Lost Earring Quotes

We've searched our database for all the quotes and captions related to Lost Earring. Here they are! All 26 of them:

There followed a time when everything was dull. The things that had meant something lost importance, though they were still there, like bruises on the body that fade to hard lumps under the skin.
Tracy Chevalier (Girl with a Pearl Earring)
I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.
Jandy Nelson (The Sky Is Everywhere)
I believe I met a girl in the rain, who had lost her mother's earrings. And I killed her. Now I stand here in a time I know nothing about. I watched the death of kings far greater than any man living now. And I am still here.
Rebecca Maizel (Stolen Nights (Vampire Queen, #2))
Once in a while dancing is immaculate, a perfection: you understand why raves exist: when you’ve timed the drinks correctly and they lift your mood and your energy, the songs are ones you all know, and you look around at the girls, their happy lost faces, their beautiful bare stomachs, their jangly long earrings, something limbic, their skin just damp with sweat to the touch, the whole thing…
Charles Finch (The Last Enchantments)
But even as she was going through with it she knew it was useless, just as it was useless to save a single earring when the other half of the pair was lost
Jhumpa Lahiri (The Lowland)
We are all psychic to a degree. How many times do you walk into a room and just know there’s tension in there? How many times have you thought about an old friend, and then she calls? Or had a dream about your grandma and you wake up and find the lost earring you inherited from her? It’s like making a psychic telephone call: you send energy into the universe, and it comes back to you.
Jodi Picoult (Where There's Smoke)
Chicana intifada Rocks are our weapons of choice, indeed the only ones that we have stockpiled. We never worry about running out of them. After all, our unpaved streets are filled with rocks. We have wiped the dirt off them so that they may sail with a smooth hardness when we fling them into the air. We shall name each one of our rocks for the family members we have lost each year of the hundreds of years we’ve lived in these parts—as indios, as mestizos, as “Hi-panics.” For starters, we plan to break a few windows of the jefe’s casota nueva. I myself will be delighted to land one in each pane: center, left, right, top, bottom—the exact location doesn’t much matter. Why should his fancy house remain intact while we cannot count on running water? No one will suspect that an abuela is la capitana of the Chicana intifada, with her disguise of hat and gloves, of shiny earrings and sheer “nude” pantyhose; with her polite yes, ma’aming. “We’ll launch the first volleys at 6 p.m.,” she whispers to us. Smiling wryly, she adds, “Inside the house at a reception to which I’ve been properly invited you’ll see me lower my right gloved hand to the marble table.” Copyright (C) Teresa Palomo Acosta, 2007. All rights reserved.
Teresa Palomo Acosta
Mary.” Turning at the soft sound of her name, she glanced behind herself. Then frowned. “Lassiter?” “I’m over here.” “Where?” She looked all around. “Why is your voice echoing?” “Chimney.” “What?” “I’m stuck in the fucking chimney.” She raced over to the fireplace and got on her hands and knees. Looking up into the dark flue, she shook her head. “Lass? What the hell are you doing up there?” His voice emanated from somewhere above her. “Don’t tell anyone, okay?” “What are you—” An arm came down. A very sooty arm that was encased in a red sleeve that had white trim. Or what had been white trim and which was now smudged with ash. “You’re stuck!” she exclaimed. “And thank God no one lit this fire!” “You’re telling me,” he muttered in his disembodied voice. “I had to blow out Fritz’s match like a hundred times before he gave up. Fuck, that sounds dirty. Anyway, just remind me never to try to be Santa for your kid, okay? I’m not doing this again, even for her.” Mary stretched a little farther in, but the logs on the hearth stopped her. “Lassiter. Why can’t you free yourself by dematerializing—” “I’m impaled on a hook that’s iron. I can’t go ghost. And will you just take this?” “What?” “This.” He turned his hand toward her and there was…a box…in it? A small navy blue box. “Open it. And before you ask, I already cleared it with your pinheaded hellren. He’s not jel or anything.” Mary sat back and shook her head. “I’m more worried about you—” “Justopenthefuckingthingalready.” Taking off the top, she found a slightly smaller box inside. That was velvet. “What is this?” As she lifted the lid, she…gasped. It was a pair of diamond earrings. A pair of perfectly matched, sparkly, diamond… “A mother’s tears,” Lassiter’s slightly echo-y voice said softly. “So hard, so beautiful. I told you everything was going to be all right. And those are to remind you of how strong you are, how strong your love for your daughter is…how, even in the worst of times, things have a way of working out as they should.” Blinking away tears, she thought of her crying in the foyer in front of the angel, crying because all had been lost. “They’re just beautiful,” she said hoarsely. -Lassiter & Mary
