Love For Gadgets Quotes

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In defense of geeks," Justine said, "they're great in bed. They fantasize a lot, so they're really creative. And they love to play with gadgets.
Lisa Kleypas (Rainshadow Road (Friday Harbor, #2))
Last December I saw an advertisement outside an electronics store. There was a little boy, delirious with delight, surrounded by computers, stereos, and other gadgets. The text read: “We know what your child wants for Christmas.” I stared at the poster, then said to no one in particular, “What your child wants for Christmas is your love, but if he can’t get that, he’ll settle for a bunch of electronic crap.
Derrick Jensen (A Language Older Than Words)
Love, son, is not manifest in the gift of gadgets or coddling foods or rooms of one’s own. Love shows itself in discipline and example and sacrifice—even giving up one’s life.
Jeffery Deaver (The Stone Monkey (Lincoln Rhyme, #4))
Finally, one just has to shut up, sit down, and write. That is painful. Writing is so simple, basic, and austere. There are no fancy gadgets to make it more attractive. Our monkey minds would much rather discuss our resistances with a friend at a lovely restaurant or go to a therapist to work out our writing blocks. We like to complicate simple tasks. There is a Zen saying: “Talk when you talk, walk when you walk, and die when you die.” Write when you write. Stop battling yourself with guilt, accusations, and strong-arm threats.
Natalie Goldberg (Writing Down the Bones: Freeing the Writer Within)
The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.
William Faulkner (Intruder in the Dust)
I love messy homes, homes where a woman and kids have left their mark on every inch: sticky finger marks down the walls, trinkets and nests of pastel hair-gadgets on the mantelpiece, that smell of flowery things and ironing.
Tana French (Faithful Place (Dublin Murder Squad, #3))
We have taller buildings but shorter tempers; wider freeways but narrower viewpoints; we spend more but have less; we buy more but enjoy it less; we have bigger houses and smaller families; more conveniences, yet less time; we have more degrees but less sense; more knowledge but less judgment; more experts, yet more problems; we have more gadgets but less satisfaction; more medicine, yet less wellness; we take more vitamins but see fewer results. We drink too much; smoke too much; spend too recklessly; laugh too little; drive too fast, get too angry quickly; stay up too late; get up too tired; read too seldom; watch TV too much and pray too seldom. We have multiplied our possessions, but reduced our values; we fly in faster planes to arrive there quicker, to do less and return sooner; we sign more contracts only to realize fewer profits; we talk too much; love too seldom, and lie too often. We’ve learned how to make a living, but not a life; we’ve added years to life, not life to years.
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
This digital revolutionary still believes in most of the lovely deep ideals that energized our work so many years ago. At the core was a sweet faith in human nature. If we empowered individuals, we believed, more good than harm would result. The way the internet has gone sour since then is truly perverse. The central faith of the web's early design has been superseded by a different faith in the centrality of imaginary entities epitomized by the idea that the internet as a whole is coming alive and turning into a superhuman creature. The designs guided by this new, perverse kind of faith put people back in the shadows. The fad for anonymity has undone the great opening-of-everyone's-windows of the 1990s. While that reversal has empowered sadists to a degree, the worst effect is a degradation of ordinary people.
Jaron Lanier (You Are Not a Gadget)
Information wants to be free.' So goes the saying. Stewart Brand, the founder of the Whole Earth Catalog, seems to have said it first. I say that information doesn't deserve to be free. Cybernetic totalists love to think of the stuff as if it were alive and had its own ideas and ambitions. But what if information is inanimate? What if it's even less than inanimate, a mere artifact of human thought? What if only humans are real, and information is not? ... Information is alienated experience.
Jaron Lanier (You Are Not a Gadget)
So now, he hoped, here was a chance to bring mankind back into the book-loving fold. He gloated. There was still no electronics in the pioneer worlds, was there? Where was your internet? Hah! Where was Google? Where was your mother’s old Kindle? Your iPad 25? Where was Wickedpedia? (Very primly, he always called it that, just to show his disdain; very few people noticed.) All gone, unbelievers! All those fancy toy-gadgets stuffed in drawers, screens blank as the eyes of corpses, left behind. Books – oh yes, real books – were flying off his shelves. Out in the Long Earth humanity was starting again in the Stone Age.
Terry Pratchett (The Long Earth (The Long Earth, #1))
This is a love story,” Michael Dean says, ”but really what isn’t? Doesn’t the detective love the mystery or the chase, or the nosey female reporter who is even now being held against her wishes at an empty warehouse on the waterfront? Surely, the serial murder loves his victims, and the spy loves his gadgets, or his country or the exotic counterspy. The ice-trucker is torn between his love for ice and truck and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk. Just as the housewives live for catching glimpses of their own botoxed brows in gilded hall mirrors and the rocked out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on hookbook. Because this is reality, they are all in love, madly, truly, with the body-mic clipped to their back-buckle and the producer casually suggesting, “Just one more angle.”, “One more jello shot.”. And the robot loves his master. Alien loves his saucer. Superman loves Lois. Lex and Lana. Luke loves Leia, til he finds out she’s his sister. And the exorcist loves the demon, even as he leaps out the window with it, in full soulful embrace. As Leo loves Kate, and they both love the sinking ship. And the shark, god the shark, loves to eat. Which is what the Mafioso loves too, eating and money and Pauly and Omertà. The way the cowboy loves his horse, loves the corseted girl behind the piano bar and sometimes loves the other cowboy. As the vampire loves night and neck. And the zombie, don’t even start with the zombie, sentimental fool, has anyone ever been more love-sick than a zombie, that pale dull metaphor for love, all animal craving and lurching, outstretched arms. His very existence a sonnet about how much he wants those brains. This, too is a love story.
