“
How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turnec the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?
”
”
Jodi Picoult (The Pact)
“
Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one’s mouth. Then the river will flow, then we can stand in the stream of it raining down.
”
”
Clarissa Pinkola Estés (Women Who Run With the Wolves)
“
Please nothing, she’s a vicious piranha. She looks all cute and cuddly, then she opens that mouth and lets loose so much venom she could double as a nest of scorpions. (Leo)
”
”
Sherrilyn Kenyon (Dark Side of the Moon (Dark-Hunter, #9; Were-Hunter, #3))
“
You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box abd cover it with wet weeds to die?
Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
The walls weren't moving, and the room was open - gaping. No colors, but shades of darkness, of night . Only those star-flecked violet eyes were bright, full of color and light. He gave me a lazy smile before he leaned forward.
I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back.
He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him.
He smirked, sitting down against a wall. "I figured that would get you to stop crying."
"It was disgusting." I wiped my face again.
"Was it?" He quirked an eyebrow and pointed to his palm - to the place where my tattoo would be. "Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting."
"Get out."
"As usual, your gratitude is overwhelming.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Our mouths and bodies speak for us in a new language as the trees shake loose a rain of petals that stick to our slickness like skins we will wear forever. And just like that, I am changed.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Teccam explains there are two types of secrets. There are secrets of the mouth and secrets of the heart.
Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. There secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free.
Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.
Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. They they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Griff groaned and covered Dante's loose mouth with his own, driving his tongue in to steal the stars from his eyes, the fire from his mind.
”
”
Damon Suede (Hot Head (Head, #1))
“
Just as Christian came up to the Cross, his burden loosed from off his shoulders, fell from off his back, and began to tumble down the hill, and so it continued to do till it came to the mouth of the sepulchre. There it fell in, and I saw it no more!
”
”
John Bunyan
“
Max," she said. He turned and briefly closed his eyes as the girl continued.
There was once a strange, small man,"she said. Her arms were loose but her hands were fists at her side. "But there was a word shaker,too."
One of the Jews on his way to Dachau had stopped walking now. He stood absolutely still as the others swerved morosely around him, leaving him completely alone. His eyes staggered, and it was so simple. The words were given across from the girl to the Jew. They climbed on to him.
The next time she spoke, the questions stumbled from her mouth. Hot tears fought for room in her eyes as she would not let them out. Better to stand resolute and proud. Let the words do all of it. "Is it really you? the young man asked," she said. " Is it from your cheek that I took the seed.?"
Max Vandenburg remained standing.
He did not drop to his knees.
People and Jews and clouds all stopped. They watched.
As he stood, Max looked first at the girl and then stared directly into the sky who was wide and blue and magnificent. There were heavy beams-- planks of son-- falling randomly, wonderfully to the road. Clouds arched their backs to look behind as they started again to move on. "It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die,like this.
Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you,Max?"
Such a brilliant German day and its attentive crowd.
He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched.
”
”
Markus Zusak (The Book Thief)
“
If he had his wits about him Bunny would surely keep his mouth shut; but now, with his subconscious mind knocked loose from its perch and flapping in the hollow corridors of his skull as erratically as a bat, there was no way to be sure of anything he might do.
”
”
Donna Tartt (The Secret History)
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
”
”
Jeanette Winterson
“
I look at people in a different
perspective. I saw you differently. Shy
with a smart-ass mouth. Reserved, but you
know exactly how to cut loose. Girls like you
I have to watch out for. Girls like you are the
deadliest ones.
”
”
Shanora Williams (Who He Is (FireNine, #1))
“
Well, I think home spat me out, the blackouts and curfews like tongue against loose tooth. God, do you know how difficult it is, to talk about the day your own city dragged you by the hair, past the old prison, past the school gates, past the burning torsos erected on poles like flags? When I meet others like me I recognise the longing, the missing, the memory of ash on their faces. No one leaves home unless home is the mouth of a shark. I’ve been carrying the old anthem in my mouth for so long that there’s no space for another song, another tongue or another language. I know a shame that shrouds, totally engulfs. I tore up and ate my own passport in an airport hotel. I’m bloated with language I can’t afford to forget.
”
”
Warsan Shire (Teaching My Mother How to Give Birth)
“
Alex gazed at her. Her mouth was slightly open; she ran her fingernail against her lower teeth as she thought. She'd knotted her hair at the nape of her neck again, and a strand had slipped loose onto her shoulder, gleaming in the lantern light. Suddenly all of his objections seemed meaningless. Don't, he thought. You'll regret it.
He didn't care anymore.
Slowly, unable to stop himself, he reached out and cupped his hand around her foot.
”
”
L.A. Weatherly (Angel Burn (Angel, #1))
“
My God, Mace was all man, the kind of man every warm-blooded woman would love to take home for the night, tie to her bed and let loose on. Sitting this close to him, my mind conjured up a long list of things I could do, just with my mouth.
”
”
Lola Stark (Tattered Love (Needle's Kiss, #1))
“
She pulled open the reception area door, bright sunshine causing her to pause, momentarily blinding her. Her eyes adjusted and she saw Josh, Peta and Daryl in deep conversation at an outdoor table. Saskia retreated, holding the door open. She saw Daryl lunge out of his bench, reach across the table, grab the front of Josh’s shirt and haul him close. Daryl’s mouth worked in angry lines and Josh’s head bowed, shaking back and forth slowly. Peta glanced nervously over her shoulder and towards the door of the administration building. She laid a hand on Daryl’s arm, leaning towards him. Daryl let Josh loose, sinking back into his seat. Josh also sat back, tugging his shirt into place.
”
”
Miriam Verbeek (The Forest: A thrilling international crime novel (Saskia van Essen crime thrillers))
“
The panther prowled around me in a loose, wide circle. Its mouth turned down, almost in a pout, and it seemed disappointed that I wasn't going to run away. Or scream, at the very least. Its tail, which was at least three feet long, twitched back and forth in what seemed to be annoyance. Or maybe anticipation. I didn't know. I'd always been more of a dog person.
I cleared my throat, and the panther stopped and flicked up one of its rounded ears. Listening.
"Um, nice kitty?
”
”
Jennifer Estep
“
Lovers are not at their best when it matters. Mouths dry up, palms sweat, conversation flags and all the time the heart is threatening to fly from the body once and for all. Lovers have been known to have heart attacks. Lovers drink too much from nervousness and cannot perform. They eat too little and faint during their fervently wished consummation. They do not stroke the favoured cat and their face-paint comes loose. This is not all. Whatever you have set store by, your dress, your dinner, your poetry, will go wrong.
How is it that one day life is orderly and you are content, a little cynical perhaps, but on the whole just so, and then without warning you find the solid floor is a trapdoor and you are now in another place whose geography is uncertain and whose customs are strange?
Travellers at least have a choice. Those who set sail know that things will not be the same as at home. Explorers are prepared. But for us, who travel along the blood vessels, who come to the cities of the interior by chance, there is no preparation. We who were fluent find life is a foreign language. Somewhere between the swamp and the mountains. Somewhere between fear and sex. Somewhere between God and the Devil passion is and the way there is sudden and the way back is worse.
”
”
Jeanette Winterson (The Passion)
“
To preserve the values of the civilized world, it is necessary to set fire to a library. To blow up a mosque. To incinerate olive trees. To dress up in the lingerie of women who fled and then take pictures. To level universities. To loot jewelry, art, banks, food. To arrest children for picking vegetables. To shoot children for throwing stones. To parade the captured in their underwear. To break a man’s teeth and shove a toilet brush in his mouth. To let combat dogs loose on a man with Down syndrome and then leave him to die. Otherwise, the uncivilized world might win.
”
”
Omar El Akkad (One Day, Everyone Will Have Always Been Against This)
“
Startled, he loosed his grasp and she pulled free. He clutched her arm, but she spun around and pressed her mouth to his.
His lips were rough, chapped. She felt the sting of fangs against her bottom lip. He made a sharp sound in the back of his throat and closed his eyes. Mouth opening under hers. The smell of him- of cold, damp stone- made her head swim. One kiss slid into another and it was perfect, was exactly right, was real.
”
”
Holly Black (Valiant (Modern Faerie Tales, #2))
“
The greatest mystery the universe offers is not life but size. Size encompasses life, and the Tower encompasses size. The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows.
You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die?
Or one might take the tip of the pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become league, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity.
If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through the shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
Adam relented. As they kept walking and the Orphan Girl kept piping her song and the fish kept darting through the air around them, he threw out intention of his own.
The volume of the resulting boom surprised even him; he heard it in one ear and felt it in both feet. The others all startled as another bass-heavy boom sounded at the beginning of the next measure of the tune. By the time the third thud came, it was obviously pounding in time with the music. Each of the trees they passed sounded with a processed thud, until the sound around them was the pulsing electronic beat that invariably played in Ronan’s car or headphones.
“Oh God,” Gansey said, but he was laughing. “Do we have to endure that here, too? Ronan! ”
“It wasn’t me,” Ronan said. He looked to Blue, who shrugged. He caught Adam’s eye. When Adam’s mouth quirked, Ronan’s expression stilled for a moment before turning to the loose smile he ordinarily reserved for Matthew’s silliness. Adam felt a surge of both accomplishment and nerves. He skated an edge here. Making Ronan Lynch smile felt as charged as making a bargain with Cabeswater. These weren’t forces to play with.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Have you ever been kissed, love?” Pandora’s stomach suddenly went very light, as if she were falling. She stared up at him mutely. Her entire vocabulary had collapsed. Her head was nothing but a box of loose moveable type. Gabriel smiled slightly at her dumbstruck silence. “I’ll assume that means no.” His lashes lowered as his gaze fell to her mouth. “Take a breath, or you might faint from lack of oxygen and miss the whole thing.” Pandora obeyed jerkily. Fact #15 she would write in her book later. Today I found out why chaperones were invented.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
Just so you know Labrodor retrivers do not howl.Begals Howl.Wolves howl. Labs do not howl, at lestnot well. Marley attempted twice to howl, both times in answer to a passing police siren, tossing back his head, forming his mouth into an O shape, and letting loose the most pathetic sound Ihave ever heard, more like gargling than answering the call of the wild. Butnow,no question about it he was howling.
”
”
John Grogan (Marley: A Dog Like No Other: A Special Adaptation for Young Readers)
“
Mouthbreathing, it turns out, changes the physical body and transforms airways, all for the worse. Inhaling air through the mouth decreases pressure, which causes the soft tissues in the back of the mouth to become loose and flex inward, creating less space and making breathing more difficult. Mouthbreathing begets more mouthbreathing.
”
”
James Nestor (Breath: The New Science of a Lost Art)
“
Sturmhond back into the corridors. As their footfalls faded, silence descended. Wylan cleared his throat and the sound bounced around the blue-tiled room like a spring colt let loose in a corral. Genya’s face was bemused. Zoya crossed her arms.
“Well?” “Ma’am …” Wylan attempted. “Miss Genya—”
Genya smiled, her scars tugging at the corner of her mouth. “Oh, he is sweet.”
“You always take to the strays,” said Zoya sourly.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
Eyes closed a knee in his back hand at his neck forcing his face into the floor of the elevator rough under his cheek smell of vomit and matted fur "God don't hurt me" struggles against indignity his pajamas pulled down around his knees a needle sunk deep into his thigh twists moans and all of it loose like water flowing salt tickles inner edges of his eyes into his mouth twists onto his back arms over his head raw wails of anguish break off in pieces hurt his ears "Baby it's okay" Leo is over him lifts coaxing "Let's get up off the floor huh?" arm around his waist sags heavy his wrist aches where Leo holds him dragged along the watery dark he rolls off Leo's shoulder to the bed eyes closed hands folded in prayer between his legs can't look "God don't hurt me. Please.
”
”
Judith Guest
“
He opened his mouth and let it loose, the blast of cold air freezing the Dark Ones instantaneously. Kiril saw himself in the mirror and the curls of cold air seeping from the corners of his mouth through his parted lips.
Damn, but is was good to be a Dragon King.
”
”
Donna Grant (Burning Desire (Dark Kings, #3))
“
Sing little box
Don't let sleep overtake you
The world's awake within you
In your four-sided emptiness
We turn distance into nearness
Forgetfulness into memory
Don't let your nails come loose
For the very first time
We watch sights beyond this world
Through your keyhole
Turn your key in our mouths
Swallow words and numbers
Out of your song
Don't let your lid fly open
Your bottom drop
Sing little box
”
”
Vasko Popa (Vasko Popa: Collected Poems)
“
Oh God,” Gansey said, but he was laughing. “Do we have to endure that here, too? Ronan! ”
“It wasn’t me,” Ronan said. He looked to Blue, who shrugged. He caught Adam’s eye. When Adam’s mouth quirked, Ronan’s expression stilled for a moment before turning to the loose smile he ordinarily reserved for Matthew’s silliness. Adam felt a surge of both accomplishment and nerves. He skated an edge here. Making Ronan Lynch smile felt as charged as making a bargain with Cabeswater. These weren’t forces to play with.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Uh, dumb fuck who left his wannabe woman with another man?” Julius lets the blinds loose, takes a giant bite of his corn dog, talking with a mouthful. “There’s an angry little virgin walking up the drive.
”
”
Meagan Brandy (The Deal Dilemma)
“
With Hélène Cixous you must close your eyes and open your mouth. Wider. So open your throat opens. Your esophagus. Your lungs. Wider. So open your spine unclatters. Your hips swim loose. Your womb worlds itself. Wider. Open the well of your sex. Now speak your body from your other mouth. Yell corporeal prayer. This is writing.
”
”
Lidia Yuknavitch (The Chronology of Water)
“
He ran till he came to a small hill, at the top of which stood a cross and at the bottom of which was a tomb. I saw in my dream that when Christian walked up the hill to the cross, his burden came loose from his shoulders and fell off his back, tumbling down the hill until it came to the mouth of the tomb, where it fell in to be seen no more.
”
”
John Bunyan (The Pilgrim's Progress: From This World to That Which Is to Come)
“
He loved her manner of sleepy acquiescence when they lay on the beach at dusk. He drew solace and sedation from her nearness. He had a craving to touch her always, to remain always in physical communication. He liked to encircle her ankle loosely with his fingers...to lightly and lovingly caress the downy skin of her fair, smooth thigh with the backs of his nails or dreamily, sensuously, almost unconsciously, slide his proprietary, respectful hand up the shell-like ridge of her spine...
...she was puzzled by the convulsive ecstasy men could take from [her body], by the intense and amazing need they had merely to touch it, to reach out urgently and press it, squeeze it, rub it...
...It thrilled Nurse Duckett rapturously that Yossarian could not keep his hand off her when they were together.
She loved to look at his wide, long, sinewy back with its bronzed, unblemished skin. She loved to bring him to flame instantly by taking his whole ear in her mouth suddenly and running her hand down his front all the way. She loved to make him burn and suffer till dark, then satisfy him. Then kiss him adoringly because she had brought him such bliss.
”
”
Joseph Heller (Catch-22)
“
Ten men of revolting appearance were approaching from the drive. They were low of brow, crafty of eye, and crooked of limb. They advanced huddled together with the loping tread of wolves, peering about them furtively as they came, as though in constant terror of ambush; they slavered at their mouths, which hung loosely over the receding chins, while each clutched under his ape-like arm a burden of curious and unaccountable shape. On seeing the Doctor they halted and edged back, those behind squinting and moulting over the companions' shoulders.
”
”
Evelyn Waugh (Decline and Fall)
“
Once being hard pressed in wrestling, and fearing to be thrown, he got the hand of his antagonist to his mouth, and bit it with all his force; and when the other loosed his hold presently, and said, "You bite, Alcibiades, like a woman." "No," replied he, "like a lion." Another
”
”
Plutarch (Lives of the Noble Grecians and Romans)
“
She had golden blazing sun kissed hair, which hung down in loose, lazy spirals, a heart shaped pouted mouth, which was pink tinged with violet blushing, wide, spangled blue eyes that glimmered sparks to flicker and ember in the vivid intelligence of the moon’s love, and a yielding body, that seem to tangle in loose rhythm as I walked near to her.
”
”
Keira D. Skye (Dead Lullabyes in the Lake)
“
Everything’s gonna go to shit eventually, Sam.” She reaches out and plucks a loose thread off the front of my sweater. “I wish you’d stay away from us. Go somewhere safe. When it’s over, maybe things could be different . . .”
I let loose with an incredulous laugh. “Ugh, seriously? That’s, like, the kind of crap that Spider-Man tells Mary Jane when he’s trying to break it off with her. Do you know how embarrassing it is to be talked to like I’m some superhero’s girlfriend?”
Six laughs too, shaking her head. “I’m sorry. I didn’t mean it that way. I’m just realizing what a hypocrite I’m being. This is exactly the opposite of the advice I gave to John about Sarah.”
“Maybe you’re right and things are going to get bad,” I say. “But that doesn’t mean you should cut yourself off. Being all about the war all the time? That can’t be good. Maybe you should spend like ninety-five percent of your time as Six and, uh, five percent with me, being Maren.”
I didn’t plan that little speech; Six’s old human name just pops out. Her mouth opens a bit, but she doesn’t say anything at first, the name catching her off guard.
“Maren,” she whispers. “I’m not sure I even remember how to be her.
”
”
Pittacus Lore (The Fall of Five (Lorien Legacies, #4))
“
I'm not backing down until you talk to me."
"What?" I asked, cupping my hand to my ear. "I can't hear you over the flapping sound of my loose vagina."
The corner of his mouth lifted, and he almost laughed. "Is that what that noise is?" he asked. "I thought it was the air conditioner.
”
”
Erin McCarthy (Sweet (True Believers, #2))
“
I want this.” To prove my point, I ran my hands down the tense muscles of his back and then lower, slipping my fingers under his loose pants. “Don’t…don’t you want this? It seems like you do.”
“God,” he groaned, moving his mouth to my neck. “I’ve never wanted anyone as much as I want you.
”
”
Jennifer L. Armentrout (The Prince (Wicked Trilogy, #3.5))
“
Every Day You Play....
Every day you play with the light of the universe.
Subtle visitor, you arrive in the flower and the water,
You are more than this white head that I hold tightly
as a bunch of flowers, every day, between my hands.
You are like nobody since I love you.
Let me spread you out among yellow garlands.
Who writes your name in letters of smoke among the stars of the south?
Oh let me remember you as you were before you existed.
Suddenly the wind howls and bangs at my shut window.
The sky is a net crammed with shadowy fish.
Here all the winds let go sooner or later, all of them.
The rain takes off her clothes.
The birds go by, fleeing.
The wind. The wind.
I alone can contend against the power of men.
The storm whirls dark leaves
and turns loose all the boats that were moored last night to the sky.
You are here. Oh, you do not run away.
You will answer me to the last cry.
Curl round me as though you were frightened.
Even so, a strange shadow once ran through your eyes.
Now, now too, little one, you bring me honeysuckle,
and even your breasts smell of it.
While the sad wind goes slaughtering butterflies
I love you, and my happiness bites the plum of your mouth.
How you must have suffered getting accustomed to me,
my savage, solitary soul, my name that sends them all running.
So many times we have seen the morning star burn, kissing our eyes,
and over our heads the grey light unwinds in turning fans.
My words rained over you, stroking you.
A long time I have loved the sunned mother-of-pearl of your body.
Until I even believe that you own the universe.
I will bring you happy flowers from the mountains, bluebells, dark hazels, and rustic baskets of kisses.
I want to do with you what spring does with the cherry trees.
”
”
Pablo Neruda (Twenty Love Poems and a Song of Despair)
“
Chamberlain raised his saber, let loose the shout that was the greatest sound he could make, boiling the yell up from his chest: Fix bayonets! Charge! Fix bayonets! Charge! Fix bayonets! Charge! He leaped down from the boulder, still screaming, his voice beginning to to crack and give, and all around him his men were roaring animal screams, and he saw the whole Regiment rising and pouring over the wall and beginning to bound down through the dark bushes, over the dead and dying wounded, hats coming off, hair flying, mouths making sounds, one man firing as he ran, the last bullet, last round.
”
”
Michael Shaara (The Killer Angels (The Civil War Trilogy, #2))
“
Do not say, 'But it is hypocritical to thank God with my tongue when I don't feel thankful in my heart.' There is such a thing as hypocritical thanksgiving. Its aim is to conceal ingratitude and get the praise of men. That is not your aim. Your aim in loosing your tongue with words of gratitude is that God would be merciful and fill your words with the emotion of true gratitude. You are not seeking the praise of men; you are seeing the mercy of God. You are not hiding the hardness of ingratitude, but hoping for the in-breaking of the Spirit.
Thanksgiving with the Mouth Stirs Up Thankfulness in the Heart
Moreover, we should probably ask the despairing saint, 'Do you know your heart so well that you are sure the words of thanks have no trace of gratitude in them?' I, for one, distrust my own assessment of my motives. I doubt that I know my good ones well enough to see all the traces of contamination. And I doubt that I know my bad ones well enough to see the traces of grace. Therefore, it is not folly for a Christian to assume that there is a residue of gratitude in his heart when he speaks and sings of God's goodness even though he feels little or nothing. To this should be added that experience shows that doing the right thing, in the way I have described, is often the way toward being in the right frame. Hence Baxter gives this wise counsel to the oppressed Christian:
'Resolve to spend most of your time in thanksgiving and praising God. If you cannot do it with the joy that you should, yet do it as you can. You have not the power of your comforts; but have you no power of your tongues? Say not that you are unfit for thanks and praises unless you have a praising heart and were the children of God; for every man, good and bad, is bound to praise God, and to be thankful for all that he hath received, and to do it as well as he can, rather than leave it undone.... Doing it as you can is the way to be able to do it better. Thanksgiving stirreth up thankfulness in the heart.
”
”
John Piper (When the Darkness Will Not Lift: Doing What We Can While We Wait for God—And Joy)
“
Whenever you are angry shut your mouth. So that you can save yourself from loosing the beloved ones.
”
”
Semere Sahlemariam
“
sits on the bedspread between her and Necie. I can smell that nail polish in the clean cool air of the woods. The minute Mama opens her mouth I realize she’s had at least four drinks. Her voice is loose and deep and content and amused, and she says: Edythe, don’t you ever
”
”
Rebecca Wells (Little Altars Everywhere)
“
Believe me, you have to have a certain confidence in your powers of descretion to let a dentist loose with a drill in your mouth less than an hour after you've...um...entertained his wife.
”
”
Jojo Moyes (The Last Letter from Your Lover)
“
I had a sudden irrational desire to hug her, but there was so much distance between us. My birth had been only the beginning of our separation, the first time I was cut loose. From that moment until now, I'd just been going farther and farther away, my body a lifeboat pushing into the ocean.
”
”
Bushra Rehman (Roses, in the Mouth of a Lion)
“
Six is a bad time too 'cause that's when some real scary things start to happen to your body, it's around then that your teeth start to coming a-loose in your mouth.
You wake up one morning and it seems like your tongue is the first one to notice that something strange is going on, 'cause as soon as you get up there it is pushing and rubbing up against one of your front teeth and I'll be doggoned if that tooth isn't the littlest bit wiggly.
At first you think it's kind of funny, but the tooth keeps getting looser and looser and one day, in the middle of pushing the tooth back and forth and squinching your eyes shut, you pull it clean out. It's the scariest thing you can think of 'cause you lose control of your tongue at the same time and no matter how hard you try to stop it, it won't leave the new hold in your mouth alone, it keeps digging around in the spot where that tooth used to be.
You tell some adult about what's happening but all they do is say it's normal. You can't be too sure, though, 'cause it shakes you up a whole lot more than grown folks think it does when perfectly good parts of your body commence to loosening up and falling of off you.
Unless you're as stupid as a lamppost you've got to wonder what's coming off next, your arm? Your leg? Your neck? Every morning when you wake up it seems a lot of your parts aren't stuck on as good as they used to be.
”
”
Christopher Paul Curtis (Bud, Not Buddy)
“
He watched her face, and her eyes never shifted; they were with him while she moved out of her clothes and while she slipped his jeans down his legs, stroking his thighs. She unbuttoned his shirt, and all he was aware of was the heat of his own breathing and the warmth radiating from his belly, pulsing between his legs. He was afraid of being lost, so he repeated trail marks to himself: this is my mouth tasting the salt of her brown breasts; this is my voice calling out to her. He eased himself deeper within her and felt the warmth close around him like river sand, softly giving way under foot, then closing firmly around the ankle in cloudy warm water. But he did not get lost, and he smiled at her as she held his hips and pulled him closer. He let the motion carry him, and he could feel the momentum within, at first almost imperceptible, gathering in his belly. When it came, it was the edge of a steep riverbank crumbling under the downpour until suddenly it all broke loose and collapsed into itself.
