Louis Ix Quotes

For the last four years of her life, Mother was in a nursing home called Chateins in St. Louis ... [S]ix months before she died I sent a Mother's Day card. There was a horrible, mushy poem in it. I remember feeling "vaguely guilty.

Be a man. Not any old man, not mankind, but manhood. To do this you don’t need to play pro football and grow hair on your chest and seduce every third woman you meet long as she’s female. All you have to do is hunt, fish (or talk sense about ’em as if you had) and go bug-eyed when the girls go by. If a sunset moves you so much you have to express yourself, do it with a grunt and a dirty word. Or you say, ‘That Beethoven, he blows a cool symphony.’ Never champion a real underdog unless it’s a popular type, like a baseball team. Always treat other men as if you were sore at something and will wipe it off on them if they give you the slightest excuse. I mean sore, Louis, not vexed or in a snit. And stay away from women. They have an intuition that’ll find you nine times out of ten. The tenth time she falls for you, and there’s nothing funnier.” “I think,” Loolyo said after a time, “that you hate human beings.

To Roland's relief, Jean de Joinville came to his aid. "Sire, this good knight wants only to preserve your life. Let us all ride together against the Egyptians." "If I ride against them alone, God will protect me," said Louis. A new figure pushed into the circle. He wore the white surcoat and red cross of a Templar over his mail. With a leap of his heart, Roland recognized Guido Bruchesi. Guido looked at him but did not acknowledge him. He went directly to the King. He spoke quietly but firmly. "Sire, what you have just said is presumption." "I do not see how that could be, brother Templar." But Louis took his foot out of the stirrup as Roland watched with growing hope. You can always catch Louis's attention with a religious argument, Roland thought, even on the battlefield. "Sire," said Guido, "Satan tempted our Seigneur Jesus, telling Him that if He cast Himself down from the mountaintop, angels would lift him up." Guido cast a sidelong look at Amalric. "You, Sire, are being tempted to ride alone against the whole Egyptian army, expecting God's protection. You are demanding a miracle. That is presumption." Louis was silent for a moment. "Perhaps you are right." Roland let out a long breath.

Much has been written about the character of Louis IX—all of it good. Even his staunchest enemies agreed that Louis was a man of integrity whose moral character was unassailable and whose devotion to justice was legendary. Like all men of his class, Louis was raised in a culture of chivalry that celebrated the crusade as the greatest use of Christian arms. It is no exaggeration to say that the liberation of Jerusalem was the single most cherished goal in his life.

...le Roi-Soleil, construisant Versailles et obligeant les nobles à le suivre à la Cour, les a enfermés dans une cage toujours plus stricte de cérémonies et de petits privilèges pour les priver, presque sans qu’ils s’en rendent compte, de leur liberté et même, dans la plupart des cas, de la dignité la plus élémentaire. Dans la scène finale, on voit le roi se dépouiller de tous ses ornements, ses objets de luxe : les habits somptueux n’étaient qu’artifice, des instruments pour lui permettre d’affirmer son pouvoir afin, comme il le dit à son ministre, que chacun dans le royaume dépende pour toute chose du monarque, comme la nature dépend en toute chose du soleil.

The First Crusade: 1096-1099: Jerusalem was recaptured from Muslim rulers in 1099. The Second Crusade: 1147-1149: Louis VII of France and Conrad III of Germany lead a campaign to capture the County of Edessa. The Third Crusade: 1189-1192: Lead by three European kings with the aim of recapturing Jerusalem, which was again under Muslim rule. The Fourth Crusade: 1202-1204: This represented another attempt at regaining the Holy City. However, it ended with the sacking of Constantinople. The Fifth Crusade:1217-1221: An attempt to succeed where the Fourth Crusade had failed, this campaign also ended in defeat. The Sixth Crusade: 1228-1229: A major success, this Crusade ended with the capture of Jerusalem, Nazareth and other cities. The Seventh Crusade: 1248-1254: Louis IX attempted to conquer Egypt and recapture parts of the Holy Land that had fallen outside of Christian rule. However, he failed as he had to return home to France when his mother died. The Eighth Crusade: 1270: This represented Louis’ second attempt. He began in Tunisia, but died shortly after arriving. His brother was left to ensure the army returned home to France. Prince Edward of England then launched his own campaign, but left to return home once he received news that his father had fallen ill.

Impunity in such affairs was no longer a matter of course, for the King was Louis IX, a sovereign whose sense of rulership was equal to his piety.

Equally, the giver of homage could not act in concert with, or give help to, any of his lord’s enemies. By creating a peerage for Henry III, Louis IX was only emphasising further the closeness of the allegiance which bound the two men.

Their rise was accelerated by a new crusade. In 1249, Louis IX of France landed with an army that nearly conquered a chaotic Egypt, which was saved only by a blond Turkish Mamluk of Pantagruelian proportions with one blue eye, one totally white, named Baibars. A junta of Mamluk amirs murdered the young sultan and replaced the Saladin family

As the triumphant French crusaders began to march from victory to victory, in France, echoing the march of the columns in Algeria, the ‘greatness’ of the Crusades was revived in arts, expressing past French glories. Highly popular amongst artists were Louis IX’s two crusades (1248-50; 1270), which symbolised successes of French history. Exhibitions of sculptures and paintings and tapestries of scenes from his life abounded. Thus was organised in the Salles des Croisades at Versailles a festival as part of King Louis Phillipe's (King 1830-1848) programme to turn the palace into a museum ‘dedicated to the glories of France.’ The five crusade rooms displayed each a key crusade events and individuals and the coats of arms of their participants. In total, there were 120 paintings of individual crusaders and scenes of battles and sieges in which French crusaders played a leading role.761 Louis Philippe employed no less than fifty painters for such an enterprise.762 Correspondingly, in the Musée, three rooms were dedicated to the war in the colony, which were called the Salles d’Afrique. The Salles d’Afrique were built exactly above the Salles des Croisades, which symbolically linked the conquest of Algeria to the Crusades.763