Jess Walter (Beautiful Ruins)
There is something compulsive about a telephone. The gadget-ridden man of our age loves it, loathes it, and is afraid of it. But he always treats it with respect, even when he is drunk. The telephone is a fetish.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Humans are walky-talky apes, still stained with barbaric behaviors after so many centuries of evolution. They might dress better, talk mellower, and invent cool gadgets. They will say that they prefer love over war, but it's all nonsense. Humans are still monsters. Always will be.
Cameron Jace (Figment (Insanity, #2))
We have a lot of In-SPECK-tor Gadgets in the body of Christ not qualified to remove specks! What do I look like telling you to take a bath if I stink? What do you look like telling me to brush my teeth when your breath smells horrible? Jesus would answer, “You look like a Hypocrite!
Sandra M. Michelle (I'm Not Drunk I'm Praying: Dealing With Critical Spirits in the Church.)
Most people who die in fires don't burn to death; they die from smoke inhalation that kills the respiratory system. that's why the fire service is going on and on about smoke detectors. These little ten-dollar gadgets are one of the truly wonderful inventions of man. The wake you up from a deep slumber so that you and your family and your dog or cat or whatever can get out of the house in time to live and call the fire department. If this sounds like a public service announcement, it is. If you don't have one, buy one today. They make great Christmas gifts. Plus they're cheap. Give a gift of love to a loved one you love. End of announcement.
Larry Brown
Now data is cheap and we are all kings and queens of our little online fiefdoms. A baby born to gadget-loving parents today can generate more data in her first month than it took for Homer to narrate the complete adventures of Odysseus.
Ethem Alpaydin (Machine Learning)
We’re living in a funny time right now, when people build restaurant-grade kitchens in their homes, and if you walk into a specialty cooking store, it seems like you need sixteen gadgets and a graduate degree to make a meal. At the same time, other people live entirely on takeout, frozen food, and energy bars that don’t resemble anything close to food. I think there’s a middle ground worth finding between those two extremes, where we feed ourselves and the people we love with our hands and without a lot of tricks and fanfare.
Shauna Niequist (Bittersweet: Thoughts on Change, Grace, and Learning the Hard Way)
machines again, and radios, and the latest Chevrolet. General Electric flooded the country with luxury gadgets: food processors, toasters, floor-polishing machines, FM radios, electric blankets, and so on. These were all products promoted by that epitome of the television salesman Ronald Reagan, a popular actor whose work in advertising eventually taught him to sell himself, too. Traditional ideals were put on hold and ‘selling out’ became a catchphrase – you accepted a job that gave you no satisfaction because the pay was good. These were the months and years when British singer Vera Lynn touched American hearts with ‘A kiss won’t mean “Goodbye” but “Hello to love”’. Yes, that’s when it started, with that kiss on Times Square.
Geert Mak (In America: Travels with John Steinbeck)
Bring Cecily home,” he said curtly. “I won’t have her at risk, even in the slightest way.” “I’ll take care of Cecily,” came the terse reply. “She’s better off without you in her life.” Tate’s eyes widened. “I beg your pardon?” he asked, affronted. “You know what I mean,” Holden said. “Let her heal. She’s too young to consign herself to spinsterhood over a man who doesn’t even see her.” “Infatuation dies,” Tate said. Holden nodded. “Yes, it does. Goodbye.” “So does hero worship,” he continued, laboring the point. “And that’s why after eight years, Cecily has had one raging affair after the other,” he said facetiously. The words had power. They wounded. “You fool,” Holden said in a soft tone. “Do you really think she’d let any man touch her except you?” He went to his office door and gestured toward the desk. “Don’t forget your gadget,” he added quietly. “Wait!” Holden paused with his hand on the doorknob and turned. “What?” Tate held the device in his hands, watching the lights flicker on it. “Mixing two cultures when one of them is all but extinct is a selfish thing,” he said after a minute. “It has nothing to do with personal feelings. It’s a matter of necessity.” Holden let go of the doorknob and moved to stand directly in front of Tate. “If I had a son,” he said, almost choking on the word, “I’d tell him that there are things even more important than lofty principles. I’d tell him…that love is a rare and precious thing, and that substitutes are notoriously unfulfilling.” Tate searched the older man’s eyes. “You’re a fine one to talk.” Holden’s face fell. “Yes, that’s true.” He turned away. Why should he feel guilty? But he did. “I didn’t mean to say that,” Tate said, irritated by his remorse and the other man’s defeated posture. “I can’t help the way I feel about my culture.” “If it weren’t for the cultural difference, how would you feel about Cecily?” Tate hesitated. “It wouldn’t change anything. She’s been my responsibility. I’ve taken care of her. It would be gratitude on her part, even a little hero worship, nothing more. I couldn’t take advantage of that. Besides, she’s involved with Colby.” “And you couldn’t live with being the second man.” Tate’s face hardened. His eyes flashed. Holden shook his head. “You’re just brimming over with excuses, aren’t you? It isn’t the race thing, it isn’t the culture thing, it isn’t even the guardian-ward thing. You’re afraid.” Tate’s mouth made a thin line. He didn’t reply. “When you love someone, you give up control of yourself,” he continued quietly. “You have to consider the other person’s needs, wants, fears. What you do affects the other person. There’s a certain loss of freedom as well.” He moved a step closer. “The point I’m making is that Cecily already fills that place in your life. You’re still protecting her, and it doesn’t matter that there’s another man. Because you can’t stop looking out for her. Everything you said in this office proves that.” He searched Tate’s turbulent eyes. “You don’t like Colby Lane, and it isn’t because you think Cecily’s involved with him. It’s because he’s been tied to one woman so tight that he can’t struggle free of his love for her, even after years of divorce. That’s how you feel, isn’t it, Tate? You can’t get free of Cecily, either. But Colby’s always around and she indulges him. She might marry him in an act of desperation. And then what will you do? Will your noble excuses matter a damn then?
