“
Do you still distrust me?”
“No. Take your necklace with you so you can think of me when I’m not there.”
Brown brought the necklace over to her and put it on her neck.
“I think it rather suits me,” she laughed and left.
Brown didn’t understand what had made him insist she wear the necklace. Maybe it
was the readiness with which she had made love, or her frequent disappearances lately,
he was just curious. There was no harm in checking, before he parted with the money.
Later that evening, before going to sleep he decided to have a look at her location and
he was in for a surprise. She had not left Central City at all. In fact she was at the same
friend’s address as she had been the last time.
”
”
Max Nowaz (The Arbitrator)
“
I love my job. I love the pay!
~I love it more and more each day.
~I love my boss, he is the best!
~I love his boss and all the rest.
~I love my office and its location. I hate to have to go on vacation.
~I love my furniture, drab and grey, and piles of paper that grow each day!
~I think my job is swell, there's nothing else I love so well.
~I love to work among my peers, I love their leers, and jeers, and sneers.
~I love my computer and its software; I hug it often though it won't care.
~I love each program and every file, I'd love them more if they worked a while.
~I'm happy to be here. I am. I am.
~I'm the happiest slave of the Firm, I am.
~I love this work. I love these chores.
~I love the meetings with deadly bores.
~I love my job - I'll say it again - I even love those friendly men.
~Those friendly men who've come today, in clean white coats to take me away!!!!!
”
”
Dr. Seuss
“
You cheated!”
He looked at her, wide-eyed with feigned outrage. “I beg your pardon. If you were a man, I would call you out for that accusation.”
“And I assure you, my lord, that I would ride forth victoriously on behalf of truth, humility, and righteousness.”
“Are you quoting the Bible to me?”
“Indeed,” she said primly, the portrait of piousness.
“While gambling.”
“What better location to attempt to reform one such as you?
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
You know those plants that are always trying to find the light? Maybe they were planted in a location that didn’t necessarily facilitate growth, but inexplicably they make a circuitous route to not only survive but bloom into a beautiful plant. That was me—my whole life.
”
”
Jonathan Van Ness (Over the Top: A Raw Journey to Self-Love)
“
In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.
”
”
Vladimir Nabokov (Lolita)
“
I was told
The average girl begins to plan her wedding at the age of 7
She picks the colors and the cake first
By the age of 10
She knows time,
And location
By 17
She’s already chosen a gown
2 bridesmaids
And a maid of honor
By 23
She’s waiting for a man
Who wont break out in hives when he hears the word “commitment”
Someone who doesn’t smell like a Band-Aid drenched in lonely
Someone who isn’t a temporary solution to the empty side of the bed
Someone
Who’ll hold her hand like it’s the only one they’ve ever seen
To be honest
I don’t know what kind of tux I’ll be wearing
I have no clue what want my wedding will look like
But I imagine
The women who pins my last to hers
Will butterfly down the aisle
Like a 5 foot promise
I imagine
Her smile
Will be so large that you’ll see it on google maps
And know exactly where our wedding is being held
The woman that I plan to marry
Will have champagne in her walk
And I will get drunk on her footsteps
When the pastor asks
If I take this woman to be my wife
I will say yes before he finishes the sentence
I’ll apologize later for being impolite
But I will also explain him
That our first kiss happened 6 years ago
And I’ve been practicing my “Yes”
For past 2, 165 days
When people ask me about my wedding
I never really know what to say
But when they ask me about my future wife
I always tell them
Her eyes are the only Christmas lights that deserve to be seen all year long
I say
She thinks too much
Misses her father
Loves to laugh
And she’s terrible at lying
Because her face never figured out how to do it correctl
I tell them
If my alarm clock sounded like her voice
My snooze button would collect dust
I tell them
If she came in a bottle
I would drink her until my vision is blurry and my friends take away my keys
If she was a book
I would memorize her table of contents
I would read her cover-to-cover
Hoping to find typos
Just so we can both have a few things to work on
Because aren’t we all unfinished?
Don’t we all need a little editing?
Aren’t we all waiting to be proofread by someone?
Aren’t we all praying they will tell us that we make sense
She don’t always make sense
But her imperfections are the things I love about her the most
I don’t know when I will be married
I don’t know where I will be married
But I do know this
Whenever I’m asked about my future wife
I always say
…She’s a lot like you
”
”
Rudy Francisco
“
I might have been tempted to hit him square in the jaw had he not taken me by the shoulders and pinned me against the wall. There was hardly any space left between us, just a thin boundary of air, but Patch managed to eliminate it.
"Let's be honest, Nora. You've got it bad for me." His eyes held a lot of depth. "And I've got it bad for you." He leaned into me and put his mouth on mine. A lot of him was on me, actually. We touched base at several strategetic locations down our bodies, and it took all my willpower to break away.
”
”
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
“
Pondering all this down in Reva's black room under her sad, pilly sheets, I felt nothing. I could think of feelings, emotions, but I couldn't bring them up in me. I couldn't even locate where my emotions came from. My brain? It made no sense. Irritation was what I knew best - a heaviness on my chest, a vibration in my neck like my head was revving up before it would rocket off my body. But that seemed directly tied to my nervous system - a physiological response. Was sadness the same kind of thing? Was joy? Was longing? Was love?
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
This is why humility, spiritual poverty, is so precious: it locates our identity securely in the one place where it will be safe from all harm. If our treasure is in God, no one can take it from us. Humility is truth. I am what I am in God’s eyes: a poor child who possesses absolutely nothing, who receives everything, infinitely loved and totally free. I have received everything in advance from the freely bestowed love of my Father, who said to me definitively: “All that is mine is yours.”5
”
”
Jacques Philippe (Interior Freedom)
“
couldn’t locate the specific feeling I’d had the last time we talked. I thought for a few hours after I cried in the bathroom that I would call her and I would tell her I loved her. But I did not trust calling her. I was afraid that if I called her, she would talk and it would be too hard for me to love her after that.
”
”
Michele Filgate (What My Mother and I Don't Talk About: Fifteen Writers Break the Silence (What We Don't Talk About))
“
Despair
Who is he?
A railroad track toward hell?
Breaking like a stick of furniture?
The hope that suddenly overflows the cesspool?
The love that goes down the drain like spit?
The love that said forever, forever
and then runs you over like a truck?
Are you a prayer that floats into a radio advertisement?
Despair,
I don't like you very well.
You don't suit my clothes or my cigarettes.
Why do you locate here
as large as a tank,
aiming at one half of a lifetime?
Couldn't you just go float into a tree
instead of locating here at my roots,
forcing me out of the life I've led
when it's been my belly so long?
All right!
I'll take you along on the trip
where for so many years
my arms have been speechless
”
”
Anne Sexton
“
You told me, if something is not used it is meaningless, and took my temperature, which I had thought to save for a more difficult day. In the mirror, every night, the same face, a bit more threadbare, a dress worn too long. The moon was out in the cold, along with the restless, dissatisfied wind that seemed to change the location of the sycamores. I expected reproaches because I had mentioned the word love, but you only accused me of stealing your pencil, and sadness disappeared with sense. You made a ceremony out of holding your head in your hands because, you said, it could not be contained in itself.
”
”
Rosmarie Waldrop
“
But I would not break. I would not give up Ember’s location, or Riley’s underground. The next few hours might have me wishing I was dead, but I would not betray the girl I loved to the organization. They would have to kill me.
”
”
Julie Kagawa (Soldier (Talon, #3))
“
I've always loved that three, I thought to myself as I watched her run her fingers around the trunk. Her eyes lifted to take it all in. She had always connected with that tree too, making it the perfect location for the swing I'd made for her. The swing that I'd hoped would keep her coming back here. Back to me.
”
”
Rebecca Donovan (Out of Breath (Breathing, #3))
“
Unerringly locating Riley's dick in his loose dress pants, Jack grabbed it forcefully and leaned close to Riley's ear, hearing the quick indrawn breath from his husband. A spark of lust flashed through his own body as he contemplated what to do next. Finally he decided. He was tired of all the pussy-footing around, and the darkness of the hallway invited sin. He moved his hand on Riley's hard dick, listening to the groan in Riley's throat. Riley, you know who this belongs to? This belongs to me." He gentled the touch, twisting his hand. "I saw you flirting and sharing with those girls out there, and I'm telling you now, I don't share. No one else gets to see this.
No one else gets to touch it. No one else gets to taste it. Just me. It's mine for one whole year, and I have the contract to prove it."
Riley tried to form a reply as Jack moved his hand again. It was good to see the other man speechless for once.
"Don't worry though, husband.I'm gonna treat it so good. I've decided that I'm gonna make it,and you, feel so damn good you'll never look at another woman again. You only have to say the word, and I'll show you what you signed up for." His voice fell into a heated whisper, the words low and drawled. Now do we need to get out of here? I'm thinking I might need to take you home and show you who you belong to." Riley's eyes widened, his dick fully hard, iron in Jack's clever hands. "I can make you scream. You wouldn't even know your name when I finished with you."
"Jack—please."
Riley's voice was broken.
Everything Jack wanted to hear.
"Please?"
Riley blinked, unconsciously pushing his groin into Jack's hold. Jack knew what followed next was certainly not a decision Riley made with his upstairs brain. "Fuck, Jack. Let's get the hell out of here.
”
”
R.J. Scott (The Heart of Texas (Texas, #1))
“
It sounds sketchy. Like he’s trying to lure me to a secondary location
”
”
Ali Hazelwood (Love on the Brain)
“
Then he explains Chinese food in Manhattan to me: 'See the way it works is, there's one central location out on Long Island where all this stuff is made. Then it's piped into the city through a series of underground pipes that run parallel to the train and subway tracks. The restaurants then just pull a lever. One lever for General Tso's chicken, another for beef with broccoli sauce. It's like beer; it's on tap.' It's amazing how convincing he is when he says this. There's no pause in his description, nowhere for him to stop and think, to make this up as he goes along. It's as though he's simply repeating something he read in the Times yesterday. This makes me love him more than I did just five minutes ago.
”
”
Augusten Burroughs (Magical Thinking: True Stories)
“
You Don't Know What Love Is
But you know how to raise it in me
like a dead girl winched up from a river. How to
wash off the sludge, the stench of our past.
How to start clean. This love even sits up
and blinks; amazed, she takes a few shaky steps.
Any day now she'll try to eat solid food. She'll want
to get into the fast car, one low to the ground, and drive
to some cinderblock shithole in the desert
where she can drink and get sick and then
dance in nothing but her underwear. You know
where she's headed, you know she'll wake up
with an ache she can't locate and no money
and a terrible thirst. So to hell
with your warm hands sliding inside my shirt
and your tongue down my throat
like an oxygen tube. Cover me
in black plastic. Let the mourners through.
”
”
Kim Addonizio
“
The world stops spinning. She is the ocean crashing into me, tossing me, drowning me. I can’t breathe. I do not care. I want to die right now. I want nothing more than to drown in her. My head is filled with a gray fog. I am being pulled toward heaven and my angel is kissing me.
Heidi Acosta. Barbie Girl (Kindle Locations 3330-3332).
”
”
Heidi Acosta (Barbie Girl (Baby Doll, #1))
“
Shot Dunyun: No bullshit, but I never leave the house without a mix for anything: Falling in love. Witnessing a death. Disappointment. Impatience. Traffic. I carry a mix for any human condition. Anything really good or bad happens to me, and my way not to overreact—like, to distance my emotions—is to locate the exact perfect sound track for that moment. Even the night Rant died, my automatic first thought was: Philip Glass's Violin Concerto II, or Ravel's Piano Concerto in G Major?
”
”
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
“
…I felt nothing. I could think of feelings, emotions, but I couldn't bring them up in me. I couldn't even locate where my emotions came from. My brain? It made no sense. Irritation was what I knew best—a heaviness on my chest, a vibration in my neck like my head was revving up before it would rocket off my body. But that seemed directly tied to my nervous system—a physiological response. Was sadness the same kind of thing? Was joy? Was longing? Was love?
”
”
Ottessa Moshfegh (My Year of Rest and Relaxation)
“
One day, a young boy went up to his grandfather, who was an old Cherokee chief. ‘Edudi?’ the boy asked. ‘Why are you so sad?’ The old chief bit his lip and rubbed his belly as if his stomach pained him unmercifully. ‘There is a terrible fight inside me, Uhgeeleesee’, the chief said sternly. ‘One that will not let me sleep of give me peace’. ‘A fight Grandfather? I don’t understand. What kind of fight is inside you?’ The old chief knelt in front of the boy to explain. ‘Deep inside my heart, I have two wolves. Each strong enough to devour the other, they are locked in constant war. One is evil through and through. He is revenge, sorrow, regret, rage, greed, arrogance, stupidity, superiority, envy, guilt, lies, ego, false pride, inferiority, self-doubt, suspicion and resentment. The other wolf is everything kind. He is made of peace, blissful tranquillity, wisdom, love and joy, hope and humility, compassion, benevolence, generosity, truth, faith and empathy. They circle each other inside my heart and they fight one another at all times. Day and night. There is no letup. Not even while I slumber’. The boy’s yes widened as he sucked his breath in sharply. ‘How horrible for you’. His grandfather shook his head at these words and tapped the boy’s chest right where his own heart was located. ‘It’s not just horrible for me. This same fight is also going on inside you and every single person who walks this earth with us’. Those words terrified the little boy. ‘So tell me Grandfather, which of the wolves will win this fight?’ The old chief smiled at his grandson and he cupped his young cheek before he answered with one simple truth. ‘Always the one we feed’.
Be careful what you feed, child. For the beast will follow you home and live with you until you either make a bed for it to stay, or find the temerity to drive it out.
”
”
Sherrilyn Kenyon (Time Untime (Dark-Hunter, #21))
“
It sounds sketchy. Like he’s trying to lure me to a secondary location to traffic me to people who’ll harvest my femurs to make handles for badminton racquets.
”
”
Ali Hazelwood (Love on the Brain)
“
It sounds sketchy. Like he's trying to lure me to a secondary location to traffic me to people who'll harvest my femurs to make handles for badminton racquets.
