Love Catcher Quotes

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That's the thing about girls. Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can.
J.D. Salinger (The Catcher in the Rye)
Catcher snorted. “If we’re not playing naked Twister, we’re wasting our waking hours.” “Yep,” Mallory said as she tugged him down the sidewalk, “that’s the love of my life. He’s a romantic at heart.
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
I looked at Ethan and smiled a little. “I love you,” he mouthed. “I love you, too,” I mouthed back. “And I’m nauseous,” Catcher grumbled. “Let’s get on with this. I am seriously in need of a beer and a Lifetime movie.
Chloe Neill (Biting Cold (Chicagoland Vampires, #6))
I was half in love with her by the time we sat down. That’s the thing about girls. Every time they do something pretty, even if they’re not much to look at, or even if they’re sort of stupid, you fall half in love with them, and then you never know where the hell you are.
J.D. Salinger (The Catcher in the Rye)
I told her I loved her and all. It was a lie, of course, but the thing is, I meant it when I said it. I'm crazy. I swear to God I am.
J.D. Salinger (The Catcher in the Rye)
Marginalia Sometimes the notes are ferocious, skirmishes against the author raging along the borders of every page in tiny black script. If I could just get my hands on you, Kierkegaard, or Conor Cruise O'Brien, they seem to say, I would bolt the door and beat some logic into your head. Other comments are more offhand, dismissive - Nonsense." "Please!" "HA!!" - that kind of thing. I remember once looking up from my reading, my thumb as a bookmark, trying to imagine what the person must look like who wrote "Don't be a ninny" alongside a paragraph in The Life of Emily Dickinson. Students are more modest needing to leave only their splayed footprints along the shore of the page. One scrawls "Metaphor" next to a stanza of Eliot's. Another notes the presence of "Irony" fifty times outside the paragraphs of A Modest Proposal. Or they are fans who cheer from the empty bleachers, Hands cupped around their mouths. Absolutely," they shout to Duns Scotus and James Baldwin. Yes." "Bull's-eye." "My man!" Check marks, asterisks, and exclamation points rain down along the sidelines. And if you have managed to graduate from college without ever having written "Man vs. Nature" in a margin, perhaps now is the time to take one step forward. We have all seized the white perimeter as our own and reached for a pen if only to show we did not just laze in an armchair turning pages; we pressed a thought into the wayside, planted an impression along the verge. Even Irish monks in their cold scriptoria jotted along the borders of the Gospels brief asides about the pains of copying, a bird singing near their window, or the sunlight that illuminated their page- anonymous men catching a ride into the future on a vessel more lasting than themselves. And you have not read Joshua Reynolds, they say, until you have read him enwreathed with Blake's furious scribbling. Yet the one I think of most often, the one that dangles from me like a locket, was written in the copy of Catcher in the Rye I borrowed from the local library one slow, hot summer. I was just beginning high school then, reading books on a davenport in my parents' living room, and I cannot tell you how vastly my loneliness was deepened, how poignant and amplified the world before me seemed, when I found on one page A few greasy looking smears and next to them, written in soft pencil- by a beautiful girl, I could tell, whom I would never meet- Pardon the egg salad stains, but I'm in love.
Billy Collins (Picnic, Lightning)
I’ve learned that no matter what happens, or how bad it seems today, life does go on, and it will be better tomorrow. I’ve learned that you can tell a lot about a person by the way he/she handles these three things: a rainy day, lost luggage, and tangled Christmas tree lights. I’ve learned that regardless of your relationship with your parents, you’ll miss them when they’re gone from your life. I’ve learned that making a “living” is not the same thing as making a “life.” I’ve learned that life sometimes gives you a second chance. I’ve learned that you shouldn’t go through life with a catcher’s mitt on both hands; you need to be able to throw something back. I’ve learned that whenever I decide something with an open heart, I usually make the right decision. I’ve learned that even when I have pains, I don’t have to be one. I’ve learned that every day you should reach out and touch someone. People love a warm hug, or just a friendly pat on the back. I’ve learned that I still have a lot to learn. I’ve learned that people will forget what you said, people will forget what you did, but people will never forget how you made them feel.
Maya Angelou
I'd never seen that look on another face before, had never identified it in another person. I'd only met with it in fiction. But everyone falls in love with Holden Caulfield when they're sixteen. They read Catcher in the Rye and don't feel so alone.
Tiffanie DeBartolo (God-Shaped Hole)
Love without hope, as when the young bird-catcher Swept off his tall hat to the Squire's own daughter, So let the imprisoned larks escape and fly Singing about her head, as she rode by.
Robert Graves
You fall half in love with them, and then you never know where the hell you are.
J.D. Salinger (The Catcher in the Rye)
And I hate to tell you... but I think that once you have a fair idea where you want to go, your first move will be to apply yourself in a school. You'll have to. You're a student—whether the idea appeals to you or not. You're in love with knowledge. And I think you'll find, once... you get past all the Mr. Vinsons, you're going to start getting closer and closer—that is, if you want to, and if you look for it and wait for it—to the kind of information that will be very, very dear to your heart. Among other things, you'll find that you're not the first person who was ever confused and frightened and even sickened by human behavior... Many, many men have been just as troubled morally and spiritually as you are right now. Happily, some of them kept records of thier troubles. You'll learn from them—if you want to. Just someday, if you have something to offer, someone will learn from you. It's a beautiful reciprocal arrangement. And it isn't education. It's history. It's poetry... But I do say that educated and scholarly men, if they’re brilliant and creative to begin with—which, unfortunately, is rarely the case—tend to leave infinitely more valuable records behind them than men do who are merely brilliant and creative. They tend to express themselves more clearly, and they usually have a passion for following their thoughts through to the end. And—most important—nine times out of ten they have more humility than the unscholarly thinker.
J.D. Salinger (The Catcher in the Rye)
You're a student - whether the idea appeals to you or not. You're in love with knowledge.
J.D. Salinger (The Catcher in the Rye)
Did I mention I love your nail polish? " I asked. "You did not, but thank you. Times like this, you gotta have a bright spot. You gotta have something to lighten the mood. Catcher's homemade waffles and enormous dick usually do the trick.
Chloe Neill (Midnight Marked (Chicagoland Vampires, #12))
If you've ever read one of those articles that asks notable people to list their favorite books, you may have been impressed or daunted to see them pick Proust or Thomas Mann or James Joyce. You might even feel sheepish about the fact that you reread Pride and Prejudice or The Lord of the Rings, or The Catcher in the Rye or Gone With the Wind every couple of years with some much pleasure. Perhaps, like me, you're even a little suspicious of their claims, because we all know that the books we've loved best are seldom the ones we esteem the most highly - or the ones we'd most like other people to think we read over and over again.
