“
When a man starts my program, he often says, “I am here because I lose control of myself sometimes. I need to get a better grip.” I always correct him: "Your problem is not that you lose control of yourself, it’s that you take control of your partner. In order to change, you don’t need to gain control over yourself, you need to let go of control of her.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
If we don’t counter the onslaught of the insidious triviality of transgression in our daily environment and if we gradually lose grip on the pervading taint of apathy and disrespect, we need irrevocably restructure our thinking and adjust the mechanism of our action. Taking everything for granted and accepting anything uncontested, might generate disjunction, arouse extreme heartbreak and, finally, turn our living into a scourge. ("Even if the world goes down, my mobile will save me" turn into )
”
”
Erik Pevernagie
“
You’re what gives me strength. If I am what centers you, Nikki, then you are what anchors me. Every time I touch you, every time I bury myself deep inside you—Nikki, don’t you see?
You are the talisman of my life, and if I lose my grip on you, then I have lost myself.
”
”
J. Kenner (Complete Me (Stark Trilogy, #3))
“
I sprang toward him with the stake, hoping to catch him by surprise. But Dimitri was hard to catch by surprise. And he was fast. Oh, so fast. It was like he knew what I was going to do before I did it. He halted my attack with a glancing blow to the side of my head. I knew it would hurt later, but my adrenaline was running too strong for me to pay attention to it now.
Distantly, I realized some other people had come to watch us. Dimitri and I were celebrities in different ways around here, and our mentoring relationship added to the drama. This was prime-time entertainment.
My eyes were only on Dimitri, though. As we tested each other, attacking and blocking, I tried to remember everything he'd taught me. I also tried to remember everything I knew about him. I'd practiced with him for months. I knew him, knew his moves, just as he knew mine. I could anticipate him the same way. Once I started using that knowledge, the fight grew tricky. We were too well matched, both of us too fast. My heart thumped in my chest, and sweat coated my skin.
Then Dimitri finally got through. He moved in for an attack, coming at me with the full force of his body. I blocked the worst of it, but he was so strong that I was the one who stumbled from the impact. He didn't waste the opportunity and dragged me to the ground, trying to pin me. Being trapped like that by a Strigoi would likely result in the neck being bitten or broken. I couldn't let that happen.
So, although he held most of me to the ground, I managed to shove my elbow up and nail him in the face. He flinched and that was all I needed. I rolled him over and held him down. He fought to push me off, and I pushed right back while also trying to maneuver my stake. He was so strong, though. I was certain I wouldn't be able to hold him. Then, just as I thought I'd lose my hold, I got a good grip on the stake. And like that, the stake came down over his heart. It was done.
Behind me, people were clapping but all I noticed was Dimitri. Our gazes were locked. I was still straddling him, my hands pressed against his chest. Both of us were sweaty and breathing heavily. His eyes looked at me with pride—and hell of a lot more. He was so close and my body yearned for him, again thinking he was a piece of me I needed in order to be complete. The air between us seemed warm and heady, and I would have given anything in that moment to lie down with him and have his arms wrap around me. His expression showed that he was thinking the same thing. The fight was finished, but remnants of the adrenaline and animal intensity remained.
”
”
Richelle Mead (Shadow Kiss (Vampire Academy, #3))
“
He turned my way, and I was so engrossed in my thoughts that I didn't notice for a second. Then I realized I was staring at him, and looked away fast, cheeks flaming. I could feel him looking at me. Frowning slightly, like he was trying to figure something out. Before he could, I gulped my warm water and said, "Must be almost lunchtime," which was a stupid thing to say, but all I could think of. It took him a moment before he answered, shrugging and saying, "Maybe." Then, " You okay?"
I nodded.
"You want to talk about what happened downstairs? With Banks?"
I nodded again.
"I should get Simon," he said. "He'll want to know."
Another nod, but he didn't move, just watched me as I kept sipping the warm water.
"Chloe."
I took my time looking up, certain he'd figured out what I'd been thinking and was about to let me down gently. He wouldn't say, " Sorry, I'm not interested, " because that wouldn't be Derek- too presumptious- but he'd find some way to convey the same message, as I had with Simon. I like you. I just don't like you that way.
"Chloe?"
I looked up than, and what I saw in his eyes-- my hands fumbled the glass, and I dropped it, water spalashing over me, soaking my jeans. I scrambled to catch that glass before it hit the floor, barely making it, on one knee, prize gripped firmly in my hand. And I was still there when I felt the glass being tugged from my fingers. I looked up to see Derek crouching in front of me, his face inches from mine. He leaned forward and--
"What'd you lose?"
Simon's voice came from the doorway, and we shot to our feet so fast we collided.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
I reach out and take his hand.
“Well, he probably used up a lot of resources helping me knock you out,” I say mischievously.
“Yeah, about that,” says Peeta, entwining his fingers in mine. “Don’t try something like that again.”
“Or what?” I ask.
“Or . . . or . . .” He can’t think of anything good. “Just give me a minute.”
“What’s the problem?” I say with a grin.
“The problem is we’re both still alive. Which only reinforces the idea in your mind that you did the right thing,” says Peeta.
“I did do the right thing,” I say.
“No! Just don’t, Katniss!” His grip tightens, hurting my hand, and there’s real anger in his voice. “Don’t die for me. You won’t be doing me any favors. All right?”
I’m startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. “Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren’t the only one who . . . who worries about . . . what it would be like if. . .”
I fumble. I’m not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don’t want him to die. And it’s not about the sponsors. And it’s not about what will happen back home.
And it’s not just that I don’t want to be alone. It’s him. I do not want to lose the boy with the bread.
“If what, Katniss?” he says softly.
I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I’m feeling, it’s no one’s business but mine.
“That’s exactly the kind of topic Haymitch told me to steer clear of,” I say evasively, although Haymitch never said anything of the kind. In fact, he’s probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it.
“Then I’ll just have to fill in the blanks myself,” he says, and moves in to me.
This is the first kiss that we’re both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious.
This is the first kiss that makes me want another.
But I don’t get it. Well, I do get a second kiss, but it’s just a light one on the tip of my nose because Peeta’s been distracted.
“I think your wound is bleeding again. Come on, lie down, it’s bedtime anyway,” he says.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I don’t want to lose you.”
He reaches for my hand and pulls me to him. “You are not going to lose me,” he says, peering down at me. “I promise.”
I want to believe him so badly. I need to believe him. “What if you lose me?”
He smiles at me, his grip hard. “Then I’ll just hold on tighter.
”
”
Karina Halle (The Pact)
“
You sure no one hit you?" He did not sound convinced.
"Yes. I lose my grip and hit the floor when I was climbing in the window. My home invasion skills need work."
"I'd suggest you try a different career path.
”
”
Kylie Scott (Dirty (Dive Bar, #1))
“
Mr. Normal stepped forward and offered him a Scotch bottle. "You look like you could use some."
Yeah, you think? Butch took a swig. "Thanks."
"So can we kill him now?" said the one with the goatee and the baseball hat.
Beth's man spoke harshly. "Back off, V."
"Why? He's just a human."
"And my shellan is half-human. The man doesn't die just because he's not one of us."
"Jesus, you've changed your tune." "So you need to catch up, brother." Butch got to his feet. If his death was going to be debated, he wanted in on the discussion. "I appreciate the support," he said to Beth's boy. "But I don't need it."
He went over to the guy with the hat, discreetly switching his grip on the bottle's neck in case he had to crack the damn thing over a head. He moved in tight, so their noses were almost touching. He could feel the vampire heating up, priming for a fight.
"I'm happy to take you on, asshole," Butch said. "I'll probably end up losing, but I fight dirty, so I'll make you hurt while you kill me." Then he eyed the guy's hat.
"Though I hate clocking the shit out of another Red Sox fan."
There was a shout of laughter from behind him. Someone said, "This is gonna be fun to watch."
The guy in front of Butch narrowed his eyes into slits. "You true about the Sox?"
"Born and raised in Southie. Haven't stopped grinning since '04."
There was a long pause.
The vampire snorted. "I don't like humans."
"Yeah, well, I'm not too crazy about you bloodsuckers."
Another stretch of silence.
The guy stroked his goatee. "What do you call twenty guys watching the World
Series?"
"The New York Yankees," Butch replied.
The vampire laughed in a loud burst, whipped the baseball cap off his head, and slapped it on his thigh. Just like that, the tension was broken.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))
“
Poem Written in a Copy of Beowulf
At various times, I have asked myself what reasons
moved me to study, while my night came down,
without particular hope of satisfaction,
the language of the blunt-tongued Anglo-Saxons.
Used up by the years, my memory
loses its grip on words that I have vainly
repeated and repeated. My life in the same way
weaves and unweaves its weary history.
Then I tell myself: it must be that the soul
has some secret, sufficient way of knowing
that it is immortal, that its vast, encompassing
circle can take in all, can accomplish all.
Beyond my anxiety, beyond this writing,
the universe waits, inexhaustible, inviting.
”
”
Jorge Luis Borges
“
I walk the three blocks to the school slowly, like if I’m not careful of every step, every tiny movement, I will lose my grip on gravity and go flying up into the stratosphere.
”
”
Brenna Yovanoff (Paper Valentine)
“
I hated him, loved him, wanted him, and yet I wished him away. So many conflicting emotions of wants and needs. So much fear. Not because of him, but because of myself—of how deep my feelings and desires were running, and how much I would fall if I happened to lose my grip.
”
”
J.C. Reed (Conquer Your Love (Surrender Your Love, #2))
“
I'm flummoxed by this unraveling of time, I'm losing my grip on myself. I know that nothing awful will happen on the other side of the door. If anything, I'm about to have a perfectly forgettable day: a class to teach, a meeting with colleagues, maybe a movie. But I'm afraid of forgetting something crucial—my cell phone or my identity card, my health insurance or my keys. And I'm afraid of running into trouble.
”
”
Jhumpa Lahiri (Whereabouts)
“
Tristan's decline was steady and sure after that.
Every tragedy, every harship, seemed to suck him just a little bit deaper into the grip of his own personal hell.
It felt like every slip up, every relapse, was pulling us down, until the weight of all our failures was dragging us under.
At first we were drowning together, but my will to survive was too strong to let that continue forever.
My hold on him became weaker and weaker, and eventually, every finger broken, my hands opened, and I let him go.
No one could say I didn't fight for him. No one could say I didn't lose.
”
”
R.K. Lilley (Rock Bottom (Tristan & Danika, #2))
“
Something snaps.
I hear a gasp.
I spin around.
I jump up, alert, searching for the sound. It seemed close by. Someone saw me. Someone—
A civilian. She’s already darting away, her body pressed against the wall of a nearby unit.
“Hey!” I shout. “You there—”
She stops. Looks up.
I nearly collapse.
Juliette.
She’s staring at me. She’s actually here, staring at me, her eyes wide and panicked. My legs are suddenly made of lead. I’m rooted to the ground, unable to form words. I don’t even know where to start. There’s so much I want to say to her, so much I’ve never told her, and I’m just so happy to see her—God, I’m so relieved—
She’s disappeared.
I spin around, frantic, wondering whether I’ve actually begun to lose my grip on reality. My eyes land on the little dog still sitting there, waiting for me, and I stare at it, dumbfounded, wondering what on earth just happened. I keep looking back at the place I thought I saw her, but I see nothing.
Nothing.
I run a hand through my hair, so confused, so horrified and angry with myself that I’m tempted to rip it out of my head.
What is happening to me.
”
”
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
“
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me.
He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late.
"Your hands," I croak.
"My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering.
What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth.
"Tris," he says, speaking against my fingers. "I'm all right."
"Why were you there?" I ask, letting my hand drop.
"I was coming back from the control room. I heard a scream."
"What did you do to them?" I say.
"I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say."
"He's in bad shape?"
"He'll live," he replies. He adds bitterly, "In what condition, I can't say."
It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm.
"Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead.
Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful.
"I could report this," he says.
"No," I reply. "I don't want them to think I'm scared."
He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that."
"You think it would be a bad idea if I sat up?"
"I'll help you."
Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan.
He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I love you,” I spoke softly into his ear.
He gripped me harder. “I can’t ever lose you, Danika. I’m not sure I’d survive it.”
“You’ve got me. And I’m not going anywhere. Not ever.”
I meant the words when I said them, but life had other plans for us.
I was, by nature, a fighter, and no one could say I didn’t fight for us.
I’d have given my life for that fight.
In fact, I nearly did.
”
”
R.K. Lilley (Rock Bottom (Tristan & Danika, #2))
“
Do you believe in God?” Her small hand grips onto my larger one. “Yeah, baby girl,” I say, looking down and watching her smile at my answer. “Do you think God will let me see you again?” She continues to ask questions that keep breaking me. “I know he will,” I say, believing it more than anything. My faith has now been shaken, but I can't lose hope that where she is going will be somewhere beautiful and amazing. “When I go to God, will I see Charlie the goldfish?” She yawns, almost drifting off as the hospital machines beep around us. I nearly smile at her question, but I can’t, because at the end of the day we’re talking about death, and the inevitable end that’s fast approaching. “I don’t know, baby girl,” I tell her, wishing I had the right answers for her.
”
”
River Savage (Affliction (Knights Rebels MC, #2))
“
Hear ye Hear ye.... ah, fuck it. We're here today for bullshit and we all know it. So let's dispense with the usual formality and get on with this witch hunt before I lose what little grip I still have on my patience. So, Dare Kattalakis state your case and demands to the council. And do it fast, with as few words as possible." Savitar
"First, I want to restate what a travesty it is that my family's seat is taken by--"
"Wah, wah, wah ... quit crying at the tit. Your brother Vane is the head of the Arcadians and Fury leads the Katagaria. Seek a therapist who gives a shit, or if you'd like to challenge either of them for their position, we can do with some entertainment. Hell, I'll make popcorn for the show. Otherwise, Bitch, get on with it." Savitar
”
”
Sherrilyn Kenyon (Dragonbane (Dark-Hunter, #24; Lords of Avalon, #4; Were-Hunter, #8; Hellchaser, #7))
“
Kate knocked on his door and sucked in some air when he opened the door fresh from a shower. His hair was wet and he had a towel wrapped low on his hips.