”
”
Leslie Marmon Silko
“
Attraction
The whites of his eyes
pull me like moons.
He smiles. I believe
his face. Already
my body slips down in the chair:
I recline on my side,
offering peeled grapes.
I can taste his tongue
in my mouth
whenever he speaks.
I suspect he lies.
But my body oils itself loose.
When he gets up to fix a drink
my legs like derricks
hoist me off the seat.
I am thirsty, it seams.
Already I see the seduction
far off in the distance
like a large tree
dwarfed by a rise
in the road.
I put away objections
as quietly as quilts.
Already I explain to myself
how marriages are broken--
accidentally, like arms or legs.
”
”
Enid Shomer
“
There were families everywhere, loose loud chains of them wandering down the streets, in and out of shops, young children with rings of ice-cream round their mouths and saddles of freckles across their noses.
”
”
Niall Williams (Four Letters of Love)
“
We face each other, two candles flickering. Sami's sweat smells of chamomile and musk. When we dance, I am a bird shaking loose the night from its wings. I kiss him, my hand behind his jaw, his hands in my hair. He gasps into my mouth and goes soft as water, our bodies molten glass that I am shaping with my kiss, and I wonder if it's true that there is nothing on this earth that is not born of the sweet ache of flame.
”
”
Zeyn Joukhadar (The Thirty Names of Night)
“
His hands, swinging curve-fingered at his sides, looked like they were molded of brown clay by a sculptor who thought big and liked veins. His hair was brown and dry and dead, blowing around his head like a poor toupee about to fly loose. His face was a chipped chunk of concrete, with eyes of flawed onyx. His mouth was a quick stroke, bloodless. His suit coat fluttered behind him, and his arms swung easily as he walked.
”
”
Richard Stark (The Hunter (Parker, #1))
“
I will admit that I wanted to shout for standing on the top of a scaffold in front of a good new wall always goes to my head. It is a sensation something between that of an angel let out of his cage into a new sky and a drunkard turned loose in a royal cellar.
And after all, what nobler elevation could you find in this world than the scaffold of a wall painter? No admiral on the bridge of a new battleship designed by the old navy, could feel more pleased with himself than Gulley, on two planks, forty feet above dirt level, with his palette table beside him, his brush in his hand, and the draught blowing up his trousers; cleared for action.
”
”
Joyce Cary (The Horse's Mouth)
“
Then my hair was loose and his hands were buried in it, and he was kissing me so deeply his fangs grazed my teeth and I tasted blood. I was acutely aware of every inch of my body that was touching every inch of his: his forearm grazing the side of my neck, his hands cradling my skull, his mouth so soft yet ”
“hard, his powerful chest against the only part of me that wasn’t muscle, one of his thighs slipping between my legs, making my knees tremble and nearly buckle.
He kissed like he did everything, with exquisite skill, passion, and one hundred percent focus. Here was where Ryodan shed his aloof businessman attire, his cool facade, and came to life with the heat and intensity of a thousand suns. And I realized that was what had so entranced me on Level 4—I’d seen him drop all his guards and fuck like a man on fire, with nothing held back. Open, unguarded, just like he’d been when we’d talked.
Ryodan, controlled, is formidably fascinating.
Ryodan, open, is indescribably addictive.
”
”
Karen Marie Moning (Feversong (Fever, #9))
“
My name, among our people, means ‘slow arrow.’ It comes from a story in which the god Fen’Harel was asked by a village to kill a great beast. He came to the beast at dawn, and saw its strength, and knew it would slay him if he fought it. So instead, he shot an arrow up into the sky. The villagers asked Fen’Harel how he would save them, and he said to them, ‘When did I say that I would save you?’ And he left, and the great beast came into the village that night and killed the warriors, and the women, and the elders. It came to the children and opened its great maw, but then the arrow that Fen’Harel had loosed fell from the sky into the great beast’s mouth, and killed it. The children of the village wept for their parents and elders, but still they made an offering to Fen’Harel of thanks, for he had done what the villagers had asked. He had killed the beast, with his cunning, and a slow arrow that the beast never noticed.
”
”
Patrick Weekes (The Masked Empire (Dragon Age, #4))
“
Let your mistress’s birthday be one of great terror to you:
that’s a black day when anything has to be given.
However much you avoid it, she’ll still win: it’s
a woman’s skill, to strip wealth from an ardent lover.
A loose-robed pedlar comes to your lady: she likes to buy:
and explains his prices while you’re sitting there.
She’ll ask you to look, because you know what to look for:
then kiss you: then ask you to buy her something there.
She swears that she’ll be happy with it, for years,
but she needs it now, now the price is right.
If you say you haven’t the money in the house, she’ll ask
for a note of hand – and you’re sorry you learnt to write.
Why - she asks doesn’t she for money as if it’s her birthday,
just for the cake, and how often it is her birthday, if she’s in need?
Why - she weeps doesn’t she, mournfully, for a sham loss,
that imaginary gem that fell from her pierced ear?
They many times ask for gifts, they never give in return:
you lose, and you’ll get no thanks for your loss.
And ten mouths with as many tongues wouldn’t be enough
for me to describe the wicked tricks of whores.
”
”
Ovid (The Art of Love)
“
Hey,Nik."
I turned around to see Cole, dressed head to toe in black. Black suit, black shirt,black tie hanging loose around his neck.
He looked me up and down. His gaze paused briefly on my legs, and his mouth opened slightly. I folded my arms.
"Um...you...look beautiful," he said.
"You look black," I replied.
"Thank you.That's the look I was going for." He held a hand out. "C'mon. Let's dance."
I didn't move. "What were you going to show me?"
"Dance with me first."
I shook my head.
"Look,Nik, I know you don't like public scrutiny lately. If you stand off to the side,all mopey and such, without a date,you'll stick out like a nun at a strip club." He leaned in. "Trust me, I've seen one. A nun at a strip club, that is.Everyone was staring at her.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Watching him walk over, Alex mused that Eli Cooper was the sort of man who knew how to use his physicality. Beneath his handmade shirts and tailored suits, a street fighter hummed through every loose-limbed motion. But that impression did not extend to his face, which was structurally perfect. Skyscraper-high cheekbones. Superhero jaw. A mouth that should have a government warning. There were no signs of past trouble with a jealous husband or an abandoned girlfriend. No one had ever broken his nose. No one had busted his lip.
Strange, because her first instinct on seeing him was to roundhouse kick him into the next millennium.
”
”
Kate Meader (Playing with Fire (Hot in Chicago, #2))
“
Now that Fritz also wanted to eat nuts, the little man passed from hand to hand, unable to halt his snapping open and shut. Fritz kept shoving in the biggest and hardest nuts. All at once, they heard a double crack. Then three little teeth fell out of Nutcracker’s mouth, and his whole lower jaw turned loose and wobbly. “Oh, my poor, dear Nutcracker,” Marie exclaimed, whisking him out of Fritz’s hands.
”
”
E.T.A. Hoffmann (The Nutcracker)
“
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me.
'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.'
Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.'
She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build.
I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right.
I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.'
Someone knocks, I ignore it.
'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth.
'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.'
Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink.
Never again. Those eyes will never reflect hurt I've inflicted ever again.
'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.'
I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them.
'And if it's not possible?'
'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Wild eyes were another sign. It is something I have seldom seen — the expression of an ecstatic state — though much is foolishly written of them, as if they grew like Jerusalem artichokes along the road. The eyes are black, right enough, whatever their normal color is; they are black because their perception is condensed to a coal, because the touch and taste and perfume of the lover, the outcry of a dirty word, a welcome river, have been reduced in the heat of passion to a black ash, and this unburnt residue of oxidation, this calyx, replaces the pupil so it no longer receives but sends, and every hair is on end, though perhaps only outspread on a pillow, and the nostrils are flared, mouth agape, cheeks sucked so the whole face seems as squeezed as a juiced fruit; I know, for once Lou went into that wildness while we were absorbing one another, trying to kiss, not merely forcefully, not the skull of our skeleton, but the skull and all the bones on which the essential self is hung, kiss so the shape of the soul is stirred too, that's what is called the ultimate French, the furtherest fuck, when a cock makes a concept cry out and climax; I know, for more than once, though not often, I shuddered into that other region, when a mouth drew me through its generosity into the realm of unravel, and every sensation lay extended as a lake, every tie was loosed, and the glue of things dissolved. I knew I wore the wild look then. The greatest gift you can give another human being is to let them warm you till, in passing beyond pleasure, your defenses fall, your ego surrenders, its structure melts, its towers topple, lies, fancies, vanities, blow away in no wind, and you return, not to the clay you came from — the unfired vessel — but to the original moment of inspiration, when you were the unabbreviated breath of God.
”
”
William H. Gass (The Tunnel)
“
This tub is for washing your courage...When you are born your courage is new and clean. You are brave enough for anything: crawling off of staircases, saying your first words without fearing that someone will think you are foolish, putting strange things in your mouth. But as you get older, your courage attracts gunk and crusty things and dirt and fear and knowing how bad things can get and what pain feels like. By the time you're half-grown, your courage barely moves at all, it's so grunged up with living. So every once in awhile, you have to scrub it up and get the works going or else you'll never be brave again. Unfortunately, there are not many facilities in your world that provide the kind of services we do. So most people go around with grimy machinery, when all it would take is a bit of a spit and polish to make them paladins once more, bold knights and true.
...
This tub is for washing your wishes...For the wishes of one's old life wither and shrivel like old leaves if they are not replaced with new wishes when the world changes. And the world always changes. Wishes get slimy, and their colors fade, and soon they are just mud, like all the rest of the mud, and not wishes at all, but regrets. The trouble is, not everyone can tell when they ought to launder their wishes. Even when one finds oneself in Fairyland and not at home at all, it is not always so easy to catch the world in its changing and change with it.
...
Lastly, we must wash your luck. When souls queue up to be born, they all leap up at just the last moment, touching the lintel of the world for luck. Some jump high and can seize a great measure of luck; some jump only a bit and snatch a few loose strands. Everyone manages to catch some. If one did not have at least a little luck, one would never survive childhood. But luck can be spent, like money, and lost, like a memory; and wasted, like a life. If you know how to look, you can examine the kneecaps of a human and tell how much luck they have left. No bath can replenish luck that has been spent on avoiding an early death by automobile accident or winning too many raffles in a row. No bath can restore luck lost through absentmindedness and overconfidence. But luck withered by conservative, tired, riskless living can be pumped up again--after all, it is only a bit thirsty for something to do.
”
”
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
“
Hot and fierce and impossibly arousing, it was like that day in the car outside the motel. Elemental.
Yes, he was angry; she could feel it in his coiled muscles, taste it in the demand of his mouth and the bite of the hand cupping her head. But it didn’t matter. Anger was honest. Anger was real. Right now, she’d take it.
Ray’s hand raked up under the hem of her loose boxers to squeeze her bottom and she arched into him. Oh, yes, she’d definitely take it!
”
”
Norah Wilson (Saving Grace (Serve and Protect, #2))
“
How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turned the mug they were sharing so that her mouth landed where his had been?
”
”
Jodi Picoult (The Pact)
“
All Souls’ Eve, when the spirits of the dead will come back to the living, dressed as ballerinas and Coke bottles and spacemen and Mickey Mice, and the living will give them candy to keep them from turning vicious. I can still taste that festival: the tart air, caramel in the mouth, the hope at the door, the belief in something for nothing all children take for granted. They won’t get homemade popcorn balls any more, though, or apples: rumors of razor blades abound, and the possibility of poison. Even by the time of my own children, we worried about the apples. There’s too much loose malice blowing around. In Mexico they do this festival the right way, with no disguises. Bright candy skulls, family picnics on the graves, a plate set for each individual guest, a candle for the soul. Everyone goes away happy, including the dead. We’ve rejected that easy flow between dimensions: we want the dead unmentionable, we refuse to name them, we refuse to feed them. Our dead as a result are thinner, grayer, harder to hear, and hungrier.
”
”
Margaret Atwood (Cat's Eye)
“
... God knows I pity the Dresden women and children whose charred bodies are propped up in Goebell's propaganda photographs , but nobody made the Germans follow Hitler . He wasn't a legitimate ruler . He was a man with a mouth , and they liked what he said . They got behind him and they let loose a firestorm that's sucking all the decent instincts out of human society . My peerless son died fighting it . It made savages of all of us . Hitler gloried in savagery , he proclaimed it as his battle cry , and the Germans shouted Sieg Heill ! They still go on laying down their misguided lives for him , and the lives of their unfortunate families . I wish them joy of their Fuhrer while he lasts .
”
”
Herman Wouk (War and Remembrance (The Henry Family, #2))
“
Flute Notes from a Reedy Pond"
Now coldness comes sifting down, layer after layer,
To our bower at the lily root.
Overhead the old umbrellas of summer Wither like pithless hands.
There is little shelter.
Hourly the eye of the sky enlarges its blank
Dominion. The stars are no nearer. Already frog-mouth and fish-mouth drink The liquor of indolence, and all thing sink Into a soft caul of forgetfulness. The fugitive colors die. Caddis worms drowse in their silk cases,
The lamp-headed nymphs are nodding to sleep like statues.
Puppets, loosed from the strings of the puppetmaster
Wear masks of horn to bed. This is not death, it is something safer. The wingy myths won't tug at us anymore: The molts are tongueless that sang from above the water Of golgotha at the tip of a reed,
And how a god flimsy as a baby's finger
Shall unhusk himself and steer into the air.
”
”
Sylvia Plath
“
Savannah came to him instantly, her face lit up with some emotion he dared not name.She was in a man's silk shirt and nothing else. The buttons were open so that the edges gaped to reveal her high, full breasts, and narrow rib cage. Another step and her tiny waist and flat stomach, the triangle of tight ebony curls, showed for an intriguing moment before the long tails of the shirt brushed back into place. Her long hair cascaded loose and moved around her like living, breathing silk. With every step she took, he caught glimpses of satin skin.
At once the dull roar started in his head. Heat exploded through his blood, and his body tightened with alarming urgency. Every good and noble intention seemed to go up in flames. She smiled up at him, her slender arms sliding around his neck. "I'm so glad you're home," she whispered softly, her mouth finding the pulse in his throat.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
When I wake up, my mouth is thick and sour. I groan and sit up, and hit my head against something unfamiliar. I wince. Everything in my head feels loose, lost.
”
”
Roxane Gay (Difficult Women)
“
Livia put a hand over her mouth and leaned against the wall. All hell was breaking loose, and Blake was out in the open, hurt. It was all her fault.
”
”
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
“
As logic went, it was pretty impressive. I could tell because Mum's mouth was working like someone feeling a loose tooth, but she couldn't come up with any reason why Lily was wrong.
”
”
Jojo Moyes (Still Me (Me Before You, #3))
“
I know I need to put my mouth on those pretty lips and kiss you,” he said with so much conviction, it felt like a swarm of butterflies had been let loose in my stomach. “Do you know that, too?
”
”
Christina Lee (Before You Break (Between Breaths, #2))
“
was going to drown. Woo had attached him to the drain at the bottom of the pool with his own handcuffs. He looked up. The moon was shining down on him through a filter of water. He stretched his free arm up and out of the water. Hell, the pool was only one meter deep here! Harry crouched and tried to stand up, stretched with all his might. The handcuff cut into his thumb, but still his mouth was twenty centimeters below the surface. He noticed the shadow at the edge of the pool moving away. Shit! Don’t panic, he thought. Panic uses up oxygen. He sank to the bottom and examined the grille with his fingers. It was made of steel and was totally immovable, it didn’t budge even when he grabbed it with both hands and pulled. How long could he hold his breath? One minute? Two? All his muscles ached, his temples throbbed and red stars were dancing in front of his eyes. He tried to jerk himself loose. His mouth was dry with fear, his brain had started producing
”
”
Jo Nesbø (Cockroaches (Harry Hole, #2))
“
He stood and slipped into his jeans, leaving the waist unsnapped as he made his way to the plane in that loose, lanky stride that had her mouth watering. She loved the look of him, like a cowboy in some Madison Avenue ad. Except that he was the real thing, with big,work-roughened hands and scuffed boots and a high-voltage smile that could reduce her to puddles when it was directed her way.
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you're barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free.
Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.
Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Two dry mouths bumping at each other, trying to kiss, his self-conscious thoughts twisting around on themselves like a snake on a stick while he bucked and snorted dryly above her, his swollen eyes red and his face sagging so that its slack folds maybe touched, limply, the folds of her own loose sagging face as it sloshed back and forth on his pillow, its mouth working dryly. The thought was repellent.
”
”
David Foster Wallace (Infinite Jest)
“
And eventually in that house where everyone, even the fugitive hiding in the cellar from his faceless enemies, finds his tongue cleaving dryly to the roof of his mouth, where even the sons of the house have to go into the cornfield with the rickshaw boy to joke about whores and compare the length of their members and whisper furtively about dreams of being film directors (Hanif's dream, which horrifies his dream-invading mother, who believes the cinema to be an extension of the brothel business), where life has been transmuted into grotesquery by the irruption into it of history, eventually in the murkiness of the underworld he cannot help himself, he finds his eyes straying upwards, up along delicate sandals and baggy pajamas and past loose kurta and above the dupatta, the cloth of modesty, until eyes meet eyes, and then
”
”
Salman Rushdie (Midnight’s Children)
“
I pretend to reach for them, but before he can guess my intentions, I catch one of his wings instead. He flutters, trying to break loose, his one free wing batting my hand.
I draw out the decanter and stuff him into it, careful to fold his wings. I don’t want to hurt him. I just want to better him.
Once he’s settled inside, I shove a paper towel into the bottle’s neck. No need to worry that he’ll smother. After all, he spent that night in a bug trap last year and survived.
“Looks like you’re going to have some turbulence on your flight,” I tell him through the glass.
His voice fills my head, an angry, scolding growl. When I don’t respond, he yells Chessie’s name. Chessie flits over to the car and sits on the side mirror, licking his paw, amused and uninterested in taking sides.
I hold the decanter up to get a closer look at Morpheus. “Game, set, match, luv. You do realize that my human side defeated you, right? No magic required.”
Unlike a real moth that would beat itself against the glass walls until exhausted, he hangs under the curved neck, dignified, glaring with his bulbous eyes. If he had a mouth instead of a proboscis, I’d be able to tell if he’s snarling or beaming with pride. Knowing him, it could be either. Most likely, it’s both.
”
”
A.G. Howard (Unhinged (Splintered, #2))
“
He turned his hollow gray eyes on her. "I'm angry," he said. "I am still so angry."
Surprised, charlie started to open her mouth and then closed it again.
"Last night, after you fell asleep, I couldn't stop looking at the swell of your cheek. The snarl of your dark hair. The shipped black nail polish on your toes, curled up against whatever dream you were having. The way you pulled loose the bottom sheet with the violence of sleeping. I looked at you and had a feeling so intense that it made me dizzy and a little sick." His gaze was on the silvery grass of the lawn. "It's no good to feel this way."
Charlie's heart hammered. He had never spoken to her like that. She didn't think anyone had spoken to her like that. "Vince?"
"When I saw you tonight - what he'd done, what he was doing, I wanted to kill him. I was furious and I haven't stopped being furious. I don't feel guilty. I wish he was alive so I could kill him again."
Astonishment robbed her of breath. Vince didn't get angry. He didn't talk about his feelings. He didn't sit alone in the dark, talking about shadows and stars.
He turned to her. "Pretend I didn't say any of that. If you can, pretend tonight never happened, Charlie.
”
”
Holly Black (Book of Night (Book of Night, #1))
“
How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turned the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?
”
”
Jodi Picoult (The Pact)
“
The sparkling smile became enormous. ‘Do you think she has a dagger there? Do you? Ask her, M. Francis? For,’ said the most noble and most powerful Princess Mary Stewart, Queen of Scotland, delving furiously under all the stiff red velvet, showing shift, hose and garters, shoes, knees and a long ribboned end of something recently torn loose, and emerging therefrom with a fist closed tight on an object short and hard and glittering, ‘for I have!’ And breathlessly, flinging back her head, with the little knife offered like a quill, ‘Try to stab me!’ she encouraged her visitor. There was a queer silence, during which the eyes of Oonagh O’Dwyer and her love of one night met and locked like magnet and iron. The child, waiting a moment, offered again, the ringing, joyful defiance still in her voice. ‘Try to stab me! … Go on, and I’ll kill you all dead!’
Her throat dry, Oonagh spoke. ‘Save your steel for those you trust. They are the ones who will carry your bier; the men who cannot hate, nor can they know love. Send away the cold servants.’ The red mouth had opened a little; the knife hung forgotten in her hand.
‘I would,’ said Mary, surprised. ‘But I do not know any.’ And, anxiously demonstrating her point, she caught Lymond by the hand.
”
”
Dorothy Dunnett (Queens' Play (The Lymond Chronicles, #2))
“
He couldn’t be—
Oh, Lord. He was. He was going to kiss her.
“Wait.” Panicked, Maddie put both hands on his chest, holding him off.
“Your men, my servants … they could be watching us.”
“I’m certain they’re watching us. That’s why we’re going to kiss.”
“But I don’t know how. You know I don’t know how.”
His lips quirked. “I know how.”
Those three little words, spoken in that low, devastating Scottish burr, did absolutely nothing to ease Maddie’s concerns.
Thankfully, she had a reprieve. He pulled back and peered at her hair. He looked like a boy marveling at clockwork, wondering how it all worked. After a few moments, she felt him grasp the pencil holding her chignon.
With one long, slow tug, he eased it loose and cast it aside.
It landed in the loch with a splash.
His fingers sifted through her hair, teasing the locks free of their haphazard knot and arranging them about her shoulders. Tenderly. Like she’d always imagined a lover would. Sparks of sensation danced from her scalp to her toes.
“That was my best drawing pencil,” she said.
“It’s just a pencil.”
“It came from London. I have a limited supply.”
His thumb caressed her cheek. “It almost put out my eye. I’ve a limited supply of those, too. And it’s better this way.”
“But—” Her breath caught. “Oh.”
He bracketed her cheeks with his hands, tilting her face to his.
Her pulse thundered in her ears. She stared at his mouth. A wave of inevitability washed over her.
She whispered, “This is really happening, isn’t it?”
In answer, he pressed his lips to hers.
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
We are falling back into allegory," said the Captain, interrupting him. "If you mean by all that that the body is the most solid of realities, then say so."
"No, not exactly," Zeno explained. "This body, our kingdom, sometimes seems to me to be made of a fabric as loosely woven and as evanescent as a shadow. I should hardly be more astonished to see my mother again (who is dead) than to come upon you around a corner as I did, your face grown older and its substance recomposed more than once in twenty years' time, with its color altered by the seasons and its form somewhat changed, but your mouth still knowing my name. Think of the grain that has grown and the creatures that have lived and died in order to sustain that Henry who is and is not the one I knew twenty years ago.
”
”
Marguerite Yourcenar (L'Œuvre au noir)
“
For some reason Canon Fenneau made me feel a little uneasy. His voice might be soft, it was also coercive. He had small eyes, a large loose mouth, the lips thick, a somewhat receding chin. The eyes were the main feature. They were unusual eyes, not only almost unnaturally small, but vague, moist, dreamy, the eyes of a medium. His cherubic side, increased by a long slightly uptilted nose, was a little too good to be true, with eyes like that. In the manner in which he gave you all his attention there was a taste for mastery.
”
”
Anthony Powell (A Dance to the Music of Time: 4th Movement (A Dance to the Music of Time, #10-12))
“
thoughts of good or bad. Just relax and forget that you are meditating. Do not desire realization since that thought will keep you confused. Sit on a cushion in a manner as comfortable as possible, wearing loose clothing. Hold your body straight without leaning to the left or the right, forward or backward. Your ears should be in line with your shoulders, and your nose in a straight line with your navel. Keep your tongue at the roof of your mouth and close your lips. Keep your eyes slightly open, and breathe through your nostrils.
”
”
Jack Kornfield (Teachings of the Buddha)
“
I let myself relax into the moment, into friendship. 'Now what about my hairpin?'
