“
Ladies who were no better than they should be, whose dresses were too tight, too bright and too all the things Magnus liked most, lounged on velvet-covered benches along the walls.
”
”
Cassandra Clare (The Midnight Heir (The Bane Chronicles, #4))
“
He was lounging in a cubicle beside an outdated computer, hands shoved into the pockets of his faded jeans. A wavy lock of hair covered his forehead, brushing against thick lashes. His lips curled into a half smile. “I was wondering if you were ever going to find me.” He made no move to clear up any space in the tiny 6x6 hole.
I dropped my bag outside the walls and hopped up on the desk opposite him. “Embarrassed someone would see you and think you’re capable of reading?”
“I do have a reputation to maintain.”
“And what a lovely reputation that is.”
He stretched out his legs so that his feet were under mine. “So what did you want to talk about”—his voice lowered to a deep, sexy whisper—“in private?”
I shivered—and it had nothing to do with the temperature. “Not what you’re hoping.”
Daemon gave me a sexy smirk.
”
”
Jennifer L. Armentrout (Onyx (Lux, #2))
“
The most important thing we've learned,
So far as children are concerned,
Is never, NEVER, NEVER let
Them near your television set --
Or better still, just don't install
The idiotic thing at all.
In almost every house we've been,
We've watched them gaping at the screen.
They loll and slop and lounge about,
And stare until their eyes pop out.
(Last week in someone's place we saw
A dozen eyeballs on the floor.)
They sit and stare and stare and sit
Until they're hypnotised by it,
Until they're absolutely drunk
With all that shocking ghastly junk.
Oh yes, we know it keeps them still,
They don't climb out the window sill,
They never fight or kick or punch,
They leave you free to cook the lunch
And wash the dishes in the sink --
But did you ever stop to think,
To wonder just exactly what
This does to your beloved tot?
IT ROTS THE SENSE IN THE HEAD!
IT KILLS IMAGINATION DEAD!
IT CLOGS AND CLUTTERS UP THE MIND!
IT MAKES A CHILD SO DULL AND BLIND
HE CAN NO LONGER UNDERSTAND
A FANTASY, A FAIRYLAND!
HIS BRAIN BECOMES AS SOFT AS CHEESE!
HIS POWERS OF THINKING RUST AND FREEZE!
HE CANNOT THINK -- HE ONLY SEES!
'All right!' you'll cry. 'All right!' you'll say,
'But if we take the set away,
What shall we do to entertain
Our darling children? Please explain!'
We'll answer this by asking you,
'What used the darling ones to do?
'How used they keep themselves contented
Before this monster was invented?'
Have you forgotten? Don't you know?
We'll say it very loud and slow:
THEY ... USED ... TO ... READ! They'd READ and READ,
AND READ and READ, and then proceed
To READ some more. Great Scott! Gadzooks!
One half their lives was reading books!
The nursery shelves held books galore!
Books cluttered up the nursery floor!
And in the bedroom, by the bed,
More books were waiting to be read!
Such wondrous, fine, fantastic tales
Of dragons, gypsies, queens, and whales
And treasure isles, and distant shores
Where smugglers rowed with muffled oars,
And pirates wearing purple pants,
And sailing ships and elephants,
And cannibals crouching 'round the pot,
Stirring away at something hot.
(It smells so good, what can it be?
Good gracious, it's Penelope.)
The younger ones had Beatrix Potter
With Mr. Tod, the dirty rotter,
And Squirrel Nutkin, Pigling Bland,
And Mrs. Tiggy-Winkle and-
Just How The Camel Got His Hump,
And How the Monkey Lost His Rump,
And Mr. Toad, and bless my soul,
There's Mr. Rat and Mr. Mole-
Oh, books, what books they used to know,
Those children living long ago!
So please, oh please, we beg, we pray,
Go throw your TV set away,
And in its place you can install
A lovely bookshelf on the wall.
Then fill the shelves with lots of books,
Ignoring all the dirty looks,
The screams and yells, the bites and kicks,
And children hitting you with sticks-
Fear not, because we promise you
That, in about a week or two
Of having nothing else to do,
They'll now begin to feel the need
Of having something to read.
And once they start -- oh boy, oh boy!
You watch the slowly growing joy
That fills their hearts. They'll grow so keen
They'll wonder what they'd ever seen
In that ridiculous machine,
That nauseating, foul, unclean,
Repulsive television screen!
And later, each and every kid
Will love you more for what you did.
”
”
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
“
Well,” said a very amused voice. “This is unexpected.”
Tessa sat bolt upright, pulling the heavy coverlet around her. Beside her, Will stirred, propping himself up on his elbows, eyelids fluttering open slowly. “What—”
The room was filled with bright light. The torches had come on at full strength, and it was like the place was lit with daylight. Tessa could see the wreck of the room that they had made: their clothes scattered across the floor and the bed, the rug before the fireplace rucked up, the bedclothes wound about them. On the other side of the invisible wall was lounging a familiar figure in an elegant dark suit, one thumb hooked into the waistband of his trousers. His cat-pupilled eyes glimmered with mirth.
Magnus Bane.
“You might want to get up,” he said. “Everyone will be here quite soon to rescue you, and you may prefer to have clothes on when they arrive.” He shrugged. “I would, at any rate, but then, I am well known to be remarkably shy.
”
”
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
“
All around him were what other people called mirrors, which he called leaks. The entire wall which separated the lobby from the cocktail lounge was a leak ten feet high and thirty-feet long. There was another leak on the cigarette machine and yet another on the candy machine. And when Trout looked through them to see what was going on in the other universe, he saw a red-eyed, filthy old creature who was barefoot, who had his pants rolled up to his knees.
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
Matthew sighed as he set the bottle on the mantel. “You know what they say,” he said, as he and James left the room and began to wend their way back toward the party. “Drink, and you will sleep; sleep, and you will not sin; do not sin, and you will be saved; therefore, drink and be saved.”
“Matthew, you could sin in your sleep,” said a languorous voice.
“Anna,” said Matthew, sagging against James’s shoulder. “Have you been sent to fetch us?”