”
”
Ali Hazelwood (Love on the Brain)
“
You have probably worked your entire life to create a sense of identity around your job, your family, your hobbies, or your physical characteristics. But none of these is who you really are. You are not what you look like. You are not your family. You are not your job, income, or performance. You are not your current situation or the mistakes you have made. Mistakes are just locations on your journey; they have nothing to do with who you are, and neither does what you do or how successful you are.
You are bigger than all those things. You are much more than just a businessman or a mom or a student. You are a divine, irreplaceable, one-of-a-kind, amazing, loving, eternal being, and your value comes from that fact alone. You come from God, who is love, which to me would mean - you are love too. You have to be. And if you are love then nothing you do or don’t do can change your value, because no matter what you do or how many mistakes you make, you are still YOU; you are still LOVE. You can’t help it. You cannot be anything else.
”
”
Kimberly Giles (Choosing Clarity: The Path to Fearlessness)
“
Touch"
You are already
asleep. I lower
myself in next to
you, my skin slightly
numb with the restraint
of habits, the patina of
self, the black frost
of outsideness, so that even
unclothed it is
a resilient chilly
hardness, a superficially
malleable, dead
rubbery texture.
You are a mound
of bedclothes, where the cat
in sleep braces
its paws against your
calf through the blankets,
and kneads each paw in turn.
Meanwhile and slowly
I feel a is it
my own warmth surfacing or
the ferment of your whole
body that in darkness beneath
the cover is stealing
bit by bit to break
down that chill.
You turn and
hold me tightly, do
you know who
I am or am I
your mother or
the nearest human being to
hold on to in a
dreamed pogrom.
What I, now loosened,
sink into is an old
big place, it is
there already, for
you are already
there, and the cat
got there before you, yet
it is hard to locate.
What is more, the place is
not found but seeps
from our touch in
continuous creation, dark
enclosing cocoon round
ourselves alone, dark
wide realm where we
walk with everyone.
”
”
Thom Gunn (Collected Poems)
“
I loved Vincent and he loved me in the abiding way most couples in good marriages love each other, that way in which every once in a while there is a longing for someone you haven't yet met. A longing that comes upon you while you are loading the dishwasher or weeding the garden or sitting in front of the television or turning out the light to go to sleep, and you don't even know what it is, this longing, and you think maybe you're in need of a vacation or maybe you are dying because the ache of it hurts so fucking much…That ache, it went away when I met Henry; it went away as if it had been a headache instead of located nowhere precisely. Its not that I *wanted* to fall in love with Henry, but I did just the same because you can't keep from falling in love any more than you can keep snow from falling from the sky in winter. Gravity is gravity.
”
”
Binnie Kirshenbaum (The Scenic Route)
“
We’re working. Can you put the phone down.”
“Can I? Yes. Will I? No.”
“Are you that intent on inflicting yourself on the nearest hottie on Tinder? Or are you sliding into the DMs of some of your faithful fans?”
He stays focused on the screen. “Neither. I’m on a new app called Whiner. It locates the most insufferable nag within a four-block radius.” He looks at me in mock-surprise. “Holy shit, would you look at that? It’s pointing right at you.
”
”
Leisa Rayven (Professor Feelgood (Masters of Love, #2))
“
I locate the ladies' room. Luckily, it's empty, no one to see the vacant-eyed girl, staring in the mirror. Staring at a stranger who doesn't care if she dies. Maybe she wants to die. Who would care if I died? My face is hollow-cheeked, spiced with sores--the places where I stab at bugs. Tiny bugs, almost invisible, but irritating. Usually they come out at night, when I'm lying there, begging for sleep. I've been meaning to tell the manager that the apartment needs to be sprayed. Sprayed. Steam cleaned. Deodorized. My hair looks odd too. It used to be darker. Shinier. Prettier. Can hair lose color when you're only eighteen? What if I go all the way gray? Will Trey still love me? Will anyone? That is, if I fool them all and don't die.
”
”
Ellen Hopkins
“
Nirvana's music dragged you across the floor. You felt every crack; every speck of dirt. Their songs helped you locate the places where you ached, and in that awareness of your hurting, you suddenly knew that the bleakness was collective - not merely your own.
”
”
Carrie Brownstein (Hunger Makes Me a Modern Girl)
“
Scott once said to me that you belong in three places: the place you grew up, the place where you went to college, and the place where the person you love is. I’d add a fourth component to that: the place where you first sought professional psychological help. Therapy has a way of tying you to a location, of fastening you to its
way of thinking. In any case, by either reckoning, I now belong in New York more than I belong in London. I went to college here, Dr. Feingold is here. If you can stretch “person you love” to “person you like to have sex with,” then Scott’s here, too.
”
”
Naomi Alderman (Disobedience)
“
Loving him wasn’t a surprise. What was, however, was the realization that ultimately, that was all that mattered between us. I’d been trying to figure out what it was that was holding me back from sex. It wasn’t Jill. It wasn’t some physical threshold I was afraid to cross. There was nothing, nothing except an anxiety my love had banished to the winds. And standing there, in that improbable location, the full force of how much I wanted him nearly knocked me over. A desire that was as much spiritual as physical burned through me, and I suddenly felt as though there was no way I could go a moment longer without having all of him.
”
”
Richelle Mead (The Fiery Heart (Bloodlines, #4))
“
For the record…I didn't die on Sol 6. Certainly the rest of the crew thought I did, and I can't blame them. Maybe there'll be a day of national mourning for me, and my Wikipedia page will say, "Mark Witney is the only human being to have died on Mars."
Let's see…where do I begin?
The Ares Program. Mankind reaching out to Mars to send people to another planet for the very first time and expand the horizons of humanity blah, blah, blah. The Ares 1 crew did their thing and came back heroes. They got parades and fame and love of the world.
Ares 2 did the same thing , in a different location in Mars. They got a firm handshake and a hot cup of coffee when they got home.
Ares 3. Well, that was my mission. Okey, not MINE per se. Commander Louis was in charge. I was just one of the crew. Actually, I was the very lowest ranked member of the crew. I would only be "in command" if I were the only remaining person.
What do you know? I'm in command.
”
”
Andy Weir (The Martian)
“
You ask me why the I.W.W. is not patriotic to the United States. If you were a bum without a blanket; if you had left your wife and kids when you went west for a job, and had never located them since; if your job had never kept you long enough in a place to qualify you to vote; if you slept in a lousy, sour bunkhouse, and ate food just as rotten as they could give you and get by with it; if deputy sheriffs shot your cooking cans full of holes and spilled your grub on the ground; if your wages were lowered on you when the bosses thought they had you down; if there was one law for Ford, Suhr, and Mooney, and another for Harry Thaw; if every person who represented law and order and the nation beat you up, railroaded you to jail, and the good Christian people cheered and told them to go to it, how in hell do you expect a man to be patriotic? This war is a business man’s war and we don’t see why we should go out and get shot in order to save the lovely state of affairs that we now enjoy.
”
”
Howard Zinn (A People's History of the United States: 1492 to Present)
“
I am always amused by those couples- lovers and spouses- who perform and ask others to perform musical chairs whenever they, by random seat selection, are separated from each other. 'Can you switch seats with me?' A woman asked me. 'So I can sit with my husband?' She wanted me, a big man, who always books early, and will gratefully pay extra for the exit row, to trade my aisle seat for her middle seat. By asking me to change my location for hers, the woman is actually saying to me: 'Dear stranger, dear Sir, my comfort is more important than yours. Dear solitary traveler, my love and fear- as contained within my marriage- are larger than yours.' O, the insult! O, the condescension! And this is not an isolated incident. I've been asked to trade seats twenty or thirty times over the years. How dare you! How dare you ask me to change my life for you! How imperial! How colonial! But, ah, here is the strange truth: whenever I'm asked to trade seats for somebody else's love, I do, I always do.
”
”
Sherman Alexie (War Dances)
“
You might wonder how those on the Other Side know to use my screen or my body, or even how they find me. My answer: they just know. We are tied to all those we’ve ever loved by cords of light. Those cords can never be broken. Think of them like a fishing line of love. If you tug on one end, the other end feels the tug. And those on the Other Side are always on the lookout for openings between the worlds. They can locate the portal they need. The most important thing for a sitter to know is that he or she doesn’t need a psychic medium to communicate with loved ones who have passed. If we open our minds and our hearts, we will begin to see the signs and messages they send for us to feel their presence in our everyday lives.
”
”
Laura Lynne Jackson (The Light Between Us: Stories from Heaven, Lessons for the Living)
“
It's like any time a white friend suggests Korean barbecue. Or when I see a Food Network special where some tattooed white dude with a nineteenth-century-looking beard-and-mustache combo introduces viewers to this kimchi al pastor bánh mì monstrosity he peddles from a food truck that sends out location tweets. It's like when white people tell me how much they love kimchee and bull-go-ghee, and the words just roll off their tongues as if there exists nothing irreconcilable between the two languages.
It's like, don't touch my shit.
It's difficult to articulate because I know it's not rational. But as a bilingual immigrant from Korea, as someone who code-switches between Korean and English daily while running errands or going to the supermarket, not to mention the second-nature combination of the languages that I'll speak with my parents and siblings, switching on and switching off these at times unfeasibly different sounds, dialects, grammatical structures? It's fucking irritating. I don't want to be stingy about who gets to enjoy all these fermented wonders -- I'm glad the stigma around our stinky wares is dissolving away. But when my husband brings me a plate of food he made out of guesswork with a list of ingredients I've curated over the years of my burgeoning adulthood with the implicit help of my mother, my grandmother, and my grandmother's mother who taught me the patience of peeling dozens of garlic cloves in a sitting with bare hands, it puts me in snap-me-pff-a-hickory-switch mode.
”
”
Sung Yim (What About the Rest of Your Life)
“
YOU DON’T KNOW WHAT LOVE IS but you know how to raise it in me like a dead girl winched up from a river. How to wash off the sludge, the stench of our past. How to start clean. This love even sits up and blinks; amazed, she takes a few shaky steps. Any day now she’ll try to eat solid food. She’ll want to get into a fast car, one low to the ground, and drive to some cinderblock shithole in the desert where she can drink and get sick and then dance in nothing but her underwear. You know where she’s headed, you know she’ll wake up with an ache she can’t locate and no money and a terrible thirst. So to hell with your warm hands sliding inside my shirt and your tongue down my throat like an oxygen tube. Cover me in black plastic. Let the mourners through.
”
”
Kim Addonizio (What Is This Thing Called Love: Poems)
“
He reached for Aiden’s hand, which was swinging by the side of Aiden’s chair in a convenient location for Harvard to grab in case Harvard might want to. Harvard not only laced their fingers together, but also brought Aiden’s hand to his lips and kissed the back. Then he let their joined hands rest on the lapel of his uniform blazer, against the golden crown over crossed swords of his captain’s pin… and his heart. Harvard did it all absentmindedly, as though he didn’t have to think about his actions because it came so naturally.
Aiden lifted a coffee cup to his lips purely in order to make a Can you believe this? face behind it.
There went Harvard again, raising the ideal boyfriend bar to the sky. Could the man not be stopped?
“Aw, are you having faith in me, sweetheart?” Aiden murmured. “That’s so nice. And so misplaced.”
Harvard murmured, a lovely little sound, patently unconvinced. This is the last time, Aiden thought, and held on.
The others ignored Aiden and Harvard’s romantic moment in order to focus on crime.
”
”
Sarah Rees Brennan (Striking Distance (Fence, #1))
“
Christy dug her hand deeper into her shoulder bag. Scanning the papers she finally located there, she found no phone numbers or addresses listed. All the plans had been made in such haste. All she knew was that someone was supposed to meet her here. She was here, and he or she wasn't.
Never in her life had she felt so completely alone. Stranded with nowhere to turn. A prayer came quickly to her lips. "Father God, I'm at Your mercy here. I know You're in control. Please show me what to do."
Suddenly she heard a voice calling to her.
"Kilikina!"
Christy's heart stopped. Only one person in the entire world had ever called her by her Hawaiian name. She spun around.
"Kilikina," called out the tall, blond surfer who was running toward her.
Christy looked up into the screaming silver-blue eyes that could only belong to one person.
"Todd?" she whispered, convinced she was hallucinating.
"Kilikina," Todd wrapped his arms around her so tightly that for an instant she couldn't breathe. He held her a long time. Crying. She could feel his warm tears on her neck. She knew this had to be real. But how could it be?
"Todd?" she whispered again. "How? I mean, what...? I don't..."
Todd pulled away, and for the first time she noticed the big gouquet of white carnations in his hand. They were now a bit squashed.
"For you," he said, his eyes clearing and his rich voice sounding calm and steady. Then, seeing her shocked expression, he asked, "You really didn't know I was here, did you?"
Christy shook her head, unable to find any words.
"Didn't Dr. Benson tell you?"
She shook her head again.
"You mean you came all this way by yourself, and you didn't even know I was here?" Now it was Todd's turn to look surprised.
"No, I thought you were in Papua New Guinea or something. I had no idea you were here!"
"They needed me here more," Todd said with a chin-up gesture toward the beach. "It's the perfect place for me." With a wide smile spreading above his square jaw, he said, "Ever since I received the fax yesterday saying they were sending you, I've been out of my mind with joy! Kilikina, you can't imagine how I've been feeling."
Christy had never heard him talk like this before.
Todd took the bouquet from her and placed it on top of her luggage. Then, grasping both her quivering hands in his and looking into her eyes, he said, "Don't you see? There is no way you or I could ever have planned this. It's from God."
The shocked tears finally caught up to Christy's eyes, and she blinked to keep Todd in focus. "It is," she agreed. "God brought us back together, didn't He?" A giggle of joy and delight danced from her lips.
"Do you remember what I said when you gave me back your bracelet?" Todd asked. "I said that if God ever brought us back together, I would put that bracelet back on your wrist, and that time, it would stay on forever."
Christy nodded. She had replayed the memory of that day a thousand times in her mind. It had seemed impossible that God would bring them back together. Christy's heart pounded as she realized that God, in His weird way, had done the impossible.
Todd reached into his pocket and pulled out the "Forever" ID bracelet. He tenderly held Christy's wrist, and circling it with the gold chain, he secured the clasp.
Above their heads a fresh ocean wind blew through the palm trees. It almost sounded as if the trees were applauding.