He grins and hands it over. I smooth my thumb over the silver bird, then use it to pull back his hair, instead of mine. As my fingers skim over his neck, threading through the silk of his locks, he shudders from something I do not think is cold. I am suddenly too aware of the physicality of him, his long legs and the curve of his mouth, the hollow of his throat and the sharp point of his ears, where earrings once hung. Of the hairs hanging loose from my pin, falling across one light brown horn to rest on his cheekbone.
When his eyes meet mine, desire, as keen as any blade, bends the air between us. The moment slows. I want to bite his lip. To feel the heat of his skin. To slide my hands beneath his armour and trace the map of his scars.
”
”
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
“
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me.
Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship.
Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell.
“Coming!”
I step back and see Aly stick her head out of her second-story window.
“No problem,” I call back up. “Take your time.”
More time to get my head on straight.
Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not.
I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves.
I grab a second stick and shove it in, too.
With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
”
”
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
“
As delightful as Dr. Gibson is, she doesn't have the makings of a farmwife."
Ethan's brows lifted. "Are you thinking about taking a wife?"
West shrugged. "The nights can be long and quiet in the country," he admitted. "If I found a woman who was an interesting companion and attractive enough to bed... yes, I'd consider marrying her." He paused. "Better yet if she were educated. A sense of humor would be icing on the cake. Red hair isn't a requirement, but I do have a fatal weakness for it." West's mouth twisted with a self-mocking grin. "Of course, she'd have to be willing to overlook the fact that I was an undisciplined and obnoxious swill-tub until about three years ago." A nearly imperceptible look of bitterness flashed across his face before he masked it.
"Who is she?" Ethan asked softly.
"No one. An imaginary woman." Averting his gaze, West used the toe of his boot to flick a loose pebble to the side of the drive. "Who happens to despise me," he muttered.
Ethan regarded him with sympathetic amusement. "You might be able to change her opinion."
"Only if I could travel back in time and beat my former self to a pulp.
”
”
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
“
He wet a paper towel, and took my chin, lifting and wiping my face.
"Derek? I'm not hurt."
"You're covered in blood."
"But it's not mine. Honest. It's from—"
"The werewolf. I know." He picked up my hand and started cleaning it. "That's why I have to get it off."
"Derek?" I leaned down, trying to see his face. "Are you okay?"
He kept scrubbing. "There are two ways to become a werewolf. Either you're born or you get bitten by one. If you get saliva in your bloodstream, it's like a virus."
"Blood, too?"
"Dad says no, it's just saliva. But he could be wrong, and you've got cuts and scrapes and blood all over."
I had a few cuts and scrapes, and I was only flecked with blood, but I kept my mouth shut and let him clean.
As he did, I tried to check out how badly he was hurt. His scraped cheeks were pitted with gravel. His nose was bloodied. Broken? One eye was already darkening. Was that blood in the corner? His lip was cut and swollen. Were any teeth loose? MIssing?
"Stop fidgeting, Chloe."
I couldn't help it. His injuries obviously needed more attention than mine, but here was no sense saying anything until he was done.
Finally, when he seemed to have scrubbed off every fleck of blood—and a few layers of skin—I said, "Okay, now on to you."
"Take off your jacket and sweatshirt."
"Derek, I'm clean. Trust me, I've never been this clean."
"You've got blood on your cuffs."
***
"Okay, now can we take care of the guy that was actually in the fight? There's a lot of blood. It seems to be mostly from your nose."
"It is."
"You got hit in the chest a few times. How are your ribs?"
"Maybe bruised. Nothing critical."
"Shirt off."
He sighed, like now I was the one fussing too much
”
”
Kelley Armstrong (The Awakening (Darkest Powers, #2))
“
At the end of the vacation, I took a steamer alone from Wuhan back up through the Yangtze Gorges. The journey took three days. One morning, as I was leaning over the side, a gust of wind blew my hair loose and my hairpin fell into the river. A passenger with whom I had been chatting pointed to a tributary which joined the Yangtze just where we were passing, and told me a story.In 33 B.C., the emperor of China, in an attempt to appease the country's powerful northern neighbors, the Huns, decided to send a woman to marry the barbarian king. He made his selection from the portraits of the 3,000 concubines in his court, many of whom he had never seen. As she was for a barbarian, he selected the ugliest portrait, but on the day of her departure he discovered that the woman was in fact extremely beautiful. Her portrait was ugly because she had refused to bribe the court painter.
The emperor ordered the artist to be executed, while the lady wept, sitting by a river, at having to leave her country to live among the barbarians. The wind carried away her hairpin and dropped it into the river as though it wanted to keep something of hers in her homeland. Later on, she killed herself.
Legend had it that where her hairpin dropped, the river turned crystal clear, and became known as the Crystal River. My fellow passenger told me this was the tributary we were passing. With a grin, he declared: "Ah, bad omen!
You might end up living in a foreign land and marrying a barbarian!" I smiled faintly at the traditional Chinese obsession about other races being 'barbarians," and wondered whether this lady of antiquity might not actually have been better off marrying the 'barbarian' king. She would at least be in daily contact with the grassland, the horses, and nature. With the Chinese emperor, she was living in a luxurious prison, without even a proper tree, which might enable the concubines to climb a wall and escape. I thought how we were like the frogs at the bottom of the well in the Chinese legend, who claimed that the sky was only as big as the round opening at the top of their well. I felt an intense and urgent desire to see the world.
At the time I had never spoken with a foreigner, even though I was twenty-three, and had been an English language student for nearly two years. The only foreigners I had ever even set eyes on had been in Peking in 1972.
A foreigner, one of the few 'friends of China," had come to my university once. It was a hot summer day and I was having a nap when a fellow student burst into our room and woke us all by shrieking: "A foreigner is here! Let's go and look at the foreigner!" Some of the others went, but I decided to stay and continue my snooze. I found the whole idea of gazing, zombie like rather ridiculous. Anyway, what was the point of staring if we were forbidden to open our mouths to him, even though he was a 'friend of China'?
I had never even heard a foreigner speaking, except on one single Linguaphone record. When I started learning the language, I had borrowed the record and a phonograph, and listened to it at home in Meteorite Street. Some neighbors gathered in the courtyard, and said with their eyes wide open and their heads shaking, "What funny sounds!"
They asked me to play the record over and over again.
”
”
Jung Chang (Wild Swans: Three Daughters of China)
“
Always something like that. Always. I heard an old mate tell Captain Colchester once that it had come to this with him, that he was afraid to open his mouth to give any sort of order. She was as much of a terror in harbour as at sea. You could never be certain what would hold her. On the slightest provocation she would start snapping ropes, cables, wire hawsers, like carrots. She was heavy, clumsy, unhandy—but that does not quite explain that power for mischief she had. You know, somehow, when I think of her I can't help remembering what we hear of incurable lunatics breaking loose now and then.
”
”
Joseph Conrad (The Complete Short Stories of Joseph Conrad)
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"
...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo (Rule of Wolves (King of Scars, #2))
“
This was to be my last trip. Sailing great distances was dangerous, and not very profitable in today's world. I walked down the worn wooden step to the captain's cabin, the creaking of the ship keeping time with my steps. Opening the door I found him bent over an old map.
"Where are we captain?" I asked, hoping it was close to home.
"See this spot, where it says "Here there be monsters"?" he said pointing to an image of a horrid beast.
"Certainly, but you and I both know such creatures don't exist!!"
The captain laughed, and looking up at me with an evil glint in his eye said, "Who's talking about sea monsters?". As he spoke the skin from one corner of his mouth fell loose, exposing a yellow reptilian skin beneath.
"What?" I yelled, and as I turned to run for the cabin door I heard screams and loud moans coming from the deck, and the crew quarters below.
I felt fetid breath on the back of my neck, "Aye matey, here there be monsters
”
”
Neil Leckman
“
Obvious variations aside, there's only one human body. 206 bones, five major organs, 60,000 miles of blood vessels. All it takes is time. Days. Months. Years, spent memorizing the finite ways there are to hurt and break a man. Preparing for all of them. I've escaped from every conceivable deathtrap. Ten times. A dozen times. I can slow my breathing and metabolism to control panic and conserve air. Straitjacket's kindergarten. Locks, too. Benchpressing a pine coffin lid through 600 pounds of loose soil that's filling your mouth, crushing your lungs flat, and shredding your dehydrated muscles? That's harder. But far from impossible.
”
”
Batman: R.I.P.
“
Hurricane Katrina arrived without a confirmed weather category, or a name that adequately addressed anger summoned from a thousand leagues down. When the levees broke in New Orleans images escaped television screens to tattoo every skin with the shameful reality that America’s towers fell twice. There was no phoenix. Only mosquitoes escaped the ashes, promising to puncture any still unbloodied with the needle kiss of plague.
Then, a great swarm of dragonflies, sent by some other to even the odds. They feasted on the thin-limbed vampires, devoured body and virus, and then hovered around the floating bloated bodies of forgotten grandmothers, armored escorts of the dead. Their wings hummed swamp sonnets while their mouths swallowed maggots, thwarting attempts to hurry death beyond spring sunsets and autumn graves. They kept up their holy procession until New Orleans rebirthed jazz and cut the bodies loose and let saints march in all over again.
As I steer my bike through one puddle after the other, making the street music urban rainforest dwellers know, I ask the splash to summon the dragonfly. Call her from the swamp into my throat to name the lump that will never loose me. Be my escort, gobble the flies ever entering me before their children become my whole.
”
”
Amanda Sledz (Psychopomp Volume One: Cracked Plate)
“
My jaw throbs under another punch in response to my silence. I'm sure this one has dislodged my tooth. The harsh metal taste of my blood fills my mouth as I try to catch my breath and spit a ball of saliva in his face.”
“ The blood gushes from my swollen eyebrow making it nearly impossible to see. I recall how the rebels ambushed us in the village and all hell broke loose. The ground team scattered all over the place. I lost sight of Eric when they pulled the black sack-cloth over my face. I did recognize the gunshot. One single bullet. Is it possible that Eric got shot?”
Excerpt by Urcelia Teixeira - ALEX HUNT and the Chase for Rhapta
”
”
Urcelia Teixeira (Alex Hunt and the Chase for Rhapta)
“
He knew he needed to release her, but once he allowed his physical connection to drop away, he was uncertain if he’d ever have a chance to reconnect. Instinctively, he knew Azami was elusive, like water flowing through fingers, or the wind shifting in the trees. He needed a way to seal her to him.
“How does one court a woman in Japan? Do I need your brothers’ permission?”
She blinked again. Shocked. A hint of uncertainty crept into her eyes. She frowned, and he bent his head to swallow her protest before she could utter it. Her mouth trembled beneath his, and then she opened to him, like a flower, luring him deeper. Her arms slid around his neck, her body pressing tightly against his. He tightened his fingers in her hair.
He was burning, through and through, from the inside out, a hot melting of bone and tissue. He hadn’t known he was lonely or even looking for something. He’d been complete. He loved his wife. He was a man with teammates he trusted implicitly. He lived in wild places of beauty he enjoyed. He hadn’t considered there would be a woman who could ever fit with him, who would ever turn his insides soft and his body hard.
Feel the same way, Azami. He didn’t lift his mouth, kissing her again and again because one he’d made the mistake, he was addicted and what was the use fighting it? Not when it felt so damn right.
Somewhere along the line, his kiss went from sheer aggression and command, to absolute tenderness. The emotion for her rose like a volcano, encompassing him entirely, drawn from some part of him he’d never known even existed. His mouth was gentle, his hands on her, possessive, yet just as gentle. Another claiming, this coming from that deep unknown well.
Feel the same way, Azami, he whispered into her mind. An enticement. A need. He waited, something in him going still, waiting for her answer.
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
Come With Me, I Said, And No One Knew (VII)
Come with me, I said, and no one knew
where, or how my pain throbbed,
no carnations or barcaroles for me,
only a wound that love had opened.
I said it again: Come with me, as if I were dying,
and no one saw the moon that bled in my mouth
or the blood that rose into the silence.
O Love, now we can forget the star that has such thorns!
That is why when I heard your voice repeat
Come with me, it was as if you had let loose
the grief, the love, the fury of a cork-trapped wine
the geysers flooding from deep in its vault:
in my mouth I felt the taste of fire again,
of blood and carnations, of rock and scald
”
”
Pablo Neruda
“
When Adam's mouth quirked, Ronan's expression stilled for a moment before turning to the loose smile he ordinarily reserved for Matthew's silliness. Adam felt a surge of both accomplishment and nerves. He skated an edge here. Making Ronan Lynch smile felt as charged as making a bargain with Cabeswater. These weren't forces to play with.
”
”
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
“
Ocean people are different from land people. The ocean never stops saying and asking into ears, which don’t sleep like eyes. Those who live by the sea examine the driftwood and glass balls that float from foreign ships. They let scores of invisible imps loose out of found bottles. In a scoop of salt water, they revive the dead blobs that have been beached in storms and tides: fins, whiskers, and gills unfold; mouths, eyes, and colors bloom and spread. Sometimes ocean people are given to understand the newness and oldness of the world; then all morning they try to keep that boundless joy like a little sun inside their chests. The ocean also makes its people know immensity.
”
”
Maxine Hong Kingston
“
She winced to remember herself at seventeen, in high school, how, after the first illuminating weekend, everything spoke sex to her. The way the light pulsed the leaves of the ragweed in the ditches, the way clothes teased her skin as she moved. The words leaving a person’s mouth, how they were tongued, rolled, lipped before they emerged. It was as if the man had suddenly reached into her and pulled out an earthquake and set it loose on her skin. She walked the last weeks of high school wanting to eat every one of these delicious boys. If she had only been allowed, she would have swallowed them whole. She smiled at them hugely; they scurried away. She’d laughed, but felt it was a shame.
”
”
Lauren Groff (Fates and Furies)
“
Public convenience or dignity means nothing; police prerogatives assume the status of divine law. Submissiveness is demanded. If a police officer kills a civilian, it is a regrettable circumstance: the officer was possibly over-zealous. If a civilian kills a police officer all hell breaks loose. The police foam at the mouth. All other business comes to a standstill until the perpetrator of this most dastardly act is found out. Inevitably, when apprehended, he is beaten or otherwise tortured for his intolerable presumption … The police complain that they cannot function efficiently, that criminals escape them. Better a hundred unchecked criminals than the despotism of one unbridled police force.
”
”
Jack Vance (Demon Princes (Demon Princes #1-5))
“
there are two types of secrets. There are secrets of the mouth and secrets of the heart. Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
Will you come and tell me when the music ends When the musicians are swallowed in flames Every instrument blackening and crumbling to ash When the dancers stumble and sprawl their diseased limbs rotting off and twitching the skin sloughing away Will you come and tell me when the music ends When the stars we pushed into the sky loose their roars And the clouds we built into visible rage do now explode When the bright princes of privilege march past with dead smiles falling from their faces a host of deceiving masks Will you come and tell me when the music ends When reason sinks into the morass of superstition Waging a war of ten thousand armies stung to the lash When we stop looking up even as we begin our mad running into stupidity’s nothingness with heavenly choirs screaming Will you come and tell me when the music ends When the musicians are no more than black grinning sticks Every instrument wailing its frantic death cry down the road When the ones left standing have had their mouths cut off leaving holes from which a charnel wind eternally blows
”
”
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
“
Tell me how you’re feeling?
She hadn’t pulled away. If anything, her arms had tightened around his neck. He shared every single breath she took, feeling the slight movement of her rib cage and breasts against him, the warm air they exchanged.
Like I’m burning alive. Drowning. Like I never want this moment to end. He wasn’t a man to say flowery things to a woman, nor did he even think them, but he shared the honest truth with her. Like we belong.
Once he let her go, the world would slip back into kilter. He wanted her to stay with him, to give him a chance with her.
She didn’t hesitate, and he loved that about her as well. She gave herself in truth in the same way he did. I feel the same, but one of us has to be sane.
She initiated the kiss when he pulled back slightly, chasing after him with her soft mouth, fingers digging tightly into the heavy muscle at his neck, sighing when his lips settled once more over hers. He took his time, kissing her thoroughly, again and again, all the while slipping deeper into her spell and hoping she was falling under his.
Is this your idea of sanity? He’d make it his reality. He was falling further down the rabbit hole and he’d make her his sanity if she’d fall with him.
Her soft laughter slipped inside his heart, winding there until there was no shaking her loose. Not really, but you have to be the strong one.
He kissed her again. And again. Why is that?
You started this.
”
”
Christine Feehan (Samurai Game (GhostWalkers, #10))
“
In South Texas I saw three interesting things. The first was a tiny girl, maybe ten years old, driving in a 1965 Cadillac. She wasn't going very fast, because I passed her, but still she was cruising right along, with her head tilted back and her mouth open and her little hands gripping the wheel.
Then I saw an old man walking up the median strip pulling a wooden cross behind him. It was mounted on something like a golf cart with two spoked wheels. I slowed down to read the hand-lettered sign on his chest.
JACKSONVILLE
FLA OR BUST
I had never been to Jacksonville but I knew it was the home of the Gator Bowl and I had heard it was a boom town, taking in an entire county or some such thing. It seemed an odd destination for a religious pilgrim. Penance maybe for some terrible sin, or some bargain he had worked out with God, or maybe just a crazed hiker. I waved and called out to him, wishing him luck, but he was intent on his marching and had no time for idle greetings. His step was brisk and I was convinced he wouldn't bust.
The third interesting thing was a convoy of stake-bed trucks all piled high with loose watermelons and cantaloupes. I was amazed. I couldn't believe that the bottom ones weren't crushed under all that weight, exploding and spraying hazardous melon juice onto the highway. One of nature's tricks with curved surfaces. Topology! I had never made it that far in mathematics and engineering studies, and I knew now that I never would, just as I knew that I would never be a navy pilot or a Treasury agent. I made a B in Statics but I was failing in Dynamics when I withdrew from the field. The course I liked best was one called Strength of Materials. Everybody else hated it because of all the tables we had to memorize but I loved it, the sheared beam. I had once tried to explain to Dupree how things fell apart from being pulled and compressed and twisted and bent and sheared but he wouldn't listen. Whenever that kind of thing came up, he would always say - boast, the way those people do - that he had no head for figures and couldn't do things with his hands, slyly suggesting the presence of finer qualities.
”
”
Charles Portis (The Dog of the South)
“
Sent to the Monk"
Night falls
and the empty intimacy of the whole world
fills my heart to frothing.
The past has trudged to this one spot
and falls into the stream,
its flashlight in its mouth.
Ancient tears beneath the surface
rise and scatter like carp,
while an ivory hairpin floats away
like a loose tooth going back in time.
Columbia Poetry Review. Spring 2014
”
”
Mary Ruefle
“
She slapped at him, but he grabbed her arm and pulled her forward over the loose hay to hug her tightly. Her hands landed on his chest with a snap. She looked up, and before she even had time to shut her eyes, his lips were on hers. Warmth---that's what she felt at first. As the kiss deepened, it grew hotter, and when his tongue traced the outside of her mouth, it turned downright scorching.
”
”
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
“
Wylan cleared his throat and the sound bounced around the blue-tiled room like a spring colt let loose in a corral. Genya’s face was bemused.
Zoya crossed her arms. “Well?”
“Ma’am…” Wylan attempted. “Miss Genya—”
Genya smiled, her scars tugging at the corner of her mouth. “Oh, he is sweet.”
“You always take to the strays,” said Zoya sourly.
“You’re the boy Nina tailored to look like Kuwei,” Genya said. “And you want me to try to undo her work?”
“Yes,” Wylan said, that one word imbued with a whole world of hope. “But I don’t have anything to bargain with.”
Genya rolled her single amber eye. “Why are the Kerch so focused on money?”
“Says the woman with a bankrupt country,” murmured Jesper.
“What was that?” snapped Zoya.
“Nothing,” said Jesper. “Just saying Kerch is a morally bankrupt country.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
It was the real loose-sausage-eating, brown-liquor-drinking Southern face of a white athlete turned forty and covered with a smooth well-fed layer of flesh. His neck, which seemed a foot wide, rose up out of a yellow polo shirt and a blue blazer as if it were unit-welded to his trapezius muscles and his shoulders. He was like a single solid slab of meat clear up to his hair, which was a head of hair and a half, a strange silvery blond color, coiffed with bouncy fullness and little flips that screamed $65 male hairdo. Not a single cilium was out of place. Amid the vast smooth meat of his head and neck, his eyes and his mouth seemed terribly tiny, but they were both going all out to register pleasure at the sight of Counselor Roger White, this black man who had arrived at the door at 7:42 on Freaknic Saturday night.
”
”
Tom Wolfe (A Man in Full)
“
The Father wipes the silver chalice with a beautiful linen rag large as a small tablecloth, turns the cup two inches each time to keep you from having to drink where the last worshipper lipped it, as if that takes care of the germs. But I don’t care, I always reach out very piously—that’s to say, in slow motion, the way you move for some reason to take and eat the body of Our Savior—reach out and lay my hand over the Father’s in somber reverence to the moment and then press down as the silver rim clears my upper lip and suck a slug of wine that should have fed six communers. I have to, because the bread of His body is stuck to the roof of my mouth like a rubber tire patch, and if I can’t wash it loose by swishing His blood around, I’m going to have to dig it off with a finger, in slow motion, and possibly gag. When
”
”
Padgett Powell (Edisto)
“
My Snowman sadly bowed
his head
in March, one sunny day,
and this is what he softly said
before he went away:
'In the middle of December
I was handsome, round,
and tall,
now I hardly can remember
those December days at all.
Oh my stomach's started
shrinking,
I am losing all my form,
and I'm thinking as I'm
shrinking
that I wish it weren't warm.
I can feel my shoulders
stooping
as my body's getting thin,
my nose has started
drooping
and my mouth has lost
its grin,
I am surely getting
shorter,
there is little left
of me,
my head is but a quarter
of the size it used to be.
I am getting hard of hearing
and my vision's little use,
for my ears are disappearing
and my eyes are coming loose.
Through the icy weeks
of winter
I stood prouder than a king,
now I'm thinner than
a splinter,
winter's melting into spring!'
”
”
Jack Prelutsky (It's Snowing! It's Snowing!: Winter Poems (I Can Read!, 3))
“
If the egg splits, its sides falling open just enough for the fuzz-capped head of the child to emerge, then the story might be allowed to end. When the egg is found crushed, wet pieces tucked quickly into the open mouth of the tree, then we have little choice but to begin again. Often, after peeking through loose fingers held as wings over our eyes, we look for fragments, hoping they remain piled, split and sharded, not growing, as magnets, back together.
”
”
Kelli Allen
“
You may hold me loosely,” she allowed.
His lips quirked but he didn’t hesitate to wrap his arms around her loosely. Arms that were so long, they crossed at the back and his hands rested at her front hipbones.
“Something funny?” she asked.
“You’re cute when you’re bossy.”
She opened her mouth but he lifted his chin in a “shut” gesture and kept going before she could get a word in.
“Cute but hot. When you’re workin’ me, it’s just hot, Amèlie. So don’t get pissy.
”
”
Kristen Ashley (The Deep End (Honey, #1))
“
You know how it is between sisters in their middle age? that old old friendship, how loose-fitting it is? the comfort and safety in it? how you can let silence lie between you without it taking on any weight? how you can let words out of your mouth without wariness or precision because you know your sister will listen to what's worthwhile and let the rest fall out of her ears into the air? how you can be surly, unreasonable, stupid, in the certainty of her grace?
”
”
Molly Gloss (The Dazzle of Day)
“
I like big men,” she said.
Her voice was raspy, like she had a cold. She came up to me and grabbed my arm. Her fingers hurt the muscles. I could smell her perfume. She came close to me. I thought I knew what she wanted. I tried to kiss her. She jerked away.
“No.”
“I’m sorry.”
She slapped me. She was strong, my cheek stung. She moved in, swinging both arms. Now she had her fists closed. She hit my arms and my chest. I tried to hold her.
“Hit me!” she said.
It was goddam queer. I held her arms, but she got loose.
She struck my chest.
She said: “Hit me.”
I hit her easy on the ribs.
“That’s right! That’s right!” She hit me a couple of hard blows. Her eyes were wild. She hit me a hard punch on the neck. I hit her in the belly. I heard the breath go out: ouf! It didn’t stop her. She kept coming in, punching hard.
