“
Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one’s mouth. Then the river will flow, then we can stand in the stream of it raining down.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turnec the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?
”
”
Jodi Picoult (The Pact)
“
Please nothing, she’s a vicious piranha. She looks all cute and cuddly, then she opens that mouth and lets loose so much venom she could double as a nest of scorpions. (Leo)
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box abd cover it with wet weeds to die?
Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
The walls weren't moving, and the room was open - gaping. No colors, but shades of darkness, of night . Only those star-flecked violet eyes were bright, full of color and light. He gave me a lazy smile before he leaned forward.
I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back.
He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him.
He smirked, sitting down against a wall. "I figured that would get you to stop crying."
"It was disgusting." I wiped my face again.
"Was it?" He quirked an eyebrow and pointed to his palm - to the place where my tattoo would be. "Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting."
"Get out."
"As usual, your gratitude is overwhelming.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Our mouths and bodies speak for us in a new language as the trees shake loose a rain of petals that stick to our slickness like skins we will wear forever. And just like that, I am changed.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Griff groaned and covered Dante's loose mouth with his own, driving his tongue in to steal the stars from his eyes, the fire from his mind.
”
”
Damon Suede (Hot Head (Head, #1))
“
Teccam explains there are two types of secrets. There are secrets of the mouth and secrets of the heart.
Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. There secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free.
Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.
Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. They they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Just as Christian came up to the Cross, his burden loosed from off his shoulders, fell from off his back, and began to tumble down the hill, and so it continued to do till it came to the mouth of the sepulchre. There it fell in, and I saw it no more!
”
”
John Bunyan
“
Max," she said. He turned and briefly closed his eyes as the girl continued.
There was once a strange, small man,"she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker,too."
One of the Jews on his way to Dachau had stopped walking now. He stood absolutely still as the others swerved morosely around him, leaving him completely alone. His eyes staggered, and it was so simple. The words were given across from the girl to the Jew. They climbed on to him.
The next time she spoke, the questions stumbled from her mouth. Hot tears fought for room in her eyes as she would not let them out. Better to stand resolute and proud. Let the words do all of it. "Is it really you? the young man asked," she said. " Is it from your cheek that I took the seed.?"
Max Vandenburg remained standing.
He did not drop to his knees.
People and Jews and clouds all stopped. They watched.
As he stood, Max looked first at the girl and then stared directly into the sky who was wide and blue and magnificent. There were heavy beams-- planks of son-- falling randomly, wonderfully to the road. Clouds arched their backs to look behind as they started again to move on. "It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die,like this.
Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you,Max?"
Such a brilliant German day and its attentive crowd.
He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.
”
”
Markus Zusak (The Book Thief)
“
If he had his wits about him Bunny would surely keep his mouth shut; but now, with his subconscious mind knocked loose from its perch and flapping in the hollow corridors of his skull as erratically as a bat, there was no way to be sure of anything he might do.
”
”
Donna Tartt (The Secret History)
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
”
”
Jeanette Winterson
“
I look at people in a different
perspective. I saw you differently. Shy
with a smart-ass mouth. Reserved, but you
know exactly how to cut loose. Girls like you
I have to watch out for. Girls like you are the
deadliest ones.
”
”
Shanora Williams (Who He Is (FireNine, #1))
“
Well, I think home spat me out, the blackouts and curfews like tongue against loose tooth. God, do you know how difficult it is, to talk about the day your own city dragged you by the hair, past the old prison, past the school gates, past the burning torsos erected on poles like flags? When I meet others like me I recognise the longing, the missing, the memory of ash on their faces. No one leaves home unless home is the mouth of a shark. I’ve been carrying the old anthem in my mouth for so long that there’s no space for another song, another tongue or another language. I know a shame that shrouds, totally engulfs. I tore up and ate my own passport in an airport hotel. I’m bloated with language I can’t afford to forget.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
Alex gazed at her. Her mouth was slightly open; she ran her fingernail against her lower teeth as she thought. She'd knotted her hair at the nape of her neck again, and a strand had slipped loose onto her shoulder, gleaming in the lantern light. Suddenly all of his objections seemed meaningless. Don't, he thought. You'll regret it.
He didn't care anymore.
Slowly, unable to stop himself, he reached out and cupped his hand around her foot.
”
”
L.A. Weatherly (Angel Burn (Angel, #1))
“
My God, Mace was all man, the kind of man every warm-blooded woman would love to take home for the night, tie to her bed and let loose on. Sitting this close to him, my mind conjured up a long list of things I could do, just with my mouth.
”
”
Lola Stark (Tattered Love (Needle's Kiss, #1))
“
She pulled open the reception area door, bright sunshine causing her to pause, momentarily blinding her. Her eyes adjusted and she saw Josh, Peta and Daryl in deep conversation at an outdoor table. Saskia retreated, holding the door open. She saw Daryl lunge out of his bench, reach across the table, grab the front of Josh’s shirt and haul him close. Daryl’s mouth worked in angry lines and Josh’s head bowed, shaking back and forth slowly. Peta glanced nervously over her shoulder and towards the door of the administration building. She laid a hand on Daryl’s arm, leaning towards him. Daryl let Josh loose, sinking back into his seat. Josh also sat back, tugging his shirt into place.
”
”
Miriam Verbeek (The Forest: Saskia van Essen and the Australian timber industry (Saskia van Essen crime thrillers))
“
The panther prowled around me in a loose, wide circle. Its mouth turned down, almost in a pout, and it seemed disappointed that I wasn't going to run away. Or scream, at the very least. Its tail, which was at least three feet long, twitched back and forth in what seemed to be annoyance. Or maybe anticipation. I didn't know. I'd always been more of a dog person.
I cleared my throat, and the panther stopped and flicked up one of its rounded ears. Listening.
"Um, nice kitty?
”
”
Jennifer Estep
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange?
Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
”
”
Jeanette Winterson (The Passion)
“
Startled, he loosed his grasp and she pulled free. He clutched her arm, but she spun around and pressed her mouth to his.
His lips were rough, chapped. She felt the sting of fangs against her bottom lip. He made a sharp sound in the back of his throat and closed his eyes. Mouth opening under hers. The smell of him- of cold, damp stone- made her head swim. One kiss slid into another and it was perfect, was exactly right, was real.
”
”
Holly Black (Valiant (Modern Faerie Tales, #2))
“
The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows.
You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die?
Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.
If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through the shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
Adam relented. As they kept walking and the Orphan Girl kept piping her song and the fish kept darting through the air around them, he threw out intention of his own.
The volume of the resulting boom surprised even him; he heard it in one ear and felt it in both feet. The others all startled as another bass-heavy boom sounded at the beginning of the next measure of the tune. By the time the third thud came, it was obviously pounding in time with the music. Each of the trees they passed sounded with a processed thud, until the sound around them was the pulsing electronic beat that invariably played in Ronan’s car or headphones.
“Oh God,” Gansey said, but he was laughing. “Do we have to endure that here, too? Ronan! ”
“It wasn’t me,” Ronan said. He looked to Blue, who shrugged. He caught Adam’s eye. When Adam’s mouth quirked, Ronan’s expression stilled for a moment before turning to the loose smile he ordinarily reserved for Matthew’s silliness. Adam felt a surge of both accomplishment and nerves. He skated an edge here. Making Ronan Lynch smile felt as charged as making a bargain with Cabeswater. These weren’t forces to play with.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Have you ever been kissed, love?” Pandora’s stomach suddenly went very light, as if she were falling. She stared up at him mutely. Her entire vocabulary had collapsed. Her head was nothing but a box of loose moveable type. Gabriel smiled slightly at her dumbstruck silence. “I’ll assume that means no.” His lashes lowered as his gaze fell to her mouth. “Take a breath, or you might faint from lack of oxygen and miss the whole thing.” Pandora obeyed jerkily. Fact #15 she would write in her book later. Today I found out why chaperones were invented.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Just so you know Labrodor retrivers do not howl.Begals Howl.Wolves howl. Labs do not howl, at lestnot well. Marley attempted twice to howl, both times in answer to a passing police siren, tossing back his head, forming his mouth into an O shape, and letting loose the most pathetic sound Ihave ever heard, more like gargling than answering the call of the wild. Butnow,no question about it he was howling.