"Jeez," Kate said, staring at the towel, her mind running amuck over what the towel was hiding, unable to drag her eyes to Nick's face.
"Is that a good jeez or a bad jeez?"
"It's just jeez. Don't you have a robe?"
"The room didn't come with a robe."
"Okay, so that's why you're wearing the towel. I can see that. Makes perfect sense."
A smile twitched at the corners of Nick's mouth. "Is there something I can do for you?"
"No! Gosh. Absolutely not." Kate stared at the towel. She was pretty sure she saw it move.
Nick tightened his grip on the towel. "Kate?"
"Yep?"
"You're staring."
"I know. I can't help myself."
"Cute," Nick said.
Kate squinched her eyes shut and wrinkled her nose. "Ugh! I hate being cute."
"Cute is good."
"It's not. I'm an FBI agent. There's no cute in the FBI. Cute is goofy."
"I'd grab you and kiss you, but I'd lose my towel, and I'm afraid you'd faint at the sight of me naked."
"I think I could handle it."
Nick dropped his towel
”
”
Janet Evanovich (The Chase (Fox and O'Hare, #2))
“
Mario, I wrote, to give myself courage, had not taken away the world, he had taken away only himself. And you are not a woman of thirty years ago. You are of today, take hold of today, don't regress, don't lose yourself, keep a tight grip. Above all, don't give into distracted or malicious or angry monologues. Eliminate the exclamation points. He's gone, you're still here. You'll no longer enjoy the gleam of his eyes, of his words, but so what? Organize your defenses, preserve your wholeness, don't let yourself break like an ornament, you're not a knickknack, no woman is a knickknack. La femme rompue, ah, rompue, the destroyed woman, destroyed, shit. My job, I thought, is to demonstrate that one can remain healthy. Demonstrate it to myself, no one else. If I am exposed to lizards, I will fight the lizards. If I am exposed to ants, I will fight the ants. If I am exposed to thieves, I will fight the thieves. If I am exposed to myself, I will fight myself.
”
”
Elena Ferrante (The Days of Abandonment)
“
He's tried to explain this a couple of times to a few of his buddies after about five beers. Like listen, listen. Imagine you live in this country, right? And there's a brutal war, and you witness and maybe participate in a horrific amount of violence, and you lose absolutely everyone you care about. Then you end up in this other country, where the culture and ways of doing things are completely foreign to you, and random assholes make fun of you for how you dress and act and talk while you're still coming to grips with the fact that everyone you love is gone and you can never go home again. Meanwhile, everyone around you is like "smile, motherfucker, you're in the Land of Plenty now, where there's a Starbucks on every corner and 500 channels on TV. You should be grateful! Why aren't you acting more grateful?" So you have to pretend to be grateful while you're dying inside. Sound like an traumatized, orphaned refugee? Also sounds like Steve fucking Rogers, Captain Goddamn America. Except that most refugees were part of a community of other people who were going through the same thing. Steve is all alone, the last damn unicorn, if the last unicorn had horrible screaming nightmares about the time when it helped to liberate Buchenwald.
”
”
Spitandvinegar (Ain't No Grave (Can Keep My Body Down) (Ain't No Grave, #2))
“
He just chuckles. “Aw, that’s okay. I saw how nice the house looks, so Pike must be working you pretty hard already.”
“Oh, you have no idea,” I tease. “I’m working up a sweat way past my bedtime lately.”
The wrench in Pike’s hand falters, and he loses his grip on the bolt, shooting me a look.
I fold my grin between my teeth and turn around, walking up the steps and disappearing into the house.
”
”
Penelope Douglas (Birthday Girl)
“
I suck on her clit first, stretching it into my mouth and going back in again and again, making her squirm and desperate to come. I lick her up and down, swirling my tongue around over her nub and getting drunk on her scent and taste. After a minute, I lose control, though, and I’m kissing and nibbling her everywhere. I curve my arm under her thigh and grip it for support as I feed off her, doing it as much for me as her. Her back arches off the bed when I flick her with my tongue, and she moans.
”
”
Penelope Douglas (Birthday Girl)
“
Oh, you have no idea,” I tease. “I’m working up a sweat way past my bedtime lately.” The wrench in Pike’s hand falters, and he loses his grip on the bolt, shooting me a look.
”
”
Penelope Douglas (Birthday Girl)
“
Everything about it was false. Right then, in that office, with the realization that no one knew the truth about my life, my thoughts about the world were shaken. Like driving along a bumpy road and losing control of the steering wheel, tossing you-just a tad-off the road. The wheels kick up some dirt, but you're able to pull it back. Yet no matter how tightly you grip the wheel, no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much-too tiring-and you consider letting go. Allowing tragedy...or whatever...to happen.
”
”
Jay Asher (Thirteen Reasons Why)
“
The magic flooded us again. This time Derek was ready—his face showed no change. Ghastek, on the other hand, halted in midrise halfway off the ground.
I unsheathed Slayer. Derek backed away, giving himself room for a leap. If the vamp went berserk, we’d be in a hell of a lot of trouble.
“Ghastek?” I murmured.
“Just a second.” His voice sounded muffled.
“Are you losing your grip on him?”
“What?”
The vampire dropped to the floor, regarding me with blood-drenched eyes. “Whatever led you to that conclusion?”
“You froze.”
“If you must know, an apprentice brought me my espresso and I burned my tongue on it.”
Derek grimaced, disgust practically dripping off his face.
”
”
Ilona Andrews (Magic Burns (Kate Daniels, #2))
“
Some days things happen that are so weird, you know? And all you can think is, did that really just happen? Fuck. Whenever I feel like I have a handle on something, it goes sideways and I lose my grip. How do you get used to it?
”
”
Aileen Erin (Alpha Divided (Alpha Girl, #3))
“
If you're gonna leave, I wish you'd just leave."
I flinched. "What?"
"Why do you keep coming back if you're not going to stay?" The hand that held mine tightened its grip, and my fingers turned white. "Because even when you're gone, you're never really gone."
I could feel his hot breath on my face.
"Whatever it is that's got a pull on you-and taking you away-it's strong. Stronger than any of us here. I can tell. And I won't get over it if you keep coming back."
I couldn't believe what he was saying. "Jack,I-"
"No.Losing you once was hard enough. And now you're here again and everything's coming back.I'm going to get screwed. And I can't do it again. And the people around me can't watch me do it again.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Myths are like dreams in that without them, we’re as good as dead. However…dreams can be dangerous. Anybody living with one they are unable to manifest, articulate and/or share has, perhaps, already begun losing their handle. In the face of unknowns, I appreciate handles. They let me float in the abyss, knowing there is a grip to return to somewhere. Occasionally, I feel the only real handle there is, is my physical body. It’s a relief to release that grip on occasion—to collapse, drop my big act and “die.
”
”
Antero Alli (The Akashic Record Player: A Non-Stop Geomantic Conspiracy)
“
One of my greatest weaknesses has always been that sometimes grief and fear can grip me so completely that I lose control. I could feel it happening then, that old demon clawing: the shortness of breath, a pounding heart, the sense that I was spiraling and couldn’t stop.
”
”
Ashley Winstead (Midnight is the Darkest Hour)
“
Sometimes in life, there are moments that stay with us, when we take an internal snapshot, so we never lose them. That was one of those moments, when I was neither in the past nor the future. I was right there, sinking deep within myself and allowing my emotions to wrap around his.
”
”
Valentine and Hopewell (He Walks Past My House: Uniquely written live on Instagram. The NEW psychological thriller that gripped its followers.)
“
I did not know Alice Metcalf. But i know there are two ways to lives Jenna's way, where you hang onto what you have in a death grip so you don't lose it; or my way, where you walk away from everything and everyone that matters before they can leave you behind. Either way, you're bound to be disappointed
”
”
Jodi Picoult (Leaving Time)
“
Darn! what a beautiful night!
Heading towards Pandara Road-Gulati Restaurant, with open windows of my baby sedan and this broad chest guy with big brown eyes.
He hums the oldies well and his Issey Miyake is making me lose the grip over my senses.
One more thing is distracting me, he ain't wearing anything inside but a transparent white, V necked, cotton short Kurta.
I can see the hair winking out and his collar bones!!
Not only men get excited by transparent dresses but women as well.
His broad shoulders and chest is my weakness and he knows it.
This man is not doing good to me!
It's a crime to seduce in this way, when you are not touched, when you are distracted by the aroma of his skin, when you know, he is well aware of the intentions..
when you can't do anything except getting seduced by the corner stretching smile of a man with animal instinct..
I certainly am missing myself to be tied up to the bedpost,choked and groaning his name!
”
”
Himmilicious (The Knot : A Relationship beyond marriage.)
“
Once there were three tribes. The Optimists, whose patron saints were Drake and Sagan, believed in a universe crawling with gentle intelligence—spiritual brethren vaster and more enlightened than we, a great galactic siblinghood into whose ranks we would someday ascend. Surely, said the Optimists, space travel implies enlightenment, for it requires the control of great destructive energies. Any race which can't rise above its own brutal instincts will wipe itself out long before it learns to bridge the interstellar gulf.
Across from the Optimists sat the Pessimists, who genuflected before graven images of Saint Fermi and a host of lesser lightweights. The Pessimists envisioned a lonely universe full of dead rocks and prokaryotic slime. The odds are just too low, they insisted. Too many rogues, too much radiation, too much eccentricity in too many orbits. It is a surpassing miracle that even one Earth exists; to hope for many is to abandon reason and embrace religious mania. After all, the universe is fourteen billion years old: if the galaxy were alive with intelligence, wouldn't it be here by now?
Equidistant to the other two tribes sat the Historians. They didn't have too many thoughts on the probable prevalence of intelligent, spacefaring extraterrestrials— but if there are any, they said, they're not just going to be smart. They're going to be mean.
It might seem almost too obvious a conclusion. What is Human history, if not an ongoing succession of greater technologies grinding lesser ones beneath their boots? But the subject wasn't merely Human history, or the unfair advantage that tools gave to any given side; the oppressed snatch up advanced weaponry as readily as the oppressor, given half a chance. No, the real issue was how those tools got there in the first place. The real issue was what tools are for.
To the Historians, tools existed for only one reason: to force the universe into unnatural shapes. They treated nature as an enemy, they were by definition a rebellion against the way things were. Technology is a stunted thing in benign environments, it never thrived in any culture gripped by belief in natural harmony. Why invent fusion reactors if your climate is comfortable, if your food is abundant? Why build fortresses if you have no enemies? Why force change upon a world which poses no threat?
Human civilization had a lot of branches, not so long ago. Even into the twenty-first century, a few isolated tribes had barely developed stone tools. Some settled down with agriculture. Others weren't content until they had ended nature itself, still others until they'd built cities in space.
We all rested eventually, though. Each new technology trampled lesser ones, climbed to some complacent asymptote, and stopped—until my own mother packed herself away like a larva in honeycomb, softened by machinery, robbed of incentive by her own contentment.
But history never said that everyone had to stop where we did. It only suggested that those who had stopped no longer struggled for existence. There could be other, more hellish worlds where the best Human technology would crumble, where the environment was still the enemy, where the only survivors were those who fought back with sharper tools and stronger empires. The threats contained in those environments would not be simple ones. Harsh weather and natural disasters either kill you or they don't, and once conquered—or adapted to— they lose their relevance. No, the only environmental factors that continued to matter were those that fought back, that countered new strategies with newer ones, that forced their enemies to scale ever-greater heights just to stay alive. Ultimately, the only enemy that mattered was an intelligent one.
And if the best toys do end up in the hands of those who've never forgotten that life itself is an act of war against intelligent opponents, what does that say about a race whose machines travel between the stars?
”
”
Peter Watts (Blindsight (Firefall, #1))
“
Praise be to Allah, who revealed the Book, controls the clouds, defeats factionalism, and says in His Book: 'But when the forbidden months are past, then fight and slay the pagans wherever ye find them, seize them, beleaguer them, and lie in wait for them in every stratagem (of war)'; and peace be upon our Prophet, Muhammad Bin-'Abdallah, who said: I have been sent with the sword between my hands to ensure that no one but Allah is worshipped, Allah who put my livelihood under the shadow of my spear and who inflicts humiliation and scorn on those who disobey my orders.
...All these crimes and sins committed by the Americans are a clear declaration of war on Allah, his messenger, and Muslims. And ulema have throughout Islamic history unanimously agreed that the jihad is an individual duty if the enemy destroys the Muslim countries. This was revealed by Imam Bin-Qadamah in 'Al- Mughni,' Imam al-Kisa'i in 'Al-Bada'i,' al-Qurtubi in his interpretation, and the shaykh of al-Islam in his books, where he said: 'As for the fighting to repulse [an enemy], it is aimed at defending sanctity and religion, and it is a duty as agreed [by the ulema]. Nothing is more sacred than belief except repulsing an enemy who is attacking religion and life.'
On that basis, and in compliance with Allah's order, we issue the following fatwa to all Muslims:
The ruling to kill the Americans and their allies -- civilians and military -- is an individual duty for every Muslim who can do it in any country in which it is possible to do it, in order to liberate the al-Aqsa Mosque and the holy mosque [Mecca] from their grip, and in order for their armies to move out of all the lands of Islam, defeated and unable to threaten any Muslim. This is in accordance with the words of Almighty Allah, 'and fight the pagans all together as they fight you all together,' and 'fight them until there is no more tumult or oppression, and there prevail justice and faith in Allah.'
...We -- with Allah's help -- call on every Muslim who believes in Allah and wishes to be rewarded to comply with Allah's order to kill the Americans and plunder their money wherever and whenever they find it. We also call on Muslim ulema, leaders, youths, and soldiers to launch the raid on Satan's U.S. troops and the devil's supporters allying with them, and to displace those who are behind them so that they may learn a lesson.