J.R. Ward (Blood Vow (Black Dagger Legacy, #2))
I reviewed in thought the modern era of raps and apparitions, beginning with the knockings of 1848, at the hamlet of Hydesville, N.Y., and ending with grotesque phenomena at Cambridge, Mass.; I evoked the anklebones and other anatomical castanets of the Fox sisters (as described by the sages of the University of Buffalo ); the mysteriously uniform type of delicate adolescent in bleak Epworth or Tedworth, radiating the same disturbances as in old Peru; solemn Victorian orgies with roses falling and accordions floating to the strains of sacred music; professional imposters regurgitating moist cheesecloth; Mr. Duncan, a lady medium's dignified husband, who, when asked if he would submit to a search, excused himself on the ground of soiled underwear; old Alfred Russel Wallace, the naive naturalist, refusing to believe that the white form with bare feet and unperforated earlobes before him, at a private pandemonium in Boston, could be prim Miss Cook whom he had just seen asleep, in her curtained corner, all dressed in black, wearing laced-up boots and earrings; two other investigators, small, puny, but reasonably intelligent and active men, closely clinging with arms and legs about Eusapia, a large, plump elderly female reeking of garlic, who still managed to fool them; and the skeptical and embarrassed magician, instructed by charming young Margery's "control" not to get lost in the bathrobe's lining but to follow up the left stocking until he reached the bare thigh - upon the warm skin of which he felt a "teleplastic" mass that appeared to the touch uncommonly like cold, uncooked liver. ("The Vane Sisters")
Vladimir Nabokov (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
Evidently she had been trying to calm the child for hours, without success, and was exhausted. Leaving the house, she had tried to clothe her daughter’s rage in a pretty dress, pretty shoes. She herself had put on a nice dress of a wine color that became her, she had pinned up her hair, wore earrings that grazed her pronounced jaw and swung against her long neck. She wanted to resist ugliness, cheer herself up. She had tried to see herself in the mirror as she had been before bringing that organism into the world, before condemning herself forever to adding it on to hers. But to what purpose. Soon she’ll start yelling, I thought, soon she’ll hit her, trying to break that bond. Instead, the bond will become more twisted, will strengthen in remorse, in the humiliation of having shown herself in public to be an unaffectionate mother, not the mother of church or the Sunday supplements.
Elena Ferrante (The Lost Daughter)
It was for the sake of her work that she made herself beautiful. It scares them, she told me once, poking earrings through her lobes. By them she meant the other physicists in her department, who were mostly men. She had introduced herself at enough institutions, research groups, and conferences to see how her appearance affected her colleagues. It started with surprised confusion—initially she was asked, addressed as xiaojie, what she was looking for, if she was lost. Then came shock and dismissal. She didn’t mind being underestimated. It was a satisfying feeling to prove someone wrong, to know that she would not be underestimated again. After she revealed her intellectual superiority, the result was a kind of terror. Physics professors are not comfortable around beautiful women, she said. She strapped on her high-heeled shoes. It was important to be as tall as the men, so she could make them look her in the eye.
Meng Jin (Little Gods)
scales scattered under her wings and two teardrop silver scales in the corners of her eyes. A startled jolt ran through Luna, waking her up like a bolt of lightning. This dragon looked like Clearsight. Or at least, the way Clearsight always looked in pictures. Luna sat up as the two of them came closer, with Jerboa behind them. “Oh wow,” said the one with the earring, noticing Luna. “What —” said the Clearsight-looking dragon. “How — ?” “I believe this is our first visitor from the lost continent,” Jerboa said. “She blew in with the storm.” The little black dragon sat down and tipped her head as though she was listening to something far away. “I’m Moon,” she said, “and this is Qibli. Are you really from across the sea?” “I guess so,” Luna said. “It was kind of an accident, coming here. I’m Luna.” “Hi, Luna,” said Qibli. “This must be pretty weird for you, too. You have so many wings! I mean, that’s cool. Is it hard to fly with all those wings? That’s a silly question. I can’t believe we’re meeting a dragon from another continent! This is amazing!” “Are you like Clearsight?” Luna asked Moon. “Can you see the future?” Moon’s eyebrows shot up. “You know about Clearsight?” “I know some things about her,” Luna said, thinking darkly of the Book and the lies Queen Wasp had told about it. “I know she came from here, and she had scales like yours. I always wondered if there were other dragons over here who could see the future, too.