Lounging against the wall was James’s cousin Anna Lightwood, gorgeously dressed in fitted trousers and a pin-striped shirt. She had the Herondale blue eyes, always disconcerting for James to see, as it felt a bit as if his father were looking at him. “If by ‘fetch,’ you mean ‘drag you back to the ballroom by any means possible,’ ” Anna said. “There are girls who need someone to dance with them and tell them they look pretty, and I cannot do it all on my own.”
The musicians in the ballroom suddenly struck up a tune—a lively waltz.
“Crikey, not waltzing,” said Matthew, in despair. “I loathe waltzing.”
He began to back away. Anna seized him by the back of the coat. “Oh, no, you don’t,” she said, and firmly herded both of them toward the ballroom.
”
”
Cassandra Clare (Chain of Gold (The Last Hours, #1))
“
Then he looked up, despite all best prior intentions. In four minutes, it would be another hour; a half hour after that was the ten-minute break. Lane Dean imagined himself running around on the break, waving his arms and shouting gibberish and holding ten cigarettes at once in his mouth, like a panpipe. Year after year, a face the same color as your desk. Lord Jesus. Coffee wasn't allowed because of spills on the files, but on the break he'd have a big cup of coffee in each hand while he pictured himself running around the outside grounds, shouting. He knew what he'd really do on the break was sit facing the wall clock in the lounge and, despite prayers and effort, count the seconds tick off until he had to come back and do this again. And again and again and again.
”
”
David Foster Wallace (The Pale King)
“
The bullet smashed through the right lens of Winston’s glasses and slammed him back against the lounge wall. Ozzy was expressionless as his old friend slid down the wall leaving a smear of red behind him. Above his creased body, a gob of pale tissue clung onto the light switch. “Aw, Winston,” he said, “you did have a brain after all!
”
”
Andrew Barrett (Stealing Elgar (The Dead Trilogy, #2))
“
With blue vinyl-tile floor, pale-green wainscoating, pink walls, a yellow ceiling, and orange-and-white stork-patterned drapes, the expectant fathers' lounge churned with the negative energy of color overload. It would have served well as the nervous-making set for a nightmare about a children's-show host who led a secret life as an ax murderer. The chain-smoking clown didn't improve the ambience.
”
”
Dean Koontz
“
You want to play the winner?” I called out to Ivy, lounging on a chair with her back to the wall as she pretended to read a magazine and watch us without being obvious about it. She’d put herself right in the sun, which told me she’d had a rough morning. She sat in the sun only when she was frustrated.
”
”
Kim Harrison (A Perfect Blood (The Hollows, #10))
“
Extraordinary—that Willowdale Academy and Calvin Coolidge High School should both be institutions of learning! The contrast is stunning. I had a leisurely tea with the Chairman of the English Department. I saw several faculty members sitting around in offices and lounges, sipping tea, reading, smoking. Through the large casement windows bare trees rubbed cozy branches. (One of my students had written wistfully of a dream-school that would have "windows with trees in them"!) Old leather chairs, book-lined walls, air of cultivated casualness, sound of well-bred laughter.
”
”
Bel Kaufman (Up the Down Staircase)
“
I had already imagined how it would be next year.
I'd be at Columbia, and Marcus would move to Manhattan, or maybe one of the outer boroughs. I would study hard, and he would make money playing gigs at dingy bars. We'd spend countless hours going to clubs to see bands on the verge, touring obscure art exhibits, and sipping pot after pot of black coffee at hole-in-the-wall cafes. Many more hours would be spent lounging under the covers. We would never run out of witty and fascinating things to say to each other. Eventually, he'd apply to Columbia, and we'd be the sort of well-educated, cosmopolitan couple that confuse the suburbumpkins who never leave Pineville.
”
”
Megan McCafferty (Second Helpings (Jessica Darling, #2))
“
the six of us are supposed to drive to the diner in Hastings for lunch. But the moment we enter the cavernous auditorium where the girls told us to meet them, my jaw drops and our plans change.
“Holy shit—is that a red velvet chaise lounge?”
The guys exchange a WTF look. “Um…sure?” Justin says. “Why—”
I’m already sprinting toward the stage. The girls aren’t here yet, which means I have to act fast. “For fuck’s sake, get over here,” I call over my shoulder.
Their footsteps echo behind me, and by the time they climb on the stage, I’ve already whipped my shirt off and am reaching for my belt buckle. I stop to fish my phone from my back pocket and toss it at Garrett, who catches it without missing a beat.
“What is happening right now?” Justin bursts out.
I drop trou, kick my jeans away, and dive onto the plush chair wearing nothing but my black boxer-briefs. “Quick. Take a picture.”
Justin doesn’t stop shaking his head. Over and over again, and he’s blinking like an owl, as if he can’t fathom what he’s seeing.
Garrett, on the other hand, knows better than to ask questions. Hell, he and Hannah spent two hours constructing origami hearts with me the other day. His lips twitch uncontrollably as he gets the phone in position.
“Wait.” I pause in thought. “What do you think? Double guns, or double thumbs up?”
“What is happening?”
We both ignore Justin’s baffled exclamation.
“Show me the thumbs up,” Garrett says.
I give the camera a wolfish grin and stick up my thumbs.
My best friend’s snort bounces off the auditorium walls. “Veto. Do the guns. Definitely the guns.”
He takes two shots—one with flash, one without—and just like that, another romantic gesture is in the bag.
As I hastily put my clothes back on, Justin rubs his temples with so much vigor it’s as if his brain has imploded. He gapes as I tug my jeans up to my hips. Gapes harder when I walk over to Garrett so I can study the pictures.
I nod in approval. “Damn. I should go into modeling.”
“You photograph really well,” Garrett agrees in a serious voice. “And dude, your package looks huge.”
Fuck, it totally does.
Justin drags both hands through his dark hair. “I swear on all that is holy—if one of you doesn’t tell me what the hell just went down here, I’m going to lose my shit.”
I chuckle. “My girl wanted me to send her a boudoir shot of me on a red velvet chaise lounge, but you have no idea how hard it is to find a goddamn red velvet chaise lounge.”