...Almighty Allah also says: 'O ye who believe, what is the matter with you, that when ye are asked to go forth in the cause of Allah, ye cling so heavily to the earth! Do ye prefer the life of this world to the hereafter? But little is the comfort of this life, as compared with the hereafter. Unless ye go forth, He will punish you with a grievous penalty, and put others in your place; but Him ye would not harm in the least. For Allah hath power over all things.'
Almighty Allah also says: 'So lose no heart, nor fall into despair. For ye must gain mastery if ye are true in faith.'
[World Islamic Front Statement, 23 February 1998]
”
”
Osama bin Laden
“
I can’t fucking believe he wants to organize my dildos. He shrugs. “Okay. If you decide you want them arranged by frequency of use, that’s fine too.” Then, shocking me so much I lose the power of speech, he winks and adds, “I noticed the grip on the demon one is starting to get worn. You might need to replace it. Though, you should know that there’s no substitute for the real thing.
”
”
Louisa Masters (Demons Do It Better (Hidden Species #1))
“
Anyway, they had a row about whether I was Stan or not. It was a bit pathetic to be honest, but there were still five of them and only one of me and they’d taken my wand. Then two of them got into a fight and while the others were distracted I managed to hit the one holding me in the stomach, grabbed his wand, Disarmed the bloke holding mine and Disapparated. I didn’t do it so well, Splinched myself again –’
Ron held up his right hand to show two missing fingernails; Hermione raised her eyebrows coldly ‘– and I came out miles from where you were. By the time I got back to that bit of riverbank where we’d been … you’d gone.’
‘Gosh, what a gripping story,’ Hermione said, in the lofty voice she adopted when wishing to wound. ‘You must have been simply terrified. Meanwhile, we went to Godric’s Hollow and, let’s think, what happened there, Harry? Oh yes, You-Know-Who’s snake turned up, it nearly killed both of us and then You-Know-Who himself arrived and missed us by about a second.’
'What?’ Ron said, gaping from her to Harry, but Hermione ignored him.
‘Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn’t it?
”
”
J.K. Rowling
“
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
”
Cecelia Ahern (Thanks for the Memories)
“
I felt him smile against my skin as he continued his path. “Me neither. How about you, me, and Netflix?”
Hell, yeah. “And no one can know I’m messing around with a pansy-ass rich boy, okay? I’d lose my street cred.”
He snorted, shaking with laughter. “Hey, it’s not the label on the jeans but what’s inside that matters.” And he hefted me up, gripping my ass and pressing me to him.
I moaned, feeling the heat between us. Yeah, okay, smart ass.
”
”
Penelope Douglas (Hideaway (Devil's Night, #2))
“
wall. His forehead touched mine as he gripped my hips, shifting until he was poised back at the core of me. “I’m fucking done with this record deal if it means I’m losing your trust. This is forever for me, sweetheart. I want it all with you. You’re the thing that gets me up in the morning and lets me rest easy at night. I wouldn’t have survived some of the shit these last few months if it weren’t for you. You’re my rock, Danika, and I need you to trust me.
”
”
R.K. Lilley (Rock Bottom (Tristan & Danika, #2))
“
Well then. Let us begin with essentials. Are you free to marry me?” He exhaled slowly, in a pointed effort not to hold his breath.
“Of course. When I come of age, that is.”
“Tell me your birthday.”
She smiled. “The first of February.”
“It will be our wedding day.” He traced the shape of the birthmark on her hip. “Very convenient for me, for your birthday and our anniversary to coincide. I’ll be more likely to remember both.”
“I wish you would stop touching me there.”
“Do you? Why?”
“Because it is ugly. I hate it.”
He tilted his head, surprised. “I quite adore it. It reminds me that you are imperfectly perfect and entirely mine.” He slid down her body and bent to kiss the mark to prove the point. “There’s a little thrill in knowing no one else has seen it.”
“No other man, you mean.” He kissed her there again, this time tracing the shape with his tongue. She squirmed and laughed. “When I was a child, I would scrub at it in the bath. My nursemaid used to tell me, God gives children birthmarks so they won’t get lost.” Her mouth curled in a bittersweet smile. “Yet here I am, adrift on the ocean on the other side of the world. Don’t they call that irony?”
“I believe they call it Providence.” He tightened his hands over her waist. “You’re here, and I’ve found you. And I take pains not to lose what’s mine.”
He kissed her hip again, then slid his mouth toward her center as he settled between her thighs.
“Gray,” she protested through a sigh of pleasure. “It’s late. We must rise.”
“I assure you, I’ve risen.”
“I’ve work to do.” She writhed in his grip. “The men will be wanting their breakfast.”
“They’ll wait until the captain has finished his.”
“Gray!” She gave a gasp of shock, then one of pleasure. “What a scoundrel you are.”
He came to his knees and lifted her hips, sinking into her with a low groan. “Sweet,” he breathed as she began to move with him, “you would not have me any other way.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
She opened the book.
“Don’t,” said Arin. “Please.”
But she had already seen the inscription.
For Arin, it read, from Amma and Etta, with love.
This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk.
Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not.
Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.”
“It is my book,” Irex said.
There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?”
Arin’s answer was low. “No.”
“Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.”
“He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.”
“Yes, your property. Let us not forget that we are also discussing my property.”
“He will be returned to you.”
“So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.”
Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.”
Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.”
Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her.
“Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.”
“I think we’ll enjoy this method more.”
“A challenge.” He tsked. “I’ll let you take it back. Just this one.”
“I cannot take it back.”
At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades.
“I’ll even let you choose the weapons,” Irex said.
“Needles. Now it is to you to choose the time and place.”
“My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.”
This gave Kestrel pause. But she nodded, and finally turned to Arin.
He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up.
“You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--”
“Not a word. Don’t speak until we are in the carriage.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Hey! Give that back!" Panic started to set in. Ignoring the fact that I was only in my panties, I jumped up out of bed and grabbed at the sweatshirt, trying to pull it back to me. I couldn't lose it, I just couldn't.
But then his jaw dropped. "You're not wearing pants!" He slapped his hand over his eyes and let me pull the shirt out of his grip. "Damn it, put some clothes on."
That gave me pause, and might have made me laugh if I wasn't so freaked out. The demon from hell was unnerved by me being half-dressed?
”
”
Erin McCarthy (The Coming Dark)
“
When a man starts my program, he often says, “I am here because I lose control of myself sometimes. I need to get a better grip.” I always correct him: “Your problem is not that you lose control of yourself, it’s that you take control of your partner. In order to change, you don’t need to gain control over yourself, you need to let go of control of her.” A large part of his abusiveness comes in the form of punishments used to retaliate against you for resisting his control. This is one of the single most important concepts to grasp about an abusive man.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
Right then, in that office, with the realization that no one knew the truth about my life, my thoughts about the world were shaken. Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you’re able to pull it back. Yet no matter how tightly you grip the wheel, no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much—too tiring—and you consider letting go. Allowing tragedy . . . or whatever . . . to happen.
”
”
Jay Asher (Thirteen Reasons Why)
“
On this bald hill the new year hones its edge.
Faceless and pale as china
The round sky goes on minding its business.
Your absence is inconspicuous;
Nobody can tell what I lack.
Gulls have threaded the river’s mud bed back
To this crest of grass. Inland, they argue,
Settling and stirring like blown paper
Or the hands of an invalid. The wan
Sun manages to strike such tin glints
From the linked ponds that my eyes wince
And brim; the city melts like sugar.
A crocodile of small girls
Knotting and stopping, ill-assorted, in blue uniforms,
Opens to swallow me. I’m a stone, a stick,
One child drops a carrette of pink plastic;
None of them seem to notice.
Their shrill, gravelly gossip’s funneled off.
Now silence after silence offers itself.
The wind stops my breath like a bandage.
Southward, over Kentish Town, an ashen smudge
Swaddles roof and tree.
It could be a snowfield or a cloudbank.
I suppose it’s pointless to think of you at all.
Already your doll grip lets go.
The tumulus, even at noon, guargs its black shadow:
You know me less constant,
Ghost of a leaf, ghost of a bird.
I circle the writhen trees. I am too happy.
These faithful dark-boughed cypresses
Brood, rooted in their heaped losses.
Your cry fades like the cry of a gnat.
I lose sight of you on your blind journey,
While the heath grass glitters and the spindling rivulets
Unpool and spend themselves. My mind runs with them,
Pooling in heel-prints, fumbling pebble and stem.
The day empties its images
Like a cup of a room. The moon’s crook whitens,
Thin as the skin seaming a scar.
Now, on the nursery wall,
The blue night plants, the little pale blue hill
In your sister’s birthday picture start to glow.
The orange pompons, the Egyptian papyrus
Light up. Each rabbit-eared
Blue shrub behind the glass
Exhales an indigo nimbus,
A sort of cellophane balloon.
The old dregs, the old difficulties take me to wife.
Gulls stiffen to their chill vigil in the drafty half-light;
I enter the lit house.
”
”
Sylvia Plath
“
He held me much closer than Carl had. His grip was firm and possessive. It left no doubt in anyone’s mind who I belonged to and that alone sent a thrill through me that I knew was wrong. He imprisoned me in the unwavering chains of his gaze, leaving me powerless to break away while he scrutinized my soul. I wondered what he was looking for.
“You came.”
The hand on my waist slid over the swell in my spine where it connected to the rise of my backside. His palm flattened against the spot and I was drawn even closer, eliminating what modicum of space there had been between us. My soft frame was cradled seamlessly into the unyielding length of his in all the places that counted, thighs, pelvis, stomach … breasts. I couldn’t even breathe without feeling the skim of my hardened nipples against his chest. I couldn’t move without feeling his cock reaching for me through miles of fabric to prod into my midsection.
He was long and hard and I grew wet from that knowledge alone.
“Gabriel…”
“I couldn’t leave without having this dance with you.”
My fingers tightened around his shoulder. “Why?”
His quiet exhalation whispered over the curve of my cheeks, smelling of mint and despair. “Because the further away I got from you, the more it felt like if I kept driving, I would lose you for good and that scared me like nothing else.
”
”
Airicka Phoenix (The Voyeur Next Door)
“
I did not think of myself as a violent man. But the more times we were attacked, the more lives we lost, the harder it was to keep those demons at bay. It was another moment I found myself thankful to have Jerry. He was the rational, intelligent one. He kept me from letting the anger completely consume me and from doing anything really stupid. He prevented me from running wild through the streets of Yusafiah.
But it was clear I was losing my grip on reality. One evening I was on the roof of a building at an intersection in some little town. I wasn’t wearing my helmet or my vest. I was just in a T-shirt. The roofs were flat and there was about a two-foot-high wall at the ledge. I stood there with my right foot propped up on the wall and looked out at the little town. I felt fueled with power. Like I was having the ultimate manly man moment. I could see then why people say power is addictive. I felt high on it in that moment. All my life I had strived to be “manly.” Everything I did was about being “the man.” And in that moment that is how I felt: completely dominant. As I stood on that roof unprotected and not giving a shit, I looked out over the town and said to myself, but as if I were talking to all of them, “Work with me or against me. I can either destroy you or I can help you.” I believed every word of that. Nothing could touch me. No one could hurt me. I was completely invincible.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
All My Life
All my life I've been searching for something
Something never comes, never leads to nothing
Nothing satisfies, but I'm getting close
Closer to the prize at the end of the rope
All night long I dream of the day
When it comes around and it's taken away
Leaves me with the feeling that I feel the most
Feel it come to life when I see your ghost
Calm down, don't you resist
You've such a delicate wrist
And if I give it a twist
Something to hold when I lose my grip
Will I find something in there
To give me just what I need
Another reason to bleed
One by one hidden up my sleeve
One by one hidden up my sleeve
Hey don't let it go to waste
I love it but I hate the taste
Weight keep pinning me down
Hey don't let it go to waste
I love it but I hate the taste
Weight keep pinning me down
Will I find a believer
Another one who believes
Another one to deceive
Over and over down on my knees
If I get any closer
And if you open up wide
And if you let me inside
On and on I got nothing to hide
On and on I got nothing to hide
Hey don't let it go to waste
I love it but I hate the taste
Weight keep pinning me down
Hey don't let it go to waste
I love it but I hate the taste
Weight keep pinning me down
All my life I've been searching for something
Something never comes, never leads to nothing
Nothing satisfies, but I'm getting close
Closer to the prize at the end of the rope
All night long I dream of the day
When it comes around and it's taken away
Leaves me with the feeling that I feel the most
Feel it come to life when I see your ghost
Then I'm done, done, on to the next one
Done, done, and I'm on to the next one
Done, done, and I'm on to the next one
Done, done, and I'm on to the next one
Done, done, and I'm on to the next one
Done, done, and I'm on to the next one
Done, done, and I'm on to the next one
Done, I'm done, and on to the next
Done, done, on to the next one
Done, I'm done, and on to the next one
Done, done, on to the next one
Done, I'm done, and on to the next
Hey don't let it go to waste
I love it but I hate the taste
Weight keep pinning me down
Hey don't let it go to waste
I love it but I hate the taste
Weight keep pinning me down
Done, done, on to the next one
Done, I'm done, and on to the next
”
”
Foo Fighters
“
What did you say to them?”
“Told them I was Stan Shunpike. First person I could think of.”
“And they believed that?”
“They weren’t the brightest. One of them was definitely part troll, the smell off him…”
Ron glanced at Hermione, clearly hopeful she might soften at this small instance of humor, but her expression remained stony above her tightly knotted limbs.
“Anyway, they had a row about whether I was Stan or not. It was a bit pathetic to be honest, but there were still five of them and only one of me and they’d taken my wand. Then two of them got into a fight and while the others were distracted I managed to hit the one holding me in the stomach, grabbed his wand, Disarmed the bloke holding mine, and Disapparated. I didn’t do it so well, Splinched myself again”--Ron held up his right hand to show two missing fingernails; Hermione raised her eyebrows coldly--“and I came out miles from where you were. By the time I got back to that bit of riverbank where we’d been…you’d gone.”