I gave her one over the kidneys. She grunted and clinched with me. She bit my arm until the blood came. I slapped her. She put her knee in my groin. It hurt. I lost my balance, grabbed for her, and we both went down. We rolled around on the dirty floor of the shack, both panting. She was hard to hold, and every time she got loose she’d hit or kick or bite me. I got over her, holding her down on the floor. She looked beautiful and wild. She bit my arm again and I slugged her in the ribs. She moaned, and then struggled free. My hand caught in the scarlet shirt. The silk tore to her navel.
“Yes,” she said.
I got the idea. I ripped the shirt off her, she fighting all the time and liking it. I ripped at her clothes, not caring how much I hurt her. She squirmed on the dirty floor, panting. There was blood on her mouth. I don’t know if it was mine or hers. It tasted sweet. Suddenly she stopped moving.
“Now,” she said. “Now, goddam you. Now!”
Later we lay on the floor.
“I don’t understand you,” I said.
“It’s fun, isn’t it?”
“Yes.”
“Then what do you care?
”
”
Jonathan Latimer (Solomon's Vineyard)
“
She sat at her dressing table, eyeing her reflection warily. Her hair was loose, spilling over her shoulders, a few shades darker than the dress. She gathered a handful and began to braid.
“I hear you’re going to the ball tonight.”
Kestrel glanced in the mirror to see Arin standing behind her. Then she focused on her own shadowed eyes. “You’re not allowed in here,” Kestrel said. She didn’t look again at him, but sensed him waiting. She realized that she was waiting, too--waiting for the will to send him away.
She sighed and continued to braid.
He said, “It’s not a good idea for you to attend the ball.”
“I hardly think you’re in a position to advise me on what I should or shouldn’t do.” She glanced back at his reflection. His face frayed her already sheer nerves. The braid slipped from her fingers and unraveled. “What?” she snapped. “Does this amuse you?”
The corner of his mouth lifted, and Arin looked like himself, like the person she had grown to know since summer’s end. “‘Amuse’ isn’t the right word.”
Heavy locks fell forward to curtain her face. “Lirah usually does my hair,” she muttered. She heard Arin inhale as if to speak, but he didn’t.
Then, quietly, he said, “I could do it.”
“What?”
“I could braid your hair.”
“You?”
“Yes.”
Kestrel’s pulse bit at her throat. She opened her mouth, but before she could say anything he had crossed the room and swept her hair into his hands. His fingers began to move.
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
Gee, Mr. Davis, I can’t remember much about that time. I think it was about Italian writers and about Mr. Ford. Mr. Joyce couldn’t stand Mr. Ford. Mr. Pound had gotten on his nerves, too. ‘Ezra’s mad, Hudson,’ he said to papa. I can remember that because I thought mad meant mad like a mad dog and I remember sitting there and watching Mr. Joyce’s face, it was sort of red with awfully smooth skin, cold weather skin, and his glasses that had one lens even thicker than the other, and thinking of Mr. Pound with his red hair and his pointed beard and his nice eyes, with white stuff sort of like lather dripping out of his mouth. I thought it was terrible Mr. Pound was mad and I hoped we wouldn’t run into him. Then Mr. Joyce said, ‘Of course Ford’s been mad for years,’ and I saw Mr. Ford with his big, pale, funny face and his pale eyes and his mouth with the teeth loose in it and always about half open and that awful lather dripping down his jaws too.
”
”
Ernest Hemingway (Islands in the Stream)
“
THE THEOPHANY, TECCAM writes of secrets, calling them painful treasures of the mind. He explains that what most people think of as secrets are really nothing of the sort. Mysteries, for example, are not secrets. Neither are little-known facts or forgotten truths. A secret, Teccam explains, is true knowledge actively concealed. Philosophers have quibbled over his definition for centuries. They point out the logical problems with it, the loopholes, the exceptions. But in all this time none of them has managed to come up with a better definition. That, perhaps, tells us more than all the quibbling combined. In a later chapter, less argued over and less well-known, Teccam explains that there are two types of secrets. There are secrets of the mouth and secrets of the heart. Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become. Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them. Modern philosophers scorn Teccam, but they are vultures picking at the bones of a giant. Quibble all you like, Teccam understood the shape of the world.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
We are beautiful, but we are not weak, that old Geisha told her. Men should see us like supernatural beings. Everything is so open now. Women shave their legs in front of men, they eat with their mouth full, they drink side by side with them, they get drunk, they loose the whole essence of femininity. Being a work of art is painful, but nobody said it would be easy. To create and recreate yourself every single moment of your life, that takes commitment, passion, energy and faith.
”
”
Eva Scoutt (The Intern (Secrets of Eva, #1))
“
Light, old boy?" said Beatrice, tilting her cigarette at him.
He bent forward to her to light his cigarette at hers. She was winking at him as he did so. Miriam saw his eyes trembling with mischief, and his full, almost sensual mouth quivering. He was not himself, and she could not bear it. As he was now, she had no connection with him, she might as well not have existed. She saw the cigarette dancing on his full red lips. She hated his thick hair for being tumbled loose on his forehead.
”
”
D.H. Lawrence (Sons and Lovers)
“
In a remarkably steady voice, Sadie whispered, "Last night should never have happened."
"The only thing about last night that shouldn't have happened was the way it ended," Killian rasped....
"Is that so?" Sadie pulled his shift loose from his jeans and slipped her fingers underneath before trailing them along the hard planes of his stomach. Arching one eyebrow, she held his heavy-lidded gaze and unsheathed her fangs. "How do you suppose it should have ended?"
"The same way it should end every night from now on," he growled. Killian slid both hands into her long hair. Sadie shivered when his fingertips grazed her scalp. He pressed his hips against her before slipping his thigh between her legs. Sadie gasped with pleasure as he put pressure on just the right spot, and when a moan escaped her parted lips, a cocky grin emerged on his. Killian tightened his grip on her hair and leaned in so his mouth was just a breath away. "Every single night should end with me buried deep inside you.
”
”
Sara Humphreys (Vampires Never Cry Wolf (Dead in the City, #3))
“
One morning Jeanette, bucking Daddy on some point, hit on the argument probably every child in the world has used against his or her parents: 'I didn't ask to be born'.
Daddy had an answer for it. 'I know you didn't ask to be born, honey, and as your father responsible for gettin' you into the world, I owe you something'. I owe you three hots and a cots, which is to say, I owe you three meals a day and a place to sleep. That's what I'm obliged for, and that's what I'm lookin' to see you get.' He nodded several times, overcome by the seriousness of this obligation, then leaned back in his chair with a curl to his mouth like a villain's mustache. ''Course, nobody says the meals has got to be chicken. S'pose I just give you bread and water? An' s'pose I let you sleep on the floor'?
'No, Daddy'!
'That's all I'm obliged for, honey. Everything else is gratis. Everything else I do for you is 'cause I want to, not 'cause I have to'.
For days afterward, because Daddy had a tenacious mind of the sort that doesn't easily turn loose one idea and go on to another, he would set a plate in front of Jeanette with, 'See, I ain't obliged to give you this. I could give you bread and water and soup with just a little bit of fat floatin' in it, just to keep you alive. That's all I'm asked to give you. But you get more, right? You get this nice plateful, and I imagine when it comes to dessert, you'll have some of that, will you? All right, dessert, and all the other good stuff. But just remember, the good stuff I do for you is because I want to, because I'm your daddy and I love you and I want to, not because I have to'.
The subtext to this was that it was not enough for us, the children, to behave in minimal ways either, that filial respect and dutifulness might be all that was basically required of us, but the good stuff, like doing well in school and sticking together as a family and paying attention to what Mommy and Daddy were trying to each us, we would do because we loved them and wanted them to love us.
”
”
Yvonne S. Thornton (The Ditchdigger's Daughters: A Black Family's Astonishing Success Story)
“
I am finally loose as a goose, my wingspan unfolded its full length, my powerful neck raised as I slice into the sky. I am the same woman in the Innenwelt and the Umwelt. I am that careless girl, hands sunk haphazardly into the dough, bedroom a sty, pen stilled against her hand, eyes cast out the window, mouth humming a song, thinking of something else. I am that outspoken witch; I will disagree with any man. I am a firework gone off in the dark, a spectacle of disobedience, a grand finale of orgasms anytime I want.
”
”
Melissa Febos (Girlhood)
“
She had just given Liger his food when a tap sounded on the connecting door. Priss’s heart leaped into her throat.
With excitement.
Not dread, or annoyance, or even indifference.
Pure, sizzling stimulation. Suddenly she was wide-awake.
Tamping down her automatic smile, Priss leaned on the door. “Yeah?”
“Open up.”
Still fighting that twitching grin, Priss tried to sound disgruntled as she asked, “Why?”
Something hit the door—maybe his head—and Trace said, “I heard you up and moving around, Priss. I have coffee ready, but if you don’t want any—”
Being a true caffeine junkie, she jerked open the door. “Oh, bless you, man.” She took the cup straight out of Trace’s hand, drank deeply and sighed as the warmth penetrated the thick fog of novel sentiment. “Ahhhh. Nirvana. Thank you.”
Only after the caffeine ingestion did she notice that Trace wore unsnapped jeans and nothing else. Her eyes flared wide and her jaw felt loose. Holy moly.
“That was my cup,” Trace told her, bemused.
But Priss could only stare at him. Despite the delicious coffee she’d just poured in it, her mouth went dry.
When she continued to stare at him, at his chest and abdomen, her gaze tracking a silky line of brown hair that disappeared into his jeans, Trace crossed his arms.
Her gaze jumped to his face and she found him watching her with equal fascination.
A little lost as to the reason for that look, Priss asked with some belligerence, “What?”
With a cryptic smile, Trace shook his head. “Never mind. Help yourself, and I’ll get another.”
Oh, crap, she’d snatched away his cup! “Sorry.”
He lifted a hand in dismissal and went to the coffee machine sitting atop the dresser. His jeans rode low on his hips. The sun had darkened his skin, creating a sharp contrast to his fair hair.
Another drink was in order, and another sigh of bliss. Hoping to regain her wits, Priss said, “God, nothing in the world tastes better than that first drink of coffee.”
Trace looked over his shoulder, his attention zeroing in on her mouth, then her chest and finally down to her bare legs. “Oh, I don’t know about that.
”
”
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
“
I love you, Konstantin. I love you like salt. And I'm going to fix this."
Salt.
More than salt.
Morton's. Himalayan.
Sweat. Blood. Capers. Roe.
Maura.
So much more than salt.
Something shakes loose inside of him. An instinct to feed her.
He only has one memory left, enough for a single ingredient. Something salty--- he was salty in it--- all attitude. But with an undertone of regret, a dash of guilt. A longing for affection.
He recalls it--- the kitchen, the refrigerator door, the way the cold air felt along his skin--- lets it travel along his tongue--- his father and that awful tie, the kids and all of their unkindness, his own fear and shame and loneliness--- rolls it like a marble inside his mouth--- the anger that exploded from his chest, his dad's defeat, his own terrible regret--- and feels it harden, rough and textured, crystalline, saline, its nooks and crannies and hand-harvested flakes seasoned to taste, flavored by this memory--- the ache for attention, for connection, for love.
It's a subtle salt. Delicate.
Fleur de sel.
”
”
Daria Lavelle (Aftertaste)
“
But when Skade reached the tree line on the far side of the clearing, she paused, her voice loud and clear as she said, “Only a cowardly bitch betrays her child.” A glowing bow of gold appeared in her hand as she turned, along with an arrow, green from fletching to tip. Before I could move, before I could call to Hlin to protect me, so I could protect my mother, the arrow was loosed. It flew through the air, punching through my mother’s heart. Bjorn clamped a hand over my mouth to silence my scream as she dropped slowly to the ground, the arrow disappearing from her chest.
”
”
Danielle L. Jensen (A Fate Inked in Blood (Saga of the Unfated, #1))
“
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, 'Let the children come!' and they ran from the trees toward her.
'Let your mothers hear you laugh,' she told them, and the woods rang. The adults looked on and could not help smiling.
Then 'Let the grown men come,' she shouted. They stepped out one by one from among the ringing trees. 'Let your wives and your children see you dance,' she told them, and groundlife shuddered under their feet.
Finally she called the women to her. 'Cry,' she told them. 'For the living and the dead. Just cry.' And without covering their eyes the women let loose.
It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart.
She did not tell them to clean up their lives or to go and sin no more. She did not tell them they were the blessed of the earth, its inheriting meek or its glorybound pure. She told them that the only grace they could have was the grace they could imagine. That if they could not see it, they would not have it.
'Here,' she said, 'in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it. They don't love your eyes; they'd just as soon pick em out. No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. These they only use, tie, bind, chop off and leave empty. Love your hands! Love them. Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face 'cause they don't love that either. You got to love it, you! And nom they ain't in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed. What you scream from it they do not hear. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I'm telling you. And O my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it and hold it up. And all your inside parts that they'd just as soon slop for hogs, you got to love them. The dark, dark liver-love it, love it, and the beat and beating heart, love that too. More than eyes or feet. More than lungs that have yet to draw free air. More than your life-holding womb and your life-giving private parts, hear me now, love your heart. For this is the prize.
”
”
Toni Morrison (Beloved)
“
Then here came a gang of young bop musicians carrying their instruments out of cars. They piled right into a saloon and we followed them. They set themselves up and started blowing. There we were! The leader was a slender, drooping, curly-haired, pursy-mouthed tenorman, thin of shoulder, draped loose in a sports shirt, cool in the warm night, self-indulgence written in his eyes, who picked up his horn and frowned in it and blew cool and complex and was dainty stamping his foot to catch ideas, and ducked to miss others—and said, “Blow,” very quietly when the other boys took solos.
”
”
Jack Kerouac (On the Road)
“
of the ready green on a blue felt top. The gentlemen who had assembled around it for an evening of high-stakes Hold ’Em were well dressed, well fed, and well heeled, but now their mouths hung loose and their poolside tans paled. “Hands on the table, guys,” Jadick said. “And don’t any of you act one-armed.” A short man with an air of compact power, Jadick moved with brisk precision and spoke calmly. He pulled back the hammers on his archaic but awesome weapon and said, “Scoop the fuckin’ manna, boys.” “Check,” said Dean Pugh. He and Cecil Byrne, his fellow Wingman, went slowly around the table
”
”
Daniel Woodrell (The Bayou Trilogy: Under the Bright Lights, Muscle for the Wing, and The Ones You Do)
“
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last.
And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his
flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat
down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?"
When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red.
Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons.
What a roaring.
”
”
Toni Morrison (Beloved)
“
When she rolled over, nestling her back into Daniel’s chest so that he was cradling her with his right wing, her eyelids fluttered shut. Then they flew open.
She was face to face with Cam.
He was inches away, on his side, head propped on his hand, green eyes holding hers as if they were both in a trance. He opened his mouth as if to say something-
BOOM.
The room trembled like a leaf. For an instant, the air seemed to take on a strange transparency. Cam’s body shimmered, both there and somehow not there, his very existence seeming to flicker.
“Timequake,” Daniel said.
“A big mother,” Cam agreed.
Luce sprang upright, gaping at her own body in the sleeping bag, at Daniel’s hand on her knee, at Arriane, whose muffled voice called out,” “I’wuzznt me,” until Annabelle’s wing slapped her awake. All of them were flickering before each other’s eyes. Solidly present one moment, as insubstantial as ghosts the next.
The timequake had jarred loose a dimension in which they weren’t even there.
The cave around them shuddered. Sand sifted down from the walls. But unlike those of Luce and her friends, the physical properties of the red rock remained fixed, as if to prove that only people-souls-were at risk of being erased.
”
”
Lauren Kate (Rapture (Fallen, #4))
“
Gregori stepped away from the huddled mass of tourists, putting distance between himself and the guide. He walked completely erect,his head high, his long hair flowing around him. His hands were loose at his sides, and his body was relaxed, rippling with power.
"Hear me now, ancient one." His voice was soft and musical, filling the silence with beauty and purity. "You have lived long in this world, and you weary of the emptiness. I have come in anwer to your call."
"Gregori.The Dark One." The evil voice hissed and growled the words in answer. The ugliness tore at sensitive nerve endings like nails on a chalkboard. Some of the tourists actually covered their ears. "How dare you enter my city and interfere where you have no right?"
"I am justice,evil one. I have come to set your free from the bounaries holding you to this place." Gregori's voice was so soft and hypnotic that those listening edged out from their sanctuaries.It beckoned and pulled, so that none could resist his every desire.
The black shape above their head roiled like a witch's cauldron. A jagged bolt of lightning slammed to earth straight toward the huddled group. Gregori raised a hand and redirected the force of energy away from the tourists and Savannah. A smile edged the cruel set of his mouth. "You think to mock me with display,ancient one? Do not attempt to anger what you do not understand.You came to me.I did not hunt you.You seek to threaten my lifemate and those I count as my friends.I can do no other than carry the justice of our people to you." Gregori's voice was so reasonable, so perfect and pure,drawing obedience from the most recalcitrant of criminals.
The guide made a sound,somewhere between disbelief and fear.Gregori silenced him with a wave of his hand, needing no distractions. But the noise had been enough for the ancient one to break the spell Gregori's voice was weaving around him. The dark stain above their heads thrashed wildly, as if ridding itself ot ever-tightening bonds before slamming a series of lightning strikes at the helpless mortals on the ground.
Screams and moans accompanied the whispered prayers, but Gregori stood his ground, unflinching. He merely redirected the whips of energy and light, sent them streaking back into the black mass above their heads.A hideous snarl,a screech of defiance and hatred,was the only warning before it hailed. Hufe golfball-sized blocks of bright-red ice rained down toward them. It was thick and horrible to see, the shower of frozen blood from the skies. But it stopped abruptly, as if an unseen force held it hovering inches from their heads.
Gregori remained unchanged, impassive, his face a blank mask as he shielded the tourists and sent the hail hurtling back at their attacker.From out of the cemetery a few blocks from them, an army of the dead rose up. Wolves howled and raced along beside the skeletons as they moved to intercept the Carpathian hunter.
Savannah. He said her name once, a soft brush in her mind.
I've got it, she sent back instantly.Gregori had his hands full dealing with the abominations the vampire was throwing at him; he did't need to waste his energy protecting the general public from the apparition. She moved out into the open, a small, fragile figure, concentrating on the incoming threat.
To those dwelling in the houses along the block and those driving in their cars, she masked the pack of wolves as dogs racing down the street.The stick=like skeletons, grotesque and bizarre, were merely a fast-moving group of people. She held the illusion until they were within a few feet of Gregori.Dropping the illusion, she fed every ounce of her energy and power to Gregori so he could meet the attack.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
The simple action of pulling her body against his was strangely satisfying, like a puzzle piece snapping neatly into place. She gave a low cry, automatically clutching at his arm. The loose lock of fine blond hair blew across Nick's face, and the fresh, faintly salty fragrance of female skin rose to his nostrils. The scent made his mouth water. Nick was startled by his instant reaction to her- he had never experienced such a visceral response to a woman. He wanted to leap from the wall and carry her off like one of the wolves that had once roamed the medieval forests, and find some place to devour his prey in private.
”
”
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
“
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.”
Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs.
“What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts.
“Don’t be ridiculous.”
“I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—”
He took the boxers from her.
“Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over.
Right.
After he got the boxers on, he took off the bathrobe and . . .
Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts.
Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?”
She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—”
“Gina.” Max stopped her before she reached the door. He motioned for her to come back.
She held out the green shorts, but instead of taking them, he took her arm, pulled her close.
“I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little.
Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle.
And then, before her heart even had a chance to start beating again, he kissed her.
And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated.
And, God. That was a miracle, too.
Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now?
Yes, she’d been waiting for years for him to say that he loved her, but . . .
Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’”
She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted.
It was obvious that he wanted her to say something, but she was completely speechless.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Bono: But you write. Why do you write?
Michka: well, because I'm unable to express things in another way. I often believe that the words that come out of my mouth are not the ones I should be using. I can't cut things loose unless I'm really sure about them.
It's good, but sometimes it's an excuse.
Bono: That's often an excuse. You have to dare to fail. I think that's the big one: fear of failure. I've never had a fear of failure. Isn't that mad?
Michka: that's the maddest thing, but at the same time I think that's the secret. Because you've never been afraid of making a fool of yourself, you've never been afraid of looking ridiculous.
”
”
Michka Assayas (Bono: In Conversation with Michka Assayas)
“
Tate won’t like it that we kept the truth from him.”
“I’m resigned to that,” Cecily said half-truthfully. “He would never have turned to me, anyway, even if he knew he had mixed blood. I’ve been living on dreams too long already.”
“If you go away from him, he’ll follow you,” Leta said unexpectedly. “There’s a tie, a bond, between you that can’t be broken.”
“There’s Audrey,” Cecily pointed out.
“Honey, there have been other Audreys,” she replied. “He never brought them home or talked about them. They were loose relationships, and not very many at all-never any who were innocent.”
“Audrey’s lasted a long time.”
Leta searched her eyes. “If he’s sleeping with Audrey, Cecily, why can’t he keep his hands off you?”
Cecily’s heart turned over twice. “Wh…what?”
“Simple question,” came the droll reply. She grinned at the younger woman’s embarrassment. “When you came in the kitchen that last time you were here, before Tate left, your mouth was swollen and you wouldn’t look straight at him. He was badly shaken. It doesn’t take a mind-reader to know what was going on in my living room. It isn’t like Tate to play games with innocent girls.”
“He doesn’t think I am, anymore,” she returned curtly. “I let him think that Colby and I are…very close.”
“Uh-oh.”
She scowled. “Uh-oh, what?”
“The only thing that’s kept him away from you this long is that he didn’t want to take advantage of you,” Leta replied. “If he thinks you’re even slightly experienced, he’ll find a reason not to hold back anymore. You’re playing a dangerous game. Your own love will be your downfall if he puts on the heat. I know. How I know!”
Cecily refused to think about it. She’d put Tate out of her mind, and she was going to keep him there for the time being.
“I’ll worry about that when I have to,” she said finally. “Now you dry up those tears and drink some more coffee. Then we have to plan strategy. We’re going to take down the enemy by any means possible!
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
I looked up, my eyes pouring with tears of pain and understanding. I had to look away. I let my other hand slip from the rock and hang loose. “Don’t, Violet!” Lincoln’s voice was strong and unwavering. It caught me by surprise. “Don’t. You. Dare. Look at me!” It wasn’t compulsion, but I still couldn’t stop myself. I had to see him one last time. I opened my mouth to tell him good-bye, but he didn’t let me speak. “If you let go, I’m jumping in there after you!” My hand slipped in his hold and I did little to stop it, but he clung on. “It’s better this way, Linc! You can fight him without me and then you’ll be free!” He looked at me like I was mad until his jaw set with determination. “You smell of winter dew at the first crack of dawn and when you use your power, it feels like being submerged in the most intoxicating vanilla cream that I lose myself in it every time and…and you were beautiful,” he blurted out, catching us both by surprise. But he went on, ignoring the fact my hand was still slipping. “So stunning in that dress the other night, I could hardly look at you it hurt so much. You are the thing I dread the most in myself, Violet, because…I love you so much that I can’t trust myself. I’d die for you, give up all my power for you. I’d give you my soul in an instant, even if it meant I had to spend eternity in torment—just for one moment with you as mine. Wanting you consumes me. I dread you because I know the risk, but I’m so selfish, I want you anyway. I’d take you even though it could kill you.” I cried out again, the pain now so much worse, inside and out. My hand continued to slip as I looked into his eyes, intense with want, and I knew he was telling the truth. He would jump in after me. I forced my loose arm up and he grabbed it, leaning farther into the opening. He lifted me out and as he did, the severity of my burns became apparent. I couldn’t hold back the screams and he placed me belly down on the ground.
”
”
Jessica Shirvington (Emblaze (The Embrace Series, #3))
“
When Aziza first spotted Mariam in the morning, her eyes always sprang open, and she began mewling and squirming in her mother's grip. She thrust her arms toward Mariam, demanding to be held, her tiny hands opening and closing urgently, on her face a look of both adoration and quivering anxiety.
"What a scene you're making," Laila would say, releasing her to crawl toward Mariam. "What a scene! Calm down. Khala Mariam isn't going anywhere. There she is, your aunt. See? Go on, now."
As soon as she was in Mariam's arms, Aziza's thumb shot into her mouth and she buried her face in Mariam's neck. Mariam bounced her stiffly, a half-bewildered, half-grateful smile on her lips. Mariam had never before been wanted like this. Love had never been declared to her so guilelessly, so unreservedly.
Aziza made Mariam want to weep.
"Why have you pinned your little heart to an old, ugly hag like me?" Mariam would murmur into Aziza's hair. "Huh? I am nobody, don't you see? A dehati. What have I got to give you?"