Christy looked up from her wrist and met Todd's expectant gaze. Deep inside, Christy knew that with the blessing of the Lord, Todd had just stepped into the garden of her heart.
In the holiness of that moment, his silver-blue eyes embraced hers and he whispered, "I promise, Kilikina. Forever."
"Forever," Christy whispered back.
Then gently, reverently, Todd and Christy sealed their forever promise with a kiss.
”
”
Robin Jones Gunn (A Promise Is Forever (Christy Miller, #12))
“
I have talked with many pastors whose real struggle isn’t first with the hardship of ministry, the lack of appreciation and involvement of people, or difficulties with fellow leaders. No, the real struggle they are having, one that is very hard for a pastor to admit, is with God. What is caused to ministry become hard and burdensome is disappointment and anger at God.
We have forgotten that pastoral ministry is war and that you will never live successfully in the pastorate if you live with the peacetime mentality. Permit me to explain. The fundamental battle of pastoral ministry is not with the shifting values of the surrounding culture. It is not the struggle with resistant people who don't seem to esteem the Gospel. It is not the fight for the success of ministries of the church. And is not the constant struggle of resources and personnel to accomplish the mission. No, the war of the pastor is a deeply personal war. It is far on the ground of the pastor’s heart. It is a war values, allegiances, and motivations. It's about the subtle desires and foundational dreams. This war is the greatest threat to every pastor. Yet it is a war that we often naïvely ignore or quickly forget in the busyness of local church ministry.
When you forget the Gospel, you begin to seek from the situations, locations and relationships of ministry what you already have been given in Christ. You begin to look to ministry for identity, security, hope, well-being, meeting, and purpose. These things are already yours in Christ.
In ways of which you are not always aware, your ministry is always shaped by what is in functional control of your heart.
The fact of the matter is that many pastors become awe numb or awe confused, or they get awe kidnapped. Many pastors look at glory and don't seek glory anymore. Many pastors are just cranking out because they don't know what else to do. Many pastors preach a boring, uninspiring gospel that makes you wonder why people aren't sleeping their way through it. Many pastors are better at arguing fine points of doctrine than stimulating divine wonder. Many pastors see more stimulated by the next ministry, vision of the next step in strategic planning than by the stunning glory of the grand intervention of grace into sin broken hearts. The glories of being right, successful, in control, esteemed, and secure often become more influential in the way that ministry is done than the awesome realities of the presence, sovereignty, power, and love of God.
Mediocrity is not a time, personnel, resource, or location problem. Mediocrity is a heart problem. We have lost our commitment to the highest levels of excellence because we have lost our awe.
”
”
Paul David Tripp (Dangerous Calling: Confronting the Unique Challenges of Pastoral Ministry)
“
The sign or cause of coming death is an indescribable longing for something, they know not what, which seizes them, and drives them into solitude, consuming them within, till the body fails. When a youth and a maiden look too deep into each other's eyes, this longing seizes and possesses them; but instead of drawing nearer to each other, they wander away, each alone, into solitary places, and die of their desire. But it seems to me, that thereafter they are born babes upon our earth: where, if, when grown, they find each other, it goes well with them; if not, it will seem to go ill.
MacDonald, George. Phantastes, a Faerie Romance for Men and Women (Kindle Locations 1214-1218). Kindle Edition.
”
”
George MacDonald
“
I found a sense of peace on Beechnut. I could just walk with him and not have to say a word. In between takes, I would sit with the cast and Beechnut would stand behind me, sometimes with his head on my shoulder. I didn't have to tie him, up; he would just stand there. I loved being a cowboy... again. The only other times
I'd felt this sense of peace had been while fielding ground balls or playing catch on a baseball field or doing stand-up when everything was working. When filming was over, my agent, Andrea Eastman, gave me Beechnut as a surprise gift. at first, I didn't want him. Owning a horse is an enormous responsibility, and
I was concerned hat my relationship with him was just a location romance. But I accepted, and I rode him until 2009, when he passed away at the age of twenty-eight.
”
”
Billy Crystal (Still Foolin' 'Em: Where I've Been, Where I'm Going, and Where the Hell Are My Keys)
“
She moved, opening to him, her thighs widening, the cool air of the room rushing through the slit in her pantalettes. Her cheeks burned and she moved her hands to block his view.
He was watching them, and he made a low sound of approval. "That's where my hands would be as well. Can you feel why? Can you feel the heat? The temptation?"
Her eyes were closed now. She couldn't look at him. But she nodded.
"Of course you can... I can almost feel it myself." The words were hypnotic, all temptation, soft and lyric and wonderful. "And tell me, my little anatomist, have you explored that particular location, before?"
Her cheeks burned.
"Don't start lying now, Pippa. We've come so far."
"Yes."
"Yes, what?"
"Yes, I've explored it before." The confession was barely sound, but he heard it. When he groaned, she opened her eyes to find him pressed back against the desk once more. "Did I say the wrong thing?"
He shook his head, his hand rising to his mouth once more, stroking across firm lips. "Only in that you made me burn with jealousy."
Her brows furrowed. "Of whom?"
"Of you, lovely." His grey gaze flickered to the place she hid from him. "Of your perfect hands. Tell me what you found."
She couldn't. While she might know the clinical words for all the things she had touched and discovered, she could not speak them to him. She shook her head. "I cannot."
"Did you find pleasure?"
She closed her eyes, pressed her lips together.
"Did you?" he whispered, the sound loud as a gunshot in this dark, wicked room.
She shook her head. Once, so small it was barely a movement.
He exhaled, the sound long and lush in the room, as though he'd been holding his breath... and he moved. "What a tragedy."
Her eyes snapped open at the sound of him- of trouser against carpet as he crawled toward her, eyes narrow and filled with wicked, wonderful promise.
He was coming for her. Predator stalking prey.
And she could not wait to be caught.
”
”
Sarah MacLean (One Good Earl Deserves a Lover (The Rules of Scoundrels, #2))
“
Sitting on the poop deck with my infinitely beloved wife who has acquired an even greater weight of love. I keep on mentally looking around to make sure she's there. For why this new and massive re-affirmation of adoration and worship and a promise to myself that I shall never be nasty to her ever again? I will tell you for why. For because for about three minutes this afternoon I thought that I was about to be killed instantaneously and at once, without time to re-tell her how much I love her, to apologize for breaking my contract to look after her forever, for letting her down with a bang (hysterical pun intended) and for having no time to tell her the million things yet to be told and for not realizing and demonstrating my full potential as a husband, provider, lover, and all. (He goes on to describe how he was in a helicopter with others going to a film location in some mountainous area in Sarajevo in the fog and the came right up to some mountains and barely swerved just in time, this went of for a full three minutes of desperate danger) He goes on to say, "There was one blazing mental image that seemed to last right through the enormity. it was E lying in bed on the yacht with a book open at the page where she'd stopped reading with the title front cover and publisher's blurb on the other face up on the bed near her right hand which was out of the covers. She was wearing one of my favorite nightgowns, a blue thing and shorty which she may have been wearing this morning when I said goodbye to her. (I just asked her and she was) She had one leg bent and the other straight. On another level I was telling her over and over again that I loved her, I loved her...The mind is a remarkable instrument. If I wrote down everything I could remember from those interminable seconds it would be a million words....A shorter catastrophe of this kind happened to me before when I was perhaps 19-20 years old but I hadn't learned to love then and to love obsessively.
”
”
Richard Burton (The Richard Burton Diaries)
“
Some destruction is required to live. We cannot eat rocks and air. Yet why should one organism eat so greedily that all others are imperiled? When we’re finished grazing in the garden, I want there to be some garden left. This is more than aesthetic desire- though surely it is the beautiful complexity of nature that woos me. It is moral desire. To use nature beyond its capacity to restore itself is to destroy the force and process that have given us our lives. We have not fallen from nature, we have risen from it; all human accomplishment, feeling, and belief along with flesh and blood are rooted in that generative power. Even our strange human inwardness that imagines such guiding abstractions as faith, justice, love, and compassion is a gift of nature. The theory of evolution, our long genetic entanglement with all the other living things, is not at odds with theories of the sacred. It locates the sacred in living things. I believe we owe nature the deep sense of gratitude that people once expressed to their gods. The earth’s life is finite, as is my own, and these are the realities I accept with sorrow, the place and the passage made sacred by their limits.
”
”
Alison Hawthorne Deming (Writing the Sacred into the Real (Credo))
“
I well believe, dear Mother, that it is somewhat painful for you that I have travelled so far away from you and was not even able to bid you farewell. Indeed, do not think as though I had no filial love for you or else I would not have accepted this call or at least would have asked for your advice. I could not possibly refuse the call, otherwise I would have been disobedient to the heavenly Father who has sufficiently assured me of His will. Time did not permit me to bid you farewell in person. I had to hurry with my dear colleague to my congregation that was already underway. . . .
My congregation, to which the wonderful God has led me, is indeed still small but consists mainly of such people who already have suffered much for Christ's sake and therefore have their Christianity not in the mouth but in the heart and demonstrate it in deed. For that reason I not only have love for these upright people with my heart and with joy want to live and die with them in America, but they also love me more than I am worthy and would share their heart with me if they could. . . .
[I]f the wind remains good, we will arrive with God's help in 5 or 6 weeks to the place and location for which we rather earnestly yearn because it is said to be a good, fruitful, and blessed land.
”
”
Johann Martin Boltzius (The Letters of Johann Martin Boltzius, Lutheran Pastor in Ebenezer, Georgia: German Pietism in Colonial America, Book 1 and Book 2)
“
In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening.
Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives.
My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light.
In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide.
And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality.
What we find exotic abroad may be what we hunger for in vain at home.
”
”
Alain de Botton (The Art of Travel)
“
She looked thoughtful. “Who knows? Perhaps now is the time to see through the habit. Accidents, illness, healing, they’re all more mysterious than any of us ever imagined. I believe that we have an undiscovered ability to influence what happens to us in the future, including whether we are healthy—although, again, the power has to remain with the individual patient. “There was a reason that I didn’t offer an opinion concerning how badly you were hurt. We in the medical establishment have learned that medical opinions have to be offered very carefully. Over the years the public has developed almost a worship of doctors, and when a physician says something, patients have tended to take these opinions totally to heart. The country doctors of a hundred years ago knew this, and would use this principle to actually paint an overly optimistic picture of any health situation. If the doctor said that the patient would get better, very often the patient would internalize this idea in his or her mind and actually defy all odds to recover. In later years, however, ethical considerations have prevented such distortions, and the establishment has felt that the patient is entitled to a cold scientific assessment of his or her situation. “Unfortunately when this was given, sometimes patients dropped dead right before our eyes, just because they were told their condition was terminal. We know now that we have to be very careful with these assessments, because of the power of our minds. We want to focus this power in a positive direction. The body is capable of miraculous regeneration. Body parts thought of in the past as solid forms are actually energy systems that can transform overnight. Have you read the latest research on prayer? The simple fact that this kind of spiritual visualization is being scientifically proven to work totally undermines our old physical model of healing. We’re having to work out a new model.” She paused and poured more water on the towel around my ankle, then continued, “I believe the first step in the process is to identify the fear with which the medical problem seems to be connected; this opens up the energy block in your body to conscious healing. The next step is to pull in as much energy as possible and focus it at the exact location of the block.” I was about to ask how this was done, but she stopped me. “Go ahead and raise your energy level as much as you can.” Accepting her guidance, I began to observe the beauty around me and to concentrate on a spiritual connection within, evoking a heightened sensation of love. Gradually the colors became more vivid and everything in my awareness increased in presence. I could tell that she was raising her own energy at the same time. When I felt as though my vibration had increased as much as possible, I looked at her. She smiled back at me. “Okay, now you can focus the energy on the block.” “How do I do that?” I asked. “You use the pain. That’s why it’s there, to help you focus.
”
”
James Redfield (The Tenth Insight: Holding the Vision (Celestine Prophecy #2))
“
… this Japanese classic,Ikuru, which, you know, I had loved for most of my life, you know, I think I first saw it when I was a boy, on British TV and it had a huge impact on me, partly because of my Japanese background but I think quite regardless of that… and I thought – I mean, bit of an exaggeration – I think I always kind of lived my life informed by the message in that film as I was growing up.
Ikuru is an untypical film of [Kurosawa’s] in many ways. It’s a quiet, personal film, set in what was then the present day. No gangsters or anything like this you know. It’s the story about this civil servant, aging civil servant… whose life has been kind of… semi-lived – if at all. But when he learns that he is terminally ill, he suddenly… it becomes very urgent for him this question, ‘How do I make my life worthwhile?’ Now what really appealed to me about this film... was I thought it said something new and different…
You can actually, you can make your life meaningful and triumphant… without having to do anything that’s going to earn you headlines in the newspaper or earn you great applause, you know? You have to locate that sense of… you have to find a very lonely sense of success and failure. And you have to locate that sense of success… you have to be strong enough to locate that sense of success somewhere very private and secret within yourself. But nevertheless it can be absolutely redeeming and fulfilling, if you can find it, you know. And I think it’s a very important message.
”
”
Kazuo Ishiguro
“
… this Japanese classic, Ikuru, which, you know, I had loved for most of my life, you know, I think I first saw it when I was a boy, on British TV and it had a huge impact on me, partly because of my Japanese background but I think quite regardless of that… and I thought – I mean, bit of an exaggeration – I think I always kind of lived my life informed by the message in that film as I was growing up.
Ikuru is an untypical film of [Kurosawa’s] in many ways. It’s a quiet, personal film, set in what was then the present day. No gangsters or anything like this you know. It’s the story about this civil servant, aging civil servant… whose life has been kind of… semi-lived – if at all. But when he learns that he is terminally ill, he suddenly… it becomes very urgent for him this question, ‘How do I make my life worthwhile?’ Now what really appealed to me about this film... was I thought it said something new and different…
You can actually, you can make your life meaningful and triumphant… without having to do anything that’s going to earn you headlines in the newspaper or earn you great applause, you know? You have to locate that sense of… you have to find a very lonely sense of success and failure. And you have to locate that sense of success… you have to be strong enough to locate that sense of success somewhere very private and secret within yourself. But nevertheless it can be absolutely redeeming and fulfilling, if you can find it, you know. And I think it’s a very important message.
