Love Replies Quotes

We've searched our database for all the quotes and captions related to Love Replies. Here they are! All 100 of them:

Rue, who when you ask her what she loves most in the world, replies, of all things, “Music.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
That is — your friend?" "Philtatos," Achilles replied, sharply. Most beloved.
Madeline Miller (The Song of Achilles)
Ronan said, "I'm always straight." Adam replied "Oh, man, that's the biggest lie you've ever told.
Maggie Stiefvater (The Raven Boys (The Raven Cycle, #1))
The best thing for being sad," replied Merlin, beginning to puff and blow, "is to learn something. That's the only thing that never fails. You may grow old and trembling in your anatomies, you may lie awake at night listening to the disorder of your veins, you may miss your only love, you may see the world about you devastated by evil lunatics, or know your honour trampled in the sewers of baser minds. There is only one thing for it then — to learn. Learn why the world wags and what wags it. That is the only thing which the mind can never exhaust, never alienate, never be tortured by, never fear or distrust, and never dream of regretting. Learning is the only thing for you. Look what a lot of things there are to learn.
T.H. White (The Once and Future King)
Then Day reaches out and touches my hand with his. He encloses it in a handshake. And just like that, I am linked with him again, I feel the pulse of our bond and his- tory and love through our hands, like a wave of magic, the return of a long-lost friend. Of something meant to be. The feeling brings tears to my eyes. Perhaps we can take a step forward together. “Hi,” he says. “I’m Daniel.” “Hi,” I reply. “I’m June.
Marie Lu (Champion (Legend, #3))
If somebody says 'I love you' to me, I feel as though I had a pistol pointed at my head. What can anybody reply under such conditions but that which the pistol holder requires? 'I love you, too'.
Kurt Vonnegut Jr. (Wampeters, Foma and Granfalloons)
A fight is going on inside me," said an old man to his son. "It is a terrible fight between two wolves. One wolf is evil. He is anger, envy, sorrow, regret, greed, arrogance, self-pity, guilt, resentment, inferiority, lies, false pride, superiority, and ego. The other wolf is good. he is joy, peace, love, hope, serenity, humility, kindness, benevolence, empathy, generosity, truth, compassion, and faith. The same fight is going on inside you." The son thought about it for a minute and then asked, "Which wolf will win?" The old man replied simply, "The one you feed.
Wendy Mass (Jeremy Fink and the Meaning of Life)
What was it like to love him? Asked Gratitude. It was like being exhumed, I answered, and brought to life in a flash of brilliance. What was it like to be loved in return? Asked Joy. It was like being seen after a perpetual darkness, I replied. To be heard after a lifetime of silence. What was it like to lose him? Asked Sorrow. There was a long pause before I responded: It was like hearing every goodbye ever said to me—said all at once.
Lang Leav (Love & Misadventure)
Yelena, you've driven me crazy. You've caused me considerable trouble and I've contemplated ending your life twice since I've known you." Valek's warm breath in my ear sent a shiver down my spine. "But you’ve slipped under my skin, invaded my blood and seized my heart.” “That sounds more like a poison than a person,” was all I could say. His confession had both shocked and thrilled me. “Exactly,” Valek replied. “You have poisoned me.
Maria V. Snyder (Poison Study (Study, #1))
A virgin," Flaminius smiled deviously. "I'll take her." Instantly, surprised chatter erupted. Mother Guardian held up her hand for silence. "You cannot be serious, Sire." "Oh, but I am," he replied with a smirk.
Therisa Peimer (Taming Flame)
The question,’ she replied, ‘is not whether you will love, hurt, dream, and die. It is what you will love, why you will hurt, when you will dream, and how you will die. This is your choice. You cannot pick the destination, only the path.
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
Half the night I waste in sighs, Half in dreams I sorrow after The delight of early skies; In a wakeful dose I sorrow For the hand, the lips, the eyes, For the meeting of the morrow, The delight of happy laughter, The delight of low replies.
Alfred Tennyson (Maud, and other poems)
Where are you?” She asked. “I have been searching all my life.” “Stop looking for me,” Love replied, “and I will find you.
Lang Leav (Lullabies)
We're in this together, right?" he whispers. "You and me? You want to be here, yeah?" There's guilt in his questions. "Yes," I reply. "I chose this." Day pulls me close enough for our noses to touch. "I love you.
Marie Lu (Prodigy (Legend, #2))
I am troubled, immeasurably by your eyes. I am struck by the feather of your soft reply. The sound of glass speaks quick, disdain and conceals what your eyes fight to explain.
Jim Morrison (Wilderness: The Lost Writings, Vol. 1)
When you love someone, it's never over,' Dr. Carruthers replied gently. 'You move on, because you have to, but you bring him in your heart.
Elizabeth Chandler (Kissed by an Angel (Kissed by an Angel, #1))
she asked ‘you are in love, what does love look like’ to which i replied ‘like everything i’ve ever lost come back to me.
Nayyirah Waheed
What the hell makes you so smart?" I asked. "I wouldn't go for coffee with you, " she answered. "Listen -- I wouldn't ask you." "That, "she replied "is what makes you stupid.
Erich Segal (Love Story (Love Story, #1))
One day," you said to me, "I saw the sunset forty-four times!" And a little later you added: "You know-- one loves the sunset, when one is so sad..." "Were you so sad, then?" I asked, "on the day of the forty-four sunsets?" But the little prince made no reply.
Antoine de Saint-Exupéry (The Little Prince)
A hedgehog? And just how does a hedgehog make love?" he demanded. No, I thought. I won't. I will not. But I did. "Very carefully," I replied, giggling helplessly. So now we know just how old that one is, I thought.
Diana Gabaldon (Outlander (Outlander, #1))
In love, as in life, one misheard word can be tremendously important. If you tell someone you love them, for instance, you must be absolutely certain that they have replied "I love you back" and not "I love your back" before you continue the conversation.
Lemony Snicket
I don't want your prayers, he said. What do you want, then? The old answers came easily to mind. Money. Vengeance. Jordie's voice in my head silenced forever. But a different reply roared to life inside him, loud, insistent, and unwelcome. You, Inej. You.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Aside from the obvious, Francesca, what do you want in return for supplying information?” Bones asked, getting back to the subject. “You to take me,” she replied at once. “Not gonna happen!” I spat, squeezing him possessively. Three sets of widened eyes fixed on me. That’s when I realized that what I had a firm grip on was no longer his hand.
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
Flustered, she replied, "You're not my - my - grandmother, or something." "You'd talk about this with your grandmother? I can't possibly imagine discussing my dating life with mine. She's a lovely woman, I suppose. If you like them bald and racist.
Maggie Stiefvater (The Dream Thieves (The Raven Cycle, #2))
This was when she asked him whether it was true that love conquered all, as the songs said. 'It is true', he replied, 'but you would do well not to believe it.
