Upright Women Wanted Quotes

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When there's people around that we don't trust, we let them think we're the kinds of people who are allowed to exist. And the only kind of Librarian that's allowed to exist is one who answers to she.
Sarah Gailey (Upright Women Wanted)
Not the question Cye had asked—do you believe everything you read?—but the question they hadn’t asked: why do you believe everything you read?
Sarah Gailey (Upright Women Wanted)
Keep fighting. It will be hard, and it will be awful, and it will be worth it. Don’t give up, even when it feels like dying. Don’t give up. This is only the beginning.
Sarah Gailey (Upright Women Wanted)
She had seen a man decide that she deserved to die and she had killed him for it.
Sarah Gailey (Upright Women Wanted)
Penny for your thoughts?’ Esther would have charged a great deal more than a penny for the kinds of thoughts that entered her mind at the way Cye looked up at the stars.
Sarah Gailey (Upright Women Wanted)
She couldn’t rightly say that this wasn’t going according to plan, since there hadn’t been much of a plan in the first place, but it certainly wasn’t going the way she’d hoped it might.
Sarah Gailey (Upright Women Wanted)
She wanted that satisfaction. She wanted it for herself wanted it like a half-starved alley-rat watching that table through a window on a bellyaching night. She didn't know how to get it—but she had a feeling that if she stuck with the Librarians for long enough, she might be able to figure it out. How to feast instead of starving. How to like the person who she was instead of fighting it.
Sarah Gailey (Upright Women Wanted)
Just because he needed killing doesn't mean I can sleep easy.
Sarah Gailey (Upright Women Wanted)
The Librarians would make sure of it.
Sarah Gailey (Upright Women Wanted)
She didn't relish being called "sweetheart," but something deep in her chimed at the word: this was a man who would let her go, if she was nice and pliant and didn't cause trouble. This was a man who wanted her to be the kind of woman who liked to hear "sweetheart," and that was a role she knew how to play.
Sarah Gailey (Upright Women Wanted)
If you grow up the type of woman men want to look at, You can let them look at you. But do not mistake eyes for hands, Or windows for mirrors. Let them see what a woman looks like. They may not have ever seen one before. If you grow up the type of woman men want to touch, You can let them touch you. Sometimes it is not you they are reaching for. Sometimes it is a bottle, a door, a sandwich, a Pulitzer, another woman – But their hands found you first. Do not mistake yourself for a guardian, or a muse, or a promise, or a victim or a snack. You are a woman – Skin and bones, veins and nerves, hair and sweat You are not made of metaphors, Not apologies, not excuses. If you grow up the type of woman men want to hold, You can let them hold you. All day they practice keeping their bodies upright. Even after all this evolving it still feels unnatural, Still strains the muscles, holds firm the arms and spine. Only some men will want to learn what it feels like to curl themselves into a question mark around you, Admit they don’t have the answers they thought they would by now. Some men will want to hold you like the answer. You are not the answer. You are not the problem. You are not the poem, or the punchline, or the riddle, or the joke. Woman, if you grow up the type of woman men want to love, You can let them love you. Being loved is not the same thing as loving. When you fall in love, It is discovering the ocean after years of puddle jumping. It is realising you have hands. It is reaching for the tightrope after the crowds have all gone home. Do not spend time wondering if you are the type of woman men will hurt. If he leaves you with a car alarm heart. You learn to sing along. It is hard to stop loving the ocean, Even after it’s left you gasping, salty. So forgive yourself for the decisions you’ve made, The ones you still call mistakes when you tuck them in at night, And know this. Know you are the type of woman who is searching for a place to call yours. Let the statues crumble. You have always been the place. You are a woman who can build it yourself. You are born to build.
Sarah Kay
It was a truth that didn't feel anything like safety. It felt better than safety. It felt like gunpowder at her back, driving her toward a fight that needed winning. Keep fighting. It will be hard, and it will be awful, and it will be worth it. Don't give up, even when it feels like dying. Don't give up. This is only the beginning.
Sarah Gailey (Upright Women Wanted)
Between Esther and the horizon, the wagons shimmered in the heat. She knew that they weren't an oasis— no cool shade or sweet water was waiting for her there. But they weren't a mirage, either, and that hope felt like just enough to fit in her fists.
Sarah Gailey (Upright Women Wanted)
She would have to dig out the broken part of herself, the part that had made her kiss Beatriz that first time and then every time that came after.