Diana Palmer (Paper Rose (Hutton & Co. #2))
The pace of this modern age is not conducive to maintaining one’s consciousness. Glued to our electronics, we are blind and deaf to the world around us. Run down by our long work days, we are too exhausted to think and too hurried to feel. The day ends in a haze of strained thoughts, numbness, and fatigue. And we rise the next morning only to start the cycle again. In this age of distraction, if you desire to fritter away your life with empty diversions, there is an abundance of gadgets available to aid you. Quietness is a characteristic of ages gone by. Our generation is the one it died with. Connected to the virtual world, we ignore the presence of those in our home. One can only hope we will awaken to the need for balance before we look up from the screen to find our loved ones have gone, and our life has passed us by.
L.M. Browning
Rigorous extrapolation, a gosh-wow love of gadgets, and mystical adventures in strange and mysterious places; every major stream in speculative fiction today can be traced back to authors who were writing before the publishing categories existed. From among the readers in the twenties and thirties who loved any or all of these authors arose the first generation of "science fiction writers", who knew themselves to be continuing in a trail that had been blazed by giants.
Orson Scott Card (How to Write Science Fiction & Fantasy)
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ‘roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke love Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the Mafioso loves, too—eating and money and Paulie and omerta` --the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
I had an epiphany once that I wish I could stimulate in everyone else. The plausibility of our human world, the fact that the buildings don’t all fall down and you can eat unpoisoned food that someone grew, is immediate palpable evidence of an ocean of goodwill and good behavior from almost everyone, living or dead. We are bathed in what can be called love. And yet that love shows itself best through the constraints of civilization, because those constraints compensate for the flaws of human nature. We must see ourselves honestly, and engage ourselves realistically, in order to become better.
Jaron Lanier (You Are Not a Gadget)
We did not undertake systematic interviews with people now below the age of thirty-five, but in many of the interviews with their parents' generation we heard a bemused recognition that younger people who did not experience these events have very little interest in what happened in that long-ago time; and may even express hostility toward parents who dreamed of a new society. They are interested in the same activities and ideas as young people the world over - dancing, loving, listening to (mostly American) music, dressing in fashion, buying the latest gadgets, attending school and developing career ambitions. The past - even though it is the immediate past of their parents - holds for them no appeal, and they have little sympathy for its victims. Consumerism, not politics, is their passion; consumption, not citizenship, motivates them.
Patricia Marchak (God's Assassins: State Terrorism in Argentina in the 1970s)
Once you are identified with something, your perception gets so distorted. From the day you were born, to increase your identity with your family, your parents have been campaigning that you belong to them. To increase your loyalty to your community, caste, creed and religion, other people have been campaigning. To increase your loyalty to your country, some other people are campaigning. On different levels, people are constantly campaigning to ensure that you are deeply identified with something, so that you will serve those purposes. I want you to know, a campaign can be run to make you believe just about anything. If we campaign hard enough, we can make you worship anything, hate anything, love anything, and give up your life for anything. We just have to work on your identifications. How strong your identity is, and how far you are willing to go. People get so identified because of these campaigns and everything gets distorted.
Sadhguru (Mind is your Business and Body the Greatest Gadget (2 Books in 1))
Doggerel by a Senior Citizen (for Robert Lederer) Our earth in 1969 Is not the planet I call mine, The world, I mean, that gives me strength To hold off chaos at arm’s length. My Eden landscapes and their climes Are constructs from Edwardian times, When bath-rooms took up lots of space, And, before eating, one said Grace. The automobile, the aeroplane, Are useful gadgets, but profane: The enginry of which I dream Is moved by water or by steam. Reason requires that I approve The light-bulb which I cannot love: To me more reverence-commanding A fish-tail burner on the landing. My family ghosts I fought and routed, Their values, though, I never doubted: I thought the Protestant Work-Ethic Both practical and sympathetic. When couples played or sang duets, It was immoral to have debts: I shall continue till I die To pay in cash for what I buy. The Book of Common Prayer we knew Was that of 1662: Though with-it sermons may be well, Liturgical reforms are hell. Sex was of course —it always is— The most enticing of mysteries, But news-stands did not then supply Manichean pornography. Then Speech was mannerly, an Art, Like learning not to belch or fart: I cannot settle which is worse, The Anti-Novel or Free Verse. Nor are those Ph.D’s my kith, Who dig the symbol and the myth: I count myself a man of letters Who writes, or hopes to, for his betters. Dare any call Permissiveness An educational success? Saner those class-rooms which I sat in, Compelled to study Greek and Latin. Though I suspect the term is crap, There is a Generation Gap, Who is to blame? Those, old or young, Who will not learn their Mother-Tongue. But Love, at least, is not a state Either en vogue or out-of-date, And I’ve true friends, I will allow, To talk and eat with here and now. Me alienated? Bosh! It’s just As a sworn citizen who must Skirmish with it that I feel Most at home with what is Real.