”
”
John Grogan (Marley: A Dog Like No Other: A Special Adaptation for Young Readers)
“
Mouthbreathing, it turns out, changes the physical body and transforms airways, all for the worse. Inhaling air through the mouth decreases pressure, which causes the soft tissues in the back of the mouth to become loose and flex inward, creating less space and making breathing more difficult. Mouthbreathing begets more mouthbreathing.
”
”
James Nestor (Breath: The New Science of a Lost Art)
“
Sturmhond back into the corridors. As their footfalls faded, silence descended. Wylan cleared his throat and the sound bounced around the blue-tiled room like a spring colt let loose in a corral. Genya’s face was bemused. Zoya crossed her arms.
“Well?” “Ma’am …” Wylan attempted. “Miss Genya—”
Genya smiled, her scars tugging at the corner of her mouth. “Oh, he is sweet.”
“You always take to the strays,” said Zoya sourly.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
He opened his mouth and let it loose, the blast of cold air freezing the Dark Ones instantaneously. Kiril saw himself in the mirror and the curls of cold air seeping from the corners of his mouth through his parted lips.
Damn, but is was good to be a Dragon King.
”
”
Donna Grant (Burning Desire (Dark Kings, #3))
“
Sing little box
Don't let sleep overtake you
The world's awake within you
In your four-sided emptiness
We turn distance into nearness
Forgetfulness into memory
Don't let your nails come loose
For the very first time
We watch sights beyond this world
Through your keyhole
Turn your key in our mouths
Swallow words and numbers
Out of your song
Don't let your lid fly open
Your bottom drop
Sing little box
”
”
Vasko Popa (Vasko Popa: Collected Poems)
“
Eyes closed a knee in his back hand at his neck forcing his face into the floor of the elevator rough under his cheek smell of vomit and matted fur "God don't hurt me" struggles against indignity his pajamas pulled down around his knees a needle sunk deep into his thigh twists moans and all of it loose like water flowing salt tickles inner edges of his eyes into his mouth twists onto his back arms over his head raw wails of anguish break off in pieces hurt his ears "Baby it's okay" Leo is over him lifts coaxing "Let's get up off the floor huh?" arm around his waist sags heavy his wrist aches where Leo holds him dragged along the watery dark he rolls off Leo's shoulder to the bed eyes closed hands folded in prayer between his legs can't look "God don't hurt me. Please.
”
”
Judith Guest
“
Oh God,” Gansey said, but he was laughing. “Do we have to endure that here, too? Ronan! ”
“It wasn’t me,” Ronan said. He looked to Blue, who shrugged. He caught Adam’s eye. When Adam’s mouth quirked, Ronan’s expression stilled for a moment before turning to the loose smile he ordinarily reserved for Matthew’s silliness. Adam felt a surge of both accomplishment and nerves. He skated an edge here. Making Ronan Lynch smile felt as charged as making a bargain with Cabeswater. These weren’t forces to play with.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
With Hélène Cixous you must close your eyes and open your mouth. Wider. So open your throat opens. Your esophagus. Your lungs. Wider. So open your spine unclatters. Your hips swim loose. Your womb worlds itself. Wider. Open the well of your sex. Now speak your body from your other mouth. Yell corporeal prayer. This is writing.
”
”
Lidia Yuknavitch (The Chronology of Water)
“
Ten men of revolting appearance were approaching from the drive. They were low of brow, crafty of eye, and crooked of limb. They advanced huddled together with the loping tread of wolves, peering about them furtively as they came, as though in constant terror of ambush; they slavered at their mouths, which hung loosely over the receding chins, while each clutched under his ape-like arm a burden of curious and unaccountable shape. On seeing the Doctor they halted and edged back, those behind squinting and moulting over the companions' shoulders.
”
”
Evelyn Waugh (Decline and Fall)
“
Believe me, you have to have a certain confidence in your powers of descretion to let a dentist loose with a drill in your mouth less than an hour after you've...um...entertained his wife.
”
”
Jojo Moyes (The Last Letter from Your Lover)
“
He loved her manner of sleepy acquiescence when they lay on the beach at dusk. He drew solace and sedation from her nearness. He had a craving to touch her always, to remain always in physical communication. He liked to encircle her ankle loosely with his fingers...to lightly and lovingly caress the downy skin of her fair, smooth thigh with the backs of his nails or dreamily, sensuously, almost unconsciously, slide his proprietary, respectful hand up the shell-like ridge of her spine...
...she was puzzled by the convulsive ecstasy men could take from [her body], by the intense and amazing need they had merely to touch it, to reach out urgently and press it, squeeze it, rub it...
...It thrilled Nurse Duckett rapturously that Yossarian could not keep his hand off her when they were together.
She loved to look at his wide, long, sinewy back with its bronzed, unblemished skin. She loved to bring him to flame instantly by taking his whole ear in her mouth suddenly and running her hand down his front all the way. She loved to make him burn and suffer till dark, then satisfy him. Then kiss him adoringly because she had brought him such bliss.
”
”
Joseph Heller (Catch-22)
“
Uh, dumb fuck who left his wannabe woman with another man?” Julius lets the blinds loose, takes a giant bite of his corn dog, talking with a mouthful. “There’s an angry little virgin walking up the drive.
”
”
Meagan Brandy (The Deal Dilemma)
“
He ran till he came to a small hill, at the top of which stood a cross and at the bottom of which was a tomb. I saw in my dream that when Christian walked up the hill to the cross, his burden came loose from his shoulders and fell off his back, tumbling down the hill until it came to the mouth of the tomb, where it fell in to be seen no more.
”
”
John Bunyan (The Pilgrim's Progress: From This World to That Which Is to Come)
“
Once being hard pressed in wrestling, and fearing to be thrown, he got the hand of his antagonist to his mouth, and bit it with all his force; and when the other loosed his hold presently, and said, "You bite, Alcibiades, like a woman." "No," replied he, "like a lion." Another
”
”
Plutarch (Lives of the Noble Grecians and Romans)
“
She had golden blazing sun kissed hair, which hung down in loose, lazy spirals, a heart shaped pouted mouth, which was pink tinged with violet blushing, wide, spangled blue eyes that glimmered sparks to flicker and ember in the vivid intelligence of the moon’s love, and a yielding body, that seem to tangle in loose rhythm as I walked near to her.
”
”
Keira D. Skye (Dead Lullabyes in the Lake)
“
Everything’s gonna go to shit eventually, Sam.” She reaches out and plucks a loose thread off the front of my sweater. “I wish you’d stay away from us. Go somewhere safe. When it’s over, maybe things could be different . . .”
I let loose with an incredulous laugh. “Ugh, seriously? That’s, like, the kind of crap that Spider-Man tells Mary Jane when he’s trying to break it off with her. Do you know how embarrassing it is to be talked to like I’m some superhero’s girlfriend?”
Six laughs too, shaking her head. “I’m sorry. I didn’t mean it that way. I’m just realizing what a hypocrite I’m being. This is exactly the opposite of the advice I gave to John about Sarah.”
“Maybe you’re right and things are going to get bad,” I say. “But that doesn’t mean you should cut yourself off. Being all about the war all the time? That can’t be good. Maybe you should spend like ninety-five percent of your time as Six and, uh, five percent with me, being Maren.”
I didn’t plan that little speech; Six’s old human name just pops out. Her mouth opens a bit, but she doesn’t say anything at first, the name catching her off guard.
“Maren,” she whispers. “I’m not sure I even remember how to be her.
”
”
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
“
I'm not backing down until you talk to me."
"What?" I asked, cupping my hand to my ear. "I can't hear you over the flapping sound of my loose vagina."