But Aziza only muttered contentedly and dug her face in deeper. And when she did that, Mariam swooned. Her eyes watered. Her heart took flight. And she marvelled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections.
”
”
Khaled Hosseini (A Thousand Splendid Suns)
“
What rending pains were close at hand! Death! and what a death! worse than any other that is to
be named! Water, be it cold or warm, that which buoys up blue icefields, or which bathes tropical
coasts with currents of balmy bliss, is yet a gentle conqueror, kisses as it kills, and draws you
down gently through darkening fathoms to its heart. Death at the sword is the festival of trumpet
and bugle and banner, with glory ringing out around you and distant hearts thrilling through yours.
No gnawing disease can bring such hideous end as this; for that is a fiend bred of your own flesh,
and this — is it a fiend, this living lump of appetites? What dread comes with the thought of
perishing in flames! but fire, let it leap and hiss never so hotly, is something too remote, too alien,
to inspire us with such loathly horror as a wild beast; if it have a life, that life is too utterly beyond
our comprehension. Fire is not half ourselves; as it devours, arouses neither hatred nor disgust; is
not to be known by the strength of our lower natures let loose; does not drip our blood into our
faces with foaming chaps, nor mouth nor slaver above us with vitality. Let us be ended by fire,
and we are ashes, for the winds to bear, the leaves to cover; let us be ended by wild beasts, and the
base, cursed thing howls with us forever through the forest.
”
”
Harriet Prescott Spofford
“
Sisyphus cheated death,” Nico explained. “First he chained up Thanatos, the reaper of souls, so no one could die. Then when Thanatos got free and was about to kill him, Sisyphus told his wife to do incorrect funeral rites so he wouldn’t rest in peace. Sisy here—May I call you Sisy?” “No!” “Sisy tricked Persephone into letting him go back to the world to haunt his wife. And he didn’t come back.” The old man cackled. “I stayed alive another thirty years before they finally tracked me down!” Thalia was halfway up the hill now. She gritted her teeth, pushing the boulder with her back. Her expression said Hurry up! “So that was your punishment,” I said to Sisyphus. “Rolling a boulder up a hill forever. Was it worth it?” “A temporary setback!” Sisyphus cried. “I’ll bust out of here soon, and when I do, they’ll all be sorry!” “How would you get out of the Underworld?” Nico asked. “It’s locked down, you know.” Sisyphus grinned wickedly. “That’s what the other one asked.” My stomach tightened. “Someone else asked your advice?” “An angry young man,” Sisyphus recalled. “Not very polite. Held a sword to my throat. Didn’t offer to roll my boulder at all.” “What did you tell him?” Nico said. “Who was he?” Sisyphus massaged his shoulders. He glanced up at Thalia, who was almost to the top of the hill. Her face was bright red and drenched in sweat. “Oh . . . it’s hard to say,” Sisyphus said. “Never seen him before. He carried a long package all wrapped up in black cloth. Skis, maybe? A shovel? Maybe if you wait here, I could go look for him. . . .” “What did you tell him?” I demanded. “Can’t remember.” Nico drew his sword. The Stygian iron was so cold it steamed in the hot dry air of Punishment. “Try harder.” The old man winced. “What kind of person carries a sword like that?” “A son of Hades,” Nico said. “Now answer me!” The color drained from Sisyphus’s face. “I told him to talk to Melinoe! She always has a way out!” Nico lowered his sword. I could tell the name Melinoe bothered him. “Are you crazy?” he said. “That’s suicide!” The old man shrugged. “I’ve cheated death before. I could do it again.” “What did this demigod look like?” “Um . . . he had a nose,” Sisyphus said. “A mouth. And one eye and—” “One eye?” I interrupted. “Did he have an eye patch?” “Oh . . . maybe,” Sisyphus said. “He had hair on his head. And—” He gasped and looked over my shoulder. “There he is!” We fell for it. As soon as we turned, Sisyphus took off down the hill. “I’m free! I’m free! I’m—ACK!” Ten feet from the hill, he hit the end of his invisible leash and fell on his back. Nico and I grabbed his arms and hauled him up the hill. “Curse you!” He let loose with bad words in Ancient Greek, Latin, English, French, and several other languages I didn’t recognize. “I’ll never help you! Go to Hades!” “Already there,” Nico muttered. “Incoming!” Thalia shouted. I looked up and might have used a few cuss words myself. The boulder was bouncing straight toward us. Nico jumped one way. I jumped the other. Sisyphus yelled, “NOOOOOOO!” as the thing plowed into him. Somehow he braced himself and stopped it before it could run him over. I guess he’d had a lot of practice. “Take it again!” he wailed. “Please. I can’t hold it.” “Not again,” Thalia gasped. “You’re on your own.” He treated us to a lot more colorful language. It was clear he wasn’t going to help us any further, so we left him to his punishment.
”
”
Rick Riordan (The Demigod Files (Percy Jackson and the Olympians))
“
Damn it, Jacob, I’m freezing my butt off.”
“I came as fast as I could, considering I thought it would be wise to walk the last few yards.”
Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection.
“I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’”
“Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?”
“Well, I’m fifty percent sure.”
“Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.”
“As Legna tells it, that’s what you’re supposed to do.”
“Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck.
“Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.”
“This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.”
“Jacob!” she gasped, laughing.
“Some traditions are not necessarily publicized,” he teased.
“You people are outrageous.”
“Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?”
Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so.
“Have I ever said no to you?”
“No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled.
“How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair.
His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet.
“If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.”
“Okay,” she agreed, her tongue touching his pulse.
“Bella . . .”
“Jacob, I want to spend the entire night making love to you,” she murmured.
Jacob stopped in his tracks, taking a moment to catch his breath.
“Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?”
“You started it,” she reminded him, laughing softly.
“I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.”
“I’m sorry, you’re right.” She turned her face away from his neck.
Jacob resumed his ritual walk for all of thirty seconds before he stopped again.
“Bella . . .” he warned dangerously.
“I’m sorry! It just popped into my head!”
“What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace.
“Well, in about an hour, I hope it will be me.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
Was it a moment of indecision or was it a moment of redemption. Redemption long overdue and long unacknowledged? They didn’t know. He suddenly went at her mouth and she claimed it as if it was never supposed to be elsewhere.
It was stormy. It was fierce. His manhood shafted through his loose night pajamas challenging her even beyond the thickness of her bath robe, which was cast aside in one unsparing sweep of his hand, revealing the quavering ripeness of her fulsome breasts. After a moment of awe, he went at them with unquenched ferocity.
First he devoured her there itself, against the wall, on the carpet. Within moments their frenzied hands tore away each other’s underpants with unapologetic fury and then in one smooth motion of a dancer’s lucidity, he lifted her and like a great performer of an opera, placed her on the bed. The inviting altar of desire and passion and longing. Now as they claimed each other, there was unhurried fluidity in their motion. Tears of pain and love in their eyes. Ecstasy of carnal compatibility in their fusion. Symphony of sensuality in their strokes and when he finally exploded inside her, she had gone aflame with matching uncontrollability.
It was a heavenly union which in one go had robbed them of their beings, their earth, their universe, their past, their present, their future. In one instant, they had undone what was done and had done what was ‘not done’.
”
”
Vinod Pande
“
My knuckles brushed one of his wings- smooth and cool like silk, but hard as stone with it stretched taut.
Fascinating, I blindly reached again... and dared to run a fingertip along some inner edge.
Rhysand shuddered, a soft groan slipping past my ear. 'That,' he said tightly, 'is very sensitive.'
I snatched my finger back, pulling away far enough to see his face. With the wind, I had to squint, and my braided hair ripped this way and that, but- he was entirely focused on the mountains around us. 'Does it tickle?'
He flicked his gaze to me, then to the snow and pine that went on forever. 'It feels like this,' he said, and leaned in so close that his lips brushed the shell of my ear as he sent a gentle breath into it. My back arched on instinct, my chin tipping up at the caress of that breath.
'Oh,' I managed to say, I felt him smile against my ear and pull away.
'If you want an Illyrian male's attention, you'd be better off grabbing him by the balls. We're trained to protect our wings at all costs. Some males attack first, ask questions later, if their wings are touched without invitation.'
'And during sex?' The question blurted out.
Rhys's face was nothing but feline amusement as he monitored the mountains. 'During sex, an Illyrian male can find completion just by having someone touch his wings in the right spot.'
My blood thrummed. Dangerous territory; more lethal than the drop below. 'Have you found that to be true?'
His eyes stripped me bare. 'I've never allowed anyone to see or touch my wings during sex. It makes you vulnerable in a way that I'm not... comfortable with.'
'Too bad,' I said, staring out too casually toward the mighty mountain that now appeared on the horizon, towering over the others. And capped, I noted, with that glimmering palace of moonstone.
'Why?' he asked warily.
I shrugged, fighting the upward tugging of my lips. 'Because I bet you could get into some interesting positions with those wings.'
Rhys loosed a barking laugh, and his nose grazed my ear. I felt him open his mouth to whisper something, but-
Something dark and fast and sleek shot for us, and he plunged down and away, swearing.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
He couldn’t take it anymore.
He wrapped his hand around the back of her head and pulled her up, pulled her across his chest, pulled her into a kiss so filthily explicit his tongue might as well have been fucking her mouth.
They groaned in unison and he wrapped his hand over hers, forcing her fingers tight around his erection, showing her how to pull up, the loose skin sliding over his hot core—oh, sweet, sweet God—and down, fisting tight, moving faster, his hips pumping up into their shared grasp.
She moaned and his hips jerked at the sound.
And then she sucked his tongue and hot pleasure speared him. He convulsed, spunk spewing over his fingers, over hers. He smeared them both in it as he yanked himself through it, shuddering.
”
”
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
“
Once upon a time I'd left Los Angeles and been swallowed down the throat of a life in which my sole loyalty was to my tongue. My belly. Myself. My mother called me selfish and so selfish I became. From nineteen to twenty-five I was a mouth, sating. For myself I made three-day braises and chose the most marbled meats, I played loose with butter and cream. My arteries were young, my life pooling before me, and I lapped, luxurious, from it. I drank, smoked, flew cheap red-eyes around Europe, I lived in thrilling shitholes, I found pills that made nights pass in a blink or expanded time to a soap bubble, floating, luminous, warm. Time seemed infinite, then. I begged famous chefs for the chance to learn from them. I entered competitions and placed in a few. I volunteered to work brunch, turn artichokes, clean the grease trap. I flung my body at all of it: the smoke and singe of the grill station, a duck's breast split open like a geode, two hundred oysters shucked in the walk-in, sex in the walk-in, drunken rides around Paris on a rickety motorcycle and no helmet, a white truffle I stole and shaved in secret over a bowl of Kraft mac n' cheese for me, just me, as my body strummed the high taut selfish song of youth. On my twenty-fifth birthday I served black-market fugu to my guests, the neurotoxin stinging sweetly on my lips as I waited to see if I would, by eating, die. At that age I believed I knew what death was: a thrill, like brushing by a friend who might become a lover.
”
”
C Pam Zhang (Land of Milk and Honey)
“
If you’re the cook,” he said between mouthfuls, “I’m your captain. You can’t continue speaking to me that way.”
“You aren’t dressed like a captain.”
Gray looked down at his homespun tunic and the loose-fitting trousers cinched with a knotted cord. The clothes of a common seaman,, borrowed from a sailor now dead. He hadn’t the luxury of fine attire on the Kestrel. With the ship so undermanned, he had to be everywhere-climbing the rigging, down in the hold.
“Don’t look apologetic. They suit you.” Her gaze glanced off his shoulders, then dropped to the floor. “But I see you’ve kept the detested boots.”
He shrugged, spooning up another bite of chowder. “I’ve broken them in now.”
“And here I hoped you were keeping them for sentimental reasons.
”
”
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
“
She was gauche in movement and in a sense, ugly of face, but with how small a twist might she not suddenly have become beautiful. Her sullen mouth was full and rich — her eyes smouldered.
A yellow scarf hung loosely around her neck. Her shapeless dress was a flaming red.
For all the straightness of her back she walked with a slouch.
"Come here," said Lord Groan as she was about to pass him and the doctor.
"Yes father," she said huskily.
"Where have you been for the last fortnight, Fuchsia?"
"Oh, here and there, father," she said, staring at her shoes. She tossed her long hair and it flapped down her back like a pirate's flag. She stood in about as awkward a manner as could be conceived. Utterly unfeminine — no man could have invented it.
”
”
Mervyn Peake (Titus Groan (Gormenghast, #1))
“
James wondered for a moment whether this was the first time someone had used a witchlight rune stone as stage lighting before his mind went blank. Christopher made a small noise in the back of his throat, and Thomas stared wide-eyed.
The mermaid had human legs. They were long and really quite shapely, James had to admit, loosely draped in diaphanous skirts made of woven exotic seaweeds.
Unfortunately, from the waist up she was the front half of a gaping, staring fish. Her scales were shiny metallic silver and reflected the light in a way that almost, but not quite, distracted from her dinner-plate-size, unblinking yellow eyes.
The audience went mad, cheering and hooting twice as loudly as before. One of the werewolves howled, "CLARIBELLA!" in a mournful, yearning voice.
"May I present," Matthew cried with a grin, "Claribella the Mermaid!"
The crowd whistled and banged their approval. James, Christopher, and Thomas struggled to find words.
"The mermaid's backwards," said James, having regained some of his vocabulary--though perhaps not all of it.
"Matthew hired a reverse mermaid," Thomas agreed. "But why?"
"I wonder what kind of fish she is," said Christopher. "Are mermaids a specific kind of fish? Sharks or herring, or such?"
"I had kippers this morning," said Thomas sadly.
The backward mermaid began to swing her hips side to side, with the ease of a practiced cabaret dancer. Her mouth bobbed open and closed in rhythm with the music. Her small fins, on either side of her body, flapped.
”
”
Cassandra Clare (Chain of Iron (The Last Hours, #2))
“
Humanity many times has had sad experience of super-powerful police forces … As soon as (the police) slip from under the firm thumb of a suspicious local tribune, they become arbitrary, merciless, a law unto themselves. They think no more of justice, but only of establishing themselves as a privileged and envied elite. They mistake the attitude of natural caution and uncertainty of the civilian population as admiration and respect, and presently they start to swagger back and forth jingling weapons, in megalomaniac euphoria. People thereupon become not masters, but servants … Such a police force becomes merely an aggregate of uniformed criminals, the more baneful in that their position is unchallenged and sanctioned by law. The police mentality cannot regard a human being in terms other than as an item or object to be processed as expeditiously as possible. Public convenience or dignity means nothing; police prerogatives assume the status of divine law. Submissiveness is demanded. If a police officer kills a civilian, it is a regrettable circumstance: the officer was possibly over-zealous. If a civilian kills a police officer all hell breaks loose. The police foam at the mouth. All other business comes to a standstill until the perpetrator of this most dastardly act is found out. Inevitably, when apprehended, he is beaten or otherwise tortured for his intolerable presumption … The police complain that they cannot function efficiently, that criminals escape them. Better a hundred unchecked criminals than the despotism of one unbridled police force.
”
”
Jack Vance (The Star King (Demon Princes, #1))
“
woman swept in wearing a black-and-green crinoline dress, except that the hoop was so small it hardly deserved the name, and her stride was such that one might have supposed her to have only a moment since dismounted from a horse. She had no hat. Her hair was held back in a loose bun with a black chenille net over it. She did not wear her gloves but carried them absent-mindedly in one hand. She was of average height, square-shouldered and leaner than is becoming in a woman. But it was her face which startled and held attention. Her nose was a little too large and too long, her mouth was sensitive without being beautiful, her cheekbones were very high and her eyes were wide-set and heavy lidded. When she spoke, her voice was low with a slight catch in it, and her diction was remarkably beautiful.
”
”
Anne Perry (Weighed in the Balance (William Monk, #7))
“
She'd gone and let her hair loose, he thought. Why did she have to do that? It made his hands hurt, actually hurt with wanting to slide into it.
"That's good." She stepped in, shut the door. And because it seemed too perfect not to, audibly flipped the lock. Seeing a muscle twitch in his jaw was incredibly satisfying.
He was a drowning man, and had just gone under the first time. "Keeley, I've had a long day here.I was just about to-"
"Have a nightcap," she finished. She'd spotted the teapot and the bottle of whiskey on the kitchen counter. "I wouldn't mind one myself." She breezed past him to flip off the burner under the now sputtering kettle.
She'd put on different perfume, he thought viciously. Put it on fresh, too, just to torment him. He was damn sure of it.It snagged his libido like a fish-hook.
"I'm not really fixed for company just now."
"I don't think I qualify as company." Competently she warmed the pot, measured out the tea and poured the boiling water in. "I certainly won't be after we're lovers."
He went under the second time without even the chance to gulp in air. "We're not lovers."
"That's about to change." She set the lid on the pot, turned. "How long do you like it to steep?"
"I like it strong, so it'll take some time. You should go on home now."
"I like it strong, too." Amazing, she thought,she didn't feel nervous at all. "And if it's going to take some time, we can have it afterward."
"This isn't the way for this." He said it more to himself than her. "This is backward, or twisted.I can't get my mind around it. no,just stay back over there and let me think a minute."
But she was already moving toward him, a siren's smile on her lips. "If you'd rather seduce me, go ahead."
"That's exactly what I'm not going to do." Thought the night was cool and his windows were open to it, he felt sweat slither down his back. "If I'd known the way things were, I'd never have started this."
That mouth of his, she thought. She really had to have that mouth. "Now we both know the way things are, and I intend to finish it.It's my choice."
His blood was already swimming. Hot and fast. "You don't know anything, which is the whole flaming problem."
"Are you afraid of innocence?"
"Damn right."
"It doesn't stop you from wanting me. Put your hands on me,Brian." She took his wrist,pressed his hand to her breast. "I want your hands on me."
The boots clattered to the floor as he went under for the third time.
”
”
Nora Roberts (Irish Rebel (Irish Hearts, #3))
“
In a later chapter, less argued over and less well-known, Teccam explains that there are two types of secrets. There are secrets of the mouth and secrets of the heart. Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become.
”
”
Patrick Rothfuss
“
The hermit takes a long wooden spoon from the table and then stirs what must be her dinner for a solid week. Her slow mixing sets loose even more of the mouth-watering meat and herbs aroma of whatever is stewing over the fire, and my stomach rumbles—long, low, and loud.
She slants me an unnerving, bright-green look before moving her slightly contemptuous gaze over to Griffin. “Does your man not feed you?” she asks.
I sense Griffin bristling beside me, as if his shoulders grow a foot in width.
“Of course he feeds me. More importantly, I feed myself.” Sort of. I can pick berries. And maybe catch a fish. I can definitely start a fire. Sometimes.
I glance at Griffin, and he looks back at me with a definite hint of Liar, liar, tunic on fire in his eyes.
I shrug. I guess that’s why we’re a team. I’m Elpis. He cooks.
”
”
Amanda Bouchet (Heart on Fire (Kingmaker Chronicles, #3))
“
I can't believe this crap. Jolly ranchers? Gummy worms?" Katy rifled through the pile of candy she'd dumped onto Steph's floor. "Where's the chocolate? Where's the candy corn?"
"I like Jolly Rangers," Steph said, helping herself to Katy's rejects, her boobs in danger of breaking loose from her Renaissance dress.
Gil watched, fascinated. "Remind me who you are again?"
"Um, Juliet? From Romeo and Juliet?" She popped a candy into her mouth. "Shakespeare?"
"Did they really dress like that back then?" Gil asked. "It seems kind of like something that might get you burned at the stake."
"I'm pre-Puritan, baby."
Ethan unwrapped a peanut butter cup from his own candy pile. "You've obviously never been to a Renaissance fair, dude. I went to one in New York with my cousin. Boobs galore."
"We gotta get one of those in Utah," Gil said.
”
”
Sara Zarr (Sweethearts)
“
Chabot Gun Club, in the hills above Berkeley. One day, a Cal law student and a friend happened also to be on the club’s range. “That afternoon I noticed a group of three or four men shooting at the far left of the range, dressed in camos and shooting what I thought was an M-1 Carbine,” he recalled. “Sometime while my attention was on my own target, I heard someone to my left let loose a three-shot burst that sounded like a fully automatic weapon, something illegal in California at the time.” The law student and his friend “looked at each other and we each mouthed the words, ‘Auto?!?!’ ” In light of the dangerous and unlawful firepower nearby, the pair decided to depart the premises posthaste. The man with the machine gun was Joe Remiro, and the student was Lance Ito, who later became the judge in the criminal trial of O. J. Simpson.
”
”
Jeffrey Toobin (American Heiress: The Wild Saga of the Kidnapping, Crimes and Trial of Patty Hearst)
“
So, my dear…”
She faced him with thudding heart, the crystal piece clutched desperately in her hand, but she was hardly aware that she even held it.
“… You say I have let another man into my bed.”
Erienne opened her mouth to speak. Her first impulse was to chatter some inanity that could magically take the edge from his callous half statement, half question. No great enlightenment dawned, however, and her dry, parched throat issued no sound of its own. She inspected the stopper closely, turning it slowly in her hand rather than meet the accusing stare.
From behind the mask, Lord Saxton observed his wife closely, well aware that the next moments would form the basis for the rest of his life or leave it an empty husk. After this, there could be no turning back.
“I think, my dear,” his words made her start, “that whatever the cost, ’tis time you met the beast of Saxton Hall.”
Erienne swallowed hard and clasped the stopper with whitened knuckles, as if to draw some bit of courage from the crystal piece.
As she watched, Lord Saxton doffed his coat, waistcoat, and stock, and she wondered if it was a trick of her imagination that he seemed somewhat lighter of frame. After their removal, he caught the heel of his right boot over the toe of the left and slowly drew the heavy, misshapen encumbrance from his foot. She frowned in open bemusement, unable to detect a flaw. He flexed the leg a moment before slipping off the other boot. His movements seemed pained as he shed the gloves, and Erienne’s eyes fastened on the long, tan, unscarred hands that rose to the mask and, with deliberate movements, flipped the lacings loose. She half turned, dropping the stopper and colliding with the desk as he reached to the other side of the leather helm and lifted it away with a single motion.
She braved a quick glance and gasped in astonishment when she found translucent eyes calmly smiling at her.
“Christopher! What…?”
She could not form a question, though her mind raced in a frantic search for logic. He rose from the chair with an effort.
“Christopher Stuart Saxton, lord of Saxton Hall.”
His voice no longer bore a hint of a rasp. “Your servant, my lady.”
“But… but where is…?”
The truth was only just beginning to dawn on her, and the name she spoke sounded small and thin.
“… Stuart?”
“One and the same, madam.”
He stepped near, and those translucent eyes commanded her attention.
“Look at me, Erienne. Look very closely.”
He towered over her, and his lean, hard face bore no hint of humor.
“And tell me again if you think I would ever allow another man in your bed while I yet breathe.”
-Christopher & Erienne
”
”
Kathleen E. Woodiwiss (A Rose in Winter)
“
Sara noticed that his white teeth were slightly snaggled, giving his smile the appearance of a friendly snarl. It was then that she understood why so many women had been seduced by him. His grin held a wickedly irresistible appeal. She stared at his chest as he untied the laces and positioned her cap correctly.
"Thank you," she murmured, and tried to take the strings of the cap from his fingers.
But he didn't let go. He held the laces at her chin, his fingers tightening. Glancing up at him in confusion, Sara saw that his smile had vanished. In a decisive motion he pulled the concealing lace from her hair and let it fall. The cap fluttered to a patch of mud and rested there limply.
Sara lifted her hand to the loose braided coil of her hair, which threatened to tumble from its pins. The chestnut locks gleamed with fiery highlights, escaping in delicate wisps around her face and throat. "Mr. Craven," she scolded breathlessly. "I find your behavior untoward and a-and offensive, not to mention-oh!" She stammered in astonishment as he reached for her spectacles and plucked them from her face. "Mr. Craven, h-how dare you..." She fumbled to retrieve them. "I... I need those..."
Derek held them out of reach as he stared at her uncovered face. This was what she had kept hidden beneath the old-maid disguise... pale, luminous skin, a mouth shaped with surprising lushness, a pert little nose, marked at the delicate bridge where the edge of her spectacles had pressed. Angel-blue eyes, pure and beguiling, surmounted by dark winged brows. She was beautiful. He could have devoured her in a few bites, like a fragrant red apple. He wanted to touch her, take her somewhere and pull her beneath him, as if he could somehow erase a lifetime of sin and shame within the sweetness of her body.