Tui T. Sutherland (The Lost Continent (Wings of Fire, #11))
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
attitude, the cosmetic’s department would be busy. Women buying new lipsticks and earrings and men looking lost, trying to remember what perfume their wives had worn for the last twenty years. The new store manager had assigned inexperienced sales clerks to cosmetics. They wouldn't make the customers any happier. Why did each new manager think a reorganization would make everything better? Marissa swung her Rabbit into the parking space and waited for the
Jeffrey Marks (The Scent Of Murder)
This is my Lost Property cupboard theory of the afterlife - when we die we are taken to a great lost property cupboard where all the things we have ever lost have been kept for us - every hairgrip, every button and pencil, every tooth, every earring and key, every key, every pin. All the library books, all the cats that never came back, all the coins, all the watches (which will still be keeping time for us). And perhaps, too, the other less tangible things - tempers and patience (perhaps Patricia´s virginity will be there), religion, meaning, innocence and oceans of time.
Kate Atkinson (Behind the Scenes at the Museum)
Kahnawake August 1704 Temperature 75 degrees “It’s me! Mercy Carter! Oh, Mr. Williams! Do you have news?” She flung herself on top of him. Oh, his beautiful beard! The beard of a real father, not a pretend Indian father or a French church father. “My brothers,” she begged. “John and Sam and Benny. Have you seen them? Have you heard anything about them? Do you know what happened to the little ones? Daniel? Have you found Daniel?” Mercy had forgotten that she had taken off her tunic to go swimming. That Joseph did not even have on his breechclout. That Mercy wore earrings and Joseph had been tattooed on his upper arms. That they stank of bear. Mr. Williams did not recognize Joseph, and Mercy he knew only by the color of her hair. He was stupefied by the two naked slimy children trying to hug him. In ore horror than even Ruth would have mustered, he whispered, “Your parents would be weeping. What have the savages done to you? You are animals.” Despair and shock mottled Mr. Williams’s face. Mercy stumbled back from him. Her bear grease stained his clothing. “Mercy,” he said, turning away from her, “go cover yourself.” Shame covered her first. Red patches flamed on her cheeks. She ran back to the swimmers, fighting sobs. She was aware of her bare feet, hard as leather from no shoes. Savage feet. Dear Lord in Heaven, thought Mercy, Ruth is right. I have committed terrible sins. My parents would be weeping. She did not look at Snow Walker but yanked on the deerskin tunic. She had tanned the hide herself, and she and Nistenha had painted the rows of turtles around the neckline and Nistenha had tied tiny tinkling French bells into the fringe. But it was still just animal skin. To be wearing hides in front of Mr. Williams was not much better than being naked. Snow Walker burst out of the water. “The white man? Was he cruel? I will call Tannhahorens.” No! Tannhahorens would not let her speak to Mr. Williams. She would never find out about her brothers; never redeem herself in the minister’s eyes. Mercy calmed down with the discipline of living among Indians. Running had shown weakness. “Thank you, Snow Walker,” she said, striving to be gracious, “but he merely wanted me to be clothed like an English girl. There is no need to call Tannhahorens.” She walked back. On the jetty, Joseph stood with his eyes fixed on the river instead of on his minister. He had not fled like Mercy to cover himself. He was standing his ground. “They aren’t savages, Mr. Williams. And they aren’t just Indians. Those children over there are Abenaki, the boy fishing by the rocks is Pennacook, and my own family is Kahnawake Mohawk.” Tears sprang into Mr. Williams’s eyes. “What do you mean--your family?” he said. “Joseph, you do not have a family in this terrible place. You have a master. Do not confuse savages who happen to give you food with family.” Joseph’s face hardened. “They are my family. My father is Great Sky. My mother--” The minister lost his temper. “Your father is Martin Kellogg,” he shouted, “with whom I just dined in Montreal. You refer to some savage as your father? I am ashamed of you.” Under his tan, Joseph paled and his Indian calm left him. He was trembling. “My--my father? Alive? You saw him?” “Your father is a field hand for a French family in Montreal. He works hard, Joseph. He has no choice. But you have choices. Have you chosen to abandon your father?” Joseph swallowed and wet his lips. “No.” He could barely get the syllable out. Don’t cry, prayed Mercy. Be an eagle. She fixed her eyes upon him, giving him all her strength, but Mr. Williams continued to destroy whatever strength the thirteen-year-old possessed. “Your father prays for the day you and he will be ransomed, Joseph. All he thinks of is the moment he can gather his beloved family back under his own roof. Is that not also your prayer, Joseph?