“Gosh, what a gripping story,” Hermione said in the lofty voice she adopted when wishing to wound. “You must have been simply terrified. Meanwhile we went to Godric’s Hollow and, let’s think, what happened there, Harry? Oh yes, You-Know-Who’s snake turned up, it nearly killed both of us, and then You-Know-Who himself arrived and missed us by about a second.”
“What?” Ron said, gaping from her to Harry, but Hermione ignored him.
“Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn’t it?
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Isaiah lazily yet deliberately tilts his head as he stares into my eyes. My entire body hums and a fuzzy sensation fills my head, making it hard to focus. My mouth opens then closes. And as he slowly bends down, my tongue quickly licks my dry lips.
I hope I’m doing this right. I want to do this right.
Isaiah slips his hand from my chin to cradle my head. His fingers tunnel through my hair, making the back of my neck tingle with anticipation as the pad of his thumb whispers gently against my cheek. His lips hover right next to mine and his warm breath heats my face.
The blood pounds so wildly in my veins that he has to sense the vibration. There’s a magnetic pull taking over the small distance between our lips. An energy I can’t resist. My head inclines opposite his and the moment I close my eyes, his mouth brushes mine.
Soft. Warm. Gentle. His lips move slowly, exerting pressure. And I feel like I can’t breathe, yet like I’m flying. The pressure ends, but his mouth stays near mine. His hand grips my waist and my spine gives at the shockingly right pleasure of his touch.
Isaiah senses my weakness and his hand snakes its way around my waist, his strong arm holds me up. And he explores again. A little pressure on my lower lip. A little pressure on the top. And then I remember that I’m supposed to kiss him back.
Nerves send small shock waves through my chest, and my hand trembles as I raise it to his shoulders. I press both my lips into his lower one right as my fingers caress the side of his neck. Isaiah shivers. In a good way, I think.
I open my mouth to ask when his lips move fast against mine, sucking in my lower one, causing warmth and excitement to explode in my body, the aftermath of that divine encounter melting every piece of me.
I moan, and Isaiah’s arm tightens, bringing my body closer to his. My lips maneuver against his in response. A yes to his pulling me closer. A yes to his lips taking in mine. A yes to the fact that he allows me to perform the same succulent kiss on him.
I can’t help it. I permit the tip of my tongue to barely brush his lower lip. Isaiah curls my hair into his fist and I love how my touch affects him, affects me. Wrapping my other arm around his neck, I lose all sense of independence with his sweet taste.
I like this. I like this a lot.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.”
“What problem?” Cam played lightly with the folds of her skirts, watching her face alertly.
“Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in.”
“Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.”
Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”— she paused with a quick, abashed smile—“ whatever that is.”
“My bride. My wife.”
Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him … I knew what I would think at the very last moment of my life.”
His thumb smoothed over the tender surface of her knuckle. “Yes, love?”
“I would think,” she continued, “‘ Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.’”
“Not necessary,” he assured her gently. “Statistically speaking, we’ll have at least ten, fifteen thousand days to spend together.”
“I don’t want to be apart from you for even one of them.”
Cam cupped her small, serious face in his hands, his thumbs skimming the trace of tears beneath her eyes. His gaze caressed her. “Are we to live in sin, love, or will you finally agree to marry me?”
“Yes. Yes. I’ll marry you. Although … I still can’t promise to obey you.”
Cam laughed quietly. “We’ll manage around that. If you’ll at least promise to love me.”
Amelia gripped his wrists, his pulse steady and strong beneath her fingertips. “Oh, I do love you, you’re—”
“I love you, too.”
“— my fate. You’re everything I—” She would have said more, if he had not pulled her head to his, kissing her with hard, thrilling pressure.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Thank you, Bris. God, I’ve missed you so much. I love you,” he whispers over my lips, sending his tongue in to taste me. “I can’t stop touching you. I thought I might lose . . .” His voice breaks. He buries his head in my neck, and I feel his tears mingling with the sweat sheening my body. He reaches up, looking at me with wet eyes, and brushes away the tears I didn’t realize were streaming over my cheeks, too. “We made it.” He smiles at me, eyes tender. “I told you we could survive anything together.” He never doubted us. When I wasn’t sure I could make it, when I couldn’t find my way out of the darkness entombing me, he came for me. “Don’t ever tell me not to save you,” I say, tears rolling between my naked breasts and over the gold that binds our hearts together. “You saved me, Grip. You came for me.
”
”
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
“
The neon orange orb sat low in the sky, slowly breaking free of the horizon like the waking memory of a dream. The salty air smelled faintly of fish, and was thick with humidity and hung like a cloak over my body. The lavender sky at the horizon faded into cerulean above and behind me. The soft breeze whispered past my face, teasing my hair on its way to tickle the sawgrass that swayed in gratitude as if laughing like a child.
I sat on the top plank of the boardwalk rail, the wood heavy with atmosphere and was damp and cool under my left palm. The surprising warmth of the winter air and the cool of the wood reminded me that yes, I am alive! Yes, I am grateful for this morning! And yes, I am glad to be here!
The paper in my notebook as I wrote this began to feel sticky and moist within a few minutes. The ink from my pen seemed to grip the paper faster and firmer as if to say, I’m here, I’m happy, and I don’t want to lose this moment. Like my ink, I too wanted to cling to this morning.
The sky started turning a peachy orange at the bottom and the ocean was sea foam green. The waves were breaking quietly, as if to give my thoughts amplitude so I could record and rejoice in the sea’s majesty.
The sand was gray and silky like a freshly pressed pair of slacks. The smooth beach seemed paved with sunlight. A jogger ran by, his knees probably grateful for the even stride the flat surface provided.
Chunks of sea foam lay strewn on the beach like remnants of Poseidon’s nightly bubble bath. A seagull circled low in the air, gliding in the sky with its streamlined body as the sun lit its white wings up like an angel’s halo.
”
”
Jarod Kintz (Gosh, I probably shouldn't publish this.)
“
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all
new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
”
”
Fiona Cole (Lovers (Voyeur, #2))
“
Mario, I wrote, to give myself courage, had not taken away the world, he had taken away only himself. And you are not a woman of thirty years ago. You are of today, take hold of today, don't regress, don't lose yourself, keep a tight grip. Above all, don't give in to distracted or malicious or angry monologues. Eliminate the exclamation points. He's gone, you're still here. You'll no longer enjoy the gleam of his eyes, of his words, but so what? Organize your defenses, preserve your wholeness, don't let yourself break like an ornament, you're not a knickknack, no woman is a knickknack. La femme rompue, ah, rompue, the destroyed woman, destroyed, shit. My job, I thought, is to demonstrate that one can remain healthy. Demonstrate it to myself, no one else. If I am exposed to lizards, I will fight the lizards. If I am exposed to ants, I will fight the ants. If I am exposed to thieves, I will fight the thieves. If I am exposed to myself, I will fight myself.
”
”
Elena Ferrante (The Days of Abandonment)
“
How strange and delicious it was to sit here like this, entwined and filled, while sea breezes rustled through the marram grass on the dunes and quiet waves lapped at the shore.
Eventually Keir lifted his head, his eyes very light in his flushed face. "Put your legs around my waist," he said. He helped to rearrange her limbs until they were pressed together closely in a seated embrace, with his bent knees supporting her. It was surprisingly comfortable, but didn't permit much movement. Instead of thrusting, they were limited to a rocking motion that allowed only an inch or two of his length to withdraw and plunge.
"I don't think this is going to work," Merritt said, her arms looped around his neck.
"Be patient." His mouth sought hers in a warm, flirting kiss. One of his hands searched beneath her skirts to settle on her naked bottom, pulling her forward as they rocked rhythmically.
Feeling awkward, but also having fun, Merritt experimented by bracing her feet on the ground and pushing to help their momentum. The combination of pressure and movement had a stunning effect in her. Every forward pitch brought her weight fully onto him, in deep steady nudges that sent bolts of pure erotic feeling through every nerve pathway. The tension was building, compelling her toward a culmination more intense than anything she'd ever felt. She couldn't drive herself hard onto the heavy shaft, her body taking every inch and clenching frantically on each withdrawal as if trying to keep him inside. Nothing mattered except the rhythmic lunges that pumped more and more pleasure into her.
Keir's breath hissed through his teeth as he felt her electrified response, the cinch of her intimate muscles. His hand gripped over her bottom, pulling her onto him again, again, again, until the relentless unfaltering movement finally catapulted her into a climax that was like losing consciousness, blinding her vision with a shower of white sparks and extinguishing every rational thought.
”
”
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
“
I'm not sure what form I expected the threat to take; a police car actually stopping outside, a powerfully built black man darting up the drive? I had several dreams of siege, in which the house became a frail slatted box, shadowy and exquisite within, the walls all cracked and bleached louvres which fell to powder as one brushed against them. In one dream Arthur and I were there, and others, old school friends, a gaggle of black kids from the Shaft, my grandfather tearful and hopeless. We knew we had no chance of surviving the violence that surrounded us, closing in fast, and I was gripped by a nauseating terror. I woke up in the certain knowledge that I was about to die: the bedsprings were ticking from the sprinting vehemence of my heartbeat. I didn't dare go back to sleep and after a while sat up and read, while Arthur slept deeply beside me. It took days to lose the mood of the dream, and its power to prickle my scalp. The neighbourhood seemed eerily impregnated with it, and its passing made possible a new confidence, as if a sentence had been lifted.
”
”
Alan Hollinghurst (The Swimming-Pool Library)
“
Chase, if you still want to be in the baby’s life, I would love that. But I can’t continue to be in this relationship, besides, we both know it has been doomed from the beginning.” “No it hasn’t!” “I can’t trust you Chase. Especially after this.” “Harper. We. Are not. Breaking up.” He gripped my hands in his, his whole body shaking. “I was going to propose to you after graduation tomorrow!” I recoiled at the thought of him asking me to marry him while he’d been cheating on me. “We need to.” I continued, “You obviously still want to live your old life, and I need to not have to worry about what you’re doing when I’m not with you.” “I don’t want my old life! I don’t want anything without you! You are my everything Harper. You and our baby are my everything.” His head fell into my lap while his body was overtaken by sobs. I sat there silently and ran my fingers through his shaggy blond hair until he calmed down and looked back up into my face, “Maybe sometime later, after you’ve had a chance to think about what you really want, we can give us a shot again.” “Princess please, please don’t do this. I can’t lose you.” “You
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
What sustains us, in belief as in action, is not reason or justification, but something more basic than these-for we go on in the same way even after we are convinced that the reasons have given out. [FN: As Hume says in a famous passage of the Treatise: "Most fortunately it happens, that since reason is incapable of dispelling these clouds, nature herself suffices to that purpose, and cures me of this philosophical melancholy and delirium, either by relaxing this bent of mind, or by some avocation, and lively impression of my senses, which obliterate all these chimeras. I dine, I play a game of backgammon, I converse, and am merry with my friends; and when after three or four hours' amusement, I would return to these speculations, they appear so cold, and strain'd, and ridiculous, that I cannot find in my heart to enter into them any farther" (Book 1, Part 4, Section 7; Selby-Bigge, p. 269).] If we tried to rely entirely on reason, and pressed it hard, our lives and beliefs would collapse-a form of madness that may actually occur if the inertial force of taking the world and life for granted is somehow lost. If we lose our grip on that, reason will not give it back to us.
”
”
Thomas Nagel
“
My ideal man," Malak said ponderingly. "I'm not sure what that means. I don't want the ideal. I want complexity. I want passion. I want imperfection.
"My ideal man is not ideal. But," she said, leaning forward, "I'll tell you about him."
"I want him to have lunch at home. I want him to help me with my own mind. I want him to be bookish, wise, cunning, and exemplary. I want him to be a good storyteller, and always on my side."
"Yes, I want him to be near me. A good conversationalist, proud, not afraid of the lofty heights."
"I want him to be a singer, one who knows and loves a good song, can play an instrument, the oud or the ney, and preferably both. I want him to be a good mourner, know how to attend to the pain of others, a consoler who could assuage the grief I have for all those I loved and befriended and who are no longer here. I want him to be a healer, an expert in all that troubles me. I want him to be a fire that annihilates all danger that lies ahead and behind me and that which I have, somehow, without his help, found a way to avoid. I want him to be faithful---"
"Incapable of deception. I want him to be constant__"
"Constant in his love and in his prayers and, when those prayers are not answered, I want him to change reality with his own hands. I want him to be my lord-"
"For all the world to see. I want him to make me proud, to make vanish old and fresh longings, new and unremembered regrets. I want him to be vigilant-"
"To protect me from sorrows even once their great heights have passed. I want him to know how to deal with the past. I want him to be occasionally gripped by fear-"
"The fear of losing me. I want him to be patient, to help me to endure the injustices visited upon the houses of those I love. But I also want him to be impatient-"
"To lose all reason and hurry off, forgetting his shoes and hat, and ride-"
"His horse flanked by wings of angry dust, galloping, if need be, all night to find the traitorous, to change my fortunes and avenge me."
"And then I want him to return to me, to prosper by my side. I want to take him to the clearest stream, one only I know the way to, and there quench his thirst. I want him to look at me sometimes as if he does not know who I am. But I want to be forever recognized by him, come what may, to point me out in a crowd when, after the passage, we are reunited."
"I want him to see me when I cannot see myself.
”
”
Hisham Matar (My Friends)
“
I’d been reflecting on this--the drastic turn my life and my outlook on love had taken--more and more on the evenings Marlboro Man and I spent together, the nights we sat on his quiet porch, with no visible city lights or traffic sounds anywhere. Usually we’d have shared a dinner, done the dishes, watched a movie. But we’d almost always wind up on his porch, sitting or standing, overlooking nothing but dark, open countryside illuminated by the clear, unpolluted moonlight. If we weren’t wrapping in each other’s arms, I imagined, the quiet, rural darkness might be a terribly lonely place. But Marlboro Man never gave me a chance to find out.