The corner of his mouth lifted, and he almost laughed. "Is that what that noise is?" he asked. "I thought it was the air conditioner.
”
”
Erin McCarthy (Sweet (True Believers, #2))
“
I want this.” To prove my point, I ran my hands down the tense muscles of his back and then lower, slipping my fingers under his loose pants. “Don’t…don’t you want this? It seems like you do.”
“God,” he groaned, moving his mouth to my neck. “I’ve never wanted anyone as much as I want you.
”
”
Jennifer L. Armentrout (The Prince (Wicked Trilogy, #3.5))
“
Every Day You Play....
Every day you play with the light of the universe.
Subtle visitor, you arrive in the flower and the water,
You are more than this white head that I hold tightly
as a bunch of flowers, every day, between my hands.
You are like nobody since I love you.
Let me spread you out among yellow garlands.
Who writes your name in letters of smoke among the stars of the south?
Oh let me remember you as you were before you existed.
Suddenly the wind howls and bangs at my shut window.
The sky is a net crammed with shadowy fish.
Here all the winds let go sooner or later, all of them.
The rain takes off her clothes.
The birds go by, fleeing.
The wind. The wind.
I alone can contend against the power of men.
The storm whirls dark leaves
and turns loose all the boats that were moored last night to the sky.
You are here. Oh, you do not run away.
You will answer me to the last cry.
Curl round me as though you were frightened.
Even so, a strange shadow once ran through your eyes.
Now, now too, little one, you bring me honeysuckle,
and even your breasts smell of it.
While the sad wind goes slaughtering butterflies
I love you, and my happiness bites the plum of your mouth.
How you must have suffered getting accustomed to me,
my savage, solitary soul, my name that sends them all running.
So many times we have seen the morning star burn, kissing our eyes,
and over our heads the grey light unwinds in turning fans.
My words rained over you, stroking you.
A long time I have loved the sunned mother-of-pearl of your body.
Until I even believe that you own the universe.
I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses.
I want to do with you what spring does with the cherry trees.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
Chamberlain raised his saber, let loose the shout that was the greatest sound he could make, boiling the yell up from his chest: Fix bayonets! Charge! Fix bayonets! Charge! Fix bayonets! Charge! He leaped down from the boulder, still screaming, his voice beginning to to crack and give, and all around him his men were roaring animal screams, and he saw the whole Regiment rising and pouring over the wall and beginning to bound down through the dark bushes, over the dead and dying wounded, hats coming off, hair flying, mouths making sounds, one man firing as he ran, the last bullet, last round.
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
Do not say, 'But it is hypocritical to thank God with my tongue when I don't feel thankful in my heart.' There is such a thing as hypocritical thanksgiving. Its aim is to conceal ingratitude and get the praise of men. That is not your aim. Your aim in loosing your tongue with words of gratitude is that God would be merciful and fill your words with the emotion of true gratitude. You are not seeking the praise of men; you are seeing the mercy of God. You are not hiding the hardness of ingratitude, but hoping for the in-breaking of the Spirit.
Thanksgiving with the Mouth Stirs Up Thankfulness in the Heart
Moreover, we should probably ask the despairing saint, 'Do you know your heart so well that you are sure the words of thanks have no trace of gratitude in them?' I, for one, distrust my own assessment of my motives. I doubt that I know my good ones well enough to see all the traces of contamination. And I doubt that I know my bad ones well enough to see the traces of grace. Therefore, it is not folly for a Christian to assume that there is a residue of gratitude in his heart when he speaks and sings of God's goodness even though he feels little or nothing. To this should be added that experience shows that doing the right thing, in the way I have described, is often the way toward being in the right frame. Hence Baxter gives this wise counsel to the oppressed Christian:
'Resolve to spend most of your time in thanksgiving and praising God. If you cannot do it with the joy that you should, yet do it as you can. You have not the power of your comforts; but have you no power of your tongues? Say not that you are unfit for thanks and praises unless you have a praising heart and were the children of God; for every man, good and bad, is bound to praise God, and to be thankful for all that he hath received, and to do it as well as he can, rather than leave it undone.... Doing it as you can is the way to be able to do it better. Thanksgiving stirreth up thankfulness in the heart.
”
”
John Piper (When the Darkness Will Not Lift: Doing What We Can While We Wait for God—And Joy)
“
sits on the bedspread between her and Necie. I can smell that nail polish in the clean cool air of the woods. The minute Mama opens her mouth I realize she’s had at least four drinks. Her voice is loose and deep and content and amused, and she says: Edythe, don’t you ever
”
”
Rebecca Wells (Little Altars Everywhere)
“
He watched her face, and her eyes never shifted; they were with him while she moved out of her clothes and while she slipped his jeans down his legs, stroking his thighs. She unbuttoned his shirt, and all he was aware of was the heat of his own breathing and the warmth radiating from his belly, pulsing between his legs. He was afraid of being lost, so he repeated trail marks to himself: this is my mouth tasting the salt of her brown breasts; this is my voice calling out to her. He eased himself deeper within her and felt the warmth close around him like river sand, softly giving way under foot, then closing firmly around the ankle in cloudy warm water. But he did not get lost, and he smiled at her as she held his hips and pulled him closer. He let the motion carry him, and he could feel the momentum within, at first almost imperceptible, gathering in his belly. When it came, it was the edge of a steep riverbank crumbling under the downpour until suddenly it all broke loose and collapsed into itself.
”
”
Leslie Marmon Silko
“
Attraction
The whites of his eyes
pull me like moons.
He smiles. I believe
his face. Already
my body slips down in the chair:
I recline on my side,
offering peeled grapes.
I can taste his tongue
in my mouth
whenever he speaks.
I suspect he lies.
But my body oils itself loose.
When he gets up to fix a drink
my legs like derricks
hoist me off the seat.
I am thirsty, it seams.
Already I see the seduction
far off in the distance
like a large tree
dwarfed by a rise
in the road.
I put away objections
as quietly as quilts.
Already I explain to myself
how marriages are broken--
accidentally, like arms or legs.
”
”
Enid Shomer
“
We face each other, two candles flickering. Sami's sweat smells of chamomile and musk. When we dance, I am a bird shaking loose the night from its wings. I kiss him, my hand behind his jaw, his hands in my hair. He gasps into my mouth and goes soft as water, our bodies molten glass that I am shaping with my kiss, and I wonder if it's true that there is nothing on this earth that is not born of the sweet ache of flame.
”
”
Zeyn Joukhadar (The Thirty Names of Night)
“
His hands, swinging curve-fingered at his sides, looked like they were molded of brown clay by a sculptor who thought big and liked veins. His hair was brown and dry and dead, blowing around his head like a poor toupee about to fly loose. His face was a chipped chunk of concrete, with eyes of flawed onyx. His mouth was a quick stroke, bloodless. His suit coat fluttered behind him, and his arms swung easily as he walked.
”
”
Richard Stark (The Hunter (Parker, #1))
“
Six is a bad time too 'cause that's when some real scary things start to happen to your body, it's around then that your teeth start to coming a-loose in your mouth.
You wake up one morning and it seems like your tongue is the first one to notice that something strange is going on, 'cause as soon as you get up there it is pushing and rubbing up against one of your front teeth and I'll be doggoned if that tooth isn't the littlest bit wiggly.
At first you think it's kind of funny, but the tooth keeps getting looser and looser and one day, in the middle of pushing the tooth back and forth and squinching your eyes shut, you pull it clean out. It's the scariest thing you can think of 'cause you lose control of your tongue at the same time and no matter how hard you try to stop it, it won't leave the new hold in your mouth alone, it keeps digging around in the spot where that tooth used to be.
You tell some adult about what's happening but all they do is say it's normal. You can't be too sure, though, 'cause it shakes you up a whole lot more than grown folks think it does when perfectly good parts of your body commence to loosening up and falling of off you.