Gabriel García Márquez (Of Love and Other Demons)
I pull back. "I'm going to have to change my computer password." "Oh yeah? To what?" "I-love-Josh." "4 eva, he replies." "You cracked my password?
Sally Thorne (The Hating Game)
The last few hours were certainly very painful," replied Anne: "but when pain is over, the remembrance of it often becomes a pleasure. One does not love a place the less for having suffered in it, unless it has been all suffering, nothing but suffering-
Jane Austen (Persuasion)
If I am pressed to say why I loved him, I feel it can only be explained by replying: 'Because it was he; because it was me.
Michel de Montaigne (The Complete Essays)
I love you," Matt said. I love you, too," Maria replied. "I know that's a sin, and I'll probably go to hell for it." If I have a soul, I'll go with you," promised Matt.
Nancy Farmer (The House of the Scorpion (Matteo Alacran, #1))
No problem," Gale replies. "I wake up ten times a night anyway." "To make sure Katniss is still here?" asks Peeta. "Something like that,"... "That was funny, what Tigris said. About no one knowing what to do with her." "Well, WE never have,"... "She loves you, you know," says Peeta. "She as good as told me after they whipped you." "Don't believe it,"Gale answers. "The way she kissed you in the Quarter Quell...well she never kissed me like that." "It was just part of the show," Peeta tells him, although there's an edge of doubt in his voice. "No, you won her over. Gave up everything for her. Maybe that's the only way to convince her you love her." There's a long pause. "I should have volunteered to take your place in the first Games. Protected her then." "You couldn't," says Peeta. "She'd never have forgiven you. You had to take care of her family. They matter more to her than her life." ... "I wonder how she'll make up her mind." "Oh, that I do know." I can just catch Gale's last words through the layer of fur. "Katniss will pick whoever she thinks she can't survive without
Suzanne Collins (Mockingjay (The Hunger Games, #3))
What the hell makes you smart?" I asked. "I wouldn't go for coffee with you." "Listen - I wouldn't ask you." "That," she replied, "is what makes you stupid.
Erich Segal (Love Story (Love Story, #1))
Do you know what friendship is?' he asked. 'Yes,' replied the gypsy; 'it is to be brother and sister; two souls which touch without mingling, two fingers on one hand.' 'And love?' pursued Gringoire. 'Oh! love!' said she, and her voice trembled, and her eye beamed. 'That is to be two and to be but one. A man and a woman mingled into one angel. It is heaven.
Victor Hugo (The Hunchback of Notre-Dame)
Please-tame me!' he said. 'I want to, very much,' the little prince replied. 'But I have not much time. I have friends to discover, and a great many things to understand.' 'One only understands the things that one tames,' said the fox. 'Men have no more time to understand anything. They buy things all ready made at the shops. But there is no shop anywhere where one can buy friendship, and so men have no friends any more. If you want a friend, tame me.' 'What must I do, to tame you?' asked the little prince. 'You must be very patient,' replied the fox. 'First you will sit down at a little distance from me-like that-in the grass. I shall look at you out of the corner of my eye, and you will say nothing. Words are the source of misunderstandings. But you will sit a little closer to me, every day...
Antoine de Saint-Exupéry (The Little Prince)
Holy shit, did they just kill off that fish’s wife?” I blurted in shock. “Yep,” Gavin replied. “That big, mean fish ated her.” He said it so calmly – like it was no big deal that a sweet, loving cartoon fish just got murdered. What the fuck was wrong with this movie? This couldn’t be appropriate for kids. I didn’t think it was appropriate for me.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
What is the appropriate reply to make to a man who says he loves you? Thank you. You are very kind.
Meg Cabot (The Princess Diaries (The Princess Diaries, #1))
Once when I had remarked on the affection quite often found between cat and dog, my friend replied, "Yes. But I bet no dog would ever confess it to the other dogs.
C.S. Lewis (The Four Loves)
Wherever I go, I'll always see you. You'll always be with me. And there's no happy ending coming here, no way a story that started on a night that's burned into my heart will end the way I wish it could. You're really gone, no last words, and no matter how many letters I write to you, you're never going to reply. You're never going to say good-bye. So I will. Good-bye, Julia. Thank you for being my friend. Thank you for being you.
Elizabeth Scott (Love You Hate You Miss You)
Blayne turned her head to look at Gwen, but caught sight of Dee-Ann standing behind them. "Ahh! Where the hell did you come from?" "Momma says from the love she shares with my daddy," Dee calmly replied.
Shelly Laurenston (The Mane Squeeze (Pride, #4))
I seem to be immune," I replied. "And luckily, I know what a real kiss should feel like." I left him standing in the middle of the square. I could get used to making Mal blush.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Can I kiss you now?" he asked. "I think you'd better, tiger," I replied.
Colleen Houck (Tiger's Destiny (The Tiger Saga, #4))
Even Socrates, who lived a very frugal and simple life, loved to go to the market. When his students asked about this, he replied, "I love to go and see all the things I am happy without.
Jack Kornfield
My wife and I just don't have the same feelings for each other we used to have. I guess I just don't love her anymore and she doesn't love me. What can i do?" "The feeling isn't there anymore?" I asked. "That's right," he reaffirmed. "And we have three children we're really concerned about. What do you suggest?" "love her," I replied. "I told you, the feeling just isn't there anymore." "Love her." "You don't understand. the feeling of love just isn't there." "Then love her. If the feeling isn't there, that's a good reason to love her." "But how do you love when you don't love?" "My friend , love is a verb. Love - the feeling - is a fruit of love, the verb. So love her. Serve her. Sacrifice. Listen to her. Empathize. Appreciate. Affirm her. Are you willing to do that?
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
Halt regarded him. He loved Horace like a younger brother. Even like a second son, after Will. He admired his skill with a sword and his courage in battle. But sometimes, just sometimes, he felt an overwhelming desire to ram the young warrior's head against a convenient tree. "You have no sense of drama or symbolism, do you?" he asked. "Huh?" replied Horace, not quite understanding. Halt looked around for a convenient tree. Luckily for Horace, there were none in sight.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
she asked ‘you are in love what does love look like’ to which i replied ‘like everything i’ve ever lost come back to me.
Nayyirah Waheed (salt.)
DEMON MATH What is JUST in a world you've ripped in two as if there could be a half for me a half for you what is FAIR when there is nothing left to share what is YOURS when your pain is mine to bear this sad math is mine this mad path is mine subtract they say don't cry back to the desk try forget addition multiply and i reply this is why remainders hate division.
Kami Garcia (Beautiful Chaos (Caster Chronicles, #3))
For in Paris, whenever God puts a pretty woman there (the streets), the Devil, in reply, immediately puts a fool to keep her.