“You say this as if it’s an explanation. It is not.” Justin sighs like the weight of the world rests on his shoulders. “You hockey players are fucked up.”
“Naah, we’re just not pussies like you and your football crowd,” Garrett says sweetly. “We own our sex appeal, dude.”
“Sex appeal? That was the cheesiest thing I’ve ever—no, you know what? I’m not gonna engage,” Justin grumbles. “Let’s find the girls and grab some lunch
”
”
Elle Kennedy (The Mistake (Off-Campus, #2))
“
You really think you can buy some rope without drawing attention?”
Lopen lounged back against the wall. “My cousin’s never failed me.”
“How many cousins do you have, anyway?” Earless Jaks asked.
“A man can never have enough cousins,” Lopen said.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
Pa tells us we will all live with Uncle Leang and his family in their house. Uncle Leang and his wife have six children, so with the nine of us it makes seventeen under one thatched roof. Their house would not be called a house by city people’s standards. It looks more like one of those simple huts poor people live in. The roof and walls are made of straw and the hut has only a dirt floor. There are no bedrooms or bathrooms, just one big open room. There is no indoor kitchen, so all the cooking is done outside under a straw roof awning.
”
”
Loung Ung (First They Killed My Father: A Daughter of Cambodia Remembers)
“
Now Rogan had to show up.
The word of his previous failure to appear must’ve spread, because the entire family found their way to the kitchen one by one. Bern was reading a textbook in the corner. Grandma Frida sat next to me and attempted to knit something that was probably a scarf but looked like a brilliant attempt at a Gordian knot. My mother rearranged the tea drawer, which she’s never done since we’ve had one. Arabella sat across from me, her gaze glued to her cell phone. Catalina sat on my left, texting furiously. Zeus lounged under the table by my feet, and Cornelius was drinking tea across the table. Even Leon wandered in and leaned against the wall, waiting.
Nobody was talking.
“Just out of curiosity,” Cornelius said, “if Rogan doesn’t arrive, will all of you skin him alive?”
“Yes,” everyone except me said at the same time.
I sighed.
”
”
Ilona Andrews (Wildfire (Hidden Legacy, #3))
“
Billy was displayed there in the zoo in a simulated Earthling habitat. Most of the furnishings had been stolen from the Sears & Roebuck warehouse in Iowa City, Iowa. There was a color television set and a couch that could be converted into a bed. There were end tables with lamps and ashtrays on them by the couch. There was a home bar and two stools. There was a little pool table. There was wall-to-wall carpeting in federal gold, except in the kitchen and bathroom areas and over the iron manhole cover in the
center of the floor. There were magazines arranged in a fan on the coffee table in front of the couch.
There was a stereophonic phonograph. The phonograph worked. The television didn't. There was a picture of one cowboy shooting another one pasted to the television tube. So it goes.
There were no wall in the dome, nor place for Billy to hide. The mint green bathroom fixtures were right out in the open. Billy got off his lounge chair now, went into the bathroom and took a leak. The crowd went wild.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
The streets were very clean, very sunny, very empty, and very dull. A few idle men lounged about the two inns, and the empty market-place, and the tradesmen’s doors, and some old people were dozing in chairs outside an alms-house wall; but scarcely any passengers who seemed bent on going anywhere, or to have any object in view, went by; and if perchance some straggler did, his footsteps echoed on the hot bright pavement for minutes afterwards. Nothing seemed to be going on but the clocks, and they had such drowzy faces, such heavy lazy hands, and such cracked voices that they surely must have been too slow. The very dogs were all asleep, and the flies, drunk with moist sugar in the grocer’s shop, forgot their wings and briskness, and baked to death in dusty corners of the window.
”
”
Charles Dickens (The Old Curiosity Shop)
“
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power.
The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds.
The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue.
A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold.
A room of ivory: bone, teeth, skulls, and velvet.
A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears.
A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns.
Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond.
Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
”
”
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
“
I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones
as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.
”
”
Mariam Petrosyan (Дом, в котором...)
“
was being herded. I paused for only a second, but it felt like a very long time. I turned then and darted to the other side of the road. I had a sinking feeling that it was a wasted attempt. The footsteps behind me were louder now. “There you are!” The booming voice of the stocky, dark-haired man shattered the intense quiet and made me jump. In the gathering darkness, it seemed like he was looking past me. “Yeah,” a voice called loudly from behind me, making me jump again as I tried to hurry down the street. “We just took a little detour.” My steps had to slow now. I was closing the distance between myself and the lounging pair too quickly. I had a good loud scream, and I sucked in air, preparing to use it, but my throat was so dry I wasn’t sure how much volume I could manage. With a quick movement I slipped my purse over my head, gripping the strap with one hand, ready to surrender it or use it as a weapon as need demanded. The thickset man shrugged away from the wall as I warily came to a stop, and walked slowly into the street. “Stay away from me,” I warned in a voice that was supposed to sound strong and fearless. But I was right about the dry throat—no volume. “Don’t be like that, sugar,” he called, and the raucous laughter started again behind me. I
”
”
Stephenie Meyer (Twilight (Twilight, #1))
“
These are merely a few of the things that went through my mind, and are related for the sake of vindicating myself in advance in the weak and helpless role I was destined to play. But I thought, also, of my mother and sisters, and pictured their grief. I was among the missing dead of the Martinez disaster, an unrecovered body. I could see the head-lines in the papers; the fellows at the University Club and the Bibelot shaking their heads and saying, “Poor chap!” And I could see Charley Furuseth, as I had said good-bye to him that morning, lounging in a dressing-gown on the be-pillowed window couch and delivering himself of oracular and pessimistic epigrams. And all the while, rolling, plunging, climbing the moving mountains and falling and wallowing in the foaming valleys, the schooner Ghost was fighting her way farther and farther into the heart of the Pacific—and I was on her. I could hear the wind above. It came to my ears as a muffled roar. Now and again feet stamped overhead. An endless creaking was going on all about me, the woodwork and the fittings groaning and squeaking and complaining in a thousand keys. The hunters were still arguing and roaring like some semi-human amphibious breed. The air was filled with oaths and indecent expressions. I could see their faces, flushed and angry, the brutality distorted and emphasized by the sickly yellow of the sea-lamps which rocked back and forth with the ship. Through the dim smoke-haze the bunks looked like the sleeping dens of animals in a menagerie. Oilskins and sea-boots were hanging from the walls, and here and there rifles and shotguns rested securely in the racks. It was a sea-fitting for the buccaneers and pirates of by-gone years. My imagination ran riot, and still I could not sleep. And it was a long, long night, weary and dreary and long.