W.H. Auden
What was Sean like growing up?” he asked, opening the door to my building and placing his hand on the small of my back. “Oh, ha ha.” I shook my head, my grin automatic. “Basically the same as he is now.” “Really?” “Yes. When he was eight, all he wanted for Christmas was an Italian suit.” William chuckled, insomuch as William chuckled, and blinked once slowly. “I believe it.” “Actually,” I corrected, “he was also obsessed with the SkyMall catalogue. He loves gadgets, which is great for me because I always know what to get him. The odder the gadget, the more he’ll love it.” “Like what?” “Um, let’s see. Like a waffle maker that also warms your maple syrup.” “That’s not that odd. That’s awesome.” “Okay, then how about a serenity cat pod?” I withdrew my keys and faced the door to my apartment, half-hoping, half-despairing that Bryan was already gone. “A what?” “A pod with mood lighting that makes purring sounds and vibrates. It’s like a little bed, but more modern, for your cat.” “He doesn’t have a cat.” “Doesn’t matter. He would’ve loved it.
L.H. Cosway (The Cad and the Co-Ed (Rugby, #3))
One night, we somehow ended up discussing Wile E. Coyote as a paradigm for obsession. She argued that Wile E., with all the resources he wasted on gadgets, could have been living high on the hog. “He was so skinny,” she complained after she had Googled him and watched a few skits on YouTube. “Poor thing, he looks like a size-zero model.” “But, Love, no other food would have satisfied him. He only wanted the Road Runner. He was obsessed with her. Obsession does not allow for satisfaction. You can never really eat your cake and have it too, which is the only way you can satisfy your obsession by devouring and yet having the object of your fascination,” I said from experience. “But he really didn't want to catch it,” she argued. “What do you mean?” “It was the chase he wanted. To eat the Road Runner would have ended that, ended his only reason for living. He isn't really that inept. He really didn't want to catch it.” “I guess not,” I said, thoughtfully. “It's the journey not the resolution that matters. If he caught her, he would lie down next to her and die too.
Candice Raquel Lee (The Innocent: A Myth)
The phrase “slow reading” goes back at least as far as the philosopher Friedrich Nietzsche, who in 1887 described himself as a “teacher of slow reading.” The way he phrased it, you know he thought he was bucking the tide. That makes sense, because the modern world, i.e., a world built upon the concept that fast is good and faster is better, was just getting up a full head of steam. In the century and a quarter since he wrote, we have seen the world fall in love with speed in all its guises, including reading—part of President John F. Kennedy’s legend was his ability to speed read through four or five newspapers every morning. And this was all long before computers became household gadgets and our BFFs. Now and then the Nietzsches of the world have fought back. Exponents of New Criticism captured the flag in the halls of academe around the middle of the last century and made “close reading” all the rage. Then came Slow Food, then Slow Travel, then Slow Money. And now there is Slow Reading. In all these initiatives, people have fought against the velocity of modern life by doing … less and doing it slower.
Malcolm Jones
With global advances in technology, our society is becoming more engrossed in personal gadgets than in the world around them. We hold our phones more than we hold real conversations, and each other. We’re so busy looking down at screens and engaging in digital interactions that we forget about the environment around us. It seems people would rather experience an event through a camera than use their eyes to enjoy what’s in front of them. Concert audiences are lit up by the shimmering of phone screens. This isn’t to say that we shouldn’t capture mementos of these precious times. But living through a screen prevents us from being present in the moment. As we continue to distract ourselves from the present moment, we become more anxious, fearful and stressed. Worries overwhelm us in our everyday lives because we’re now conditioned to live elsewhere, rather than right here. What’s more, we ignore the people around us and our personal relationships pay the price. This is often why we feel distressed, disconnected and lost. Our vibration is lowered because we feel like we’re in some imagined situation that doesn’t match up with our lived reality. We relive moments of the past, fear the future and create obstacles in our minds. We devote creative energy to destructive ideas – and this invites turmoil into our lives. Now is the only time you have. Once your past is gone, it doesn’t exist, no matter how many times you recreate it mentally. The future hasn’t even arrived; but again, you keep taking yourself there mentally. Tomorrow comes disguised as today and some of us don’t even notice. Nothing is more valuable than the present moment because you can never get it back.