Sarah Gailey (Upright Women Wanted)
These were people who were happy with themselves. They liked themselves, not in spite of who they were but because of who they were.
Sarah Gailey (Upright Women Wanted)
Relentlessly unpossessive, that was Beatriz. Wild with it. The only thing she’d ever seemed attached to was the idea that none of it mattered.
Sarah Gailey (Upright Women Wanted)
And then they were kissing her. Sudden and certain, just like everything else they did.
Sarah Gailey (Upright Women Wanted)
Those eyes were canaries, Esther realised—they sang everything that passed through Leda’s head, loud and clear enough for anyone to catch.
Sarah Gailey (Upright Women Wanted)
I’m they on the road and she in town. You can take time getting used to they on the road, but if you forget about she when we’re in town, you’ll have to learn how to think around a bullet.
Sarah Gailey (Upright Women Wanted)
People like us, we drew the bad in. There's no good end, not for us. We knew better, we read all the stories-read them too much, probably. We knew that the bad would find us if we didn't...
Sarah Gailey (Upright Women Wanted)
Something deep in her longed for a day when she would have a little signal, shared with someone who cared enough about her to stop everything in its tracks to make sure she knew she could trust them.
Sarah Gailey (Upright Women Wanted)
The highways had fallen into serious disrepair some time before, just like any other street. Esther knew that they’d been smooth as glass once, before the money to keep them that way got soaked up by the money-sponge that was War.
Sarah Gailey (Upright Women Wanted)
You really believe all that? About how there’s only one end in sight for people like you?” Amity said, tipping her chin back toward the sky and pulling her hat partway down her face, so only her nose and mouth were visible. “Horseshit. You only think that because you’ve never seen different.” Esther started to reply, but Amity held up a still-bloody finger. “Don’t interrupt me, pup. You know I’m right. You’re a woman and you love people who aren’t men, is that right?” Esther hesitated to make sure she wasn’t interrupting. “That’s right,” she said, “but—” “No but, it’s just true,” Amity said, proving that her rule about interruptions only ran in one direction. “And you’ve only ever read stories about people like you, right? You’ve never met one of your kind before now. Well, except for Beatriz,” she added. “Ain’t that so?” “Yeah,” Esther answered reluctantly. She sensed a trap coming, but she couldn’t figure out how to step around it. “All those stories you’ve read,” Amity said softly, pulling her hat back off her eyes by a few degrees. “Who gave ’em to you?
Sarah Gailey (Upright Women Wanted)
...a sharp edge on the words. It was a tone Esther recognized. The kind of dangerous that would have been hard to notice if she hadn't heard it a hundred times before. It was the danger of assumed authority. Amity thought of herself as more important than the librarians. Thought her work was more urgent. Esther had grown up in a house with that same kind of importance. She knew what happened when it was challenged. She knew what people who thought of themselves that way would do, just to protect the idea that they had the right to do it.
Sarah Gailey (Upright Women Wanted)
She let her hand linger on his shoulder for a moment as she dismounted, and she hated herself for it, for all of it. For charming him. She hated herself, because she didn't rightly know why she was bothering to do it— she didn't need anything from him other than safe and free passage in and out of Endurance. But she did it anyway, more of a compulsion than a reflex. Her speech drifted to the familiar, the ungrammatical, the helpless. She caught herself tucking her chin down, trying to make herself look just a little shy.