Caroline B. Cooney (The Ransom of Mercy Carter)
The night she met Safiye she stole her earrings right out of her earlobes and, having retired to a quiet corner of the mansion to inspect them, found that the gems were paste. Then she discovered that her base metal bangle was missing and quickly realized that she could only have lost it to the person she was stealing from; she’d been distracted by the baubles and the appeal of those delicate earlobes. Cornered by a banker whose false memory of having been in love with her since matriculation day might prove profitable, Lucy wavered between a sensible decision and a foolhardy one. Ever did foolhardiness hold the upper hand with Lucy; she found Safiye leaning against an oil lantern and saw for herself that she wasn’t the only foolish woman in the world, or even at that party, for Safiye had Lucy’s highly polished bangle in her hand and was turning it this way and that in order to catch fireflies in the billowing, transparent left sleeve of her gown. All this at the rise of being set alight, but then from where Lucy stood Safiye looked as if she was formed of fire herself, particles of flame dancing the flesh of her arm into existence. That or she was returning to fire.
Helen Oyeyemi (What Is Not Yours Is Not Yours)
I’m assuming your cherry has been thoroughly popped.” “Wrapped up, tossed into the lake, and died in a watery grave.” “Is that a euphemism?” “It wasn’t until just now.” “I’m jealous. Like a lot. I lost my cherry a long time ago, but I’m pretty sure the tree grew back. Can you re-virginize?” I snorted. “Don’t think that’s a thing.” “Hey, the holes in your ears can close. Why not?” “Pretty sure that’s totally different.” “Not really. Earring post or orgasm-inducing-cock. Kinda the same thing.” “I can say, with complete candor, that it is not the same thing.
Taryn Quinn (Filthy Scrooge)
You’re at the captain’s table, so to speak. The Berkeleys are here, as well as the big donors and some from the administration.” When Holly heard the name Berkeley, her heart sank. Just my luck, she fumed, can I never get my time in the sun without Ivy stealing all the limelight? As she sat down, she noticed she was seated directly opposite Ivy. Ivy was already enjoying the soup, and Holly looked at her with chagrin. She looked breathtakingly beautiful in a dark blue dress with large diamond drop earrings. As she looked up to her father to tell him how much she enjoyed her soup, Holly caught sight of her face. She had on the most flawless makeup, far more advanced than Holly’s attempt earlier. Next to Ivy, Holly felt like a grubby orphan who hadn’t seen a washcloth in years. “She even has on lip liner,” Holly said under her breath in a mixture of admiration and bitterness. “Holly, Holly. Earth to Holly. Holly, the server wants to know your drink order, baby. Please tell him.” She realized the server must have asked her a question, and she was so lost in thought about Ivy that she hadn’t heard. “Iced tea, please, light ice, thank you.” “Yes, ma’am.” Holly waited until the server left, and then whispered into William’s ear. “I feel so ugly. She’s so beautiful. This is the worst thing that could happen. Being seated opposite her, and so now you’ll be admiring her perfection all dinner long. Just kill me now,” Holly finished with a sigh. “Where’s Ivy?” “She’s right across from me, silly!” “Where? I don’t see her?” “She’s over . . .” Holly broke off and looked into William’s eyes. His eyes told her everything she needed to know. They were warm and loving, and she knew he was trying to let her know that he only had eyes for her. “I don’t care about Ivy. Not one microscopic millimeter. It’s you I love. So, please try to enjoy yourself and forget about her. It’s a big night here, and I have a lot to do with the donors later. Please don’t make me distracted and worried about you and your jealousy of her. I am yours, and that’s the end of it.” She gave him a loving smile of thanks and decided to eliminate Ivy from her thoughts. She turned to her left and was delighted to find Heather sitting next to her.
