Los Angeles Noir Quotes

The finest thing in the world is knowing how to belong to oneself. Michel de Montaigne

Cherchez la femme, Bucky. Remember that.

You're not done with L.A. until L.A. is done with you.

When I heard the gunshots, though, I knew - knew beyond the shadow of a doubt - that somewhere in Los Angeles Bette Davis was on the prowl and packing heat. ("Shadows From The Screen")

The closer you looked at Los Angeles, the less sense the place made. Living here was like living inside a confusing dream that threatened to plunge into a nightmare at any moment. Richie viewed LA as their salvation, but Alabama saw the truth: It wanted to consume them.

Cities have characters, pathologies that can make or destroy or infect you, states of mind that run through daily life as surely as a fault line. Chandler’s “mysterious something” was a mood of disenchantment, an intense spiritual malaise that identified itself with Los Angeles at a particular time, what we call noir. On the one hand noir is a narrow film genre, born in Hollywood in the late 1930s when European visual style, the twisted perspectives and stark chiaroscuros of German Expressionism, met an American literary idiom. This fruitful comingling gave birth to movies like Double Indemnity, directed by Vienna-born Billy Wilder and scripted by Raymond Chandler from a James M. Cain novella. The themes — murderous sex and the cool, intricate amorality of money — rose directly from the psychic mulch of Southern California. But L.A. is a city of big dreams and cruelly inevitable disappointments where noir is more than just a slice of cinema history; it’s a counter-tradition, the dark lens through which the booster myths came to be viewed, a disillusion that shadows even the best of times, an alienation that assails the sense like the harsh glitter of mica in the sidewalk on a pitiless Santa Ana day. Noir — in this sense a perspective on history and often a substitute for it — was born when the Roaring Twenties blew themselves out and hard times rushed in; it crystallized real-life events and the writhing collapse of the national economy before finding its interpreters in writers like Raymond Chandler.

The Combination had finally been smashed. In a world with Mickey Cohen and Bugsy Siegel on the loose, it was simply too dangerous for men like Guy McAfee to operate in Los Angeles without police protection. Moreover, it seemed evident that the new mayor was determined to “close” Los Angeles. And so the organized crime figures who had held sway over the L.A. underworld since the 1920s left Los Angeles. Most relocated to a dusty little town in the Nevada desert where gambling was legal and supervision was lax—Las Vegas.

Nobody knows Los Angeles until they’ve been entranced by it, corrupted by it, cast out from it, and returned to it on their knees begging it to save them, and Richie knew Los Angeles. He knew it better than anyone. This time he would tame the beast and make it his own—this time he would win.

Most men think the most difficult part of being a porn star is having sex for so long without ejaculating. They’re right but for the wrong reason. It’s having sex for so long and then ejaculating that’s the problem. Porn becomes a job like any other pretty quick. Then it’s all about maintaining the erection and being ready to fire on command. It’s not easy, believe me.

Hollywood Boulevard at night was a dream in neon. Mickey cruised along the strip, colorful lights blurring by like hallucinations. On his right, the El Capitan Theatre lured customers in like a Vegas casino, while the Walk of Fame preserved stardom on his left. Tourists bustled beneath the blinking signs like extras in the giant story of this land of stories, hoping for a real-life glimpse of that other world just behind the veneer of this place. In the ’50s, Hollywood Boulevard had looked different—less buildings, less vehicles, less pedestrians—but the aura of the strip, the energy, hadn’t changed at all.

Los Angeles is the City of Dreams, the City of Angels, a city blessed and cursed with a glorious dream and façade of hopes -- glitter sprinkled on top if its sprawling expanse. It is a city without a center, a city with a rich and fabled past often bestowed with nostalgic memories not entirely based on fact; an erasure of memory. Without a distinct ancestry, it is often seen and referred to as a whore. The city is made up of so many distinct parts, communities intertwined and fraying at the edges. Sitting on top of one another, Los Angeles is seemingly without borders, an area of pulsing, moving bodies all swaying with the energy of the city’s rich and unique cultures. Navigating Los Angeles is an experience in itself. By way of its intricate mapping of freeways, streets and avenues, the veins and arteries of its body possess the inhabitant to follow these lifelines, dependent upon its circulating blood to survive. The body of Los Angeles makes one feel as if they can be instantly rewarded and punished by its beauty all in one moment. Los Angeles, the femme fatale, can lure one in with its bright lights, swaying palm trees, and warm sunshine yet punish at the same time – all in one sway of her hips. When the warm Santa Ana’s blow in on a summer’s night, dry and majestic, one can feel as though they have just kissed her lips, but the poison soon follows. Attracted to a dream, they pilgrimage to the City and become enraptured by the multi-faceted qualities of her magnificence. But what are we truly looking for? Many people come to the city, obsessed with an image and enraptured by an Angel. But the dichotomy that we find in her beauty is all too telling of how we see each other. Los Angeles is an angel, yet she is also a whore. Los Angeles as the femme fatale has been noted in Los Angeles film noir since the 1930s. The city itself is seductive, alluring, glamorous, and wanton. Yet she uses these qualities to her advantage, shattering the hopes and dreams of those who fall prey all too easily.

Ours isn't a perfect world. It's downtown--a gilded toilet where people defecate in the streets, where untreated crazies run amok, where Business Improvement District dispatchers get stabbed in the back, where residents gleefully attend midnight arson, where cars pin people to walls, where tourists disintegrate in water tanks, where old men get beaten to death outside their apartments.

In Los Angeles everybody wears a mask, telling stories that aren't quite the truth but aren't quite a lie. The warm weather makes it easy to stay. The strange thing is: you can feel your soul being bought and sold, little by little, piece by piece. You feel it dying, being taken away from you, dripping out of you. Especially at night, when it's a dark, starless sky. Night as you know it, and night as we know it...here...are two different things.

Los Angeles was black, full dark no stars, hills everywhere. There were long stretches of road and sidewalks, on either side neon signs, overhead street-lamps, standing in protest to the overwhelming blackness of the night. The town's lighting seemed powerless against it. Houses were darkened, some hidden on back roads, behind gates and walled gardens. No one seemed to walk anywhere at night. And yet, the city seemed alive. Not like New York, not like a live wire, a town hopped up on electricity. Los Angeles was different, like a cobra in the grass, creeping, coiling onto itself in the night...

The Chateau Marmont Hotel sat on a rise and looked like something constructed in the heyday of Los Angeles, back when there was such a thing as Hollywoodland. It was a regal, but spooky castle-like structure filled with ghosts, and the ghosts of parties long gone. It was as if the hotel was a living, breathing entity that had claimed its fair share of souls.

She was abducted by clowns once." The words flowed as coolly out of Penn's mouth as if he just said what he was going to have for lunch.

Why did your parents name you Montana if you're from Michigan? Why did your parents name you Tripper if you're from Earth?

It’s a nice town.’ She said sharply, a little breathlessly. ‘You can’t judge-‘ ‘Okey, it’s a nice town. So is Chicago. You could live there a long time and not see a Tommy-gun. Sure, it’s a nice town. It’s probably no crookeder than Los Angeles. But you can only buy a piece of a big city. You can buy a town this size all complete, with the original box and tissue paper. That’s the difference. And that makes me want out.