”
”
Walter Scott (The Greatest Sea Novels and Tales of All Time)
“
Violent Storm"
Those who have chosen to pass the night
Entertaining friends
And intimate ideas in the bright,
Commodious rooms of dreams
Will not feel the slightest tremor
Or be wakened by what seems
Only a quirk in the dry run
Of conventional weather. For them,
The long night sweeping over these trees
And houses will have been no more than one
In a series whose end
Only the nervous or morbid consider.
But for us, the wide-awake, who tend
To believe the worst is always waiting
Around the next corner or hiding in the dry,
Unsteady branch of a sick tree, debating
Whether or not to fell the passerby,
It has a sinister air.
How we wish we were sunning ourselves
In a world of familiar views
And fixed conditions, confined
By what we know, and able to refuse
Entry to the unaccounted for. For now,
Deeper and darker than ever, the night unveils
Its dubious plans, and the rain
Beats down in gales
Against the roof. We sit behind
Closed windows, bolted doors,
Unsure and ill at ease
While the loose, untidy wind,
Making an almost human sound, pours
Through the open chambers of the trees.
We cannot take ourselves or what belongs
To us for granted. No longer the exclusive,
Last resorts in which we could unwind,
Lounging in easy chairs,
Recalling the various wrongs
We had been done or spared, our rooms
Seem suddenly mixed up in our affairs.
We do not feel protected
By the walls, nor can we hide
Before the duplicating presence
Of their mirrors, pretending we are the ones who stare
From the other side, collected
In the glassy air.
A cold we never knew invades our bones.
We shake as though the storm were going to hurl us down
Against the flat stones
Of our lives. All other nights
Seem pale compared to this, and the brilliant rise
Of morning after morning seems unthinkable.
Already now the lights
That shared our wakefulness are dimming
And the dark brushes against our eyes.
”
”
Mark Strand (Reasons for Moving)
“
Ralph swept back the yellow curtain to look out on the street. The leaves were turning red, the whole block ablaze. Across the street stood a barbershop that shared a storefront with a black bookstore. Next door, the hair salon spewed steam onto the street, the fried chicken spot, a jewelry shop with crucifixes and chains glittering on display, and the beauty supply store that blasted soca and flashed neon lights onto the sidewalk. This particular corner didn't have a view of any of the coffee shops that had opened farther east. Those had plush furniture and abstract art on the walls, stainless-steel espresso pumps. They were always crowded with young people in jeans and plaid, typing away on their laptops. There were the bars, too, with a dozen local beers on tap, and short menus that consisted mostly of nuts, pickles, cheese. Penelope could see the changes, of course, but she still recognized the neighborhood - it wasn't like Fort Greene or Williamsburg, which were no longer themselves. Strangers still said hello to her as they lounged on their stoops at sundown. She still had to ignore the whistles from the young men who stood in front of the bodega for so long each day it was clear they were dealing. Church bells rang on the hour and floors thumped with praise for Jesus in the Baptist churches, the one-room Pentecostal churches, the regal AME tabernacles, worship never ceasing in Bed-Stuy. The horizon on Bedford Avenue was just as long, the sirens of the police cars ars persistent, the wheeze of the B26 loud enough to wake her up at night.
”
”
Naima Coster (Halsey Street)
“
One more thing.” She remained still, waiting. The demon king lounged in his seat. “There is a glass wall in Rifthold. Impossible to miss.” She knew it—had perched atop it. “Damage the city enough to instill fear, show our power. But that wall … Bring it down.” She only said, “Why?” Those golden eyes simmered like hot coals. “Because destroying a symbol can break the spirits of men as much as bloodshed.” That glass wall—Aelin Galathynius’s power. And mercy. Manon held that gaze long enough to nod. The king jerked his chin toward the shut doors in silent dismissal. Manon was out of the room before he’d turned back to Vernon. It did not occur to her until she was long gone that she should have remained to protect the Matron.
”
”
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
“
You really think you can buy some rope without drawing attention?” Lopen lounged back against the wall. “My cousin’s never failed me.” “How many cousins do you have, anyway?” Earless Jaks asked. “A man can never have enough cousins,” Lopen said.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
Eldon revealed to Wayne a peephole, which kitchen workers had drilled through the wall and into the cocktail lounge. 'When you get tarred of watchin' television,' he said, 'you can watch the animals in the zoo.
”
”
Kurt Vonnegut Jr. (Breakfast of Champions)
“
At the next street-lamp, she sees a woman with painted lips and smudged eyes waiting in a doorway. A hansom cab drives up, stops, and a man in a tail coat and a shining silk top-hat gets out. Even though the woman in the doorway wears a low-cut evening gown that might once have belonged to a lady of the gentleman’s social class, the black-clad watcher does not think the gentleman is here to go dancing. She sees the prostitute’s haggard eyes, haunted with fear no matter how much her red-smeared lips smile. One like her was recently found dead a few streets away, slit wide open. Averting her gaze, the searcher in black walks on. An unshaven man lounging against a wall winks at her. “Missus, what yer doing all alone? Don’t yer want some company?” If he were a gentleman, he would not have spoken to her without being introduced. Ignoring him, she hastens past. She must speak to no one. She does not belong here. The knowledge does not trouble her, for she has never belonged anywhere. And in a sense she has always been alone. But her heart is not without pain as she scans the shadows, for she has no home now, she is a stranger in the world’s
”
”
Nancy Springer (The Case of the Missing Marquess (Enola Holmes, #1))
“
Some people misperceived what a hunter or who a hunter is.