Sarah Gailey (Upright Women Wanted)
They'd followed him up and had seen him open the door of a room not far from the head of the stairs. He hadn't so much as glanced their way but had gone in and shut the door. She'd walked on with Martha, past that door, down the corridor and around a corner to their chamber. Drawing in a tight-faintly excited-breath, she set out, quietly creeping back to the corner, her evening slippers allowing her to tiptoe along with barely a sound. Nearing the corner, she paused and glanced back along the corridor. Still empty. Reassured, she started to turn, intending to peek around the corner- A hard body swung around the corner and plowed into her. She stumbled back. Hard hands grabbed her, holding her upright. Her heart leapt to her throat. She looked up,saw only darkness. She opened her mouth- A palm slapped over her lips. A steely arm locked around her-locked her against a large, adamantine male body; she couldn't even squirm. Her senses scrambled. Strength, male heat, muscled hardness engulfed her. Then a virulent curse singed her ears. And she realized who'd captured her. Panic and sheer fright had tensed her every muscle; relief washed both away and she felt limp. The temptation to sag in his arms, to sink gratefully against him, was so nearly overwhelming that it shocked her into tensing again. He lowered his head so he could look into her face. Through clenched teeth, he hissed, "What the hell are you doing?" His tone very effectively dragged her wits to the fore. He hadn't removed his hand from her lips. She nipped it. With a muted oath, he pulled the hand away. She moistened her lips and angrily whispered back, "Coming to see you, of course. What are you doing here?" "Coming to fetch you-of course." "You ridiculous man." Her hands had come to rest on his chest. She snatched them back, waved them. "I'm hardly likely to come to grief over the space of a few yards!" Even to her ears they sounded like squabbling children. He didn't reply. Through the dark, he looked at her. She couldn't see his eyes, but his gaze was so intent, so intense that she could feel... her heart started thudding, beating heavier, deeper. Her senses expanded, alert in a wholly unfamiliar way. he looked at her...looked at her. Primitive instinct riffled the delicate hairs at her nape. Abruptly he raised his head, straightened, stepped back. "Come on." Grabbing her elbow, he bundled her unceremoniously around the corner and on up the corridor before him. Her temper-always close to the surface when he was near-started to simmer. If they hadn't needed to be quiet, she would have told him what she thought of such cavalier treatment. Breckenridge halted her outside the door to his bedchamber; he would have preferred any other meeting place, but there was no safer place, and regardless of all and everything else, he needed to keep her safe. Reaching around her, he raised the latch and set the door swinging. "In here." He'd left the lamp burning low. As he followed her in, then reached back and shut the door, he took in what she was wearing. He bit back another curse. She glanced around, but there was nowhere to sit but on the bed. Quickly he strode past her, stripped off the coverlet, then autocratically pointed at the sheet. "Sit there." With a narrow-eyed glare, she did, with the haughty grace of a reigning monarch. Immediately she'd sat, he flicked out the coverlet and swathed her in it. She cast him a faintly puzzled glance but obligingly held the enveloping drape close about her. He said nothing; if she wanted to think he was concerned about her catching a chill, so be it. At least the coverlet was long enough to screen her distracting angles and calves. Which really was ridiculous. Considering how many naked women he'd seen in his life, why the sight of her stockinged ankles and calves should so affect him was beyond his ability to explain.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
She was sitting on a bench, her skirts bunched up on her thighs and her elbows resting on her knees as she tried to slow her breathing, when she heard a male voice. “Um, I think I should tell you I’m here.” Jane sat upright, quickly pulling her skirts back down to her ankles. She had been wearing drawers, of course, but it still felt absurdly immodest to sit that way in 1816 attire. She looked around, seeing no one. “Where are you?” she asked. Theodore, her dance partner of late, stood from behind the bush directly in front of her. His impressive height made it seem that he was slowly expanding while standing up, like stretched taffy. “What were you doing back there?” “I’m a gardener,” he said, raising the shovel and pick like a show of evidence. “I was just working here, I wasn’t trying to spy.” “You, uh, caught me there at an unladylike moment. Mrs. Wattlesbrook would probably box my ears.” “That’s why I spoke. I wanted to let you know you were not alone before you did something--something worse.” “Like what?” “Whatever women do when they think they’re alone.” He laughed. “I don’t know. I don’t know what I’m talking about, you surprised me and I’m just--” His smile dropped. “Sorry, I shouldn’t talk…I’m not supposed to talk to you.” “Well, you already have. We may as well meet for real this time, without old Wattlesbrook spying. I’m Jane.” “Theodore the gardener,” he said, wiping off his hand and then offering it to her. She shook it, wondered if they should be bowing and curtsying, but is that what you do with a gardener? The entire conversation felt forbidden, like a secret Austen chapter that she discovered longhand in some forgotten file. “The gardens look lovely.” “Thank you, ma’am.” Ma’am? she thought. “So,” he said, his eyes taking in everything but her face, “you’re from the former colonies?” She looked hard at him to detect if he was serious. He glanced at her, then down again, and sort of bowed. She laughed. He tossed his pick into the ground. “I can’t play this. I sound completely daft.” “Why would you have to play anything?” “I’m supposed to be invisible. You don’t know all the lectures we heard on the matter--stay out of the way, look down, don’t bother the guests. I shouldn’t have said a word, but I was afraid of getting stuck behind that shrub all day trying not to make a peep. Or worse, you discovering me after a time and thinking I was a lecherous lunatic trying to peek up your skirt. So, anyhow, how do you do, the name’s Martin Jasper, originally from Bristol, raised in Sheffield, enjoy seventies rock and walks in the rain, and please don’t tell Mrs. Wattlesbrook. I need this job.” “I didn’t exactly find Mrs. Wattlesbrook the kind of lady I’d be tempted to confide in. Don’t worry, Martin.” “Thanks. Guess I should leave you to your lady stuff.” He picked up his tools and walked away.