”
”
Lisa Kleypas (Dreaming of You (The Gamblers of Craven's, #2))
“
He awakened to the steady light of morning on his eyelids, while someone tugged at his bandage, peeling it away like the skin of a fruit. Burning liquid was applied to his shoulder in steady, measured drips. During the process, a man was talking. Not to him, but at him, in a light, aimless flow that required no response.
It was bloody annoying.
“. . . I’ve never had this much to do with another man’s body before. For that matter, I don’t think I’ve had quite this much to do with a woman’s body. I may have to become a monk after this.”
The man was winding a bandage neatly over his chest and around his back, leaning close to lift him slightly with each pass.
“. . . as heavy as a Hampshire hog . . . more muscle than other breeds, which is why they weigh more than they look. Take my word for it, you’d be a prizewinning baconer. I mean that as a compliment, by the way.”
With an antagonized grunt, Ethan shoved at the man, breaking his hold and sending him staggering back. After a swift glance at his surroundings, Ethan half rolled toward the table near the bedside and grabbed a metal utensil. Ignoring the vicious stabbing ache of his shoulder, he stayed on his side and glared at the man by the bed.
It was West Ravenel, who regarded him with a slightly tilted head. “Feeling better today, are we?” he asked in a tone of artificial cheer.
“Where am I?” Ethan asked hoarsely.
“Our hallowed ancestral domain, Eversby Priory.” West glanced at the bandage on Ethan’s chest, which had begun to unravel. He reached for the loose end. “Let me finish wrapping that, or—”
“Touch me again,” Ethan growled, “and I’ll kill you with this.”
West drew his hand back instantly, his gaze falling to the utensil in Ethan’s grip. “That’s a spoon.”
“I know.”
The corner of West’s mouth twitched, but he retreated a step or two.
”
”
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
“
Jesus, he’s actually waiting for me like he wants to get beat up.
The kid has a screw loose.
Or I do. Because I prowl forward and the mechanical gates guarding his house start to open for me.
He’s wet through, golden hair scraped off his forehead. I hate how sexy he looks. My shirt is soaked to my chest too. I realize as we stare at each other, we probably look like one of those teen fucking romance movies, where they do some shit in the rain.
In every drunk or sober situation this shouldn’t be happening.
I shouldn’t be looking at his mouth like I’m on death row and he’s a steak dinner.
I’m not gay.
My drunk-ass brain chants over and over until the lie is part of my taste buds.
My hazy eyes focus. He presses into my chest before I know it and he tugs the front of my hair until my mouth is hovering over his.
“Your move, Maverick.” He says with calm ease. Rain drips off his tempting lips.
Goddamn.
”
”
V. Theia (Manhattan Tormentor (From Manhattan #7))
“
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard.
This ass talk had sort of a gut frequency. It hit you right down there like you gotta go. You know when the old colon gives you the elbow and it feels sorta cold inside, and you know all you have to do is turn loose? Well this talking hit you right down there, a bubbly, thick stagnant sound, a sound you could smell.
This man worked for a carnival you dig, and to start with it was like a novelty ventriliquist act. Real funny, too, at first. He had a number he called “The Better ‘Ole” that was a scream, I tell you. I forget most of it but it was clever. Like, “Oh I say, are you still down there, old thing?”
“Nah I had to go relieve myself.”
After a while the ass start talking on its own. He would go in without anything prepared and his ass would ad-lib and toss the gags back at him every time.
Then it developed sort of teeth-like little raspy in-curving hooks and started eating. He thought this was cute at first and built an act around it, but the asshole would eat its way through his pants and start talking on the street, shouting out it wanted equal rights. It would get drunk, too, and have crying jags nobody loved it and it wanted to be kissed same as any other mouth. Finally it talked all the time day and night, you could hear him for blocks screaming at it to shut up, and beating it with his fist, and sticking candles up it, but nothing did any good and the asshole said to him: “It’s you who will shut up in the end. Not me. Because we dont need you around here any more. I can talk and eat and shit.”
After that he began waking up in the morning with a transparent jelly like a tadpole’s tail all over his mouth. This jelly was what the scientists call un-D.T., Undifferentiated Tissue, which can grow into any kind of flesh on the human body. He would tear it off his mouth and the pieces would stick to his hands like burning gasoline jelly and grow there, grow anywhere on him a glob of it fell. So finally his mouth sealed over, and the whole head would have have amputated spontaneous — (did you know there is a condition occurs in parts of Africa and only among Negroes where the little toe amputates spontaneously?) — except for the eyes you dig. Thats one thing the asshole couldn’t do was see. It needed the eyes. But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.
”
”
William S. Burroughs
“
Jane, I don’t care what capacity you let me have in your life. I just want to be there. And if that means I have to keep my distance, I’ll do that.”
I sighed. If ever there was a time for me to lay all my cards on the table, this was it. Naked, wounded, and vulnerable. “So, here’s my basic
problem with us, the reason I can’t seem to relax into a relationship with you, the reason I find problems where none exist and I push you away. I—I can’t figure out why you’re with me!” I exclaimed, clapping my hand over my mouth. I hadn’t meant for that part to come out. I had meant to say, “You lie and hide things from me.”
Gabriel pried my fingers away from my lips. My hands trembled as stuff I’d been feeling for months tumbled from my tongue. “I know that
makes me neurotic and sad, but I can’t figure out why you want to be with me. Every other woman in your life is exotic and beautiful and has all this history. And I’m just some drunk girl you followed home from a bar, some pathetic human you felt your usual need to protect, and you got stuck with a lifetime tie to her because she was dumb enough to get shot. I can’t stand the idea that you feel obligated to me. I know I’m insecure and pushy and spastic, desperately inappropriate at times and just plain odd at others. And I can’t help but wonder why you would want that when there are obviously so many other options. I can’t help but feel that I’m keeping you from someone better.”
I let out a loud, long breath. It felt as if some tremendous weight on my chest had wiggled loose and then dropped away. No more running. No more floating along and waiting. My cards were on the table. If Gabriel and I couldn’t have a future after this, it wasn’t because I held back from him. Now I could only hope it didn’t blow up in my face in some horrible way. I wasn’t sure my face could handle much more.
Gabriel sighed and cupped my chin, forcing me to look him in the eye. “I didn’t follow you that night because I wanted to protect you. I followed you that night because you were one of the most interesting people I’d met in decades. You had this light about you, this sweetness, this biting humor. After I’d only known you for an hour, you made me laugh harder than I had since before I was turned. You made me feel normal, at peace, for the first time in years. And I didn’t want to lose that yet. Even if it was just watching over you from a mile away, I didn’t want to leave your presence. I followed you because I didn’t want to let you go. Even then, I saw you were one of the most extraordinary, fascinating, maddening people I would ever know. Even then, I think I knew that I would love you. If you don’t love me, that’s one thing. But if you do, just stop arguing with me about it. It’s annoying. ”
“Fair enough,” I conceded. “Why the hell couldn’t you have told me this a year ago?”
“I’ve wanted to. You weren’t ready to hear it.
”
”
Molly Harper (Nice Girls Don't Live Forever (Jane Jameson, #3))
“
The child, who is most at home with wonder, says: Daddy, what is above the sky? And the father says: The darkness of space. The child: What is beyond space? The father: The galaxy. The child: Beyond the galaxy? The father: Another galaxy. The child: Beyond the other galaxies? The father: No one knows. “You see? Size defeats us. For the fish, the lake in which he lives is the universe. What does the fish think when he is jerked up by the mouth through the silver limits of existence and into a new universe where the air drowns him and the light is blue madness? Where huge bipeds with no gills stuff it into a suffocating box and cover it with wet weeds to die? “Or one might take the tip of a pencil and magnify it. One reaches the point where a stunning realization strikes home: The pencil-tip is not solid; it is composed of atoms which whirl and revolve like a trillion demon planets. What seems solid to us is actually only a loose net held together by gravity. Viewed at their actual size, the distances between these atoms might become leagues, gulfs, aeons. The atoms themselves are composed of nuclei and revolving protons and electrons. One may step down further to subatomic particles. And then to what? Tachyons? Nothing? Of course not. Everything in the universe denies nothing; to suggest an ending is the one absurdity. “If you fell outward to the limit of the universe, would you find a board fence and signs reading DEAD END? No. You might find something hard and rounded, as the chick must see the egg from the inside. And if you should peck through that shell (or find a door), what great and torrential light might shine through your opening at the end of space? Might you look through and discover our entire universe is but part of one atom on a blade of grass? Might you be forced to think that by burning a twig you incinerate an eternity of eternities? That existence rises not to one infinite but to an infinity of them?
”
”
Stephen King (The Gunslinger (The Dark Tower, #1))
“
I felt the ripple in the darkness without having to look up, and didn't flinch at the soft footsteps that approached me. I didn't bother hoping that it would be Tamlin. 'Still weeping?'
Rhysand.
I didn't lower my hands from my face. The floor rose toward the lowering ceiling- I would soon be flattened. There was no colour, no light here.
'You're just beaten her second task. Tears are unnecessary.'
I wept harder, and he laughed. The stones reverberated as he knelt before me, and though I tried to fight him, his grip was firm as he grasped my wrists and pried my hands from my face.
The walls weren't moving, and the room was open- gaping. No colours, but shades of darkness, of night. Only those star-flecked violet eyes were bright, full of colour and light. He gave me a lazy smile before he leaned forward.
I pulled away, but his hands were like shackles. I could do nothing as his mouth met with my cheek, and he licked away a tear. His tongue was hot against my skin, so startling that I couldn't move as he licked away another path of salt water, and then another. My body went taut and loose all at once and I burned, even as chills shuddered along my limbs. It was only when his tongue danced along the damp edges of my lashes that I jerked back.
He chuckled as I scrambled for the corner of the cell. I wiped my face as I glared at him.
He smirked, sitting down against a wall. 'I figured that would get you to stop crying.'
'It was disgusting.' I wiped my face again.
'Was it?' He quirked an eyebrow and pointed to his palm- to the place where my tattoo would be. 'Beneath all your pride and stubbornness, I could have sworn I detected something that felt differently. Interesting.'
'Get out.'
'As usual, your gratitude is overwhelming.'
'Do you want me to kiss your feet for what you did at the trial? Do you want me to offer another week of my life?'
'Not unless you feel compelled to do so,' he said, his eyes like stars.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
I would choose you." The words were out before he thought better of them, and there was no way to pull them back.
Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully.
"As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters.
And a fine general you are.
There could be no better leader.
You may be prickly, but that's what Ravka needs.
So many easy replies.
Instead he said, "As my queen."
He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far.
"Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets."
"I do trust you more than myself sometimes- and I think very highly of myself."
Hadn't she said there was no one else she'd choose to have her back in a fight?
But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines.
"I would make you my queen because I want you. I want you all the time."
She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision."
He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you."
Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop.
"I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day."
She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm.
Then she pulled back her hand, cradling her fingers as if they'd been singed.
"You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs."
"And if you're the queen I want?"...
She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon."
Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung.
"Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?"
Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.
”
”
Leigh Bardugo
“
What’s sacred when the Thing is all the universe?
creeps to every soul like a vampire-organ singing behind
moonlit clouds —
poor being come squat
under bearded stars in a dark field in Peru
to drop my load — I’ll die in horror that I die!
Not dams or pyramids but death, and we to prepare for that
nakedness, poor bones sucked dry by His long mouth
of ants and wind, & our souls murdered to prepare
His Perfection!
The moment’s come, He’s made His will revealed forever
and no flight into old Being further than the stars will not
find terminal in the same dark swaying port
of unbearable music
No refuge in Myself, which is on fire
or in the World which is His also to bomb & Devour!
Recognize His might! Loose hold
of my hands — my frightened skull
— for I had chose self-love —
my eyes, my nose, my face, my cock, my soul — and now
the faceless Destroyer!
A billion doors to the same new Being!
The universe turns inside out to devour me!
and the mighty burst of music comes from out the inhuman
door —
”
”
Allen Ginsberg (Kaddish and Other Poems)
“
When warm weather came, Baby Suggs, holy, followed by every black man, woman, and child who could make it through, took her great heart to the Clearing--a wide-open place cut deep in the woods nobody knew for what at the end of the path known only to deer and whoever cleared the land in the first place. In the heat of every Saturday afternoon, she sat in the clearing while the people waited among the trees.
After situating herself on a huge flat-sided rock, Baby Suggs bowed her head and prayed silently. The company watched her from the trees. They knew she was ready when she put her stick down. Then she shouted, "Let the children come!" and they ran from the trees toward her.
"Let your mothers hear you laugh,"she told them, and the woods rang. The adults looked on and could not help smiling.
Then "Let the grown men come," she shouted. They stepped out one by one from among the ringing trees.
"Let your wives and your children see you dance," she told them, and groundlife shuddered under their feet.
Finally she called the women to her. “Cry,” she told them. “For the living and the dead. Just cry.”
And without covering their eyes the women let loose. It started that way: laughing children, dancing men, crying women and then it got mixed up. Women stopped crying and danced; men sat down and cried; children danced, women laughed, children cried until, exhausted and riven, all and each lay about the Clearing damp and gasping for breath. In the silence that followed, Baby Suggs, holy, offered up to them her great big heart…“Here,” she said, “in this here place, we flesh; flesh that weeps, laughs; flesh that dances on bare feet in grass. Love it. Love it hard. Yonder they do not love your flesh. They despise it… No more do they love the skin on your back. Yonder they flay it. And O my people they do not love your hands. Those they only use, tie, bind, chop off and leave empty. Love your hands! Love them! Raise them up and kiss them. Touch others with them, pat them together, stroke them on your face ‘cause they don’t love that either. You got to love it - you! And no, they ain’t in love with your mouth. Yonder, out there, they will see it broken and break it again. What you say out of it they will not heed…What you put into it to nourish your body they will snatch away and give leavins instead. No they don’t love your mouth. You got to love it."
"This is flesh I’m talking about here. Flesh that needs to be loved. Feet that need to rest and to dance; backs that need support; shoulders that need arms, strong arms I’m telling you. And oh my people, out yonder, hear me, they do not love your neck unnoosed and straight. So love your neck; put a hand on it, grace it, stroke it, and hold it up. And all your inside parts that they’d just as soon slop for hogs, you got to love them. The dark, dark liver - love it, love it, and the beat and beating heart, love that too. More than eyes or feet…More than your life-holding womb and your live-giving private parts, hear me now, love your heart. For this is the prize.""
-Baby Suggs
”
”
Toni Morrison (Beloved)
“
I know he’s had his problems in the past…
“He can’t keep his hands off a liquor bottle at the best of times, and he still hasn’t accepted the loss of his wife!”
“I sent him to a therapist over in Baltimore,” she continued. “He’s narrowed his habit down to a six-pack of beer on Saturdays.”
“What does he get for a reward?” he asked insolently.
She sighed irritably. “Nobody suits you! You don’t even like poor old lonely Senator Holden.”
“Like him? Holden?” he asked, aghast. “Good God, he’s the one man in Congress I’d like to burn at the stake! I’d furnish the wood and the matches!”
“You and Leta,” she said, shaking her head. “Now, listen carefully. The Lakota didn’t burn people at the stake,” she said firmly. She went on to explain who did, and how, and why.
He searched her enthusiastic eyes. “You really do love Native American history, don’t you?”
She nodded. “The way your ancestors lived for thousands of years was so logical. They honored the man in the tribe who was the poorest, because he gave away more than the others did. They shared everything. They gave gifts, even to the point of bankrupting themselves. They never hit a little child to discipline it. They accepted even the most blatant differences in people without condemning them.” She glanced at Tate and found him watching her. She smiled self-consciously. “I like your way better.”
“Most whites never come close to understanding us, no matter how hard they try.”
“I had you and Leta to teach me,” she said simply. “They were wonderful lessons that I learned, here on the reservation. I feel…at peace here. At home. I belong, even though I shouldn’t.”
He nodded. “You belong,” he said, and there was a note in his deep voice that she hadn’t heard before.
Unexpectedly he caught her small chin and turned her face up to his. He searched her eyes until she felt as if her heart might explode from the excitement of the way he was looking at her. His thumb whispered up to the soft bow of her mouth with its light covering of pale pink lipstick. He caressed the lower lip away from her teeth and scowled as if the feel of it made some sort of confusion in him.
He looked straight into her eyes. The moment was almost intimate, and she couldn’t break it. Her lips parted and his thumb pressed against them, hard.
“Now, isn’t that interesting?” he said to himself in a low, deep whisper.
“Wh…what?” she stammered.
His eyes were on her bare throat, where her pulse was hammering wildly. His hand moved down, and he pressed his thumb to the visible throb of the artery there. He could feel himself going taut at the unexpected reaction. It was Oklahoma all over again, when he’d promised himself he wouldn’t ever touch her again. Impulses, he told himself firmly, were stupid and sometimes dangerous. And Cecily was off limits. Period.
He pulled his hand back and stood up, grateful that the loose fit of his buckskins hid his physical reaction to her.
“Mother’s won a prize,” he said. His voice sounded oddly strained. He forced a nonchalant smile and turned to Cecily. She was visibly shaken. He shouldn’t have looked at her. Her reactions kindled new fires in him.
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
There are secrets of the mouth and secrets of the heart. Most secrets are secrets of the mouth. Gossip shared and small scandals whispered. These secrets long to be let loose upon the world. A secret of the mouth is like a stone in your boot. At first you’re barely aware of it. Then it grows irritating, then intolerable. Secrets of the mouth grow larger the longer you keep them, swelling until they press against your lips. They fight to be let free. Secrets of the heart are different. They are private and painful, and we want nothing more than to hide them from the world. They do not swell and press against the mouth. They live in the heart, and the longer they are kept, the heavier they become. Teccam claims it is better to have a mouthful of poison than a secret of the heart. Any fool will spit out poison, he says, but we hoard these painful treasures. We swallow hard against them every day, forcing them deep inside us. There they sit, growing heavier, festering. Given enough time, they cannot help but crush the heart that holds them. Modern
”
”
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
“
I fumbled in my pockets for my father’s map. I stared and rubbed the paper between my fingers. I read the sightings’ dot’s dates with my wormed eyes, connecting them in order. There was the first point where my father felt sure he’d seen mother digging in the neighbor’s yard across the street. And the second, in the field of power wires where Dad swore he saw her running at full speed. I connected dots until the first fifteen together formed a nostril. Dots 16 through 34 became an eye. Together the whole map made a perfect picture of my mother’s missing head. If I stared into the face, then, and focused on one clear section and let my brain go loose, I saw my mother’s eyes come open. I saw her mouth begin to move. Her voice echoed deep inside me, clear and brimming, bright, alive. She said, “Don’t worry, son. I’m fat and happy. They have cake here. My hair is clean.” She said, “The earth is slurred and I am sorry.” She said, “You are OK. I have your mind.” Her eyes seemed to swim around me. I felt her fingers in my hair. She whispered things she’d never mentioned. She nuzzled gleamings in my brain. As in: the day I’d drawn her flowers because all the fields were dying. As in: the downed bird we’d cleaned and given a name. Some of our years were wall to wall with wonder, she reminded me. In spite of any absence, we had that. I thought of my father, alone and elsewhere, his head cradled in his hands. I thought of the day he’d punched a hole straight through the kitchen wall, thinking she’d be tucked away inside. All those places he’d looked and never found her. Inside their mattress. In stained-glass windows. How he’d scoured the carpet for her stray hair and strung them all together with a ribbon; how he’d slept with that one lock swathed across his nostrils, hugging a pillow fitted with her nightshirt. How he’d dug up the backyard, stripped and sweating. How he’d played her favorite album on repeat and loud, a lure. How when we took up the carpet in my bedroom to find her, under the carpet there was wood. Under the wood there was cracked concrete. Under the concrete there was dirt. Under the dirt there was a cavity of water. I swam down into the water with my nose clenched and lungs burning in my chest but I could not find the bottom and I couldn’t see a thing.
”
”
Blake Butler (Scorch Atlas)
“
Michael Freeman was thirty-five years old – a former Special Forces soldier turned policeman. He was a tall and slim black man, with grey-flecked hair and dark almond-shaped eyes. His smile was tight-lipped – half knowing and half strategic. It hid a mouthful of craggy teeth. A childhood in Detroit's East Side with an aggressive, alcoholic father had taught him to play things close to his chest, to look and listen. His colleagues knew him as a patient thinker, sedulous, missing nothing given time. Intellectually savvy and emotionally guarded, he exuded certitude. In Afghanistan, in the immediate aftermath of 9/11, he spent several weeks as a mounted outlier with the Northern Alliance in the Alma Tak Mountains, beyond the range of reinforcement or rescue – drinking filtered ditchwater and eating nuts scavenged from corpses – and calling down massive airstrikes on Taliban positions. He gained a certain reputation. Word spread the length of the Darya Suf River valley, through the Tiangi Gap to the stronghold at Mazar-i-Sharif that there was a monster loose in the mountains and the Taliban called him ‘bor-buka', which seemed to mean black or devil or whirlwind, and, at times, all of these things.
”
”
Simon Conway (Rock Creek Park)
“
You could put your arm around me, you know,' she said matter-of-factly. 'We are walking in the gardens, alone. In the moonlight, such as it is.' Denna looked sideways at me, the side of her mouth quirking upward. 'Such things are permitted, you realize.'
Her sudden change in manner caught me off my guard. Since we had met in Severen I had courted her with wild, hopeless pageantry, and she had matched me without missing a beat. Each flattery, each witticism, each piece of playful banter she returned to me, not in an echo but a harmony. Our back-and-forth had been like a duet.
But this was different. Her tone was less playful and more plain. It was so sudden a change that I was at a loss for words.
'Four days ago I turned my foot on that loose flagstone,' she said softly. 'Remember? We were walking on Mincet Lane. My foot slipped and you caught me almost before I knew that I was stumbling. It made me wonder how closely you must be watching me to see something like that.'
We turned a corner in the path, and Denna continued to speak without looking up at me. Her voice was soft and musing, almost as if she were talking to herself. 'You had your hands on me then, sure as anything, steadying me. You almost had your arm around me. It would have been so easy for you then. A matter of inches. But when I got my feet beneath me, you took your hands away. No hesitation. No lingering. Nothing I might take amiss.'
She started to turn her face to me, then stopped and looked down again. 'It’s quite a thing,' she said. 'There are so many men, all endlessly attempting to sweep me off my feet. And there is one of you, trying just the opposite. Making sure my feet are firm beneath me, lest I fall.'
Almost shyly, she reached out. 'When I move to take your arm, you accept it easily. You even lay your hand on mine, as if to keep it there.' She explained my movement exactly as I was making it, and I fought to keep the gesture from becoming suddenly awkward. 'But that’s all. You never presume. You never push. Do you know how strange that is to me?'
We looked at each other for a moment, there, in the silent moonlight garden. I could feel the heat of her standing close to me, her hand clinging to my arm.
Inexperienced as I was with women, even I could read this cue. I tried to think of what to say, but I could only wonder at her lips. How could they be so red as this? Even the selas was dark in the faint moonlight. How were her lips so red?
”
”
Patrick Rothfuss (The Wise Man's Fear (Kingkiller Chronicles, Day 2))
“
The book jolted loose from her arm and fell to the ground. Opening her mouth to apologize to the man she'd bumped into, Rose turned around. And stopped.
"A History of the New World," he read, straightening with the book in his hands.
Eyes black as pitch regarded her. She'd never seen eyes like that before. The effect of their direct, level gaze was... unsettling. Beside her, Maggie gave a small gasp. "Thank you for retrieving my book, sir," she said, finding that her voice wanted to quaver and fighting against it. "May I have it back?"
His head tilted a little to one side, a strand of coal black hair falling forward across his forehead. He was all in black, she realized, from his beaver hat to his gloves to the soles of his boots. Only a white shirt collar and simply tied white cravat leavened his stark appearance. No, not stark, she amended as he glanced down at the book again. Predatory. All six lean feet of him.
"Do the Americas interest you?" he asked, his voice a low, cultured drawl that seemed to resonate down her spine.
"Learning things interests me," she replied, and held out her hand.
The corner of his mouth quirked, and he slowly placed the book into her fingers. "Well, then. I could teach you such things, Lady Rosamund," he murmured.