Jules Barbey d'Aurevilly (Les Diaboliques)
Are you seeing anyone romantically?" he inquired. "No, I'm not," she replied. "Good. Please keep it that way. Because I intend to ask you to marry me.
Mitch Albom (Have a Little Faith: a True Story)
You will be the first test subject, Tobias. Beatrice, however...." She smiles. "You are too injured to be of much use to me, so your execution will occur at the conclusion of this meeting." I try to hide the shudder that goes through me at the word "execution," my shoulder screaming with pain, and look up at Tobias. It's hard to blink tears back when I see the terror in Tobias's wide, dark eyes. "No," says Tobias. His voice trembles, but his look stern as he shakes his head. "I would rather die." "I'm afraid you don't have much of a choice in that matter," replies Jeanine lightly. Tobias takes my face in this hands roughly and kisses me, the pressure of his lips pushing mine apart. I forget my pain and the terror of approaching death and for a moment, I am grateful that the memory of that kiss will be fresh in my mind as I meet my end.
Veronica Roth (Divergent (Divergent, #1))
A lover asked his beloved, Do you love yourself more than you love me? Beloved replied, I have died to myself and I live for you. I've disappeared from myself and my attributes, I am present only for you. I've forgotten all my learnings, but from knowing you I've become a scholar. I've lost all my strength, but from your power I am able. I love myself...I love you. I love you...I love myself.
Jalal ad-Din Muhammad ar-Rumi
I love you," Sam said. Celaena wrapped her arms around him and held him close, breathing his scent. Her only reply was, "I hate packing.
Sarah J. Maas (The Assassin and the Empire (Throne of Glass, #0.5))
There came one and knocked at the door of the Beloved. And a voice answered and said, 'Who is there?' The lover replied, 'It is I.' 'Go hence,' returned the voice; 'there is no room within for thee and me.' Then came the lover a second time and knocked and again the voice demanded, 'Who is there?' He answered, 'It is thou.' 'Enter,' said the voice, 'for I am within.
Jalal ad-Din Muhammad ar-Rumi (The Way of the Sufi (Compass))
Quote taken from Chapter 1 of The Corpse Wore Gingham: "You love to figure out things as much as I do,” Piper said. “Like what?” Bill asked. “You fix broken stuff,” Piper replied. “Repairing a broken toaster or steam iron is far different than unraveling a murder mystery," Bill said.
Ed Lynskey (The Corpse Wore Gingham (Piper & Bill Robins, #1))
I feel the pulse of our bond and history and love through our hands, like a wave of magic, the return of a long-lost friend. Of something meant to be. The feeling brings tears to my eyes. Perhaps we can take a step forward together. 'Hi,' he says. 'I'm Daniel.' 'Hi,' I reply. 'I'm June.
Marie Lu (Champion (Legend, #3))
You and I both know that love is for children,'' he said. ''We're adults. Compatibility is for adults.'' ''Compatibility is for my Bluetooth and my car,'' Teresa replied. ''Only they get along just fine, and my car never makes my bluetooth feel like shit.
Maggie Stiefvater (Sinner (The Wolves of Mercy Falls, #4))
I am in love with you', I responded. He laughed the most beguiling and gentle laugh. 'Of course you are,' he replied. 'I understand perfectly because I'm in love with myself. The fact that I'm not transfixed in front of the nearest mirror takes a great deal of self-control.' It was my turn to laugh.
Anne Rice (Blackwood Farm (The Vampire Chronicles, #9))
What kind of wedding would you like?" he asked, and stole another kiss before she could reply. "The kind that turns you into my husband." She touched the firm line of his mouth with her fingers. "What kind would you like?" He smiled ruefully. "A fast one.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
The alchemist picked up a book that someone in the caravan had brought. Leafing through the pages, he found a story about Narcissus. The alchemist knew the legend of Narcissus, a youth who knelt daily beside a lake to contemplate his own beauty. He was so fascinated by himself that, one morning, he fell into the lake and drowned. At the spot where he fell, a flower was born, which was called the narcissus. But this was not how the author of the book ended the story. He said that when Narcissus died, the goddesses of the forest appeared and found the lake, which had been fresh water, transformed into a lake of salty tears. 'Why do you weep?' the goddesses asked. 'I weep for Narcissus," the lake replied. 'Ah, it is no surprise that you weep for Narcissus,' they said, 'for though we always pursued him in the forest, you alone could contemplate his beauty close at hand.' 'But... was Narcissus beautiful?' the lake asked. 'Who better than you to know that?' the goddesses asked in wonder. 'After all, it was by your banks that he knelt each day to contemplate himself!' The lake was silent for some time. Finally, it said: 'I weep for Narcissus, but I never noticed that Narcissus was beautiful. I weep because, each time he knelt beside my banks, I could see, in the depths of his eyes, my own beauty reflected.' 'What a lovely story,' the alchemist thought.
Paulo Coelho (The Alchemist)
Dimitri's voice snapped my attention back to him. "That's Adrian Ivashkov." He said the name the same way everyone else did. "Yeah, I know." "This is the second time I've seen you with him." "Yeah," I replied glibly. "We hang out sometimes." Dimitri arched an eyebrow, then jerked his head back toward where we'd come from. "You hang out in his room a lot?" Several retorts popped into my head, and then a golden one took precedence. "What happens between him and me is none of your business." I managed a tone very similar to the one he'd used on me when making a similar comment about him and Tasha. "Actually, as long as you're at the Academy, what you do is my business." "Not my personal life. You don't have any say in that.
Richelle Mead (Frostbite (Vampire Academy, #2))
Peter,' she asked, trying to speak firmly, 'what are your exact feelings for me?' Those of a devoted son, Wendy.' I thought so,' she said, and went and sat by herself at the extreme end of the room. You are so queer,' he said, frankly puzzled, 'and Tiger Lily is just the same. There is something she wants to be to me, but she says it is not my mother.' No, indeed, it is not,' Wendy replied with frightful emphasis.
J.M. Barrie (Peter Pan)
But on your tiny planet, my little prince, all you need do is move your chair a few steps. You can see the day end and the twilight falling whenever you like... "One day," you said to me, "I saw the sunset forty-four times!" And a little later you added: "You know, one loves the sunset, when one is so sad..." "Were you so sad, then?" I asked, "on the day of the forty-four sunsets?" But the little prince made no reply.
Antoine de Saint-Exupéry (The Little Prince & Letter to a Hostage)
That time I thought I could not go any closer to grief without dying I went closer, and I did not die. Surely God had his hand in this, as well as friends. Still, I was bent, and my laughter, as the poet said, was nowhere to be found. Then said my friend Daniel, (brave even among lions), “It’s not the weight you carry but how you carry it - books, bricks, grief - it’s all in the way you embrace it, balance it, carry it when you cannot, and would not, put it down.” So I went practicing. Have you noticed? Have you heard the laughter that comes, now and again, out of my startled mouth? How I linger to admire, admire, admire the things of this world that are kind, and maybe also troubled - roses in the wind, the sea geese on the steep waves, a love to which there is no reply?