”
”
Kazuo Ishiguro
“
Missy
I was sixteen and Jason (known on TV as Jase) was eighteen when we started dating. One of my friends--we’ll call her Christy--was actually interested in him, and the two of them had started seeing each other. Jase did not know Christy was already dating someone else and had been for quite some time. He found this out at her house one Sunday afternoon when she ran down the stairs telling him he had to leave immediately. About that time, he heard the screeching of tires from the front of her house. Her boyfriend had arrived. The boyfriend (we’ll call him Greg) was obviously not happy with the current arrangement and was there to set things straight with Jason. He told Jason eh wanted to talk inside his truck. Jase ended up getting into Greg’s vehicle, which he quickly regretted, and Greg proceeded to drive to an undisclosed location to fight it out. Quickly, Jase realized the situation and told Greg that if all of this was over Christy, he could have her. She was not worth it to him.
Since Greg did not seem to respond to this direction in the conversation, Jase switched gears and started preaching to him. He proceeded to tell Greg that Jesus died for him and for all the rotten things he had done in his life. He told him God would forgive him if he would turn his life over to Jesus, be baptized for his sins, and start living a life that reflected Jesus’ love for him.
Since Greg did not seem to respond to this dialogue either, Jase told him simply, “Just don’t hit me in the face.” Greg stopped the truck, dragged Jase out, roughed him up a bit, and left him at the end of a dead-end road. Jason never threw one punch. Obviously, the relationship between Jason and Christy was officially over.
”
”
Missy Robertson (The Women of Duck Commander: Surprising Insights from the Women Behind the Beards About What Makes This Family Work)
“
You have no idea where Anne’s office is?” I asked, grouchy and beyond footsore, seriously envying Jack’s completely healed feet. We’d already been here for an hour and had nothing to show for it other than a few close calls with security patrols. I’d figured since I couldn’t check every room for Raquel, searching Anne-Whatever Whatever’s office for records was my next best bet.
“Surprisingly enough, I do not make a habit of concerning myself with the locations of offices of people I neither know nor care anything for.”
“I thought you had some big vendetta against IPCA for controlling you.”
“Have you seen anyone who ever once used my name against me? Present company excepted.”
I frowned, checking around a corner to a hall that was, as usual, empty. This was so much less exciting than I had been afraid it would be. Reth walked calmly forward, never pausing, never frantically checking over his shoulder.
I wondered what he did to those poor suckers who had trapped him with his true name. I almost asked, but honestly, I didn’t really want to know. “Wait—you didn’t do anything to Raquel.” I inwardly cringed. Raquel had used his name against him, and there I went reminding him.
“Hmm. An uncharacteristic oversight.”
I snorted. “Yeah, mister always has a plan, you’re constantly missing details.” I shouldn’t push the issue lest I convince him that he still had some vengeance waiting, but I couldn’t help it. It was so unlike him.
He waved an elegant hand through the air as though brushing off my observation. “Some things are beneath my attention.”
“Liar.”
He stopped short, and I walked a few paces before realizing he wasn’t beside me anymore. I turned and found myself sucked into his golden gaze.
“You are quite blind sometimes, my love.”
“What do you mean by that?” I snapped. Then my jaw dropped as he actually rolled his perfect, gigantic-bordering-on-anime golden eyes. That was so not a faerie gesture. “You just rolled your eyes!”
“It would appear you are a negative influence after all.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
them.” “Okay, Arceus and Calvin,” I said. “Yes?” they answered. “I need you guys to get horses and track down Team Scorpion. Once you have their location, we will assemble a team and attack their hideout.” Arceus nodded. “It sounds like a good plan.” “But what if they just keep running and they never stop?” asked Calvin. “They have to stop sometime,” said Shadow. “Plus, they have to stash their loot somewhere.” Calvin nodded. “Okay, we’ll head to Thane’s stable. I’ll pick up Rose too, she can help us track them.” “Good idea,” I said. Before leaving, Arceus turned to Cindy and said, “Alas, our time reunited was so short, and now we must part again, my love.” “Uh, why are you calling me that? I’m not your love,” Cindy replied. “Oh, but you are, darling. I love you, so therefore, you are my love.” “You love me…?” Cindy had a shocked expression on her face. “Yes, of course. If not for you, I would have left this town a long time ago.” “Really?” "To be honest, I hate this town. There's always some troubling event going on here. But this is your hometown, and I know you love it so. Therefore, I will gladly fight to my dying breath to defend it if I must.” Cindy blushed. “Um… that’s… very sweet of you…” “Well, we should head out now. Until we meet again, my love.” Arceus hugged Cindy and then he left with Calvin to go to the stable. “What should we do in the meantime?” asked Devlin. “We’ll go home and check up on everyone. We gotta make sure they’re okay.” “And then?” “We’ll prepare for the assault on Team Scorpion’s hideout.” Knight-Captain Devlin nodded. We made our way back to town. When we arrived, we saw a bunch of villagers by town hall. They were drowning the mayor with questions. “Who were those jerks?!” a villager asked. “What did they want?!” asked another. “I thought this place was safe!” yelled a new villager. “How are you going to protect us from them?!” The questions went on and on. The mayor lost the crowd, he had no control over them whatsoever. They were becoming restless.
”
”
Steve the Noob (Diary of Steve the Noob 23 (An Unofficial Minecraft Book) (Diary of Steve the Noob Collection))
“
Knowing Chris was getting married, his fellow Team members decided that they had to send him off with a proper SEAL bachelor party. That meant getting him drunk, of course. It also meant writing all over him with permanent markers-an indelible celebration, to be sure.
Fortunately, they liked him, so his face wasn’t marked up-not by them, at least; he’d torn his eyebrow and scratched his lip during training. Under his clothes, he looked quite the sight. And the words wouldn’t come off no matter how he, or I scrubbed.
I pretended to be horrified, but honestly, that didn’t bother me much. I was just happy to have him with me, and very excited to be spending the rest of my life with the man I loved.
It’s funny, the things you get obsessed about. Days before the wedding, I spent forty-five minutes picking out exactly the right shape of lipstick, splurging on expensive cosmetics-then forgot to take it with me the morning of the wedding. My poor sister and mom had to run to Walgreens for a substitute; they came back with five different shades, not one of which matched the one I’d picked out.
Did it matter? Not at all, although I still remember the vivid marks the lipstick made when I kissed him on the cheek-marking my man.
Lipstick, location, time of day-none of that mattered in the end. What did matter were our families and friends, who came in for the ceremony. Chris liked my parents, and vice versa. I truly loved his mom and dad.
I have a photo from that day taped near my work area. My aunt took it. It’s become my favorite picture, an accidental shot that captured us perfectly. We stand together, beaming, with an American flag in the background. Chris is handsome and beaming; I’m beaming at him, practically glowing in my white gown.
We look so young, happy, and unworried about what was to come. It’s that courage about facing the unknown, the unshakable confidence that we’d do it together, that makes the picture so precious to me.
It’s a quality many wedding photos possess. Most couples struggle to make those visions realities. We would have our struggles as well.
”
”
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
“
Sitting with some of the other members of the Scholastic Decathlon team, quiet, studious Martha Cox heard snatches of the lunchtime poetry. Her ears instantly pricked up.
"What's going on?" she asked, her eyes bright.
Betty Hong closed her book and leaned close. "Taylor McKessie told me all about it," she whispered. Betty told Martha about next week's poetry-reading assembly and how Taylor was trying to help half the starting basketball team locate their muse.
"That's totally fresh!" Martha cried. "Too bad I'm not in Ms Barrington's English class."
Betty made a face. "You like poetry stuff? I thought you were into maths and science."
"I like it all," Martha replied. "I love astronomy and hip-hop-"
Betty rolled her eyes. "Not hip-hop again."
"Word, girl," Martha replied. "You know I've been bustin' out kickin' rhymes for years. It helps me remember lessons, like last night's astronomy lecture."
"No," Betty said. "You didn't make up a rap to that."
"Just watch," Martha cried. Leaping out of her chair, she began to chant, freestyle:
"At the centre of our system is the molten sun,
A star that burns hot, Fahrenheit two billion and one.
But the sun, he ain't alone in the heavenly sphere,
He's got nine homeys in orbit, some far, some near.
Old Mercury's crowding in 'bout as close as he can,
Yo, Merc's a tiny planet who loves a tan....
Some kids around Martha heard her rap. They really got into it, jumping up from their tables to clap and dance. The beat was contagious. Martha started bustin' some moves herself. She kept the rap flowing, and more kids joined the party....
"Venus is next. She's a real hot planet,
Shrouded by clouds, hot enough to melt granite.
Earth is the third planet from the sun,
Just enough light and heat to make living fun.
Then comes Mars, a planet funky and red.
Covered with sand, the place is pretty dead.
Jupiter's huge! The largest planet of all!
Saturn's big, too, but Uranus is small.
So far away, the place is almost forgotten,
Neptune's view of Earth is pretty rotten.
And last but not least, Pluto's in a fog,
Far away and named after Mickey's home dog.
Yo, that's all the planets orbiting our sun,
But the Milky Way galaxy is far from done!"
When Martha finished her freestyle, hip-hop flow, the entire cafeteria burst into wild applause. Troy, Chad, Zeke, and Jason had been clapping and dancing, too. Now they joined in the whooping and hollering.
"Whoa," said Chad. "Martha's awesome.
”
”
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
“
Standing, balanced precariously on the narrow top of a drainpipe, you had to give a good leap up to grab hold of the narrow ledge, and then swing your whole body up and over.
It took some guts, and a cool head for heights.
Get it wrong and the fall was a long one, onto concrete.
In an attempt to make it harder, the school security officers had put barbed wire all around the lip of the roof to ensure such climbs were “impossible.” (This was probably installed after Ran Fiennes’s escapades onto the dome all those years earlier.) But in actual fact the barbed wire served to help me as a climber. It gave me something else to hold on to.
Once on the roof, then came the crux of the climb.
Locating the base of the lightning conductor was the easy bit, the tough bit was then committing to it.
It held my weight; and it was a great sense of achievement clambering into the lead-lined small bell tower, silhouetted under the moonlight, and carving the initials BG alongside the RF of Ran Fiennes.
Small moments like that gave me an identity.
I wasn’t just yet another schoolboy, I was fully alive, fully me, using my skills to the max.
And in those moments I realized I simply loved adventure.
I guess I was discovering that what I was good at was a little off-the-wall, but at the same time recognizing a feeling in the pit of my stomach that said: Way to go, Bear, way to go.
My accomplice never made it past the barbed wire, but waited patiently for me at the bottom. He said it had been a thoroughly sickening experience to watch, which in my mind made it even more fun.
On the return journey, we safely crossed one college house garden and had silently traversed half of the next one.
We were squatting behind a bush in the middle of this housemaster’s lawn, waiting to do the final leg across. The tutor’s light was on, with him burning the midnight oil marking papers probably, when he decided it was time to let his dog out for a pee. The dog smelled us instantly, went bananas, and the tutor started running toward the commotion.
Decision time.
“Run,” I whispered, and we broke cover together and legged it toward the far side of the garden.
Unfortunately, the tutor in question also happened to be the school cross-country instructor, so he was no slouch.
He gave chase at once, sprinting after us across the fifty-meter dash. A ten-foot wall was the final obstacle and both of us, powered by adrenaline, leapt up it in one bound. The tutor was a runner but not a climber, and we narrowly avoided his grip and sprinted off into the night.
Up a final drainpipe, back into my open bedroom window, and it was mission accomplished.
I couldn’t stop smiling all through the next day.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Father will bury us with both hands. He boasts of me to his so-called friends, telling them I’m the next queen of this kingdom. I don’t think he’s ever paid so much attention to me before, and even now, it is minuscule, not for my own benefit. He pretends to love me now because of another, because of Tibe. Only when someone else sees worth in me does he condescend to do the same.
Because of her father, she dreamed of a Queenstrial she did not win, of being cast aside and returned to the old estate. Once there, she was made to sleep in the family tomb, beside the still, bare body of her uncle. When the corpse twitched, hands reaching for her throat, she would wake, drenched in sweat, unable to sleep for the rest of the night.
Julian and Sara think me weak, fragile, a porcelain doll who will shatter if touched, she wrote.
Worst of all, I’m beginning to believe them. Am I really so frail? So useless? Surely I can be of some help somehow, if Julian would only ask? Are Jessamine’s lessons the best I can do? What am I becoming in this place? I doubt I even remember how to replace a lightbulb. I am not someone I recognize. Is this what growing up means?
Because of Julian, she dreamed of being in a beautiful room. But every door was locked, every window shut, with nothing and no one to keep her company. Not even books. Nothing to upset her. And always, the room would become a birdcage with gilded bars. It would shrink and shrink until it cut her skin, waking her up.
I am not the monster the gossips think me to be. I’ve done nothing, manipulated no one. I haven’t even attempted to use my ability in months, since Julian has no more time to teach me. But they don’t believe that. I see how they look at me, even the whispers of House Merandus. Even Elara. I have not heard her in my head since the banquet, when her sneers drove me to Tibe. Perhaps that taught her better than to meddle. Or maybe she is afraid of looking into my eyes and hearing my voice, as if I’m some kind of match for her razored whispers. I am not, of course. I am hopelessly undefended against people like her. Perhaps I should thank whoever started the rumor. It keeps predators like her from making me prey.
Because of Elara, she dreamed of ice-blue eyes following her every move, watching as she donned a crown. People bowed under her gaze and sneered when she turned away, plotting against their newly made queen. They feared her and hated her in equal measure, each one a wolf waiting for her to be revealed as a lamb. She sang in the dream, a wordless song that did nothing but double their bloodlust. Sometimes they killed her, sometimes they ignored her, sometimes they put her in a cell. All three wrenched her from sleep.
Today Tibe said he loves me, that he wants to marry me. I do not believe him. Why would he want such a thing? I am no one of consequence. No great beauty or intellect, no strength or power to aid his reign. I bring nothing to him but worry and weight. He needs someone strong at his side, a person who laughs at the gossips and overcomes her own doubts. Tibe is as weak as I am, a lonely boy without a path of his own. I will only make things worse. I will only bring him pain. How can I do that?