Laura Miller (The Magician's Book: A Skeptic's Adventures in Narnia)
Come, get entwined in the dream catcher of my heart.
Melody Lee
AI, LAS TAN CUIDAVA SABER D'AMORE, E TAN PETIT EN SAI. Alas, how much I thought I knew of love, and yet how little I know.
Cassandra Clare (Sword Catcher (Sword Catcher, #1))
Of those of us who comprise the real clan of the book, who read not to judge the reading of others but to take the measure of ourselves. Of those of us who read because we love it more than anything, who feel about bookstores the way some people feel about jewelers. The silence about this was odd, both because there are so many of us and because we are what the world of books is really about. We are the people who once waited for the newest installment of Dickens's latest novel and who kept battered copies of Catcher in the Rye in our back pockets and backpacks. We are the ones who saw to it that Pride and Prejudice never went out of print.
Anna Quindlen (How Reading Changed My Life)
Let me repeat. I have not read all the work of this present generation of writing. I have not had time yet. So I must speak only of the ones I do know. I am thinking now of what I rate the best one, Salinger's Catcher in the Rye, perhaps because this one expresses so completely what I have tried to say. A youth, father to what will—must—someday be a man, more intelligent than some and more sensitive than most, who—he would not even have called it by instinct because he did not know he possessed it because God perhaps had put it there, loved man and wished to be a part of mankind, humanity, who tried to join the human race and failed. To me, his tragedy was not that he was, as he perhaps thought, not tough enough or brave enough or deserving enough to be accepted into humanity. His tragedy was that when he attempted to enter the human race, there was no human race there. There was nothing for him to do save buzz, frantic and inviolate, inside the glass wall of his tumbler, until he either gave up or was himself, by himself, by his own frantic buzzing, destroyed.
William Faulkner
Love cannot be hidden. It even shines in the darkest places." ~ Carla Olson Gade, The Shadow Catcher's Daughter
Carla Olson Gade
The reason he fixed himself up to look good was because he was madly in love with himself.
J.D. Salinger (The Catcher in the Rye)
I love how quickly you've both warmed up to petty crime as a solution to our magical dilemma.
Alys Arden (The Romeo Catchers (The Casquette Girls, #2))
That's the thing about girls.Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall half in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can.
Sallinger J.D
The one that sang, old Janine, was always whispering into the g***** microphone before she sang. She'd say, 'And now we like to geeve you our impression of Vooly Voo Fransay. Eet ees the story of leetle Fransh girl who comes to a beeg ceety, just like New York, and falls een love wees a leetle boy from Brookleen. We hope you like eet.' Then, when she was all done whispering and being cute as hell, she'd sing some dopey song, half in English and half in French, and drive all the phonies in the place mad with joy.
J.D. Salinger (The Catcher in the Rye)
You don't have a choice, I hear. Love just happens to you, whether you like it or not; otherwise there wouldn't be so many songs. Besides, people do all sorts of things that are bad for them. I ought to know.
Cassandra Clare (Sword Catcher (Sword Catcher, #1))
The funny part is, I felt like marrying her the minute I saw her. I'm crazy. I didn't even like her much, and yet all of a sudden I felt like I was in love with her and wanted to marry her. I swear to God I'm crazy. I admit it.
J.D. Salinger (The Catcher in the Rye)
Jesse believed stories were the collective memories of the world, recorded in books so that each of us could know who we were before we became who we are. He said that's why people love The Catcher in the Rye when they're teenagers, but fall out of love with it as adults. We're all Holden Caulfield at fifteen, but when we grow up we want to be Atticus Finch.
Shaun David Hutchinson (We Are the Ants)
Oh, Romeo and Juliet! Lovely! Didn’t you just love it?”She certainly didn’t sound like a nun. “Yes. I did. I liked it a lot. There were a few things I didn`t like about it, but it was quite moving, on the whole.” “What didn`t you like abut it? Can you remember?” To tell you the truth, it was sort of embarrassing, in a way, to be talking about Romeo and Juliet with her. I mean that play gets pretty sexy in some parts, and she was a nun and all, but she asked me, so I discussed it with her for a while. “Well, I`m not too crazy about Romeo and Juliet,”I said. “I mean I like them, but – I don’t know. They get pretty annoying sometimes. I mean I felt much sorrier when old Mercutio got killed then when Romeo and Juliet did. The thing is, I never liked Romeo too much after Mercutio gets stabbed by that other man – Juliet’s cousin – what’s his name?”(The Catcher in The Rye, p. 111).
J.D. Salinger
Yes, I know that now that there is truth in beauty and beauty in truth. My nature is to be depressive and come out of it and write, and enjoy writing and feeling as if I have a passion and excitement and love and euphoria for it and then I go 'back to sleep again' where I can eat and watch television and not work, not be productive and then just as if a magic switch is turned on I can do it all over again. I don't mind the being depressed part. Sometimes it seems to fuel me. The anger though is gone now that was there in my twenties and even earlier in my youth. Your voice is Tolstoy’s, Hemingway’s, Updike’s, Styron’s, Mcewan’s, Greene’s, Fugard’s, Kundera’s, Rilke’s while I am the incarnate of Radcliffe Hall crossing both genders effortlessly. You betray nothing. There is son in the picture. A small boy but you don’t introduce him to me. Obsessions are unhealthy creatures. They make you mentally ill, emotionally unstable; leave you with a chemistry of deep sadness in your life. I have my writing. It keeps me from disintegrating into fractions. I should stop now before I begin to make myself cry.
Abigail George (Winter in Johannesburg)
The authors we classified as villains, detractors, and bad role models for our children are part of the educational curriculum. Freethinkers and the gutsy ones who pursued love and went against what society preordained are those we admire. The talented that wrote about these adventurous escapades and secret interludes are part of our literary tradition.
Julia Ann Charpentier (The Indigo Dream Catcher)
Your pyre, lovely. Your funeral pyre. It will be a pretty one with driftwood.
Abigail Hilton (The Guild of the Cowry Catchers, a story of pirates and Panamindorah (The Guild of the Cowry Catchers, #1-5))
Yet the one I think of most often… was written in the copy of Catcher in the Rye… “Pardon the egg salad, but I’m in love.