Unless you're as stupid as a lamppost you've got to wonder what's coming off next, your arm? Your leg? Your neck? Every morning when you wake up it seems a lot of your parts aren't stuck on as good as they used to be.
”
”
Christopher Paul Curtis (Bud, Not Buddy)
“
I will admit that I wanted to shout for standing on the top of a scaffold in front of a good new wall always goes to my head. It is a sensation something between that of an angel let out of his cage into a new sky and a drunkard turned loose in a royal cellar.
And after all, what nobler elevation could you find in this world than the scaffold of a wall painter? No admiral on the bridge of a new battleship designed by the old navy, could feel more pleased with himself than Gulley, on two planks, forty feet above dirt level, with his palette table beside him, his brush in his hand, and the draught blowing up his trousers; cleared for action.
”
”
Joyce Cary (The Horse's Mouth)
“
Then my hair was loose and his hands were buried in it, and he was kissing me so deeply his fangs grazed my teeth and I tasted blood. I was acutely aware of every inch of my body that was touching every inch of his: his forearm grazing the side of my neck, his hands cradling my skull, his mouth so soft yet ”
“hard, his powerful chest against the only part of me that wasn’t muscle, one of his thighs slipping between my legs, making my knees tremble and nearly buckle.
He kissed like he did everything, with exquisite skill, passion, and one hundred percent focus. Here was where Ryodan shed his aloof businessman attire, his cool facade, and came to life with the heat and intensity of a thousand suns. And I realized that was what had so entranced me on Level 4—I’d seen him drop all his guards and fuck like a man on fire, with nothing held back. Open, unguarded, just like he’d been when we’d talked.
Ryodan, controlled, is formidably fascinating.
Ryodan, open, is indescribably addictive.
”
”
Karen Marie Moning (Feversong (Fever, #9))
“
My name, among our people, means ‘slow arrow.’ It comes from a story in which the god Fen’Harel was asked by a village to kill a great beast. He came to the beast at dawn, and saw its strength, and knew it would slay him if he fought it. So instead, he shot an arrow up into the sky. The villagers asked Fen’Harel how he would save them, and he said to them, ‘When did I say that I would save you?’ And he left, and the great beast came into the village that night and killed the warriors, and the women, and the elders. It came to the children and opened its great maw, but then the arrow that Fen’Harel had loosed fell from the sky into the great beast’s mouth, and killed it. The children of the village wept for their parents and elders, but still they made an offering to Fen’Harel of thanks, for he had done what the villagers had asked. He had killed the beast, with his cunning, and a slow arrow that the beast never noticed.
”
”
Patrick Weekes (The Masked Empire (Dragon Age, #4))
“
Let your mistress’s birthday be one of great terror to you:
that’s a black day when anything has to be given.
However much you avoid it, she’ll still win: it’s
a woman’s skill, to strip wealth from an ardent lover.
A loose-robed pedlar comes to your lady: she likes to buy:
and explains his prices while you’re sitting there.
She’ll ask you to look, because you know what to look for:
then kiss you: then ask you to buy her something there.
She swears that she’ll be happy with it, for years,
but she needs it now, now the price is right.
If you say you haven’t the money in the house, she’ll ask
for a note of hand – and you’re sorry you learnt to write.
Why - she asks doesn’t she for money as if it’s her birthday,
just for the cake, and how often it is her birthday, if she’s in need?
Why - she weeps doesn’t she, mournfully, for a sham loss,
that imaginary gem that fell from her pierced ear?
They many times ask for gifts, they never give in return:
you lose, and you’ll get no thanks for your loss.
And ten mouths with as many tongues wouldn’t be enough
for me to describe the wicked tricks of whores.
”
”
Ovid (The Art of Love)
“
Hey,Nik."
I turned around to see Cole, dressed head to toe in black. Black suit, black shirt,black tie hanging loose around his neck.
He looked me up and down. His gaze paused briefly on my legs, and his mouth opened slightly. I folded my arms.
"Um...you...look beautiful," he said.
"You look black," I replied.
"Thank you.That's the look I was going for." He held a hand out. "C'mon. Let's dance."
I didn't move. "What were you going to show me?"
"Dance with me first."
I shook my head.
"Look,Nik, I know you don't like public scrutiny lately. If you stand off to the side,all mopey and such, without a date,you'll stick out like a nun at a strip club." He leaned in. "Trust me, I've seen one. A nun at a strip club, that is.Everyone was staring at her.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Watching him walk over, Alex mused that Eli Cooper was the sort of man who knew how to use his physicality. Beneath his handmade shirts and tailored suits, a street fighter hummed through every loose-limbed motion. But that impression did not extend to his face, which was structurally perfect. Skyscraper-high cheekbones. Superhero jaw. A mouth that should have a government warning. There were no signs of past trouble with a jealous husband or an abandoned girlfriend. No one had ever broken his nose. No one had busted his lip.
Strange, because her first instinct on seeing him was to roundhouse kick him into the next millennium.
”
”
Kate Meader (Playing with Fire (Hot in Chicago, #2))
“
Now that Fritz also wanted to eat nuts, the little man passed from hand to hand, unable to halt his snapping open and shut. Fritz kept shoving in the biggest and hardest nuts. All at once, they heard a double crack. Then three little teeth fell out of Nutcracker’s mouth, and his whole lower jaw turned loose and wobbly. “Oh, my poor, dear Nutcracker,” Marie exclaimed, whisking him out of Fritz’s hands.
”
”
E.T.A. Hoffmann (The Nutcracker)
“
Wild eyes were another sign. It is something I have seldom seen — the expression of an ecstatic state — though much is foolishly written of them, as if they grew like Jerusalem artichokes along the road. The eyes are black, right enough, whatever their normal color is; they are black because their perception is condensed to a coal, because the touch and taste and perfume of the lover, the outcry of a dirty word, a welcome river, have been reduced in the heat of passion to a black ash, and this unburnt residue of oxidation, this calyx, replaces the pupil so it no longer receives but sends, and every hair is on end, though perhaps only outspread on a pillow, and the nostrils are flared, mouth agape, cheeks sucked so the whole face seems as squeezed as a juiced fruit; I know, for once Lou went into that wildness while we were absorbing one another, trying to kiss, not merely forcefully, not the skull of our skeleton, but the skull and all the bones on which the essential self is hung, kiss so the shape of the soul is stirred too, that's what is called the ultimate French, the furtherest fuck, when a cock makes a concept cry out and climax; I know, for more than once, though not often, I shuddered into that other region, when a mouth drew me through its generosity into the realm of unravel, and every sensation lay extended as a lake, every tie was loosed, and the glue of things dissolved. I knew I wore the wild look then. The greatest gift you can give another human being is to let them warm you till, in passing beyond pleasure, your defenses fall, your ego surrenders, its structure melts, its towers topple, lies, fancies, vanities, blow away in no wind, and you return, not to the clay you came from — the unfired vessel — but to the original moment of inspiration, when you were the unabbreviated breath of God.
”
”
William H. Gass (The Tunnel)
“
This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true.
...
This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it.
...
Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Hot and fierce and impossibly arousing, it was like that day in the car outside the motel. Elemental.
Yes, he was angry; she could feel it in his coiled muscles, taste it in the demand of his mouth and the bite of the hand cupping her head. But it didn’t matter. Anger was honest. Anger was real. Right now, she’d take it.
Ray’s hand raked up under the hem of her loose boxers to squeeze her bottom and she arched into him. Oh, yes, she’d definitely take it!
”
”
Norah Wilson (Saving Grace (Serve and Protect, #2))
“
All Souls’ Eve, when the spirits of the dead will come back to the living, dressed as ballerinas and Coke bottles and spacemen and Mickey Mice, and the living will give them candy to keep them from turning vicious. I can still taste that festival: the tart air, caramel in the mouth, the hope at the door, the belief in something for nothing all children take for granted. They won’t get homemade popcorn balls any more, though, or apples: rumors of razor blades abound, and the possibility of poison. Even by the time of my own children, we worried about the apples. There’s too much loose malice blowing around. In Mexico they do this festival the right way, with no disguises. Bright candy skulls, family picnics on the graves, a plate set for each individual guest, a candle for the soul. Everyone goes away happy, including the dead. We’ve rejected that easy flow between dimensions: we want the dead unmentionable, we refuse to name them, we refuse to feed them. Our dead as a result are thinner, grayer, harder to hear, and hungrier.