Mary Oliver
Her definition of romance was absentminded intimacy, the way someone else's hand stray to your plate of food. I replied: no, that's just friendship; romance is always knowing exactly where that someone else's hands are. She smiled and said, there was a time I thought that way, too. But at the heart of the romance is the knowledge that those hands may wander off elsewhere, but somehow through luck or destiny or plain blind groping they'll find a way back to you, and maybe you'll be smart enough then to be grateful for everything that's still possible, in spit of your own weaknesses- and his.
Kamila Shamsie (Kartography)
Three Questions What was it like to love him? asked Gratitude. It was like being exhumed, I answered. And brought to life in a flash of brilliance. What was it like to be loved in return? asked Joy. It was like being seen after a perpetual darkness, I replied. To be heard after a lifetime of silence. What was it like to lose him? asked Sorrow. There was a long pause before I responded: It was like hearing every good-bye ever said to me—said all at once.
Lang Leav (Lullabies)
I’ll call it a victory.” “Then enjoy it,” Tolya said, climbing atop his huge gelding. “People only say that when they know it won’t last.” “Of course it won’t last,” said Zoya. “What does?” “True love?” suggested Tamar. “Great art?” said Tolya. “A proper grudge,” replied Zoya
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
She wanted to write to him. Tell him she was glad he was back, that he was alive, that he was home and safe. But words to him no longer fit right in her her mouth.Words which belonged in his ownership were no longer hers to give. Silence was the only acceptable state her heart would grant. He would never know what he missed, because she refused to be heard in his presence. All the words he could have had, all the phrases he might have danced with. The smiles which would have been imprinted upon his heart, would never be. And his lips would never be able to reply to the words she could not say.
Coco J. Ginger
And when she at last came out, her eyes were dry. Her parents stared up from their silent breakfast at her. They both started to rise but she put a hand out, stopped them. ‘I can care for myself, please,’ and she set about getting some food. They watched her closely. In point of fact, she had never looked as well. She had entered her room as just an impossibly lovely girl. The woman who emerged was a trifle thinner, a great deal wiser, and an ocean sadder. This one understood the nature of pain, and beneath the glory of her features, there was character, and a sure knowledge of suffering. She was eighteen. She was the most beautiful woman in a hundred years. She didn’t seem to care. ‘You’re all right?’ her mother asked. Buttercup sipped her cocoa. ‘Fine,’ she said. ‘You’re sure?’ her father wondered. ‘Yes,’ Buttercup replied. There was a very long pause. ‘But I must never love again.’ She never did.
William Goldman (The Princess Bride)
Patience Patience and Love agreed to meet at a set time and place; beneath the twenty-third tree in the olive orchard. Patience arrived promptly and waited. She checked her watch every so often but still, there was no sign of Love. Was it the twenty-third tree or the fifty-sixth? She wondered and decided to check, just in case. As she made her way over to the fifty-sixth tree, Love arrived at twenty-three, where Patience was noticeably absent. Love waited and waited before deciding he must have the wrong tree and perhaps it was another where they were supposed to meet. Meanwhile, Patience had arrived at the fifty-sixth tree, where Love was still nowhere to be seen. Both begin to drift aimlessly around the olive orchard, almost meeting but never do. Finally, Patience, who was feeling lost and resigned, found herself beneath the same tree where she began. She stood there for barely a minute when there was a tap on her shoulder. It was Love. .................................. “Where are you?” She asked. “I have been searching all my life.” “Stop looking for me,” Love replied, “and I will find you.
Lang Leav (Memories)
He loves history. He wanted to write a biography of John Quincy Adams. I, shamefully, knew almost nothing about John Quincy Adams, so I went online and bought every biography of him I could find. One day, he called me, claiming that we wouldn’t work out long term. He said he loved me but that we had different interests. “What does love mean to you?” I said. “That’s an impossible question,” he replied. I, however, find love to be quite simple. Love is the stack of biographies on my nightstand with a bookmark near the end
Julia Nicole Camp
They spoke almost as loud as Feeling: and that clamoured wildly. "Oh, comply!" it said. "Think of his misery; think of his danger — look at his state when left alone; remember his headlong nature; consider the recklessness following on despair — soothe him; save him; love him; tell him you love him and will be his. Who in the world cares for you? or who will be injured by what you do?" Still indomitable was the reply — "I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad — as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth — so I have always believed; and if I cannot believe it now, it is because I am quite insane — quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have this hour to stand by: there I plant my foot.
Charlotte Brontë (Jane Eyre)
all those nights with the phone warming the side of my face like the sun. you made jokes and sure, i may have even laughed a little but mostly you were not funny. mostly you were beautiful. mostly you were unremarkable, even your mediocrity was unremarkable. when friends would ask ‘what do you like about him?” i would think of you holding a bouquet against the denim of your shirt. i mean, you had my face as your screensaver for gods sake, do you know what that does for the self-esteem of girl with an apparition for a father? hey, do you remember the quiet between us in all those restaurants? all the other couples engrossed in deep conversation and us, as quiet as a closed mouth. that one afternoon when i asked ‘why do you love me?’ and you replied as quick as a toin coss ‘because you’re mad, because you’re crazy’ and i said ‘why else?’ and you said ‘that mouth, i love that mouth’ and i collapsed into myself like a sheet right out of the dryer. you clean, beautiful, unremarkable boy, raised by a pleasant mother, was i just a riot you loved to watch up close? there were times i picked arguments just so that we could have something to talk about. last week, i walked through the part of the city i loved when i still loved you, our old haunts. you know, even the ghosts have moved on.
Warsan Shire
My dear Rosie, Unbeknownst to you I took this chance before, many, many years ago. You never received that letter and I'm glad because my feelings since then have changed dramatically. They have intensified with every passing day. I'll get straight to the point because if I don't say what I have to say now, I fear it will never be said. And I need to say it. Today I love you more than ever; I want you more than ever. I'm a man of fifty years of age coming to you, feeling like a teenager in love, asking you to give me a chance and love me back. Rosie Dunne, I love you with all my heart. I have always loved you, even when I was seven years old and I lied about falling asleep on Santa watch, when I was ten years old and didn't invite you to my birthday party, when I was eighteen and had to move away, even on my wedding days, on your wedding day, on christenings, birthdays and when we fought. I loved you through it all. Make me the happiest man on this earth by being with me. Please reply to me. All my love, Alex
Cecelia Ahern (Love, Rosie)
It’s not something you can control, Mare,” he replies, still standing so far away. “We can’t choose who we love. I wish, more than anything, that we could.” I feel cracked open. My skin still runs hot from Cal’s embrace, remembering the feel of him only moments ago. But in the deepest part of me, in spite of every fiber of my being, I think beyond the clearing, to ice-colored eyes, an empty promise, and a kiss aboard a boat.