Shannon Hale (Austenland (Austenland, #1))
The topless dancer onstage had moves that I would describe as “languid” if she dialed it up several notches. Her bored expression made me think she was watching C-SPAN 2, the pole not so much a tool of the dance trade as something that kept her upright. I don’t want to sound prudish, but I don’t quite get the appeal of topless places. They simply don’t do it for me. It isn’t that the women are unappealing—some are, some aren’t. I discussed this once with Win, always a mistake when it comes to anything involving the opposite sex, and concluded that I can’t quite buy into the fantasy. It may be a weakness in my character but I need to believe that the lady is really, truly into me. Win could care less, of course. I do get the merely physical, but my ego doesn’t like sexual encounters to be mixed with commerce, resentment, and class warfare. Label
Harlan Coben (Long Lost (Myron Bolitar, #9))
This is an education on seduction,” Delilah said in a reverent tone… Ariana let her gaze skim across the silk wall hangings and shrugged. “I’ve not ever kissed a man.” ... Truthfully, she had not. She’d been so fixed on her attempts to placate her parents in the hopes they might pay her the slightest bit of positive attention, she had not so much as considered kissing any man. Delilah’s fingers touched Ariana’s chin, feather light, and tilted her face toward hers. “It is the most delicious thing. Close your eyes and I will tell you of it.” Obediently, Ariana closed her eyes, hoping if she did as she was told, the lesson would end sooner. It was an awkward sensation to sit in the ridiculous pillow-laden room with one’s eyes closed. “Relax,” Delilah said in a velvety tone. “Listen.” Ariana let her muscles slacken. “Imagine a man, tall and lean with muscle.” Delilah’s voice was quietly intimate. Hypnotic. “He’s staring at you as if you were the only women he’d ever seen. Truly seen. The only woman he’s ever wanted. The desire for you burning in his eyes.” Hazel eyes rose to the forefront of Ariana’s mind, a sharp jaw shadowed with a day’s growth of beard. Connor. She swallowed. “His arms come around you,” Delilah continued. “So strong, so warm. They offer you a protection unlike anything you’ve ever felt and make you wish you could melt into his embrace for the rest of your life.” In Ariana’s mind, Connor’s arms wrapped around her. But she didn’t shy from his touch – she welcomed. It. The chill of the room ebbed into a pleasant heat. “Your eyes meet. His fingers touch your face and his breath whispers over your lips. He lowers his head and you close your eyes just as his mouth touches yours, warm and demanding.” Ariana’s heart quickened and her breathing went almost ragged. Her mouth was suddenly dry and she flicked her tongue over her lips. “His body is a wall of strength against you, holding you upright, as your knees feel as though they will buckle. Then his tongue strokes yours, velvet fire and heady seduction.” Ariana drew a shaky breath….
Madeline Martin (Highland Spy (The Mercenary Maidens, #1))
Good," Esther said back, echoing Cye's words automatically because she didn't know what else to say, because you have a freckle on your bottom lip seemed like the wrong thing to say but it was the only thing she could think.
Sarah Gailey (Upright Women Wanted)
You can fuck right off into the Canyon," Esther said, trying to keep the grin out of her voice. Amity tipped her hat. "I've just been waiting for an invitation," she said. "I'll go let the boss know about it. Wouldn't want to fuck off into the Canyon without giving notice.
Sarah Gailey (Upright Women Wanted)
But as soon as Cye walked away, everything fell out of Esther's mind save for the repetitive movement of the braiding and the question Cye had left her with. Not the question Cye had asked— do you believe everything you read?—but the question they hadn't asked: why do you believe everything you read?
Sarah Gailey (Upright Women Wanted)
A revolver was too close-up for a woman to carry, her father’d always said. A revolver was a man’s weapon, made to end an argument.
Sarah Gailey (Upright Women Wanted)
You must be as simple as you are pretty.