”
”
Suzanne Enoch (Always a Scoundrel (Notorious Gentlemen, #3))
“
Freud’s incest theory describes certain fantasies that accompany the regression of libido and are especially characteristic of the personal unconscious as found in hysterical patients. Up to a point they are infantile-sexual fantasies which show very clearly just where the hysterical attitude is defective and why it is so incongruous. They reveal the shadow. Obviously the language used by this compensation will be dramatic and exaggerated. The theory derived from it exactly matches the hysterical attitude that causes the patient to be neurotic. One should not, therefore, take this mode of expression quite as seriously as Freud himself took it. It is just as unconvincing as the ostensibly sexual traumata of hysterics. The neurotic sexual theory is further discomfited by the fact that the last act of the drama consists in a return to the mother’s body. This is usually effected not through the natural channels but through the mouth, through being devoured and swallowed (pl. LXII), thereby giving rise to an even more infantile theory which has been elaborated by Otto Rank. All these allegories are mere makeshifts. The real point is that the regression goes back to the deeper layer of the nutritive function, which is anterior to sexuality, and there clothes itself in the experiences of infancy. In other words, the sexual language of regression changes, on retreating still further back, into metaphors derived from the nutritive and digestive functions, and which cannot be taken as anything more than a façon de parler. The so-called Oedipus complex with its famous incest tendency changes at this level into a “Jonah-and-the-Whale” complex, which has any number of variants, for instance the witch who eats children, the wolf, the ogre, the dragon, and so on. Fear of incest turns into fear of being devoured by the mother. The regressing libido apparently desexualizes itself by retreating back step by step to the presexual stage of earliest infancy. Even there it does not make a halt, but in a manner of speaking continues right back to the intra-uterine, pre-natal condition and, leaving the sphere of personal psychology altogether, irrupts into the collective psyche where Jonah saw the “mysteries” (“représentations collectives”) in the whale’s belly. The libido thus reaches a kind of inchoate condition in which, like Theseus and Peirithous on their journey to the underworld, it may easily stick fast. But it can also tear itself loose from the maternal embrace and return to the surface with new possibilities of life.
”
”
C.G. Jung (Collected Works of C. G. Jung, Volume 5: Symbols of Transformation (The Collected Works of C. G. Jung))
“
It may interest the reader to know how they “put horses to” on the continent. The man stands up the horses on each side of the thing that projects from the front end of the wagon, and then throws the tangled mess of gear forward through a ring, and hauls it aft, and passes the other thing through the other ring and hauls it aft on the other side of the other horse, opposite to the first one, after crossing them and bringing the loose end back, and then buckles the other thing underneath the horse, and takes another thing and wraps it around the thing I spoke of before, and puts another thing over each horse’s head, with broad flappers to it to keep the dust out of his eyes, and puts the iron thing in his mouth for him to grit his teeth on, uphill, and brings the ends of these things aft over his back, after buckling another one around under his neck to hold his head up, and hitching another thing on a thing that goes over his shoulders to keep his head up when he is climbing a hill, and then takes the slack of the thing which I mentioned a while ago, and fetches it aft and makes it fast to the thing that pulls the wagon, and hands the other things up to the driver to steer with. I never have buckled up a horse myself, but I do not think we do it that way.
”
”
Mark Twain
“
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky.
Her skin was blue, her blood was red.
She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair.
Later, they would say these had been hummingbird hearts and not blossoms at all.
They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away.
That was true. Only that.
They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky.
Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead.
She was also blue.
Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.
Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air.
The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up.
The screams went on and on.
And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.
”
”
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
“
Separately they surveyed their individual plates, trying to decide which item was most likely to be edible. They arrived at the same conclusion at the same moment; both of them picked up a strip of bacon and bit into it. Noisy crunching and cracking sounds ensued-like those of a large tree breaking in half and falling. Carefully avoiding each other’s eyes, they continued crunching away until they’d both eaten all the bacon on their plates. That finished, Elizabeth summoned her courage and took a dainty bite of egg.
The egg tasted like tough, salted wrapping paper, but Elizabeth chewed manfully on it, her stomach churning with humiliation and a lump of tears starting to swell in her throat. She expected some scathing comment at any moment from her companion, and the more politely he continued eating, the more she wished he’d revert to his usual unpleasant self so that she’d at least have the defense of anger. Lately everything that happened to her was humiliating, and her pride and confidence were in tatters. Leaving the egg unfinished, she put down her fork and tried the biscuit. After several seconds of attempting to break a piece off with her fingers she picked up her knife and sawed away at it. A brown piece finally broke loose; she lifted it to her mouth and bit-but it was so tough her teeth only made grooves on the surface. Across the table she felt Ian’s eyes on her, and the urge to weep doubled. “Would you like some coffee?” she asked in a suffocated little voice.
“Yes, thank you.”
Relieved to have a moment to compose herself, Elizabeth arose and went to the stove, but her eyes blurred with tears as she blindly filled a mug with freshly brewed coffee. She brought it over to him, then sat down again.
Sliding a glance at the defeated girl sitting with her head bent and her hands folded in her lap, Ian felt a compulsive urge to either laugh or comfort her, but since chewing was requiring such an effort, he couldn’t do either. Swallowing the last piece of egg, he finally managed to say, “That was…er…quite filling.”
Thinking perhaps he hadn’t found it so bad as she had, Elizabeth hesitantly raised her eyes to his. “I haven’t had a great deal of experience with cooking,” she admitted in a small voice. She watched him take a mouthful of coffee, saw his eyes widen with shock-and he began to chew the coffee.
Elizabeth lurched to her feet, squired her shoulders, and said hoarsely, “I always take a stroll after breakfast. Excuse me.”
Still chewing, Ian watched her flee from the house, then he gratefully got rid of the mouthful of coffee grounds.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Look, I’m sorry, Jemma. It took me forever to get there, what with all the flooding and everything. And then I was trying to clean stuff up and…well, I guess the time just got away from me.”
I try to pull away, but he tightens his grip. “I didn’t mean to scare you,” he says.
“Well, you did scare me.” I manage to pull one hand loose, and I use it to whack him in the chest. “Idiot!”
“I’m fine, okay? I’m here.”
“I wish you weren’t!” I yell, fired up now. “I wish you were lying in a ditch somewhere!” I stumble backward, my heel catching on the porch’s floorboards.
“You don’t mean that,” Ryder says, sounding hurt.
He’s right; I don’t. But I don’t care if I hurt his feelings. I’m too angry to care. Angry and relieved and pissed off and…and, God, I’m so glad he’s okay. I thump his chest one more time in frustration, and then somehow my lips are on his--hungry and demanding and punishing all at once.
I hear him gasp in surprise. His mouth is hot, feverish even, as he kisses me back. The ground seems to tilt beneath my feet. I stagger back toward the door, dragging him with me without breaking the kiss. Ryder’s tongue slips between my lips, skimming over my teeth before plunging inside. And…
Oh. My. God. No one’s ever kissed me like this. No one. His hands and his tongue and his scent and his body are pressed against mine…It’s making me light-headed, dizzy. Electricity seems to skitter across my skin, raising gooseflesh in its wake. I cling to him, grabbing fistfuls of his T-shirt as he kisses me harder, deeper. I was meant to do this, I realize. I was made to kiss Ryder Marsden. Everything about it is right, like the last piece of a puzzle falling into place.
Somehow, we manage to open the front door and stumble blindly inside, past the mudroom, where we shed our boots and jackets. We pause right there in the front hall, our hands seemingly everywhere at once. I tug at his T-shirt, wanting it off, wanting to feel his skin against my fingertips. His hands skim up my sides beneath my tank top, to the edges of my bra. Shivers rack my entire body, making my knees go weak. Thank God for the wall behind me, because that’s pretty much all that’s holding me up right now.
With a groan, he abandons my mouth to trail his lips down my neck, to my shoulders, across my collarbone to the hollow between my breasts. I tangle my fingers in the hair at the nape of his neck, clutching him to me--thinking that I should make him stop, terrified that he will.
This is insane. I’m insane.
But you know what? That’s just fine with me. Because right now, “sane” seems way overrated.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
Honest to God, I hadn’t meant to start a bar fight.
“So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big.
He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?”
I shrugged. “My mother was a religious woman.”
“Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat.
“I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket.
“Just here to ask a question, that’s all. I don’t want trouble.”
Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.”
I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.”
My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.”
He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder.
“Fine. What’s your question?”
“Know anybody by the name of Matthias Gruber?”
He didn’t even blink. “No.”
“Ah. I see. Sorry to have wasted your time.”
I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list.
“Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.”
I hung up and let out a slow breath. Only a couple things left to do.
I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance.
The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible.
I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.”
“Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster.
The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.”
I smiled back. “God bless you.”
She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
”
”
Kyoko M. (The Holy Dark (The Black Parade, #3))
“
Dusk began to fall, I sank into myself more and more, grew tired and lay back on the bed. To warm my hands a bit, I pushed my fingers through my hair, back and forth, crossways and sideways; small handfuls came loose, tufts came away between my fingers and spread over the pillow. I didn't worry about that, it was as if it were not happening to me; I had plenty of hair anyway. After a while I attempted to rouse myself from this curious drowsiness which had floated into all my limbs like a fog; I sat up, coughed as hard as my chest would allow - and fell back once more. Nothing to do, I was dying with open eyes, helpless, staring up at the ceiling. Finally I put my forefinger in my mouth and started sucking on it. Something started to flicker in my brain, an idea that had gotten in there, a lunatic notion. Suppose I took a bite? Without a moment's hesitation I shut my eyes and clamped down hard with my teeth.
I leaped up. Finally I was awake. A little blood trickled from the finger, and I licked it off. There wasn't much pain, the wound didn't amount to anything, but I was suddenly myself again. I shook my head, walked to the window, and found a rag for my finger. While I stood puttering about with that, my eyes suddenly filled, I cried softly to myself. The poor biten thin finger looked so pitiful. My God, I was a long way down.
”
”
Knut Hamsun (Hunger)
“
She possessed that odd blousy quality that is independent of good clothes and well-dressed hair and skilful maquillage. Her figure was full but good and she held herself well; her dress was probably expensive, her thick, dark hair looked as though it had spent the past two hours in the hands of a hairdresser. Yet she remained, unmistakably and irrevocably, a slattern. There was something temporary, an air of suspended animation, about her. It seemed as if at any moment the hair should begin to straggle, the dress slip down negligently over one soft, creamy shoulder, the hand with the diamond cluster ring which now hung loosely at her side reach up to pluck at pink shoulder straps and pat abstractly at the hair. You saw it in her dark eyes. The mouth was firm and good-humoured in the loose, raddled flesh about it; but the eyes were humid with sleep and of the carelessness of sleep. They made you think of things you had forgotten, of clumsy gilt hotel chairs strewn with discarded clothes and of grey dawn light slanting through closed shutters, of attar of roses and the musty smell of heavy curtains on brass rings, of the sound of the warm, slow breathing of a sleeper against the ticking of a clock in the darkness. Yet now the eyes were open and watchful, moving about while the mouth smiled a greeting here and there. Latimer watched her turn suddenly and go towards the bar.
”
”
Eric Ambler (The Mask of Dimitrios)
“
Breathing heavily, he glared down at her with glassy belligerence. “I said get out of my dreams.” His face was like the mask of some ancient god of war, beautiful and harsh, the mouth contorted, lips parted enough to reveal the edges of animal-white teeth. Win was amazed, excited, the tiniest bit frightened … but this was Merripen … and as she stared at him, the edge of fear melted and she drew his head down to hers, and he kissed her. She had always imagined there would be roughness, urgency, impassioned pressure. But his lips were soft, grazing over hers with the heat of sunshine, the sweetness of summer rain. She opened to him in wonder, the solid weight of him in her arms, his body pressing into the crumpled layers of her skirts. Forgetting everything in the passionate tumult of discovery, Win reached around his shoulders, until he winced and she felt the bulk of his bandage against her palm. “Kev,” she said breathlessly, “I’m so sorry, I … no, don’t move. Rest.” She curled her arms loosely around his head, shivering as he kissed her throat. He nuzzled against the gentle rise of her breast, pressed his cheek against her bodice, and sighed. After a long, motionless minute, while her chest rose and fell beneath his heavy head, Win spoke hesitantly. “Kev?” A slight snore was her reply. The first time she had ever kissed a man, she thought ruefully, and she had put him to sleep.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Mr. Townsend quirks a brow at the other man, and when our boss walks away he sticks his tongue out to his back. I push my hair over my shoulder and look this man over a bit closer. His dark hair reaches his shoulders and falls in soft waves around his face. He has a strong jaw lined with stubble and high cheekbones under his impossibly dark eyes. His perfect teeth are framed beautifully with full lips and a dark goatee, which only highlight the voluptuous color of his mouth.
He’s wearing a dark blue button up shirt that fits loosely around his arms and chest, but the fitted dark jeans show off the chiseled lines of his thighs. He pushes his chair back slightly and stands, extending his large hand toward me. “I’m Reid. Reid Townsend.”
He’s tall, about 6’0”, with a smile right out of a toothpaste commercial, and when I take his hand (surely with a stupid look on my face) it’s rough from heavy use. “Nice to meet you. I’m Danielle Delaney,” I reply. “You can call me Dani… Or anything you’d like except DD, um, in high school some people called me Double D’s because of that name and because I have big boobs—” I cut off abruptly with a slightly choked sound, feeling the blood rush over my chest, face and ears. I’ve never blurted something like that before in my life, and I especially have never blurted anything because I’m standing in front of a beautiful guy—I’m the player, not the played.
”
”
Allana Kephart (Best Thing I Never Had (Anthology))
“
Sweet to me your voice, said Caolcrodha Mac Morna, brother to sweet-worded sweet-toothed Goll from Sliabh Riabhach and Brosnacha Bladhma, relate then the attributes that are to Finn's people.
[...]
I will relate, said Finn. Till a man has accomplished twelve books of poetry, the same is not taken for want of poetry but is forced away. No man is taken till a black hole is hollowed in the world to the depth of his two oxters and he put into it to gaze from it with his lonely head and nothing to him but his shield and a stick of hazel. Then must nine warriors fly their spears at him, one with the other and together. If he be spear-holed past his shield, or spear-killed, he is not taken for want of shield-skill. No man is taken till he is run by warriors through the woods of Erin with his hair bunched-loose about him for bough-tangle and briar-twitch. Should branches disturb his hair or pull it forth like sheep-wool on a hawthorn, he is not taken but is caught and gashed. Weapon-quivering hand or twig-crackling foot at full run, neither is taken. Neck-high sticks he must pass by vaulting, knee-high sticks by stooping. With the eyelids to him stitched to the fringe of his eye-bags, he must be run by Finn's people through the bogs and the marsh-swamps of Erin with two odorous prickle-backed hogs ham-tied and asleep in the seat of his hempen drawers. If he sink beneath a peat-swamp or lose a hog, he is not accepted of Finn's people. For five days he must sit on the brow of a cold hill with twelve-pointed stag-antlers hidden in his seat, without food or music or chessmen. If he cry out or eat grass-stalks or desist from the constant recital of sweet poetry and melodious Irish, he is not taken but is wounded. When pursued by a host, he must stick a spear in the world and hide behind it and vanish in its narrow shelter or he is not taken for want of sorcery. Likewise he must hide beneath a twig, or behind a dried leaf, or under a red stone, or vanish at full speed into the seat of his hempen drawers without changing his course or abating his pace or angering the men of Erin. Two young fosterlings he must carry under the armpits to his jacket through the whole of Erin, and six arm-bearing warriors in his seat together. If he be delivered of a warrior or a blue spear, he is not taken. One hundred head of cattle he must accommodate with wisdom about his person when walking all Erin, the half about his armpits and the half about his trews, his mouth never halting from the discoursing of sweet poetry. One thousand rams he must sequester about his trunks with no offence to the men of Erin, or he is unknown to Finn. He must swiftly milk a fat cow and carry milk-pail and cow for twenty years in the seat of his drawers. When pursued in a chariot by the men of Erin he must dismount, place horse and chariot in the slack of his seat and hide behind his spear, the same being stuck upright in Erin. Unless he accomplishes these feats, he is not wanted of Finn. But if he do them all and be skilful, he is of Finn's people.
”
”
Flann O'Brien (At Swim-Two-Birds)
“
I don’t want to come to the mainland. I don’t want a better job. Don’t you get it? I’m happy here. Not everyone wants to leave, Gabe! This is where I want to be. If I could have Dove and my space and a sack of beans, I’d call that enough.”
Gabriel looks at his feet and works his mouth, the way he used to when he and Dad would get into it and he didn’t like the corners he was being pushed into. “And that’s worth dying for?”
“Yeah. I think it is.”
He works a loose splinter on the top of a board. “You didn’t even think about it.”
“I don’t have to. How about this? I won’t race, and you’ll stay here.” But as I say it, I know that he’ll say no, and that I’d race anyway.
“Puck,” Gabe says, “I can’t.”
“Well,” I reply, pushing the gate open and leading Dove out past him, “there you go.”
But I don’t feel angry about it. There’s the old sting, but no surprise. It feels like I’ve known all along, ever since I was little, that he was going to leave, and I’d just been ignoring it. I think Gabe knew, too, when he started this conversation, that there was no way that he’d keep me and Dove off the beach. It was just something we both had to say. As I pass by, Gabe snags my arm. Dove amiably stops as he pulls me into a hug. He doesn’t say anything. It is like any number of hugs he’d given me growing up, when the six years of difference between us was a canyon, me a child on one side, him an adult.
“I’ll miss you,” I say into his sweater. For once it doesn’t smell of fish; it smells of the hay that he moved for me the night before and the smoke from the funeral pyre.
”
”
Maggie Stiefvater (The Scorpio Races)
“
I mean, I’m definitely flattered. That you would like me all this time--it’s flattering, you know?”
That’s enough. That’s plenty enough. “I don’t like you,” I say, loudly. “So there’s no reason you should feel flattered.”
Now it’s Peter’s turn to look taken aback. He quickly looks around to see if anyone heard. He leans forward and whispers, “Then why did you kiss me?”
“I kissed you because I don’t like you,” I explain, like this should be obvious. “See, my letters got sent out by someone. Not me.”
“Wait a minute. ‘Letters’? How many of us are there?”
“Five. And the guy I do like got one too--”
Peter frowns. “Who?”
Why should I tell him anything? “That’s…personal.”
“Hey, I think I have a right to know, since you pulled me into this little drama,” Peter says with a pointed look. I suck in my top lip and shake my head and he adds, “If there even really is a guy.”
“There is so a guy! It’s Josh Sanderson.”
“Doesn’t he go out with your sister?”
I nod. I’m surprised he even knows this. I didn’t think Josh and Margot would be on his radar. “They’re broken up now. But I don’t want him to know I have feelings for him…for obvious reasons. So…I told him you were my boyfriend.”
“So you used me to save face?”
“I mean, basically.” Basically exactly.
“You’re a funny girl.”
First I’m cute in a quirky way; now I’m a funny girl. I know what that means. “Anyway, thanks for going along with it, Peter.” I flash him what I hope is a winning smile and turn on my heel to go. “See ya!”
Peter reaches out and grabs me by the backpack. “Wait--so Sanderson thinks I’m your boyfriend now, right? So what are you going to tell him?”
I try to shrug him loose, but he won’t let go. “I haven’t figured that part out yet. But I will.” I lift my chin. “I’m quirky like that.”
Peter laughs out loud, his mouth open wide. “You really are funny, Lara Jean.
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
Ella.”
The sound was so quiet, I barely heard it through the blood-rush in my ears. I turned to look down the hallway.
A man was coming toward me, his lean form clad in a pair of baggy scrub pants and a loose T-shirt. His arm was bandaged with silver-gray burn wrap.
I knew the set of those shoulders, the way he moved.
Jack.
My eyes blurred, and I felt my pulse escalate to a painful throbbing. I began to shake from the effects of trying to encompass too much feeling, too fast.
“Is it you?” I choked.
“Yes. Yes. God, Ella . . .”
I was breaking down, every breath shattering. I gripped my elbows with my hands, crying harder as Jack drew closer. I couldn’t move. I was terrified that I was hallucinating, conjuring an image of what I wanted most, that if I reached out I would find nothing but empty space. But Jack was there, solid and real, reaching around me with hard, strong arms. The contact with him was electrifying. I flattened against him, unable to get close enough.
He murmured as I sobbed against his chest. “Ella . . . sweetheart, it’s all right. Don’t cry. Don’t . . .”
But the relief of touching him, being close to him, had caused me to unravel. Not too late. The thought spurred a rush of euphoria. Jack was alive, and whole, and I would take nothing for granted ever again. I fumbled beneath the hem of his T-shirt and found the warm skin of his back. My fingertips encountered the edge of another bandage. He kept his arms firmly around me as if he understood that I needed the confining pressure, the feel of him surrounding me as our bodies relayed silent messages.
Don’t let go.
I’m right here.
Tremors kept running along my entire frame.
My teeth chattered, making it hard to talk. “I th-thought you might not come back.”
Jack’s mouth, usually so soft, was rough and chapped against my cheek, his jaw scratchy with bristle. “I’ll always come back to you.” His voice was hoarse.
I hid my face against his neck, breathing him in. His familiar scent had been obliterated by the antiseptic pungency of antiseptic burn dressings, and heavy saltwater brine.
“Where are you hurt?” Sniffling, I reached farther over his back, investigating the extent of the bandage.
His fingers tangled in the smooth, soft locks of my hair. “Just a few burns and scrapes. Nothing to worry about.” I felt his cheek tauten with a smile. “All your favorite parts are still there.”
We were both quiet for a moment. I realized he was trembling, too. “I love you, Jack,” I said, and that started a whole new rush of tears, because I was so unholy glad to be able to say it to him. “I thought it was too late . . . I thought you’d never know, because I was a coward, and I’m so—”
“I knew.” Jack sounded shaken. He drew back to look down at me with glittering bloodshot eyes.
“You did?” I sniffled.
He nodded. “I figured I couldn’t love you as much as I do, without you feeling something for me, too.”
He kissed me roughly, the contact between our mouths too hard for pleasure. I put my fingers to Jack’s bristled jaw and eased his face away to look at him. He was battered and scraped and sun-scorched. I couldn’t begin to imagine how dehydrated he was. I pointed an unsteady finger at the waiting room. “Your family’s in there. Why are you in the hallway?”
My bewildered gaze swept down his body to his bare feet. “They’re . . . they’re letting you walk around like this?”
Jack shook his head. “They parked me in a room around the corner to wait for a couple more tests. I asked if anyone had told you I was okay, and nobody knew for sure. So I came to find you.”
“You just left when you’re supposed to be having more tests?”
“I had to find you.” His voice was quiet but unyielding.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Mike continued to walk unhurriedly toward the crowd until he loomed up in the stereo tank in life size, as if he were in the room with his water brothers. He stopped on the grass verge in front of the hotel, a few feet from the crowd. "You called me?"
He was answered with a growl.
The sky held scattered clouds; at that instant the sun came out from behind one and a shaft of golden light hit him.
His clothes vanished. He stood before them, a golden youth, clothed only in his own beauty, beauty that made Jubal's heart ache, thinking that Michelangelo in his ancient years would have climbed down from his high scaffolding to record it for generations unborn. Mike said gently, "Look at me. I am a son of man." . . . .
"God damn you!" A half brick caught Mike in the ribs. He turned his face slightly toward his assailant. "But you yourself are God. You can damn only yourself and you can never escape yourself."
"Blasphemer!" A rock caught him just over his left eye and blood welled forth.
Mike said calmly, "In fighting me, you fight yourself... for Thou art God and I am God * . . and all that groks is God-there is no other."
More rocks hit him, from various directions; he began to bleed in several places. "Hear the Truth. You need not hate, you need not fight, you need not fear. I offer you the water of life-" Suddenly his hand held a tumbler of water, sparkling in the sunlight. "-and you may share it whenever you so will . . . and walk in peace and love and happiness together."
A rock caught the glass and shattered it. Another struck him in the mouth.
Through bruised and bleeding lips he smiled at them, looking straight into the camera with an expression of yearning tenderness on his face. Some trick of sunlight and stereo formed a golden halo back of his head. "Oh my brothers, I love you so! Drink deep. Share and grow closer without end. Thou art God."
Jubal whispered it back to him. . . .
"Lynch him! Give the bastard a nigger necktie!" A heavy-gauge shotgun blasted at close range and Mike's right arm was struck off at the elbow and fell. It floated gently down, then came to rest on the cool grasses, its hand curved open in invitation.