Billy Collins
My beacon. My dream catcher. My love. My life. Someone wants to kill us. Damn them.
E.L. James (Freed (Fifty Shades of Gray Series, 6))
The darkness is absent, driven out by my dream catcher…my fiancée. My love. My light.
E.L. James (Freed (Fifty Shades as Told by Christian, #3))
Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall in love with them, and then you never know where the hell you are.
J.D. Salinger (The Catcher in the Rye)
My ninth-grade teacher told us that we would all fall in love with Catcher in the Rye. The elusive maroon cover added to its mystique. I kept waiting to fall in love with Salinger’s cramped, desultory writing until I was annoyed.
Cathy Park Hong (Minor Feelings: An Asian American Reckoning)
And I hate to tell you,” he said, “but I think that once you have a fair idea where you want to go, your first move will be to apply yourself in school. You’ll have to. You’re a student—whether the idea appeals to you or not. You’re in love with knowledge.
J.D. Salinger (The Catcher in the Rye)
It's made of poetry and art and lost hearts enhanced in magic It's the kingdom of love, where free spirits find their resilience It's the dream catcher of lost passion and deep silence It's the torso where rebel souls find their homeland It's the beginning of a dream and the end of another It's what keeps you up in the night, when you're breathing dreams It's that madness of artists caught in the wind It's the night on a full moon drown between chimeras It's you making love to me, under the blessings of Seine..." (fragment from "Paris", chapter Hope)
Claudia Pavel (The odyssey of my lost thoughts)
I’m sorry. I know how much players have to focus, and I know not to be a distraction. I just got caught up in the moment, in the great game, in your terrific pitching.” But I felt a need to explain more. “Look, Jason, I love baseball. I love the crack of the bat hitting the ball. I love the seventh-inning stretch and singing ‘Take Me Out to the Ball Game.’ I love eating hot dogs and standing for the singing of the national anthem. I love doing the wave. I love Kiss Cam. I love that the game isn’t over until it’s over. “I love the thrill of a home run and the disappointment of an out at first. I love the way a batter stands at the plate and the catcher readies himself to receive the pitch. I love watching the pitcher windup. I love sitting in the stands and feeling like I’m part of the game. “And tonight, watching you pitch, I forgot that I’m only a small part—the spectator. Watching you, I felt like I was in the game, out on that field with you. You’re out there on the mound, living a dream that so few people ever experience. “I’m sorry, sorry that tonight I ruined the moment for you.” He was staring at me intently. I’d just bared my soul. Why didn’t he speak? What could he possibly be thinking? My nerves stretched taut. “Say something,” I demanded. “There’s nothing else to say,” he said in that quiet way he had. Then he lowered his head and kissed me.
Rachel Hawthorne (The Boyfriend League)
And I hate to tell you,' he said, 'but I think that once you have a fair idea where you want to go, your first move will be to apply yourself in school. You'll have to. You're a student - whether the idea appeals to you or not. You're in love with knowledge. And I think you'll find, once you get past all the Mr Vineses and their Oral Comp-' 'Mr Vinsons,' I said. He meant all the Mr Vinsons, not all the Mr Vineses. I shouldn't have interrupted him, though. 'All right - the Mr Vinsons. Once you get past all the Mr Vinsons, you're going to get start getting closer and closer - that is, if you want to, and if you look for it and wait for it - to the kind of information that will be very, very dear to your heart.
J.D. Salinger (The Catcher in the Rye - Levels of Understanding)
[Daughter], I want to release you. IF you hate me or want to reject me, I understand. If you curse me, then want to atone, I also understand. I expect to be your home plate: kicked, scuffed, but always returned to. I expect to be the earth from which you spring. But if I release you too much, what will you have to fight against? You need my acceptance, but you may need my resistance more. I promise to stand firm while you come and go. I promise unwavering live while you experiment with hate. Hate is energy too -- sometimes brighter-burning energy than love. Hate is often the precondition for freedom. No matter how I try to disappear, I fear I cast too big a shadow. I would erase that shadow if I could. but if I erased it, how would you know your own shadow? And with no shadow, how would you ever fly? I want to release you from the fears that bound me, yet I know you can only release yourself. I stand here wearing my catcher's padding. I pray you won't need me to catch you if you fall. But I'm here waiting anyway. Freedom is full of fear. But fear isn't the worst thing we face. Paralysis is.
Erica Jong (Fear of Fifty: A Midlife Memoir)
She knocked me out. I mean it. I was about half in love with her by the time we sat down. That’s the thing about girls. Every time they do something pretty, even if they’re not much to look at, or even if they’re sort of stupid, you fall half in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can.
J.D. Salinger (The Catcher in the Rye)
So what I did was, I went over and bought two orchestra seats for I Know My Love. It was a benefit performance or something. I didn't much want to see it, but I knew old Sally, the queen of phonies, would start drooling all over the place when I told her I had tickets for that, because the Lunts were in it and all. She liked shows that are supposed to be very sophisticated and dry and all, with the Lunts and all.
J.D. Salinger (The Catcher in the Rye)
Is there a right time to follow your Bliss? Not really. You postpone your Happiness, following your Bliss, only because you think you have a lot of time later in Life to do what you love doing. But the truth is that there is not enough time. Life comes with an expiry date; it is a one-time, limited-period offer. So, if you are not living your Life fully, happily, you are losing precious time. Simply, there is no better time than NOW to do what you love doing!
AVIS Viswanathan
I held hands with her all the time, for instance. That doesn't sound like much, I realize, but she was terrific to hold hands with. Most girls if you hold hands with them, their goddamn hand dies on you, or else they think they have to keep moving their hand all the time, as if they were afraid they'd bore you or something. Jane was different. We'd get into a goddamn movie or something, and right away we'd start holding hands, and we wouldn't quit till the movie was over. And without changing the position or making a big deal out of it. You never even worried, with Jane, whether your hand was sweaty or not. All you knew was, you were happy. You really were.