Victoria Aveyard (Glass Sword (Red Queen, #2))
Beatrix puts a distance between herself and the rest of the world. She’s very engaging, but also quite private in nature. I see the same qualities in Captain Phelan.” “Yes,” Amelia said. “You’re absolutely right, Catherine. Put that way, the match does seem more appropriate.” “I still have reservations,” Leo said. “You always do,” Amelia replied. “If you’ll recall, you objected to Cam in the beginning, but now you’ve accepted him.” “That’s because the more brothers-in-law I acquire,” Leo said, “the better Cam looks by comparison.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Tie your heart at night to mine, love, and both will defeat the darkness like twin drums beating in the forest against the heavy wall of wet leaves. Night crossing: black coal of dream that cuts the thread of earthly orbs with the punctuality of a headlong train that pulls cold stone and shadow endlessly. Love, because of it, tie me to a purer movement, to the grip on life that beats in your breast, with the wings of a submerged swan, So that our dream might reply to the sky's questioning stars with one key, one door closed to shadow.
Pablo Neruda
If you asked twenty good men to-day what they thought the highest of the virtues, nineteen of them would reply, Unselfishness. But if you asked almost any of the great Christians of old he would have replied, Love - You see what has happened? A negative term has been substituted for a positive, and this is of more than philological importance. The negative ideal of Unselfishness carries with it the suggestion not primarily of securing good things for others, but of going without them ourselves, as if our abstinence and not their happiness was the important point.
C.S. Lewis (The Weight of Glory)
When evening has come, I return to my house and go into my study. At the door I take off my clothes of the day, covered with mud and mire, and I put on my regal and courtly garments; and decently reclothed, I enter the ancient courts of ancient men, where, received by them lovingly, I feed on the food that alone is mine and that I was born for. There I am not ashamed to speak with them and to ask them the reason for their actions; and they in their humanity reply to me. And for the space of four hours I feel no boredom, I forget every pain, I do not fear poverty, death does not frighten me. I deliver myself entirely to them.
Niccolò Machiavelli (The Prince)
I reacted without thought, slamming my elbow into his stomach. Casteel grunted out a curse. “Please don’t fight atop the horse,” Delano called out from somewhere behind us. “None of us wish to watch Setti trample either of you.” “Speak for yourself,” came Kieran’s droll voice. Casteel straightened behind me. “Don’t worry. Neither of us will fall. It was just a love tap.” “That did not look like a love tap,” Naill commented. “That’s because it was a very passionate one,” Casteel replied. “You’re about to get a love tap to your face,” I muttered under my breath. Casteel curled his arm more firmly around my waist as he laughed.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
If you could fly to France in one minute, you could go straight into the sunset, right from noon. Unfortunately, France is too far away for that. But on your tiny planet, my little prince, all you need do is move your chair a few steps. You can see the day end and the twilight falling whenever you like... "One day," you said to me, "I saw the sunset forty-four times!" And a little later you added: "You know -- one loves the sunset, when one is so sad..." "Were you so sad, then?" I asked, "on the day of the forty-four sunsets?" But the little prince made no reply.
Antoine de Saint-Exupéry (The Little Prince)
Why should her lover, just because he is male, be in a position to judge her against other women? Why must she need to know her position and hate needing to, and hate knowing? Why should his reply have such exaggerated power? And it does. He does not know that what he says will affect the way she feels when they next make love. She is angry for a number of good reasons that may have nothing to do with this particular man's intentions. The exchange reminds her that, in spite of a whole fabric of carefully woven equalities, they are not equal in this way that is so crucial that its snagged thread unravels the rest.
Naomi Wolf (The Beauty Myth)
Before Luce could reply, a skinny, dark haired girl appeared in from of her, wagging her long fingers in Luce's face. "Ooooooh," the girl taunted in a ghost-story-telling voice, dancing around Luce in a circle. "The reds are watching youuuu." "Get out of here, Arriane, before I have you lobotimized," the attendant said, though it was clear from her first brief but genuine smile that she had some coarse affection for that crazy girl. It was also clear that Arriane did not reciprocate the love. She mimed a jerking-off motion at the attendant, then stared at Luce, daring her to be offended.
Lauren Kate (Fallen (Fallen, #1))
Dear Sixpence, I saved them all, you know. Every letter you ever sent, even those to which I never replied. I’m sorry for so many things, my love: that I left you; that I never came home; that it took me so long to realize that you were my home and that, with you by my side, none of the rest mattered. But in the darkest hours, on the coldest nights, when I felt I’d lost everything, I still had your letters. And through them, in some small way, I still had you. I loved you then, my darling Penelope, more than I could imagine—just as I love you now, more than you can know. Michael Hell House, February 1831
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
You're just a character in my dream." "You wish." "I didn't mean my love interest," she replied defensively. "You'd have better hair. You're the character I dreamed up because the rest of the dream was making me homesick." "Maybe you're the character I dreamed up to scare myself awake." "That's not very nice!" "You made fun of my hair. I like it this way. Short and simple." I don't mind short. Mine is short." "Then what's wrong with mine?" Jason challenged. "Maybe we should talk about something else." "Like the guy on a horse coming to kill us?" "It needs more style," she muttered. "The horse?" "Your hair." "I forgot to bring my gel when I got eaten by a hippo.
Brandon Mull (A World Without Heroes (Beyonders, #1))
I take a deep breath, still staring out the window. “I really, really, really like you.” He doesn’t reply for a long moment. Then: “I’m pretty sure I like you more.” “I doubt it. I just want you to know, not everyone is like your family. You can be . . . you can be you with me. You can talk, say, do however you want. And I’ll never hurt you like they did.” I make myself smile at him. It’s easy now. “I promise I don’t bite.” He reaches over to take my hand, his skin warm and rough against mine. He smiles back. Just a little. “You could rip me to shreds, Bee.
Ali Hazelwood (Love on the Brain)
In the ill-judged execution of the well-judged plan of things the call seldom produces the comer, the man to love rarely coincides with the hour for loving. Nature does not often say 'See!' to her poor creature at a time when seeing can lead to happy doing; or reply 'Here!' to a body's cry of 'Where?' till the hide-and-seek has become an irksome, outworn game. We may wonder whether at the acme and summit of the human progress these anachronisms will be corrected by a finer intuition, a close interaction of the social machinery than that which now jolts us round and along; but such completeness is not to be prophesied, or even conceived as possible. Enough that in the present case, as in millions, it was not the two halves of a perfect whole that confronted each other at the perfect moment; part and counterpart wandered independently about the earth in the stupidest manner for a while, till the late time came. Out of which maladroit delay sprang anxieties, disappointments, shocks, catastrophes -- what was called a strange destiny.