”
”
Margaret Atwood (Cat's Eye)
“
Flute Notes from a Reedy Pond"
Now coldness comes sifting down, layer after layer,
To our bower at the lily root.
Overhead the old umbrellas of summer Wither like pithless hands.
There is little shelter.
Hourly the eye of the sky enlarges its blank
Dominion. The stars are no nearer. Already frog-mouth and fish-mouth drink The liquor of indolence, and all thing sink Into a soft caul of forgetfulness. The fugitive colors die. Caddis worms drowse in their silk cases,
The lamp-headed nymphs are nodding to sleep like statues.
Puppets, loosed from the strings of the puppetmaster
Wear masks of horn to bed. This is not death, it is something safer. The wingy myths won't tug at us anymore: The molts are tongueless that sang from above the water Of golgotha at the tip of a reed,
And how a god flimsy as a baby's finger
Shall unhusk himself and steer into the air.
”
”
Sylvia Plath
“
Savannah came to him instantly, her face lit up with some emotion he dared not name.She was in a man's silk shirt and nothing else. The buttons were open so that the edges gaped to reveal her high, full breasts, and narrow rib cage. Another step and her tiny waist and flat stomach, the triangle of tight ebony curls, showed for an intriguing moment before the long tails of the shirt brushed back into place. Her long hair cascaded loose and moved around her like living, breathing silk. With every step she took, he caught glimpses of satin skin.
At once the dull roar started in his head. Heat exploded through his blood, and his body tightened with alarming urgency. Every good and noble intention seemed to go up in flames. She smiled up at him, her slender arms sliding around his neck. "I'm so glad you're home," she whispered softly, her mouth finding the pulse in his throat.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me.
'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.'
Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.'
She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build.
I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right.
I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.'
Someone knocks, I ignore it.
'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth.
'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.'
Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink.
Never again. Those eyes will never reflect hurt I've inflicted ever again.
'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.'
I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them.
'And if it's not possible?'
'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
was going to drown. Woo had attached him to the drain at the bottom of the pool with his own handcuffs. He looked up. The moon was shining down on him through a filter of water. He stretched his free arm up and out of the water. Hell, the pool was only one meter deep here! Harry crouched and tried to stand up, stretched with all his might. The handcuff cut into his thumb, but still his mouth was twenty centimeters below the surface. He noticed the shadow at the edge of the pool moving away. Shit! Don’t panic, he thought. Panic uses up oxygen. He sank to the bottom and examined the grille with his fingers. It was made of steel and was totally immovable, it didn’t budge even when he grabbed it with both hands and pulled. How long could he hold his breath? One minute? Two? All his muscles ached, his temples throbbed and red stars were dancing in front of his eyes. He tried to jerk himself loose. His mouth was dry with fear, his brain had started producing
”
”
Jo Nesbø (Cockroaches (Harry Hole, #2))
“
Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you're barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free.
Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.
Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
I pretend to reach for them, but before he can guess my intentions, I catch one of his wings instead. He flutters, trying to break loose, his one free wing batting my hand.
I draw out the decanter and stuff him into it, careful to fold his wings. I don’t want to hurt him. I just want to better him.
Once he’s settled inside, I shove a paper towel into the bottle’s neck. No need to worry that he’ll smother. After all, he spent that night in a bug trap last year and survived.
“Looks like you’re going to have some turbulence on your flight,” I tell him through the glass.
His voice fills my head, an angry, scolding growl. When I don’t respond, he yells Chessie’s name. Chessie flits over to the car and sits on the side mirror, licking his paw, amused and uninterested in taking sides.
I hold the decanter up to get a closer look at Morpheus. “Game, set, match, luv. You do realize that my human side defeated you, right? No magic required.”
Unlike a real moth that would beat itself against the glass walls until exhausted, he hangs under the curved neck, dignified, glaring with his bulbous eyes. If he had a mouth instead of a proboscis, I’d be able to tell if he’s snarling or beaming with pride. Knowing him, it could be either. Most likely, it’s both.
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
He turned his hollow gray eyes on her. "I'm angry," he said. "I am still so angry."
Surprised, charlie started to open her mouth and then closed it again.
"Last night, after you fell asleep, I couldn't stop looking at the swell of your cheek. The snarl of your dark hair. The shipped black nail polish on your toes, curled up against whatever dream you were having. The way you pulled loose the bottom sheet with the violence of sleeping. I looked at you and had a feeling so intense that it made me dizzy and a little sick." His gaze was on the silvery grass of the lawn. "It's no good to feel this way."
Charlie's heart hammered. He had never spoken to her like that. She didn't think anyone had spoken to her like that. "Vince?"
"When I saw you tonight - what he'd done, what he was doing, I wanted to kill him. I was furious and I haven't stopped being furious. I don't feel guilty. I wish he was alive so I could kill him again."
Astonishment robbed her of breath. Vince didn't get angry. He didn't talk about his feelings. He didn't sit alone in the dark, talking about shadows and stars.
He turned to her. "Pretend I didn't say any of that. If you can, pretend tonight never happened, Charlie.
”
”
Holly Black (Book of Night (Book of Night, #1))
“
The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’
Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand.
‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
He couldn’t be—
Oh, Lord. He was. He was going to kiss her.
“Wait.” Panicked, Maddie put both hands on his chest, holding him off.
“Your men, my servants … they could be watching us.”
“I’m certain they’re watching us. That’s why we’re going to kiss.”
“But I don’t know how. You know I don’t know how.”
His lips quirked. “I know how.”
Those three little words, spoken in that low, devastating Scottish burr, did absolutely nothing to ease Maddie’s concerns.
Thankfully, she had a reprieve. He pulled back and peered at her hair. He looked like a boy marveling at clockwork, wondering how it all worked. After a few moments, she felt him grasp the pencil holding her chignon.
With one long, slow tug, he eased it loose and cast it aside.
It landed in the loch with a splash.
His fingers sifted through her hair, teasing the locks free of their haphazard knot and arranging them about her shoulders. Tenderly. Like she’d always imagined a lover would. Sparks of sensation danced from her scalp to her toes.
“That was my best drawing pencil,” she said.
“It’s just a pencil.”
“It came from London. I have a limited supply.”
His thumb caressed her cheek. “It almost put out my eye. I’ve a limited supply of those, too. And it’s better this way.”
“But—” Her breath caught. “Oh.”
He bracketed her cheeks with his hands, tilting her face to his.
Her pulse thundered in her ears. She stared at his mouth. A wave of inevitability washed over her.
She whispered, “This is really happening, isn’t it?”
In answer, he pressed his lips to hers.
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
We are falling back into allegory," said the Captain, interrupting him. "If you mean by all that that the body is the most solid of realities, then say so."
"No, not exactly," Zeno explained. "This body, our kingdom, sometimes seems to me to be made of a fabric as loosely woven and as evanescent as a shadow. I should hardly be more astonished to see my mother again (who is dead) than to come upon you around a corner as I did, your face grown older and its substance recomposed more than once in twenty years' time, with its color altered by the seasons and its form somewhat changed, but your mouth still knowing my name. Think of the grain that has grown and the creatures that have lived and died in order to sustain that Henry who is and is not the one I knew twenty years ago.
”
”
Marguerite Yourcenar (L'Œuvre au noir)
“
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me.
Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship.
Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell.
“Coming!”
I step back and see Aly stick her head out of her second-story window.
“No problem,” I call back up. “Take your time.”
More time to get my head on straight.
Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not.
I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves.
I grab a second stick and shove it in, too.