J.D. Salinger (The Catcher in the Rye)
You did the right thing." "Yes, I did." He stroked her cheek with his thumb. "But with you, Arabella Anne Westfall, I have done everything wrong, from the moment we met, at nearly every turn. I have been arrogant and overly confident and short-tempered and deeply, insatiably lustful"-a bystander gasped-"and afraid of this between us. I was everything that must have been abhorrent to you when all you wished was to find your prince charming. Instead you ended up with a blind, surly, autocratic fool. If I could turn back time, if I could so what I should have done-" "Before I fell in love with you?" "-b-before I stole your virtue." His brow cut down. "By God, woman, you will always say what I least expect, won't you?" -Arabella & Luc
Katharine Ashe (I Married the Duke (The Prince Catchers, #1))
The book I was reading was this book I took out of the library by mistake. They gave me the wrong book, and I didn't notice it till I got back to my room. They gave me Out of Africa, by Isak Dinesen. I thought it was going to stink, but it didn’t. It was a very good book. I’m quite illiterate, but I read a lot. My favorite author is my brother D.B., and my next favorite is Ring Lardner. My brother gave me a book by Ring Lardner for my birthday, just before I went to Pencey. It had these very funny, crazy plays in it, and then it had this one story about a traffic cop that falls in love with this very cute girl that's always speeding. Only, he's married, the cop, so he can't marry her or anything. Then this girl gets killed, because she's always speeding. That story just about killed me. What I like best is a book that’s at least funny once in a while. I read a lot of classical books, like The Return of the Native and all, and I like them, and I read a lot of war books and mysteries and all, but they don’t knock me out too much. What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though. I wouldn’t mind calling this Isak Dinesen up. And Ring Lardner, except that D.B. told me he’s dead. You take that book Of Human Bondage, by Somerset Maugham, though. I read it last summer. It’s a pretty good book and all, but I wouldn’t want to call Somerset Maugham up. I don’t know. He just isn’t the kind of a guy I’d want to call up, that’s all. I’d rather call old Thomas Hardy up. I like that Eustacia Vye.
J.D. Salinger (The Catcher in the Rye)
He was fat. He was not very good looking. He didn’t play up to the press. But he tried. Boy did he try. I could still see him stretching from first to third on a single to center and belly-whopping into the bag, invariably safe. I related to Thurman. I had been a catcher in Little League, I was chunky, I played tough, and I too was pretty ugly. I always took Thurm’s side in arguments, and somehow I could feel what he was going through in that Yankee dugout, sensing his fear and dislike for Reggie (Jackson). I understood Thurman Munson’s terribly private ordeal, trying to simply play ball without wanting to be on the cover of a magazine, avoiding the fanfare in a town that breathes glamour and ignores dedication. His death signifies to me how difficult life really is, how hard it is to do what you want, to love and maintain your family and still do your job. The American dream drags onward….
Stewart J. Zully (My Life in Yankee Stadium: 40 Years As a Vendor and Other Tales of Growing Up Somewhat Sane in The Bronx)
Jason, it’s a pleasure.” Instead of being in awe or “fangirling” over one of the best catchers in the country, my dad acts normal and doesn’t even mention the fact that Jason is a major league baseball player. “Going up north with my daughter?” “Yes, sir.” Jason sticks his hands in his back pockets and all I can focus on is the way his pecs press against the soft fabric of his shirt. “A-plus driver here in case you were wondering. No tickets, I enjoy a comfortable position of ten and two on the steering wheel, and I already established the rule in the car that it’s my playlist we’re listening to so there’s no fighting over music. Also, since it’s my off season, I took a siesta earlier today so I was fresh and alive for the drive tonight. I packed snacks, the tank is full, and there is water in reusable water bottles in the center console for each of us. Oh, and gum, in case I need something to chew if this one falls asleep.” He thumbs toward me. “I know how to use my fists if a bear comes near us, but I’m also not an idiot and know if it’s brown, hit the ground, if it’s black, fight that bastard back.” Oh my God, why is he so adorable? “I plan on teaching your daughter how to cook a proper meal this weekend, something she can make for you and your wife when you’re in town.” “Now this I like.” My dad chuckles. Chuckles. At Jason. I think I’m in an alternate universe. “I saw this great place that serves apparently the best pancakes in Illinois, so Sunday morning, I’d like to go there. I’d also like to hike, and when it comes to the sleeping arrangements, I was informed there are two bedrooms, and I plan on using one of them alone. No worries there.” Oh, I’m worried . . . that he plans on using the other one. “Well, looks like you’ve covered everything. This is a solid gentleman, Dottie.” I know. I really know. “Are you good? Am I allowed to leave now?” “I don’t know.” My dad scratches the side of his jaw. “Just from how charismatic this man is and his plans, I’m thinking I should take your place instead.” “I’m up for a bro weekend,” Jason says, his banter and decorum so easy. No wonder he’s loved so much. “Then I wouldn’t have to see the deep eye-roll your daughter gives me on a constant basis.” My dad leans in and says, “She gets that from me, but I will say this, I can’t possibly see myself eye-rolling with you. Do you have extra clothes packed for me?” “Do you mind sharing underwear with another man? Because I’m game.” My dad’s head falls back as he laughs. “I’ve never rubbed another man’s underwear on my junk, but never say never.” “Ohhh-kay, you two are done.” I reach up and press a kiss to my dad’s cheek. “We are leaving.” I take Jason by the arm and direct him back to the car. From over his shoulder, he mouths to my dad to call him, which my dad replies with a thumbs up. Ridiculous. Hilarious. When we’re saddled up in the car, I let out a long breath and shift my head to the side so I can look at him. Sincerely I say, “Sorry about that.” With the biggest smile on his face, his hand lands on my thigh. He gives it a good squeeze and says, “Don’t apologize, that was fucking awesome.
Meghan Quinn (The Lineup)
When I was a baby child, they put the jinx on me. It was in my drink and food and milk. And when I ran, it heavied in my bones and when I sang, it stopped up my throat and when I loved, it let from me, hot and poisonous. I saw it in my daddy, the hard lines of his face, that uneasy lope - how in his years he didn't lift his feet, but slid them, soles across this gritted earth. It settled in my mama, trembled her voice and blanked her eyes. My brother, Billy, locked it inside him and it carried him low into that deep earth, silting then into the river and dew and air, in the moths and bee catchers, borne skyward and, as will be, lowed again, into earth again. It's dusking. There goes the sun. There goes sky and cloud and light, taken into that black horizon. And I know I am bad crossed. I see its line. It reaches up, arcs. It cuts through me. It draws me on and dogs me down to that place where I am bound. And when it is I borne down, my eyes and mouth stitched with gut, when they take my balls and brain and heart, and that deeper black claims me wholly, then let me meet that sumbitch at his eye, for I know my name's been writ - Robert Lee Chatham - in his Book.