Because of Tibe, she dreamed of leaving court for good. Like Julian wanted to do, to keep Sara from staying behind. The locations varied with the changing nights. She ran to Delphie or Harbor Bay or Piedmont or even the Lakelands, each one painted in shades of black and gray. Shadow cities to swallow her up and hide her from the prince and the crown he offered. But they frightened her too. And they were always empty, even of ghosts. In these dreams, she ended up alone. From these dreams, she woke quietly, in the morning, with dried tears and an aching heart.
”
”
Victoria Aveyard (Queen Song (Red Queen, #0.1))
“
PROLOGUE
Some years ago in the Planet Orfheus ...
It was dark when Lucius reached the rendezvous which had been chosen to be the new hideout. The latter had been used for several months and they were concerned that they were being followed and were close to being discovered.
"I thought you were not coming. I've been waiting for you for
almost an hour. I was getting anxious," Sofia said, relieved.
"Sorry, love. It is becoming increasingly difficult. I almost didn't
make it today. The troops were ambushed in the last invasion. Igor and many warriors returned seriously injured," Lucius replied. He looked worried. Why this sudden encounter? They had agreed that the next would be the following week.
Lucius gave her a big hug, pulled her close to him, and remained
silent for a few moments. His longing and desire consumed him. She meant the world to him. Without Sofia, his life would never make sense. He would never forget those eyes, serene and sincere, with a blue so bright and clear that were able to see the soul of the tormented warrior that was he. With her golden hair, Sofia looked like an angel.
"Is there a problem? You're so quiet and deep in thought," she
asked, puzzled.
He answered, "I'm thinking about us. How long are we keeping
it secret?" He walked away from her, sighing. "We can't keep lying and pretending that all is well. You have no idea how much I have to endure when you are away from me, or when I see you with him."
"Love, not now. We have already discussed this subject several
times. You know that our only alternative would be to flee and pray they will never find us," she replied. Sofia knew very well that the laws of the kingdom could not be disregarded. Love, respect, and loyalty were key factors that were part of the hierarchy of Orfheus. Although she had always been in love with Lucius who had never shown any interest in her, Sofia was bound to his brother Alex as a result of a pact. Over the centuries, Lucius began to change and express loving feelings for her. She never ceased to love him and both succumbed to the temptation and passion of it. Inevitably, a love affair developed between the two.
Interrupting her thoughts, Lucius grabbed her by the hand and
led her into the hut. This hut was located inside a vast and beautiful forest. He pulled her by the waist, gave her a passionate kiss, stroked
her hair, and said softly, "Love, I missed you so much."
"I also felt homesick but the real reason I came here today is to
tell you something very important. I need you to listen carefully and keep calm," she said as she ran her hands through her hair which contrasted with her pale skin. Sofia did not want to scare him. However, she imagined that he would be upset and angry with the news. Unfortunately, the revelation was inevitable and sooner or later, everything would come out. "I'm pregnant," she said unceremoniously.
For a brief moment, Lucius said nothing. He just stared at her
without any reaction. He seemed to be in a silent battle with his own thoughts. "But how?" he babbled, not believing what he had just heard. It was surely a bombshell revelation. That would be the end for them.
Sofia said, "Stay calm, love. I know this changes everything.
What we were planning for months is no longer possible." She sat on a makeshift stool and continued with tears in her eyes. "With the baby coming, I cannot simply go through the portal. The baby and I
would die during the crossing."
Lucius replied, "Could we ask for help from Aunt Wilda? She
is very powerful. Probably she would be able to break through the
magic of the portals."
Sofia had already thought of that. She was well aware that it was
the only choice left. Aunt Wilda had always been like a mother to her. The sorceress adopted her when she was a girl, soon after her family had died in combat.
”
”
Gisele de Assis
“
Reader's Digest (Reader's Digest USA) - Clip This Article on Location 56 | Added on Friday, May 16, 2014 12:06:55 AM Words of Lasting Interest Looking Out for The Lonely One teacher’s strategy to stop violence at its root BY GLENNON DOYLE MELTON FROM MOMASTERY.COM PHOTOGRAPH BY DAN WINTERS A few weeks ago, I went into my son Chase’s class for tutoring. I’d e-mailed Chase’s teacher one evening and said, “Chase keeps telling me that this stuff you’re sending home is math—but I’m not sure I believe him. Help, please.” She e-mailed right back and said, “No problem! I can tutor Chase after school anytime.” And I said, “No, not him. Me. He gets it. Help me.” And that’s how I ended up standing at a chalkboard in an empty fifth-grade classroom while Chase’s teacher sat behind me, using a soothing voice to try to help me understand the “new way we teach long division.” Luckily for me, I didn’t have to unlearn much because I’d never really understood the “old way we taught long division.” It took me a solid hour to complete one problem, but I could tell that Chase’s teacher liked me anyway. She used to work with NASA, so obviously we have a whole lot in common. Afterward, we sat for a few minutes and talked about teaching children and what a sacred trust and responsibility it is. We agreed that subjects like math and reading are not the most important things that are learned in a classroom. We talked about shaping little hearts to become contributors to a larger community—and we discussed our mutual dream that those communities might be made up of individuals who are kind and brave above all. And then she told me this. Every Friday afternoon, she asks her students to take out a piece of paper and write down the names of four children with whom they’d like to sit the following week. The children know that these requests may or may not be honored. She also asks the students to nominate one student who they believe has been an exceptional classroom citizen that week. All ballots are privately submitted to her. And every single Friday afternoon, after the students go home, she takes out those slips of paper, places them in front of her, and studies them. She looks for patterns. Who is not getting requested by anyone else? Who can’t think of anyone to request? Who never gets noticed enough to be nominated? Who had a million friends last week and none this week? You see, Chase’s teacher is not looking for a new seating chart or “exceptional citizens.” Chase’s teacher is looking for lonely children. She’s looking for children who are struggling to connect with other children. She’s identifying the little ones who are falling through the cracks of the class’s social life. She is discovering whose gifts are going unnoticed by their peers. And she’s pinning down—right away—who’s being bullied and who is doing the bullying. As a teacher, parent, and lover of all children, I think this is the most brilliant Love Ninja strategy I have ever encountered. It’s like taking an X-ray of a classroom to see beneath the surface of things and into the hearts of students. It is like mining for gold—the gold being those children who need a little help, who need adults to step in and teach them how to make friends, how to ask others to play, how to join a group, or how to share their gifts. And it’s a bully deterrent because every teacher knows that bullying usually happens outside her eyeshot and that often kids being bullied are too intimidated to share. But, as she said, the truth comes out on those safe, private, little sheets of paper. As Chase’s teacher explained this simple, ingenious idea, I stared at her with my mouth hanging open. “How long have you been using this system?” I said. Ever since Columbine, she said. Every single Friday afternoon since Columbine. Good Lord. This brilliant woman watched Columbine knowing that all violence begins with disconnection. All
”
”
Anonymous
“
Putting Lotion on the Hurts Materials: You will need a bottle of hand lotion, preferably a bottle with a pump spout. Preparation and Instructions: This is a wonderful game to play with children after they have experienced some pain—either physical, as after a fall off a bike, or emotional, as after the death of a pet. Search the child for boo-boos—old scars or new scratches. The size or intensity of the scar or sore is not relevant. The Game: Begin the game by saying, “I am going to put some lotion on all your hurts. I see one right here. I will be very careful.” Continue looking over the child’s body for hurts. If the hurt is old, lotion can be put directly on the scar. If the hurt is new, be careful to encircle the wound with lotion. Put some lotion on one finger and apply it gently. It is important that you repeat the message, “I will take care of you. No more hurts for you,” as you apply the lotion. Sometimes the child will help you find the sores. While you are putting lotion on one sore, the child is locating the next sore. If this happens, say, “There are so many hurts, and you want me to notice them all. I will find them. I will not forget. See this one here. I am putting lotion all around it.” Sometimes a child will tell you stories of how he or she was hurt. It is important to listen to the child. Variations: A variation of this game is played with Band-Aids. You begin the game with at least two. Ask the child, “Where do these go?” The child will direct you to the spot where the Band-Aid should be placed. If it is a sore, speak to it, saying, “I am glad I found you. This Band-Aid is for you.
”
”
Becky A. Bailey (I Love You Rituals)
“
Find the Stickers Materials: Use commercially bought stickers. Children love stickers, which make wonderful, surprise gifts. Preparation and Instructions: Before you see the child, take four or five of the stickers and hide them on your head. At the beginning, make sure the stickers can be easily found. You may want to put one sticker on each earlobe, like earrings, and one sticker on your forehead, under your hair if possible. Be creative! The Game: Begin the game by saying to the child, “I have hidden four stickers on my face. See if you can find them.” As the child begins to look for them, use the skill of tracking. (Tracking is simply saying out loud what the child is doing. It is similar to the radio announcer at a ball game. You may say, “You are looking over by my ears, Aha! You found one. Now you are taking it off very gently and handing it to me.”) As the child hands you the stickers, put one sticker on each finger of one hand as a holding place. From this holding place you are ready to play the game again or to play a variation of the game. Variations: Once the child has located all the stickers, you can begin to play the “sticker-swap game” by saying, “I am going to take this sticker off my thumb and put it on my chin.” You proceed to do so. Then tell the child, “Take the sticker off my chin and put it on your nose.” From this point, you begin a turn-taking game in which you remove the sticker from the child’s face and place it on your face. The child then removes the sticker from your face and puts it on his or her face. Each movement of the sticker is noted out loud. You speak for yourself and for the child, unless the child catches on and begins to speak for himself or herself. Your observations may sound like this: “I am going to take the sticker off your chin and put it on my nose. Now you are taking it off my nose and putting it on your [wait for the child’s selection] ear.” Find
”
”
Becky A. Bailey (I Love You Rituals)
“
I had been running a mental math equation in my head for a while. News of my death would be devastating for Jill. I knew she loved me. She was a sucker, I thought, for doing so, but apparently it couldn't be helped. To this point, I had believed that the payoff for her devastation in that moment would be the better life she would have without me. It's how I imagined law school works: you go through the hard times to get to better times. On that bridge, the image of Jill receiving this news became more crystalline: phone calls trying to locate me would become increasingly frantic until there was a cop at the door. I knew she was wearing a blue sweater that morning and I knew where she'd be standing when the cops showed up. Her pain, because I loved her, was acute in my imagining. It hurt, and it was nauseating, too. I still believed, at least intellectually, that she'd be better off without me, but how could I enable that horrible moment? How could I bring that cop to the door?
”
”
John Moe (The Hilarious World of Depression)
“
I have become increasingly drawn to that notion: that there exists, for someone like me, a location for my love.
”
”
Wesley Hill (Spiritual Friendship: Finding Love in the Church as a Celibate Gay Christian)
“
I believe that Americans were alive that were left behind. This is a matter of semantics that perhaps allows me to assuage my feelings of anger. Were they intentionally left behind – if so, they were abandoned? Whether they were left behind intentionally or accidentally is irrelevant decades later. The reality is that they were left behind and the critical question now becomes whether the United States Government is trying to locate their remains and return them to be reunited with their loved ones." — an excerpt from Vietnam War: Through My Eyes, Clarence Vold
”
”
Clarence Vold
“
From bell hooks:
When we love the earth, we are able to love ourselves more fully. I believe this. the ancestors taught me it was so. as a child, I loved playing in dirt, in that rick Kentucky soil, that was a source of life. before I understood anything about the pain and exploitation of the southern system of sharecropping, I understood that grown-up black folks loved the land… from the moment of their first meeting, Native American and African people shared with one another a respect for the life-giving forces of nature, of the earth. African settlers in Florida taught the Seminoles methods for rice cultivation. Native people taught recently arrived black folks about the many uses of corn. Sharing the reverence for the earth, they helped one another remember that, despite the white man’s ways, the land belonged to everyone.
Estrangement from nature and engagement in mind/body splits made it all the more possible for black people to internalize white-supremacist assumptions about black identity…if we can think of urban life as a location where black folks learned to accept the mind/body split that made it possible to abuse the body, we can better understand the growth of nihilism and despair in the black psyche.
”
”
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
“
Perhaps the most powerful way in which daily prayer for your marriage not only has the power to transform your marriage, but to transform you as well, is this: prayer reminds you that you are never alone. Prayer reminds you that you are never left to your own righteousness, wisdom, and strength. Prayer reminds you that each location or situation where your marriage exists is not only inhabited by God but, even more encouragingly, that each is ruled by him. The one who controls the situations in which your marriage lives is not only a God of awesome power but is the definition of everything wise, true, faithful, gracious, loving, forgiving, good, and kind. But there is even more that the Lord’s Prayer confronts you with. It is that this God who is powerful and near is your Father by grace. If you are God’s child, there is never a moment when you are outside the circle of his fathering care. Like a father, he loves you and is committed to faithfully providing what is best for you. When you are facing those disappointing moments of marital struggle, when you’re not sure what to think, let alone what to do, prayer can rescue you from hopelessness and alienation. Prayer encourages you to say, “I am not sure how we got here, and I am not sure what we are being called to do, but there is one thing I am sure of—I am never, ever alone because I have a Father in heaven who is always with me.” Acknowledging God will protect you from yourself. It will protect you from discouragement and fear and the passivity that always follows. It will protect you from the pride of self-reliance and self-sovereignty. If you are ever to have a marriage of unity, understanding, and love, you must begin with this humble admission: you have no ability whatsoever to produce the most important things that make a wonderful marriage. The changes of thought, desire, word, and action that re-create, rebuild, mature, and protect your marriage are always gifts of God’s grace. As you choose to do things God’s way, he progressively rescues you from your own self-interest and forms you into a person who really does find joy in loving another. It is only a God of love who will ever be able to change a fundamentally self-oriented, impatient, demanding human being into a person who not only desires to love but actually does it. There is a word for this in the Bible—grace. Prayer reminds you that you have been graced with a Father’s love and that love will not let you go until it has changed you in every way that is needed.