Vex King (Good Vibes, Good Life: How Self-Love Is the Key to Unlocking Your Greatness)
This is a love story, Michael Deane says. But, really, what isn’t? Doesn’t the detective love the mystery, or the chase, or the nosy female reporter, who is even now being held against her wishes at an empty warehouse on the waterfront? Surely the serial murderer loves his victims, and the spy loves his gadgets or his country or the exotic counterspy. The ice trucker is torn between his love for ice and truck, and the competing chefs go crazy for scallops, and the pawnshop guys adore their junk, just as the Housewives live for catching glimpses of their own Botoxed brows in gilded hall mirrors, and the rocked-out dude on ’roids totally wants to shred the ass of the tramp-tatted girl on Hookbook, and because this is reality, they are all in love—madly, truly—with the body mic clipped to their back buckle, and the producer casually suggesting just one more angle, one more Jell-O shot. And the robot loves his master, alien loves his saucer, Superman loves Lois, Lex, and Lana, Luke loves Leia (till he finds out she’s his sister), and the exorcist loves the demon even as he leaps out the window with it, in full soulful embrace, as Leo loves Kate and they both love the sinking ship, and the shark—God, the shark loves to eat, which is what the mafioso loves, too—eating and money and Paulie and omertà—the way the cowboy loves his horse, loves the corseted girl behind the piano bar, and sometimes loves the other cowboy, as the vampire loves night and neck, and the zombie—don’t even start with the zombie, sentimental fool; has anyone ever been more lovesick than a zombie, that pale, dull metaphor for love, all animal craving and lurching, outstretched arms, his very existence a sonnet about how much he wants those brains? This, too, is a love story.
Jess Walter (Beautiful Ruins)
I bet our kiddos are sturdier than we think. Maybe they don't need every gadget and advantage. Maybe kids grow like all humans do: through struggle, failure, and perseverance. They might have a gear we didn't know about and don't need to be coddled like fragile hothouse plants that can't adapt to new environments. I bet the kids will surprise us.
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
He’s big on gadgets. Timers. He set a timer for the coffeemaker. So every morning, I’m racing against the timer, trying to get done exercising or doing the laundry before the damn thing turns my coffee off. He also sets the timer for the outdoor lights. I can’t turn them on or off—the switches are controlled by the timer. You can break a leg trying to make your way down the path at night.” —Penny, Denver, CO
Merry Bloch Jones (I Love Him, But . . .)
For those who love to have the newest gadgets, there is the Gruve. Newly released from a company aptly named Muve, the Gruve is a postage-stamp-sized device you wear on your waist via a thin elastic strap. It reads every single footstep and hip wiggle, keeping constant tabs on your NEAT calorie burn, so you always know how much you’ve moved.
James A. Levine (Move a Little, Lose a Lot: New N.E.A.T. Science Reveals How to Be Thinner, Happier, and Smarter)
It is Dangerous to Read Newspapers While I was building neat castles in the sandbox, the hasty pits were filling with bulldozed corpses and as I walked to the school washed and combed, my feet stepping on the cracks in the cement detonated red bombs. Now I am grownup and literate, and I sit in my chair as quietly as a fuse and the jungles are flaming, the underbrush is charged with soldiers, the names on the difficult maps go up in smoke. I am the cause, I am a stockpile of chemical toys, my body is a deadly gadget, I reach out in love, my hands are guns, my good intentions are completely lethal. Even my passive eyes transmute everything I look at to the pocked black and white of a war photo, how can I stop myself It is dangerous to read newspapers. Each time I hit a key on my electric typewriter, speaking of peaceful trees another village explodes.
Margaret Atwood
Stuhlinger asked the nun first to consider the story of a benign and much-loved count who lived in Germany 400 years ago.18 The count was always distributing his riches to the poor. But he did more than redistribute; he created. The count funded the scientific activities of a strange local man who worked in a small laboratory grinding lenses from glass, and then mounting the lenses in tubes and creating small gadgets. The count was criticized for wasting money on the craftsman when the needs of the hungry were so much greater. And yet, explained Stuhlinger, it was precisely such experiments that later paved the way for the invention of the microscope, which proved one of the most useful devices for fighting disease, poverty and hunger:
Mariana Mazzucato (Mission Economy: A Moonshot Guide to Changing Capitalism)
So what happened? Well, the digital revolution for one thing. Perhaps even more so than adults, children are highly susceptible to the hypnotic siren call of computers and handheld gadgets. Yet blaming technology is far too simplistic; many other factors have been involved. The fear factor, for example. Thanks to the media frenzy that now surrounds child abductions, parents are afraid to let their children play outdoors unattended. This is in spite of the fact that friends and relatives, rather than strangers, commit the great bulk of these crimes, and that the odds of your child being snatched are no greater than they were in 1950 or 1960. Another fear—this one of litigation—has driven many property owners
Scott D. Sampson (How to Raise a Wild Child: The Art and Science of Falling in Love with Nature)
We took everything we’d learned about the industry and Nest’s potential customers, about demographics and psychographics, and we created two distinct personas. One was a woman and the other a man. The man was into technology, loved his iPhone, was always looking for cool new gadgets. The woman was the decider—she dictated what made it into the house and what got returned. She loved beautiful things, too, but was skeptical of super-new, untested technology. We gave them names and faces. We made a mood board of their home, their kids, their interests, their jobs. We knew what brands they loved and what drove them crazy about their house and how much money they spent on heating bills in the winter. We needed to look through their eyes to understand why the man might pick up the box. And so we could convince the woman to keep it. Over time we added more personas—couples, families, roommates—as we better understood our customers. But in the beginning we started with two—two human beings who everyone could imagine, whose photos they could touch. That’s how prototyping works. It’s how you make abstract concepts into physical representations. You turn your messaging architecture into words and pictures on a box. [See also: Figure 5.4.1, in Chapter 5.4.] You turn “someone in a store” into Beth from Pennsylvania. And then you keep going. Every step of the way, along every link of the chain.