Thomas Hardy (Tess of the D’Urbervilles)
My idea of absolute happiness is to sit in a hot garden all, reading, or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.' 'You are a romantic, Edith,' repeated Mr Neville, with a smile. 'It is you who are wrong,' she replied. 'I have been listening to that particular accusation for most of my life. I am not a romantic. I am a domestic animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
Anita Brookner (Hotel du Lac)
Once, an elderly general practitioner consulted me because of his severe depression. He could not overcome the loss of his wife who had died two years before and whom he had loved above all else. Now, how can I help him? What should I tell him? Well, I refrained from telling him anything but instead confronted him with the question, “What would have happened, Doctor, if you had died first, and your wife would have had to survive you?” “Oh,” he said, “for her this would have been terrible; how she would have suffered!” Whereupon I replied, “You see, Doctor, such a suffering has been spared her, and it was you who have spared her this suffering — to be sure, at the price that now you have to survive and mourn her.” He said no word but shook my hand and calmly left my office. In some way, suffering ceases to be suffering at the moment it finds a meaning, such as the meaning of a sacrifice.
Viktor E. Frankl (Man’s Search for Meaning)
All right, then,” she snapped, “do as you please! Perhaps afterward we could manage a coherent discussion.” Twisting beneath him, she flopped onto her stomach. Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask, “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals and-” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all—” She broke off and frowned. “Why are you laughing at me? Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m . . . I’m not laughing at you.” “You are!” “No I’m not. It’s just . . .” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels . . .” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
As I exclaimed 'Jane! Jane! Jane!' a voice- I cannot tell whence the voice came, but I know whose voice it was- replied, 'I am coming: wait for me;' and a moment after, went whispering on the wind the words- 'Where are you?' "I'll tell you, if I can, the idea, the picture these words opened to my mind: yet it is difficult to express what I want to express. Ferndean is buried, as you see, in a heavy wood, where sound falls dull, and dies unreverberating. 'Where are you?' seemed spoken amongst mountains; for I heard a hill-sent echo repeat the words. Cooler and fresher at the moment the gale seemed to visit my brow: I could have deemed that in some wild, lone scene, I and Jane were meeting. In spirit, I believe we must have met. You no doubt were, at that hour, in unconscious sleep, Jane: perhaps your soul wandered from its cell to comfort mine; for those were your accents- as certain as I live- they were yours!" Reader, it was on Monday night- near midnight- that I too had received the mysterious summons: those were the very words by which I replied to it. (Mr. Rochester and Jane Eyre)
Charlotte Brontë (Jane Eyre)
What said those two souls communicating through the language of the eyes, more perfect than that of the lips, the language given to the soul in order that sound may not mar the ecstasy of feeling? In such moments, when the thoughts of two happy beings penetrate into each other’s souls through the eyes, the spoken word is halting, rude, and weak—it is as the harsh, slow roar of the thunder compared with the rapidity of the dazzling lightning flash, expressing feelings already recognized, ideas already understood, and if words are made use of it is only because the heart’s desire, dominating all the being and flooding it with happiness, wills that the whole human organism with all its physical and psychical powers give expression to the song of joy that rolls through the soul. To the questioning glance of love, as it flashes out and then conceals itself, speech has no reply; the smile, the kiss, the sigh answer.
José Rizal (Noli Me Tángere (Touch Me Not).)
Yet if women are so flighty, fickle, changeable, susceptible, and inconstant (as some clerks would have us believe), why is it that their suitors have to resort to such trickery to have their way with them? And why don't women quickly succumb to them, without the need for all this skill and ingenuity in conquering them? For there is no need to go to war for a castle that is already captured. (...) Therefore, since it is necessary to call on such skill, ingenuity, and effort in order to seduce a woman, whether of high or humble birth, the logical conclusion to draw is that women are by no means as fickle as some men claim, or as easily influenced in their behaviour. And if anyone tells me that books are full of women like these, it is this very reply, frequently given, which causes me to complain. My response is that women did not write these books nor include the material which attacks them and their morals. Those who plead their cause in the absence of an opponent can invent to their heart's content, can pontificate without taking into account the opposite point of view and keep the best arguments for themselves, for aggressors are always quick to attack those who have no means of defence. But if women had written these books, I know full well the subject would have been handled differently. They know that they stand wrongfully accused, and that the cake has not been divided up equally, for the strongest take the lion's share, and the one who does the sharing out keeps the biggest portion for himself.
Christine de Pizan (Der Sendbrief vom Liebesgott / The Letter of the God of Love (L'Epistre au Dieu d'Amours))
This is very American, too - the insecurity about whether we have earned our happiness. Planet Advertising in America orbits completely around the need to convince the uncertain consumer that yes, you have actually warranted a special treat. This Bud's for You! You Deserve a Break Today! Because You're Worth It! You've Come a Long Way, Baby! And the insecure consumer thinks, Yeah! Thanks! I AM gonna go buy a six-pack, damn it! Maybe even two six-packs! And then comes the reactionary binge. Followed by the remorse. Such advertising campaigns would probably not be as effective in the Italian culture, where people already know that they are entitled enjoyment in this life. The reply in Italy to "You Deserve a Break Today" would probably be, Yeah, no duh. That's why I'm planning on taking a break at noon, to go over to you house and sleep with your wife.
Elizabeth Gilbert (Eat, Pray, Love)
Nothing can fill you up,” she stated. “Nope,” he agreed again. “You won’t let it.” “Barrel’s got a hole in the bottom, buddy, everything leaks out no matter how much you pour in.” She was silent a moment then she whispered, “Right.” She turned to the door and his hand gripped his bourbon so hard he had to focus everything on loosening his grip or the glass would shatter. Before she opened it, she turned back. “You don’t know, Cal, you have no idea. You’ve shut yourself up for so long in this fucking house with your tragic memories, you have no idea what’s about to walk out your door. Kate, Keira and me, we could have plugged that hole. We could have filled you so full, you’d be bursting. We would have loved that chance. We’d have given it everything we had, no matter the time that slid by, graduations, weddings, grandbabies, you’d have been a part of us and we’d have given everything we had to keep you so full, you’d be bursting.” Cal didn’t reply. “Joe,” she whispered, “you let me walk out this door, you’ll lose your chance.” Cal didn’t move. Vi waited. Cal stayed seated.