"Give him the other barrel, Shortie-and aim closer!" The crowd laughed and applauded. A brick smashed Mike's nose and more rocks gave him a crown of blood. "The Truth is simple but the Way of Man is hard. First you must learn to control yourself. The rest follows. Blessed is he who knows himself and commands himself, for the world is his and love and happiness and peace walk with him wherever he goes." Another shotgun blast was followed by two more shots. One shot, a forty-five slug, hit
Mike over the heart, shattering the sixth rib near the sternum and making a large wound; the buckshot and the other slug sheered through his left tibia five inches below the patella and left the fibula sticking out at an angle, broken and white against the yellow and red of the wound. Mike staggered slightly and laughed, went on talking, his words clear and unhurried. "Thou art God. Know that and the Way is opened."
"God damn it-let's stop this taking the Name of the Lord in vain!"- "Come on, men! Let's finish him!" The mob surged forward, led by one bold with a club; they were on him with rocks and fists, and then with feet as he went down. He went on talking while they kicked his ribs in and smashed his golden body, broke his bones and tore an ear loose. At last someone called out, "Back away a little so we can get the gasoline on him!"
The mob opened up a little at that waning and the camera zoomed to pick up his face and shoulders. The Man from Mars smiled at his brothers, said once more, softly and clearly, "I love you." An incautious grasshopper came whirring to a landing on the grass a few inches from his face; Mike turned his head, looked at it as it stared back at him. "Thou art God," he said happily and discorporated.
”
”
Robert A. Heinlein
“
He must have seen something in my gaze because he pushed away from the door and moved closer. He stopped in front of me, and without breaking eye contact, reached into my bag and pulled out a pair of jeans. He held them out to me and tapped his lips. I smiled widely. “A kiss for the jeans?” He nodded. I grabbed the jeans from his loose grasp and tossed them on the bed. He watched me, curious, as I stood and placed my hands on his chest for balance. “I don’t need bribes to kiss you, Clay. Come here.” His lips covered mine in a move so fast, my head spun even more. I clutched his shirt in my fists, not sure if it was his kiss or my condition that caused the current wave of dizziness. His arms circled around me. I felt safe. And so desired. I pressed myself closer, and he increased the pressure on my lips. His warm breath fanned my face. One of his hands roamed up to curve around the back of my neck. My heart skipped a beat, and my breathing became more erratic. I knew he’d hear but I didn’t care. Standing on my tiptoes, I loosened my hold on his shirt and slid my hands up and around his neck. I didn’t want him to let go just yet. Tentatively, I opened my mouth and ran my tongue across his bottom lip. He growled, and his hold tightened fractionally. A thrill shot through me, heating my limbs and tickling my stomach. I used my tongue again. His mouth opened in response. He took control of the kiss and turned it from tender-sweet to passionately melting. Our tongues touched. I stopped breathing. My world tilted then steadied. He anchored me. How could I doubt this? Us? My lungs burned for air, and he gently pulled away even though I whined in protest. He kissed my cheek, then my forehead. It took a minute for the world to right itself again while I caught my breath. Clay placed his chin on my head and held me tight. My head rested on his chest over his thundering heart. The kiss had affected him as much as it had me. It made me smile because now I knew without a doubt; I attracted him, not my strange pull. I
”
”
Melissa Haag (Hope(less) (Judgement of the Six #1))
“
There was a bell clanging in the tower of the building next to the black-shrike-thorn-cave. She found the noise irritating, so she twisted her neck and loosed a jet of blue and yellow flame at it. The tower did not catch fire, as it was stone, but the rope and beams supporting the bell ignited, and a few seconds later, the bell fell crashing into the interior of the tower.
That pleased her, as did the two-legs-round-ears who ran screaming from the area. She was a dragon, after all. It was only right that they should fear her.
One of the two-legs paused by the edge of the square in front of the black-shrike-thorn-cave, and she heard him shout a spell at her, his voice like the squeaking of a frightened mouse. Whatever the spell was, Eragon’s wards shielded her from it--at least she assumed they did, for she noticed no difference in how she felt or in the appearance of the world around her.
The wolf-elf-in-Eragon’s-shape killed the magician for her. She could feel how Blödhgarm grasped hold of the spellcaster’s mind and wrestled the two-legs-round-ears’ thoughts into submission, whereupon Blödhgarm uttered a single word in the ancient-elf-magic-language, and the two-legs-round-ears fell to the ground, blood seeping from his open mouth.
Then the wolf-elf tapped her on the shoulder and said, “Ready yourself, Brightscales. Here they come.”
She saw Thorn rising above the edge of the rooftops, Eragon-half-brother-Murtagh a small, dark figure on his back. In the light of the morning sun, Thorn shone and sparkled almost as brilliantly as she herself did. Her scales were cleaner than his, though, as she had taken special care when grooming earlier. She could not imagine going into battle looking anything but her best. Her enemies should not only fear her, but admire her.
She knew it was vanity on her part, but she did not care. No other race could match the grandeur of the dragons. Also, she was the last female of her kind, and she wanted those who saw her to marvel at her appearance and to remember her well, so if dragons were to vanish forevermore, two-legs would continue to speak of them with the proper respect, awe, and wonder.
”
”
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
“
I’m sure we can manage to tolerate each other’s company for one meal.”
“I won’t say anything about farming. We can discuss other subjects. I have a vast and complex array of interests.”
“Such as?”
Mr. Ravenel considered that. “Never mind, I don’t have a vast array of interests. But I feel like the kind of man who does.”
Amused despite herself, Phoebe smiled reluctantly. “Aside from my children, I have no interests.”
“Thank God. I hate stimulating conversation. My mind isn’t deep enough to float a straw.”
Phoebe did enjoy a man with a sense of humor. Perhaps this dinner wouldn’t be as dreadful as she’d thought. “You’ll be glad to hear, then, that I haven’t read a book in months.”
“I haven’t gone to a classical music concert in years,” he said. “Too many moments of ‘clap here, not there.’ It makes me nervous.”
“I’m afraid we can’t discuss art, either. I find symbolism exhausting.”
“Then I assume you don’t like poetry.”
“No . . . unless it rhymes.”
“I happen to write poetry,” Ravenel said gravely.
Heaven help me, Phoebe thought, the momentary fun vanishing. Years ago, when she’d first entered society, it had seemed as if every young man she met at a ball or dinner was an amateur poet. They had insisted on quoting their own poems, filled with bombast about starlight and dewdrops and lost love, in the hopes of impressing her with how sensitive they were. Apparently, the fad had not ended yet.
“Do you?” she asked without enthusiasm, praying silently that he wouldn’t offer to recite any of it.
“Yes. Shall I recite a line or two?”
Repressing a sigh, Phoebe shaped her mouth into a polite curve. “By all means.”
“It’s from an unfinished work.” Looking solemn, Mr. Ravenel began, “There once was a young man named Bruce . . . whose trousers were always too loose.”
Phoebe willed herself not to encourage him by laughing. She heard a quiet cough of amusement behind her and deduced that one of the footmen had overheard.
“Mr. Ravenel,” she asked, “have you forgotten this is a formal dinner?”
His eyes glinted with mischief. “Help me with the next line.”
“Absolutely not.”
“I dare you.”
Phoebe ignored him, meticulously spreading her napkin over her lap.
“I double dare you,” he persisted.
“Really, you are the most . . . oh, very well.” Phoebe took a sip of water while mulling over words. After setting down the glass, she said, “One day he bent over, while picking a clover.”
Ravenel absently fingered the stem of an empty crystal goblet. After a moment, he said triumphantly, “. . . and a bee stung him on the caboose.”
Phoebe almost choked on a laugh. “Could we at least pretend to be dignified?” she begged.
“But it’s going to be such a long dinner.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
CUPPA’S ‘TO DIE FOR’ CINNAMON ROLLS Did the description of Cuppa’s amazing cinnamon rolls make your mouth water? Every time I described them in this book I thought about my family’s favorite recipe for cinnamon rolls, and I’ve included it here for you. I think Tory and Meg would approve. All measurements/temperatures are in US units. Makes 12 wonderfully large rolls Dough: 2 packages active dry yeast 1 cup warm water 2/3 cup plus 1 teaspoon granulated sugar, divided 1 cup warmed milk (I microwave this and then stir to be sure there are no hot spots) 2/3 cup softened butter 2 teaspoons salt 2 eggs, beaten 7 to 8 cups all-purpose flour Filling of Deliciousness: 1 cup melted butter, divided (that’s 2 sticks) 1-3/4 cups dark brown sugar, divided 3 Tablespoons ground cinnamon 1 teaspoon ground nutmeg (fresh, if possible) 1 to 2 cups chopped pecans (optional) 1-1/2 cups dark raisins (optional) Frosting: 1/2 cup melted butter 3 cups powdered sugar 1 and a half teaspoons real vanilla 5 to 8 Tablespoons hot water DIRECTIONS: To make dough combine yeast, warm water and 1 teaspoon sugar in a cup and stir. Set aside. In a large bowl mix warmed milk, remaining 2/3 cup sugar, butter, salt, and eggs. Stir well and add yeast mixture. Add half the flour and beat until smooth. Stir in enough of the remaining flour to make a slightly stiff dough. It’s okay for the dough to be sticky. Turn out onto a well-floured board and knead for 5 to 10 minutes. Place in a well-buttered glass bowl. Cover loosely and let rise in a warm draft-free place until doubled in bulk, about 1 to 1-1/2 hours. When doubled, punch down dough and let it rest for 5 minutes. Roll out onto floured surface into a 15 x 20-inch rectangle. Filling: Spread dough with ½ cup melted butter. Mix together 1/-1/2 cups brown sugar, cinnamon, and nutmeg. Sprinkle over buttered dough. Sprinkle with pecans and raisins, if you want. Sometimes I go really crazy and add a cup of finely-chopped apples, too. Roll up jellyroll-fashion and pinch the edges together to seal. Cut into 12 slices. Coat bottom of a 13”’x 9” and a square 8” pan with the last ½ cup of melted butter, and sprinkle remaining ¼ cup of sugar mixture on top. Place slices close together in pans. Let rise in warm, draft-free place until doubled in bulk (about 45 minutes). Preheat oven to 350 degrees. Bake for 25 to 30 minutes, until nicely browned. Let cool slightly and spread with frosting. Share with others, and be prepared to get marriage proposals ;) Frosting: Mix melted butter, powdered sugar, and vanilla. Add hot water a tablespoon at a time, mixing after each, until frosting is of desired consistency. Spread or drizzle over slightly-cooled rolls.
”
”
Carolyn L. Dean (Bed, Breakfast, & Bones (Ravenwood Cove Mystery, #1))
“
He watched her pace toward him.
She stopped just short of his chair and looked down at him. Her loose hair slipped over her shoulder. “I remember something. I’m not sure if it happened or not. Will you tell me?”
“Yes,” he whispered.
“I remember lying with you on the lawn of the imperial palace’s spring garden.”
He shifted. Lamplight pulsed over his face. He shook his head.
“I remember finding you in your suite.” This memory was coming to her now. It had a similar flavor as the last one. “I promised to tell you my secrets. You held a book. Or kindling? You were making a fire.”
“That didn’t happen.”
“I kissed you.” She touched the hollow at the base of his neck. His pulse was wild.
“Not then,” he said finally.
“But I have before.” There was a rush of images. It was as if the melody she’d imagined while lying in the dark had been dunked in the green liquor. All the cold stops gained heat and ran together. It was easy to remember Arin, especially now. Her hand slid to his chest. The cotton of his shirt was hot. “Your kitchens. A table. Honey and flour.”
His heart slammed against her palm. “Yes.”
“A carriage.”
“Yes.”
“A balcony.”
Breath escaped him like a laugh. “Almost.”
“I remember falling asleep in your bed when you weren’t here.”
He pulled back slightly, searched her face. “That didn’t happen.”
“Yes it did.”
His mouth parted, but he didn’t speak. The blacks of his eyes were bright. She wondered what it would be like to give her body what it wanted. It knew something she didn’t. Her heart sped, her blood was lush in her veins.
“The first day,” she said. “Last summer. Your hair was a mess. I wanted to sweep it back and make you meet my eyes. I wanted to see you.”
His chest rose and fell beneath her hand. “I don’t know. I can’t--I don’t know what you wanted.”
“I never said?”
“No.”
She lowered her mouth to his. She tasted him: the raw burn of liquor on his tongue. She felt him swallow, heard the low, dry sound of it.
He pulled her down to him, tangled his hands in her hair, sucked the breath from her lips. She became uncertain whose breath was whose. He kissed her back, fingertips fanning across her face, then gone, nowhere. Then: a light touch along the curve of her hip, just barely. A stone skipping the surface of the water. “Strange,” he murmured into her mouth.
She wasn’t listening. She was rippling, the sensation spreading wide. Stone on water, dimpled pockets of pressure. The wait for the stone to finally drop down.
Suddenly she knew--or thought she knew--what he found strange as he traced where a dagger should have been. To see a part of her missing. She felt her missing pieces, the stark gaps. She was arrested by the thought (it pierced her, sharp and surreal) that she had become transparent, that if he touched her again his hand would go right through her, into air, into the empty spaces of who she was now.
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
I started blasting my gun. Letting loose a stream of words like I'd never used before. True to form, Misty didn't stay put and stood at my side. Tears stained her cheeks. Her gun firing wildly. It was a blur. The next thing I knew, no zombies were left standing and we knelt at Kali's side. I took out a rag and wiped the feathers from his face. We could tell he was still alive. His chest rising and falling in jerks. "Kali, how bad are you hurt?" I asked with an unsteady voice. "I'm okay, guys. Did we get all of them?" he whispered. "Nate, he's been bit all over!" I looked down at his body, covered in white feathers, speckled with splotches of deep red. "Yep. You got 'em, even those freak chickens." "Nate, I'm thirsty," his voice shaky and cracking. "Okay, buddy. We've got water in the truck." "No, not water. How about a glass of lemonade?" "Kali, what are you saying?" Misty's voice was tense as a piano string. "Hurry, Nate. I'm getting weak—the lemonade." I think running into the crowd of zombies would have been easier than this. Maybe that's why Kali chucked a rock at my head—he knew he could count on me for this. I ripped off a small water gun I had taped on my suit and tore off the cap. "Oh, Nate, don't. Maybe there's something we can do. Maybe—" she stopped. I put my hand behind Kali's neck and felt a slight burn, probably zombie snot. Misty took one of his hands and held it to her chest. "You were so brave, Kali, so brave." My hands didn't shake anymore; they were numb, as if they didn't belong to me. I manipulated them the best I could—like using chopsticks. Lifting Kali's head, I poured the juice into his mouth until it was gone. He was burning up; his skin felt like it was on fire. "I never thought I'd have friends, real friends—thank you, guys." He closed his eyes and I felt the muscles in his neck go limp. Gently, I put his head down and cleaned my blistering hand with the rag. Misty wiped her tears as I put the rag over Kali's face. "No, thank you, kid." We sat there still, silent except for the small cries that we both let slip out. Misty, still holding his hand. Me, staring down at my hands, soaked in tears. I don't know how much time passed. It could have been five minutes; it might have been an hour. Suddenly, the feathers moved, flying in every direction. Looking up, I saw a helicopter coming down in front of us—one of those big black military ones. It landed and three men stepped out. They wore protective gear like you see in those alien movies. I worried a little about what they might have planned for us. I've seen enough movies to know those government types can't be trusted—especially when they're in those protective suits. "What happened here? How did you manage to negate the virus?" one of the hooded figures asked. "Zombie juice," I replied. "Zombie juice?" "Actually it was the Super Zombie Juice Mega Bomb," Misty added as she stood and took my hand.
”
”
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
“
You okay?” Marlboro Man called out. I didn’t answer. I just kept on walking, determined to get the hell out of Dodge.
It took him about five seconds to catch up with me; I wasn’t a very fast walker. “Hey,” he said, grabbing me around the waist and whipping me around so I was facing him. “Aww, it’s okay. It happens.”
I didn’t want to talk about it. I didn’t want to hear it. I wanted him to let go of me and I wanted to keep on walking. I wanted to walk back down the hillside, start my car, and get out of there. I didn’t know where I’d go, I just knew I wanted to go. I wanted away from all of it--riding horses, saddles, reins, bridles--I didn’t want it anymore. I hated everything on that ranch. It was all stupid, dumb…and stupid.
Wriggling loose of his consoling embrace, I squealed, “I seriously can’t do this!” My hands trembled wildly and my voice quivered. The tip of my nose began to sting, and tears welled up in my eyes. It wasn’t like me to display such hysteria in the presence of a man. But being driven to the brink of death had brought me to this place. I felt like a wild animal. I was powerless to restrain myself. “I don’t want to do this for the rest of my life!” I cried.
I turned to leave again but decided instead to give up, choosing to sit down on the ground and slump over in defeat. It was all so humiliating--not just my rigid, freakish riding style or my near collision with the ground, but also my crazy, emotional reaction after the fact. This wasn’t me. I was a strong, confident woman, for Lord’s sake; I don’t slump on the ground in the middle of a pasture and cry. What was I doing in a pasture, anyway? Knowing my luck, I was probably sitting on a pile of manure. But I couldn’t even walk anymore; my knees were even trembling by now, and I’d lost all feeling in my fingertips. My heart pounded in my cheeks.
If Marlboro Man had any sense, he would have taken the horses and gotten the hell out of there, leaving me, the hysterical female, sobbing on the ground by myself. She’s obviously in the throes of some hormonal fit, he probably thought. There’s nothing you can say to her when she gets like this. I don’t have time for this crap. She’s just gonna have to learn to deal with it if she’s going to marry me.
But he didn’t get the hell out of there. He didn’t leave me sobbing on the ground by myself. Instead he joined me on the grass, sitting beside me and putting his hand on my leg, reassuring me that this kind of thing happens, and there wasn’t anything I did wrong, even though he was probably lying.
“Now, did you really mean that about not wanting to do this the rest of your life?” he asked. That familiar, playful grin appeared in the corner of his mouth.
I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn’t meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans.
“Hey, we don’t have to do this now,” Marlboro Man said, standing back up. “I’ll just do it later.”
“No, I’m fine,” I answered, walking back toward my horse with newfound resolve.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I’m at my locker; the door is jammed, and I’m trying to yank it open. I finally get the door loose and there’s Josh, standing right there.
“Lara Jean…” He has this shell-shocked, confused expression on his face. “I’ve been trying to talk to you since last night. I came by, and nobody could find you…” He holds out my letter. “I don’t understand. What is this?”
“I don’t know…,” I hear myself say. My voice feels far away. It’s like I’m floating above myself, watching it all unfold.
“I mean, it’s from you, right?”
“Oh, wow.” I take a deep breath and accept the letter. I fight the urge to tear it up. “Where did you even get this?”
“It got sent to me in the mail.” Josh jams his hands into his pockets. “When did you write this?”
“Like, a long time ago,” I say. I let out a fake little laugh. “I don’t even remember when. It might have been middle school.” Good job, Lara Jean. Keep it up.
Slowly he says, “Right…but you mention going to the movies with Margot and Mike and Ben that time. That was a couple of years ago.”
I bite my bottom lip. “Right. I mean, it was kind of a long time ago. In the grand scheme of things.” I can feel tears coming on so close that if I break concentration even for a second, if I waver, I will cry and that will make everything worse, if such a thing is possible. I must be cool and breezy and nonchalant now. Tears would ruin that.
Josh is staring at me so hard I have to look away. “So then…Do you…or did you have feelings for me or…?”
“I mean, yes, sure, I did have a crush on you at one point, before you and Margot ever started dating. A million years ago.”
“Why didn’t you ever say anything? Because, Lara Jean…God. I don’t know.” His eyes are on me, and they’re confused, but there’s something else, too. “This is crazy. I feel kind of blindsided.”
The way he’s looking at me now, I’m suddenly in a time warp back to a summer day when I was fourteen and he was fifteen, and we were walking home from somewhere. He was looking at me so intently I was sure he was going to try to kiss me. I got nervous, so I picked a fight with him and he never looked at me like that again.
Until this moment.
Don’t. Just please, don’t.
Whatever he’s thinking, whatever he wants to say, I don’t want to hear it. I will do anything, literally anything, not to hear it.
Before he can, I say, “I’m dating someone.”
Josh’s jaw goes slack. “What?”
What?
“Yup. I’m dating someone, someone I really really like, so please don’t worry about this.” I wave the letter like it’s just paper, trash, like once upon a time I didn’t literally pour my heart onto this page. I stuff it into my bag. “I was really confused when I wrote this; I don’t even know how it got sent out. Honestly, it’s not worth talking about. So please, please don’t say anything to Margot about it.”
He nods, but that’s not good enough. I need a verbal commitment. I need to hear the words come out of his mouth. So I add, “Do you swear? On your life?” If Margot was to ever find out…I would want to die.
“All right, I swear. I mean, we haven’t even spoken since she left.”
I let out a huge breath. “Great. Thanks.” I’m about to walk away, but then Josh stops me.
“Who’s the guy?”
“What guy?”
“The guy you’re dating.”
That’s when I see him. Peter Kavinsky, walking down the hallway. Like magic. Beautiful, dark-haired Peter. He deserves background music, he looks so good. “Peter. Kavinsky. Peter Kavinsky!
”
”
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
“
In the entire endless evening his serenity received a jolt only a few times. The first was when someone who didn’t know who he was confided that only two months ago Lady Elizabeth’s uncle had sent out invitations to all her former suitors offering her hand in marriage.
Suppressing his shock and loathing for her uncle, Ian had pinned an amused smile on his face and confided, “I’m acquainted with the lady’s uncle, and I regret to say he’s a little mad. As you know, that sort of thing runs,” Ian had finished smoothly, “in our finest families.” The reference to England’s hopeless King George was unmistakable, and the man had laughed uproariously at the joke. “True,” he agreed. “Lamentably true.” Then he went off to spread the word that Elizabeth’s uncle was a confirmed loose screw.
Ian’s method of dealing with Sir Francis Belhaven-who, his grandfather had discovered, was boasting that Elizabeth had spent several days with him-was less subtle and even more effective. “Belhaven,” Ian said after spending a half hour searching for the repulsive knight.
The stout man had whirled around in surprise, leaving his acquaintances straining to hear Ian’s low conversation with him. “I find your presence repugnant,” Ian had said in a dangerously quiet voice. “I dislike your coat, I dislike your shirt, and I dislike the knot in your neckcloth. In fact, I dislike you. Have I offended you enough yet, or shall I continue?”
Belhaven’s mouth dropped open, his pasty face turning a deathly gray. “Are-are you trying to force a-duel?”
“Normally one doesn’t bother shooting a repulsive toad, but in this instance I’m prepared to make an exception, since this toad doesn’t know how to keep his mouth shut!”
“A duel, with you?” he gasped. “Why, it would be no contest-none at all. Everyone knows what sort of marksman you are. It would be murder.”
Ian leaned close, speaking between his clenched teeth. “It’s going to be murder, you miserable little opium-eater, unless you suddenly remember very vocally that you’ve been joking about Elizabeth Cameron’s visit.”
At the mention of opium the glass slid from his fingers and crashed to the floor. “I have just realized I was joking.”
“Good,” Ian said, restraining the urge to strangle him. “Now start remembering it all over this ballroom!”
“Now that, Thornton,” said an amused voice from Ian’s shoulder as Belhaven scurried off to begin doing as bidden, “makes me hesitate to say that he is not lying.” Still angry with Belhaven, Ian turned in surprise to see John Marchman standing there. “She was with me as well,” Marchman sad. “All aboveboard, for God’s sake, so don’t look at me like I’m Belhaven. Her aunt Berta was there every moment.”
“Her what?” Ian said, caught between fury and amusement.
“Her Aunt Berta. Stout little woman who doesn’t say much.”
“See that you follow her example,” Ian warned darkly.
John Marchman, who had been privileged to fish at Ian’s marvelous stream in Scotland, gave his friend an offended look. “I daresay you’ve no business challenging my honor. I was considering marrying Elizabeth to keep her out of Belhaven’s clutches; you were only going to shoot him. It seems to me that my sacrifice was-“
“You were what?” Ian said, feeling as if he’d walked in on a play in the middle of the second act and couldn’t seem to hold onto the thread of the plot or the identity of the players.
“Her uncle turned me down. Got a better offer.”
“Your life will be more peaceful, believe me,” Ian said dryly, and he left to find a footman with a tray of drinks.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))