Tony Fadell (Build: An Unorthodox Guide to Making Things Worth Making)
Tech companies create addictive gadgets that hook your attention and distract you from your loved ones and your purpose.
Daniel G. Amen (Change Your Brain Every Day: Simple Daily Practices to Strengthen Your Mind, Memory, Moods, Focus, Energy, Habits, and Relationships)
Although in 2005 compact discs still represented over 98 percent of the market for legal album sales, Morris had no loyalty to the format. In May of that year, Vivendi Universal announced it was spinning off its CD manufacturing and distribution business into a calcified corporate shell called the Entertainment Distribution Company. Included in EDC’s assets were several massive warehouses and two large-scale compact disc manufacturing plants: one in Hanover, Germany, and one in Kings Mountain, North Carolina. Universal would still manufacture all its CDs at the plants, but now this would be an arms-length transaction that allowed them to watch the superannuation of optical media from a comfortable distance. It was one of the oldest moves in the corporate finance playbook: divest yourself of underperforming assets while holding on to the good stuff. EDC was a classic “stub company,” a dogshit collection of low-growth, capital-intensive factory equipment that was rapidly going obsolete. In other words, EDC was a drag on A that added little to B. Let the investment bankers figure out who wanted it—Universal had gone digital, and the death rattle of the compact disc had grown loud enough for even Doug Morris to hear. The CD was the past; the iPod was the future. People loved these stupid things. You could hardly go outside without getting run over by some dumb jogger rocking white headphones and a clip-on Shuffle. Apple stores were generating more sales per square foot than any business in the history of retail. The wrapped-up box with a sleek wafer-sized Nano inside was the most popular gift in the history of Christmas. Apple had created the most ubiquitous gadget in the history of stuff.
Stephen Witt (How Music Got Free: A Story of Obsession and Invention)
Furthermore, much of the gift-giving that occurs nowadays is inspired less by noble intentions, and more by aggressive marketing. Around every major holiday, we’re barraged with ads urging us to buy this, that, and the other thing for our loved ones. They promise that happiness will reign if we give our wife the right diamond necklace, our husband the right electronic gadget, our friend the right cashmere scarf, and our children the right trendy toys—and on the flip side, hint at the disappointment they’ll suffer if we don’t. Consequently, our gift-giving often has more to do with fulfilling obligations, satisfying expectations, and avoiding guilt than anything else.
Francine Jay (The Joy of Less, A Minimalist Living Guide: How to Declutter, Organize, and Simplify Your Life)
I had an epiphany once that I wish I could stimulate in everyone else. The plausibility of our human world, the fact that the buildings don't all fall down and you can eat unpoisoned food that someone grew, is immediately palpable evidence of an ocean of goodwill and good behavior from almost everyone, living or dead. We are bathed in what we can call love. And yet that love shows itself best through the constraints of civilization, because those constraints compensate for the flaws of human nature. We must see ourselves honestly, and engage ourselves realistically, in order to become better.
Jaron Lanier (You Are Not a Gadget)
what babies are really telling us Instead of thinking they don’t understand They want us to tell them what is going on and treat them with respect Instead of nonsense baby talk They want real connection and conversation where we take turns Instead of being picked up quickly from behind to have a diaper changed (or hearing that it stinks) They want to be able to see us, be asked if they are ready to be picked up, and have time to respond Instead of the latest gadgets They want a simple, beautiful, inviting space to explore Instead of distracting them when they are crying They want us to pause, observe, ask what they need, then respond Instead of allowing anyone to touch or kiss them They want us to ask them first Instead of being overstimulated They want to have one or two things to interact with Instead of interrupting them when they are playing They want us to wait until they are finished concentrating Instead of putting them into a sitting or standing position before they are ready They want us to follow their unique development and let them master this for themselves Instead of rushing through eating, bathing, and changing diapers They want to use these activities as moments for connection with us
Simone Davies (The Montessori Baby: A Parent's Guide to Nurturing Your Baby with Love, Respect, and Understanding)
A real connection, one that can’t be denied and defies all reasons—untamed, raw, pure feelings that give the comfort of a Jaguar in a WagonR; the fragrance of a five-star hotel’s fresh linens in a small, cosy mattress; and the thrill of a new gadget in a person who you can call home.
Namrata Gupta (Together we were)
The simple act of keeping an electronic gadget inside our pockets reopens the windows of life, and allows the universe to touch us. Honestly speaking, when was the last time we forgot our mobiles and just stood hooked to the life that happens around us? Think about it. What if all the technology we’ve ever invented vanishes overnight and we are left with nothing but this wide spread world to take a stroll? I guess we will come out then, to see how the sun shines and why rain matters. We will have more conversations – meaningful ones at that. To have a real conversation, you have to reveal yourself. You have to shed off the layers that hold you back, and become a part of the flow. We will learn to be alone. Only in solitude can we get close to realize who we are without anything or anyone attached to the conclusion. We shall not be influenced by anything but ourselves.