It was on this very porch that Marlboro Man had first told me he loved me, not two weeks after our first date. It had been a half-whisper, a mere thought that had left his mouth in a primal, noncalculated release. And it had both surprised and melted me all at once; the honesty of it, the spontaneity, the unbridled emotion. But though everything in my gut told me I was feeling exactly the same way, in all the time since I still hadn’t found the courage to repeat those words to him. I was guarded, despite the affection Marlboro Man heaped upon me. I was jaded; my old relationship had done that to me, and watching the crumbling of my parents’ thirty-year marriage hadn’t exactly helped. There was just something about saying the words “I love you” that was difficult for me, even though I knew, without a doubt, that I did love him. Oh, I did. But I was hanging on to them for dear life--afraid of what my saying them would mean, afraid of what might come of it. I’d already eaten beef--something I never could have predicted I’d do when I was living the vegetarian lifestyle. I’d gotten up before 4:00 A.M. to work cattle. And I’d put my Chicago plans on hold. At least, that’s what I’d told myself all that time. I put my plans on hold.
That was enough, wasn’t it? Putting my life’s plans on hold for him? Marlboro Man had to know I loved him, didn’t he? He was so confident when we were together, so open, so honest, so transparent and sure. There was no such thing as “give-and-take” with him. He gave freely, poured out his heart willingly, and either he didn’t particularly care what my true feelings were for him, or, more likely, he already knew. Despite my silence, despite my fear of totally losing my grip on my former self, on the independent girl that I’d wanted to believe I was for so long…he knew. And he had all the patience he needed to wait for me to say it.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Don’t think, muñeca. Everything will work itself out.”
“But--”
“No buts. Trust me.” My mouth closes over hers. The smell of rain and cookies eases my nerves.
My hand braces the small of her back. Her hands grip my soaked shoulders, urging me on. My hands slide under her shirt, and my fingers trace her belly button.
“Come to me,” I say, then lift her until she’s straddling me over my bike.
I can’t stop kissing her. I whisper how good she feels to me, mixing Spanish and English with every sentence. I move my lips down her neck and linger there until she leans back and lets me take her shirt off. I can make her forget about the bad stuff. When we’re together like this, hell, I can’t think of anything else but her.
“I’m losing control,” she admits, biting her lower lip. I love those lips.
“Mamacita, I’ve already lost it,” I say, grinding against her so she knows exactly how much control I’ve lost.
She moves her hips in a slow rhythm against me, an invitation I don’t deserve. My fingertips graze her mouth. She kisses them before I slowly slide my hand down her chin to her neck and in between her breasts.
She catches my hand. “I don’t want to stop, Alex.”
I cover her body with mine.
I can easily take her. Hell, she’s asking for it. But God help me if I don’t grow a conscience.
It’s that loco bet I made with Lucky. And what my mom said about how easy it is to get a girl pregnant.
When I made the bet, I had no feelings for this complex white girl. But now…shit, I don’t want to think about my feelings. I hate feelings; they’re only good for screwing up someone’s life. And may God strike me down right now because I want to make love to Brittany, not fuck her on my motorcycle like some cheap whore.
I move my hands away from her cuerpo perfecto, the first sane thing I’ve done tonight. “I can’t take you like this. Not here,” I say, my voice hoarse from emotion overload. This girl was going to gift me with her body, even though she knows who I am and what I’m about to do. The reality is hard to swallow.
I expect her to be embarrassed, maybe even mad. But she curls into my chest and hugs me. Don’t do this to me, I want to say. Instead I wrap my arms around her and hold on tight.
“I love you,” I hear her say so softly it might have been her thoughts.
Don’t, I’m tempted to say. ¡Noǃ ¡Noǃ
My gut twists and I hold her tighter. Dios mío, if things were different I’d never give her up. I burrow my face in her hair and fantasize about stealing her away from Fairfield.
We stay that way for a long time, long after the rain stops and reality sets in.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
think he’ll finish with a growl, make a mess out of me, maybe admire his handiwork, but that’s not what happens at all. Instead he pulls back so that his eyes can hold my own till the very last moment, glassy and nearly all black. His free hand searches blindly, frantically. It grabs mine when he finds it, twining our fingers together in a tight grip, and that’s when I know. When I realize deep in my belly that for Jack this is not about friction or about fucking. It’s not even about coming, or about anything else I might have stupidly suspected. This is about him and me. And the possibility of something that goes far beyond the both of us. “Elsie,” he mouths when he comes. He seems to retreat into himself, to dig deep into his head to deal with the shocking pleasure of it and avoid losing his mind, and all I need to do is hold him tight to remind him that yes. I’m here. With him. I’m here. It’s downright terrifying, what this could be. What I want it to be. It makes me tear up, and then it makes me sob, and then it makes me clutch at Jack for dear life, the splotch of his semen sticking to his shirt and my stomach, pooling in my belly button. To his credit, he doesn’t ask me what’s wrong. He doesn’t beg for explanations. He just holds me close, both arms wrapped around me, even when my tears morph into giggles, like I’m some crazy, unstable girl who doesn’t know what to be or what to feel.
”
”
Ali Hazelwood (Love, Theoretically)
“
Our eyes meet and the look in his gaze is so intense, I shut mine. He pulls me forward and leans into me, his mouth finding mine. He lightly nibbles my bottom lip, and I let out a moan. He whispers into my mouth. "A little bite isn't that bad, is it?"
"No," I say.
His mouth, his lips, become more ravenous, and our heated breaths become one, his chocolaty and spicy. His hands envelop my jawline as he pulls me into him even more. Our tongues explore each other's, gentle and demanding, and my hands slide down his sides. The kiss is urgent, fervent, and so utterly delicious. I'm clinging onto his back now, light-headed and dizzy. Wild tremors rush down my spine right into my loins. I grip him tighter, about to lose my breath as I breathe him in.
He pulls away, groaning softly. "Do you want me to stop?"
"No," I say breathlessly.
"Let's get comfortable on the couch."
I can only nod. He picks me up in his strong muscled arms, and I stroke his tattoo as he carries me into the living room.
The next kiss is better and more intense than the first---the kind that makes me see fireworks, the kind that makes me want to explode. Every nerve in my body throbs, the weight of his body pressing against mine, his hardness. My hands explore his back as he kisses my neck. It's like I'm starving and thirsty and I want to eat him, drink him in. This is too good, too much, too delicious. Between the taste of his mouth and his scent, I think I'm going to pass out.
”
”
Samantha Verant (The Spice Master at Bistro Exotique)
“
What did you say to them?”
“Told them I was Stan Shunpike. First person I could think of.”
“And they believed that?”
“They weren’t the brightest. One of them was definitely part troll, the smell off him…”
Ron glanced at Hermione, clearly hopeful she might soften at this small instance of humor, but her expression remained stony above her tightly knotted limbs.
“Anyway, they had a row about whether I was Stan or not. It was a bit pathetic to be honest, but there were still five of them and only one of me and they’d taken my wand. Then two of them got into a fight and while the others were distracted I managed to hit the one holding me in the stomach, grabbed his wand, Disarmed the bloke holding mine, and Disapparated. I didn’t do it so well, Splinched myself again”--Ron held up his right hand to show two missing fingernails; Hermione raised her eyebrows coldly--“and I came out miles from where you were. By the time I got back to that bit of riverbank where we’d been…you’d gone.”
“Gosh, what a gripping story,” Hermione said in the lofty voice she adopted when wishing to wound. “You must have been simply terrified. Meanwhile we went to Godric’s Hollow and, let’s think, what happened there, Harry? Oh yes, You-Know-Who’s snake turned up, it nearly killed both of us, and then You-Know-Who himself arrived and missed us by about a second.”
“What?” Ron said, gaping from her to Harry, but Hermione ignored him.
“Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn’t it?”
“Hermione,” said Harry quietly, “Ron just saved my life.”
She appeared not to have heard him.
“One thing I would like to know, though,” she said, fixing her eyes on a spot a foot over Ron’s head. “How exactly did you find us tonight? That’s important. Once we know, we’ll be able to make sure we’re not visited by anyone else we don’t want to see.”
Ron glared at her, then pulled a small silver object from his jeans pocket.
“This.”
She had to look at Ron to see what he was showing them.
“The Deluminator?” she asked, so surprised she forgot to look cold and fierce.
“It doesn’t just turn the lights on and off,” said Ron. “I don’t know how it works or why it happened then and not any other time, because I’ve been wanting to come back ever since I left. But I was listening to the radio really early on Christmas morning and I heard…I heard you.”
He was looking at Hermione.
“You heard me on the radio?” she asked incredulously.
“No, I heard you coming out of my pocket. Your voice,” he held up the Deluminator again, “came out of this.”
“And what exactly did I say?” asked Hermione, her tone somewhere between skepticism and curiosity.
“My name. ‘Ron.’ And you said…something about a wand…”
Hermione turned a fiery shade of scarlet. Harry remembered: It had been the first time Ron’s name had been said aloud by either of them since the day he had left; Hermione had mentioned it when talking about repairing Harry’s wand.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
I was exhausted and had to rely on Herr Schreiner to help me and knew in my soul that God had sent him to my aid. As tired as I was, I couldn’t have handled my luggage alone. Finally another train did pull into the station but in stark contrast to the empty platform we were standing on, the train was completely full of people. Although he wasn’t that big of a man, Herr Schreiner pushed my suitcases up the two steps into the railway car, and I climbed up behind them. As the train left the station, he hung onto the two entrance handles right behind me and I pushed for space, trying to make enough room for him to get into the carriage. With every surge of the train I expected him to lose his grip but with what I am certain was superhuman strength, he hung on as the train picked up speed. Several of the people made snide remarks but I turned a deaf ear to this and pushed as hard as I could, so that he could also get in. With the help of another man pulling on his coat, Herr Schreiner finally managed to squeeze in far enough so that we could close the door behind him. Once safely on the train, someone from his school in Mannheim recognized him. Herr Schreiner had been a very popular, much admired school principal and seeing how tired and bedraggled we now looked, the passenger offered us his window seats and helped to make room so that we could store our suitcases in the luggage rack above our heads. The train didn’t make any more stops and continued east crossing the Rhine River Bridge, which miraculously was still there. I couldn’t believe that everything had come together as well as it had, and that I was on my way back to Überlingen and my children.
”
”
Hank Bracker
“
I slide a particularly stunning weapon from its mounting and inspect the gems glittering on its hilt. “What kind is this one?”
“That,” August says with a slight grin, “is a broadsword. And I highly doubt that it is what killed my brother.”
“Why not? It’s the right width!”
He holds up his hands. “I’m just saying that it doesn’t seem likely. Swords are much more conspicuous than daggers. If someone was carrying that around, I think people would have noticed.”
“En guard!” I say, swinging it.
He snorts. “Very terrifying.”
“This is heavy. How do people actually fight with these things? I feel like I’m going to lose my balance.”
“That’s because you’re standing all wrong. You need to spread your feet more and sink into your knees.” He demonstrates for me, bouncing a bit to show me his knees aren’t locked.
I try to mimic the stance.
“Good,” he says. “Now grip the sword. One hand under the cross guard and the other down close to the pommel.”
I move my hands into the places he indicates and thrust the sword as though stabbing an imaginary foe.
He snorts again. “No, no, no.”
“Stop laughing. I’m fearsome.”
“I guess that’s one word you could use.”
“It’s the only word.” I stick my tongue out at him. “Then tell me, oh wise one, what am I doing wrong now?”
“Your elbows. They look like chicken wings.”
“Well, I’m sorry, but they’re the ones I was born with.”
He chuckles again. “Here. You need to lower them a bit.” He sets the lantern on the floor at our feet, steps around behind me, and presses his hands against my arms.
My breath catches in my throat, and I turn my head. His nose is inches from mine, but he doesn’t back away. Instead, his eyes dip to my lips.
”
”
Jessica S. Olson (A Forgery of Roses)
“
Taking the catcher’s place, he sank to his haunches and gestured to Arthur.
“Throw some easy ones to begin with,” he called, and Arthur nodded, seeming to lose his apprehensiveness. “Yes, milord!”
Arthur wound up and released a relaxed, straight pitch. Squinting in determination, Lilian gripped the bat hard, stepped into the swing, and turned her hips to lend more impetus to the motion. To her disgust, she missed the ball completely. Turning around, she gave Westcliff a pointed glance. “Well, your advice certainly helped,” she muttered sarcastically.
“Elbows,” came his succinct reminder, and he tossed the ball to Arthur. “Try again.”
Heaving a sigh, Lillian raised the bat and faced the pitcher once more.
Arthur drew his arm back, and lunged forward as he delivered another fast ball.
Lillian brought the bat around with a grunt of effort, finding an unexpected ease in adjusting the swing to just the right angle, and she received a jolt of visceral delight as she felt the solid connection between the bat and the leather ball. With a loud crack the ball was catapulted high into the air, over Arthur’s head, beyond the reach of those in the back field. Shrieking in triumph, Lillian dropped the bat and ran headlong toward the first sanctuary post, rounding it and heading toward second. Out of the corner of her eye, she saw Daisy hurtling across the field to scoop up the ball, and in nearly the same motion, throwing it to the nearest boy. Increasing her pace, her feet flying beneath her skirts, Lillian rounded third, while the ball was tossed to Arthur.
Before her disbelieving eyes, she saw Westcliff standing at the last post, Castle Rock, with his hands held up in readiness to catch the ball. How could he? After showing her how to hit the ball, he was now going to tag her out?
“Get out of my way!” Lillian shouted, running pellmell toward the post, determined to reach it before he caught the ball. “I’m not going to stop!”
“Oh, I’ll stop you,” Westcliff assured her with a grin, standing right in front of the post. He called to the pitcher. “Throw it home, Arthur!”