”
”
Paul David Tripp (What Did You Expect?: Redeeming the Realities of Marriage)
“
Hand that stretched
I had never seen him there before,
On the street where I tread every day to settle life’s daily score,
There on the edges of pavement at its most conspicuous location,
He knelt there with no sense of self promotion,
With one hand held out from his thinning and tattered blanket,
And he held it there in this position from the sunrise to the sunset,
And everyone who passed by flung something towards him,
Few tossed money, few tossed a thing or two, but most of them offered him looks grim,
It was at these moments his hand retreated a bit,
But then it reclaimed its stance that the man had for many years now deemed fit,
And people looked at him, a few looked at the hand,
Many, just like me, paused for a moment and thought of the causes for his life being so bland,
Who could tell, no one, none of us, for only the hand knew of the strain,
Of being stretched forever on the pillars of disdain and a lot of pain,
Beside the man, next to the pavement, flowed a river,
That stretched endlessly like his hand as if trying to reach out to its discreet lover,
Because it flowed slowly, with no visible waves, no movement at all,
But in reality it flowed deep into the veins of journey encompassing seasons all,
The journey called life that just like kneeling man’s hand stretches endlessly,
Through which we seek life, that evades us all tirelessly,
Because finding it will be like the river meeting its lover,
And then both the river and the hand would sink to a point lower,
From where nothing can be retrieved once lost,
Because there everything is a creation of the past,
To be continued........
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
Amazing beauty
After a while, that seemed longer than the longest moment of time,
There she stood in her shy beauty, but now in its prime,
It seemed sun beams bathed her soul,
To make her a true personification of beauty whole,
That is as beautiful inside as it is outside,
And between these facts her true personality did somewhere reside,
And I wanted to locate it and end my predicament,
To seek for myself a new realisation, a new sense of fulfillment,
That of loving someone who exists beyond the palpable dimensions,
Even beyond the known scale of human sensations,
Because whenever I look at her, whether it is day or night,
I wish to touch her part of beauty that FEELS differently bright, because it is always out of sight,
And today when she stands right in front of me,
By diving into her eyes I wish to find her true source of glee,
And when I dived in them with my closed eyes but an open heart,
I realised, it is beautiful feelings and pure thoughts that to her their beauty impart,
Now I live in them, with them, and maybe for them too,
Because only then I manage to love her invisible beauty, her reality, her beauty true,
So, I have a new address of existence now, her eyes, her thoughts and her dreams,
Where I lie covered in beauty’s imagination and its beautiful beams,
And this moment that I have been experiencing for infinity now,
Is our well preserved secret of our feelings of love!
”
”
Javid Ahmad Tak (They Loved in 2075!)
“
spent years unaware that i was running away from myself, always seeking company or entertainment so that i would not have to face the dark clouds storming inside of me every moment was an opportunity for diversion; friendships were a means of escape, pleasure a temporary relief from pain i did not notice that my relationships were shallow because of how far away i was from myself i did not understand why solitude felt unbearable and why “fun” could not permanently settle turbulent emotions for far too long i was unaware that the only way for life to improve, for my relationships to feel rich, and for my mind to finally experience ease was for me to explore and embrace the anxious unknown that dwelled within you can change your location, meet new people, and still have the same old problems. to truly change your life, you need to look inward, get to know and love yourself, and heal the trauma and dense conditioning in your mind. this is how you get to the root. internal changes have a significant external impact.
”
”
Yung Pueblo (Clarity & Connection (The Inward Trilogy))
“
There is nowhere we can go to escape God. Whether in “heaven” or in “hell” or any location or state of consciousness we can conceptualize. There is no “separation”. Ever. No reality can exist in and of itself, or be self-sustained or void of God’s presence. To find one’s self within the realm of being is to find one’s self in the mystery of God, the actualizer and energizer of being. For out of and through and into him are all things. All things. Which includes all things. “God is not only the ultimate reality that the intellect and the will seek but is also the primordial reality with which all of us are always engaged in every moment of existence and consciousness, apart from which we have no experience of anything whatsoever. Or, to borrow the language of Augustine, God is not only ‘superior summon meo’—beyond my utmost heights— but also ‘interior intimo meo’—more inward to me than my inmost depths.”2
”
”
Keith Giles (Jesus Unforsaken: Substituting Divine Wrath With Unrelenting Love)
“
I was cursed with the inability to ever sleep in late, a habit inherited from years of working on fishing boats. Being drunk and/or being hungover has never been nor ever will be an acceptable reason for not being at work and doing your job on time. In some sick way, there’s even a sense of pride from being able to party all night and work all day. Throughout my entire career, I and others alike in the industry were praised for this attribute. A talent that I often secretly wore like a scarlet letter of shame, I was blessed with an extremely high tolerance for alcohol, particularly whiskey. The problem with this is that it got me into a lot of shitty situations. I often found myself in questionable locations, with even more questionable company, doing even more questionable activities. It was a direct portal to a darkness that had haunted me since my teenage years.
”
”
Kenton Geer (Vicious Cycle: Whiskey, Women, and Water)
“
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Jana Ann Couture Bridal
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You know, I could have made the arduous journey next door to leave your order with the doorman,” I said as I counted out the skeins to make sure they were all there. Nico and Elizabeth lived in one of the condos in the building above the shop. In fact, it was Elizabeth who’d suggested this location to me when the retail space became available. Nico’s grin grew flirtatious. “I know, but then I wouldn’t have gotten to fondle your yarn—and you know how I love to fondle your yarn.” I flicked my hand at him, shaking my head in amusement. “Fondle away.” Nico wandered off to browse the in-stock yarns, and I smiled as I watched him reach out to squish a particularly cuddly alpaca blend.
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Susannah Nix (Mad About Ewe (Common Threads, #1))
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1) “How did I end up down this rabbit hole of being obsessed with men on the DL (down-low)? Why did I prefer playing more in the straight arena with the closet cases (as they were called in my day) and the bisexual men over the gay ones?”
2) “We didn’t identify in my day; you were either gay, bisexual, or straight. People will always label others or pigeonhole them without even knowing for sure who they really are. They presumably stereotype and judge just by your outward appearance.”
3) “It wasn't until the seventh grade that Sister Gloria would be my social studies teacher, and I began leaning more towards being an extrovert than the anxious introvert that I was. All the accolades go to her. She lit the flame under my ass that would be the catalyst for my advocacy. Her podium, located front and center of the classroom, became ground zero for me and where I found my voice.”
4) “Their taunting was my kryptonite. My peers hated me for no other reason than the fact that they thought I was gay. I was only thirteen and often wondered how they knew who I was before I did.”
5) “Evangelical Christian Anita Bryant (First Lady of Religious Bigotry), along with her minions, led a crusade against the LGBTQ community back in 1977 and said we were trying to recruit children and that ‘Homosexuals are human garbage.’ My first thoughts were, how unchristian and deplorable of her to even say something like that, not to mention, to make it her life’s mission promoting hate.”
6) “Are there any more Rev. Dr. Martin Luther King, Jr. kind of Christians in this country today? Dr. King knew about his friend’s homosexuality and arrest. Being a religious man and a pastor, Dr. King could have cast judgment and shunned Bayard Rustin like so many other religious leaders did at the time. But he didn’t. That, to me, is the true meaning of being a Christian. He loved Bayard unconditionally and was unbiased towards his sexual orientation. Dr. King was not a counterfeit Christian and practiced what he preached—and that, along with remembering what Jesus had said, ‘Love your neighbor as yourself,’ is the bottom line to Christianity and all faiths.”
7) “We are all God’s children! That is what I was taught in Catholic school. God doesn’t make mistakes—it’s as simple as that. Love is love—period! I don’t need anyone’s validation or approval, I define myself.”
8) “You will bake our cakes, you will provide us our due healthcare, you will do our joint tax returns, and yes, you will bless our unions, too. Otherwise, you cannot call yourselves Christians or even Americans, for that matter.”
9) “The torch has been passed. But we must never forget the LGBT pioneers that have come before and how they fought in the streets for our lives. Never forget the Stonewall riots of 1969 nor the social stigma put upon us during the HIV/AIDS epidemic from its onset in the early 1980s. Remember how many died alone because nobody cared. Finally, keep in mind how we were all pathologized and labeled in the medical books until 1973.
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Michael Caputo
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Barthes announced, “I am not lovingly gazing toward an Oriental essence—to me the Orient is a matter of indifference, merely providing a reserve of features whose manipulation—whose invented interplay— allows me to ‘entertain’ the idea of an unheard-of symbolic system, one altogether detached from our own.” The lesson of Japan for Barthes was “the possibility of difference, of a mutation, of a revolution in the propriety of symbolic systems.” Like Wilde, Barthes does not locate Japaneseness in a place called Japan. But if for Wilde Japaneseness offered a new way of seeing, for Barthes, more complexly, Japan offered a new way of seeing himself being seen, which resulted in a new relationship to language. About himself, Barthes wrote, “The author has never, in any sense, photographed Japan. Rather, he has done the opposite: Japan has starred him with any number of ‘flashes’; or better still, Japan has afforded him a situation of writing.” Japan allowed Barthes to “descend into the untranslatable . . . until everything Occidental in us totters and the rights of the ‘father tongue’ vacillate—that tongue which comes to us from our fathers and which makes us, in our turn, fathers and proprietors of a culture which, precisely, history transforms into ‘nature.’”3 Barthes’s growing sense of the “repressive value” of text as the “level” at which “the morality and ideology of a society are above all invested” animated his delight in a Japanese “situation” that allowed freedoms he associated with images to trump the authority of text in the West.4 Reflecting later on this book about the “system of signs I call Japan,” Barthes emphasized that it “occupied a moment in my life when I felt the necessity of entering completely into the signifier, i.e., of disconnecting myself from the ideological instance as signified, as the risk of the return of the signified, of theology, monologism, of law.
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Christopher Reed
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A lot of people died,” Ithan growled. “Children died.” “And more will soon die in this war,” Aidas countered coolly. “Hel’s armies shall strike at your command, Bryce Quinlan.” The words dropped like a bomb. “Bullshit,” Ruhn said, face crinkling as he snarled. “You’re waiting for the right moment when we’re all at war with each other, so you’ll be able to find a way into this world at last.” “Not at all,” Aidas said. “I already know the way into this world.” He pointed with a paw to Bryce and inclined his head. “Through my lovely Bryce and the Horn on her back.” Hunt suppressed a growl at the word my as all of them looked to her. Her eyes remained fixed on Aidas, her lips a thin line. The Prince of the Chasm said, “It’s your choice in the end. It has always been your choice.” Bryce shook her head. “Allow me to get this straight: You’re here to convince me to rebel against the Asteri in front of all these people? And what—sign up with Ophion? No, thank you.” Aidas only chuckled. “You should have looked more carefully at the cats picking through the trash in the alley of Ink Street this morning. Should have picked a more discreet location to discuss the rebellion with Fury Axtar.” Bryce hissed, but said nothing as Aidas went on, “But yes—by all means, turn rebel. Help Ophion, if you need some authority to answer to. I can tell you before you undoubtedly ask, I have no information about the connection between Danika Fendyr and Sofie Renast.” Bryce growled, “I don’t even know any Ophion rebels.” Aidas stretched out his front paws, back arching. “That’s not true.” Hunt stilled as the demon yawned. “There’s one right behind you.” Bryce whirled, Hunt with her, lightning poised to strike. Cormac Donnall stood in the doorway, shadows fading from his shoulders. “Hello, Agent Silverbow,” Aidas crooned, then vanished.
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Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
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WHEN I IMAGINE where I want to live, the first thing that comes to mind is where I want to have that coffee in the morning. I picture the breakfast nook or the chair and the book and the coffee and the view. My second dream is where I will have a beer. I see afternoon light getting low and angled, sending yellow rays through the tree branches. Maybe on a back patio, or on a grassy bluff over the Pacific Ocean. The imagined locations of our happy places say something about us. About how we recharge or what we crave. I want a cottage on a boulder mountain. A bed and a quilt and an old stove with a teakettle on it. A telescope and a chart of constellations. Books everywhere. Removed from the world but also in it, caring about it and for it. Being old and thoughtful with a pipe to smoke on the porch and a few squirrels who trust me. A raven would be even better. And friends stopping in. Nieces and nephews making the trek to the mountain for a night of stories and some whiskey in their Dr Pepper. I’ll pour it and say, “This never happened.” Of course, I’m too social for that fantasy. I like being in the thick and churn of society. So I’d probably get up to that cabin on a mountain and leave after a month or two. But who knows what age will do to me. Who knows if I’ll slow down, less hungry and more content. Who knows if I’ll find a raven who’ll have me.
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Jedidiah Jenkins (Like Streams to the Ocean: Notes on Ego, Love, and the Things That Make Us Who We Are: Essaysc)
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Offspring of some wretched tribe, he prowls the boulevards of the West. Cherishing one country after the next, he no longer hopes for any; stuck in a timeless twilight citizen of the world--and of no world--he is ineffectual, nameless, powerless... Peoples without a destiny cannot give one to their sons who, thirsting for other horizons, attach themselves to a fate and ultimately exhaust it to finish their days as ghosts of their admirations and their exhaustions. Having nothing to love at home, they locate their love elsewhere, in other lands, where their fervor astonishes the natives. Overworked, the feelings erode and disintegrate, admiration first of all... And the Alien who dispersed himself on so many highways of the world, exclaims: "I have set up countless idols for myself, have raised too many altars everywhere, and I have knelt before a host of gods. Now, weary of worship, I have squandered my share of delirium. One has resources only for the absolutes of one's breed; a soul--like a country--flourishes only within its frontiers. I am paying for having crossed them, for having made the Indefinite into a fatherland, and foreign divinities into a cult, for having prostrated myself before ages which excluded my ancestors. Where I come from I can no longer say: in the temples I am without belief; in the cities, without ardor; among my kind, without curiosity; on the earth, without certitudes. Give me a specific desire and I could shake the world to its foundations. Release me from this shame of actions which makes me perform, every morning, the farce of resurrection and, every night, that of entombment; in the interval, nothing but this torment in the shroud of ennui... I dream of wanting--and all I want seems to me worthless. Like a vandal corroded by melancholy, I proceed without a goal, self without a self, toward some unknown corner... in order to discover an abandoned god, a god who is his own atheist, and to fall asleep in the shadow of his last doubts and his last miracles.