Maverick Prem (When Souls Make Love)
Enough is knowing that no amount in my bank account will ever satisfy my deepest fears. It’s knowing that I have enough friends that would gladly open their door and share a meal if I was ever in need. It’s the feeling that I’ve been able to spend my time over an extended stretch of time working on projects that are meaningful to me, helping people with a spirit of generosity, and having enough space and time in my life to stay energized to keep doing this over the long‑term. Enough is seeing a clear opportunity that will increase my earnings in the short‑term, but knowing that saying “no” will open me up to things that might be even more valuable in ways that are hard to understand. Enough is knowing that the clothes, fancy meal, or latest gadget will not make me happier, but also that buying such things won’t mean I’m going to end up broke. Enough is having meaningful conversations with people that inspire me, people that I love, or people that support me.
Paul Millerd (The Pathless Path: Imagining a New Story For Work and Life)
Embrace Efficiency, Elevate Flavor: Smart Kitchen Tools for Culinary Adventurers The kitchen, once a realm of necessity, has morphed into a playground of possibility. Gone are the days of clunky appliances and tedious prep work. Enter the age of the smart kitchen tool, a revolution that whispers efficiency and shouts culinary liberation. For the modern gastronome, these tech-infused gadgets are not mere conveniences, but allies in crafting delectable adventures, freeing us to savor the journey as much as the destination. Imagine mornings when your smart coffee maker greets you with the perfect brew, prepped by the whispers of your phone while you dream. Your fridge, stocked like a digital oracle, suggests recipes based on its ever-evolving inventory, and even automatically orders groceries you've run low on. The multi-cooker, your multitasking superhero, whips up a gourmet chili while you conquer emails, and by dinnertime, your smart oven roasts a succulent chicken to golden perfection, its progress monitored remotely as you sip a glass of wine. But efficiency is merely the prologue. Smart kitchen tools unlock a pandora's box of culinary precision. Smart scales, meticulous to the milligram, banish recipe guesswork and ensure perfect balance in every dish. Food processors and blenders, armed with pre-programmed settings and self-cleaning prowess, transform tedious chopping into a mere blip on the culinary radar. And for the aspiring chef, a sous vide machine becomes a magic wand, coaxing impossible tenderness from the toughest cuts of meat. Yet, technology alone is not the recipe for culinary bliss. For those who yearn to paint with flavors, smart kitchen tools are the brushes on their canvas. A connected recipe platform becomes your digital sous chef, guiding you through each step with expert instructions and voice-activated ease. Spice racks, infused with artificial intelligence, suggest unexpected pairings, urging you to venture beyond the familiar. And for the ultimate expression of your inner master chef, a custom knife, forged from heirloom steel and lovingly honed, becomes an extension of your hand, slicing through ingredients with laser focus and lyrical grace. But amidst the symphony of gadgets and apps, let us not forget the heart of the kitchen: the human touch. Smart tools are not meant to replace our intuition but to augment it. They free us from the drudgery, allowing us to focus on the artistry, the love, the joy of creation. Imagine kneading dough, the rhythm of your hands mirroring the gentle whirring of a smart bread machine, then shaping a loaf that holds the warmth of both technology and your own spirit. Or picture yourself plating a dish, using smart portion scales for precision but garnishing with edible flowers chosen simply because they spark joy. This, my friends, is the symphony of the smart kitchen: a harmonious blend of tech and humanity, where efficiency becomes the brushstroke that illuminates the vibrant canvas of culinary passion. Of course, every adventure, even one fueled by smart tools, has its caveats. Interoperability between gadgets can be a tangled web, and data privacy concerns linger like unwanted guests. But these challenges are mere bumps on the culinary road, hurdles to be overcome by informed choices and responsible data management. After all, we wouldn't embark on a mountain trek without checking the weather, would we? So, embrace the smart kitchen, dear foodies! Let technology be your sous chef, your precision tool, your culinary muse. But never forget the magic of your own hands, the wisdom of your palate, and the joy of a meal shared with loved ones. For in the end, it's not about the gadgets, but the memories we create around them, the stories whispered over simmering pots, and the laughter echoing through a kitchen filled with the aroma of possibility.
Daniel Thomas
They hate the infidels and want to kill them, but love the infidels’ technology, their dollars, their air conditioners, their cars, and their many gadgets.
Nonie Darwish (Cruel and Usual Punishment: The Terrifying Global Implications of Islamic Law)
I wonder if this fantasy of having a ‘harem’ is a disastrous byproduct of men’s conditioning to acquire things, and social structures that treat women as ‘things’. Men are collectors. They buy gadgets they don’t really need, adorn watches that cost more than the monthly income of the majority of the country’s population, and treat their cars as status symbols. As we have seen, men across all ages tend to treat women (girlfriends, wives, escorts or a harem) as trophies that elevate their status in some way. To many men, women continue to be possessions, even if these men may not be controlling or possessive or otherwise abusive.
Prachi Gangwani (Dear Men: Masculinity and Modern Love in #MeToo India)
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JAZ Innovations
Jesus is not merely useful; He's ultimately beautiful. When I see Jesus as merely useful, it's tempting to want to make Him move my world. When I see He's beautiful, it's the heart that's moved, and this begins to change my world. When Jesus is only useful, He's a gadget or pill to make life better. But when Jesus is seen as truly beautiful, He's a joy that makes us live better...love better.