She would go through him, if necessary. Letting out a warlike cry, Lillian slammed full-length into him, causing him to stagger backward just as his fingers closed over the ball. Though he could have fought for balance, he chose not to, collapsing backward onto the soft earth with Lillian tumbling on top of him, burying him in a heap of skirts and wayward limbs. A cloud of fine beige dust enveloped them upon their descent. Lillian lifted herself on his chest and glared down at him. At first she thought that he had been winded, but it immediately became apparent that he was choking with laughter.
“You cheated!” she accused, which only seemed to make him laugh harder. She struggled for breath, drawing in huge lungfuls of air. “You’re not supposed…to stand in front…of the post…you dirty cheater!”
Gasping and snorting, Westcliff handed her the ball with the ginger reverence of someone yielding a priceless artifact to a museum curator. Lillian took the ball and hurled it aside. “I was not out,” she told him, jabbing her finger into his hard chest for emphasis. It felt as if she were poking a hearthstone. “I was safe, do you…hear me?”
She heard Arthur’s amused voice as he approached them. “Actually, miss—”
“Never argue with a lady, Arthur,” the earl interrupted, having managed to regain his powers of speech, and the boy grinned at him.
“Yes, milord.”
“Are there ladies here?” Daisy asked cheerfully, coming from the field. “I don’t see any.”
Still smiling, the earl looked up at Lillian.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
He sweeps his fingers over her folds, teasing her entrance.
"So nice and wet for me," he hums. "I'm going to make you feel so fucking good, sweetheart. Would you like that? Want me to fill you up?"
Eden shivers, electricity arcing from nerve to nerve. "Y-yes. Yes, Shang, I do."
He rubs the head of his cock against her clit, torturously teasing. "I don't know. What do good girls say if they want my cock?"
"Please," Eden shouts. "Please, I want---"
"Use your words. Come on, sweetheart. I know you can do it."
"I want your cock in me," she whines. "Fuck me like you own me---"
A loud moan rips itself from her throat as Shang presses into her. Splits her open.
Stretched her to the fullest.
It feels so good, it's almost blinding. All she can focus on is the way he thrusts in and out of her, makes her take his full length just to pull back and do it all over again. The sound of wet skin on skin drives her up the wall, but nothing makes her lose it quite like the way Shang grunts with each snap of his hips.
Feral. An animal. A man on a mission.
"'Like you own me,'" he growls. "You really know how to drive me fucking crazy, Eden."
"Shang---"
"What is it, sweetheart? Don't tell me I'm too much for you."
"No, never. I want---"
"What? You want what? You close already?"
Eden both loves and hates the pride in his voice. "Cocky bastard," she murmurs, too dizzy to see straight.
He grins. "Yep, that's me. This cocky bastard owns you and your tight little pussy. Look how well you take me, sweetheart. Like you were made for me."
"Fuck---" It's a whine. It's a whimper. It's desperate and choked off and needy.
He grips her waist and fucks her hard against the shower wall. "You sound so fucking hot, Eden. Come on. Take it. Fucking take it."
Her back arches as she climaxes, drags her nails across his back, waves of pleasure washing over her so hard and fast, she thinks she might collapse.
Shang doesn't let her, though. He holds her steady through her orgasm, still pumping his cock into her in pursuit of his own pleasure.
”
”
Katrina Kwan (Knives, Seasoning, & A Dash of Love)
“
Looking back from a safe distance on those long days spent alone, I can just about frame it as a funny anecdote, but the reality was far more painful. I recently found my journal from that time and I had written, ‘I’m so lonely that I actually think about dying.’
Not so funny.
I wasn’t suicidal. I’ve never self-harmed. I was still going to work, eating food, getting through the day. There are a lot of people who have felt far worse. But still, I was inside my own head all day, every day, and I went days without feeling like a single interaction made me feel seen or understood. There were moments when I felt this darkness, this stillness from being so totally alone, descend. It was a feeling that I didn’t know how to shake; when it seized me, I wanted it to go away so much that when I imagined drifting off to sleep and never waking up again just to escape it, I felt calm.
I remember it happening most often when I’d wake up on a Saturday morning, the full weekend stretching out ahead of me, no plans, no one to see, no one waiting for me. Loneliness seemed to hit me hardest when I felt aimless, not gripped by any initiative or purpose. It also struck hard because I lived abroad, away from close friends or family.
These days, a weekend with no plans is my dream scenario. There are weekends in London that I set aside for this very purpose and they bring me great joy. But life is different when it is fundamentally lonely.
During that spell in Beijing, I made an effort to make friends at work. I asked people to dinner. I moved to a new flat, waved (an arm’s-length) goodbye to Louis and found a new roommate, a gregarious Irishman, who ushered me into his friendship group. I had to work hard to dispel it, and on some days it felt like an uphill battle that I might not win, but eventually it worked. The loneliness abated.
It’s taken me a long time to really believe, to know, that loneliness is circumstantial. We move to a new city. We start a new job. We travel alone. Our families move away. We don’t know how to connect with loved ones any more. We lose touch with friends. It is not a damning indictment of how lovable we are.
”
”
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
“
When I start to feel him slide in, I gasp. I knew he was going to feel big---because he is big. I didn't know he'd feel this good, this quickly, though.
I close my eyes and savor the way he stretches me, the immediate intensity I feel. When he starts that slow slide, my mouth falls open.
Soon I'm clawing at the bedsheets like I'm crazed. I'm certain I'll go hoarse at the end of this, but I don't care. I could lose my voice for a year and it would be worth it, this feels so freaking incredible.
Max eases to a slower pace, then leans over me and kisses my shoulder.
"Damn it, Joelle. You are...god, you're..."
My eyes roll to the back of my head as I smile to myself. His inability to finish a sentence while inside me is the highest compliment. My vision focuses, and I take in just how gorgeous he is in this moment: eyes glazed over with arousal, jaw clenched, brow dotted with sweat, lips swollen from kissing me.
Seeing Max so turned on combined with just how good he feels has me tingling between my thighs once more. He digs his fingers into my hips and picks up the pace.
"Do you have any idea how long I've wanted to do this with you?" he growls.
I moan. "No" and push my hips up higher.
"A long fucking time."
"Same," I rasp. "Same, same, same."
He goes harder and faster until my vision begins to go starry. And then he slips a hand between my legs and works the most sensitive part of me with the pads of his fingers. The intensity deepens until my legs start to shake. I reach around and grip a handful of his delectably rock-hard ass.
"I'm gonna need to get a good look at this up close very, very soon," I say.
He chuckles between pants. I babble that I'm close.
"Thank fuck."
And then Max puts it into some high gear I didn't know he was capable of. He goes harder and faster than I thought was humanly possible. It's enough, though. Because moments later I'm bursting once again. He isn't far behind. He tenses against me before shuddering, then grunting. He lightly bites the spot where my neck meets my shoulder. The soft scrape, so sweet and carnal at once, has me grinning in ecstasy.
We collapse on the bed, him on top of me, and stay that way for nearly a minute. I close my eyes and breathe in the mint-spice scent on his bedsheets, relishing the weight of his body on top of mine.
”
”
Sarah Echavarre Smith (The Boy With the Bookstore)
“
After a while, Hannah said, “I heard Papa and Mama talking last night. Mama told Papa she thinks John Larkin is fond of me.”
To my annoyance, a little smile danced across her face. “I’m fond of John too,” she admitted, “but Papa--”
Hannah bit her lip and frowned. “Papa said a girl with my notions will never find a husband. He told Mama I’d end up an old-maid suffragette. Those were his very words, Andrew.”
Forgetting everything except making her happy, I said, “No matter what Papa thinks, you’ll marry John. What’s more, women will get the vote and drive cars and do everything men do, even wear trousers and run for president.”
Hannah sucked in her breath. “The way you talk, Andrew. I could swear you’ve been looking in a crystal ball.”
Clapping my hand over my mouth, I stared at her. Whatever had made me say so much? I didn’t even want to think about her marrying John, and here I’d gone and told her she would, as well as revealing a bunch of other stuff she shouldn’t know.
“Do you see anything else in my future?” Hannah was leaning toward me, her face inches from mine, gazing into my eyes, her lips slightly parted. “Will John and I be happy? Will we have lots of children? Will we live a long, long time?”
I tightened my grip on the branch. I was drowning, losing my identity, speaking words that made no sense. “You’ll be old when I’m young,” I whispered, “but I’ll remember, I’ll never forget, I’ll always love--”
“What are you talking about?” Hannah reached out and grabbed my shoulders. “Are you all right?”
For a moment, I was too dizzy to answer. I wasn’t sure who I was or where I was or what we’d been talking about. Feeling sick, I clung to the tree. Gradually, things came back into focus, the world steadied. Birds sang, leaves rustled, the branches swayed slightly. The strength in Hannah’s hands calmed me.
I took a few deep breaths and managed to smile. Hannah relaxed, but she was obviously still worried. “Will you ever be yourself again, Andrew?”
“I hope so.” I said it so fervently Hannah looked at me oddly. If only I could tell her the truth. She’d understand everything then. But would she believe me?
Hannah sighed and wiped the sweat off her face with the back of her hand. “I reckon the heat’s enough to give anybody the fantods.” She smiled at me. “Come on, Andrew, I’ll race you to the pump for a drink.
”
”
Mary Downing Hahn (Time for Andrew: A Ghost Story)
“
I’ve only an hour,” Colin said as he attached the safety tip to his foil. “I have an appointment this afternoon.”
“No matter,” Benedict replied, lunging forward a few times to loosen up the muscles in his leg. He hadn’t fenced in some time; the sword felt good in his hand. He drew back and touched the tip to the floor, letting the blade bend slightly. “It won’t take more than an hour to best you.”
Colin rolled his eyes before he drew down his mask.
Benedict walked to the center of the room. “Are you ready?”
“Not quite,” Colin replied, following him.
Benedict lunged again.
“I said I wasn’t ready!” Colin hollered as he jumped out of the way.
“You’re too slow,” Benedict snapped.
Colin cursed under his breath, then added a louder, “Bloody hell,” for good measure. “What’s gotten into you?”
“Nothing,” Benedict nearly snarled. “Why would you say so?”
Colin took a step backward until they were a suitable distance apart to start the match. “Oh, I don’t know,” he intoned, sarcasm evident. “I suppose it could be because you nearly took my head off.”
“I’ve a tip on my blade.”
“And you were slashing like you were using a sabre,” Colin shot back.
Benedict gave a hard smile. “It’s more fun that way.”
“Not for my neck.” Colin passed his sword from hand to hand as he flexed and stretched his fingers. He paused and frowned. “You sure you have a foil there?”
Benedict scowled. “For the love of God, Colin, I would never use a real weapon.”
“Just making sure,” Colin muttered, touching his neck lightly. “Are you ready?”
Benedict nodded and bent his knees.
“Regular rules,” Colin said, assuming a fencer’s crouch. “No slashing.”
Benedict gave him a curt nod.
“En garde!”
Both men raised their right arms, twisting their wrists until their palms were up, foils gripped in their fingers.
“Is that new?” Colin suddenly asked, eyeing the handle of Benedict’s foil with interest.
Benedict cursed at the loss of his concentration. “Yes, it’s new,” he bit off. “I prefer an Italian grip.”
Colin stepped back, completely losing his fencing posture as he looked at his own foil, with a less elaborate French grip. “Might I borrow it some time? I wouldn’t mind seeing if—”
“Yes!” Benedict snapped, barely resisting the urge to advance and lunge that very second. “Will you get back en garde?”
Colin gave him a lopsided smile, and Benedict just knew that he had asked about his grip simply to annoy him. “As you wish,” Colin murmured, assuming position again.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Reaching the door of his mother’s apartments, Marcus found it locked. He rattled the handle violently. “Open it,” he bellowed. “Open it now!”
Silence, and then a maid’s frightened reply from within. “Milord… the countess bade me to tell you that she is resting.”
“I’ll send her to her eternal fucking rest,” Marcus roared, “if this door isn’t opened now.”
“Milord, please—”
He drew back three or four paces and hurled himself against the door, which shook on its hinges and partially gave with a splintering sound. There were fearful cries in the hallway from a pair of female guests who happened to witness the astonishing display of raging frenzy. “Dear God,” one exclaimed to the other, “he’s gone berserk!”
Marcus drew back again and lunged at the door, this time sending chunks of paneling flying. He felt Simon Hunt’s hands grasp him from behind, and he whirled with his fist drawn back, ready to launch an attack on all fronts.
“Jesus,” Hunt muttered, retreating a step or two with his hands raised in a defensive gesture. His face was taut and his eyes were wide, and he stared at Marcus as if he were a stranger. “Westcliff—”
“Stay the hell out of my way!”
“Gladly. But let me point out that if our positions were reversed, you would be the first to tell me to keep a cool—”
Ignoring him, Marcus swerved back to the door and targeted the disjointed lock with a powerful, accurately aimed blow of his boot heel. The housemaid’s scream shot through the doorway as the ruined portal swung open. Bursting into the receiving room, Marcus charged toward the bedchamber, where the countess sat in a chair by a small hearth fire. Fully dressed and swathed in ropes of pearls, she stared at him with amused disdain.
Breathing heavily, Marcus advanced on her with bloodlust racing through his veins. It was certain that the countess had no idea that she was in mortal danger, or she would not have received him so calmly.
“Full of animal spirits today, are we?” she asked. “Your descent from gentleman to savage brute has been accomplished so very quickly. I must offer Miss Bowman my compliments on her efficacy.”
“What have you done with her?”
“Done with her?” Her expression taunted him with its innocent perplexity. “What the devil do you mean, Westcliff?”
“You met with her at Butterfly Court this morning.”
“I never walk that far from the manor,” the countess said haughtily. “What a ridiculous asser—” She let out a strident cry as Marcus seized her, his fingers wrapping around the pearl ropes and tightening them around her throat.
“Tell me where she is, or I’ll snap your neck like a wishbone!”
Simon Hunt seized him from behind once more, determined to prevent a murder from occurring. “Westcliff!”
Marcus closed his hand in a harder grip around the pearls. He glared without blinking into his mother’s face, not missing the flicker of vindictive triumph that lurked in her eyes. He did not take his gaze from hers even as he heard his sister Livia’s voice.