Bill Cheng (Southern Cross the Dog)
I’m sorry. I know how much players have to focus, and I know not to be a distraction. I just got caught up in the moment, in the great game, in your terrific pitching.” But I felt a need to explain more. “Look, Jason, I love baseball. I love the crack of the bat hitting the ball. I love the seventh-inning stretch and singing ‘Take Me Out to the Ball Game.’ I love eating hot dogs and standing for the singing of the national anthem. I love doing the wave. I love Kiss Cam. I love that the game isn’t over until it’s over. “I love the thrill of a home run and the disappointment of an out at first. I love the way a batter stands at the plate and the catcher readies himself to receive the pitch. I love watching the pitcher windup. I love sitting in the stands and feeling like I’m part of the game. “And tonight, watching you pitch, I forgot that I’m only a small part--the spectator. Watching you, I felt like I was in the game, out on that field with you. You’re out there on the mound, living a dream that so few people ever experience. “I’m sorry, sorry that tonight I ruined the moment for you.” He was staring at me intently. I’d just bared my soul. Why didn’t he speak? What could he possibly be thinking? My nerves stretched taut. “Say something,” I demanded. “There’s nothing else to say,” he said in that quiet way he had. Then he lowered his head and kissed me.
Rachel Hawthorne (The Boyfriend League)
As hard as it is, grieving can be a gift, if we use it to examine our own lives and come closer to those we love.
Amy Eldon (Angel Catcher: A Grieving Journal: A Journal of Loss and Remembrance (Dan Eldon))
Bliss is not an abstract, unattainable state or quality. You will experience Bliss when you do what you love doing. Each of us has a special spiritual talent. Doing that one activity, honing that talent, makes us lose ourselves – in that state worry, sadness, worldly challenges, physical pain…all these dissolve and you are soaked in Happiness! That state is Bliss…and it is available to you if you choose not to postpone Happiness and you go do what you love doing!
AVIS Viswanathan
When you are coping with a challenging phase in Life, try this approach. Do all that you possibly, and practically, can in the given context, even if you don’t like doing such stuff. And then pour your heart into your art, into whatever you love doing. Do this daily. Soon, you will train your mind to go with the flow. That’s really how you learn to go with the flow. One day at a time, slowly, surely…
AVIS Viswanathan
Life is intrinsically meaningless. Because you came with nothing and you will go with nothing. But you can bring meaning to your Life by doing something that makes you come alive, anything that makes you enthusiastic about the process of living. This is what living purposefully is all about, doing what you love, doing what can make this a better world.
AVIS Viswanathan
Bliss can – and will – never lead you astray. When you follow your Bliss, you sure may face challenges, there may be pain, but you will not be unhappy. On the other hand, if you resist your Bliss, choosing not to do what you love doing – not only will Life be challenging, but it will also be intensely unhappy…making you feel low, depressed and causing you a lot of grief, misery and suffering. Think: what if you had challenges and were happy facing them? Well, that is the biggest benefit of following your Bliss. Simply, you cannot go wrong with Happiness.
AVIS Viswanathan
The Times ad marked a seminal intersection in the history of cancer. With it, cancer declared its final emergence from the shadowy interiors of medicine into the full glare of public scrutiny, morphing into an illness of national and international prominence. This was a generation that no longer whispered about cancer. There was cancer in newspapers and cancer in books, cancer in theater and in films: in 450 articles in the New York Times in 1971; in Aleksandr Solzhenitsyn's Cancer Ward, a blistering account of a cancer hospital in the Soviet Union; in Love Story, a 1970 film about a twenty-four-year-old woman who dies of leukemia; in Bang the Drum Slowly, a 1973 release about a baseball catcher diagnosed with Hodgkin's disease; in Brian's Song, the story of the Chicago Bears star Brian Piccolo, who died of testicular cancer. A torrent of op-ed pieces and letters appeared in newspapers and magazines.
Siddhartha Mukherjee (The Emperor of All Maladies: A Biography of Cancer)
All you can – and must – do for your children is teach them the values of integrity and compassion and encourage them to follow their Bliss. You can’t live their Life for them and you can’t always solve their problems. Once they are ready to fly away, just let them go. Even if they struggle, stumble and fall, eventually, they will always find their way – discovering meaning, love and Happiness. Such is the process of Life; simply, trust the process!
AVIS Viswanathan
Take your anger and pour it into your Bliss, into what you believe in, into what you love doing…and then watch the magic!
AVIS Viswanathan
Real love was the fusion of two people's flaws and strengths, sitting atop the rubble of their past, cemented by the hopes for their future.
Melissa Cutler (The Trouble with Cowboys (Catcher Creek, #1))
she was simply grateful for this wise, loving mentor who could take one look into her eyes, see all the turmoil, sift through the hidden wreckage and somehow manage to inspire strength and good from some reserve Maggie hadn’t even known existed.
Alex Kava (The Soul Catcher (Maggie O'Dell, #3))
I began to delight in surprising adults with my refined palate and disgusting my inexperienced peers with what I would discover to be some of nature's greatest gifts. By the age of ten I had learned to break down a full lobster with my bare hands and a nutcracker. I devoured steak tartare, pâtés, sardines, snails baked in butter and smothered with roasted garlic. I tried raw sea cucumber, abalone, and oysters on the half shell. At night my mother would roast dried cuttlefish on a camp stove in the garage and serve it with a bowl of peanuts and a sauce of red pepper paste mixed with Japanese mayonnaise. My father would tear it into strips and we'd eat it watching television together until our jaws were sore, and I'd wash it all down with small sips from one of my mother's Coronas. Neither one of my parents graduated from college. I was not raised in a household with many books or records. I was not exposed to fine art at a young age or taken to any museums or plays at established cultural institutions. My parents wouldn't have known the names of authors I should read or foreign directors I should watch. I was not given an old edition of Catcher in the Rye as a preteen, copies of Rolling Stones records on vinyl, or any kind of instructional material from the past that might help give me a leg up to cultural maturity. But my parents were worldly in their own ways. They had seen much of the world and had tasted what it had to offer. What they lacked in high culture, they made up for by spending their hard-earned money on the finest of delicacies. My childhood was rich with flavor---blood sausage, fish intestines, caviar. They loved good food, to make it, to seek it, to share it, and I was an honorary guest at their table.