Kira Seamon (Dead Cereus)
I’ve had my hands so far up a cow’s hoo-hah I almost lost an earring.
Marley Michaels (Cowgirl Seeks Mountain Man (Bear Mountain Brothers, #9))
She had married Subhash as a means of staying connected to Udayan. But even as she was going through with it she knew that it was useless, just as it was useless to save a single earring when the other half of the pair was lost.
Jhumpa Lahiri (The Lowland)
27 Places Where You Won't Find Love 1. The spoon with which you measure salt 2. Plastic plates stacked neatly on a shelf 3. Flowers - marigolds and chrysanthemums and roses - and the shop that sells these 4. Earrings lost in the backseat of a tuktuk while looking for the Malayalam translation of "I love you" in the dark 5. Bookshelves with borrowed books, never read 6. Fifty watches, three of which were for sale 7. Coffee whose flavor was slightly off 8. A red bridge that goes by gold, which has replicas everywhere 9. The replicas themselves 10. The rearview mirror of a car 11. The burnt sienna pavement where you hurt yourself 12. A protein shake whose taste grew on you thanks to someone else. With eggs and coconut and toast 13. An island untouched by civilization 14. Another ravaged by war 15. A declined invitation to brunch 16. Dinner gone cold after a long wait, and thrown away the next day 17. An unacknowledged text message 18. Laughter ringing through a movie hall during a scene that didn't warrant it 19. Retainers stored in a box next to baby oil in the medicine cabinet 20. A gold pendant 21. A white and red cable car 22. A helmet too small for your head and another too large 23. Dreams with their own background score 24. Misplaced affection 25. A smile between strangers, with you standing on the outside looking in 26. Your bed 27. The future
Sreesha Divakaran
Lose me as you lost your cat, your bearings, your wherewithal, your identity. Lose me as you lose autumn each year to ice, as you lose a year each year. Lose me as you lose a little weight and your bones show. Lose me like a wet food dropped face down. Both earrings. Any key. Lose me like what blew off the ferry. Lose me like the dollhouse furniture you kept since childhood and in adulthood misplaced while moving. Lose me like your prize mountain you saw once and can’t remember where it was, what country. Lose me the way you lose fog. Lose me and fuck you.
Rebecca Dinerstein Knight (Hex)
In a low-cut, tight-fitting black crepe dress, worn under a white lace coat, with flashing necklace, earrings and bracelets, Miss Patrick, who is of Italian German descent, looked a lot more like a fashion illustration herself than a creator of bizarre monsters. Unmarried, she admits to no current romance. “Why should I bother with the Hollywood wolves?” she murmured. “I’m happy with my monsters.” —Milicent Patrick in an interview with journalist Jane Corby for the Brooklyn Daily Eagle, Valentine’s Day, 1954
Mallory O'Meara (The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick)
Ricky asks her, “You lost your earrings in the living room?” She shakes her head. “No, I lost them in the bedroom. But the light out here is much better.” And there it is. Most leaders prefer to look for answers where the light is better, where they are more comfortable. And the light is certainly better in the measurable, objective, and data-driven world of organizational intelligence (the smart side of the equation) than it is in the messier, more unpredictable world of organizational health. Studying spreadsheets and Gantt charts and financial statements is relatively safe and predictable, which most executives prefer. That’s how they’ve been trained, and that’s where they’re comfortable. What they usually want to avoid at all costs are subjective conversations that can easily become emotional and awkward. And organizational health is certainly fraught with the potential for subjective and awkward conversations.
Patrick Lencioni (The Advantage: Why Organizational Health Trumps Everything Else In Business)
memory challenges have strengthened my faith, even in things I can’t see or feel or touch, because so much in my life is a dream or a memory, fuzzy at the seams, brought into focus only by my imagination. The picture that comes to mind of the earrings I lost as a kid is no clearer to me than the picture of the future I hope for. But I believe in them both. I trust in their existence.
Jessica McCabe (How to ADHD: An Insider's Guide to Working with Your Brain (Not Against It))