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Emil M. Cioran (A Short History of Decay)
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A man I used to love died in a hospital alone. We had grown apart and lost touch. I met a common friend one day at a bar and he told me about my ex-lover. Nobody claimed the body for two weeks: His parents refused, his only sister could not be found, and the hospital was certainly not going to release the body to his AA sponsor. So after two weeks they cremated him like all the other unclaimed bodies, put his ashes into a jar, and then allowed anyone to take it. But no one did. He was buried by the municipality in an unmarked grave. I drove to the cemetery. He was buried in Lot 12, Block 86, Section D. Incredibly precise locations for a person who is nothing but ashes unclaimed.
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Justin Chin (Burden of Ashes)
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When I’m writing, I sometimes unconsciously know that a part of what I’m writing is not working. I have these vague vibrations that something is wrong, kind of like the vibrations you feel when you leave the house and you subtly sense you’ve left something important behind but you don’t know what. I often suppress these vibrations because I’m lazy or I want to be finished with the work. Invariably a good editor will locate the exact spot I semiconsciously knew wasn’t working. It’s only when the editor has named it for me that I fully face the fact that I need to make some changes. Critiquing with care works best when someone names something we ourselves almost but did not quite know. Critiquing with care works best when that naming happens within a context of unconditional regard, that just and loving attention that conveys unshakable respect for another person’s struggles.
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David Brooks (How to Know a Person: The Art of Seeing Others Deeply and Being Deeply Seen)
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I learned that female professors and departmental secretaries are the natural enemies of the academic world, as I was privileged to overhear discussions of my sexual orientation and probable childhood traumas from ten to ten-thirty each morning through the paper-thin walls of the break room located adjacent to my office. By these means I learned that although I was in desperate need of a girdle, I was better off than one of the other female professors, who would never lose all that baby weight by working all of the time. As hard as I worked, I just couldn’t get ahead. Showers became a biweekly ritual. My breakfast and lunch were reduced to a couple of cans of Ensure from the cases that I kept under my desk, and in desperation, I once threw one of Reba’s Milk-Bones in my purse so that I could gum it during a seminar, trying to keep peoples’ attention off of what I knew would be my growling stomach. The acne that I had never wrestled with as a teenager decided to make up for lost time with a magnificent debut, and I passed the workday biting my nails with ferocity. My brief forays into romance had convinced me that I would be relegated to love’s bargain bin; none of the single guys that I met could understand why I worked all of the time, and nobody wanted to listen to me talk about plants for hours, anyway. Everything about my life looked pretty well messed up compared with how adulthood had always been advertised to me.
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Hope Jahren (Lab Girl)
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They used my name and permit to grow the weed and earn money to repay their debts and compensate their investors. To keep my girlfriend. To take her.
I am uncertain if any of them have ever spent a minute in jail for any of these activities.
Adam proudly showcases his new motorcycles on Instagram, posing on a hill above Barcelona. He also displays his brand new electric camper van, which they use to travel and transport drugs across Europe and Iberia, as well as his gigantic marijuana cultivation located in Portugal. People like Ruan and Martina admire his public images.
I came across a picture of Ruan and Martina together in Berlin, where their mother Fernanda visited them.
Martina became member of the Evil Eye Cult, and the custom made mafia group in Spain, which used her as a pawn in their porn and drug-related activities. She now operates as their representative in Berlin.
Martina and I have lost the ability to genuinely smile. Her social media posts only show disinterest or a malicious demeanor. ‘A boot stomping on a human face.’
In a picture with her brother and mother, she puts on a forced fake “good vibe” and “happy” smile, revealing her flawless teeth and the subtle lines of aging. With each passing day, she bears a greater resemblance to her rich and so happy mother, the bad person.
As far as I know, none of these individuals have faced consequences for their actions, such as having their teeth broken. As I had. Innocently. Taking care of business and their lives. With love.
I find this to be incredibly unjust. In the 21st century. In Europe. On planet Earth.
By non-EU criminals. “Matando – ganando” – “killing and gaining” like there were no Laws at all.
Nowadays, you can observe Sabrina flaunting her fake lips and altered face, just like Martina her enhanced breasts.
Guess who was paying for it?
It seems that both girls now sustain themselves through their bodies and drug involvement, to this day, influencing criminals to gain friends in harming Tomas and having a lavish lifestyle filled with fun and mischief. Making a living. Enjoying Spain. Enjoying Life. My money. My tears.
This is the situation as it stands.
I was wondering what Salvador Dali was trying to tell me. I stood in front of the Lincoln portrait for a long time, but I couldn't grasp the point or the moral behind it.
I can listen to Abraham Lincoln and ‘trust people. To see. If I can trust them.’
But he ultimately suffered a tragic fate, with his life being taken. (Got his head popped.)
I believe there may have also been a female or two involved in that situation, too, possibly leading to his guards being let down.
While he was watching: Acting performances, he was facing a: Stage.
Theater.
It is disheartening, considering he was a good person. Like Jesus, John Lennon and so on.
Shows a pattern Machiavelli was talking about.
Some individuals are too bright for those in darkness; they feel compelled to suppress those brighter minds simply because they think and act differently. Popping their heads.
Reptilian lower brain-based culture, the concept of the Evil Eye, Homo erectus. He couldn't even stand up properly when I was shouting at him, urging him to stand up from the stairs. ‘Homo seditus reptilis.’
But what else was there in the Lincoln image that I didn't see? What was Dali trying to convey or express or tell me?
Besides the fact that the woman is in his mind, on his mind, in the image, exactly, his head got popped open. Perhaps because he was focusing on a woman, trusting her for a split second, or turning his head away for a moment.
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Tomas Adam Nyapi (BARCELONA MARIJUANA MAFIA)
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Now Where Do You Find Customers? When novice entrepreneurs search for opportunities, they too often look beyond their Zone of Influence. They think the action is happening somewhere else, in some other location or industry. But seasoned entrepreneurs almost always find and create opportunities within the context of who they are, what they know, and especially who they know. In each of the examples above, the business validation process begins with potential customers in the entrepreneur’s orbit. Actual people with names. Tribes you belong to or are interested in, most of whom are already self-organized online. People you know how to reach, today. Though it’s rarely a part of their official origin stories, the biggest companies in the world—even the viral apps now worth billions—started through personal networks and real human connections. Mark Zuckerberg started Facebook in a weekend by emailing friends to use it. Version 1 did well, validating it. And Microsoft started with Bill Gates building software for a guy in Albuquerque. He had a CUSTOMER FIRST. In the beginning, founders should reach out to their friends, their former colleagues, their communities. You may think your business is unique, but trust me, it’s not. Every successful business can start this way. For example, Anahita loves her dogs and wanted healthier snacks for them. She started taking her homemade organic dog treats to her local dog park. She would sell out every time. A year later she now has a store called the Barkery, a dog bakery. Before you even think about picking a business idea, make sure you have easy access to the people you want to help. An easy way to do this is to think about where you have easy access to a targeted group of people whom you really want to help—like, say, new moms in Austin, cyclists, freelance writers, and taco obsessives (like me!). CHALLENGE Top three groups. Let’s write out your top three groups to target. Who do you have easy access to that you’d be EXCITED to help? This can be your neighbors, colleagues, religious friends, golf buddies, cooking friends, etc. The better you understand your target group, the better you can speak to them. The more specifically you can speak to their problems, the better and easier you can sell (or test products). Note how this process prioritizes communication with people, through starting (taking the first iteration of your solution straight to customers) and asking (engaging them in a conversation to determine how your solution can best fix their problem). Business creation should always be a conversation! Nearly every impulse we have is to be tight with our ideas by doing more research, going off alone to build the perfect product—anything and everything to avoid the discomfort of asking for money. This is the validation shortcut. You have to learn to fight through this impulse. It won’t be easy, but it’ll be worth it.
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Noah Kagan (Million Dollar Weekend: The Surprisingly Simple Way to Launch a 7-Figure Business in 48 Hours)
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During that second year of law school, Usha and I traveled to D.C. for follow-up interviews with a few law firms. I returned to our hotel room, dejected that I had just performed poorly with one of the firms I really wanted to work for. When Usha tried to comfort me, to tell me that I’d probably done better than I expected, but that even if I hadn’t, there were other fish in the sea, I exploded. “Don’t tell me that I did fine,” I yelled. “You’re just making an excuse for weakness. I didn’t get here by making excuses for failure.” I stormed out of the room and spent the next couple of hours on the streets of D.C.’s business district. I thought about that time Mom took me and our toy poodle to Middletown’s Comfort Inn after a screaming match with Bob. We stayed there for a couple of days, until Mamaw convinced Mom that she had to return home and face her problems like an adult. And I thought about Mom during her childhood, running out the back door with her mother and sister to avoid another night of terror with her alcoholic father. I was a third-generation escaper. I was near Ford’s Theatre, the historic location where John Wilkes Booth shot Abraham Lincoln. About half a block from the theater is a corner store that sells Lincoln memorabilia. In it, a large Lincoln blow-up doll with an extraordinarily large grin gazes at those walking by. I felt like this inflatable Lincoln was mocking me. Why the hell is he smiling? I thought. Lincoln was melancholy to begin with, and if any place invoked a smile, surely it wouldn’t be a stone’s throw away from the place where someone shot him in the head. I turned the corner, and after a few steps I saw Usha sitting on the steps of Ford’s Theatre. She had run after me, worried about me being alone. I realized then that I had a problem—that I must confront whatever it was that had, for generations, caused those in my family to hurt those whom they loved. I apologized profusely to Usha. I expected her to tell me to go fuck myself, that it would take days to make up for what I’d done, that I was a terrible person. A sincere apology is a surrender, and when someone surrenders, you go in for the kill. But Usha wasn’t interested in that. She calmly told me through her tears that it was never acceptable to run away, that she was worried, and that I had to learn how to talk to her. And then she gave me a hug and told me that she accepted my apology and was glad I was okay. That was the end of it. Usha hadn’t learned how to fight in the hillbilly school of hard knocks.
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J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
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Darren McGrady
Darren McGrady was personal chef to Princess Diana until her tragic accident. He is now a private chef in Dallas, Texas, and a board member of the Pink Ribbons Crusade: A Date with Diana. His cookbook, titled Eating Royally: Recipes and Remembrances from a Palace Kitchen, will be released in August 2007 by Rutledge Hill Press. His website is located at theroyalchef.
I knew Princess Diana for fifteen years, but it was those last four years after I became a part of her everyday life that I really got to know her.
For me, one of the benefits of being a Buckingham Palace chef was the chance to speak to “Lady Di.” I had seen her in the newspapers; who hadn’t? She was beautiful. The whole world was in love with her and fascinated by this “breath of fresh air” member of the Royal Family.
The first time I met her, I just stood and stared. As she chatted away with the pastry chef in the Balmoral kitchen, I thought she was even more beautiful in real life than her pictures in the daily news. Over the years, I’ve read account after account of how the Princess could light up a room, how people would become mesmerized by her natural beauty, her charm, and her poise. I couldn’t agree more.
In time, I became a friendly face to the Princess and was someone she would seek out when she headed to the kitchens. At the beginning, she would pop in “just for a glass of orange juice.” Slowly, her visits became more frequent and lasted longer. We would talk about the theater, hunting, or television; she loved Phantom of the Opera and played the CD in her car. After she and Prince Charles separated, I became her private chef at Kensington Palace, and our relationship deepened as her trust in me grew. It was one of the Princess’s key traits; if she trusted you, then you were privy to everything on her mind. If she had been watching Brookside--a UK television soap opera--then we chatted about that. If the Duchess of York had just called her with some gossip about “the family,” she wanted to share that, too. “You’ll never believe what Fergie has just told me,” she would announce, bursting into the kitchen with excitement. She loved to tell jokes, even crude ones, and would laugh at the shock on my face--not so much because of the joke, but because it was the Princess telling it. Her laughter was infectious.
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Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
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Greg had told me on the ride over that there was another organisation called SLAA, which stood for Sex and Love Addicts Anonymous. He didn’t know the difference between the two, but this was more conveniently located, and anyway love wasn’t his addiction.
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Drew Nellins Smith (Arcade)
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His book For Whom the Bell Tolls was an instant success in the summer of 1940, and afforded him the means to live in style at his villa outside of Havana with his new wife Mary Welsh, whom he married in 1946. It was during this period that he started getting headaches and gaining weight, frequently becoming depressed. Being able to shake off his problems, he wrote a series of books on the Land, Air and Sea, and later wrote The Old Man and the Sea for which he won the Pulitzer Prize in May 1954. Hemingway on a trip to Africa where he barely survived two successive airplane crashes. Returning to Cuba, Ernest worked reshaping the recovered work and wrote his memoir, A Moveable Feast. He also finished True at First Light and The Garden of Eden. Being security conscious, he stored his works in a safe deposit box at a bank in Havana.
His home Finca Vigía had become a hub for friends and even visiting tourists. It was reliably disclosed to me that he frequently enjoyed swinger’s parties and orgies at his Cuban home. In Spain after divorcing Frank Sinatra Hemingway introduced Ava Gardner to many of the bullfighters he knew and in a free for all, she seduced many of hotter ones. After Ava Gardner’s affair with the famous Spanish bullfighter Luis Miguel Dominguín crashed, she came to Cuba and stayed at Finca Vigía, where she had what was termed to be a poignant relationship with Ernest. Ava Gardner swam nude in the pool, located down the slope from the Hemingway house, after which he told his staff that the water was not to be emptied. An intimate friendship grew between Hemingway’s forth and second wife, Mary and Pauline. Pauline often came to Finca Vigia, in the early 1950s, and likewise Mary made the crossing of the Florida Straits, back to Key West several times. The ex-wife and the current wife enjoyed gossiping about their prior husbands and lovers and had choice words regarding Ernest.
In 1959, Hemingway was in Cuba during the revolution, and was delighted that Batista, who owned the nearby property, that later became the location of the dismal Pan Americana Housing Development, was overthrown. He shared the love of fishing with Fidel Castro and remained on good terms with him. Reading the tea leaves, he decided to leave Cuba after hearing that Fidel wanted to nationalize the properties owned by Americans and other foreign nationals. In the summer of 1960, while working on a manuscript for Life magazine, Hemingway developed dementia becoming disorganized and confused. His eyesight had been failing and he became despondent and depressed. On July 25, 1960, he and his wife Mary left Cuba for the last time.