“Marcus,” she said urgently. “Marcus, listen to me! You have my permission to throttle her later. I’ll even help. But at least wait until we’ve found out what she’s done.”
Marcus tightened the tension of the pearls until the elderly woman’s eyes seemed to protrude from their shallow sockets. “Your only value to me,” he said in a low tone, “is your knowledge of Lillian Bowman’s whereabouts. If I can’t obtain that from you, I’ll send you to the devil. Tell me, or I’ll choke it from you. And believe that I have enough of my father in me to do it without a second thought.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Truth or dare,” I ask, my voice edgy with anticipation and yearning. I know he’ll answer dare – and it will be the last one I give him. “Dare.” “Fuck me,” I beg. He immediately rolls over, gently resting his body on top of mine. I spread my legs, positioning his trim waist and hips in between my thighs. The hard outline of his cock grazes the front of my panties, sending my eyes rolling into the back of my head. He slides his hands under the covers. His fingers sneak under the waistband of my panties. He sits up to slowly glide them down my legs, revealing body in the moonlight. He tosses them, dripping wet, by the side of the bed and the then slides off his tight briefs. His erect cock stands at attention once removed from its fabric confines, pulsing up and down in rhythm with Cole’s racing heartbeat. With the covers now cast to the side, Cole leans over me, devouring my lips. My lips open and I yield him my tongue, which he handles adroitly, flicking it with his own and sucking it with his lips. He leans over to the side of the bed and bends down, picking up his shorts. The movement of his body over mine sends the peaks of his deeply sculpted abs gliding across my soft skin, generating a shiver that trembles through my body. He pulls out his wallet from his shorts pocket and extracts a condom. He kneels on the bed and works the condom down the expansive length of his solid shaft. He imposes his body back over mine, covering me with his huge torso. The length of his cock rests against my warm pussy, throbbing against it. I wrap my legs around his waist and lock my ankles together, pulling him closer toward me. His rough, masculine scent fills my nostrils. He kisses my neck, the light stubble on the side of his check rubbing against my skin. I buck my hips toward him, pressing his cock against me. The bottom of his shaft rests on my warm opening, the tip extends up to my belly button. A delicious anxiousness overtakes me. Will I really be able to fit all of him inside me? “Fuck, Emma, you’re so sexy,” he moans while raking his lips and tongue up and down my neck. He nibbles lightly on my earlobe, his hot, staggered breath brushing against the side of my face. “I want you inside me,” I pant to him. He lifts his hips up and steadies his cock at the precipice of my slick center. He looks me in the eye, and I nod, imploring him to plunge inside me. He does. I shut my eyes as a brief wave of pain washes over me, the shock of accommodating his massive size inside. It soon subsides and my body comfortably accustomed itself to his presence. He slowly pumps in and out of me. I bite down on my bottom lip, waves of pleasure erupting from my center and traversing every inch of my body. My stomach is in knots and my breath is quick and sharp. Every time he lifts his hips to thrust out, my wet cavern craves for him to come back – and he immediately does, pushing himself back in, the length of his shaft rubbing against my insides, the friction driving me wild with ecstasy. I lose track of time as he continues to thrust in and out. I buck my hips against him, hungry for his full length. I tighten my grip with my legs around his waist, greedy for his body to press against mine. “Fuck, Emma, shit,” he moans. I can only respond with unarticulated moans of pleasure and gasps for breath. “Oh, fuck, Cole, I’m gonna come,” I announce. I shut my eyes tight and wrap my arms around his neck, pulling him into me. He thrusts one more time, strongly, and my orgasm erupts. Pulses of pleasure shoot up and down my spine and turn my insides, my chest beats and my heartrate booms against my eardrums. The outside world disappears as I feel my body melting into Cole’s. Cole collapses next to me, a sheen of sweat glistening over his body in the moonlight, highlighting the twists and turns of his musculature. Slowly the world comes back into focus and a blissful
”
”
Zoey Shores (Touch Back (Playing for Keeps #1))
“
I can tell you about my mother, and how her death nearly destroyed me. I can tell you in detail about what I did afterward, and what that cost me. I can tell you about the decade it took me to work through it. I can tell you how many days and nights I suffered during the forty-nine years Amarantha held Rhys captive, the guilt tearing me apart that I wasn't there to help him, that I couldn't save him. I can tell you how I still look at him and know I'm not worthy of him, that I failed him when he needed me- that fact drags me from sleep sometimes. I can tell you I've killed so many people I've lost count, but I remember most of their faces. I can tell you how I hear Eris and Devlon and the others talk and, deep down, I still believe that I am a worthless bastard brute. That it doesn't matter how many Siphons I have or how many battles I've won, because I failed the two people dearest to me when it mattered the most.'
She couldn't find the words to tell him that he was wrong. That he was good, and brave, and-
'But I'm not going to tell you all of that,' he said, pressing a kiss to the top of her head.
The wind seemed to pause, the sunlight on the lake brightening.
He said, 'I am going to tell you that you will get through it. That you will face all of this, and you will get through it. That these tears are good, Nesta. These tears mean you care. I am going to tell you that it is not too late, not for any of it. And I can't tell you when, or how, but it will get better. What you feel, this guilt and pain and self-loathing- you will get through it. But only if you are willing to fight. Only if you are willing to face it, and embrace it, and walk through it, to emerge on the other side of it. And maybe you will still feel that tinge of pain, but there is another side. A better side.
She pulled back from his chest then. Found his gaze lined with silver. 'I don't know how to get there. I don't think I'm capable of it.'
His eyes glimmered with pain for her. 'You are. I've seen it- I've seen what you can do when you are willing to fight for the people you love. Why not apply that same bravery and loyalty to yourself? Don't say you don't deserve it.' He gripped her chin. 'Everyone deserves happiness. The road there isn't easy. It is long, and hard, and often travelled utterly blind. But you keep going.' He nodded to the mountains and lake. 'Because you know the destination will be worthwhile.'
She stared up at him, this male who had walked with her for five days in near-silence, waiting, she knew, for this moment.
She blurted, 'All the things I've done before-'
'Leave them in the past. Apologise to who you feel the need to, but leave those things behind.'
'Forgiveness is not that easy.'
'Forgiveness is something we also grant ourselves. And I can talk to you until these mountains crumble around us, but if you don't wish to be forgiven, if you don't want to stop feeling this way... it won't happen.' He cupped her cheek, calluses scraping against her overheated skin. 'You don't need to become some impossible ideal. You don't need to become sweet and simpering. You can give everyone that I Will Slay My Enemies look- which is my favourite look, by the way. You can keep that sharpness I like so much, that boldness and fearlessness. I don't want you to ever lose those things, to cage yourself.'
'But I still don't know how to fix myself.'
'There's nothing broken to be fixed.' he said fiercely. 'You are helping yourself. Healing the parts of you that hurt to much- and perhaps hurt others, too.'
Nesta knew he wouldn't have ever said it, but she saw it in his gaze- that she had hurt him. Many times. She'd known she had, but to see it again in his face... She lifted her hand to his cheek and laid it there, too drained to are about the gentleness of the touch.
Cassian nuzzled into her hand, closing his eyes. 'I'll be with you every step of the way,' he whispered into her palm.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
In some ways my life in Willoughby had begun to fade, much the same way a nightmare loses its grip when you find the courage to reach out in the darkness and turn on the light.
”
”
Beth Hoffman (Saving CeeCee Honeycutt)
“
How can I explain? You know my parents died several years ago. I’ve no siblings, very few relations. And it didn’t take but one dusty skirmish in Portugal for me to realize— if I died on that battlefield, there would be no one to mourn me, but a handful of old school friends.” He touched her cheek. “No one but you. I did think of you. Constantly. I did remember that perfect, sweet kiss when I was bleeding and starving and pissing scared. It was the thought that kept me going: Cecily Hale cares whether I live or die. I couldn’t risk asking word of you, don’t you understand? I didn’t want to know. Surely I’d learn you’d married one of those twenty-six men queuing up for the pleasure of your hand, and I would have nothing left.”
“But I didn’t marry any of them. I waited for you.”
“Then you were a fool.” He gripped her chin. “Because that man you waited for . . . he isn’t coming back. I’ve changed, too much. Some men lose a leg in war; others, a few fingers. I surrendered part of my humanity. Just like the ridiculous werestag you’re out here chasing.”
“I’m out here chasing you, you idiot!” She buffeted his shoulder with her fist. “You’re the one I love.”
-Luke & Cecily
”
”
Tessa Dare (The Legend of the Werestag)
“
Many of my female analysands painfully confess that they no longer have an idea of what it is to be feminine. Over twenty-five years ago, the Jungian analyst June Singer, in an article titled “The Sadness of the Successful Woman,” said that she believed that such women are suffering from a particular form of depression: They are mourning for their lost femininity. She also considered this an archetypal problem because it affects all of us—women, men, and children. Singer points out that our patriarchal society places its highest value on the archetype of personal identity. The emphasis on fame in our culture epitomizes this idea. From preschool, to sports, to jobs, to careers, to where and how we live, identity in our culture is based on personal achievements. The terror that goes hand-in-hand with our idolatry of identity grips us when we do not achieve what we want to, plan to, or should accomplish. We must then face the shame of failure, of not being good enough, or of not being who we thought we were. No wonder losing a job, getting divorced, becoming seriously ill, or—even on a smaller scale—having our kid’s team lose a game can fill us (or our kids) with shame. Shame haunts the identity-oriented person.
”
”
Massimilla Harris (Into the Heart of the Feminine: Facing the Death Mother Archetype to Reclaim Love, Strength, and Vitality)
“
And let us not be weary in well doing…. —Galatians 6:9 (KJV) It’s impossible!” I wailed, annoyance flaring to the boiling point. “This is stupid. It’s just a feed truck! Why do we need a turn signal anyway?” For a half hour I had stood on a five-gallon bucket, fumbling blindly in the contorted space behind the light housing. The twelfth time my cramped hand slipped off the wrench and bloodied my knuckles I was ready to throw the tools to the ground and quit. My temples throbbed and actual tears of frustration were building at the obvious defeat to which I was about to succumb. I was losing control. Do it as if for Me. The voice came out of nowhere, so softly I barely heard it. I’d read recently that to be successful in life, do all things as if you were doing them directly for God. I stared at the old truck. What if this were God’s? What if He had asked me to fix the light? Would I be on the verge of a wrench-flinging screaming fit? No. I’d be thrilled to do something for Him. My shoulders relaxed. My breathing slowed. Calmly, unhurried, I worked the wrench. My hand didn’t slip when my grip wasn’t so fierce. I unscrewed the backing of the light and replaced the shattered signal within minutes. But even better than that, I’d discovered the key to success. Lord, please inspire me to be my best. What utter joy I find when everything I do is for You. —Erika Bentsen Digging Deeper: Phil 2:14–15; Col 3:23–24
”
”
Guideposts (Daily Guideposts 2014)
“
In an instant I was in her arms, her lips against my cheek. I cupped her face in my hands and stared into those eyes, dancing eyes, warm and smiling, filled with tears and love, a combination I couldn’t lose, couldn’t walk away from again. She pulled me inside and closed the door behind me, locking it. I tried to speak, but words wouldn’t come, and she put her finger to my lips to calm me. She turned with her shoulder blades against my chest and drew my arms around her, holding the backs of my hands in her palms. Placing my palms just under her collarbone, she ran my hands down her body. As they passed over her breasts, I could tell they were larger, full and tight, swollen with fluid, and she gasped slightly as I touched her nipples. I closed my eyes, resting my chin on her shoulder, and she continued downward. They moved under her breasts, and I lifted up slightly, feeling their weight, the heaviness, wondering how tired her shoulders were at the end of the day, reminding myself to give her a good backrub. She turned my wrists and drew my hands downward. They immediately began to move forward, over the place where her slim waist used to be, out farther and farther, until they stopped even with her navel. Her skin under the cotton dress was tight, and I spread my fingers wide, taking in the size of her tummy, the width, the depth, moving around it like gripping a basketball. And then it happened. It kicked, a good, hard kick. I could feel it rolling around inside her, stretching and moving, moving deep in her as I had just a few months before on that first night, asking her how it felt to carry a child inside her. I remembered, and she was right. It did feel the very same. My moving inside her had created this movement, and I bit my lip to keep from crying out, from shouting, from wailing in joy as I’d heard her wail in sorrow. She pivoted in my arms and stared into my face, her eyes sad, pain an inch thick over her expression. “Steve, I wanted to tell you, really I did. I wanted to tell you about the baby. And I wanted to tell you about . . .” I put my hand up to quiet her. “I knew, Diana. I already knew.” She looked at me, puzzled. I drew her over to the sofa and sat down beside her. “Remember when we first met?” She nodded. “Well, I lied. The real reason we were here was to look for Nick Roberts.” She was still, quiet, waiting for the rest of the explanation. “When I first came here, I was looking for Nick Roberts. Before I left here the first time, I knew you’d written that book. But I didn’t say anything because by that time I didn’t care. I came to find Nick Roberts. What I found was a beautiful woman, the love of my life. Nick Roberts and anything associated with Nick Roberts just didn’t matter anymore.” “Why didn’t you tell me you knew?” she asked, looking down at her hands, unable to meet my eyes. “Because. Because it didn’t matter. Because I knew I’d have to explain to you why I was here in the first place. Because I was afraid you’d be afraid, afraid I was just playing you, afraid I’d expose you and give you up to the media. But I didn’t, I swear to god. It wasn’t me.