Most people associate hunting with Lions chasing Gazelles.
The human hunter sometimes doesn’t go looking for deers.
Hunters sometimes sit in the quiet, shade of a tree, back against a safe firm wall and wait on a catch.
Sometimes your catch comes to you.
Like lounging on a boat on a lake and your fishing rod in the water wakes you up after a fish is hooked on it and starts moving.
Hunting isn’t always moving.
Sometimes a man or woman hunts by not doing anything.
Nothing.
And you find yourself hooked.
I’ve decided to stop falling into those toxic traps.
Hunters aren’t always in motion.
”
”
Crystal Evans (The Fairy Tale Complex)
“
But I stayed there,
I crouched on the stone wall
while the sea poured its harsh song
through the sluices,
while I waited for the gritty lightning
of their touch, while I stared
down through the tide's leaving
where sometimes I could see them —
their stubborn flesh
lounging on my knuckles.
What good does it do
to lie all day in the sun
loving what is easy?
It never grew easy,
but at last I grew peaceful:
all summer
my fear diminished
as they bloomed through the water
like flowers, like flecks
of an uncertain dream,
while I lay on the rocks, reaching
into the darkness, learning
little by little to love
our only world.
”
”
Mary Oliver (Dream Work)
“
She’d faced evil, good people who’d committed evil…yet she’d never really faced someone truly unreadable. She swallowed. His gaze dropped to her throat. An odd quaver wandered down her spine. What in the world was wrong with her? Maybe she’d been out of the game for too long. Focusing, she did her job and studied him. Near the end of a cot, he lounged against the far wall of the cell. Most prisoners automatically sat when doing time in jail. Not this guy. He had to be, what? Early thirties? At least six and a half feet tall, he leaned his shoulders against the worn
”
”
Rebecca Zanetti (Wolf (Stope Packs, #1))
“
Wendell looked at the faerie stone in his hand, shrugged, and smashed it against the floor.
Out burst a flock of parrots. The birds shrieked and squawked, and the sheerie were momentarily distracted--- not afraid, they lunged at them like cats. Each parrot seemed to be carrying a tropical flower in its beak.
Wendell hurled another stone. When it smashed, glittering banners unfurled upon the museum walls, covered in the faerie script. The ceiling was suddenly painted in frescoes of Folk lounging in forest pools, surrounded by green foliage. Vases of unfamiliar flowers appeared on every surface next to bottles of wine in ice buckets, and the air filled with the muffled sound of violins, as if drifting in from the next room.
”
”
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
“
Matt Crawford stood by a porthole on the lounge deck, gazing at the stars wheeling past outside. He had found that he needed to look outside at least once a day, just to affirm that there was an outside beyond the walls of the crew module, and to see the cold hardness of the stars in the jet-black sky. Staring
”
”
Mark Anson (Below Mercury (Clare Foster, #3))
“
The lounge of the private terminal in Delhi. A place of beige leather sofas and cappuccinos, set deep in that world where a seeling modernity has yet to close over the land, and where in the empty spaces that lie between the elevated roads and the coloured glass buildings there are still, like insects taking shelter under the veined roof of a leaf, the encampments of families who built them. Black pigs still thread their way through the weeds, there are still patient lorry-loads of labourers, waiting among the dazzle of the new cars, for the lights to change. One India, dwarfed and stunted, adheres like a watchful undergrowth to another India which, in very physical ways, as with the roads that fly up out of the pale land, or the chunks of monorail that rise up from the ground like the remnants of an ancient wall, or the blank closed faces of the glass buildings, wishes to shrug off its poorer opposite: to leave it behind; to shut it out; to soar over it. One man, above all, captures the mood of this time: the security guard. In him, this man of expectation – a man not rich himself, but standing guard at the doorway to a world of riches – it is possible to feel the boredom and restlessness of a world that inspires ambition, but cannot answer it. Skanda watches him watching the lounge, with eyes glazed and yellowing from undernourishment. A favourite phrase from college returns: Quis custodiet ipsos custodes?
”
”
Aatish Taseer (The Way Things Were)
“
CUBBY ORDERED an express food delivery in the morning. It cost extra, but he wasn’t worried about money. His parents had left him well-off. How well-off he didn’t know, never having inquired into the matter. Month by month, year by year, a firm of accountants took his money to clubs on Wall Street where investments of easy virtue lounged. At least that was how Cubby understood it. It was a kind of escort service for money, though how the escorts reproduced was a mystery to him. The same accountants handled his insurance, his tax and now his senior security. His parents had set up the system when he was in college because they wanted him to concentrate on his studies. And Cubby had concentrated. He graduated summa cum laude at Harvard, achieving a Ph.D. with a dissertation on synchronized flashing in fireflies. (This little-known phenomenon occurs in the mountains of Tennessee. It is the insect equivalent of a rock concert. The male fireflies show up around 8:30 p.m., flashing on and off, watching one another to get the tempo right. The females, hot little groupies that they are, observe from the ground. By 9 p.m. the males are flashing in unison and the females go wild.)
”
”
Nancy Farmer (A New Year's Tale)
“
A throat cleared. “Earth to Arik. Come in, boss.”
With brows drawn, Arik glared at his beta. “What?”
“I was asking what had your boxers in a knot.”
“You know I go commando.”
“Usually, but something obviously has your panties in a twist. Spill.”
Oh, he spilled all right. Arik yanked off the hat and flung it against the wall and then swiveled his chair to get it over with.
Indrawn breath. A snicker. A full-on guffaw.
Arik swirled again and tossed deadly visual daggers at his second. “I fail to see the humor in my butchered mane.”
“Dude. Have you seen it? It is bad. What did you do to piss Dominic off? Seduce one of his daughters?”
“Actually one of his granddaughters did this to me!”
He couldn’t help the incredulous note. The effrontery of the act still got to him.
A thump and a shake of the wall as Hayder hit it, his shoulders shaking with laughter. “A girl did that to you?” His beta convulsed with mirth, not at all daunted by Arik’s glower and tapping fingers.