He never retrieved his books or the manuscripts that he left in the bank vault. Following the Bay of Pigs Invasion, the Cuban government took ownership of his home and the works he left behind, including an estimated 5,000 books from his personal library. After years of neglect, his home, which was designed by the Spanish architect Miguel Pascual y Baguer in 1886, has now been largely restored as the Hemingway Museum. The museum, overlooking San Francisco de Paula, as well as the Straits of Florida in the distance, houses much of his work as well as his boat housed near his pool.
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Hank Bracker
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The prayer for daily bread reminds me that I am dependent on God for even the most mundane needs of my life. Only he has the power to control all the conditions, situations, locations, events, and people that need to be controlled in order for me to have the things that I need to have in order to live my life. Independency is a delusion. Even the most ardent atheist is dependent on God for his life and breath. No one is able to get what he needs for his physical existence on his own. No one lives a self-sufficient life. No one can say, “Look how successfully I have been able to care for me without any outside assistance.” No one! It really is true that “Every good and every perfect gift is from above” (James 1:17). So look up and give thanks. There really is a great and loving Supplier.
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Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
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But the message of the gospel is that I haven’t been left to myself, that Immanuel is with me in sovereign authority and powerful grace. He rules with perfect wisdom over all the circumstances and locations that would make me afraid. In grace, he blesses me with what I need to face what he has decided to put on my plate. I am never—in anything, anywhere, at any time—by myself. I never arrive on scene first. I never step into a situation that exists outside his control. I never move beyond the reach of his authority. He is never surprised by where I end up or by what I am facing. He never leaves me to the limited resources of my own wisdom, strength, and righteousness. He never grows weary with protecting and providing for me. He will never abandon me out of frustration. I do not need to be afraid. When you forget God’s sovereignty and his grace, you give room in your heart for fear to do its nasty, debilitating work. Pray right now for grace to remember. Your sovereign Savior loves to hear and answer.
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Paul David Tripp (New Morning Mercies: A Daily Gospel Devotional)
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What I did not realize was that I also hoped to have an epiphany, to discover a cause to devote my life to, a location where I thrived, a man to love, a life that would give me more fulfillment than the meager amount I had been living on for years.
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Kristine K. Stevens (If Your Dream Doesn't Scare You, It Isn't Big Enough: A Solo Journey Around the World)
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It's like any time a white friend suggests Korean barbecue. Or when I see a Food Network special where some tattooed white dude with a nineteenth-century-looking beard-and-mustache combo introduces viewers to this kimchi al pastor bánh mì monstrosity he peddles from a food truck that sends out location tweets. It's like when white people tell me how much they love kimchee and bull-go-ghee, and the words just roll off their tongues as if there exists nothing irreconcilable between the two languages.
It's like, don't touch my shit.
It's difficult to articulate because I know it's not rational. But as a bilingual immigrant from Korea, as someone who code-switches between Korean and English daily while running errands or going to the supermarket, not to mention the second-nature combination of the languages that I'll speak with my parents and siblings, switching on and switching off these at times unfeasibly different sounds, dialects, grammatical structures? It's fucking irritating. I don't want to be stingy about who gets to enjoy all these fermented wonders -- I'm glad the stigma around our stinky wares is dissolving away. But when my husband brings me a plate of food he made out of guesswork with a list of ingredients I've curated over the years of my burgeoning adulthood with the implicit help of my mother, my grandmother, and my grandmother's mother who taught me the patience of peeling dozens of garlic cloves in a sitting with bare hands, it puts me in snap-me-off-a-hickory-switch mode.
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Sung Yim (What About the Rest of Your Life)
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I am so proud of you.” It was the last thing Eve expected her mother to say, much less in a public location. “Proud of me?” “Oh, you rode like a Windham. I wish Bartholomew had been alive to see his baby sister out there, soaring over one fence after another. I wish St. Just had been here to brag on you properly. I wish… oh, I wish…” She reached for Eve and enfolded her daughter in a fierce, tight hug. “You showed them, Eve. You showed us all. Deene will be wroth with you for such a stunt, but he’ll get over it. A man in love forgives a great deal. Just ask your father.” Her Grace whispered this between hugs, tighter hugs, and teary smiles. “Mama, Deene is the one who said I ought to ride. I would never have had the…” The courage. The faith in herself. The determination… All the things she’d called upon time after time in the past seven years, her own strengths, and she’d been blind to them. “I could not have ridden that race without my husband’s blessing and support, Mama.” “But you did ride it,” Her Grace said, pulling Eve in for another hug. “I about fainted when you had that bad moment. Your father had to watch the last fences for me, but then the finish… You were a flat streak, you and that horse. I’ve no doubt he’d jump the Channel for you did you ask it. Oh, Eve… You must promise me never to do such a thing again, though. I could not bear it. Your father nearly had another heart seizure.” “I did no such thing, and I will ask you, Duchess, to keep your voice down if you’re going to slander my excellent health in such a manner.” His Grace was capable of bellowing, of shouting down the rafters, of letting every servant on three floors know at once of his frequent displeasures, but the duke was not using ducal volume as he approached his wife and youngest daughter. He was using his husband-voice, his volume respectful, even if his tone was a trifle testy. “Papa.” Eve pulled back from her mother’s embrace to meet her father’s blue-eyed gaze. Mama might be willing to make allowances, but His Grace was another matter entirely. “Evie.” He glanced from daughter to mother. “You’ve upset your mother, my girl. Gave her a nasty moment there at that oxer.” She was to be scolded? That was perhaps inevitable, given that His Grace— Her father pulled her into his arms. “But what’s one bad moment, if it means you’re finally back on the horse, though, eh? I particularly liked how you took the water—that showed style and heart. And that last fence… quite a race you rode, Daughter. I could not be more proud of you.” He extended an arm to the duchess, who joined the embrace with a whispered, “Oh, Percival…” So
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Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
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Call me Jack Sonville. It’s not just my name—it’s my location. I’d love to move. But first I’d have to change my name to Austin.
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Jarod Kintz (A Zebra is the Piano of the Animal Kingdom)
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Our discussion is serious; if you do not deign to give me your attention, I am not going to bow and scrape before you. I have the underground. But so long as I live and desire - let my hand wither20 if I bring even one little brick for such a tenement house! Never mind that I myself have just rejected the crystal edifice, for the sole reason that one cannot taunt it with one's tongue. I said that not because I have such a love of putting out my tongue. Perhaps I was angry simply because such an edifice, at which it is possible not to put out one's tongue, has never yet been found among all your edifices. On the contrary, I would let my tongue be cut off altogether, from sheer gratitude, if only it could be so arranged that I myself never felt like sticking it out again. What do I care that it's impossible to arrange it so, and one must content oneself with apartments? Why, then, have I been arranged with such desires? Can it be that I've been arranged simply so as to come to the conclusion that my entire arrangement is a hoax? Can that be the whole purpose? I don't believe it. You know what, though: I'm convinced that our sort, the underground ones, ought to be kept on a tether. Though we're capable of sitting silently in the underground for forty years, once we do come out and let loose, we talk, talk, talk... ========== Notes From Underground (Fyodor Dostoyevsky; Richard Pevear) - Your Highlight on Location 924-929 | Added on Monday, April 13, 2015 12:12:38 AM
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Anonymous
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Very well. Since you won’t divulge her location, answer me this. Why would Miss Plum turn down a respectable offer of marriage from a gentleman such as my Bram?” “Why is it that ladies seem to believe I enjoy discussing these types of personal matters?” Mr. Skukman countered. Iris continued as if Mr. Skukman had not spoken. “Bram is a wealthy, eligible, and influential gentleman who owns his own castle—not to mention his stellar good looks.” “You’re his mother. Of course you’re going to believe he has stellar good looks.” “You don’t believe my Bram is handsome?” “Yet another topic I’m not comfortable discussing, but . . . I suppose if I really consider the matter, yes . . . Mr. Haverstein’s features are adequately arranged, but Miss Plum is not a lady who is impressed by a handsome face.” “She’s an actress.” Mr. Skukman let out a bit of a growl, which had Lucetta immediately stepping from behind the curtain. “Thank you, Mr. Skukman, but I think it might be for the best if I take it from here.” “Were you hiding behind the curtains?” Iris demanded. “Obviously,” Lucetta said as she headed across the room, stepping in between Iris, who was looking indignant, and Mr. Skukman, who’d adopted his most intimidating pose—a pose that didn’t appear to intimidate Iris in the least. “Now then,” Lucetta began, sending Mr. Skukman a frown when he cracked his knuckles, “from what I overheard, you’re here, Mrs. Haverstein, to learn why I rejected Bram’s offer.” Iris lifted her chin. “That’s one of the reasons I’ve sought you out.” “Lovely, and before we address those other reasons, allow me to say that the reason I refused Bram’s proposal was because your son was offering to marry a woman who doesn’t exist. He simply has yet to realize that.” Iris narrowed her eyes. “Bram could provide you with everything.” “I’m fairly good at providing for myself, Mrs. Haverstein.” Iris’s eyes narrowed to mere slits. “What are you really playing at? Are you, by chance, hoping that because you turned him down, he’ll make you a better offer?” Lucetta’s brows drew together. “What else could he possibly offer me that would be more appealing than his name?” For a second, Iris looked a little taken aback, but she rallied quickly. “You may be the type of woman who prefers the freedom spinsterhood provides, so I would imagine you’re holding out for a nice place in the city, replete with all the fashionable amenities.” Even though Lucetta was well aware of the reputation most actresses were assumed to enjoy, and even though such insinuations normally never bothered her, a sliver of hurt wormed its way into her heart. Before she could summon up a suitable response, though, Abigail suddenly breezed into the room. “Lucetta is like a granddaughter to me, Iris, and as such, you will treat her accordingly, as well as apologize for your serious lack of manners,” Abigail said as she plunked her hands on her hips and scowled at her daughter. At first, it seemed that Iris wanted to argue the point, but then she blew out a breath and nodded Lucetta’s way. “My mother is quite right. That was unkind of me, and unfair. Forgive me.” Lucetta
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Jen Turano (Playing the Part (A Class of Their Own, #3))
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You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston." The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...." And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be! You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.
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Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
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Crocodiles have been on the planet for some sixty-five million years, looking just about like this one. They’ve evolved to be the most complex apex predator in their environment. They have a life expectancy similar to ours, and their physiology is surprisingly similar to ours as well: the same basic type of four-chambered heart, and a cerebral cortex. I marveled at the sixty-four long, very sharp, peg-like teeth. Here was an animal able to capture and kill animals much larger than itself.
How ironic, I thought, that this-top-of-the-food-chain animal needs our help.
As we motored up the river, I restrained the croc on the floor of the boat. I could feel Steve’s reverence for her. He didn’t just like crocodiles. He loved them.
We finally came to a good release location. We got the crocodile out onto a sandbar and slipped the ropes and blindfolds and trappings off her. She scuttled back into the water.
“She’ll be afraid of boats from now on,” Steve said. “She’ll never get caught again. She’ll have a good, healthy fear of humans, too. It’ll help keep her alive.”
Forever afterward, Steve and I referred to the Cattle Creek rescue as our honeymoon trip. It also marked the beginning of Steve’s filming career. He was gifted with the ability to hunt down wildlife. But he hunted animals to save them, not kill them.
That’s how the Crocodile Hunter was born.
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Terri Irwin (Steve & Me)
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Watching Steve around the camp was witnessing a man at one with his environment. Steve had spent all his life perfecting his bush skills, first learning them at his father’s side when he was a boy. He hero-worshiped Bob and finally became like his dad and then some.
Steve took all the knowledge he’d acquired over the years and added his own experience. Nothing seemed to daunt him, from green ants, mozzies, sand flies, and leeches, to constant wet weather. On Cape York we faced the obvious wildlife hazards, including feral pigs, venomous snakes, and huge crocodiles. I never saw Steve afraid of anything, except the chance of harm coming to someone he loved.
He learned how to take care of himself over the years he spent alone in the bush. But as his life took a sharp turn, into the unknown territory of celebrity-naturalist, he suddenly found himself with a whole film crew to watch out for.
Filming wildlife documentaries couldn’t have happened without John Stainton, our producer. Steve always referred to John as the genius behind the camera, and that was true. The music orchestration, the editing, the knowledge of what would make good television and what wouldn’t--these were all areas of John’s clear expertise.
But on the ground, under the water, or in the bush, while we were actually filming, it was 100 percent Steve. He took care of the crew and eventually his family as well, while filming in some of the most remote, inaccessible, and dangerous areas on earth.
Steve kept the cameraman alive by telling him exactly when to shoot and when to run. He orchestrated what to film and where to film, and then located the wildlife. Steve’s first rule, which he repeated to the crew over and over, was a simple one: Film everything, no matter what happens.
“If something goes wrong,” he told the crew, “you are not going to be of any use to me lugging a camera and waving your other arm around trying to help. Just keep rolling. Whatever the sticky situation is, I will get out of it.”
Just keep rolling. Steve’s mantra.
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Terri Irwin (Steve & Me)
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I’m driving home to change,” Win said. “Then I’m dining at Merion.” Mainliners never ate; they dined. “Care to join me?” “Sounds good,” Myron said. “Wait a second.” “What?” “Are you properly attired?” “I don’t clash,” Myron said. “Will they still let me in?” “My, my, that was very funny, Myron. I must write that one down. As soon as I stop laughing, I plan on locating a pen. However, I am so filled with mirth that I may wrap my precious Jag around an upcoming telephone pole. Alas, at least I will die with jocularity in my heart.” Win. “We have a case,” Myron said. Silence. Win made this so easy. “I’ll tell you about it at dinner.” “Until then,” Win said, “it’ll be all I can do to douse my mounting excitement and anticipation with a snifter of cognac.” Click. Gotta love that Win. Myron hadn’t driven a mile when the cellular phone rang. Myron switched it on. It was Bucky. “The kidnapper called again.
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Harlan Coben (Back Spin (Myron Bolitar, #4))