Michelle Zauner (Crying in H Mart)
Life intrinsically has no meaning. You came with nothing. You will go with nothing. But you have the opportunity to make your Life meaningful. You can do this in small doses by doing multiple things that you love doing. Or you can do this expansively by being engaged with a larger-than-you cause, your Purpose. Here 'meaningful' really means making each moment count, by living it fully, by celebrating it! Simply, as long as you do what makes you come alive, even if you don't define it or connect it with a sense of Purpose, you are living meaningfully!
AVIS Viswanathan
If you want to understand Bliss, do this little exercise. Imagine you are in your favorite place in the world. Or imagine you are with someone you love. Now, imagine peeling off your body and letting your spirit soar freely. Imagine dissolving in that moment. The oneness you feel with the Universe, even if momentarily, is Bliss. If you can recreate this experience in most of your waking hours, you stay blissful. And the only way to do this is to not postpone your Bliss, but to follow it – by doing what you love doing!
AVIS Viswanathan
When the cost of not doing something that you love doing is more than the cost of actually doing it, you make wise, informed, decisions. You then follow your bliss and learn to be happy with yourself, doing what you love doing, regardless of your circumstances or of what people think of you!
AVIS Viswanathan
There is no way you can fast-forward your Life. When going through painful situations, as long as you are complaining about your circumstances, you will find each day long, dreary and miserable to endure. But when you immerse yourself in what you love doing, you will find that each moment is a celebration. You will then be able to flow with Life, joyously, enthusiastically.
AVIS Viswanathan
There are three steps to follow on a daily basis to go through and last a tough, challenging, phase in Life: 1. Be expectationless. 2. Soak in bhakti – devotion, offer yourself and everything that you do to a higher energy. 3. Deep dive into what you love doing – your bliss, your purpose or even just your work. If your current circumstances prevent you from doing this, choose the next best activity, whatever else you can do, in this realm to practice immersion. There is no order to following these steps. Just do them daily. Let them consume your waking hours. Celebrate the inner peace and joy that you experience.
AVIS Viswanathan
She was big. No beauty. Bad skin and bad clothes, but lovely eyes. Brown like conkers.
Ann Cleeves (The Moth Catcher (Vera Stanhope #7))
His Susan had always been a lovely baker. There was no sweetness in her nature these days and Percy had the sudden notion that it all went into her cakes and puddings.
Ann Cleeves (The Moth Catcher (Vera Stanhope #7))
He was one of those quiet, sickly bairns. I was a nursery nurse before I married and I knew the sort. Given to asthma and feeling sorry for himself. It didn’t help that he was an only child and his mother loved the bones of him.
Ann Cleeves (The Moth Catcher (Vera Stanhope #7))
She could understand why some of the women inside loved those true-crime books. The ones with pictures of blank-faced killers staring out of the pages. There was something compulsive about the sadism. The sexual violence. She remembered again Jason’s words, his hard laughter and his scorn at her tears. The books the women read were all about pain and humiliation.
Ann Cleeves (The Moth Catcher (Vera Stanhope #7))
But everyone falls in love with Holden Caulfield when they’re sixteen. They read The Catcher in the Rye and don’t feel so alone. The problem is, they get over it. They forget that grief. Or they bury it. I never could.
Tiffanie DeBartolo (God-Shaped Hole)
There are two states in Life: Existing and Living. You exist when you are unhappy and are merely floating around like deadwood. Living is a constantly evolving state…over time, and through your lived experiences, you graduate from just being to experiencing immersion to dissolving…momentarily, you too have experienced losing yourself, dissolving in devotion (in bhakti, in prayer), in sex, in music, in dance. But you have the option to remain dissolved forever, to be lost in what you love doing…when you attain that state, that is your Bliss experience…
AVIS Viswanathan
Your role is to travel in the direction of what you believe in, what you love doing. And Life’s job is to get you there. Everyone – and every thing – that you need will always arrive, in time, to get you to where you must arrive!
AVIS Viswanathan
It was a Land Rover, so mucky and bashed that it was impossible to make out the original colour, and there was a woman at the wheel. He got out of his car to tell her that she was on the wrong road and this was a dead-end, and anyway she wouldn’t get past him here, but she stopped and got out. He wondered how her knees managed the weight of her on the deep step down to the tarmac. She was big. No beauty. Bad skin and bad clothes, but lovely eyes. Brown like conkers.
Ann Cleeves (The Moth Catcher (Vera Stanhope #7))
Once I had no dreams, yet another there was, a Heavenly wife, that to make mine, I’d pause, yet after she left, without saying goodbye, I can’t be her catcher, of dreams, or in rye…
Will Advise (На чист Български...: Pristine Bulgarian sayings...)
If you feel an unquenchable thirst in you, welcome it. Celebrate it. In children, this thirst presents itself as curiosity. In adolescents, it appears as a search for love, for belonging. In young adults, it manifests itself as a search for worldly success, validation, recognition and acceptance in society. And when you are past your mid-30s...latest by your 40s...it appears as a search for meaning. Slowly, if you are tuned, and are in sync with the energy that created you, you discover something magical! You awaken to the truth that Life is intrinsically meaningless. And bringing meaning to your Life is your responsibility. You do that by following your Bliss, by choosing not to postpone your Happiness!
AVIS Viswanathan
Two factors are crucial to live intelligently. One, understand that Life is a limited-period offer. Two, understand that Happiness is not a goal, it is not a destination…but that Happiness must be experienced in the here and now, with what is, doing what you love doing. So, keep it simple: don’t postpone your Happiness!!
AVIS Viswanathan
Craving to be celebrated by others will often leave you unhappy. Instead, celebrate yourself by immersing yourself in what you love doing. This holds the key to your Happiness.
AVIS Viswanathan
They matter not, Banu al-Mauth. The voice reverberating in my head is low and ancient. It is Mauth, the magic at the heart of the Waiting Place. Mauth’s power shields me from threats and gives me insight into the emotions of the living and the dead. The magic lets me extend life or end it. All in service of protecting the Waiting Place, and offering solace to the ghosts that linger here. Much of the past has faded, but Mauth left me some memories. One is what happened when I first became Soul Catcher. My emotions kept me from accessing Mauth’s magic. I could not pass the ghosts quickly enough. They gathered strength and escaped the Waiting Place. Once out in the world, they killed thousands. Emotion is the enemy, I remind myself. Love, hate, joy, fear. All are forbidden. What was your vow to me? Mauth speaks. “I would help the ghosts pass to the other side,” I say. “I would light the way for the weak, the weary, the fallen, and forgotten in the darkness that follows death.” Yes. For you are my Soul Catcher. Banu al-Mauth. The Chosen of Death. But once, I was someone else. Who? I wish I knew. I wish— Outside the cabin walls, the wind wails. Or perhaps it is the ghosts. When Mauth speaks again, his words are followed by a wave of magic that takes the edge off my curiosity. Wishes only cause pain, Soul Catcher. Your old life is over. Attend to the new.