With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
”
”
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
“
And eventually in that house where everyone, even the fugitive hiding in the cellar from his faceless enemies, finds his tongue cleaving dryly to the roof of his mouth, where even the sons of the house have to go into the cornfield with the rickshaw boy to joke about whores and compare the length of their members and whisper furtively about dreams of being film directors (Hanif's dream, which horrifies his dream-invading mother, who believes the cinema to be an extension of the brothel business), where life has been transmuted into grotesquery by the irruption into it of history, eventually in the murkiness of the underworld he cannot help himself, he finds his eyes straying upwards, up along delicate sandals and baggy pajamas and past loose kurta and above the dupatta, the cloth of modesty, until eyes meet eyes, and then
”
”
Salman Rushdie (Midnight’s Children)
“
As delightful as Dr. Gibson is, she doesn't have the makings of a farmwife."
Ethan's brows lifted. "Are you thinking about taking a wife?"
West shrugged. "The nights can be long and quiet in the country," he admitted. "If I found a woman who was an interesting companion and attractive enough to bed... yes, I'd consider marrying her." He paused. "Better yet if she were educated. A sense of humor would be icing on the cake. Red hair isn't a requirement, but I do have a fatal weakness for it." West's mouth twisted with a self-mocking grin. "Of course, she'd have to be willing to overlook the fact that I was an undisciplined and obnoxious swill-tub until about three years ago." A nearly imperceptible look of bitterness flashed across his face before he masked it.
"Who is she?" Ethan asked softly.
"No one. An imaginary woman." Averting his gaze, West used the toe of his boot to flick a loose pebble to the side of the drive. "Who happens to despise me," he muttered.
Ethan regarded him with sympathetic amusement. "You might be able to change her opinion."
"Only if I could travel back in time and beat my former self to a pulp.
”
”
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
“
He wet a paper towel, and took my chin, lifting and wiping my face.
"Derek? I'm not hurt."
"You're covered in blood."
"But it's not mine. Honest. It's from—"
"The werewolf. I know." He picked up my hand and started cleaning it. "That's why I have to get it off."
"Derek?" I leaned down, trying to see his face. "Are you okay?"
He kept scrubbing. "There are two ways to become a werewolf. Either you're born or you get bitten by one. If you get saliva in your bloodstream, it's like a virus."
"Blood, too?"
"Dad says no, it's just saliva. But he could be wrong, and you've got cuts and scrapes and blood all over."
I had a few cuts and scrapes, and I was only flecked with blood, but I kept my mouth shut and let him clean.
As he did, I tried to check out how badly he was hurt. His scraped cheeks were pitted with gravel. His nose was bloodied. Broken? One eye was already darkening. Was that blood in the corner? His lip was cut and swollen. Were any teeth loose? MIssing?
"Stop fidgeting, Chloe."
I couldn't help it. His injuries obviously needed more attention than mine, but here was no sense saying anything until he was done.
Finally, when he seemed to have scrubbed off every fleck of blood—and a few layers of skin—I said, "Okay, now on to you."
"Take off your jacket and sweatshirt."
"Derek, I'm clean. Trust me, I've never been this clean."
"You've got blood on your cuffs."
***
"Okay, now can we take care of the guy that was actually in the fight? There's a lot of blood. It seems to be mostly from your nose."
"It is."
"You got hit in the chest a few times. How are your ribs?"
"Maybe bruised. Nothing critical."
"Shirt off."
He sighed, like now I was the one fussing too much
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter.
The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself.
Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen!
You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world.
At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972.
A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'?
I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!"
They asked me to play the record over and over again.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
This was to be my last trip. Sailing great distances was dangerous, and not very profitable in today's world. I walked down the worn wooden step to the captain's cabin, the creaking of the ship keeping time with my steps. Opening the door I found him bent over an old map.
"Where are we captain?" I asked, hoping it was close to home.
"See this spot, where it says "Here there be monsters"?" he said pointing to an image of a horrid beast.
"Certainly, but you and I both know such creatures don't exist!!"
The captain laughed, and looking up at me with an evil glint in his eye said, "Who's talking about sea monsters?". As he spoke the skin from one corner of his mouth fell loose, exposing a yellow reptilian skin beneath.
"What?" I yelled, and as I turned to run for the cabin door I heard screams and loud moans coming from the deck, and the crew quarters below.
I felt fetid breath on the back of my neck, "Aye matey, here there be monsters
”
”
Neil Leckman
“
Hurricane Katrina arrived without a confirmed weather category, or a name that adequately addressed anger summoned from a thousand leagues down. When the levees broke in New Orleans images escaped television screens to tattoo every skin with the shameful reality that America’s towers fell twice. There was no phoenix. Only mosquitoes escaped the ashes, promising to puncture any still unbloodied with the needle kiss of plague.
Then, a great swarm of dragonflies, sent by some other to even the odds. They feasted on the thin-limbed vampires, devoured body and virus, and then hovered around the floating bloated bodies of forgotten grandmothers, armored escorts of the dead. Their wings hummed swamp sonnets while their mouths swallowed maggots, thwarting attempts to hurry death beyond spring sunsets and autumn graves. They kept up their holy procession until New Orleans rebirthed jazz and cut the bodies loose and let saints march in all over again.
As I steer my bike through one puddle after the other, making the street music urban rainforest dwellers know, I ask the splash to summon the dragonfly. Call her from the swamp into my throat to name the lump that will never loose me. Be my escort, gobble the flies ever entering me before their children become my whole.
”
”
Amanda Sledz (Psychopomp Volume One: Cracked Plate)
“
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him.
“How does one court a woman in Japan? Do I need your brothers’ permission?”
She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair.
He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard.
Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right.
Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well.
Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel.
Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest.
JACKSONVILLE
FLA OR BUST
I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust.
The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
”
”
Charles Portis (The Dog of the South)
“
I like big men,” she said.
Her voice was raspy, like she had a cold. She came up to me and grabbed my arm. Her fingers hurt the muscles. I could smell her perfume. She came close to me. I thought I knew what she wanted. I tried to kiss her. She jerked away.
“No.”
“I’m sorry.”
She slapped me. She was strong, my cheek stung. She moved in, swinging both arms. Now she had her fists closed. She hit my arms and my chest. I tried to hold her.
“Hit me!” she said.
It was goddam queer. I held her arms, but she got loose.
She struck my chest.
She said: “Hit me.”
I hit her easy on the ribs.
“That’s right! That’s right!” She hit me a couple of hard blows. Her eyes were wild. She hit me a hard punch on the neck. I hit her in the belly. I heard the breath go out: ouf! It didn’t stop her. She kept coming in, punching hard.
I gave her one over the kidneys. She grunted and clinched with me. She bit my arm until the blood came. I slapped her. She put her knee in my groin. It hurt. I lost my balance, grabbed for her, and we both went down. We rolled around on the dirty floor of the shack, both panting. She was hard to hold, and every time she got loose she’d hit or kick or bite me. I got over her, holding her down on the floor. She looked beautiful and wild. She bit my arm again and I slugged her in the ribs. She moaned, and then struggled free. My hand caught in the scarlet shirt. The silk tore to her navel.
“Yes,” she said.
I got the idea. I ripped the shirt off her, she fighting all the time and liking it. I ripped at her clothes, not caring how much I hurt her. She squirmed on the dirty floor, panting. There was blood on her mouth. I don’t know if it was mine or hers. It tasted sweet. Suddenly she stopped moving.
“Now,” she said. “Now, goddam you. Now!”
Later we lay on the floor.
“I don’t understand you,” I said.
“It’s fun, isn’t it?”
“Yes.”
“Then what do you care?
”
”
Jonathan Latimer (Solomon's Vineyard)
“
She sat at her dressing table, eyeing her reflection warily. Her hair was loose, spilling over her shoulders, a few shades darker than the dress. She gathered a handful and began to braid.
“I hear you’re going to the ball tonight.”