Ann Voskamp (The Broken Way: A Daring Path into the Abundant Life)
There are two simple ways to create this window of connection with your Divine Self: When you are about to sleep or about to wake up, there is a short period where you are neither awake or asleep. This is when your mind is switched off, and you are directly connected with your Divine Self. Enter into silence, ask your Divine Self to draw you to itself. Then if you would like, ask for guidance, insight, or an answer. During the day you can take time out away from all gadgets, sit quietly, close your eyes, notice your breath, and give intention to make contact with your Divine Self, be open and receptive to all the inspiration and love offered to you.
Premlatha Rajkumar (BE INSPIRED: 365 Inspiring Thoughts)
Why are you drawn to technology? REASON: The first reason is my love of gadgets. I have been fascinated by gadgets and new technologies ever since I was a child. EVIDENCE: When a lot of my peers were playing with Legos, I gravitated toward computers and electronics stores to see the latest and greatest technology; this passion has followed me into adulthood, where I am typically the first among my friends to know about and experience new products and services. CONNECTION: My fascination with the industry and my constant consumption of news about it from sources ranging from Wired to Fast Company to Reddit gives me confidence I can quickly gain expertise on any product I might manage in the future
Steve Dalton (The 2-Hour Job Search: Using Technology to Get the Right Job Faster)
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Many in Hollywood view Disney as a soulless, creativity-killing machine that treats motion pictures like toothpaste and leaves no room for the next great talent, the next great idea, or the belief that films have any meaning beyond their contribution to the bottom line. By contrast, investors and MBAs are thrilled that Disney has figured out how to make more money, more consistently, from the film business than anyone ever has before. But actually, Disney isn’t in the movie business, at least as we previously understood it. It’s in the Disney brands business. Movies are meant to serve those brands. Not the other way around. Even some Disney executives admit in private that they feel more creatively limited in their jobs than they imagined possible when starting careers in Hollywood. But, as evidenced by box-office returns, Disney is undeniably giving people what they want. It’s also following the example of one of the men its CEO, Bob Iger, admired most in the world: Apple’s cofounder, Steve Jobs. Apple makes very few products, focuses obsessively on quality and detail, and once it launches something that consumers love, milks it endlessly. People wondering why there’s a new Star Wars movie every year could easily ask the same question about the modestly updated iPhone that launches each and every fall. Disney approaches movies much like Apple approaches consumer products. Nobody blames Apple for not coming out with a groundbreaking new gadget every year, and nobody blames it for coming out with new versions of its smartphone and tablet until consumers get sick of them. Microsoft for years tried being the “everything for everybody” company, and that didn’t work out well. So if Disney has abandoned whole categories of films that used to be part of every studio’s slates and certain people bemoan the loss, well, that’s simply not its problem.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
No, you're not passing up on A good glorious kitchen gadget. You're passing up on THE glorious kitchen appliance. The key is to get one which has 3 knobs: temperature, mode (bake/toast/broil), and time. Instead of easily making toast, I love to butter the bakery first and obtain it properly caramelized under the broiler. Merely today I warmed up some leftover biscuits and waffles; instead of coming out just a little soggy and rubbery in the microwave they turn out just simply because crisp and very good as if they were new. Pizza tastes 100x better rewarmed in a toaster oven than a microwave; cheese is definitely nice and melty rather than scorching warm and rubbery (like in a microwave). We generate garlic bread all the time; utilize it on bake for some minutes then zap it on broil until stuff are browned. Jalapeno poppers happen to be another prevalent thing I take advantage of it for when simply producing them for a 1-2 people. Roasted garlic, quesadillas, baked broccoli, stuffed mushrooms... all sorts of things that work effectively in it. We guess it creates more impression for smaller sized households, but we use ours many times a day time (family of 3). It's easily our most-applied counter top appliance. In 15 years I've never needed a normal toaster, and I take in an unhealthy volume of toast. Overall, just super versatile and significantly better for reheating anything baked, or doing little baking batches and never have to heat the oven.
www.shadepundit.com
Is your life a love affair or is life just raping you? That is the question. If you are being raped by life, then the mind is a misery. If your life has become a love affair, then life is blissfulness, and the mind too is blissfulness.
Sadguru (Mind is your Business and Body the Greatest Gadget (2 Books in 1))
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During dessert Vikki finally managed to edge in one complaint. “It was our first anniversary last month,” she said, “and do you know what my newlywed besotted husband bought me? A food processor! Me—a food processor!” “It was a hint, Viktoria.” Vikki theatrically rolled her eyes. Richter just rolled his. Trying not to smile, Alexander glanced at Tania, who was loving on her death-by-chocolate cake and hardly paying attention. She embraced electric gadgets with all her heart. There was not an electric can opener, a blender, a coffee maker that did not get his wife wildly enthusiastic. She window shopped for these items every Saturday, read their manuals in the store and then at night regaled Alexander with their technical attributes, as if the manuals she was reciting were Pushkin’s poetry. “Tania, darling, my closest friend,” said Vikki, “please tell me you agree. Don’t you think a food processor is extremely unromantic?” After thinking carefully, her mouth full, Tatiana said, “What kind of food processor?” For Christmas, Alexander bought Tatiana a Kitchen-Aid food processor, top of the line, the best on the market. Inside it she found a gold necklace. Despite a very full house, and Anthony right outside on the couch, she made love to Alexander that Christmas night in candlelight wearing nothing but the necklace, perched and posted on top of him, her soft silken hair floating in a mane and her warm breasts swinging into his chest.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))