Sabaa Tahir (A ​Sky Beyond the Storm (An Ember in the Ashes, #4))
Look at those women over there, Bella. They haven’t ceased staring at me all night. One would think they’d never seen a fictional character come to life before.” “They and everybody else,” Arabella said impatiently. “But not for— Jackie, are you listening to me?” “And that Baron whatever-his-name-is has winked at me six times. Six! Can you imagine? It is positively diverting.” “Jackie, look at me.” Arabella held a cheaply printed broadsheet. “Have you read this? Part III?” “I have. It is a very satisfying finale.” “Satisfying?” “Everybody ends up just as they should,” she forced herself to say. Arabella squeezed her hand. “This is not like you, darling. He hurt you terribly, and I understand that this ending satisfies that hurt. But you cannot like the stone princess’s fate. Do not tell me you have resigned yourself to it.” “I haven’t, of course. She goes willingly, while I—” “Willingly?” Arabella peered at her. “You haven’t read it, have you?” She pressed the page into her palm. Jacqueline cared nothing that at least a dozen pairs of eyes were on her as she uncreased the paper and yet again forced her misery behind the blockade of pride and confidence she had erected. If they must all see her read it to be satisfied she knew the ending— the ending she had written an hour after telling Duke Tarleton that she could not marry him or any other man— then so be it. But as her eyes scanned the words, she did not recognize them. This was not her writing. The king he swore in fury’s rage His daughter would be wed To warlike man through violent force, And chained to mortal bed. The princess wed; her husband learned The secret of the portal. With axe and club he broke it down, Entrapping her as mortal. The Sun Prince knew not this tragic fate; He waited at the feast. ’Midst song and dance he watched for her, Yet found in them no peace. In silv’ry light he stood upon The brook’s clear bank where once With hands entwined they’d spoke of joy, Yet now came still silence. Days passed to weeks, weeks into months. The princess did not come. He called his heartbreak to the stars, Beneath which they had loved. The trees whispered his sorrow’s grief, The Moon in solace shone, But the prince no comfort would he take Now his mortal maid was gone. His beauty waned; the prince grew weak. His golden luster faded. For it was she who’d brought him life; From her his beauty came. O’er song and feast the dark night crept Upon the desolate shore. Then sending forth his final breath, The Sun Prince was no more. Jacqueline blinked, shedding a tear and marring the freshly printed ink. She swiped a finger beneath her lashes. Before her appeared a linen kerchief. The hand that held it was masculine, strong and familiar. She lifted her head. The Earl of Bedwyr knelt before her upon one knee. His hair was tousled, his coat wrinkled, his cravat hastily tied, and his hand extending the linen was unsteady. His dark eyes spoke something she could not readily believe: hope. “Princess.” His voice was rough. “Don’t let me die.” -Jacqueline, Arabella, & Cam
Katharine Ashe (Kisses, She Wrote (The Prince Catchers, #1.5))
There was nothing to be said, only the happiness she had dreamed now to be seized. But the hurt was too fresh. She brandished the broadsheet. “I admit, my lord, that your theory about Christmas gifts chosen to suit the recipient for greatest effect has merit.” “Only if the effect is to inspire mercy,” he replied quietly. She could not bear the confusion. She dipped her gaze. “When?” she whispered. “At the chateau.” Her eyes came up. “At first?” “I was intrigued. I had never known a woman like you.” His throat moved awkwardly. “I came to understand that there are no others.” The page crinkled between her fingers. “Why did you do it?” “Because I wanted you, and I think I didn’t know how to have you otherwise. Jacqueline, I have been a great fool, but I never wished to hurt you. I beg of you, if you can someday forgive m—” Her palm upon his chest stayed his words. Then she leaned forward, released a shaking breath, and buried her face in his shoulder. He wrapped his arms about her and held her tight. “I assume from this response that you will not, after all, be marrying Tarleton?” he said into her hair. “I will not. I could not.” Tears of joy arose in her eyes and soaked his shoulder. He stroked her hair. “Then perhaps you might consider marrying me instead? If you don’t, you know, you will never live this down, embracing a man with a hundred people looking on.” “Are they looking?” “Yes. I think they’re all eager to hear you sing ‘God Rest Ye, Merry Gentlemen.’ I know I am.” “Is there perhaps a black veil lying anywhere about?” “No, but I could remove my coat and you could throw that over your head. No one would recognize you, I’m certain.” She laughed and he held her tighter yet. “My darling,” he whispered close. “My love.” -Jacqueline & Cam
Katharine Ashe (Kisses, She Wrote (The Prince Catchers, #1.5))
Don’t feel bad. I’m flattered. I don’t deserve the comparison.” “No, you don’t. You deserve to be loved for yourself.