Sarah Gailey (Upright Women Wanted)
Wanting to thank him for his gifts, she left the tent to find her husband. He was in the middle of the camp, with knights all around him. She paused as she saw him there. He was again garbed as a black-robed monk, but he had taken time to shave this morning. There was no sign of the sword she knew he had strapped to his hips and she could barely catch a glimpse of his mail-covered leggings beneath it. He was handsome, her prince. More so than any man in the group. He, Phantom, Ioan, Lutian, and three men she knew not at all were standing in a circle as they discussed some matter. Her heart light, she approached her husband from behind. Ioan was speaking. “You know, Abbot, I hear wormwood helps with that problem.” He held his hand up and crooked his finger down as if it were suddenly limp. All the men save Christian laughed, while Christian glared murderously at Lutian. “Look to the good of it,” Phantom said as he sobered. He appeared to be imparting grave advice to her husband. “I hear all men have trouble from time to time with their sexual performance. Mind you, I have no personal experience with that, but…” His voice trailed off as he looked past Christian to see Adara glowering at him. Struggling not to strangle the men who mocked him, Christian turned to see what had disturbed Phantom to find Adara standing behind him. His groin jerked awake at the vision she made in her finery. She was beautiful. The gown fit even better than he had hoped. Unlike her peasant garb, this one laced in the front and at the sides, pulling the cloth into a perfect fit that showed every lush curve of her body. The only thing that sparkled more than her jewels were her brown eyes. “Thank you,” she said softly before she kissed his cheek. “I had a most wondrous night.” Christian was too dumbstruck by his lust to even respond. Lutian bristled at her actions and if she didn’t know better, she’d swear he was jealous. “Nay. Tell me this isn’t so. Why are you kissing him, my queen? It was me. Me. I’m the one who told him what to do. He had no idea how to please you. None. He was lost and confused when he sought me out. He didn’t even know how to do the most basic thing. It was me, all me.” Every man there gaped at Lutian’s words. “Christ’s toes, Christian,” Ioan said in disbelief. “Are you a monk in truth? Don’t tell me you had to take advice from the fool on how to please a woman? You should have come to me. At least I know what I’m doing.” “You can’t be a virgin,” Phantom said. “What about that Norman tart in Hexham? Surely you did more than talk to her when the two of you vanished to her room?” “Nay,” another knight said. “I saw him drunk in Calais with two women.” “Aye,” another knight began. “I was with him in London when he vanished for three days with a widowed countess.” Christian ground his teeth as this conversation quickly degenerated, while Lutian continued to take credit for instructing him on how to please Adara. Lutian still held Adara’s attention. “I’m the one who got him—” Enraged, Christian lunged for the source of his current humiliation. “Christian!” Adara snapped as he seized her fool. “Don’t hurt Lutian.” He wanted to do much more than hurt the fool. He wanted to tear the man’s head from his shoulders. Growling in frustration, he let the fool go. “Thank you, my queen.” “’Tis my place to hurt him.” She glared at her fool and smacked him on his arm. “I fully intend to take this up with you later.” She walked over to Ioan. “And for your information, my lord…” She lifted his hand and put his index and middle finger upright. “I assure you that there is nothing wrong with Christian’s technique or prowess.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
We were sitting on the second floor, with Michael reclining on a couch. I was in an upright chair, my tape recorder perched on a foldout desk to my right. Michael gazed upward, apparently lost in thought. I looked down—anywhere but at his face. And we sat there. I decided that rather than press him again with words I would just simply wait to see how he would respond. For nearly four minutes he did not say a word. After about ninety seconds, his customary mumbling returned and nearing the four-minute mark (I felt like a swimmer under water wanting to come up for air), he seemed to pull himself together, drawing in his breath. He paused another few seconds, then said: Two or three of the women are alive. One or two are not. Let me just think about this.
Carl Rollyson (A Private Life of Michael Foot)
back at camp when she was trying to get everything right. Cye had said “fleabitten,” and it had taken Esther a long time to figure out that the answer wasn’t a joke. She hadn’t figured out that “fleabitten” was a real way to describe a horse until the third time
Sarah Gailey (Upright Women Wanted)
You’ve got to stop waiting to be told you’re allowed to do things,” Amity said. She didn’t look at her, kept loping along as casual as a fed coyote. “You’ve got to promise me you’ll stop being too scared to piss without permission.
Sarah Gailey (Upright Women Wanted)