”
”
Deanndra Hall (The Celtic Fan)
“
Well, well, if it isn’t the little spitfire herself.” Lily glanced up with a start and found Jimmy Neil standing two steps above her. A slow grin spread across his face, and the black gaps where he was missing parts of his top teeth seemed to stare at her. He’d leered at her several times that past week during the meals he’d taken in the dining room. But she’d made a point of ignoring him. And that’s exactly what she planned to do this time too. He moved one step closer, and the stench of the alcohol on his breath filled the space between them. He’d likely already been out at the taverns long enough to drink too much but would continue with the drinking as long as he was conscious. So why was he back at the hotel? “Ran out of money,” he said too softly, as if he’d seen the direction of her thoughts. “The night’s still young, and I aim to get my fill of women.” His eyes glistened with brittle lust. A man like Jimmy Neil didn’t deserve a response, not even the briefest acknowledgment that she’d heard his lurid words. She turned her head and pushed past him in the narrow stairwell. But before she could get by, his arm shot out and blocked her path. “Where you goin’ so fast?” “Get out of my way.” She shoved his arm, but it didn’t budge. She tried to duck under it, but he stuck out his knee. He leaned into her. The sickly heat and sourness of his breath fanned her neck. “Maybe I don’t need to go back out, not when I can have a little spitfire right here, right now.” She stifled a shudder and the shiver of fear that accompanied it. She might have broken free of him last time, but he was drunk now, and there was no telling what he was capable of doing. Better for her to play it safe. She spun and tried to retreat the way she’d come, but his other hand slapped against the wall, trapping her into an awkward prison within the confines of his arms. “You ain’t goin’ nowhere except up to my room with me.” He pushed himself against her in such a carnal way that she couldn’t keep from crying out in alarm. His hand cut off her cry, covering her mouth and smothering any chance she had at calling for help. A rush of fear turned her blood to ice. For an instant Daisy’s sweet face flitted into her mind. Was this the way men treated her sister? How could she possibly withstand such abuse day after day? As if seeing the fright in Lily’s eyes, his gap-toothed smile widened. “It’s always more fun when there’s some scratchin’ and clawin’.” His hand against her mouth and nose was beginning to suffocate her. She swung her head, struggling to break free and jerked up her knee, trying to connect it with his tender spot. But he was pressed too close, and he only strengthened his grip. She tried to scream and then bite him. But she was quickly losing strength in the dizzying wave that rushed over her. Suddenly his smile froze and fear flitted across his face. “Let go of her. Now. Or I’ll shove this knife in all the way.” Connell’s voice was low and menacing. Slowly Jimmy’s grip loosened. She caught a glimpse of Connell, one step down, his face a mask of calm fury.
”
”
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
“
and innocent—there is genuine concern in his tone. Of course, my tears would choose now to start spilling over. I completely lose all grip on my resolve as my body begins to shake with sobs. I gasp and clutch my knees,
”
”
Loretta Lost (Clarity (Clarity, #1))
“
Arcadia
Oh how things have changed
Feels like I don't know you
You're in a whole different place
And I've strayed from who it was that you knew
We're drifting apart we're parallel sinking ships
You're anxiously reaching out but I'm losing my grip
You were tryna make it work
You were sleeping in my shirt
Arcadia
Sometimes things don't come full circle
I was hoping that you'd care
I was distant I was scared
Arcadia
Sometimes things don't come full circle
You're still on my mind somehow
You're fit and you're shades of blue
There's no way to go back now
Couldn't get back even if we wanted to
You were tryna make it work
You were sleeping in my shirt
Arcadia
Sometimes things don't come full circle
I was hoping that you'd care
I was distant I was scared
Arcadia
Sometimes things don't come full circle
Sometimes things don't come full circle
Sometimes things don't come full circle
You were tryna make it work
You were sleeping in my shirt
Arcadia
Sometimes things don't come full circle
I was hoping that you'd care
I was distant I was scared
Arcadia
Sometimes things don't come full circle
Sometimes things don't come full circle
”
”
The Kite String Tangle
“
hadn’t even known if it was real or if I was losing my grip on sanity. But now, surrounded by people who looked
”
”
Cidney Swanson (Rippler (Ripple #1))
“
concern in his tone. Of course, my tears would choose now to start spilling over. I completely lose all grip
”
”
Loretta Lost (Clarity (Clarity, #1))
“
I hate the idea of losing you again. But what’s worse is that I hate you for being gone in the first place. I hate you for not telling me where you were and that you were okay. I hate you for endangering my life, Nelly’s life, and Otis’s life with your lies. And I hate you for letting Mom die, for not protecting her. I hate you.” Vlad crossed the room and gripped the doorknob. It was only then that he realized that his hands were shaking. Before stepping out the door, he whispered, because it was all he could bear to do. “But the worst part is that I hate myself for hating you.
”
”
Heather Brewer (Twelfth Grade Kills (The Chronicles of Vladimir Tod, #5))
“
Sometimes at home, my mother's voice irritated me, especially when she listed the chores she expected me to do each day. But now I would have given anything to hear that list. Already, I barely remembered the sound of her voice. Panic gripped me. How would I hold on to her if I couldn't even hear her voice anymore? I had promised myself that I would keep her close to me by playing in my mind the things she always said-like a recording-over and over again. She had last spoken to me only that morning, but I could feel her fading as each minute passed. Was I losing her?
”
”
Fern Schumer Chapman (Is It Night or Day?)
“
Whenever I feel like I have a handle on something, it goes sideways and I lose my grip. How do you get used to it? You’re asking the guy who just spent the week in the feral cages because he couldn’t keep it together? I laughed, not caring if everyone in the room thought I was crazy. We’re the picture of the most put together couple ever. Cherie.
”
”
Aileen Erin (Alpha Divided (Alpha Girl #3))
“
with the realization that no one knew the truth about my life, my thoughts about the world were shaken. Like driving along a bumpy road and losing control of the steering wheel, tossing you—just a tad—off the road. The wheels kick up some dirt, but you’re able to pull it back. Yet no matter how tightly you grip the wheel, no matter how hard you try to drive straight, something keeps jerking you to the side. You have so little control over anything anymore. And at some point, the struggle becomes too much—too tiring—and you consider letting go. Allowing tragedy…or whatever…to happen.
”
”
Anonymous
“
In this year of riots I am called to duty
Through this year of angers I have gripped a meaning
In this year of lies and angers burning out of control I went out and met history on its own terms
And I have come back to tell you what I saw:
Uprisings everywhere—they'll riot anytime—anything goes that'll feed a flame;
Warnings unheeded—stopwatches hurtling—direct lies expected and received—
Fires burning out of control in the streets
"WHO'S THAT OUT THERE IN THAT STRANGE RED LIGHT?"
"We call you to answer for your indiscretions, Mr. Johnson."
The time has come for me to have it out with America on the battlefields of my ancestry.
In my short lifetime I have seen America lose faith in her own greatness—
This year of riots and angers burning out of control announces one great covenant broken: The summit once reached and past, the terror begins.
”
”
Charles Upton (Panic Grass)
“
sinew that holds him together. Our lips press and mold, mingling, taking, begging . . . Desperate. Beck’s tongue runs against my bottom lip, eliciting a moan from deep within me, lighting a fire so hot, so wild, my hands start to travel up his neck to his cheeks where I grip him, positioning his head so when I open my mouth, I can expertly dive my tongue onto his. He groans, his lap shifting against mine now, his hard-on pressing against my wet and throbbing center. I match his rocking, using my position on his lap to take advantage of his length I can feel through his board shorts. This is exactly what I didn’t want to happen, but God, am I happy it has. Maybe I really should live in the moment, maybe I should take advantage of the opportunity, maybe I should… “Woo, yeah, get it on!” Zoey screams from below us, immediately shooting me off Beck’s lap and into the rail behind me, causing me to lose my balance. With cat-like reflexes, Beck catches my arm and steadies me, his eyes aware but heady with lust, his breathing as erratic as mine. “Don’t let us disturb you,” Zoey calls out once again. “Just taking a midnight stroll.” “Yup, that’s great.” I give her a thumbs up with one hand as the other is holding on to Beck, our eyes never breaking contact. “Have a good night, you
”
”
Meghan Quinn (Two Wedding Crashers (Dating By Numbers, #2))
“
Ripped calluses are manly, but since they make you lose training time, try to avoid them when you do your quick lifts. It is elementary, Watson—you must gradually build up the volume of swings, cleans, and snatches to let your skin adapt. You may want to sandpaper your kettlebell’s handles, as kettlebell sport competitors do. Remove the paint and smooth out the iron. Unlike presses and other grind lifts, swings, cleans, and snatches call for a loose grip. “Hook” the handle with your fingers rather than gripping it. Try to lift in a way that minimally stretches the skin on your palm. Figure it out. Load the calluses at the bases of your fingers as little as possible; let the kettlebell handle glide from the “hook” of the fingers to the heel of the palm and back in a manner that does not pinch the skin at the bases of the fingers. Do not let the calluses get thick and rough. Russian gireviks soak their hands in hot water at night, then thin out and smooth out their calluses with a pumice stone, and finally apply an oily cream or a three-to-one mix of glycerin and ammonia. I hang my head in shame to be giving you metrosexual skin-care advice. Speaks Brett Jones, Senior RKC, who gives his hands the double abuse of kettlebell lifting and extreme gripping feats: “Go out and get Cornhuskers Lotion and use it several times a day. This lotion is unique in that it is not greasy and actually toughens and conditions your skin. At night you may want to use a product that penetrates and moisturizes in a different way. Bag Balm and other heavy (oily) lotions can be used at night and can best be absorbed if you put them on before bed and wear mittens, socks or specially designed gloves available at some health and beauty stores. [Brett, I will take your word for it.]
”
”
Pavel Tsatsouline (Enter the Kettlebell!: Strength Secret of the Soviet Supermen)
“
In the longer term, business itself will be harmed by shifting from R&D to financial manipulations. In earlier days, that might have been a concern. But managerial ethic has shifted from the time when viability of the firm was a serious concern to today’s focus on gain tomorrow. The long-term prospects for the firm become lesser considerations—or for human society generally. Nothing could reveal this shift with more brilliant clarity than a matter already discussed: the virtually reflexive decisions to race toward destruction, with eyes open, if it yields short-term gain. Right now profits are spectacular and CEO salaries have skyrocketed to the stratosphere, dragging other managerial rewards with them, while for the general population, real wages stagnate, social spending is meager, unions and other interferences with “sound economics” are dismantled. The best of all possible worlds. So why care if my firm will go under after I’ve moved to greener pastures, or for that matter, why care if I leave to my grandchildren a world in which they have some chance for decent survival? Capitalist mentality gone insane. There is, of course, the usual problem. The rascal multitude. They’re not too happy about the undermining of functioning democracy and basic rights. I should add the same is true in Europe. In fact, even more so. The attack on democracy in Europe is even sharper than here. Significant decisions about society and politics are out of the hands of the population. They’re made by unelected bureaucrats in Brussels: the IMF, the Central Bank, the European Commission. All of this, all over the world, is leading to anger, resentment, and bitterness. You see it right now in the Yellow Vest movement in France, but it’s everywhere. In election after election, the centrist parties are collapsing. It’s happening here, too. Parties happen to be keeping their names in our rigid two-party system, but the centrist elements are losing their grip.
”
”
Noam Chomsky (Consequences of Capitalism: Manufacturing Discontent and Resistance)
“
GOOD-BYE TO MY Offering is the heart of this book. It’s handing any burden—whether a desire, attachment, illness, finances, or anything—back to God. After all, it was Hers to begin with! In a way, doing so says, “This is persecuting me so much, I can no longer lean on my ego’s own strength. Please show me Your will.” True offering takes what can be an unbearable cross and returns it to Love. It untangles you from the seemingly inescapable thicket of doership. One easy way to begin is simply by replacing my with the. We’re taught to think of my money, my body, my partner, my happiness, my failure. Even my awakening. In Western culture, the trance of my is king. But here’s the catch: If it all belongs to you (the ego), the burden is all yours as well. With the simple substitution of the, grasping softens, and offering begins. Take, for example, “I’m worried right now about this business . . . and I’m thrilled to be offering all to Love for the right actions to be shown at the right time.” This can be applied to anything. Sally had built an entire agonizing identity centered around her terrible rheumatoid arthritis, which is so easy to do. She was always saying, “my illness,” “my restrictions,” “my expenses about all this” with increasing anger and desperation. I suggested that since she had nothing to lose, she could offer the entire mess to the Divine and release the my. She began to say, “I give this illness fully to You. Please, please make me open and show me the right actions. And if there’s not currently a solution, please at least let me accept this for now and make clear what I need to learn.” She immediately felt more spacious simply from dropping that my. And over time, the process of offering, acceptance, and disentanglement brought healing she’d never imagined. She felt guided to return to an acupuncturist she’d seen many years before who used treatments, herbs, and diet. However, this time it all worked, perhaps because she’d finally released the grip of her ego’s identification with the problem.
”
”
Tosha Silver (It's Not Your Money: How to Live Fully from Divine Abundance)
“
Rhys was the least of my concerns. Tamlin had seen the hesitation, but had he understood that I was about to say no? Had Ianthe? I had to tell him. Had to explain that there couldn't be a wedding, not for a while yet. Maybe I'd wait until the mating bond snapped into place, until I knew for sure it couldn't be some mistake, that... that I was worthy of him.
Maybe wait until he, too, had faced the nightmares stalking him. Relaxed his grip on things a bit. On me. Even if I understood his need to protect, that fear of losing me... Perhaps I should explain everything when I returned.
But- so many people had seen it, seen me hesitate-
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
He stuck out his hand to shake on it and he nearly fooled me. Right at the last split second I pulled my own hand back a fraction and closed around his knuckles, not his palm. It’s an old army trick. They go to shake your hand, but they’re aiming to crush it. Some big macho ritual. The way out is to be ready. You pull back a fraction and you squeeze back. You’re squeezing their knuckles, not the meat of their palm. Their grip is neutralized. If you catch it right, you can’t lose.
”
”
Lee Child (Killing Floor (Jack Reacher #1))
“
And what kind of man are you?” His expression sobers, his eyes a mesmerizing night I lose myself in. “The kind who would do anything to keep you.” He brushes a thumb across my cheekbone. “Be sure because I won’t let you go after.
”
”
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))