Abigail Hilton (Ashes (The Guild of the Cowry Catchers #3))
Look at those women over there, Bella. They haven’t ceased staring at me all night. One would think they’d never seen a fictional character come to life before.” “They and everybody else,” Arabella said impatiently. “But not for— Jackie, are you listening to me?” “And that Baron whatever-his-name-is has winked at me six times. Six! Can you imagine? It is positively diverting.” “Jackie, look at me.” Arabella held a cheaply printed broadsheet. “Have you read this? Part III?” “I have. It is a very satisfying finale.” “Satisfying?” “Everybody ends up just as they should,” she forced herself to say. Arabella squeezed her hand. “This is not like you, darling. He hurt you terribly, and I understand that this ending satisfies that hurt. But you cannot like the stone princess’s fate. Do not tell me you have resigned yourself to it.” “I haven’t, of course. She goes willingly, while I—” “Willingly?” Arabella peered at her. “You haven’t read it, have you?” She pressed the page into her palm. Jacqueline cared nothing that at least a dozen pairs of eyes were on her as she uncreased the paper and yet again forced her misery behind the blockade of pride and confidence she had erected. If they must all see her read it to be satisfied she knew the ending— the ending she had written an hour after telling Duke Tarleton that she could not marry him or any other man— then so be it. But as her eyes scanned the words, she did not recognize them. This was not her writing. The king he swore in fury’s rage His daughter would be wed To warlike man through violent force, And chained to mortal bed. The princess wed; her husband learned The secret of the portal. With axe and club he broke it down, Entrapping her as mortal. The Sun Prince knew not this tragic fate; He waited at the feast. ’Midst song and dance he watched for her, Yet found in them no peace. In silv’ry light he stood upon The brook’s clear bank where once With hands entwined they’d spoke of joy, Yet now came still silence. Days passed to weeks, weeks into months. The princess did not come. He called his heartbreak to the stars, Beneath which they had loved. The trees whispered his sorrow’s grief, The Moon in solace shone, But the prince no comfort would he take Now his mortal maid was gone. His beauty waned; the prince grew weak. His golden luster faded. For it was she who’d brought him life; From her his beauty came. O’er song and feast the dark night crept Upon the desolate shore. Then sending forth his final breath, The Sun Prince was no more. Jacqueline blinked, shedding a tear and marring the freshly printed ink. She swiped a finger beneath her lashes. Before her appeared a linen kerchief. The hand that held it was masculine, strong and familiar. She lifted her head. The Earl of Bedwyr knelt before her upon one knee. His hair was tousled, his coat wrinkled, his cravat hastily tied, and his hand extending the linen was unsteady. His dark eyes spoke something she could not readily believe: hope. “Princess.” His voice was rough. “Don’t let me die.” -Jacqueline, Arabella, & Cam
Katharine Ashe (Kisses, She Wrote (The Prince Catchers, #1.5))
Dad loved Aeney more than anything, but he couldn’t show it. He just couldn’t. There’s a Code for fathers in Ireland. Maybe it’s everywhere, I don’t know, I haven’t cracked it. My father followed the Code. He was careful about his children, he didn’t want to ruin us though somehow felt sure he would. He thought Aeney and I were marvels but he didn’t want to make a mistake. Maybe he thought Abraham was watching. So he’d probably thought about it for a long time before he came in from the casting and decided he should go fishing with Aeney. Dad could be sudden like that. He couldn’t help it. It’s the nature of Poets. You don’t believe me, look up William Blake, say hello to those impulses, go meet Mr John Donne in a dark church some time, spend a summer’s day with young William Butler, Ace Butterfly-catcher.
Niall Williams (History of the Rain)
I want you now. Always. Everywhere and as my everything-my lover, my friend, my sharp-tongued beauty, my drinking companion, my children's mother, my courage in the face of certain defeat. My sactuary." He captured her lips. "My duchess." He kissed her. She returned his kiss with great enthusiasm. "But at this specific moment," he said between kisses, "I just really want you in my bed." With eager compliance, she accepted his kisses on her throat. "I can oblige you in that, your grace." "Or your bed. Whichever we come to first." "You are all that is wise and efficient." "Or the carriage." She grabbed his hand. "Let's be off then, shall we?" Laughter bubbling from her, she dragged him toward the carriage. He snatched her back to him and with his hands around her face said, "Arabella, I love you." -Luc & Arabella
Katharine Ashe (I Married the Duke (The Prince Catchers, #1))
You smell good to me," he said, his voice deeper than before, like a warm autumn night, the vowels especially round. Not French. Italian? Spanish? He must have come with one of the other guests-one of the other guests who had wretched judgment when hiring stable hands. "I-" "And, por Deus," he said upon a catch in his throat, his eyes hard upon her mouth, "you are lovely." The rutting urge must have overcome him. The only male creature that had ever considered her lovely was Beast, and that was because she sometimes smelled like bacon. She must distract him. "I can help with that bruise on your brow," she said, struggling against panic. "Can you?" He seemed bemused. Jars to the head could scramble the brain. "It's starting to swell. It will leave a painful wound that could fester. Let me up and I'll ask the housekeeper for-" His mouth came down on hers without further warning. Not hard or violently or forcefully. But fully, with complete contact. -Vitor & Ravenna
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
Sir Beverley's eyes like clear rain studied her. "From what are you running, Miss Caulfield?" "Prison." Mr. Pettigrew's brows shot up. "We've a fugitive in the house, Bev. Whatever shall we do with her?" For the first time, the hint of tolerant compassion that Ravenna would grow to love ticked up the corner of Sir Beverley's mouth. "Hide her from the law, I daresay." -Sir Beverley, Ravenna, & Mr. Pettigrew
Katharine Ashe (I Adored a Lord (The Prince Catchers, #2))
I’m using her as a cum-catcher
Tali Alexander (Lies in Rewind (Love in Rewind #2))
He extended his hand to Arabella. "Duchess?" She reached for him and he drew her into his arms. He bent to nuzzle behind her ear as she slipped her palms over his shoulders. "Luc?" "Mm?" "Now that I am truly your duchess, what will you call me?" He brought his lips to hers. "My love." -Luc & Arabella
Katharine Ashe (I Married the Duke (The Prince Catchers, #1))
Even a familiar place can feel strange when people you love are gone from it.
C.S. Quinn (Fire Catcher (The Thief Taker #2))
That's the thing about girls. Every time they do something pretty, even if they're not much to look at, or even if they're sort of stupid, you fall half in love with them, and then you never know where the hell you are. Girls. Jesus Christ. They can drive you crazy. They really can.
J. D. Salinger (The Catcher In The Rye)
The Prince was smiling, a cool little smile, and she suddenly hated him so much that it was as if she were back in her vision, on the tower, choking on smoke. Her whole body seemed to burn with hatred for his arrogance, his contempt. For the fact that he clearly saw her as a joke, a plaything. And she hated that because he was beautiful he was loved and forgiven, no matter what he did. He would always be wanted. The whole world wanted him. She could feel a violent trembling in her hands, utterly at odds with her healer’s instincts: For the first time since she had been an angry child, she wanted to slap and scratch and claw. To wreck his pretty face, to stop his sideways smirk.
Cassandra Clare (Sword Catcher (Sword Catcher, #1))
You were angry at Bensimon?” “Yes,” she said. “Because he ignored me, you see. He was busy here on the Hill. I was so angry I would hit things and tear at them. Curtains and scarves. Other children.” She smoothed the salve as gently as she could over the lattice of cuts that feathered like wings across his shoulders. “All thst anger never amounted to anything, though. It never changed the situation. It never brought him back.” “Bensimon did that?” The Prince sounded genuinely surprised. “I never thought of him as someone who could neglect a responsibility.” No one wants to be a responsibility, Lin thought. They want to be loved.
Cassandra Clare (Sword Catcher (Sword Catcher, #1))