, to think that you are the cause of those steps, those words, that song; to show your personal attraction at every moment; to feel even more powerful as your infirmity increases; to become in darkness, and by reason of darkness, the star around which this angel gravitates; few joys can equal that. The supreme happiness of life is the conviction that we are loved; loved for ourselves--say rather, loved in spite of ourselves; the conviction the blind have. In their calamity, to be served is to be caressed. Are they deprived of anything? No. Light is not lost where love enters. And what a love! A love wholly founded in purity. There is no blindness where there is certainty.
β
β
Victor Hugo (Les MisΓ©rables)
β
You know, I do believe in magic. I was born and raised in a magic time, in a magic town, among magicians. Oh, most everybody else didnβt realize we lived in that web of magic, connected by silver filaments of chance and circumstance. But I knew it all along. When I was twelve years old, the world was my magic lantern, and by its green spirit glow I saw the past, the present and into the future. You probably did too; you just donβt recall it. See, this is my opinion: we all start out knowing magic. We are born with whirlwinds, forest fires, and comets inside us. We are born able to sing to birds and read the clouds and see our destiny in grains of sand. But then we get the magic educated right out of our souls. We get it churched out, spanked out, washed out, and combed out. We get put on the straight and narrow and told to be responsible. Told to act our age. Told to grow up, for Godβs sake. And you know why we were told that? Because the people doing the telling were afraid of our wildness and youth, and because the magic we knew made them ashamed and sad of what theyβd allowed to wither in themselves.
After you go so far away from it, though, you canβt really get it back. You can have seconds of it. Just seconds of knowing and remembering. When people get weepy at movies, itβs because in that dark theater the golden pool of magic is touched, just briefly. Then they come out into the hard sun of logic and reason again and it dries up, and theyβre left feeling a little heartsad and not knowing why. When a song stirs a memory, when motes of dust turning in a shaft of light takes your attention from the world, when you listen to a train passing on a track at night in the distance and wonder where it might be going, you step beyond who you are and where you are. For the briefest of instants, you have stepped into the magic realm.
Thatβs what I believe.
The truth of life is that every year we get farther away from the essence that is born within us. We get shouldered with burdens, some of them good, some of them not so good. Things happen to us. Loved ones die. People get in wrecks and get crippled. People lose their way, for one reason or another. Itβs not hard to do, in this world of crazy mazes. Life itself does its best to take that memory of magic away from us. You donβt know itβs happening until one day you feel youβve lost something but youβre not sure what it is. Itβs like smiling at a pretty girl and she calls you βsir.β It just happens.
These memories of who I was and where I lived are important to me. They make up a large part of who Iβm going to be when my journey winds down. I need the memory of magic if I am ever going to conjure magic again. I need to know and remember, and I want to tell you.
β
β
Robert McCammon (Boy's Life)
β
... so this is for us.
This is for us who sing, write, dance, act, study, run and love
and this is for doing it even if no one will ever know
because the beauty is in the act of doing it.
Not what it can lead to.
This is for the times I lose myself while writing, singing, playing
and no one is around and they will never know
but I will forever remember
and that shines brighter than any praise or fame or glory I will ever have,
and this is for you who write or play or read or sing
by yourself with the light off and door closed
when the world is asleep and the stars are aligned
and maybe no one will ever hear it
or read your words
or know your thoughts
but it doesnβt make it less glorious.
It makes it ethereal. Mysterious.
Infinite.
For it belongs to you and whatever God or spirit you believe in
and only you can decide how much it meant
and means
and will forever mean
and other people will experience it too
through you.
Through your spirit. Through the way you talk.
Through the way you walk and love and laugh and care
and I never meant to write this long
but what I want to say is:
Donβt try to present your art by making other people read or hear or see or touch it; make them feel it. Wear your art like your heart on your sleeve and keep it alive by making people feel a little better. Feel a little lighter. Create art in order for yourself to become yourself
and let your very existence be your song, your poem, your story.