Kestrel glanced in the mirror to see Arin standing behind her. Then she focused on her own shadowed eyes. “You’re not allowed in here,” Kestrel said. She didn’t look again at him, but sensed him waiting. She realized that she was waiting, too--waiting for the will to send him away.
She sighed and continued to braid.
He said, “It’s not a good idea for you to attend the ball.”
“I hardly think you’re in a position to advise me on what I should or shouldn’t do.” She glanced back at his reflection. His face frayed her already sheer nerves. The braid slipped from her fingers and unraveled. “What?” she snapped. “Does this amuse you?”
The corner of his mouth lifted, and Arin looked like himself, like the person she had grown to know since summer’s end. “‘Amuse’ isn’t the right word.”
Heavy locks fell forward to curtain her face. “Lirah usually does my hair,” she muttered. She heard Arin inhale as if to speak, but he didn’t.
Then, quietly, he said, “I could do it.”
“What?”
“I could braid your hair.”
“You?”
“Yes.”
Kestrel’s pulse bit at her throat. She opened her mouth, but before she could say anything he had crossed the room and swept her hair into his hands. His fingers began to move.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
THE THEOPHANY, TECCAM writes of secrets, calling them painful treasures of the mind. He explains that what most people think of as secrets are really nothing of the sort. Mysteries, for example, are not secrets. Neither are little-known facts or forgotten truths. A secret, Teccam explains, is true knowledge actively concealed. Philosophers have quibbled over his definition for centuries. They point out the logical problems with it, the loopholes, the exceptions. But in all this time none of them has managed to come up with a better definition. That, perhaps, tells us more than all the quibbling combined. In a later chapter, less argued over and less well-known, Teccam explains that there are two types of secrets. There are secrets of the mouth and secrets of the heart. Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become. Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them. Modern philosophers scorn Teccam, but they are vultures picking at the bones of a giant. Quibble all you like, Teccam understood the shape of the world.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
One morning Jeanette, bucking Daddy on some point, hit on the argument probably every child in the world has used against his or her parents: 'I didn't ask to be born'.
Daddy had an answer for it. 'I know you didn't ask to be born, honey, and as your father responsible for gettin' you into the world, I owe you something'. I owe you three hots and a cots, which is to say, I owe you three meals a day and a place to sleep. That's what I'm obliged for, and that's what I'm lookin' to see you get.' He nodded several times, overcome by the seriousness of this obligation, then leaned back in his chair with a curl to his mouth like a villain's mustache. ''Course, nobody says the meals has got to be chicken. S'pose I just give you bread and water? An' s'pose I let you sleep on the floor'?
'No, Daddy'!
'That's all I'm obliged for, honey. Everything else is gratis. Everything else I do for you is 'cause I want to, not 'cause I have to'.
For days afterward, because Daddy had a tenacious mind of the sort that doesn't easily turn loose one idea and go on to another, he would set a plate in front of Jeanette with, 'See, I ain't obliged to give you this. I could give you bread and water and soup with just a little bit of fat floatin' in it, just to keep you alive. That's all I'm asked to give you. But you get more, right? You get this nice plateful, and I imagine when it comes to dessert, you'll have some of that, will you? All right, dessert, and all the other good stuff. But just remember, the good stuff I do for you is because I want to, because I'm your daddy and I love you and I want to, not because I have to'.
The subtext to this was that it was not enough for us, the children, to behave in minimal ways either, that filial respect and dutifulness might be all that was basically required of us, but the good stuff, like doing well in school and sticking together as a family and paying attention to what Mommy and Daddy were trying to each us, we would do because we loved them and wanted them to love us.
”
”
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
“
She had just given Liger his food when a tap sounded on the connecting door. Priss’s heart leaped into her throat.
With excitement.
Not dread, or annoyance, or even indifference.
Pure, sizzling stimulation. Suddenly she was wide-awake.
Tamping down her automatic smile, Priss leaned on the door. “Yeah?”
“Open up.”
Still fighting that twitching grin, Priss tried to sound disgruntled as she asked, “Why?”
Something hit the door—maybe his head—and Trace said, “I heard you up and moving around, Priss. I have coffee ready, but if you don’t want any—”
Being a true caffeine junkie, she jerked open the door. “Oh, bless you, man.” She took the cup straight out of Trace’s hand, drank deeply and sighed as the warmth penetrated the thick fog of novel sentiment. “Ahhhh. Nirvana. Thank you.”
Only after the caffeine ingestion did she notice that Trace wore unsnapped jeans and nothing else. Her eyes flared wide and her jaw felt loose. Holy moly.
“That was my cup,” Trace told her, bemused.
But Priss could only stare at him. Despite the delicious coffee she’d just poured in it, her mouth went dry.
When she continued to stare at him, at his chest and abdomen, her gaze tracking a silky line of brown hair that disappeared into his jeans, Trace crossed his arms.
Her gaze jumped to his face and she found him watching her with equal fascination.
A little lost as to the reason for that look, Priss asked with some belligerence, “What?”
With a cryptic smile, Trace shook his head. “Never mind. Help yourself, and I’ll get another.”
Oh, crap, she’d snatched away his cup! “Sorry.”
He lifted a hand in dismissal and went to the coffee machine sitting atop the dresser. His jeans rode low on his hips. The sun had darkened his skin, creating a sharp contrast to his fair hair.
Another drink was in order, and another sigh of bliss. Hoping to regain her wits, Priss said, “God, nothing in the world tastes better than that first drink of coffee.”
Trace looked over his shoulder, his attention zeroing in on her mouth, then her chest and finally down to her bare legs. “Oh, I don’t know about that.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals.
The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground.
Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads.
Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter.
Savannah. He said her name once, a soft brush in her mind.
I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat.
To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.”
Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs.
“What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts.
“Don’t be ridiculous.”
“I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—”
He took the boxers from her.
“Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over.
Right.
After he got the boxers on, he took off the bathrobe and . . .
Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts.
Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?”
She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—”
“Gina.” Max stopped her before she reached the door. He motioned for her to come back.
She held out the green shorts, but instead of taking them, he took her arm, pulled her close.
“I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little.
Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle.
And then, before her heart even had a chance to start beating again, he kissed her.
And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated.
And, God. That was a miracle, too.
Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now?
Yes, she’d been waiting for years for him to say that he loved her, but . . .
Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’”
She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted.
It was obvious that he wanted her to say something, but she was completely speechless.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Tate won’t like it that we kept the truth from him.”
“I’m resigned to that,” Cecily said half-truthfully. “He would never have turned to me, anyway, even if he knew he had mixed blood. I’ve been living on dreams too long already.”
“If you go away from him, he’ll follow you,” Leta said unexpectedly. “There’s a tie, a bond, between you that can’t be broken.”
“There’s Audrey,” Cecily pointed out.
“Honey, there have been other Audreys,” she replied. “He never brought them home or talked about them. They were loose relationships, and not very many at all-never any who were innocent.”
“Audrey’s lasted a long time.”
Leta searched her eyes. “If he’s sleeping with Audrey, Cecily, why can’t he keep his hands off you?”
Cecily’s heart turned over twice. “Wh…what?”
“Simple question,” came the droll reply. She grinned at the younger woman’s embarrassment. “When you came in the kitchen that last time you were here, before Tate left, your mouth was swollen and you wouldn’t look straight at him. He was badly shaken. It doesn’t take a mind-reader to know what was going on in my living room. It isn’t like Tate to play games with innocent girls.”
“He doesn’t think I am, anymore,” she returned curtly. “I let him think that Colby and I are…very close.”
“Uh-oh.”
She scowled. “Uh-oh, what?”
“The only thing that’s kept him away from you this long is that he didn’t want to take advantage of you,” Leta replied. “If he thinks you’re even slightly experienced, he’ll find a reason not to hold back anymore. You’re playing a dangerous game. Your own love will be your downfall if he puts on the heat. I know. How I know!”
Cecily refused to think about it. She’d put Tate out of her mind, and she was going to keep him there for the time being.