“This is not amusing.”
“Oh, come on, dude. Of all the people to have a hair mishap, you are the worst.”
“I look like an idiot.”
“Only because you didn’t let her finish hacking the rest off.”
His fingers froze as he took his gaze off the screen for a moment to address the travesty. “Cut off my mane?” Was his beta delusional?
“Well, yeah. You know, to even it out so it doesn’t show.”
A growl rumbled forth, more beast than man, his lion not at all on board with any more trimming.
“Okay, if you’re not keen on that, then what about a hair weave? Maybe we could get you a platinum one, or pink for contrast since you’re being such a prissy princess about it.”
That did it.
A lion could take only so much.
Arik dove over his desk and tackled his beta. Over they went with a thump and a tangle of limbs.
As he was slamming Hayder’s head off the floor, snarling, “Take it back!” to his beta’s chortled, “We’ll get your nails done while they’re weaving,” Leo strode in.
A giant of a man, he didn’t even have to strain as he grabbed them each by a shoulder and yanked them apart.
But he didn’t stop there.
He slammed their heads together before shoving them down.
Arik and Hayder sat on the carpeted floor, nursing robin’s eggs, united in their glare for the pride’s omega, also known as the peacemaker.
Of course, Leo’s version of peace wasn’t always gentle, which was why he was perfect for the pride.
The behemoth with the mellow outlook on life took a seat in a chair, which groaned ominously.
“You do know that the staff two floors down can hear the pair of you acting like ill-behaved cubs.”
“He started it!” Arik stabbed a finger at his beta.
He had no problem assigning blame. Delegation was something an alpha did well.
Hayder didn’t even deny his guilt. “I did. But can you blame me? He was pissing and moaning about this precious mane. All I did was offer a solution, and he took offense.”
“I assume we’re talking about the missing chunk of hair on our esteemed leader’s head?” Leo shook his neatly trimmed dark crown. “I keep telling you that vanity is your weakness.”
“And chocolate chip ice cream is yours. We all have our vices,” Arik grumbled as he heaved himself off the floor and into his leather-padded seat— with built-in heating pad and massager because a man in his position did enjoy his luxuries.
“My vice is beautiful women,” Hayder announced with a grin, adopting a lounging pose on the floor.
Felines were king when it came to acting as if embarrassing positions weren’t accidental at all.
“Don’t talk to me about women right now. I’m still angry at the one who did this.”
“I think I’m missing a key point,” Leo stated.
It didn’t take long to bring Leo up to speed. To his credit, the pride omega didn’t laugh— long.
”
”
Eve Langlais (When an Alpha Purrs (A Lion's Pride, #1))
“
Joe Acosta’s office was big enough to host a convention. One whole wall was taken up by the largest flat-screen TV I had ever seen. Covering the entire wall opposite was a painting that really belonged in a museum under armed guard. There was a bar, complete with a kitchenette, a conversation area with a couple of couches, and a handful of chairs that looked like they had come from an old British Empire men’s club and cost more than my house. Alana Acosta lounged in one of the chairs, sipping from a bone china coffee cup. She didn’t offer us any. Joe
”
”
Jeff Lindsay (Dexter is Delicious (Dexter, #5))
“
Lounging back in her husband’s arms, she just enjoyed watching him as he clapped his Brothers on the back, and even accepted a flute of Cristal from Fritz.
Her hellren was a tall guy. But right now? He put Mount Everest to shame.
“You can put me down,” she said with a smile.
The frown that got shot her way was a brick wall if she’d ever seen one.
“Absolutely not! You’re my wife, and you’re carrying my child. You’ll be lucky if I let your feet touch the floor three years from now.”
With that, he bent in and kissed her on the mouth.
-Beth & Wrath
”
”
J.R. Ward (The King (Black Dagger Brotherhood, #12))
“
Green tried to suck the life out of Ruxs through his mouth. They licked and bit at each other, both of them fighting to top the other. Green was shoved back against the other wall, trying to make it down the hall to their bedroom, but neither one of them wanting to stop. “You drive me fuckin’ crazy.” Green squeezed Ruxs’ ass again. Ruxs dug his hands inside Green’s lounge pants, moaning loud in his mouth. Green didn’t have on any underwear. “You like that,” Green whispered. “No!
”
”
A.E. Via (Here Comes Trouble (Nothing Special #3))
“
I purchased one of those electronic things that plugs into the wall that is meant to scare cockroaches by sending a pulse through the apartment wiring, but while it has reduced the numbers, it seems some have evolved to feed off the electrical signal, increasing their size. I am using one as a coffee table in the lounge and two smaller ones as side tables in the bedroom. They would probably be susceptible to carbon monoxide poisoning, though, so I will try running a hose pipe from my car exhaust to the apartment, closing the windows and leaving the vehicle running overnight. It is apparently an odorless gas so should not prove an issue for my son’s Cub group sleepover.
Also, I read somewhere once that cockroaches can survive a nuclear attack, so I have been collecting the dead ones and intend to glue several thousand to the walls thereby ensuring my survival should Cyberdyne Systems become self-aware between now and when the lease runs out.
”
”
David Thorne (The Internet is a Playground)
“
He parked in front of a wooden shack with a gaudy sign out front: THE HALA KAHIKI LOUNGE. “You’re gonna love this.” The inside was a movie set for a late-night jungle melodrama on WGN: walls of grimacing island gods, plastic leis and paper lanterns, and enough bamboo to build an Indonesian aircraft carrier. “Don’t worry, the Pusateris don’t have a piece of this.” Matty didn’t know he should have been worried about that until he mentioned it.
”
”
Daryl Gregory (Spoonbenders)
“
Syn stared into Furi’s sparkling eyes. He brought one hand up and tenderly brushed Furi’s cheek. “Congratulations.”
“Thank you.” Furi kissed his lips gently. “I’ll be fine. I’m a big boy.”
“I know you are.” Syn winked.
Furi flushed with embarrassment. “Shut up. Don’t start something you can’t finish.”
“I’ll finish it later,” Syn promised. His look was pure lust as he pushed his rising cock against Furi’s jean-clad thigh.