Kristen Ashley (At Peace (The 'Burg, #2))
I don’t want you going there without me, ever…do you understand what I am saying?” he asks me, searching my face, probably looking for any sign of dissention. “Let me get this straight, what if I got a craving for…I don’t know…Twinkies in the wee hours of the morning and all that was open was the Seven-Eleven. You’re saying I should wake you up, even if you’re crashed out, just so that you can go with me on a treat run?” I ask skeptically, trying to gauge his level of commitment to this course of action. “Genevieve, Twinkies are really bad for you, but if you had to have one, then yes, that’s what I’m saying,” he smiles at my scenario. “Do you really like those things?” “I’m not going to tell you if you’re going to tease me, but I will say that it’s suspiciously inhuman not to enjoy a Hostess snack from time to time,” I reply coyly. “I’ll buy you one. You’ll love it, I promise.” And I’ll be doing the world a favor at the same time, I think, remembering him without his shirt on.
Amy A. Bartol (Inescapable (The Premonition, #1))
GGRRROOCCCCK... Ian's knees buckled. The rock outcropping shook the ground, sending a spew of grayish dust that quickly billowed around them. Shielding his eyes, he spotted Amy standing by the figurine, which was now moving toward her. She was in shock, her backpack on the ground by her feet. "Get back!" he shouted. Ian pulled Amy away and threw her to the ground, landing on top of her. Gravel showered over his back, embedding into his hair and landing on the ground like a burst of applause. His second though was that the shirt would be ruined. And this was the shock of it-that his first thought had not been about the shirt. Or the coin. Or himself. It had been about her. But that was not part of the plan. She existed for a purpose. She was a tactic, a stepping stone. She was... "Lovely," he said. Amy was staring up at him, petrified, her eyelashes flecked with dust. Ian took her hand, which was knotted into a fist. "Y-y-you don't have to do that," she whispered. "Do what?" Ian asked. "Be sarcastic. Say things like 'lovely.' You saved my life. Th-thank you." "My duty," he replied. He lowered his head and allowed his lips to brush hers. Just a bit.
Peter Lerangis (The Sword Thief (The 39 Clues, #3))
Who's this?" he said, coming across a name he didn't recognize. "Lady Georgina of Sandalhurst? Why are we inviting her? I don't know her. Why are we asking people we don't know?" I know her," Pauline replied. There was a certain steeliness in her voice that Halt would have done well to recognize. "She's my aunt, Bit of an old stick, really, but I have to invite her." You've never mentioned her before," Halt challenged. True. I don't like her very much. As I said, she's a bit of an old stick." Then why are we inviting her?" We're inviting her," Lady Pauline explained, "because Aunt Georgina has spent the last twenty years bemoaning the fact that I was unmarried. 'Poor Pauline!' she'd cry to anyone who'd listen. 'She'll be a lonley old maid! Married to her job! She'll never find a husband to look after her!' It's just too good an opportunity to miss." Halt's eyebrows came together in a frown. There might be a few things that would annoy him more than someone criticizing the woman he loved, but for a moment, he couldn't think of one. Agreed," he said. "And let's sit her with the most boring people possible at the wedding feast." Good thinking," Lady Pauline said. She made a note on another sheet of paper. "I'll make her the first person on the Bores' table." The Bores' table?" Halt said. "I'm not sure I've heard that term." Every wedding has to have a Bores' table," his fiance explained patiently. "We take all the boring, annoying, bombastic people and sit them together. That way they all bore each other and they don't bother the normal people we've asked." Wouldn't it be simpler to just ask the people you like?" Halt askede. "Except Aunt Georgina, of course--there's a good reason to ask her. But why ask others?" It's a family thing," Lady Pauline said, adding a second and third name to the Bores' table as she thought of them. "You have to ask family and every family has its share of annoying bores. It's just organizing a wedding.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
I sought a soul that might resemble mine, and I could not find it. I scanned all the crannies of the earth: my perseverance was useless. Yet I could not remain alone. There had to be someone who would approve of my character; there had to be someone with the same ideas as myself. It was morning. The sun in all his magnificence rose on the horizon, and behold, there also appeared before my eyes a young man whose presence made flowers grow as he passed. He approached me and held out his hand: “I have come to you, you who seek me. Let us give thanks for this happy day.” But I replied: “Go! I did not summon you. I do not need your friendship… .” It was evening. Night was beginning to spread the blackness of her veil over nature. A beautiful woman whom I could scarcely discern also exerted her bewitching sway upon me and looked at me with compassion. She did not, however, dare speak to me. I said: “Come closer that I may discern your features clearly, for at this distance the starlight is not strong enough to illumine them.” Then, with modest demeanour, eyes lowered, she crossed the greensward and reached my side. I said as soon as I saw her: “I perceive that goodness and justice have dwelt in your heart: we could not live together. Now you are admiring my good looks which have bowled over more than one woman. But sooner or later you would regret having consecrated your love to me, for you do not know my soul. Not that I shall be unfaithful to you: she who devotes herself to me with so much abandon and trust — with the same trust and abandon do I devote myself to her. But get this into your head and never forget it: wolves and lambs look not on one another with gentle eyes.” What then did I need, I who rejected with disgust what was most beautiful in humanity!
Comte de Lautréamont (Maldoror and the Complete Works)
This life is a hospital in which each patient is possessed by the desire to change beds. One wants to suffer in front of the stove and another believes that he will get well near the window. It always seems to me that I will be better off there where I am not, and this question of moving about is one that I discuss endlessly with my soul "Tell me, my soul, my poor chilled soul, what would you think about going to live in Lisbon? It must be warm there, and you'll be able to soak up the sun like a lizard there. That city is on the shore; they say that it is built all out of marble, and that the people there have such a hatred of the vegetable, that they tear down all the trees. There's a country after your own heart -- a landscape made out of light and mineral, and liquid to reflect them!" My soul does not reply. "Because you love rest so much, combined with the spectacle of movement, do you want to come and live in Holland, that beatifying land? Perhaps you will be entertained in that country whose image you have so often admired in museums. What do you think of Rotterdam, you who love forests of masts and ships anchored at the foot of houses?" My soul remains mute. "Does Batavia please you more, perhaps? There we would find, after all, the European spirit married to tropical beauty." Not a word. -- Is my soul dead? Have you then reached such a degree of torpor that you are only happy with your illness? If that's the case, let us flee toward lands that are the analogies of Death. -- I've got it, poor soul! We'll pack our bags for Torneo. Let's go even further, to the far end of the Baltic. Even further from life if that is possible: let's go live at the pole. There the sun only grazes the earth obliquely, and the slow alternation of light and darkness suppresses variety and augments monotony, that half of nothingness. There we could take long baths in the shadows, while, to entertain us, the aurora borealis send us from time to time its pink sheaf of sparkling light, like the reflection of fireworks in Hell!" Finally, my soul explodes, and wisely she shrieks at me: "It doesn't matter where! It doesn't matter where! As long as it's out of this world!