“I’ll worry about that when I have to,” she said finally. “Now you dry up those tears and drink some more coffee. Then we have to plan strategy. We’re going to take down the enemy by any means possible!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
“
Damn it, Jacob, I’m freezing my butt off.”
“I came as fast as I could, considering I thought it would be wise to walk the last few yards.”
Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection.
“I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’”
“Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?”
“Well, I’m fifty percent sure.”
“Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.”
“As Legna tells it, that’s what you’re supposed to do.”
“Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck.
“Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.”
“This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.”
“Jacob!” she gasped, laughing.
“Some traditions are not necessarily publicized,” he teased.
“You people are outrageous.”
“Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?”
Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so.
“Have I ever said no to you?”
“No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled.
“How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair.
His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet.
“If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.”
“Okay,” she agreed, her tongue touching his pulse.
“Bella . . .”
“Jacob, I want to spend the entire night making love to you,” she murmured.
Jacob stopped in his tracks, taking a moment to catch his breath.
“Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?”
“You started it,” she reminded him, laughing softly.
“I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.”
“I’m sorry, you’re right.” She turned her face away from his neck.
Jacob resumed his ritual walk for all of thirty seconds before he stopped again.
“Bella . . .” he warned dangerously.
“I’m sorry! It just popped into my head!”
“What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace.
“Well, in about an hour, I hope it will be me.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her.
'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling.
Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet.
Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose.
It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart.
She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last.
And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his
flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat
down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?"
When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red.
Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons.
What a roaring.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
She'd gone and let her hair loose, he thought. Why did she have to do that? It made his hands hurt, actually hurt with wanting to slide into it.
"That's good." She stepped in, shut the door. And because it seemed too perfect not to, audibly flipped the lock. Seeing a muscle twitch in his jaw was incredibly satisfying.
He was a drowning man, and had just gone under the first time. "Keeley, I've had a long day here.I was just about to-"
"Have a nightcap," she finished. She'd spotted the teapot and the bottle of whiskey on the kitchen counter. "I wouldn't mind one myself." She breezed past him to flip off the burner under the now sputtering kettle.
She'd put on different perfume, he thought viciously. Put it on fresh, too, just to torment him. He was damn sure of it.It snagged his libido like a fish-hook.
"I'm not really fixed for company just now."
"I don't think I qualify as company." Competently she warmed the pot, measured out the tea and poured the boiling water in. "I certainly won't be after we're lovers."
He went under the second time without even the chance to gulp in air. "We're not lovers."
"That's about to change." She set the lid on the pot, turned. "How long do you like it to steep?"
"I like it strong, so it'll take some time. You should go on home now."
"I like it strong, too." Amazing, she thought,she didn't feel nervous at all. "And if it's going to take some time, we can have it afterward."
"This isn't the way for this." He said it more to himself than her. "This is backward, or twisted.I can't get my mind around it. no,just stay back over there and let me think a minute."
But she was already moving toward him, a siren's smile on her lips. "If you'd rather seduce me, go ahead."
"That's exactly what I'm not going to do." Thought the night was cool and his windows were open to it, he felt sweat slither down his back. "If I'd known the way things were, I'd never have started this."
That mouth of his, she thought. She really had to have that mouth. "Now we both know the way things are, and I intend to finish it.It's my choice."
His blood was already swimming. Hot and fast. "You don't know anything, which is the whole flaming problem."
"Are you afraid of innocence?"
"Damn right."
"It doesn't stop you from wanting me. Put your hands on me,Brian." She took his wrist,pressed his hand to her breast. "I want your hands on me."
The boots clattered to the floor as he went under for the third time.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
So, my dear…”
She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it.
“… You say I have let another man into my bed.”
Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare.
From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back.
“I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.”
Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece.
As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion.
She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her.
“Christopher! What…?”
She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort.
“Christopher Stuart Saxton, lord of Saxton Hall.”
His voice no longer bore a hint of a rasp. “Your servant, my lady.”
“But… but where is…?”
The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin.
“… Stuart?”
“One and the same, madam.”
He stepped near, and those translucent eyes commanded her attention.
“Look at me, Erienne. Look very closely.”
He towered over her, and his lean, hard face bore no hint of humor.
“And tell me again if you think I would ever allow another man in your bed while I yet breathe.”
-Christopher & Erienne
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
Jane, I don’t care what capacity you let me have in your life. I just want to be there. And if that means I have to keep my distance, I’ll do that.”
I sighed. If ever there was a time for me to lay all my cards on the table, this was it. Naked, wounded, and vulnerable. “So, here’s my basic
problem with us, the reason I can’t seem to relax into a relationship with you, the reason I find problems where none exist and I push you away. I—I can’t figure out why you’re with me!” I exclaimed, clapping my hand over my mouth. I hadn’t meant for that part to come out. I had meant to say, “You lie and hide things from me.”
Gabriel pried my fingers away from my lips. My hands trembled as stuff I’d been feeling for months tumbled from my tongue. “I know that
makes me neurotic and sad, but I can’t figure out why you want to be with me. Every other woman in your life is exotic and beautiful and has all this history. And I’m just some drunk girl you followed home from a bar, some pathetic human you felt your usual need to protect, and you got stuck with a lifetime tie to her because she was dumb enough to get shot. I can’t stand the idea that you feel obligated to me. I know I’m insecure and pushy and spastic, desperately inappropriate at times and just plain odd at others. And I can’t help but wonder why you would want that when there are obviously so many other options. I can’t help but feel that I’m keeping you from someone better.”
I let out a loud, long breath. It felt as if some tremendous weight on my chest had wiggled loose and then dropped away. No more running. No more floating along and waiting. My cards were on the table. If Gabriel and I couldn’t have a future after this, it wasn’t because I held back from him. Now I could only hope it didn’t blow up in my face in some horrible way. I wasn’t sure my face could handle much more.
Gabriel sighed and cupped my chin, forcing me to look him in the eye. “I didn’t follow you that night because I wanted to protect you. I followed you that night because you were one of the most interesting people I’d met in decades. You had this light about you, this sweetness, this biting humor. After I’d only known you for an hour, you made me laugh harder than I had since before I was turned. You made me feel normal, at peace, for the first time in years. And I didn’t want to lose that yet. Even if it was just watching over you from a mile away, I didn’t want to leave your presence. I followed you because I didn’t want to let you go. Even then, I saw you were one of the most extraordinary, fascinating, maddening people I would ever know. Even then, I think I knew that I would love you. If you don’t love me, that’s one thing. But if you do, just stop arguing with me about it. It’s annoying. ”
“Fair enough,” I conceded. “Why the hell couldn’t you have told me this a year ago?”
“I’ve wanted to. You weren’t ready to hear it.
”
”
Molly Harper (Nice Girls Don't Live Forever (Jane Jameson, #3))
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that's what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo
“
I know he’s had his problems in the past…
“He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!”
“I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.”
“What does he get for a reward?” he asked insolently.
She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.”
“Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!”
“You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why.
He searched her enthusiastic eyes. “You really do love Native American history, don’t you?”
She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.”
“Most whites never come close to understanding us, no matter how hard they try.”
“I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.”
He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before.
Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him.
He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard.
“Now, isn’t that interesting?” he said to himself in a low, deep whisper.
“Wh…what?” she stammered.
His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period.
He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her.
“Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Honest to God, I hadn’t meant to start a bar fight.
“So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big.
He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?”
I shrugged. “My mother was a religious woman.”
“Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat.
“I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket.
“Just here to ask a question, that’s all. I don’t want trouble.”
Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.”
I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.”
My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.”
He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder.
“Fine. What’s your question?”
“Know anybody by the name of Matthias Gruber?”
He didn’t even blink. “No.”
“Ah. I see. Sorry to have wasted your time.”
I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list.
“Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.”
I hung up and let out a slow breath. Only a couple things left to do.
I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance.
The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible.
I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.”
“Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster.
The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.”
I smiled back. “God bless you.”
She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
”
”
Kyoko M. (The Holy Dark (The Black Parade, #3))