“Fuckin’ right you will,” Furi moaned against Syn’s cheek, rocking back against him. “I’d fuckin’ take you right now if your bosses weren’t in the front room.”
Syn groaned.
Furi gripped Syn’s cock in a firm grip and stroked a couple times, wrapping his other arm around Syn’s back to hold him close. He nipped at Syn’s stubbled chin, peppering sweet kisses along his jaw to his ear. Furi flicked his tongue out and pulled the fleshy lobe between his soft lips. Furi’s lips were pressed against his ear as he spoke in a low, sexy drawl, “I’d bend you over this sink and fuck you until you yelled my name and begged me not to stop.”
“Fuck,” Syn moaned. Heat tore up through him at Furi’s nasty words.
“Fuck you hard, just how you like it, baby.” Furi increased the speed of his stroke.
“Oh fuck, fuck. No. Stop honey,” Syn protested weakly, his balls already throbbing with the need for release.
“Why?” Furi hissed.
“Because I fucking refuse to let Day hear me come.” Syn put some room between their bodies and kept backing up until he hit the wall. He tried to control his breathing, but staring at Furi’s gorgeous, flushed face didn’t help.
“You guys are crazy.” Furi shook his head.
“Day’s pranks have no boundaries. I wouldn’t be surprised if my moans are broadcasted over the loudspeaker in the office today.” Syn opened the bathroom door and gestured for Furi to look out into the hallway. “See.”
Furi busted out laughing at Day standing there in the hallway with his cell phone in his hand, studying the non-existent art on Syn’s bare wall. He whistled like he was just lounging around not looking for trouble. Syn just flipped him off and pulled Furi into his bedroom, slamming the door behind them.
“Oh my fucking god. That shit is too funny.” Furi laughed while he put a few things into his backpack.
“Yeah, because you don’t’ have to deal with his silliness.” Syn hurried to get dressed.
”
”
A.E. Via
“
Where is Abu Fadi,” she wailed.
“Who will bring me my loved one?”
—The New York Times, 9/20/1982
I do not wish to speak about the bulldozer and the
red dirt
not quite covering all of the arms and legs
Nor do I wish to speak about the nightlong screams
that reached
the observation posts where soldiers lounged about
Nor do I wish to speak about the woman who shoved
her baby
into the stranger’s hands before she was led away
Nor do I wish to speak about the father whose sons
were shot
through the head while they slit his own throat before
the eyes
of his wife
Nor do I wish to speak about the army that lit continuous
flares into the darkness so that the others could see
the backs of their victims lined against the wall
Nor do I wish to speak about the piled up bodies and
the stench
that will not float
Nor do I wish to speak about the nurse again and
again raped
before they murdered her on the hospital floor
Nor do I wish to speak about the rattling bullets that
did not
halt on that keening trajectory
Nor do I wish to speak about the pounding on the
doors and
the breaking of windows and the hauling of families into
the world of the dead
I do not wish to speak about the bulldozer and the
red dirt
not quite covering all of the arms and legs
because I do not wish to speak about unspeakable events
that must follow from those who dare
“to purify” a people
those who dare
“to exterminate” a people
those who dare
to describe human beings as “beasts with two legs”
those who dare
“to mop up”
“to tighten the noose”
“to step up the military pressure”
“to ring around” civilian streets with tanks
those who dare
to close the universities
to abolish the press
to kill the elected representatives
of the people who refuse to be purified
those are the ones from whom we must redeem
the words of our beginning
because I need to speak about home
I need to speak about living room
where the land is not bullied and beaten to
a tombstone
I need to speak about living room
where the talk will take place in my language
I need to speak about living room
where my children will grow without horror
I need to speak about living room where the men
of my family between the ages of six and sixty-five
are not
marched into a roundup that leads to the grave
I need to talk about living room
where I can sit without grief without wailing aloud
for my loved ones
where I must not ask where is Abu Fadi
because he will be there beside me
I need to talk about living room
because I need to talk about home
I was born a Black woman
and now
I am become a Palestinian
against the relentless laughter of evil
there is less and less living room
and where are my loved ones?
It is time to make our way home.
”
”
June Jordan (MOVING TOWARDS HOME)
“
THE MAIN THING I discovered: Valhalla needed GPS. Even Gunilla got turned around in the endless corridors, banquet halls, gardens, and lounges. At one point we were riding in a service elevator when Gunilla said, “Here’s the food court.” The doors opened and a wall of flames engulfed us both.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
In America’s Gilded Age palaces the opulence of France’s ancien régime was the style most often simulated. As a result, the first-class lounge on A deck, the showiest of the Titanic’s public rooms, had been designed to emulate Versailles—though with some English coziness added in the patterned carpeting and comfortably upholstered sofas with large green pillows. The walls were paneled in oak with carved rococo detailing, although the use of gilding was restrained, reserved for some details on the plastered ceiling, a gilt ormolu wall clock, and the statuette of the Artemis of Versailles on the marble mantelpiece. At the far end of the room stood a mahogany, glass-fronted bookcase that held the ship’s library, and from its shelves
”
”
Hugh Brewster (Gilded Lives, Fatal Voyage: The Titanic's First-Class Passengers and Their World)
“
The circular area below me looked like an exercise club in hell. At least two dozen gray men and women were speed-walking on treadmills, each with a noose around his or her neck. Three night soldiers lounged against the stone walls, holding limber sticks and watching.
”
”
Stephen King (Fairy Tale)
“
Above Verity and Daniel, in the lounge of Low Mede, Peveral Othman watched Barbara and Louis make love on the rug before the log-effect gas fire. He took some satisfaction from their relief, from Louis’ almost tearful gratitude for the body he now inhabited. Othman felt he should go and visit the Winters, although for some reason, he felt compelled to stay at Low Mede. He knew he would feel vulnerable beyond the walls. He was not strong enough at the moment to control Lily and Owen.