Charles Baudelaire (Paris Spleen)
Live or die, but don't poison everything... Well, death's been here for a long time -- it has a hell of a lot to do with hell and suspicion of the eye and the religious objects and how I mourned them when they were made obscene by my dwarf-heart's doodle. The chief ingredient is mutilation. And mud, day after day, mud like a ritual, and the baby on the platter, cooked but still human, cooked also with little maggots, sewn onto it maybe by somebody's mother, the damn bitch! Even so, I kept right on going on, a sort of human statement, lugging myself as if I were a sawed-off body in the trunk, the steamer trunk. This became perjury of the soul. It became an outright lie and even though I dressed the body it was still naked, still killed. It was caught in the first place at birth, like a fish. But I play it, dressed it up, dressed it up like somebody's doll. Is life something you play? And all the time wanting to get rid of it? And further, everyone yelling at you to shut up. And no wonder! People don't like to be told that you're sick and then be forced to watch you come down with the hammer. Today life opened inside me like an egg and there inside after considerable digging I found the answer. What a bargain! There was the sun, her yolk moving feverishly, tumbling her prize -- and you realize she does this daily! I'd known she was a purifier but I hadn't thought she was solid, hadn't known she was an answer. God! It's a dream, lovers sprouting in the yard like celery stalks and better, a husband straight as a redwood, two daughters, two sea urchings, picking roses off my hackles. If I'm on fire they dance around it and cook marshmallows. And if I'm ice they simply skate on me in little ballet costumes. Here, all along, thinking I was a killer, anointing myself daily with my little poisons. But no. I'm an empress. I wear an apron. My typewriter writes. It didn't break the way it warned. Even crazy, I'm as nice as a chocolate bar. Even with the witches' gymnastics they trust my incalculable city, my corruptible bed. O dearest three, I make a soft reply. The witch comes on and you paint her pink. I come with kisses in my hood and the sun, the smart one, rolling in my arms. So I say Live and turn my shadow three times round to feed our puppies as they come, the eight Dalmatians we didn't drown, despite the warnings: The abort! The destroy! Despite the pails of water that waited, to drown them, to pull them down like stones, they came, each one headfirst, blowing bubbles the color of cataract-blue and fumbling for the tiny tits. Just last week, eight Dalmatians, 3/4 of a lb., lined up like cord wood each like a birch tree. I promise to love more if they come, because in spite of cruelty and the stuffed railroad cars for the ovens, I am not what I expected. Not an Eichmann. The poison just didn't take. So I won't hang around in my hospital shift, repeating The Black Mass and all of it. I say Live, Live because of the sun, the dream, the excitable gift.
Anne Sexton (The Complete Poems)
These are the voices which we hear in solitude, but they grow faint and inaudible as we enter into the world. Society everywhere is in conspiracy against the manhood of every one of its members. Society is a joint stock company in which the members agree for the better securing of his bread to each shareholder, to surrender the liberty and culture of the eater. The virtue in most request is conformity. Self-reliance is its aversion. It [That is, conformity.] loves not realities and creators, but names and customs. "Whoso would be a man must be a nonconformist. He who would gather immortal palms must not be hindered by the name of goodness, but must explore if it be goodness. Nothing is at last sacred but the integrity of our own mind. Absolve you to yourself, and you shall have the suffrage of the world. I remember an answer which when quite young I was prompted to make to a valued adviser who was wont to importune me with the dear old doctrines of the church. On my saying, What have I to do with the sacredness of traditions, if I live wholly from within? my friend suggested--'But these impulses may be from below, not from above.' I replied, 'They do not seem to me to be such; but if I am the devil's child, I will live them from the devil.' No law can be sacred to me but that of my nature. Good and bad are but names very readily transferable to that or this; the only right is what is after my constitution, the only wrong what is against it. A man is to carry himself in the presence of all opposition as if everything were titular and ephemeral but he. I am ashamed to think how easily we capitulate to badges and names, to large societies and dead institutions. Every decent an well-spoken individual affects and sways me more than is right. I ought to go upright and vital, and speak the rude truth in all ways.
Ralph Waldo Emerson
We aren't fighting right now." I blurted out. He gave me a sidelong look. "Do you want to fight?" "No. I hate fighting with you. Verbally, I mean. I don't mind in the gym." I thought I detected the hint of a smile. Always a half-smile for me. Rarely a full one. "I don't like fighting with you either." Sitting next to him there, I marveled at the warm and happy emotions springing up inside me. There was something about being around him that felt so good, that moved me in a way Mason couldn't. You can't force love, I realized, It's there or it isn't. If it's not there, you've got to be able to admit it. If it is there, you've got to do whatever it takes to protect the ones you love. The next words that came out of my mouth astonished me, both because they were completely unselfish and because I actually meant them. "You should take it." He flinched. "What?" "Tasha's offer. You should take her up on it. It's a really great chance." I remembered my mom's words about being ready for children. I wasn't. Maybe she hadn't been. But Tasha was. And I knew Dimitri was too. They got along really well. He could go be her guardian, have some kids with her...it would be a good deal for both of them. "I never expected to hear you say anything like that," he told me, voice tight. "Especially after-" "What a bitch I've been? Yeah." I tugged his coat tighter against the cold. It smelled like him. It was intoxicating, and I could half-imagine being wrapped in his embrace. Adrian might have been onto something about the power of scent. "Well. Like I said, I don't want to fight anymore. I don't want us to hate each other. And...well..." I squeezed my eyes shut and then opened them. "No matter how I feel about us...I want you to be happy." Silence yet again. I noticed then that my chest hurt. Dimitri reached out and put his arm around me. He pulled me to him, and I rested my head on his chest. "Roza," was all he said. It was the first time he'd really touched me since the night of the lust charm. The practice room had been something different...more animal. This wasn't even about sex. It was just about being close to someone you cared about, about the emotion that kind of connection flooded you with. Dimitri might run off with Tasha, but I would still love him. I would probably always love him. I cared about Mason. But I would probably never love him. I sighed into Dimitri, just wishing I could stay like that forever. It felt right being with him. And-no matter how much the thought of him and Tasha made me ache-doing what was best for him felt right. Now, I knew, it was time to stop being a coward and do something else that was right. Mason had said I needed to learn something about myself. I just had. Reluctantly, I pulled away and handed Dimitri his coat. I stood up. He regarded me curiously, sensing my unease. "Where you going?" he asked. "To break someone's heart," I replied. I admired Dimitri for a heartbeat more-the dark, knowing eyes and silken hair. The I headed inside. I had to apologize to Mason...and tell him there'd never be anything between us.
Richelle Mead (Frostbite (Vampire Academy, #2))