Let your very identity be your book.
Let the way people say your name sound like the sweetest melody.
So go create. Take photographs in the wood, run alone in the rain and sing your heart out high up on a mountain
where no one will ever hear
and your very existence will be the most hypnotising scar.
Make your life be your art
and you will never be forgotten.
β
β
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
β
If what's always distinguished bad writing--flat characters, a narrative world that's clichΓ©d and not recognizably human, etc.--is also a description of today's world, then bad writing becomes an ingenious mimesis of a bad world. If readers simply believe the world is stupid and shallow and mean, then [Bret] Ellis can write a mean shallow stupid novel that becomes a mordant deadpan commentary on the badness of everything. Look man, we'd probably most of us agree that these are dark times, and stupid ones, but do we need fiction that does nothing but dramatize how dark and stupid everything is? In dark times, the definition of good art would seem to be art that locates and applies CPR to those elements of what's human and magical that still live and glow despite the times' darkness. Really good fiction could have as dark a worldview as it wished, but it'd find a way both to depict this world and to illuminate the possibilities for being alive and human in it.
Postmodern irony and cynicism's become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what's wrong, because they'll look sentimental and naive to all the weary ironists. Irony's gone from liberating to enslaving. There's some great essay somewhere that has a line about irony being the song of the prisoner who's come to love his cage⦠The postmodern founders' patricidal work was great, but patricide produces orphans, and no amount of revelry can make up for the fact that writers my age have been literary orphans throughout our formative years.
We enter a spiritual puberty where we snap to the fact that the great transcendent horror is loneliness, excluded encagement in the self. Once weβve hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then itβs stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naΓ―vetΓ©. Sentiment equals naΓ―vetΓ© on this continent.
You burn with hunger for food that does not exist.
A U. S. of modern A. where the State is not a team or a code, but a sort of sloppy intersection of desires and fears, where the only public consensus a boy must surrender to is the acknowledged primacy of straight-line pursuing this flat and short-sighted idea of personal happiness.
β
β
David Foster Wallace
β
Peeta,β I say lightly. βYou said at the interview youβd had a crush on me forever. When did forever start?β
βOh, letβs see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,β Peeta says.
βYour father? Why?β I ask.
βHe said, βSee that little girl? I wanted to marry her mother, but she ran off with a coal miner,ββ Peeta says.
βWhat? Youβre making that up!β I exclaim.
βNo, true story,β Peeta says. βAnd I said, βA coal miner? Why did she want a coal miner if she couldβve had you?β And he said, βBecause when he sings... even the birds stop to listen.ββ
βThatβs true. They do. I mean, they did,β I say. Iβm stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think itβs a waste of time. It might be because it reminds me too much of my father.
βSo that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,β Peeta says.
βOh, please,β I say, laughing.
βNo, it happened. And right when your song ended, I knewβjust like your motherβI was a goner,β Peeta says. βThen for the next eleven years, I tried to work up the nerve to talk to you.β
βWithout success,β I add.
βWithout success. So, in a way, my name being drawn in the reaping was a real piece of luck,β says Peeta. For a moment, Iβm almost foolishly happy and then confusion sweeps over me. Because weβre supposed to be making up this stuff, playing at being in love not actually being in love. But Peetaβs story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I donβt remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my fatherβs death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
βYou have a... remarkable memory,β I say haltingly. βI remember everything about you,β says Peeta, tucking a loose strand of hair behind my ear. βYouβre the one who wasnβt paying attention.β
βI am now,β I say.
βWell, I donβt have much competition here,β he says. I want to draw away, to close those shutters again, but I know I canβt. Itβs as if I can hear Haymitch whispering in my ear, βSay it! Say it!β
I swallow hard and get the words out. βYou donβt have much competition anywhere.β And this time, itβs me who leans in.
β
β
Suzanne Collins (The Hunger Games (The Hunger Games, #1))