”
”
Storm Constantine (Stalking Tender Prey (The Grigori Trilogy, #1))
“
Inside the Great Wall Sheraton Hotel, amber and crystal lights cascaded down seven stories to an atrium. Between two giant columns, glass elevators were rising like bright lanterns toward the ceiling. On the marble floor cool as a mirror, a jazz band was playing. Casually dressed tourists and businessmen in dark suits sipped cocktails in lounge chairs.
”
”
Diane Wei Liang (The Eye of Jade (A Mei Wang Mystery, #1))
“
And then there was his famous underlook – his inimitable way of lounging against a wall and keeping his head slightly lowered while lifting his blue eyes to look at whoever had caught his interest across the room.
”
”
Gretta Curran Browne (A Strange World (Lord Byron #2))
“
Why are you so obsessed with my girlfriends?” he said, lounging against the wall in a way that would have incited riots if he’d been in public. “I’m not obsessed! You just keep bringing them around here and throwing them in my face!
”
”
Lila Monroe (The Billionaire Game)
“
She lives in the coolest house. It’s really big and super modern. They even have a spa bath in the bathroom as well as a jacuzzi out by the pool. We talked about spending time sunbathing in her backyard as soon as the weather was warm enough. The lounge chairs that were scattered around the sides of the pool were so inviting that I had to try them out. Then when I found that they reclined right back, I lied there picturing myself during the summer months, just relaxing by that beautiful sparkling pool. Sara is so lucky! She seems to have pretty much everything a girl could wish for. Her bedroom has the prettiest pink wallpaper with a gorgeous white flower print as a feature wall. And her furniture is all white. She has a huge comfy bed with matching bedside tables. I’ve never known a girl our age to have a queen sized bed though. Even my parents only have a double bed and Sara’s bed seems enormous in comparison. The two hot pink chrome lamps that sit on her bedside tables are the coolest design and I just love the fluffy pink rug that spreads across the middle of her floor. And she even has
”
”
Katrina Kahler (Julia Jones' Diary / Horse Mad Girl / Diary of an Almost Cool Girl / Diary of Mr TDH)
“
There was wall-to-wall cotton shag carpeting in beige, holding metal-framed Van Keppel-Green lounges and chairs, a KLH stereo system, wooden walls rising to a high ceiling, a mahogany bar that separated from the rest of the room the cookerie where I could scramble up some eggs and ham for late night snacks. There were four cushioned stools in front of the bar proper, and a glass shelf display of bottles behind, that opened into the kitchen on the far side. Ferns and cactus in brass pots and barrels added a kind of outdoorsy look to the whole place.
”
”
Troy Conway (The Sex Machine (Coxeman, #18))
“
Listen. The Sinspire is nearly sixty yards high, one thick Elderglass cylinder. You know those, you tried to jump off one about two months ago. Goes down another hundred feet or so into a glass hill. It’s got one door at street level, and exactly one door into the vault beneath the tower. One. No secrets, no side entrances. The ground is pristine Elderglass; no tunneling through it, not in a thousand years.”
“Mmmm-hmmmm.”
“Requin’s got at least four dozen attendants on each floor at any given time, plus dozens of table minders, card dealers, and waiters. There’s a lounge on the third floor where he keeps more out of sight. So figure, at minimum, fifty or sixty loyal workers on duty with another twenty to thirty he can call out. Lots of nasty brutes, too. He likes to recruit from ex-soldiers, mercenaries, city thieves, and such. He gives cushy positions to his Right People for jobs well done, and he pays them like he was their doting mother. Plus, there are stories of dealers getting a year’s wages in tips from lucky blue bloods in just a night or two. Bribery won’t be likely to work on anyone.”
“Mmmm-hmmmm.”
“He’s got three layers of vault doors, all of them ironshod witchwood, three or four inches thick. Last set of doors is supposedly backed with blackened steel, so even if you had a week to chop through the other two, you’d never get past the third. All of them have clockwork mechanisms, the best and most expensive Verrari stuff, private designs from masters of the Artificers’ Guild. The standing orders are, not one set of doors opens unless he’s there himself to see it; he watches every deposit and every withdrawal. Opens the door a couple times per day at most. Behind the first set of doors are four to eight guards, in rooms with cots, food, and water. They can hold out there for a week under siege.”
“Mmmm-hmmmm.”
“The inner sets of doors don’t open except for a key he keeps around his neck. The outer doors won’t open except for a key he always gives to his majordomo. So you’d need both to get anywhere.”
“Mmmm-hmmmm.”
“And the traps…they’re demented, or at least the rumors are. Pressure plates, counterweights, crossbows in the walls and ceilings. Contact poisons, sprays of acid, chambers full of venomous serpents or spiders…One fellow even said that there’s a chamber before the last door that fills up with a cloud of powdered strangler’s orchid petals, and while you’re choking to death on that, a bit of twistmatch falls out and lights the whole mess on fire, so then you burn to a crisp. Insult to injury.”
“Mmmm-hmmmm.”
“Worst of all, the inner vault is guarded by a live dragon attended by fifty naked women armed with poison spears, each of them sworn to die in Requin’s service. All redheads.”
“You’re making that up, Jean.”
“I wanted to see if you were listening. But what I’m saying is, I don’t care if he’s got a million solari in there, packed in bags for easy hauling. I’m inclined to the idea that this vault might not be breakable, not unless you’ve got three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about.”
“Right.”
“Do you have three hundred soldiers, six or seven wagons, and a team of master clockwork artificers you’re not telling me about?”
“No, I’ve got you, me, the contents of our coin purses, this carriage, and a deck of cards.
”
”
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
“
But I was pleasantly surprised to see that someone had given the furniture department a bit of a makeover and there were a few lounge suites that looked like they’d actually been designed sometime after the fall of the Berlin Wall (as opposed to before the building of it).
”
”
Fiona Leitch (Murder on the Menu (The Nosey Parker Mysteries, #1))
“
Despite the rhetoric of the country’s previous president, despite the bigoted messaging and the red caps and the cries for a wall, within her first few months in America she had come to truly understand the extent to which people like her kept the wheels turning in this country, generating a constant hum just under the surface, operating from a place a person could simply choose not to see.
”
”
Jennifer Mathieu (The Faculty Lounge)